
Project Gutenberg's The Cambridge Book of Poetry for Children, by Various

This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll have
to check the laws of the country where you are located before using this ebook.

Title: The Cambridge Book of Poetry for Children
       Parts 1 and 2

Author: Various

Editor: Kenneth Grahame

Release Date: January 22, 2016 [EBook #50994]

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK CAMBRIDGE BOOK POETRY CHILDREN ***




Produced by The Online Distributed Proofreading Team at
http://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive/American
Libraries.)

The Cambridge Book
of
Poetry for Children

PART I

CAMBRIDGE UNIVERSITY PRESS

C. F. CLAY, Manager

London: FETTER LANE, E.C.
Edinburgh: 100 PRINCES STREET

Bombay, Calcutta and Madras: MACMILLAN AND CO., Ltd.

Toronto: J. M. DENT AND SONS, Ltd.

Tokyo: THE MARUZEN-KABUSHIKI-KAISHA

Copyrighted in the United States of America by
G. P. PUTNAM’S SONS,
2, 4 and 6, West 45th Street, New York City

The Cambridge Book
of
Poetry for Children

Edited by
KENNETH GRAHAME

Author of The Golden Age, Dream Days, The Wind in the Willows, etc.

PART I

Cambridge:
at the University Press
1916

NOTE

The Editor is indebted to the following authors and publishers for leave to reprint copyright poems: Mr W. Graham Robertson and Mr Norman Gale; Messrs Longmans Green & Co. for a poem by Walter Ramal and for a poem from Stevenson’s Child’s Garden of Verse, Messrs Chatto & Windus for an extract from Swinburne’s Songs Before Sunrise and for a poem from Walter Thornbury’s Ballads and Songs, Messrs G. Routledge & Sons for a poem by Joaquin Miller, Mr Elliot Stock for an extract from a play by H. N. Maugham; and Mr John Lane for the Rands, Eugene Field, and Graham Robertson poems, and for two extracts from John Davidson’s Fleet Street Eclogues.

PREFACE

IN compiling a selection of Poetry for Children, a conscientious Editor is bound to find himself confronted with limitations so numerous as to be almost disheartening. For he has to remember that his task is, not to provide simple examples of the whole range of English poetry, but to set up a wicket-gate giving attractive admission to that wide domain, with its woodland glades, its pasture and arable, its walled and scented gardens here and there, and so to its sunlit, and sometimes misty, mountain-tops—all to be more fully explored later by those who are tempted on by the first glimpse. And always he must be proclaiming to the small tourists that there is joy, light and fresh air in that delectable country.

v Briefly, I think that blank verse generally, and the drama as a whole, may very well be left for readers of a riper age. Indeed, I believe that those who can ignore the plays of Shakespeare and his fellow-Elizabethans till they are sixteen will be no losers in the long run. The bulk, too, of seventeenth and eighteenth century poetry, bending under its burden of classical form and crowded classical allusion, requires a completed education and a wide range of reading for its proper appreciation.

Much else also is barred. There are the questions of subject, of archaic language and thought, and of occasional expression, which will occur to everyone. Then there is dialect, and here one has to remember that these poems are intended for use at the very time that a child is painfully acquiring a normal—often quite arbitrary—orthography. Is it fair to that child to hammer into him—perhaps literally—that porridge is spelt porridge, and next minute to present it to him, in an official ‘Reader,’ under the guise of parritch? I think not; and I have accordingly kept as far as possible to the normal, though at some loss of material.

vi In the output of those writers who have deliberately written for children, it is surprising how largely the subject of death is found to bulk. Dead fathers and mothers, dead brothers and sisters, dead uncles and aunts, dead puppies and kittens, dead birds, dead flowers, dead dolls—a compiler of Obituary Verse for the delight of children could make a fine fat volume with little difficulty. I have turned off this mournful tap of tears as far as possible, preferring that children should read of the joy of life, rather than revel in sentimental thrills of imagined bereavement.

There exists, moreover, any quantity of verse for children, which is merely verse and nothing more. It lacks the vital spark of heavenly flame, and is useless to a selector of Poetry. And then there is the whole corpus of verse—most of it of the present day—which is written about children, and this has even more carefully to be avoided. When the time comes that we send our parents to school, it will prove very useful to the compilers of their primers.

vii All these restrictions have necessarily led to two results. First, that this collection is chiefly lyrical—and that, after all, is no bad thing. Lyric verse may not be representative of the whole range of English poetry, but as an introduction to it, as a Wicket-gate, there is no better portal. The second result is, that it is but a small sheaf that these gleanings amount to; but for those children who frankly do not care for poetry it will be more than enough; and for those who love it and delight in it, no ‘selection’ could ever be sufficiently satisfying.

KENNETH GRAHAME.

October 1915.

viii

		PAGE
Preface		v
For the Very Smallest Ones
RHYMES AND JINGLES
Merry are the Bells		1
Safe in Bed		2
Jenny Wren		2
Curly Locks		3
Pussy-Cat Mew		3
Draw a Pail of Water		4
I Saw a Ship a-sailing		4
The Nut-Tree		5
My Maid Mary		5
The Wind and the Fisherman		6
Blow, Wind, Blow		6
All Busy		6
Winter has Come		7
Poor Robin		7
I have a Little Sister		7
In Marble Walls		8
FAMILIAR OBJECTS
The Moon	Eliza Lee Follen	8
The Star	A. & J. Taylor	9
Kitty	Mrs E. Prentiss	10
ix Kitty: How to Treat Her		11
Kitty: what She thinks of Herself	W. B. Rands	12
The Sea Shell	Amy Lowell	12
COUNTRY BOYS’ SONGS
The Cuckoo		13
The Bird-Scarer’s Song		13
Cradle Song		13
Good Night!	A. & J. Taylor	14
For Those a Little Older
A BUNCH OF LENT LILIES
Daffodils	W. Shakespeare	15
To Daffodils	R. Herrick	15
Daffodils	W. Wordsworth	16
SEASONS AND WEATHER
The Months	Sara Coleridge	17
The Wind in a Frolic	William Howitt	19
The Four Sweet Months	R. Herrick	22
Glad Day	W. G. Robertson	22
Buttercups and Daisies	Mary Howitt	24
The Merry Month of March	W. Wordsworth	24
What the Birds Say	S. T. Coleridge	25
Spring’s Procession	Sydney Dobell	26
The Call of the Woods	W. Shakespeare	28
A Prescription for a Spring Morning	John Davidson	28
x The Country Faith	Norman Gale	29
The Butterfly’s Ball	W. Roscoe	30
TASTES AND PREFERENCES
A Wish	Samuel Rogers	33
Wishing	W. Allingham	34
Bunches of Grapes	Walter Ramal	35
Contentment	Eugene Field	36
TOYS AND PLAY, IN-DOORS AND OUT
The Land of Story-Books	R. L. Stevenson	38
Sand Castles	W. G. Robertson	39
Ring o’ Roses	”	41
DREAM-LAND
Wynken, Blynken, and Nod	Eugene Field	42
The Drummer-Boy and the Shepherdess	W. B. Rands	44
The Land of Dreams	William Blake	45
Sweet and Low	Lord Tennyson	45
Cradle Song	Sir Walter Scott	46
Mother and I	Eugene Field	47
FAIRY-LAND
The Fairies	W. Allingham	48
Shakespeare’s Fairies	W. Shakespeare	51
The Lavender Beds	W. B. Rands	54
Farewell to the Fairies	Richard Corbet	55
Death of Oberon	G. W. Thornbury	57
Kilmeny	James Hogg	58
xi TWO SONGS
A Boy’s Song	James Hogg	62
A Girl’s Song	Thomas Moore	63
FUR AND FEATHER
Three Things to Remember	William Blake	65
The Knight of Bethlehem	H. N. Maugham	65
The Lamb	William Blake	65
The Tiger	”	66
I had a Dove	J. Keats	67
Robin Redbreast	W. Allingham	68
Black Bunny	W. B. Rands	69
The Cow	A. & J. Taylor	71
The Skylark	James Hogg	72
CHRISTMAS POEMS
Christmas Eve	John Davidson	73
A Christmas Carol	R. Herrick	75
A Child’s Present	”	76
The Peace-Giver	A. C. Swinburne	77
VARIOUS
To a Singer	P. B. Shelley	78
The Happy Piper	William Blake	80
The Destruction of Sennacherib	Lord Byron	81
Sheridan’s Ride	T. Buchanan Read	83
Columbus	Joaquin Miller	86
Horatius	Lord Macaulay	88
Index of Authors		113
Index of First Lines		115

For the Very Smallest Ones

RHYMES AND JINGLES

We begin with some jingles and old rhymes; for rhymes and jingles must not be despised. They have rhyme, rhythm, melody, and joy; and it is well for beginners to know that these are all elements of poetry, so that they will turn to it with pleasant expectation.

Merry are the Bells

Merry are the bells, and merry would they ring,
Merry was myself, and merry could I sing;
With a merry ding-dong, happy, gay, and free,
And a merry sing-song, happy let us be!

Waddle goes your gait, and hollow are your hose;
Noddle goes your pate, and purple is your nose;
Merry is your sing-song, happy, gay, and free;
With a merry ding-dong, happy let us be!

Merry have we met, and merry have we been;

Merry let us part, and merry meet again;

With our merry sing-song, happy, gay, and free,

With a merry ding-dong, happy let us be!

Safe in Bed

Matthew, Mark, Luke and John,
Bless the bed that I lie on!
Four corners to my bed,
Five angels there lie spread;
Two at my head,
Two at my feet,
One at my heart, my soul to keep.

Jenny Wren

Jenny Wren fell sick;
Upon a merry time,
In came Robin Redbreast,
And brought her sops of wine.

Eat well of the sop, Jenny,

Drink well of the wine;

Thank you Robin kindly,

You shall be mine.

Jenny she got well,
And stood upon her feet,
And told Robin plainly
She loved him not a bit.

Robin, being angry,
Hopp’d on a twig,
Saying, Out upon you,
Fye upon you,
Bold-faced jig!

Curly Locks

Curly locks! Curly locks!
Wilt thou be mine?
Thou shalt not wash dishes
Nor yet feed the swine.
But sit on a cushion
And sew a fine seam,
And feed upon strawberries
Sugar and cream.

Pussy-Cat Mew

Pussy-cat Mew jumped over a coal,
And in her best petticoat burnt a great hole.
Pussy-cat Mew shall have no more milk
Till she has mended her gown of silk.

Draw a Pail of Water

Draw a pail of water
For my Lady’s daughter.
Father’s a King,
Mother’s a Queen,
My two little sisters are dressed in green,
Stamping marigolds and parsley.

I Saw a Ship a-sailing

I saw a ship a-sailing,
A-sailing on the sea;
And it was full of pretty things
For baby and for me.

There were sweetmeats in the cabin,
And apples in the hold;
The sails were made of silk,
And the masts were made of gold.

The four-and-twenty sailors

That stood between the decks,

Were four-and-twenty white mice,

With chains about their necks.

The captain was a duck,
With a packet on his back;
And when the ship began to move,
The captain cried, “Quack, quack!”

The Nut-Tree

I had a little nut-tree,
Nothing would it bear
But a silver nutmeg
And a golden pear;
The King of Spain’s daughter
She came to see me,
And all because of my little nut-tree.
I skipped over water,
I danced over sea,
And all the birds in the air couldn’t catch me.

My Maid Mary

My maid Mary she minds the dairy,
While I go a-hoeing and a-mowing each morn;
Gaily run the reel and the little spinning-wheel,
Whilst I am singing and mowing my corn.

The Wind and the Fisherman

When the wind is in the East,
’Tis neither good for man or beast;
When the wind is in the North,
The skilful fisher goes not forth;
When the wind is in the South,
It blows the bait in the fish’s mouth;
When the wind is in the West,
Then ’tis at the very best.

Blow, Wind, Blow

Blow, wind, blow! and go, mill, go!
That the miller may grind his corn;
That the baker may take it and into rolls make it,
And send us some hot in the morn.

All Busy

The cock’s on the house-top,
Blowing his horn;
The bull’s in the barn,
A-threshing of corn;
The maids in the meadows
Are making the hay,
The ducks in the river
Are swimming away.

Winter has Come

Cold and raw
The north wind doth blow
Bleak in the morning early;
All the hills are covered with snow,
And winter’s now come fairly.

Poor Robin

The north wind doth blow,
And we shall have snow,
And what will poor Robin do then, poor thing?
He’ll sit in the barn,
And keep himself warm,
And hide his head under his wing, poor thing!

I have a Little Sister

I have a little sister, they call her Peep, Peep,
She wades the waters, deep, deep, deep;
She climbs the mountains, high, high, high;
Poor little creature, she has but one eye.
(A star.)

In Marble Walls

In marble walls as white as milk,
Lined with a skin as soft as silk,
Within a fountain crystal-clear,
A golden apple doth appear.
No doors there are to this stronghold,
Yet thieves break in and steal the gold.
(An egg.)

FAMILIAR OBJECTS

Here are some poems about things with which we are all quite familiar: the Moon and the Stars that we see through our bedroom window; Pussy purring on the hearthrug, the spotted shell on the mantelpiece.

The Moon

O, look at the moon!
She is shining up there;
O mother, she looks
Like a lamp in the air.

Last week she was smaller,

And shaped like a bow;

But now she’s grown bigger,

And round as an O.

Pretty moon, pretty moon,
How you shine on the door,
And make it all bright
On my nursery floor!

You shine on my playthings,
And show me their place,
And I love to look up
At your pretty bright face.

And there is a star
Close by you, and maybe
That small twinkling star
Is your little baby.

Eliza Lee Follen.

The Star

Twinkle, twinkle, little star,
How I wonder what you are!
Up above the world so high,
Like a diamond in the sky.

When the blazing sun is gone,

When he nothing shines upon,

Then you show your little light,

Twinkle, twinkle, all the night.

Then the traveller in the dark
Thanks you for your tiny spark;
He could not see which way to go,
If you did not twinkle so.

In the dark blue sky you keep,
And often through my curtains peep,
For you never shut your eye
Till the sun is in the sky.

As your bright and tiny spark
Lights the traveller in the dark,
Though I know not what you are,
Twinkle, twinkle, little star.

Ann and Jane Taylor.

Kitty

Once there was a little kitty
Whiter than snow;
In a barn she used to frolic,
Long time ago.

In the barn a little mousie

Ran to and fro;

For she heard the kitty coming,

Long time ago.

Two eyes had little kitty,
Black as a sloe;
And they spied the little mousie,
Long time ago.

Four paws had little kitty,
Paws soft as dough,
And they caught the little mousie,
Long time ago.

Nine teeth had little kitty,
All in a row;
And they bit the little mousie,
Long time ago.

When the teeth bit little mousie,
Little mouse cried “Oh!”
But she got away from kitty,
Long time ago.

Mrs E. Prentiss.

Kitty: How to Treat Her

I like little Pussy, her coat is so warm,
And if I don’t hurt her she’ll do me no harm;
So I’ll not pull her tail, nor drive her away,
But Pussy and I very gently will play.

Kitty: what She thinks of Herself

I am the Cat of Cats. I am
The everlasting cat!
Cunning, and old, and sleek as jam,
The everlasting cat!
I hunt the vermin in the night—
The everlasting cat!
For I see best without the light—
The everlasting cat!

W. B. Rands.

The Sea Shell

Sea Shell, Sea Shell,
Sing me a song, O please!
A song of ships and sailor-men,
Of parrots and tropical trees;
Of islands lost in the Spanish Main
Which no man ever may see again,
Of fishes and corals under the waves,
And sea-horses stabled in great green caves—
Sea Shell, Sea Shell,
Sing me a song, O please!

Amy Lowell.

COUNTRY BOYS’ SONGS

The Cuckoo

The cuckoo’s a bonny bird,
She sings as she flies;
She brings us good tidings,
And tells us no lies.
She sucks little birds’ eggs,
To make her voice clear,
And never cries Cuckoo
Till the spring of the year.

The Bird-Scarer’s Song

We’ve ploughed our land, we’ve sown our seed,
We’ve made all neat and gay;
Then take a bit and leave a bit,
Away, birds, away!

Cradle Song

Sleep, baby, sleep,
Our cottage vale is deep;
The little lamb is on the green,
With woolly fleece so soft and clean,
Sleep, baby, sleep!
14

Sleep, baby, sleep,
Down where the woodbines creep;
Be always like the lamb so mild,
A kind and sweet and gentle child,
Sleep, baby, sleep!

GOOD NIGHT!

Little baby, lay your head
On your pretty cradle-bed;
Shut your eye-peeps, now the day
And the light are gone away;
All the clothes are tucked in tight;
Little baby dear, good night.

Yes, my darling, well I know
How the bitter wind doth blow;
And the winter’s snow and rain
Patter on the window-pane:
But they cannot come in here,
To my little baby dear.

For the window shutteth fast,
Till the stormy night is past;
And the curtains warm are spread
Round about her cradle-bed:
So till morning shineth bright
Little baby dear, good night!

Ann and Jane Taylor.

For Those a Little Older

A BUNCH OF LENT LILIES

Here three Poets treat the same flower each from his own distinct and delightful point of view. To the first it appeals as the flower of courage, the brave early comer; to the second it is the early goer, the flower of a too swift departure—though daffodils really bloom for a fairly long time, as flowers go; the third is grateful for an imperishable recollection.

Daffodils

... Daffodils
That come before the swallow dares, and take
The winds of March with beauty.

Shakespeare.

To Daffodils

Fair daffodils, we weep to see
You haste away so soon;
As yet the early-rising sun
Has not attain’d his noon.
Stay, stay
Until the hasting day
Has run
But to the evensong;
And, having pray’d together, we
Will go with you along.
16

We have short time to stay, as you,
We have as short a spring;
As quick a growth to meet decay,
As you, or anything.
We die
As your hours do, and dry
Away
Like to the summer’s rain;
Or as the pearls of morning’s dew,
Ne’er to be found again.

Robert Herrick.

Daffodils

I wander’d lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the Milky Way,
They stretch’d in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
17

The waves beside them danced, but they
Outdid the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

William Wordsworth.

SEASONS AND WEATHER

The Months

January brings the snow,

Makes our feet and fingers glow.

February brings the rain,

Thaws the frozen lake again.

March brings breezes loud and shrill,

Stirs the dancing daffodil.

April brings the primrose sweet,

Scatters daisies at our feet.

May brings flocks of pretty lambs,

Skipping by their fleecy dams.

June brings tulips, lilies, roses,

Fills the children’s hands with posies.

Hot July brings cooling showers,

Apricots and gillyflowers.

August brings the sheaves of corn,

Then the harvest home is borne.

Warm September brings the fruit,

Sportsmen then begin to shoot.

Fresh October brings the pheasant,

Then to gather nuts is pleasant.

Dull November brings the blast,

Then the leaves are whirling fast.

Chill December brings the sleet,

Blazing fire and Christmas treat.

Sara Coleridge.

The Wind in a Frolic

The wind one morning sprang up from sleep,
Saying, “Now for a frolic! now for a leap!
Now for a madcap galloping chase!
I’ll make a commotion in every place!”
So it swept with a bustle right through a great town,
Creaking the signs and scattering down
Shutters; and whisking, with merciless squalls,
Old women’s bonnets and gingerbread stalls.
There never was heard a much lustier shout,
As the apples and oranges trundled about;
And the urchins, that stand with their thievish eyes
For ever on watch, ran off each with a prize.

Then away to the field it went blustering and humming,
And the cattle all wondered whatever was coming.
It plucked by their tails the grave matronly cows,
And tossed the colts’ manes all about their brows,
Till, offended at such a familiar salute,
They all turned their backs, and stood sullenly mute.
20So on it went, capering and playing its pranks;
Whistling with reeds on the broad river’s banks;
Puffing the birds as they sat on the spray,
Or the traveller grave on the king’s highway.
It was not too nice[1] to hustle the bags
Of the beggar, and flutter his dirty rags;
’Twas so bold that it feared not to play its joke
With the doctor’s wig, or the gentleman’s cloak.
Through the forest it roared, and cried gaily, “Now,
You sturdy old oaks, I’ll make you bow!”
And it made them bow without more ado,
Or it cracked their great branches through and through.

Then it rushed like a monster on cottage and farm,
Striking their dwellers with sudden alarm;
And they ran out like bees in a midsummer swarm.
There were dames with their kerchiefs tied over their caps,
To see if their poultry were free from mishaps;
21The turkeys they gobbled, the geese screamed aloud,
And the hens crept to roost in a terrified crowd;
There was rearing of ladders, and logs laying on
Where the thatch from the roof threatened soon to be gone.
But the wind had passed on, and had met in a lane
With a schoolboy, who panted and struggled in vain;
For it tossed him and twirled him, then passed, and he stood
With his hat in a pool and his shoe in the mud.

But away went the wind in its holiday glee,
And now it was far on the billowy sea,
And the lordly ships felt its staggering blow,
And the little boats darted to and fro.
But lo! it was night, and it sank to rest,
On the sea-bird’s rock in the gleaming West,
Laughing to think, in its fearful fun,
How little of mischief it had done.

22 William Howitt.

[1] nice: particular.

The Four Sweet Months

First, April, she with mellow showers
Opens the way for early flowers;
Then after her comes smiling May,
In a more sweet and rich array;
Next enters June, and brings us more
Gems than those two that went before:
Then, lastly, July comes and she
More wealth brings in than all those three.

Robert Herrick.

Glad Day

Here’s another day, dear,
Here’s the sun again
Peeping in his pleasant way
Through the window pane.
Rise and let him in, dear,
Hail him “hip hurray!”
Now the fun will all begin.
Here’s another day!

Down the coppice path, dear,
Through the dewy glade,
(When the Morning took her bath
What a splash she made!)
23Up the wet wood-way, dear,
Under dripping green
Run to meet another day,
Brightest ever seen.

Mushrooms in the field, dear,
Show their silver gleam.
What a dainty crop they yield
Firm as clouted cream,
Cool as balls of snow, dear,
Sweet and fresh and round!
Ere the early dew can go
We must clear the ground.

Such a lot to do, dear,
Such a lot to see!
How we ever can get through
Fairly puzzles me.
Hurry up and out, dear,
Then—away! away!
In and out and round about,
Here’s another day!

W. Graham Robertson.

Buttercups and Daisies

Buttercups and daisies—
O the pretty flowers!
Coming ere the spring-time,
To tell of sunny hours.
When the trees are leafless;
When the fields are bare;
Buttercups and daisies
Spring up here and there.

Welcome, yellow buttercups!
Welcome, daisies white!
Ye are in my spirit
Vision’d, a delight!
Coming ere the spring-time,
Of sunny hours to tell—
Speaking to our hearts of Him
Who doeth all things well.

Mary Howitt.

The Merry Month of March

The cock is crowing,
The stream is flowing,
The small birds twitter,
The lake doth glitter,
The green field sleeps in the sun;
25The oldest and youngest
Are at work with the strongest;
The cattle are grazing,
Their heads never raising;
There are forty feeding like one!

Like an army defeated
The snow hath retreated,
And now doth fare ill
On the top of the bare hill;
The Plough-boy is whooping anon, anon.
There’s joy in the mountains;
There’s life in the fountains;
Small clouds are sailing,
Blue sky prevailing;
The rain is over and gone!

William Wordsworth.

What the Birds Say

Do you know what the birds say? The sparrow, the dove,
The linnet and thrush say “I love and I love!”
In the winter they’re silent—the wind is so strong;
What it says I don’t know, but it sings a loud song.
26But green leaves, and blossoms, and sunny warm weather,
And singing, and loving, all come back together.
But the lark is so brimful of gladness and love,
The green fields below him, the blue sky above,
That he sings, and he sings, and for ever sings he—
“I love my love, and my love loves me!”

S. T. Coleridge.

Spring’s Procession

First came the primrose,
On the bank high,
Like a maiden looking forth
From the window of a tower
When the battle rolls below,
So look’d she,
And saw the storms go by.

Then came the wind-flower
In the valley left behind,
As a wounded maiden, pale
With purple streaks of woe,
When the battle has roll’d by
Wanders to and fro,
So tottered she,
Dishevell’d in the wind.
27

Then came the daisies,
On the first of May,
Like a banner’d show’s advance
While the crowd runs by the way,
With ten thousand flowers about them

they came trooping through the fields.
As a happy people come,
So came they,
As a happy people come
When the war has roll’d away,
With dance and tabor, pipe and drum,
And all make holiday.

Then came the cowslip,
Like a dancer in the fair,
She spread her little mat of green,
And on it danced she.
With a fillet bound about her brow,
A fillet round her happy brow,
A golden fillet round her brow,
And rubies in her hair.

Sydney Dobell.

The Call of the Woods

Under the greenwood tree,
Who loves to lie with me,
And tune his merry note
Unto the sweet bird’s throat,
Come hither, come hither, come hither!
Here shall he see
No enemy
But winter and rough weather.

Who doth ambition shun,
And loves to live in the sun,
Seeking the food he eats,
And pleas’d with what he gets,
Come hither, come hither, come hither!
Here shall he see
No enemy
But winter and rough weather.

Shakespeare.

A Prescription for a Spring Morning

At early dawn through London you must go
Until you come where long black hedgerows grow,
With pink buds pearl’d, with here and there a tree,
29And gates and stiles; and watch good country folk;
And scent the spicy smoke
Of wither’d weeds that burn where gardens be;
And in a ditch perhaps a primrose see.
The rooks shall stalk the plough, larks mount the skies,
Blackbirds and speckled thrushes sing aloud,
Hid in the warm white cloud
Mantling the thorn, and far away shall rise
The milky low of cows and farm-yard cries.

From windy heavens the climbing sun shall shine,
And February greet you like a maid
In russet cloak array’d;
And you shall take her for your mistress fine,
And pluck a crocus for her valentine.

John Davidson.

The Country Faith

Here in the country’s heart

Where the grass is green,

Life is the same sweet life

As it e’er hath been

Trust in a God still lives,
And the bell at morn
Floats with a thought of God
O’er the rising corn.

God comes down in the rain,
And the crop grows tall—
This is the country faith,
And the best of all.

Norman Gale.

The Butterfly’s Ball

“Come, take up your hats, and away let us haste
To the Butterfly’s Ball and the Grasshopper’s Feast;
The Trumpeter, Gadfly, has summoned the crew,
And the revels are now only waiting for you.”
So said little Robert, and pacing along,
His merry Companions came forth in a throng,
And on the smooth Grass by the side of a Wood,
Beneath a broad oak that for ages had stood,
Saw the Children of Earth and the Tenants of Air
For an Evening’s Amusement together repair.
31

And there came the Beetle, so blind and so black,
Who carried the Emmet, his friend, on his back.
And there was the Gnat and the Dragon-fly too,
With all their Relations, green, orange and blue.
And there came the Moth, with his plumage of down,
And the Hornet in jacket of yellow and brown;
Who with him the Wasp, his companion, did bring,
But they promised that evening to lay by their sting.
And the sly little Dormouse crept out of his hole,
And brought to the feast his blind Brother, the Mole,
And the Snail, with his horns peeping out of his shell,
Came from a great distance, the length of an ell.

A Mushroom their Table, and on it was laid
A water-dock leaf, which a table-cloth made.
The Viands were various, to each of their taste,
And the Bee brought her honey to crown the Repast.
32Then close on his haunches, so solemn and wise,
The Frog from a corner look’d up to the skies;
And the Squirrel, well pleased such diversions to see,
Mounted high overhead and look’d down from a tree.

Then out came the Spider, with finger so fine,
To show his dexterity on the tight-line.
From one branch to another his cobwebs he slung,
Then quick as an arrow he darted along.
But just in the middle—oh! shocking to tell,
From his rope, in an instant, poor Harlequin fell.
Yet he touched not the ground, but with talons outspread,
Hung suspended in air, at the end of a thread.

Then the Grasshopper came, with a jerk and a spring,

Very long was his leg, though but short was his Wing;

He took but three leaps, and was soon out of sight,

Then chirp’d his own praises the rest of the night.

With step so majestic the Snail did advance,
And promised the Gazers a Minuet to dance;
But they all laughed so loud that he pulled in his head,
And went in his own little chamber to bed.
Then as Evening gave way to the shadows of Night,
Their Watchman, the Glowworm, came out with a light.

“Then home let us hasten, while yet we can see,
For no Watchman is waiting for you and for me.”
So said little Robert, and pacing along,
His merry Companions return’d in a throng.

William Roscoe.

TASTES AND PREFERENCES

A Wish

Mine be a cot beside the hill;

A bee-hive’s hum shall soothe my ear;

A willowy brook, that turns a mill,

With many a fall shall linger near.

The swallow oft beneath my thatch
Shall twitter from her clay-built nest;
Oft shall the pilgrim lift the latch
And share my meal, a welcome guest.

Around my ivied porch shall spring
Each fragrant flower that drinks the dew;
And Lucy at her wheel shall sing
In russet gown and apron blue.

The village church among the trees,
Where first our marriage vows were given,
With merry peals shall swell the breeze,
And point with taper spire to Heaven.

Samuel Rogers.

Wishing

Ring-ting! I wish I were a Primrose,
A bright yellow Primrose blowing in the Spring!
The stooping boughs above me,
The wandering bee to love me,
The fern and moss to creep across,
And the Elm-tree for our King!
35

Nay—stay! I wish I were an Elm-tree,
A great lofty Elm-tree, with green leaves gay!
The winds would set them dancing,
The sun and moonshine glance in,
The birds would house among the boughs,
And sweetly sing!

O—no! I wish I were a Robin,
A Robin or a little Wren, everywhere to go;
Through forest, field, or garden,
And ask no leave or pardon,
Till Winter comes with icy thumbs
To ruffle up our wing!

Well—tell! Where should I fly to,
Where go to sleep in the dark wood or dell?
Before a day was over,
Home comes the rover,
For Mother’s kiss,—sweeter this
Than any other thing!

William Allingham.

Bunches of Grapes

“Bunches of grapes,” says Timothy;

“Pomegranates pink,” says Elaine;

“A junket of cream and a cranberry tart

For me,” says Jane.

“Love-in-a-mist,” says Timothy;
“Primroses pale,” says Elaine;
“A nosegay of pinks and mignonette
For me,” says Jane.

“Chariots of gold,” says Timothy;
“Silvery wings,” says Elaine;
“A bumpity ride in a waggon of hay
For me,” says Jane.

Walter Ramal.

Contentment

Once on a time an old red hen
Went strutting round with pompous clucks,
For she had little babies ten,
A part of which were tiny ducks.
“’Tis very rare that hens,” said she,
“Have baby ducks as well as chicks—
But I possess, as you can see,
Of chickens four and ducklings six!”

A season later, this old hen
Appeared, still cackling of her luck,
For, though she boasted babies ten,
Not one among them was a duck!
37“’Tis well,” she murmured, brooding o’er
The little chicks of fleecy down,
“My babies now will stay ashore,
And, consequently, cannot drown!”

The following spring the old red hen
Clucked just as proudly as of yore—
But lo! her babes were ducklings ten,
Instead of chickens as before!
“’Tis better,” said the old red hen,
As she surveyed her waddling brood;
“A little water now and then
Will surely do my darlings good!”

But oh! alas, how very sad!
When gentle spring rolled round again,
The eggs eventuated bad,
And childless was the old red hen!
Yet patiently she bore her woe,
And still she wore a cheerful air,
And said: “’Tis best these things are so,
For babies are a dreadful care!”

I half suspect that many men,
And many, many women too,
Could learn a lesson from the hen
With plumage of vermilion hue.
38She ne’er presumed to take offence
At any fate that might befall,
But meekly bowed to Providence—
She was contented—that was all!

Eugene Field.

TOYS AND PLAY, IN-DOORS AND OUT

The Land of Story-Books

At evening when the lamp is lit,
Around the fire my parents sit;
They sit at home and talk and sing,
And do not play at anything.

Now, with my little gun, I crawl
All in the dark along the wall,
And follow round the forest track
Away behind the sofa back.

There, in the night, where none can spy,
All in my hunter’s camp I lie,
And play at books that I have read
Till it is time to go to bed.
39These are the hills, these are the woods,
These are my starry solitudes;
And there the river by whose brink
The roaring lions come to drink.

I see the others far away
As if in firelit camp they lay,
And I, like to an Indian scout,
Around their party prowled about.

So, when my nurse comes in for me,
Home I return across the sea,
And go to bed with backward looks
At my dear land of Story-books.

R. L. Stevenson.

Sand Castles

Build me a castle of sand
Down by the sea.
Here on the edge of the strand
Build it for me.
How shall a foeman invade,
Where may he land,
While we can raise with our spade
Castles of sand?
40

Turrets upleap and aspire,
Battlements rise
Sweeping the sea with their fire,
Storming the skies.
Pile that a monarch might own,
Mightily plann’d!
I can’t sit here on a throne,
This is too grand.

Build me a cottage of sand
Up on the hill;
Snug in a cleft it must stand
Sunny and still.
Plant it with ragwort and ling,
Bramble and bine:
Castles I’ll leave to the King,
This shall be mine.

Storm-clouds drive over the land,
High flies the spray;
Gone are our houses of sand,
Vanished away!
Look at the damage you’ve done,
Sea-wave and rain!
—“Nay, we but give you your fun
Over again.”

W. Graham Robertson.

Ring o’ Roses

Hush a while, my darling, for the long day closes,
Nodding into slumber on the blue hill’s crest.
See the little clouds play Ring a ring o’ roses,
Planting Fairy gardens in the red-rose West.

Greet him for us, cloudlets, say we’re not forgetting
Golden gifts of sunshine, merry hours of play.
Ring a ring o’ roses round the sweet sun’s setting,
Spread a bed of roses for the dear dead day.

Hush-a-bye, my little one, the dear day dozes,
Doffed his crown of kingship and his fair flag furled,
While the earth and sky play Ring a ring o’ roses,
Ring a ring o’ roses round the rose-red world.

W. Graham Robertson.

DREAM-LAND

Wynken, Blynken, and Nod

Wynken, Blynken, and Nod one night
Sailed off in a wooden shoe—
Sailed on a river of crystal light,
Into a sea of dew.
“Where are you going, and what do you wish?”
The old moon asked the three.
“We have come to fish for the herring fish
That live in this beautiful sea;
Nets of silver and gold have we!”
Said Wynken,
Blynken,
And Nod.

The old moon laughed and sang a song,
As they rocked in the wooden shoe,
And the wind that sped them all night long
Ruffled the waves of dew.
The little stars were the herring fish
That lived in that beautiful sea—
“Now cast your nets wherever you wish—
Never afeared are we”:
So cried the stars to the fishermen three:
Wynken,
Blynken,
And Nod.
43

All night long their nets they threw
To the stars in the twinkling foam—
Then down from the skies came the wooden shoe,
Bringing the fishermen home;
’Twas all so pretty a sail it seemed
As if it could not be,
And some folks thought ’twas a dream they’d dreamed
Of sailing that beautiful sea—
But I shall name you the fishermen three:
Wynken,
Blynken,
And Nod.

Wynken and Blynken are two little eyes,
And Nod is a little head,
And the wooden shoe that sailed the skies
Is a wee one’s trundle-bed.
So shut your eyes while mother sings
Of wonderful sights that be,
And you shall see the beautiful things
As you rock in the misty sea,
Where the old shoe rocked the fishermen three:
Wynken,
Blynken,
And Nod.

Eugene Field.

The Drummer-Boy and the Sheperdess

Drummer-boy, drummer-boy, where is your drum?
And why do you weep, sitting here on your thumb?
The soldiers are out, and the fifes we can hear;
But where is the drum of the young grenadier?

“My dear little drum it was stolen away
Whilst I was asleep on a sunshiny day;
It was all through the drone of a big bumblebee,
And sheep and a shepherdess under a tree.”

Shepherdess, shepherdess, where is your crook?
And why is your little lamb over the brook?
It bleats for its dam, and dog Tray is not by,
So why do you stand with a tear in your eye?

“My dear little crook it was stolen away
Whilst I dreamt a dream on a morning in May;
It was all through the drone of a big bumblebee,
And a drum and a drummer-boy under a tree.”

W. B. Rands.

The Land of Dreams

“Awake, awake, my little boy!
Thou wast thy mother’s only joy;
Why dost thou weep in thy gentle sleep?
O wake! thy father doth thee keep.

O what land is the land of dreams?
What are its mountains and what are its streams?”
“O father! I saw my mother there,
Among the lilies by waters fair.”

“Dear child! I also by pleasant streams
Have wandered all night in the land of dreams,
But, though calm and warm the waters wide
I could not get to the other side.”

“Father, O father! what do we here,
In this land of unbelief and fear?
The land of dreams is better far,
Above the light of the morning star.”

William Blake.

Sweet and Low

Sweet and low, sweet and low,
Wind of the western sea,
Low, low, breathe and blow,
Wind of the western sea!
46Over the rolling waters go,
Come from the dying moon, and blow,
Blow him again to me;
While my little one, while my pretty one, sleeps.

Sleep and rest, sleep and rest,
Father will come to thee soon;
Rest, rest, on mother’s breast,
Father will come to thee soon;
Father will come to his babe in the nest,
Silver sails all out of the west
Under the silver moon:
Sleep, my little one, sleep, my pretty one, sleep.

Alfred, Lord Tennyson.

Cradle Song

O hush thee, my baby, thy sire was a knight,
Thy mother a lady, both lovely and bright;
The woods and the glens, from the towers which we see,
They all are belonging, dear baby, to thee.

O fear not the bugle, though loudly it blows,

It calls but the warders that guard thy repose;

Their bows would be bended, their blades would be red,

Ere the step of a foeman draws near to thy bed.

O hush thee, my baby, the time will soon come,
When thy sleep shall be broken by trumpet and drum;
Then hush thee, my darling, take rest while you may,
For strife comes with manhood, and waking with day.

Sir Walter Scott.

Mother and I

O Mother-My-Love, if you’ll give me your hand,
And go where I ask you to wander,
I will lead you away to a beautiful land—
The Dreamland that’s waiting out yonder.
We’ll walk in a sweet-posy garden out there,
Where moonlight and starlight are streaming,
And the flowers and the birds are filling the air
With the fragrance and music of dreaming.

There’ll be no little tired-out boy to undress,
No questions or cares to perplex you;
There’ll be no little bruises or bumps to caress,
Nor patching of stockings to vex you.
For I’ll rock you away on a silver-dew stream,
And sing you asleep when you’re weary,
And no one shall know of our beautiful dream
But you and your own little dearie.
48

And when I am tired I’ll nestle my head
In the bosom that’s sooth’d me so often,
And the wide-awake stars shall sing in my stead
A song which our dreaming shall soften.
So Mother-My-Love, let me take your dear hand,
And away through the starlight we’ll wander—
Away through the mist to the beautiful land—
The Dreamland that’s waiting out yonder!

Eugene Field.

FAIRY-LAND

The Fairies

Up the airy mountain,
Down the rushy glen,
We daren’t go a-hunting
For fear of little men;
Wee folk, good folk,
Trooping all together;
Green jacket, red cap,
And white owl’s feather!
49

Down along the rocky shore
Some make their home,
They live on crispy pancakes
Of yellow tide-foam;
Some in the reeds
Of the black mountain-lake,
With frogs for their watch-dogs,
All night awake.

High on the hill-top
The old King sits;
He is now so old and grey
He’s nigh lost his wits.
With a bridge of white mist
Columbkill he crosses,
On his stately journeys
From Slieveleague to Rosses;
Or going up with music
On cold starry nights,
To sup with the Queen
Of the gay Northern Lights.

They stole little Bridget
For seven years long;
When she came down again
Her friends were all gone.
50They took her lightly back,
Between the night and morrow,
They thought that she was fast asleep,
But she was dead with sorrow.
They have kept her ever since
Deep within the lakes,
On a bed of flag-leaves,
Watching till she wakes.

By the craggy hill-side,
Through the mosses bare,
They have planted thorn-trees
For pleasure here and there.
Is any man so daring
As dig one up in spite,
He shall find their sharpest thorns
In his bed at night.

Up the airy mountain,
Down the rushy glen,
We daren’t go a-hunting
For fear of little men;
Wee folk, good folk,
Trooping all together,
Green jacket, red cap,
And white owl’s feather!

William Allingham.

Shakespeare’s Fairies

Some of them,—

Ye elves of hills, brooks, standing lakes and groves,
And ye that on the sands with printless foot
Do chase the ebbing Neptune and do fly him
When he comes back; you demi-puppets[2], that
By moonshine do the green sour ringlets make
Whereof the ewe not bites, and you whose pastime
Is to make midnight mushrooms, that rejoice
To hear the solemn curfew....

They Dance and Play,—

Come unto these yellow sands,
And then take hands:
Courtsied when you have, and kiss’d,—
The wild waves whist[3],—
Foot it featly[4] here and there;
And, sweet sprites, the burthen bear.
Hark, hark!
52Bow, wow,
The watch-dogs bark:
Bow, wow,
Hark, hark! I hear
The strain of strutting chanticleer
Cry, Cock-a-diddle-dow!

Ariel Sings,—

Where the bee sucks, there suck I:
In a cowslip’s bell I lie;
There I couch when owls do cry.
On the bat’s back I do fly
After summer merrily.
Merrily, merrily, shall I live now,
Under the blossom that hangs on the bough.

A Busy One

Over hill, over dale,
Thorough bush, thorough brier,
Over park, over pale,
Thorough flood, thorough fire,
I do wander everywhere,
Swifter than the moonè’s sphere;
And I serve the fairy queen,
To dew her orbs[5] upon the green.
53

The cowslips tall her pensioners be;
In their gold coats spots you see;
Those be rubies, fairy favours,
In those freckles live their savours:
I must go seek some dewdrops here,
And hang a pearl in every cowslip’s ear.

They Sing Their Queen to Sleep,—

You spotted snakes with double tongue,
Thorny hedgehogs, be not seen;
Newts and blind-worms, do no wrong;
Come not near our fairy queen.
Philomel, with melody
Sing in our sweet lullaby;
Lulla, lulla, lullaby; lulla, lulla, lullaby!
Never harm,
Nor spell nor charm,
Come our lovely lady nigh;
So, good night, with lullaby.

Weaving spiders, come not here;
Hence, you long-legg’d spinners, hence!
Beetles black, approach not near;
Worm nor snail, do no offence.
Philomel, with melody,
Sing in our sweet lullaby;
Lulla, lulla, lullaby; lulla, lulla, lullaby!
54Never harm,
Nor spell nor charm,
Come our lovely lady nigh;
So, good night, with lullaby.

Shakespeare.

[2] Demi-puppets: half the size of a doll.

[3] Whist: silent.

[4] Featly: neatly, elegantly.

[5] Orbs: circles, or fairy rings.

The Lavender Beds

The garden was pleasant with old-fashioned flowers,
The sunflowers and hollyhocks stood up like towers;
There were dark turncap lilies and jessamine rare,
And sweet thyme and marjoram scented the air.

The moon made the sun-dial tell the time wrong;
’Twas too late in the year for the nightingale’s song;
The box-trees were clipped, and the alleys were straight,
Till you came to the shrubbery hard by the gate.

The fairies stepped out of the lavender beds,

With mob-caps, or wigs, on their quaint little heads;

My lord had a sword and my lady a fan;

The music struck up and the dancing began.

I watched them go through with a grave minuet;
Wherever they footed the dew was not wet;
They bowed and they curtsied, the brave and the fair;
And laughter like chirping of crickets was there.

Then all on a sudden a church clock struck loud:
A flutter, a shiver, was seen in the crowd,
The cock crew, the wind woke, the trees tossed their heads,
And the fairy folk hid in the lavender beds.

W. B. Rands.

Farewell to the Fairies

Farewell rewards and fairies,
Good housewives now may say,
For now foul sluts in dairies
Do fare as well as they.
And though they sweep their hearths no less
Than maids were wont to do,
Yet who of late, for cleanliness,
Finds sixpence in her shoe?
56

At morning and at evening both,
You merry were and glad,
So little care of sleep or sloth
Those pretty ladies had.
When Tom came home from labour,
Or Cis to milking rose,
Then merrily went their tabor,
And nimbly went their toes.

Witness those rings and roundelays
Of theirs, which yet remain,
Were footed in Queen Mary’s days
On many a grassy plain;
But since of late Elizabeth,
And later, James came in,
They never danced on any heath
As when the time hath been.

By which we note the fairies
Were of the old profession,
Their songs were Ave-Maries,
Their dances were procession:
But now, alas! they all are dead,
Or gone beyond the seas;
Or farther for religion fled,
Or else they take their ease.
57

A tell-tale in their company
They never could endure,
And whoso kept not secretly
Their mirth, was punished sure;
It was a just and Christian deed
To pinch such black and blue:
O how the commonwealth doth need
Such justices as you!

Richard Corbet (1582–1635).

Dirge on the Death of Oberon, the Fairy King

Toll the lilies’ silver bells!
Oberon, the King, is dead!
In her grief the crimson rose
All her velvet leaves has shed.

Toll the lilies’ silver bells!
Oberon is dead and gone!
He who looked an emperor
When his glow-worm crown was on.

Toll the lilies’ silver bells!
Slay the dragonfly, his steed;
Dig his grave within the ring
Of the mushrooms in the mead.

G. W. Thornbury.

(But he wasn’t dead really. It was all a mistake. So they didn’t slay the dragonfly after all.)

Kilmeny

(A Story about one who went there)

Bonny Kilmeny gaed[6] up the glen;
But it wasna to meet Duneira’s men,
Nor the rosy monk of the isle to see,
For Kilmeny was pure as pure could be.
It was only to hear the yorlin[7] sing,
And pull the blue cress-flower round the spring;
To pull the hip and the hindberrye[8],
And the nut that hung frae the hazel-tree;
For Kilmeny was pure as pure could be.
But lang may her minnie[9] look o’er the wa’,
And lang may she seek in the greenwood shaw;
Lang the Laird o’ Duneira blame,
And lang, lang greet[10] e’er Kilmeny come hame!

When many a day had come and fled,
When grief grew calm, and hope was dead,
When mass for Kilmeny’s soul had been sung,
When the bedesman had prayed and the dead-bell rung;
Late, late in a gloaming, when all was still,
When the fringe was red on the westlin[11] hill,
The wood was sere, the moon i’ the wane,
The reek[12] of the cot hung o’er the plain,
Like a little wee cloud in the world its lane[13];
59When the ingle[14] lowed[15] with an eery gleam,
Late, late in the gloamin’, Kilmeny came hame!

“Kilmeny, Kilmeny, where have you been?
Lang hae we sought baith holt and dene;
By linn[16], by ford, and green-wood tree,
Yet you are halesome and fair to see.
Where gat you that joup[17] of the lily sheen?
That bonny snood[18] of the birk[19] sae green?
And these roses, the fairest that ever were seen?
Kilmeny, Kilmeny, where have you been?”

Kilmeny look’d up with a lovely grace,
But nae smile was seen on Kilmeny’s face;
As still was her look, and as still was her ee,
As the stillness that lay on the emerald lea,
Or the mist that sleeps on a waveless sea.
For Kilmeny had been she knew not where,
And Kilmeny had seen what she could not declare.
Kilmeny had been where the cock never crew,
Where the rain never fell, and the wind never blew.
But it seem’d as the harp of the sky had rung,
And the airs of heaven play’d round her tongue,
When she spake of the lovely forms she had seen,
60And a land where sin had never been;
A land of love and a land of light,
Withouten sun, or moon, or night;
The land of vision it would seem,
And still an everlasting dream.

......

They lifted Kilmeny, they led her away,
And she walk’d in the light of a sunless day;
The sky was a dome of crystal bright,
The fountain of vision, and fountain of light:
The emerald fields were of dazzling glow,
And the flowers of everlasting blow.
Then deep in the stream her body they laid,
That her youth and beauty might never fade;
And they smiled on heaven, when they saw her lie
In the stream of life that wander’d by.
And she heard a song, she heard it sung,
She kenn’d not where; but so sweetly it rung,
It fell on the ear like a dream of the morn:
“O blest be the day Kilmeny was born!”

......

To sing of the sights Kilmeny saw,
So far surpassing nature’s law,
61The singer’s voice would sink away,
And the string of his harp would cease to play.
But she saw till the sorrows of man were by,
And all was love and harmony;
Till the stars of heaven fell calmly away,
Like the flakes of snow on a winter day.

......

When seven lang years had come and fled,
When grief was calm and hope was dead;
When scarce was remembered Kilmeny’s name,
Late, late in a gloaming Kilmeny came hame!
And O, her beauty was fair to see,
But still and steadfast was her ee!
Her seymar[20] was the lily flower,
And her cheek the moss-rose in the shower;
And her voice like the distant melody
That floats along the twilight sea.
But she loved to raike[21] the lanely glen,
And keepit away frae the haunts of men;
Her holy hymns unheard to sing,
To suck the flowers, and drink the spring.
But wherever her peaceful form appear’d,
The wild beasts of the hill were cheer’d;
The wolf play’d blythly round the field,
The lordly bison low’d and kneel’d;
The dun deer woo’d with manner bland,
62And cower’d aneath her lily hand.
And all in a peaceful ring were hurl’d;
It was like an eve in a sinless world!

When a month and a day had come and gane,
Kilmeny sought the green-wood wene;
There laid her down on the leaves sae green,
And Kilmeny on earth was never mair seen.

James Hogg.

[6] gaed: went.

[7] yorlin: yellow-hammer.

[8] hindberrye: wild raspberry.

[9] minnie: mother.

[10] greet: weep.

[11] westlin: western.

[12] reek: smoke.

[13] its lane: alone.

[14] ingle: fire.

[15] lowed: flamed.

[16] linn: waterfall.

[17] joup: bodice.

[18] snood: hair-ribbon.

[19] birk: birch.

[20] seymar: a light robe.

[21] raike: wander through.

TWO SONGS

A Boy’s Song

Where the pools are bright and deep,
Where the grey trout lies asleep,
Up the river and over the lea,
That’s the way for Billy and me.

Where the blackbird sings the latest,
Where the hawthorn blooms the sweetest,
Where the nestlings chirp and flee,
That’s the way for Billy and me.

Where the mowers mow the cleanest,

Where the hay lies thick and greenest,

There to track the homeward bee,

That’s the way for Billy and me.

Where the hazel bank is steepest,
Where the shadow falls the deepest,
Where the clustering nuts fall free,
That’s the way for Billy and me.

Why the boys should drive away
Little sweet maidens from the play,
Or love to banter and fight so well,
That’s the thing I never could tell.

But this I know, I love to play
Through the meadow, among the hay;
Up the water and over the lea,
That’s the way for Billy and me.

James Hogg.

A Girl’s Song

There’s a bower of roses by Bendemeer’s stream,
And the nightingale sings round it all the day long;
In the time of my childhood ’twas like a sweet dream
To sit in the roses and hear the bird’s song.

That bower and its music I never forget,

But oft when alone in the bloom of the year,

I think—is the nightingale singing there yet?

Are the roses still bright by the calm Bendemeer?

No, the roses soon withered that hung o’er the wave,
But some blossoms were gathered, while freshly they shone,
And a dew was distilled from their flowers, that gave
All the fragrance of summer, when summer was gone.

Thus memory draws from delight, ere it dies,
An essence that breathes of it many a year;
Thus bright to my soul, as ’twas then to my eyes,
Is that bower on the banks of the calm Bendemeer!

Thomas Moore.

FUR AND FEATHER

“Men are brethren of each other,
One in flesh and one in food;
And a sort of foster brother
Is the litter, or the brood,
Of that folk in fur or feather,
Who, with men together,
Breast the wind and weather.”

Christina Rossetti.

Three Things to Remember

A Robin Redbreast in a cage

Puts all Heaven in a rage.

A skylark wounded on the wing

Doth make a cherub cease to sing.

He who shall hurt the little wren

Shall never be beloved by men.

William Blake.

The Knight of Bethlehem

There was a Knight of Bethlehem,
Whose wealth was tears and sorrows;
His men-at-arms were little lambs,
His trumpeters were sparrows.
His castle was a wooden cross,
On which he hung so high;
His helmet was a crown of thorns,
Whose crest did touch the sky.

H. N. Maugham.

The Lamb

Little Lamb, who made thee?
Dost thou know who made thee?
Gave thee life, and bade thee feed
By the stream and o’er the mead;
66Gave thee clothing of delight,
Softest clothing, woolly, bright;
Gave thee such a tender voice,
Making all the vales rejoice?
Little lamb, who made thee?
Dost thou know who made thee?

Little lamb, I’ll tell thee;
Little lamb, I’ll tell thee:
He is callèd by thy name,
For He calls Himself a Lamb.
He is meek, and He is mild,
He became a little child.
I a child, and thou a lamb,
We are called by His name.
Little lamb, God bless thee!
Little lamb, God bless thee!

William Blake.

The Tiger

Tiger, Tiger, burning bright

In the forest of the night,

What immortal hand or eye

Framed thy fearful symmetry?

In what distant deeps or skies
Burned that fire within thine eyes?
On what wings dared he aspire?
What the hand dared seize the fire?

And what shoulder, and what art,
Could twist the sinews of thy heart?
When thy heart began to beat,
What dread hand formed thy dread feet?

What the hammer, what the chain,
Knit thy strength and forged thy brain?
What the anvil? What dread grasp
Dared thy deadly terrors clasp?

When the stars threw down their spears,
And water’d heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?

William Blake.

I had a Dove

I had a dove, and the sweet dove died;
And I have thought it died of grieving;
O, what could it grieve for? Its feet were tied
With a silken thread of my own hands’ weaving.
68Sweet little red feet! why should you die—
Why would you leave me, sweet bird! why?
You lived alone in the forest tree,
Why, pretty thing! would you not live with me?
I kiss’d you oft and gave you white peas;
Why not live sweetly, as in the green trees?

John Keats.

Robin Redbreast

Good-bye, good-bye to Summer!
For Summer’s nearly done;
The garden smiling faintly,
Cool breezes in the sun;
Our thrushes now are silent,
Our swallows flown away,—
But Robin’s here in coat of brown,
And scarlet breast-knot gay.
Robin, Robin Redbreast,
O Robin dear!
Robin sings so sweetly
In the falling of the year.

Bright yellow, red, and orange,
The leaves come down in hosts;
The trees are Indian princes,
But soon they’ll turn to ghosts;
69The leathery pears and apples
Hang russet on the bough;
It’s Autumn, Autumn, Autumn late,
’Twill soon be Winter now.
Robin, Robin Redbreast,
O Robin dear!
And what will this poor Robin do?
For pinching days are near.

The fireside for the cricket,
The wheatstack for the mouse,
When trembling night-winds whistle
And moan all round the house.
The frosty ways like iron,
The branches plumed with snow,—
Alas! in winter dead and dark,
Where can poor Robin go?
Robin, Robin Redbreast,
O Robin dear!
And a crumb of bread for Robin,
His little heart to cheer.

William Allingham.

Black Bunny

It was a black Bunny, with white in its head,

Alive when the children went cosy to bed—

O early next morning that Bunny was dead!

When Bunny’s young master awoke up from sleep,
To look at the creatures young master did creep,
And saw that this black one lay all of a heap.

“O Bunny, what ails you? What does it import
That you lean on one side, with your breath coming short?
For I never before saw a thing of the sort!”

They took him so gently up out of his hutch,
They made him a sick-bed, they loved him so much;
They wrapped him up warm; they said, Poor thing, and such;

But all to no purpose. Black Bunny he died,
And rolled over limp on his little black side;
The grown-up spectators looked awkward and sighed.

While, as for those others in that congregation,
You heard voices lifted in sore lamentation;
But three-year-old Baby desired explanation:

At least, so it seemed. Then they buried their dead

In a nice quiet place, with a flag at his head;

“Poor Bunny!”—in large print—was what the flag said.

Now, as they were shovelling the earth in the hole,
Little Baby burst out, “I don’t like it!”—poor soul!
And bitterly wept. So the dead had his dole.

That evening, as Babe she was cuddling to bed,
“The Bunny will come back again,” Baby said,
“And be a white bunny, and never be dead!”

W. B. Rands.

The Cow

Thank you, pretty cow, that made
Pleasant milk to soak my bread,
Every day, and every night,
Warm, and fresh, and sweet, and white.

Do not chew the hemlock rank,
Growing on the weedy bank;
But the yellow cowslips eat,
They will make it very sweet.

Where the purple violet grows,
Where the bubbling water flows,
Where the grass is fresh and fine,
Pretty cow, go there and dine.

Ann and Jane Taylor.

The Skylark

Bird of the wilderness,
Blythesome and cumberless[22],
Sweet be thy matin o’er moorland and lea!
Emblem of happiness,
Blest is thy dwelling-place—
O to abide in the desert with thee!
Wild is thy lay and loud
Far in the downy cloud,
Love gives it energy, love gave it birth.
Where, on thy dewy wing,
Where art thou journeying?
Thy lay is in heaven, thy love is on earth.
O’er fell and fountain sheen,
O’er moor and mountain green,
O’er the red streamer that heralds the day,
Over the cloudlet dim,
Over the rainbow’s rim,
Musical cherub, soar, singing, away!
Then, when the gloaming comes,
Low in the heather blooms,
Sweet will thy welcome and bed of love be!
Emblem of happiness,
Blest is thy dwelling-place—
O to abide in the desert with thee!

James Hogg.

[22] cumberless: unencumbered, free from care.

CHRISTMAS POEMS

Here one would like to have begun with some of the old-time carols. But carols, somehow, seem to demand certain accompaniments—snow and frost, starlight and lantern-light, a mingling of Church bells, and above all their own simple haunting music. In cold print they do not appeal to us to the same extent. But the poems that follow are in the true carol-spirit.

Christmas Eve

In holly hedges starving birds
Silently mourn the setting year;
Upright like silver-plated swords
The flags stand in the frozen mere.

The mistletoe we still adore
Upon the twisted hawthorn grows:
In antique gardens hellebore
Puts forth its blushing Christmas rose.

Shrivell’d and purple, cheek by jowl,

The hips and haws hang drearily;

Roll’d in a ball the sulky owl

Creeps far into his hollow tree.

In abbeys and cathedrals dim
The birth of Christ is acted o’er;
The kings of Cologne worship him,
Balthazar, Jasper, Melchior.

The shepherds in the field at night
Beheld an angel glory-clad,
And shrank away with sore affright.
“Be not afraid,” the angel bade.

“I bring good news to king and clown,
To you here crouching on the sward;
For there is born in David’s town
A Saviour, which is Christ the Lord.

“Behold the babe is swathed, and laid
Within a manger.” Straight there stood
Beside the angel all arrayed
A heavenly multitude.

“Glory to God,” they sang; “and peace,
Good pleasure among men.”
The wondrous message of release!
Glory to God again!

Hush! Hark! the waits, far up the street!
A distant, ghostly charm unfolds,
Of magic music wild and sweet,
Anomes and clarigolds.

John Davidson.

A Christmas Carol

What sweeter music can we bring
Than a carol, for to sing
The birth of this our heavenly King?
Awake the voice! awake the string!
Heart, ear, and eye, and everything!

Dark and dull night, fly hence away,
And give the honour to this day,
That sees December turned to May.

If we may ask the reason, say,
The why and wherefore all things here
Seem like the spring-time of the year?

Why does the chilling winter’s morn
Smile, like a field beset with corn?
Or smell, like to a mead new-shorn,
Thus, on the sudden?

Come and see
The cause, why things thus fragrant be.
’Tis He is born, whose quickening birth
Gives light and lustre, public mirth,
To heaven, and the under-earth.

We see Him come, and know Him ours,

Who with His sunshine and His showers

Turns all the patient ground to flowers.

The darling of the world is come,
And fit it is we find a room
To welcome Him. The nobler part
Of all the house here, is the heart,
Which we will give Him; and bequeath
This holly, and this ivy wreath,
To do Him honour; who’s our King,
And Lord of all this revelling.

Robert Herrick.

A Child’s Present to His Child-Saviour

Go, pretty child, and bear this flower
Unto thy little Saviour;
And tell Him, by that bud now blown,
He is the Rose of Sharon known;
When thou hast said so, stick it there
Upon his bib, or stomacher;
And tell Him, for good handsel[23] too,
That thou hast brought a whistle new,
Made of a clean straight oaten reed,
To charm his cries at time of need.
Tell Him, for coral thou hast none;
But if thou hadst, He should have one;
But poor thou art, and known to be
Even as moneyless, as He.
77Lastly, if thou canst win a kiss
From those mellifluous lips of His,
Then never take a second on,
To spoil the first impression.

Robert Herrick.

[23] handsel: a gift for good luck.

The Peace-Giver

Thou whose birth on earth
Angels sang to men,
While thy stars made mirth,
Saviour, at thy birth.
This day born again;

As this night was bright
With thy cradle-ray,
Very light of light,
Turn the wild world’s night
To thy perfect day.

Thou the Word and Lord
In all time and space
Heard, beheld, adored,
With all ages poured
Forth before thy face,
78

Lord, what worth in earth
Drew thee down to die?
What therein was worth,
Lord, thy death and birth?
What beneath thy sky?

Thou whose face gives grace
As the sun’s doth heat,
Let thy sunbright face
Lighten time and space
Here beneath thy feet.

Bid our peace increase,
Thou that madest morn;
Bid oppression cease;
Bid the night be peace;
Bid the day be born.

A. C. Swinburne.

VARIOUS

To a Singer

My soul is an enchanted boat,
Which, like a sleeping swan, doth float
Upon the silver waves of thy sweet singing;
And thine doth like an angel sit
Beside the helm conducting it,
Whilst all the winds with melody are ringing.
79It seems to float ever, for ever,
Upon that many-winding river,
Between mountains, woods, abysses,
A paradise of wildernesses!
Till, like one in slumber bound,
Borne to the ocean, I float down, around,
Into a sea profound, of ever-spreading sound.
Meanwhile thy spirit lifts its pinions
In music’s most serene dominions;
Catching the winds that fan that happy heaven.
And we sail on, away, afar,
Without a course, without a star,
But by the instinct of sweet music driven;
Till through Elysian garden islets
By thee, most beautiful of pilots,
Where never mortal pinnace glided,
The boat of my desire is guided:
Realms where the air we breathe is love,
Which in the winds on the waves doth move,
Harmonizing this earth with what we feel above.

P. B. Shelley.

The Happy Piper

Piping down the valleys wild,
Piping songs of pleasant glee,
On a cloud I saw a child,
And he laughing said to me:

“Pipe a song about a Lamb!”
So I piped with merry cheer.
“Piper, pipe that song again”;
So I piped: he wept to hear.

“Drop thy pipe, thy happy pipe;
Sing thy songs of happy cheer!”
So I sang the same again,
While he wept with joy to hear.

“Piper, sit thee down and write
In a book that all may read.”
So he vanish’d from my sight,
And I pluck’d a hollow reed,

And I made a rural pen,
And I stain’d the water clear,
And I wrote my happy songs
Every child may joy to hear.

William Blake.

The Destruction of Sennacherib

The Assyrian came down like a wolf on the fold,
And his cohorts were gleaming in purple and gold;
And the sheen of their spears was like stars on the sea,
When the blue wave rolls nightly on deep Galilee.

Like the leaves of the forest when Summer is green,
That host with their banners at sunset were seen:
Like the leaves of the forest when Autumn hath blown,
That host on the morrow lay wither’d and strown.

For the Angel of Death spread his wings on the blast,

And breathed in the face of the foe as he passed;

And the eyes of the sleepers waxed deadly and chill,

And their hearts but once heaved, and for ever grew still!

And there lay the steed with his nostril all wide,
But through it there rolled not the breath of his pride:
And the foam of his gasping lay white on the turf,
And cold as the spray of the rock-beating surf.

And there lay the rider distorted and pale,
With the dew on his brow and the rust on his mail;
And the tents were all silent, the banners alone,
The lances unlifted, the trumpet unblown.

And the widows of Ashur are loud in their wail,
And the idols are broke in the temple of Baal;
And the might of the Gentile, unsmote by the sword,
Hath melted like snow in the glance of the Lord!

Lord Byron.

The next two spirited poems—both hailing from America—are inserted with a view to their being useful to boys who have a taste for recitation.

Sheridan’s Ride

Up from the south at break of day,
Bringing to Winchester fresh dismay,
The affrighted air with a shudder bore,
Like a herald in haste, to the chieftain’s door,
The terrible grumble and rumble and roar,
Telling the battle was on once more—
And Sheridan twenty miles away!

And wilder still those billows of war
Thundered along the horizon’s bar;
And louder yet into Winchester rolled
The roar of that red sea uncontrolled,
Making the blood of the listener cold
As he thought of the stake in that fiery fray,
With Sheridan twenty miles away!

But there is a road from Winchester town,
A good broad highway leading down;
And there, through the flash of the morning light,
A steed, as black as the steeds of night,
Was seen to pass as with eagle flight.
84As if he knew the terrible need,
He stretched away with his utmost speed;
Hills rose and fell, but his heart was gay,
With Sheridan fifteen miles away!

Still sprang from those swift hoofs, thundering south,
The dust, like the smoke from the cannon’s mouth,
Or the trail of a comet sweeping faster and faster,
Foreboding to traitors the doom of disaster;
The heart of the steed and the heart of the master
Were beating like prisoners assaulting their walls,
Impatient to be where the battle-field calls;
Every nerve of the charger was strained to full play,
With Sheridan only ten miles away!

The first that the General saw was the groups
Of stragglers, and then—the retreating troops!
What was done—what to do—a glance told him both;
And, striking his spurs, with a terrible oath
He dashed down the line ’mid a storm of huzzahs,
85And the wave of retreat checked its course there, because
The sight of the Master compelled it to pause.
With foam and with dust the black charger was grey;
By the flash of his eye and his red nostril’s play
He seemed to the whole great army to say
“I have brought you Sheridan, all the way
From Winchester town to save the day!”

Hurrah, hurrah, for Sheridan!
Hurrah, hurrah, for horse and man!
And when their statues are placed on high
Under the dome of the Union sky
—The American soldier’s Temple of Fame—
There, with the glorious General’s name,
Be it said in letters both bold and bright,
“Here is the steed that saved the day
By carrying Sheridan into the fight,
From Winchester—twenty miles away!”

Thomas Buchanan Read.

Columbus

Behind him lay the gray Azores,
Behind, the Gates of Hercules;
Before him not the ghost of shores;
Before him only shoreless seas.
The good mate said: “Now must we pray,
For lo! the very stars are gone.
Brave Admiral, speak; what shall I say?”
“Why, say ‘Sail on! sail on! and on!’”

“My men grow mutinous day by day;
My men grow ghastly, wan and weak.”
The stout mate thought of home; a spray
Of salt wave washed his swarthy cheek.
“What shall I say, brave Admiral, say,
If we sight naught but seas at dawn?”
“Why, you shall say at break of day:
‘Sail on! sail on! sail on! and on!’”

They sailed and sailed, as winds might blow,
Until at last the blanched mate said:
“Why, now not even God would know
Should I and all my men fall dead.
These very winds forget their way,
For God from these dread seas is gone.
Now speak, brave Admiral, speak and say—”
He said: “Sail on! sail on! and on!”
87

They sailed. They sailed. Then spake the mate:
“This mad sea shows his teeth to-night.
He curls his lip, he lies in wait,
He lifts his teeth as if to bite!
Brave Admiral, say but one good word:
What shall we do when hope is gone?”
The words leapt like a leaping sword:
“Sail on! sail on! sail on! and on!”

Then, pale and worn, he paced his deck,
And peered through darkness. Ah, that night
Of all dark nights! And then a speck—
A light! A light! At last a light!
It grew, a starlit flag unfurled!
It grew to be Time’s burst of dawn.
He gained a world; he gave that world
Its grandest lesson: “On! sail on!”

Joaquin Miller.

Macaulay’s “Lays of Ancient Rome,” of which this is the first, deal only with the legends that Rome in her greatness liked to tell concerning her early beginnings. Unfortunately there is no similar group of poems treating of Imperial Rome, the centre of a world-empire; but children must please not think of the Mistress of the World purely as a little riverside town which could free itself from outside trouble by chopping down a wooden bridge.

Horatius

Lars Porsena of Clusium
By the Nine Gods he swore
That the great house of Tarquin
Should suffer wrong no more.
By the Nine Gods he swore it,
And named a trysting day,
And bade his messengers ride forth
East and west and south and north
To summon his array.

East and west and south and north
The messengers ride fast,
And tower and town and cottage
Have heard the trumpet’s blast.
Shame on the false Etruscan
Who lingers in his home,
When Porsena of Clusium
Is on the march for Rome.
89

The horsemen and the footmen
Are pouring in amain
From many a stately market-place,
From many a fruitful plain;
From many a lonely hamlet
Which, hid by beech and pine,
Like an eagle’s nest hangs on the crest
Of purple Apennine;

From lordly Volaterræ,
Where scowls the far-famed hold
Piled by the hands of giants
For godlike kings of old;
From sea-girt Populonia
Whose sentinels descry
Sardinia’s snowy mountain-tops
Fringing the southern sky;

From the proud mart of Pisæ,
Queen of the western waves,
Where ride Massilia’s triremes
Heavy with fair-haired slaves;
From where sweet Clanis wanders
Through corn and vines and flowers;
From where Cortona lifts to heaven
Her diadem of towers.
90

Tall are the oaks whose acorns
Drop in dark Auser’s rill;
Fat are the stags that champ the boughs
Of the Ciminian hill;
Beyond all streams Clitumnus
Is to the herdsman dear;
Best of all pools the fowler loves
The great Volsinian mere.

But now no stroke of woodman
Is heard by Auser’s rill;
No hunter tracks the stag’s green path
Up the Ciminian hill;
Unwatched along Clitumnus
Grazes the milk-white steer;
Unharmed the water-fowl may dip
In the Volsinian mere.

The harvests of Arretium
This year old men shall reap;
This year young boys in Umbro
Shall plunge the struggling sheep;
And in the vats of Luna
This year the must[24] shall foam
Round the white feet of laughing girls
Whose sires have marched to Rome.
91

There be thirty chosen prophets,
The wisest of the land,
Who always by Lars Porsena
Both morn and evening stand:
Evening and morn the Thirty
Have turned the verses o’er,
Traced from the right on linen white
By mighty Seers of yore.

And with one voice the Thirty
Have their glad answer given:
“Go forth, go forth, Lars Porsena;
Go forth, beloved of Heaven;
Go, and return in glory
To Clusium’s royal dome,
And hang round Nurscia’s altars
The golden shields of Rome.”

And now hath every city
Sent up her tale of men;
The foot are fourscore thousand,
The horse are thousands ten.
Before the gates of Sutrium
Is met the great array.
A proud man was Lars Porsena
Upon the trysting day!
92

For all the Etruscan armies
Were ranged beneath his eye,
And many a banished Roman,
And many a stout ally;
And with a mighty following
To join the muster came
The Tusculan Mamilius,
Prince of the Latian name.

But by the yellow Tiber
Was tumult and affright:
From all the spacious champaign
To Rome men took their flight.
A mile around the city
The throng stopped up the ways;
A fearful sight it was to see,
Through two long nights and days.

For agèd folk on crutches,
And women great with child,
And mothers sobbing over babes
That clung to them and smiled,
And sick men borne in litters
High on the necks of slaves,
And troops of sun-burned husbandmen
With reaping-hooks and staves,
93

And droves of mules and asses
Laden with skins of wine,
And endless flocks of goats and sheep,
And endless herds of kine,
And endless trains of waggons
That creaked beneath the weight
Of corn-sacks and of household goods,
Choked every roaring gate.

Now from the rock Tarpeian
Could the wan burghers spy
The line of blazing villages
Red in the midnight sky.
The Fathers of the City,
They sat all night and day,
For every hour some horseman came
With tidings of dismay.

To eastward and to westward
Have spread the Tuscan bands;
Nor house, nor fence, nor dovecote
In Crustumerium stands.
Verbenna down to Ostia
Hath wasted all the plain;
Astur hath stormed Janiculum,
And the stout guards are slain.
94

I wis, in all the Senate
There was no heart so bold
But sore it ached, and fast it beat,
When that ill news was told.
Forthwith up rose the Consul,
Up rose the Fathers all;
In haste they girded up their gowns,
And hied them to the wall.

They held a council standing
Before the River-Gate;
Short time was there, ye well may guess,
For musing or debate.
Out spake the Consul roundly:
“The bridge must straight go down;
For, since Janiculum is lost,
Nought else can save the town.”

Just then a scout came flying,
All wild with haste and fear:
“To arms! to arms! Sir Consul:
Lars Porsena is here.”
On the low hills to westward
The Consul fixed his eye,
And saw the swarthy storm of dust
Rise fast along the sky.
95

And nearer fast and nearer
Doth the red whirlwind come;
And louder still and still more loud
From underneath that rolling cloud
Is heard the trumpet’s war-note proud,
The trampling, and the hum.
And plainly and more plainly
Now through the gloom appears,
Far to left and far to right,
In broken gleams of dark-blue light,
The long array of helmets bright,
The long array of spears.

And plainly and more plainly
Above that glimmering line
Now might ye see the banners
Of twelve fair cities shine;
But the banner of proud Clusium
Was highest of them all,
The terror of the Umbrian,
The terror of the Gaul.

And plainly and more plainly
Now might the burghers know,
By port and vest, by horse and crest,
Each warlike Lucumo[25].
96There Cilnius of Arretium
On his fleet roan was seen;
And Astur of the fourfold shield,
Girt with the brand none else may wield,
Tolumnius with the belt of gold,
And dark Verbenna from the hold
By reedy Thrasymene.

Fast by the royal standard
O’erlooking all the war,
Lars Porsena of Clusium
Sate in his ivory car.
By the right wheel rode Mamilius,
Prince of the Latian name;
And by the left false Sextus,
That wrought the deed of shame.

But when the face of Sextus
Was seen among the foes,
A yell that rent the firmament
From all the town arose.
On the house-tops was no woman
But spat towards him, and hissed;
No child but screamed out curses,
And shook its little fist.
97

But the Consul’s brow was sad,
And the Consul’s speech was low,
And darkly looked he at the wall,
And darkly at the foe.
“Their van will be upon us
Before the bridge goes down;
And if they once may win the bridge,
What hope to save the town?”

Then out spake brave Horatius,
The Captain of the gate:
“To every man upon this earth
Death cometh soon or late;
And how can man die better
Than facing fearful odds
For the ashes of his fathers
And the temples of his Gods,

And for the tender mother
Who dandled him to rest,
And for the wife who nurses
His baby at her breast,
And for the holy maidens
Who feed the eternal flame,
To save them from false Sextus
That wrought the deed of shame?
98

Hew down the bridge, Sir Consul,
With all the speed ye may;
I, with two more to help me,
Will hold the foe in play.
In yon strait path a thousand
May well be stopped by three:
Now who will stand on either hand,
And keep the bridge with me?”

Then out spake Spurius Lartius,
A Ramnian proud was he:
“Lo, I will stand at thy right hand,
And keep the bridge with thee.”
And out spake strong Herminius,
Of Titian blood was he:
“I will abide on thy left side,
And keep the bridge with thee.”

“Horatius,” quoth the Consul,
“As thou sayest, so let it be.”
And straight against that great array
Forth went the dauntless Three.
For Romans in Rome’s quarrel
Spared neither land nor gold,
Nor son nor wife, nor limb nor life
In the brave days of old.
99

Then none was for a party;
Then all were for the State;
Then the great man helped the poor,
And the poor man loved the great;
Then lands were fairly portioned;
Then spoils were fairly sold;
The Romans were like brothers
In the brave days of old.

Now Roman is to Roman
More hateful than a foe,
And the Tribunes beard the high,
And the Fathers grind the low.
As we wax hot in faction,
In battle we wax cold:
Wherefore men fight not as they fought
In the brave days of old.

Now while the Three were tightening
Their harness on their backs,
The Consul was the foremost man
To take in hand an axe:
And Fathers mixed with Commons
Seized hatchet, bar, and crow,
And smote upon the planks above,
And loosed the props below.
100

Meanwhile the Tuscan army,
Right glorious to behold,
Came flashing back the noonday light,
Rank behind rank, like surges bright
Of a broad sea of gold.
Four hundred trumpets sounded
A peal of warlike glee,
As that great host, with measured tread,
And spears advanced, and ensigns spread,
Rolled slowly towards the bridge’s head,
Where stood the dauntless Three.

The Three stood calm and silent,
And looked upon the foes,
And a great shout of laughter
From all the vanguard rose:
And forth three chiefs came spurring
Before that deep array;
To earth they sprang, their swords they drew,
And lifted high their shields, and flew
To win the narrow way;

Aunus from green Tifernum,
Lord of the Hill of Vines;
And Seius, whose eight hundred slaves
Sicken in Ilva’s mines;
101And Picus, long to Clusium
Vassal in peace and war,
Who led to fight his Umbrian powers
From that grey crag where, girt with towers,
The fortress of Nequinum lowers
O’er the pale waves of Nar.

Stout Lartius hurled down Aunus
Into the stream beneath:
Herminius struck at Seius,
And clove him to the teeth:
At Picus brave Horatius
Darted one fiery thrust,
And the proud Umbrian’s gilded arms
Clashed in the bloody dust.

Then Ocnus of Falerii
Rushed on the Roman Three;
And Lausulus of Urgo,
The rover of the sea;
And Aruns of Volsinium,
Who slew the great wild boar,
The great wild boar that had his den
Amidst the reeds of Cosa’s fen,
And wasted fields, and slaughtered men,
Along Albinia’s shore.
102

Herminius smote down Aruns:
Lartius laid Ocnus low:
Right to the heart of Lausulus
Horatius sent a blow.
“Lie there,” he cried, “fell pirate!
No more, aghast and pale,
From Ostia’s walls the crowd shall mark
The track of thy destroying bark.
No more Campania’s hinds shall fly
To woods and caverns when they spy
Thy thrice-accursed sail.”

But now no sound of laughter
Was heard amongst the foes.
A wild and wrathful clamour
From all the vanguard rose.
Six spears’ lengths from the entrance
Halted that deep array,
And for a space no man came forth
To win the narrow way.

But hark! the cry is “Astur!”
And lo! the ranks divide;
And the great Lord of Luna
Comes with his stately stride.
Upon his ample shoulders
Clangs loud the fourfold shield,
103And in his hand he shakes the brand
Which none but he can wield.

He smiled on those bold Romans
A smile serene and high;
He eyed the flinching Tuscans,
And scorn was in his eye.
Quoth he, “The she-wolf’s litter
Stand savagely at bay:
But will ye dare to follow,
If Astur clears the way?”

Then, whirling up his broadsword
With both hands to the height,
He rushed against Horatius,
And smote with all his might.
With shield and blade Horatius
Right deftly turned the blow:
The blow, though turned, came yet too nigh;
It missed his helm, but gashed his thigh:
The Tuscans raised a joyful cry
To see the red blood flow.

He reeled, and on Herminius
He leaned one breathing-space;
Then, like a wild cat mad with wounds,
Sprang right at Astur’s face.
104Through teeth, and skull, and helmet,
So fierce a thrust he sped,
The good sword stood a handbreadth out
Behind the Tuscan’s head.

And the great Lord of Luna
Fell at that deadly stroke,
As falls on Mount Alvernus
A thunder-smitten oak:
Far o’er the crashing forest
The giant arms lie spread;
And the pale augurs, muttering low,
Gaze on the blasted head.

On Astur’s throat Horatius
Right firmly pressed his heel,
And thrice and four times tugged amain,
Ere he wrenched out the steel.
“And see,” he cried, “the welcome,
Fair guests, that waits you here!
What noble Lucumo comes next
To taste our Roman cheer?”

But at his haughty challenge
A sullen murmur ran,
Mingled of wrath and shame and dread,
Along that glittering van.
105There lacked not men of prowess,
Nor men of lordly race;
For all Etruria’s noblest
Were round the fatal place.

But all Etruria’s noblest
Felt their hearts sink to see
On the earth the bloody corpses,
In the path the dauntless Three:
And, from the ghastly entrance
Where those bold Romans stood,
All shrank, like boys who unaware,
Ranging the woods to start a hare,
Come to the mouth of the dark lair
Where, growling low, a fierce old bear
Lies amidst bones and blood.

Was none who would be foremost
To lead such dire attack;
But those behind cried “Forward!”
And those before cried “Back!”
And backward now and forward
Wavers the deep array;
And on the tossing sea of steel,
To and fro the standards reel;
And the victorious trumpet-peal
Dies fitfully away.
106

Yet one man for one moment
Strode out before the crowd;
Well known was he to all the Three,
And they gave him greeting loud.
“Now welcome, welcome, Sextus!
Now welcome to thy home!
Why dost thou stay, and turn away?
Here lies the road to Rome.”

Thrice looked he at the city;
Thrice looked he at the dead;
And thrice came on in fury,
And thrice turned back in dread:
And, white with fear and hatred,
Scowled at the narrow way
Where, wallowing in a pool of blood,
The bravest Tuscans lay.

But meanwhile axe and lever
Have manfully been plied;
And now the bridge hangs tottering
Above the boiling tide.
“Come back, come back, Horatius!”
Loud cried the Fathers all.
“Back, Lartius! back, Herminius!
Back, ere the ruin fall!”
107

Back darted Spurius Lartius;
Herminius darted back:
And, as they passed, beneath their feet
They felt the timbers crack.
But, when they turned their faces,
And on the farther shore
Saw brave Horatius stand alone,
They would have crossed once more.

But with a crash like thunder
Fell every loosened beam,
And, like a dam the mighty wreck
Lay right athwart the stream:
And a long shout of triumph
Rose from the walls of Rome,
As to the highest turret-tops
Was splashed the yellow foam.

And, like a horse unbroken
When first he feels the rein,
The furious river struggled hard,
And tossed his tawny mane;
And burst the curb, and bounded,
Rejoicing to be free;
And whirling down, in fierce career,
Battlement, and plank, and pier,
Rushed headlong to the sea.
108

Alone stood brave Horatius,
But constant still in mind;
Thrice thirty thousand foes before,
And the broad flood behind.
“Down with him!” cried false Sextus,
With a smile on his pale face.
“Now yield thee,” cried Lars Porsena,
“Now yield thee to our grace.”

Round turned he, as not deigning
Those craven ranks to see;
Nought spake he to Lars Porsena,
To Sextus nought spake he;
But he saw on Palatinus
The white porch of his home;
And he spake to the noble river
That rolls by the towers of Rome.

“O Tiber! father Tiber!
To whom the Romans pray,
A Roman’s life, a Roman’s arms
Take thou in charge this day!”
So he spake, and speaking sheathèd
The good sword by his side,
And with his harness on his back
Plunged headlong in the tide.
109

No sound of joy or sorrow
Was heard from either bank;
But friends and foes in dumb surprise,
With parted lips and straining eyes,
Stood gazing where he sank;
And when above the surges
They saw his crest appear,
All Rome sent forth a rapturous cry,
And even the ranks of Tuscany
Could scarce forbear to cheer.

But fiercely ran the current,
Swollen high by months of rain:
And fast his blood was flowing;
And he was sore in pain,
And heavy with his armour,
And spent with changing blows:
And oft they thought him sinking,
But still again he rose.

Never, I ween, did swimmer,
In such an evil case,
Struggle through such a raging flood
Safe to the landing-place:
But his limbs were borne up bravely
By the brave heart within,
110And our good father Tiber
Bare bravely up his chin.

“Curse on him!” quoth false Sextus;
“Will not the villain drown?
But for this stay ere close of day
We should have sacked the town!”
“Heaven help him!” quoth Lars Porsena,
“And bring him safe to shore;
For such a gallant feat of arms
Was never seen before.”

And now he feels the bottom;
Now on dry earth he stands;
Now round him throng the Fathers
To press his gory hands;
And now with shouts and clapping,
And noise of weeping loud,
He enters through the River-Gate,
Borne by the joyous crowd.

They gave him of the corn-land,
That was of public right,
As much as two strong oxen
Could plough from morn till night;
111And they made a molten image,
And set it up on high,
And there it stands unto this day
To witness if I lie.

It stands in the Comitium
Plain for all folk to see;
Horatius in his harness,
Halting upon one knee:
And underneath is written,
In letters all of gold,
How valiantly he kept the bridge
In the brave days of old.

And still his name sounds stirring
Unto the men of Rome,
As the trumpet-blast that cries to them
To charge the Volscian home;
And wives still pray to Juno
For boys with hearts as bold
As his who kept the bridge so well
In the brave days of old.

And in the nights of winter,
When the cold north winds blow,
And the long howling of the wolves
Is heard amidst the snow;
112When round the lonely cottage
Roars loud the tempest’s din,
And the good logs of Algidus
Roar louder yet within;

When the oldest cask is opened,
And the largest lamp is lit;
When the chestnuts glow in the embers,
And the kid turns on the spit;
When young and old in circle
Around the firebrands close;
When the girls are weaving baskets,
And the lads are shaping bows;

When the goodman mends his armour
And trims his helmet’s plume;
When the goodwife’s shuttle merrily
Goes flashing through the loom;
With weeping and with laughter
Still is the story told,
How well Horatius kept the bridge
In the brave days of old.

Lord Macaulay.

[24] must: grape-juice.

[25] Lucumo: Etruscan nobleman.

113

INDEX OF AUTHORS

	PAGE
Allingham, William	34, 48, 68
Anonymous	1–8, 11, 13
Blake, William	45, 65, 66, 80
Byron, Lord	81
Coleridge, Samuel Taylor	25
Coleridge, Sara	17
Corbet, Richard	55
Davidson, John	28, 73
Dobell, Sydney	26
Field, Eugene	36, 42, 47
Follen, Eliza Lee	8
Gale, Norman	29
Herrick, Robert	15, 22, 75, 76
Hogg, James	58, 62, 72
Howitt, Mary	24
Howitt, William	19
Keats, John	67
Lowell, Amy	12
Macaulay, Lord	88
Maugham, H. N.	65
Miller, Joaquin	86
114 Moore, Thomas	63
Prentiss, Mrs E.	10
Ramal, Walter	35
Rands, William Brighty	12, 44, 54, 69
Read, Thomas Buchanan	83
Robertson, W. Graham	22, 39, 41
Rogers, Samuel	33
Roscoe, William	30
Scott, Sir Walter	46
Shakespeare, William	15, 28, 51
Shelley, Percy Bysshe	78
Stevenson, Robert Louis	38
Swinburne, Algernon Charles	77
Taylor, Ann and Jane	9, 14, 71
Tennyson, Lord	45
Thornbury, G. W.	57
Wordsworth, William	16, 24

115

INDEX OF FIRST LINES

	PAGE
A Robin Redbreast in a cage	65
At early dawn through London you must go	28
At evening when the lamp is lit	38
Awake, awake, my little boy	45
Behind him lay the gray Azores	86
Bird of the wilderness	72
Blow, wind, blow! and go, mill, go!	6
Bonny Kilmeny gaed up the glen	58
Build me a castle of sand	39
“Bunches of grapes,” says Timothy	35
Buttercups and daisies	24
Cold and raw	7
Come, take up your hats, and away let us haste	30
Come unto these yellow sands	51
Curly Locks! Curly Locks!	3
Daffodils	15
Do you know what the birds say? The sparrow, the dove	25
Draw a pail of water	4
Drummer-boy, drummer-boy, where is your drum	44
Fair daffodils, we weep to see	15
Farewell rewards and fairies	55
First, April, she with mellow showers	22
First came the primrose	26
Go, pretty child, and bear this flower	76
Good-bye, good-bye to Summer	68
Here in the country’s heart	29
116 Here’s another day, dear	22
Hush a while, my darling, for the long day closes	41
I am the Cat of Cats. I am	12
I had a dove, and the sweet dove died	67
I had a little nut-tree	5
I have a little sister, they call her Peep, Peep	7
I like little Pussy, her coat is so warm	11
I saw a ship a-sailing	4
I wander’d lonely as a cloud	16
In holly hedges starving birds	73
In marble walls as white as milk	8
It was a black Bunny, with white in its head	69
January brings the snow	17
Jenny Wren fell sick	2
Lars Porsena of Clusium	88
Little baby, lay your head	14
Little Lamb, who made thee?	65
Matthew, Mark, Luke and John	2
Merry are the bells, and merry would they ring	1
Mine be a cot beside the hill	33
My maid Mary she minds the dairy	5
My soul is an enchanted boat	78
O hush thee, my baby, thy sire was a knight	46
O look at the moon	8
O Mother-my-Love, if you’ll give me your hand	47
Once on a time an old red hen	36
Once there was a little kitty	10
Over hill, over dale	52
Piping down the valleys wild	80
Pussy-cat Mew jumped over a coal	3
117 Ring-ting! I wish I were a Primrose	34
Sea shell, Sea shell	12
Sleep, baby, sleep	13
Sweet and low, sweet and low	45
Thank you, pretty cow, that made	71
The Assyrian came down like a wolf on the fold	81
The cock is crowing	24
The cock’s on the housetop	6
The cuckoo’s a bonny bird	13
The garden was pleasant with old-fashioned flowers	54
The north wind doth blow	7
The wind one morning sprang up from sleep	19
There’s a bower of roses by Bendemeer’s stream	63
There was a Knight of Bethlehem	65
Thou whose birth on earth	77
Tiger, Tiger, burning bright	66
Toll the lilies’ silver bells	57
Twinkle, twinkle, little star	9
Under the greenwood tree	28
Up from the south at break of day	83
Up the airy mountain	48
We’ve plough’d our land, we’ve sown our seed	13
What sweeter music can we bring	75
When the wind is in the East	6
Where the bee sucks there suck I	52
Where the pools are bright and deep	62
Wynken, Blynken, and Nod one night	42
Ye elves of hills, brooks, standing lakes and groves	51
You spotted snakes with double tongue	53

118

Cambridge:

PRINTED BY JOHN CLAY, M.A. AT THE UNIVERSITY PRESS

The Cambridge Book
of
Poetry for Children

PART II

CAMBRIDGE UNIVERSITY PRESS

C. F. CLAY, Manager

London: FETTER LANE, E.C.
Edinburgh: 100 PRINCES STREET

Bombay, Calcutta and Madras: MACMILLAN AND CO., Ltd.

Toronto: J. M. DENT AND SONS, Ltd.

Tokyo: THE MARUZEN-KABUSHIKI-KAISHA

Copyrighted in the United States of America by
G. P. PUTNAM’S SONS,
2, 4 and 6, West 45th Street, New York City

The Cambridge Book
of
Poetry for Children

Edited by
KENNETH GRAHAME

Author of The Golden Age, Dream Days, The Wind in the Willows, etc.

PART II

Cambridge:
at the University Press
1916

NOTE

The Editor has to express his thanks for permission to use copyright matter to the Editor of A Sailor’s Garland and its publishers, Messrs Methuen, to Mr Elkin Mathews for the poem by Richard Hovey, to Messrs G. Routledge & Sons for a poem by Joaquin Miller.

		PAGE
NATURE, COUNTRY AND THE OPEN AIR
To Meadows	R. Herrick	1
The Brook	A. Tennyson	2
Recollections of Early Childhood	W. Wordsworth	4
To Autumn	J. Keats	7
Ode to the West Wind	P. B. Shelley	9
To a Skylark	”	13
The Moon-Goddess	Ben Jonson	18
Home-Thoughts from Abroad	R. Browning	19
Home-Thoughts from the Sea	”	20
GREEN SEAS AND SAILOR MEN
1. The Call of the Sea
Ye Mariners of England	T. Campbell	21
The Secret of the Sea	H. W. Longfellow	22
A Dutch Picture	”	24
Sea Memories	”	26
The Sea Gypsy	Richard Hovey	27
The Greenwich Pensioner		28
The Press-Gang		30
A Sea Dirge	W. Shakespeare	30
ccvi 2. Its Lawless Joys
The Old Buccaneer	C. Kingsley	31
The Salcombe Seaman’s Flaunt to the Proud Pirate		34
The Smuggler		36
ARMS AND THE MAN
The Maid	Theodore Roberts	37
The Eve of Waterloo	Lord Byron	39
The Glory that was Greece	”	43
Battle Hymn of the American Republic	Julia Ward Howe	47
To Lucasta, on going to the Wars	Richard Lovelace	48
The Black Prince	Sir Walter Scott	49
The Burial of Sir John Moore	Charles Wolfe	50
How Sleep the Brave	William Collins	52
Soldier, Rest!	Sir Walter Scott	53
THE OTHER SIDE OF IT
1. The Patriot	Robert Browning	54
2. For those who fail	Joaquin Miller	56
3. Keeping On	A. H. Clough	57
STORY-POEMS
The Lady of Shalott	Alfred Tennyson	58
The Forsaken Merman	Matthew Arnold	65
The Legend Beautiful	H. W. Longfellow	72
Abou Ben Adhem	Leigh Hunt	77
ccvii The Sands of Dee	Charles Kingsley	78
Lochinvar	Sir Walter Scott	79
DAY-DREAMS
Dreams to Sell	T. L. Beddoes	83
The Lost Bower	E. B. Browning	84
Echo and the Ferry	Jean Ingelow	92
Poor Susan’s Dream	W. Wordsworth	100
Fancy	W. Shakespeare	101
TWO HOME-COMINGS
1. The Good Woman Made Welcome in Heaven	R. Crashaw	102
2. The Soldier Relieved	R. Browning	103
WHEN KNIGHTS WERE BOLD
Hunting Song	Sir Walter Scott	104
The Riding to the Tournament	G. W. Thornbury	105
VARIOUS
A Red, Red Rose	Robert Burns	113
Blow, Bugle, Blow	Alfred Tennyson	114
West and East	Matthew Arnold	115
Genseric	Owen Meredith	116
Kubla Khan	S. T. Coleridge	118
Something to Remember	R. Browning	120
Ring Out, Wild Bells	A. Tennyson	121

201

NATURE, COUNTRY, AND THE OPEN AIR

To Meadows

Ye have been fresh and green,
Ye have been fill’d with flowers;
And ye the walks have been
Where maids have spent their hours.

You have beheld how they
With wicker arks did come
To kiss and bear away
The richer cowslips home.

You’ve heard them sweetly sing,
And seen them in a round:
Each virgin like a spring,
With honeysuckles crown’d.

But now we see none here
Whose silv’ry feet did tread
And with dishevelled hair
Adorn’d this smoother mead.

Like unthrifts, having spent
Your stock, and needy grown,
You’re left here to lament
Your poor estates, alone.

Robert Herrick.

202

The Brook

I come from haunts of coot and hern[26],
I make a sudden sally,
And sparkle out among the fern,
To bicker down a valley.

By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorps[27], a little town,
And half a hundred bridges.

I chatter over stony ways
In little sharps and trebles,
I bubble into eddying bays,
I babble on the pebbles.

With many a curve my banks I fret
By many a field and fallow,
And many a fairy foreland set
With willow-weed and mallow.

I chatter, chatter, as I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.

I wind about and in and out,

203

With here a blossom sailing,

And here and there a lusty trout,

And here and there a grayling.

And here and there a foamy flake
Upon me, as I travel
With many a silvery waterbreak
Above the golden gravel.

I steal by lawns and grassy plots,
I slide by hazel covers;
I move the sweet forget-me-nots
That grow for happy lovers.

I slip, I slide, I gloom, I glance,
Among my skimming swallows;
I make the netted sunbeam dance
Against my sandy shallows.

I murmur under moon and stars
In brambly wildernesses;
I linger by my shingly bars;
I loiter round my cresses;

And out again I curve and flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.

Alfred, Lord Tennyson.

[26] hern: heron.

[27] thorps: villages.

204

Recollections of Early Childhood

There was a time when meadow, grove, and stream,
The earth, and every common sight,
To me did seem
Apparell’d in celestial light,
The glory and the freshness of a dream.
It is not now as it hath been of yore;—
Turn wheresoe’er I may,
By night or day,
The things which I have seen I now can see no more.

The rainbow comes and goes,
And lovely is the rose;
The moon doth with delight
Look round her when the heavens are bare;
Waters on a starry night
Are beautiful and fair;
The sunshine is a glorious birth;
But yet I know, where’er I go,
That there hath passed away a glory from the earth.

Now, while the birds thus sing a joyous song,
And while the young lambs bound
As to the tabor’s sound,
205To me alone there came a thought of grief:
A timely utterance gave that thought relief,
And I again am strong.
The cataracts blow their trumpets from the steep;
No more shall grief of mine the season wrong;
I hear the echoes through the mountains throng,
The winds come to me from the fields of sleep,
And all the earth is gay;
Land and sea
Give themselves up to jollity,
And with the heart of May
Doth every beast keep holiday;—
Thou Child of Joy,
Shout round me, let me hear thy shouts, thou happy Shepherd-boy!

Ye blessed creatures, I have heard the call
Ye to each other make; I see
The heavens laugh with you in your jubilee;
My heart is at your festival,
My head hath its coronal,
The fulness of your bliss, I feel—I feel it all.
O evil day! if I were sullen
While Earth herself is adorning,
This sweet May morning,
206And the children are culling
On every side,
In a thousand valleys far and wide,

Fresh flowers; while the sun shines warm,
And the babe leaps up on his mother’s arm:—
I hear, I hear, with joy I hear!
—But there’s a tree, of many one,
A single field which I have look’d upon,
Both of them speak of something that is gone:
The pansy at my feet
Doth the same tale repeat:
Whither is fled the visionary gleam?
Where is it now, the glory and the dream?

Our birth is but a sleep and a forgetting:
The Soul that rises with us, our life’s Star,
Hath had elsewhere its setting,
And cometh from afar:
Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come
From God, who is our home:
Heaven lies about us in our infancy!
Shades of the prison-house begin to close
Upon the growing Boy,
But he beholds the light, and whence it flows,
207He sees it in his joy;
The Youth, who daily further from the east
Must travel, still is Nature’s priest,
And by the vision splendid
Is on his way attended;
At length the man perceives it die away,
And fade into the light of common day.

William Wordsworth.

(This is only a portion of the poem, which later you should take an opportunity of reading as a whole.)

To Autumn

Season of mists and mellow fruitfulness!
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eaves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o’er-brimm’d their clammy cells.
208

Who hath not seen Thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drowsed with the fume of poppies, while thy hook
Spares the next swath and all its twinèd flowers;
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cider-press, with patient look,
Thou watchest the last oozings hours by hours.

Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,—
While barrèd clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows[28], borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn[29];
Hedge-crickets sing; and now with treble soft
209The redbreast whistles from a garden-croft[30];
And gathering swallows twitter in the skies.

John Keats.

[28] sallows: willows.

[29] bourn: stream, water-course.

[30] croft: enclosure.

Ode to the West Wind

O wild West Wind, thou breath of Autumn’s being,
Thou from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,

Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes! O thou
Who chariotest to their dark wintry bed

The wingèd seeds, where they lie cold and low,

Each like a corpse within its grave, until

Thine azure sister of the Spring shall blow

210

Her clarion o’er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:

Wild Spirit, which art moving everywhere;

Destroyer and preserver; hear, O hear!

II.

Thou on whose stream, ’mid the steep sky’s commotion,
Loose clouds like earth’s decaying leaves are shed,
Shook from the tangled boughs of heaven and ocean,

Angels of rain and lightning! there are spread
On the blue surface of thine airy surge,
Like the bright hair uplifted from the head

Of some fierce Maenad[31], even from the dim verge
Of the horizon to the zenith’s height,
The locks of the approaching storm. Thou dirge

Of the dying year, to which this closing night

Will be the dome of a vast sepulchre,

Vaulted with all thy congregated might

211

Of vapours, from whose solid atmosphere

Black rain, and fire, and hail, will burst: O hear!

III.

Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lull’d by the coil[32] of his crystalline streams,

Beside a pumice[33] isle in Baiae’s bay,
And saw in sleep old palaces and towers
Quivering within the wave’s intenser day,

All overgrown with azure moss, and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic’s level powers

Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know

Thy voice, and suddenly grow grey with fear,

And tremble and despoil themselves: O hear!

IV.

If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share

The impulse of thy strength, only less free

212

Than thou, O uncontrollable! if even

I were as in my boyhood, and could be

The comrade of thy wanderings over heaven,
As then, when to outstrip thy skiey speed
Scarce seem’d a vision—I would ne’er have striven

As thus with thee in prayer in my sore need.
O! lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!

A heavy weight of years has chain’d and bow’d

One too like thee—tameless, and swift, and proud.

Make me thy lyre, even as the forest is:
What if my leaves are falling like its own?
The tumult of thy mighty harmonies

Will take from both a deep autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!

Drive my dead thoughts over the universe,

Like wither’d leaves, to quicken a new birth;

And, by the incantation of this verse,

213

Scatter, as from an unextinguish’d hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawaken’d earth

The trumpet of a prophecy! O Wind,

If Winter comes, can Spring be far behind?

Percy Bysshe Shelley.

[31] Maenad: a priestess of Bacchus, the wine-god.

[32] coil: confused noise, murmur.

[33] pumice: formed of volcanic lava.

To a Skylark

Hail to thee, blithe spirit!
Bird thou never wert—
That from heaven or near it
Pourest thy full heart
In profuse strains of unpremeditated art.

Higher still and higher
From the earth thou springest
Like a cloud of fire;
The blue deep thou wingest,
And singing still dost soar, and soaring ever singest.

In the golden lightning
Of the sunken sun,
O’er which clouds are bright’ning,
Thou dost float and run,
Like an unbodied joy whose race is just begun.
214

The pale purple even
Melts around thy flight;
Like a star of heaven,
In the broad daylight
Thou art unseen, but yet I hear thy shrill delight.

Keen as are the arrows
Of that silver sphere,
Whose intense lamp narrows
In the white dawn clear,
Until we hardly see, we feel that it is there.

All the earth and air
With thy voice is loud,
As, when night is bare,
From one lonely cloud
The moon rains out her beams, and heaven is overflow’d.

What thou art we know not;
What is most like thee?
From rainbow clouds there flow not
Drops so bright to see,
As from thy presence showers a rain of melody:—
215

Like a poet hidden
In the light of thought,
Singing hymns unbidden,
Till the world is wrought
To sympathy with hopes and fears it heeded not:

Like a high-born maiden
In a palace tower,
Soothing her love-laden
Soul in secret hour
With music sweet as love, which overflows her bower:

Like a glow-worm golden
In a dell of dew,
Scattering unbeholden
Its aërial hue
Among the flowers and grass which screen it from the view:

Like a rose embower’d
In its own green leaves,
By warm winds deflower’d,
Till the scent it gives
Makes faint with too much sweet these heavy-wingèd thieves:
216

Sound of vernal showers
On the twinkling grass,
Rain-awaken’d flowers—
All that ever was
Joyous and clear and fresh—thy music doth surpass.

Teach us, sprite or bird,
What sweet thoughts are thine:
I have never heard
Praise of love or wine
That panted forth a flood of rapture so divine.

Chorus hymeneal
Or triumphal chant,
Match’d with thine would be all
But an empty vaunt—
A thing wherein we feel there is some hidden want.

What objects are the fountains
Of thy happy strain?
What fields, or waves, or mountains?
What shapes of sky or plain?
What love of thine own kind? what ignorance of pain?
217

With thy clear keen joyance
Languor cannot be:
Shadow of annoyance
Never came near thee:
Thou lovest, but ne’er knew love’s sad satiety.

Waking or asleep,
Thou of death must deem
Things more true and deep
Than we mortals dream,
Or how could thy notes flow in such a crystal stream?

We look before and after,
And pine for what is not:
Our sincerest laughter
With some pain is fraught;
Our sweetest songs are those that tell of saddest thought.

Yet if we could scorn
Hate and pride and fear,
If we were things born
Not to shed a tear,
I know not how thy joy we ever should come near.
218

Better than all measures
Of delightful sound,
Better than all treasures
That in books are found,
Thy skill to poet were, thou scorner of the ground!

Teach me half the gladness
That thy brain must know;
Such harmonious madness
From my lips would flow,
The world should listen then, as I am listening now.

Percy Bysshe Shelley.

The Moon-Goddess

Queen and huntress, chaste and fair,
Now the sun is laid to sleep,
Seated in thy silver chair,
State in wonted manner keep:
Hesperus entreats thy light,
Goddess excellently bright.

Earth, let not thy envious shade
Dare itself to interpose;
Cynthia’s shining orb was made
Heaven to clear when day did close:
Bless us then with wishèd sight,
Goddess excellently bright.
219

Lay thy bow of pearl apart,
And thy crystal-shining quiver;
Give unto the flying hart
Space to breathe, how short soever:
Thou that mak’st a day of night—
Goddess excellently bright.

Ben Jonson.

Home-Thoughts from Abroad

O, to be in England
Now that April’s there,
And whoever wakes in England
Sees, some morning, unaware,
That the lowest boughs and the brushwood sheaf
Round the elm-tree bole are in tiny leaf,
While the chaffinch sings on the orchard bough
In England—now!

And after April, when May follows,
And the white throat builds, and all the swallows!
Hark, where my blossom’d pear-tree in the hedge
Leans to the field and scatters on the clover
Blossoms and dewdrops—at the bent spray’s edge—
That’s the wise thrush; he sings each song twice over,
220

Lest you should think he never could recapture
The first fine careless rapture!
And though the fields look rough with hoary dew,
All will be gay when noontide wakes anew
The buttercups, the little children’s dower
—Far brighter than this gaudy melon-flower!

Robert Browning.

Home-Thoughts from the Sea

Nobly, nobly Cape Saint Vincent to the North-west died away;
Sunset ran, one glorious blood-red, reeking into Cadiz Bay;
Bluish ’mid the burning water, full in face Trafalgar lay;
In the dimmest North-east distance dawn’d Gibraltar grand and gray;
“Here and here did England help me: how can I help England?”—say,
Whoso turns as I, this evening, turn to God to praise and pray,
While Jove’s planet rises yonder, silent over Africa.

Robert Browning.

221

GREEN SEAS AND SAILOR MEN

1. The Call of the Sea

Ye Mariners of England

Ye Mariners of England!
That guard our native seas;
Whose flag has braved a thousand years
The battle and the breeze!
Your glorious standard launch again
To match another foe;
And sweep through the deep,
While the stormy winds do blow!
While the battle rages loud and long,
And the stormy winds do blow.

The spirits of your fathers
Shall start from every wave;
For the deck it was their field of fame,
And Ocean was their grave:
Where Blake and mighty Nelson fell
Your manly hearts shall glow,
As ye sweep through the deep,
While the stormy winds do blow!
While the battle rages loud and long,
And the stormy winds do blow.
222

Britannia needs no bulwarks,
No towers along the steep;
Her march is o’er the mountain-waves,
Her home is on the deep.
With thunders from her native oak
She quells the floods below,
As they roar on the shore,
When the stormy winds do blow!
When the battle rages loud and long,
And the stormy winds do blow.

The meteor flag of England
Shall yet terrific burn;
Till danger’s troubled night depart
And the star of peace return.
Then, then, ye ocean-warriors!
Our song and feast shall flow
To the fame of your name,
When the storm has ceased to blow!
When the fiery fight is heard no more,
And the storm has ceased to blow.

Thomas Campbell.

The Secret of the Sea

Ah! what pleasant visions haunt me

As I gaze upon the sea!

All the old romantic legends,

All my dreams come back to me.

223

Sails of silk and ropes of sendal[34],
Such as gleam in ancient lore;
And the singing of the sailors,
And the answer from the shore!

Most of all, the Spanish ballad
Haunts me oft, and tarries long,
Of the noble Count Arnaldos
And the sailor’s mystic song.

Telling how the Count Arnaldos,
With his hawk upon his hand,
Saw a fair and stately galley,
Steering onward to the land;—

How he heard the ancient helmsman
Chant a song so wild and clear,
That the sailing sea-bird slowly
Poised upon the mast to hear,

Till his soul was full of longing,
And he cried, with impulse strong,—
“Helmsman! for the love of heaven,
Teach me, too, that wondrous song!”

“Wouldst thou,”—so the helmsman answered,

“Learn the secret of the sea?

Only those who brave its dangers

Comprehend its mystery!”

224

In each sail that skims the horizon,
In each landward-blowing breeze,
I behold that stately galley,
Hear those mournful melodies.

Till my soul is full of longing
For the secret of the sea,
And the heart of the great ocean
Sends a thrilling pulse through me.

H. W. Longfellow.

[34] sendal: coarse narrow silken material.

A Dutch Picture

Simon Danz has come home again,
From cruising about with his buccaneers[35];
He has singed the beard of the King of Spain,
And carried away the Dean of Jaen,
And sold him in Algiers.

In his house by the Maese, with its roof of tiles,
And weathercocks flying aloft in air,
There are silver tankards in antique styles,
Plunder of convent and castle, and piles
Of carpets rich and rare.

In his tulip-garden there by the town,
Overlooking the sluggish stream,
With his Moorish cap and dressing-gown,
The old sea-captain, hale and brown,
Walks in a waking dream.
225

A smile in his gray mustachio lurks
Whenever he thinks of the King of Spain,
And the listed[36] tulips look like Turks,
And the silent gardener as he works
Is changed to the Dean of Jaen[37].

The windmills on the outermost
Verge of the landscape in the haze,
To him are towers on the Spanish coast,
With whiskered sentinels at their post,
Though this is the river Maese.

But when the winter rains begin,
He sits and smokes by the blazing brands,
And old seafaring men come in,
Goat-bearded, gray, and with double chin,
And rings upon their hands.

They sit there in the shadow and shine
Of the flickering fire of the winter night;
Figures in colour and design
Like those by Rembrandt of the Rhine,
Half darkness and half light.

And they talk of ventures lost or won,
And their talk is ever and ever the same,
While they drink the red wine of Tarragon,
From the cellars of some Spanish Don,
Or convent set on flame.

Restless at times, with heavy strides
226He paces his parlour to and fro;
He is like a ship that at anchor rides,
And swings with the rising and falling tides,
And tugs at her anchor-tow.

Voices mysterious far and near,
Sound of the wind and sound of the sea,
Are calling and whispering in his ear,
“Simon Danz! Why stayest thou here?
Come forth and follow me!”

So he thinks he shall take to the sea again
For one more cruise with his buccaneers,
To singe the beard of the King of Spain,
And capture another Dean of Jaen,
And sell him in Algiers.

H. W. Longfellow.

[35] buccaneers: sea rovers, pirates.

[36] listed: striped.

[37] Jaen: a town in Spain.

Sea Memories

Often I think of the beautiful town
That is seated by the sea;
Often in thought go up and down
The pleasant streets of that dear old town,
And my youth comes back to me.
And a verse of a Lapland song
Is haunting my memory still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”
227

I can see the shadowy lines of its trees,
And catch, in sudden gleams,
The sheen of the far-surrounding seas,
And islands that were the Hesperides[38]
Of all my boyish dreams.
And the burden of that old song,
It murmurs and whispers still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

I remember the black wharves and the slips,
And the sea-tides tossing free;
And the Spanish sailors with bearded lips,
And the beauty and mystery of the ships,
And the magic of the sea.
And the voice of that wayward song
Is singing and saying still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

H. W. Longfellow.

[38] Hesperides: the fabulous “Isles of the Blest” in far western seas.

The Sea Gypsy

I am fever’d with the sunset,

I am fretful with the bay,

For the wander-thirst is on me

And my soul is in Cathay.

228

There’s a schooner in the offing,
With her topsails shot with fire,
And my heart has gone aboard her
For the Islands of Desire.

I must forth again to-morrow!
With the sunset I must be
Hull down on the trail of rapture
In the wonder of the Sea.

Richard Hovey.

The Greenwich Pensioner

’Twas in the good ship Rover,
I sailed the world all round,
And for three years and over
I ne’er touched British ground;
At length in England landed,
I left the roaring main,
Found all relations stranded,
And went to sea again,
And went to sea again.

That time bound straight for Portugal,
Right fore and aft we bore,
But when we made Cape Ortegal,
A gale blew off the shore;
229She lay, so did it shock her,
A log upon the main,
Till, saved from Davy’s locker,
We put to sea again,
We put to sea again.

Next sailing in a frigate
I got my timber toe.
I never more shall jig it
As once I used to do;
My leg was shot off fairly,
All by a ship of Spain;
But I could swab the galley,
I went to sea again,
I went to sea again.

And still I am enabled
To bring up in the rear,
Although I’m quite disabled
And lie in Greenwich tier.
There’s schooners in the river
A riding to the chain,
But I shall never, ever
Put out to sea again,
Put out to sea again.

From A Sailor’s Garland.

230

The Press-gang

Here’s the tender[39] coming,
Pressing all the men;
O, dear honey,
What shall we do then?
Here’s the tender coming,
Off at Shields Bar.
Here’s the tender coming,
Full of men of war.

Here’s the tender coming,
Stealing of my dear;
O, dear honey,
They’ll ship you out of here,
They’ll ship you foreign,
For that is what it means.
Here’s the tender coming,
Full of red marines.

From A Sailor’s Garland.

[39] tender: a boat or other small vessel, that ‘attends’ a ship with men, stores, etc.

A Sea Dirge

Full fathom five thy father lies:
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade,
231But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
Hark! now I hear them,
Ding, dong, bell.

Shakespeare.

2. Its Lawless Joys

The Old Buccaneer

Oh England is a pleasant place for them that’s rich and high,
But England is a cruel place for such poor folks as I;
And such a port for mariners I ne’er shall see again
As the pleasant Isle of Avès, beside the Spanish main.

There were forty craft in Avès that were both swift and stout,

All furnished well with small arms and cannons round about;

And a thousand men in Avès made laws so fair and free

To choose their valiant captains and obey them loyally.

232

Thence we sailed against the Spaniard with his hoards of plate and gold,
Which he wrung with cruel tortures from Indian folk of old;
Likewise the merchant captains, with hearts as hard as stone,
Who flog men, and keel-haul them, and starve them to the bone.

O the palms grew high in Avès, and fruits that shone like gold,
And the colibris[40] and parrots they were gorgeous to behold;
And the negro maids to Avès from bondage fast did flee,
To welcome gallant sailors, a-sweeping in from sea.

O sweet it was in Avès to hear the landward breeze,

A-swing with good tobacco in a net between the trees,

With a negro lass to fan you, while you listened to the roar

Of the breakers on the reef outside, that never touched the shore.

233

But Scripture saith, an ending to all fine things must be;
So the King’s ships sailed on Avès, and quite put down were we.
All day we fought like bulldogs, but they burst the booms at night;
And I fled in a piragua[41], sore wounded, from the fight.

Nine days I floated starving, and a negro lass beside,
Till, for all I tried to cheer her, the poor young thing she died;
But as I lay a-gasping, a Bristol sail came by,
And brought me home to England here, to beg until I die.

And now I’m old and going—I’m sure I can’t tell where;
One comfort is, this world’s so hard, I can’t be worse off there:
If I might but be a sea-dove, I’d fly across the main,
To the pleasant Isle of Avès, to look at it once again.

Charles Kingsley.

[40] colibris: humming-birds.

[41] piragua: a “dug-out” canoe.

234

The Salcombe Seaman’s Flaunt to the Proud Pirate

A lofty ship from Salcombe came,
Blow high, blow low, and so sailed we;
She had golden trucks[42] that shone like flame,
On the bonny coasts of Barbary.

“Masthead, masthead,” the captains hail,
Blow high, blow low, and so sailed we;
“Look out and round, d’ye see a sail?”
On the bonny coasts of Barbary.

“There’s a ship that looms like Beachy Head,”
Blow high, blow low, and so sailed we;
“Her banner aloft it blows out red,”
On the bonny coasts of Barbary.

“Oh, ship ahoy, where do you steer?”
Blow high, blow low, and so sailed we;
“Are you man-of-war, or privateer?”
On the bonny coasts of Barbary.

“I am neither one of the two,” said she,

Blow high, blow low, and so sailed we;

“I’m a pirate, looking for my fee,”

On the bonny coasts of Barbary.

235

“I’m a jolly pirate, out for gold:”
Blow high, blow low, and so sailed we;
“I will rummage through your after hold,”
On the bonny coasts of Barbary.

The grumbling guns they flashed and roared,
Blow high, blow low, and so sailed we;
Till the pirate’s masts went overboard,
On the bonny coasts of Barbary.

They fired shots till the pirate’s deck,
Blow high, blow low, and so sailed we;
Was blood and spars and broken wreck,
On the bonny coasts of Barbary.

“O do not haul the red flag down,”
Blow high, blow low, and so sailed we;
“O keep all fast until we drown,”
On the bonny coasts of Barbary.

They called for cans of wine, and drank,
Blow high, blow low, and so sailed we;
They sang their songs until she sank,
On the bonny coasts of Barbary.

Now let us brew good cans of flip,

Blow high, blow low, and so sailed we;

And drink a bowl to the Salcombe ship,

On the bonny coasts of Barbary.

236

And drink a bowl to the lad of fame,
Blow high, blow low, and so sailed we;
Who put the pirate ship to shame,
On the bonny coasts of Barbary.

From A Sailor’s Garland.

[42] trucks: mast-head caps.

The Smuggler

O my true love’s a smuggler and sails upon the sea,
And I would I were a seaman to go along with he;
To go along with he for the satins and the wine,
And run the tubs at Slapton when the stars do shine.

O Hollands is a good drink when the nights are cold,
And Brandy is a good drink for them as grows old.
There is lights in the cliff-top when the boats are home-bound,
And we run the tubs at Slapton when the word goes round.

The King he is a proud man in his grand red coat,
But I do love a smuggler in a little fishing-boat;
For he runs the Mallins lace and he spends his money free,
And I would I were a seaman to go along with he.

From A Sailor’s Garland.

237

ARMS AND THE MAN

The generations pass, each in its turn wondering whether it is to be the one to see the ending of War and the awakening of the common sense of nations. But the Poetry of the glory of Battle, the hymning of high heroisms, the dirges for those who nobly died—these will remain, to gild its memory, long after the last echo of the last war-drum has faded out of the world.

The Maid

Thunder of riotous hoofs over the quaking sod;
Clash of reeking squadrons, steel-capped, iron-shod;
The White Maid and the white horse, and the flapping banner of God.

Black hearts riding for money; red hearts riding for fame;

The Maid who rides for France and the King who rides for shame—

Gentlemen, fools, and a saint riding in Christ’s high name!

238

“Dust to dust!” it is written. Wind-scattered are lance and bow.
Dust, the Cross of Saint George; dust, the banner of snow.
The bones of the King are crumbled, and rotted the shafts of the foe.

Forgotten, the young knight’s valour; forgotten, the captain’s skill;
Forgotten, the fear and the hate and the mailed hands raised to kill;
Forgotten, the shields that clashed and the arrows that cried so shrill.

Like a story from some old book, that battle of long ago:
Shadows, the poor French King and the might of his English foe;
Shadows, the charging nobles and the archers kneeling a-row—
But a flame in my heart and my eyes, the Maid with her banner of snow!

Theodore Roberts.

239

The Eve of Waterloo

There was a sound of revelry by night,
And Belgium’s capital had gather’d then
Her Beauty and her Chivalry, and bright
The lamps shone o’er fair women and brave men.
A thousand hearts beat happily; and when
Music arose with its voluptuous swell,
Soft eyes look’d love to eyes which spake again,
And all went merry as a marriage-bell;
But hush! hark! a deep sound strikes like a rising knell!

Did ye not hear it?—No; ’twas but the wind,
Or the car rattling o’er the stony street;
On with the dance! let joy be unconfined;
No sleep till morn, when Youth and Pleasure meet
To chase the glowing hours with flying feet.
But hark!—that heavy sound breaks in once more,
As if the clouds its echo would repeat;
And nearer, clearer, deadlier than before!
Arm! Arm! it is—it is—the cannon’s opening roar!
240

Within a window’d niche of that high hall
Sate Brunswick’s fated chieftain; he did hear
That sound, the first amidst the festival,
And caught its tone with Death’s prophetic ear;
And when they smiled because he deem’d it near,
His heart more truly knew that peal too well
Which stretch’d his father on a bloody bier,
And rous’d the vengeance blood alone could quell:
He rush’d into the field, and, foremost fighting, fell.

Ah! then and there was hurrying to and fro,
And gathering tears, and tremblings of distress,
And cheeks all pale, which but an hour ago
Blush’d at the praise of their own loveliness;
And there were sudden partings, such as press
The life from out young hearts, and choking sighs
Which ne’er might be repeated: who would guess
If ever more should meet those mutual eyes,
Since upon night so sweet such awful morn could rise!
241

And there was mounting in hot haste: the steed,
The mustering squadron, and the clattering car,
Went pouring forward with impetuous speed,
And swiftly forming in the ranks of war;
And the deep thunder peal on peal afar;
And near, the beat of the alarming drum
Rous’d up the soldier ere the morning star;
While throng’d the citizens with terror dumb,
Or whispering with white lips—“The foe! they come! they come!”

And wild and high the “Camerons’ gathering” rose,
The war-note of Lochiel, which Albyn’s hills
Have heard, and heard, too, have her Saxon foes:
How in the noon of night that pibroch thrills
Savage and shrill! But with the breath which fills
Their mountain-pipe, so fill the mountaineers
With the fierce native daring which instils
The stirring memory of a thousand years,
And Evan’s, Donald’s fame rings in each clansman’s ears!
242

And Ardennes waves above them her green leaves,
Dewy with Nature’s tear-drops, as they pass,
Grieving, if aught inanimate e’er grieves,
Over the unreturning brave,—alas!
Ere evening to be trodden like the grass
Which now beneath them, but above shall grow
In its next verdure, when this fiery mass
Of living valour, rolling on the foe,
And burning with high hope, shall moulder cold and low.

Last noon beheld them full of lusty life,
Last eve in Beauty’s circle proudly gay,
The midnight brought the signal-sound of strife,
The morn the marshalling in arms,—the day
Battle’s magnificently stern array!
The thunder-clouds close o’er it, which when rent
The earth is cover’d thick with other clay,
Which her own clay shall cover, heap’d and pent,
Rider and horse,—friend, foe,—in one red burial blent!

Lord Byron.

243

The Glory that was Greece

I include this among the War Poems, because it is a call to a conquered nation to rise in arms against their oppressors—a call that was in due course answered.

The isles of Greece! the isles of Greece!
Where burning Sappho loved and sung,
Where grew the arts of war and peace,
Where Delos rose, and Phoebus sprung!
Eternal summer gilds them yet,
But all except their sun is set.

The Scian and the Teian[43] muse,
The hero’s harp, the lover’s lute,
Have found the fame your shores refuse:
Their place of birth alone is mute
To sounds which echo further west
Than your sires’ “Islands of the Blest.”

The mountains look on Marathon,
And Marathon looks on the sea;
And, musing there an hour alone,
I dreamed that Greece might still be free;
For, standing on the Persian’s grave,
I could not deem myself a slave.
244

A king sate on the rocky brow
Which looks o’er sea-born Salamis;
And ships by thousands lay below,
And men in nations;—all were his!
He counted them at break of day,
And when the sun set, where were they?

And where are they? and where art thou,
My country? On thy voiceless shore
The heroic lay is tuneless now,
The heroic bosom beats no more!
And must thy lyre, so long divine,
Degenerate into hands like mine?

’Tis something in the dearth of fame,
Though linked among the fettered race,
To feel at least a patriot’s shame,
Even as I sing, suffuse my face;
For what is left the poet here?
For Greeks a blush—for Greece a tear!

Must we but weep o’er days more blest?
Must we but blush? Our fathers bled.
Earth! render back from out thy breast
A remnant of our Spartan dead!
Of the three hundred grant but three,
To make a new Thermopylæ!
245

What, silent still? and silent all?
Ah! no: the voices of the dead
Sound like a distant torrent’s fall,
And answer, “Let one living head,
But one arise,—we come, we come!”
’Tis but the living who are dumb.

In vain—in vain; strike other chords;
Fill high the cup with Samian wine!
Leave battles to the Turkish hordes,
And shed the blood of Scio’s vine!
Hark! rising to the ignoble call,
How answers each bold Bacchanal!

You have the Pyrrhic dance as yet;
Where is the Pyrrhic phalanx gone?
Of two such lessons, why forget
The nobler and the manlier one?
You have the letters Cadmus gave;
Think ye he meant them for a slave?

Fill high the bowl with Samian wine!
We will not think of themes like these!
It made Anacreon’s song divine:
He served—but served Polycrates:
A tyrant; but our masters then
Were still, at least, our countrymen.
246

The tyrant of the Chersonese
Was freedom’s best and bravest friend;
That tyrant was Miltiades!
Oh that the present hour would lend
Another despot of the kind!
Such chains as his were sure to bind.

Fill high the bowl with Samian wine!
On Suli’s rock and Parga’s shore
Exists the remnant of a line
Such as the Doric mothers bore;
And there, perhaps, some seed is sown
The Heracleidan blood might own.

Trust not for freedom to the Franks—
They have a king who buys and sells;
In native swords and native ranks
The only hope of courage dwells:
But Turkish force and Latin fraud
Would break your shield, however broad.

Fill high the bowl with Samian wine!
Our virgins dance beneath the shade—
I see their glorious black eyes shine;
But, gazing on each glowing maid,
My own the burning tear-drop laves,
To think such breasts must suckle slaves.
247

Place me on Sunium’s marbled steep,
Where nothing save the waves and I
May hear our mutual murmurs sweep;
There, swan-like, let me sing and die:
A land of slaves shall ne’er be mine—
Dash down yon cup of Samian wine!

Lord Byron.

[43] Scian and Teian: i.e. Homer and Anacreon.

Battle Hymn of the American Republic

Mine eyes have seen the glory of the coming of the Lord:
He is trampling out the vintage where the grapes of wrath are stored;
He hath loosed the fatal lightning of his terrible swift sword:
His truth is marching on.

I have seen him in the watch-fires of a hundred circling camps;

They have builded him an altar in the evening dews and damps;

I can read his righteous sentence by the dim and flaring lamps:

His day is marching on.

248

He has sounded forth the trumpet that shall never call retreat;
He is sifting out the hearts of men before his Judgment Seat;
O, be swift, my soul to answer Him, be jubilant my feet!
Our God is marching on.

In the beauty of the lilies Christ was born, across the sea,
With a glory in his bosom that transfigures you and me:
As he died to make men holy, let us die to make men free,
While God is marching on.

Julia Ward Howe.

To Lucasta, on going to the Wars

Tell me not, Sweet, I am unkind,
That from the nunnery
Of thy chaste breast and quiet mind
To war and arms I fly.

True, a new mistress now I chase,

The first foe in the field;

And with a stronger faith embrace

A sword, a horse, a shield.

249

Yet this inconstancy is such
As you too shall adore;
I could not love thee, Dear, so much,
Loved I not Honour more.

Richard Lovelace.

The Black Prince

O for the voice of that wild horn,
On Fontarabian echoes borne,
The dying hero’s call,
That told imperial Charlemagne
How Paynim sons of swarthy Spain
Had wrought his champion’s fall.

Sad over earth and ocean sounding,
And England’s distant cliffs astounding,
Such are the notes should say
How Britain’s hope, and France’s fear,
Victor of Cressy and Poitier,
In Bordeaux dying lay.

“Raise my faint head, my squires,” he said,
“And let the casement be displayed,
That I may see once more
The splendour of the setting sun
Gleam on thy mirrored wave, Garonne,
And Blay’s empurpled shore.
250

“Like me, he sinks to Glory’s sleep,
His fall the dews of evening steep,
As if in sorrow shed.
So soft shall fall the trickling tear,
When England’s maids and matrons hear
Of their Black Edward dead.

“And though my sun of glory set,
Nor France nor England shall forget
The terror of my name;
And oft shall Britain’s heroes rise,
New planets in these southern skies,
Through clouds of blood and flame.”

Sir Walter Scott.

The Burial of Sir John Moore

Not a drum was heard, not a funeral note,
As his corse to the rampart we hurried;
Not a soldier discharged his farewell shot
O’er the grave where our hero we buried.

We buried him darkly at dead of night,

The sods with our bayonets turning,

By the struggling moonbeam’s misty light

And the lantern dimly burning.

251

No useless coffin enclosed his breast,
Not in sheet or in shroud we wound him;
But he lay like a warrior taking his rest
With his martial cloak around him.

Few and short were the prayers we said,
And we spoke not a word of sorrow;
But we steadfastly gazed on the face of the dead,
And we bitterly thought of the morrow.

We thought, as we hollow’d his narrow bed
And smooth’d down his lonely pillow,
That the foe and the stranger would tread o’er his head,
And we far away on the billow!

Lightly they’ll talk of the spirit that’s gone,
And o’er his cold ashes upbraid him—
But little he’ll reck, if they let him sleep on
In the grave where a Briton has laid him.

But half of our heavy task was done

When the clock struck the hour for retiring;

And we heard the distant and random gun

That the foe was sullenly firing.

252

Slowly and sadly we laid him down,
From the field of his fame fresh and gory;
We carved not a line, and we raised not a stone,
But we left him alone with his glory.

Charles Wolfe.

How Sleep the Brave

How sleep the brave, who sink to rest
By all their country’s wishes blest!
When Spring, with dewy fingers cold,
Returns to deck their hallowed mould,
She there shall dress a sweeter sod
Than Fancy’s feet have ever trod.

By fairy hands their knell is rung;
By forms unseen their dirge is sung;
There Honour comes, a pilgrim grey,
To bless the turf that wraps their clay;
And Freedom shall awhile repair
To dwell, a weeping hermit, there!

William Collins.

253

Soldier, Rest!

Soldier, rest! thy warfare o’er,
Sleep the sleep that knows not breaking!
Dream of battled fields no more,
Days of danger, nights of waking.
In our isle’s enchanted hall,
Hands unseen thy couch are strewing,
Fairy strains of music fall,
Every sense in slumber dewing.
Soldier, rest! thy warfare o’er,
Dream of fighting fields no more;
Sleep the sleep that knows not breaking,
Morn of toil, nor night of waking.

No rude sound shall reach thine ear,
Armour’s clang, or war-steed champing
Trump nor pibroch summon here
Mustering clan, or squadron tramping.
Yet the lark’s shrill fife may come
At the daybreak from the fallow,
And the bittern sound his drum,
Booming from the sedgy shallow.
Ruder sounds shall none be near,
Guards nor warders challenge here,
Here’s no war-steed’s neigh and champing,
Shouting clans, or squadrons stamping.
254

Huntsman, rest! thy chase is done;
While our slumbrous spells assail ye,
Dream not, with the rising sun,
Bugles here shall sound reveillé.
Sleep! the deer is in his den;
Sleep! thy hounds are by thee lying;
Sleep! nor dream in yonder glen,
How thy gallant steed lay dying.
Huntsman, rest! thy chase is done,
Think not of the rising sun,
For at dawning to assail ye,
Here no bugles sound reveillé.

Sir Walter Scott.

THE OTHER SIDE OF IT

1. The Patriot

It was roses, roses, all the way,
With myrtle mixed in my path like mad:
The house-roofs seemed to heave and sway,
The church-spires flamed, such flags they had,
A year ago on this very day.
255

The air broke into a mist with bells,
The old walls rocked with the crowd and cries.
Had I said, “Good folk, mere noise repels—
But give me your sun from yonder skies!”
They had answered, “And afterward, what else?”

Alack, it was I who leaped at the sun
To give it my loving friends to keep!
Nought man could do, have I left undone:
And you see my harvest, what I reap
This very day, now a year is run.

There’s nobody on the house-tops now—
Just a palsied few at the windows set;
For the best of the sight is, all allow,
At the Shambles’ Gate—or, better yet,
By the very scaffold’s foot, I trow.

I go in the rain, and, more than needs,
A rope cuts both my wrists behind;
And I think, by the feel, my forehead bleeds,
For they fling, whoever has a mind,
Stones at me for my year’s misdeeds.
256

Thus I entered, and thus I go!
In triumphs, people have dropped down dead,
“Paid by the world, what dost thou owe
Me?”—God might question; now instead,
’Tis God shall repay: I am safer so.

Robert Browning.

2. For those who fail

“All honour to him who shall win the prize,”
The world has cried for a thousand years;
But to him who tries and who fails and dies,
I give great honour and glory and tears.

O great is the hero who wins a name,
But greater many and many a time
Some pale-faced fellow who dies in shame,
And lets God finish the thought sublime.

And great is the man with a sword undrawn,
And good is the man who refrains from wine;
But the man who fails and yet fights on,
Lo he is the twin-born brother of mine!

Joaquin Miller.

257

3. Keeping On

Say not the struggle nought availeth,
The labour and the wounds are vain,
The enemy faints not, nor faileth,
And as things have been they remain.

If hopes were dupes, fears may be liars;
It may be, in yon smoke concealed,
Your comrades chase e’en now the fliers,
And, but for you, possess the field.

For while the tired waves, vainly breaking,
Seem here no painful inch to gain,
Far back, through creeks and inlets making,
Comes silent, flooding in, the main.

And not by eastern windows only,
When daylight comes, comes in the light;
In front the sun climbs slow, how slowly!
But westward, look, the land is bright!

A. H. Clough.

258

STORY-POEMS

The Lady of Shalott

On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And through the field the road runs by
To many-towered Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.

Willows whiten, aspens quiver,
Little breezes dusk and shiver
Through the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle embowers
The Lady of Shalott.
259

By the margin, willow-veil’d,
Slide the heavy barges trail’d
By slow horses; and unhail’d
The shallop flitteth silken-sail’d
Skimming down to Camelot:
But who has seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?

Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
Down to towered Camelot:
And by moon the reaper weary,
Piling sheaves in upland airy,
Listening, whispers, “’Tis the fairy
Lady of Shalott.”

II.

There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
260She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.

And moving thro’ a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot:
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.

Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair’d page in crimson clad,
Goes by to tower’d Camelot:
And sometimes through the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.

But in her web she still delights
To weave the mirror’s magic sights,
261For often through the silent nights
A funeral, with plumes and lights
And music, went to Camelot:
Or, when the moon was overhead,
Came two young lovers lately wed;
“I am half sick of shadows,” said
The Lady of Shalott.

III.

A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro’ the leaves,
And flamed upon the brazen greaves[44]
Of bold Sir Lancelot.
A red-cross knight for ever kneel’d
To a lady in his shield,
That sparkled on the yellow field
Beside remote Shalott.

The gemmy bridle glitter’d free,
Like to some branch of stars we see
Hung in the golden Galaxy[45].
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazon’d baldric[46] slung
262A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.

All in the blue unclouded weather
Thick-jewell’d shone the saddle-leather,
The helmet and the helmet-feather
Burn’d like one burning flame together,
As he rode down to Camelot.
As often thro’ the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.

His broad clear brow in sunlight glow’d;
On burnish’d hooves his war-horse trode;
From underneath his helmet flow’d
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flash’d into the crystal mirror,
“Tirra lirra,” by the river
Sang Sir Lancelot.
263

She left the web, she left the loom,
She made three paces thro’ the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look’d down to Camelot.
Out flew the web and floated wide;
The mirror crack’d from side to side;
“The curse is come upon me,” cried
The Lady of Shalott.

IV.

In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over tower’d Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote
The Lady of Shalott.

And down the river’s dim expanse—
Like some bold seer in a trance,
Seeing all his own mischance—
With a glassy countenance
Did she look to Camelot.
264And at the closing of the day
She loosed the chain and down she lay;
The broad stream bore her far away,
The Lady of Shalott.

Lying, robed in snowy white
That loosely flew to left and right—
The leaves upon her falling light—
Thro’ the noises of the night
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.

Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darken’d wholly,
Turn’d to tower’d Camelot.
For ere she reached upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.

Under tower and balcony,
By garden-wall and gallery,
265A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher[47], lord and dame,
And round the prow they read her name,
The Lady of Shalott.

Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they cross’d themselves for fear
All the knights at Camelot:
But Lancelot mused a little space;
He said, “She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott.”

Alfred, Lord Tennyson.

[44] greaves: leg-armour below the knee.

[45] galaxy: the “Milky Way.”

[46] blazon’d baldric: a broad shoulder-belt painted heraldically.

[47] burgher: citizen.

The Forsaken Merman

Come, dear children, let us away;
Down and away below.
Now my brothers call from the bay;
Now the great winds shoreward blow;
Now the salt tides seaward flow;
Now the wild white horses play,
266Champ and chafe and toss in the spray.
Children dear, let us away.
This way, this way!

Call her once before you go—
Call once yet!
In a voice that she will know:
“Margaret! Margaret!”
Children’s voices should be dear
(Call once more) to a mother’s ear;
Children’s voices, wild with pain—
Surely she will come again!
Call her once and come away.
This way, this way!
“Mother dear, we cannot stay!”
The wild white horses foam and fret.
Margaret! Margaret!

Come, dear children, come away down.
Call no more.
One last look at the white-wall’d town,
And the little grey church on the windy shore.
Then come down.
She will not come though you call all day.
Come away, come away!
267

Children dear, was it yesterday
We heard the sweet bells over the bay?
In the caverns where we lay,
Through the surf and through the swell,
The far-off sound of a silver bell?
Sand-strewn caverns, cool and deep,
Where the winds are all asleep;
Where the spent lights quiver and gleam;
Where the salt weed sways in the stream;
Where the sea-beasts, ranged all round,
Feed in the ooze of their pasture-ground;
Where the sea-snakes coil and twine,
Dry their mail and bask in the brine;
Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world for ever and aye?
When did music come this way?
Children dear, was it yesterday?

Children dear, was it yesterday
(Call yet once) that she went away?
Once she sate with you and me,
On a red gold throne in the heart of the sea,
And the youngest sate on her knee.
She combed its bright hair, and she tended it well,
When down swung the sound of a far-off bell.
268She sigh’d, she look’d up through the clear green sea;
She said: “I must go, for my kinsfolk pray
In the little grey church on the shore to-day,
’Twill be Easter-time in the world—ah me!
And I lose my poor soul, Merman, here with thee.”
I said, “Go up, dear heart, through the waves;
Say thy prayer, and come back to the kind sea-caves.”
She smiled, she went up through the surf in the bay.
Children dear, was it yesterday?

Children dear, were we long alone?
“The sea grows stormy, the little ones moan.
Long prayers,” I said, “in the world they say.
Come!” I said, and we rose through the surf in the bay.
We went up the beach, by the sandy down
Where the sea-stocks bloom, to the white-walled town.
Through the narrow paved streets, where all was still,
To the little grey church on the windy hill.
269From the church came a murmur of folk at their prayers,
But we stood without in the cold blowing airs.
We climb’d on the graves, on the stones worn with rains,
And we gazed up the aisle through the small leaded panes.
She sate by the pillar; we saw her clear:
“Margaret, hist! come quick, we are here!
Dear heart,” I said, “we are long alone.
The sea grows stormy, the little ones moan.”
But, ah! she gave me never a look,
For her eyes were sealed to the holy book.
Loud prays the priest; shut stands the door.
Come away, children, call no more.
Come away, come down, call no more.

Down, down, down,
Down to the depths of the sea!
She sits at her wheel in the humming town,
Singing most joyfully.
Hark what she sings: “O joy, O joy,
For the humming street, and the child with its toy!
For the priest, and the bell, and the holy well;
For the wheel where I spun,
And the blessèd light of the sun!”
270And so she sings her fill.
Singing most joyfully,
Till the spindle drops from her hand,
And the whizzing wheel stands still.
She steals to the window and looks at the sand,
And over the sand at the sea;
And her eyes are set in a stare;
And anon there breaks a sigh,
And anon there drops a tear,
From a sorrow-clouded eye,
And a heart sorrow-laden,
A long, long sigh
For the cold strange eyes of a little Mermaiden
And the gleam of her golden hair.

Come away, away, children!
Come children, come down!
The hoarse wind blows coldly;
Lights shine in the town.
She will start from her slumber
When gusts shake the door;
She will hear the winds howling,
Will hear the waves roar.
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl.
271Singing: “Here came a mortal,
But faithless was she:
And alone dwell for ever
The kings of the sea.”

But, children, at midnight,
When soft the winds blow,
When clear falls the moonlight,
When spring-tides are low:
When sweet airs come seaward
From heaths starr’d with broom;
And high rocks throw mildly
On the blanch’d sands a gloom:
Up the still, glistening beaches,
Up the creeks we will hie,
Over banks of bright seaweed
The ebb-tide leaves dry.
We will gaze, from the sand-hills,
At the white, sleeping town;
At the church on the hill-side—
And then come back down.
Singing: “There dwells a loved one,
But cruel is she.
She left lonely for ever
The kings of the sea.”

Matthew Arnold.

272

The Legend Beautiful

“Hadst thou stayed, I must have fled!”

That is what the Vision said.

In his chamber all alone,
Kneeling on the floor of stone,
Prayed the Monk in deep contrition
For his sins of indecision,
Prayed for greater self-denial
In temptation and in trial;
It was noonday by the dial,
And the Monk was all alone.

Suddenly, as if it lighten’d,
An unwonted splendour brighten’d
All within him and without him
In that narrow cell of stone;
And he saw the Blessed Vision
Of our Lord, with light Elysian[48]
Like a vesture wrapped about him,
Like a garment round him thrown.

Not as crucified and slain,
Not in agonies of pain,
Not with bleeding hands and feet,
Did the Monk his Master see;
But as in the village street,
273In the house or harvest-field,
Halt and lame and blind he healed,
When he walked in Galilee.

In an attitude imploring,
Hands upon his bosom crossed,
Wondering, worshipping, adoring,
Knelt the Monk in rapture lost.
Lord, he thought, in heaven that reignest,
Who am I, that thus thou deignest
To reveal thyself to me?
Who am I, that from the centre
Of thy glory thou shouldst enter
This poor cell, my guest to be?

Then amid his exaltation,
Loud the convent bell appalling,
From its belfry calling, calling,
Rang through court and corridor
With persistent iteration
He had never heard before.
It was now the appointed hour
When alike in sun or shower,
Winter’s cold or summer’s heat,
To the convent portals came
All the blind and halt and lame,
All the beggars of the street,
274For their daily dole of food
Dealt them by the brotherhood;
And their almoner[49] was he
Who upon his bended knee,
Rapt in silent ecstasy
Of divinest self-surrender,
Saw the Vision and the Splendour.

Deep distress and hesitation
Mingled with his adoration;
Should he go or should he stay?
Should he leave the poor to wait
Hungry at the convent gate,
Till the Vision passed away?
Should he slight his radiant guest,
Slight his visitant celestial,
For a crowd of ragged, bestial
Beggars at the convent gate?
Would the Vision there remain?
Would the Vision come again?

Then a voice within his breast
Whispered, audible and clear,
As if to the outward ear:
“Do thy duty; that is best;
Leave unto thy Lord the rest!”
Straightway to his feet he started,
275And with longing look intent
On the Blessed Vision bent,
Slowly from his cell departed,
Slowly on his errand went.

At the gate the poor were waiting,
Looking through the iron grating,
With that terror in the eye
That is only seen in those
Who amid their wants and woes
Hear the sound of doors that close,
And of feet that pass them by;
Grown familiar with disfavour,
Grown familiar with the savour
Of the bread by which men die!
But to-day, they knew not why,
Like the gate of Paradise
Seemed the convent gate to rise,
Like a sacrament divine
Seemed to them the bread and wine.
In his heart the Monk was praying,
Thinking of the homeless poor,
What they suffer and endure;
What we see not, what we see;
And the inward voice was saying:
276“Whatsoever thing thou doest
To the least of mine and lowest,
That thou doest unto me!”

Unto me! but had the Vision
Come to him in beggar’s clothing,
Come a mendicant imploring,
Would he then have knelt adoring,
Or have listened with derision,
And have turned away with loathing?

Thus his conscience put the question,
Full of troublesome suggestion,
As at length, with hurried pace,
Towards his cell he turned his face,
And beheld the convent bright
With a supernatural light,
Like a luminous cloud expanding
Over floor and wall and ceiling.

But he paused with awe-struck feeling
At the threshold of his door,
For the Vision still was standing
As he left it there before,
When the convent bell appalling,
From its belfry calling, calling,
Summoned him to feed the poor.
277

Through the long hour intervening
It had waited his return,
And he felt his bosom burn,
Comprehending all the meaning,
When the Blessed Vision said,
“Hadst thou stayed, I must have fled!”

H. W. Longfellow.

[48] Elysian: heavenly.

[49] almoner: giver of alms or charity.

Abou Ben Adhem

Abou Ben Adhem (may his tribe increase!)
Awoke one night from a deep dream of peace,
And saw, within the moonlight in his room,
Making it rich, and like a lily in bloom,
An angel writing in a book of gold:—
Exceeding peace had made Ben Adhem bold,
And to the presence in the room he said,
“What writest thou?”—The vision rais’d its head,
And with a look made all of sweet accord,
Answer’d, “The names of those that love the Lord.”
“And is mine one?” said Abou. “Nay, not so,”
Replied the angel. Abou spoke more low,
But cheerly still; and said, “I pray thee, then,
Write me as one that loves his fellow men.”
278

The angel wrote, and vanished. The next night
It came again with a great wakening light,
And show’d the names whom love of God had blest,
And lo! Ben Adhem’s name led all the rest.

Leigh Hunt.

The Sands of Dee

“O Mary, go and call the cattle home,
And call the cattle home,
And call the cattle home,
Across the sands of Dee”;
The western wind was wild and dank with foam,
And all alone went she.

The western tide crept up along the sand,
And o’er and o’er the sand,
And round and round the sand,
As far as eye could see.
The rolling mist came down and hid the land:
And never home came she.
279

“O is it weed, or fish, or floating hair—
A tress of golden hair,
A drownèd maiden’s hair,
Above the nets at sea?”
Was never salmon yet that shone so fair
Among the stakes of Dee.

They rowed her in across the rolling foam,
The cruel crawling foam,
The cruel hungry foam,
To her grave beside the sea.
But still the boatmen hear her call the cattle home,
Across the sands of Dee.

Charles Kingsley.

Lochinvar

O young Lochinvar is come out of the west,
Through all the wide Border his steed was the best,
And save his good broad-sword he weapons had none;
He rode all unarmed, and he rode all alone.
So faithful in love, and so dauntless in war,
There never was knight like the young Lochinvar.
280

He stay’d not for brake, and he stopp’d not for stone,
He swam the Esk river where ford there was none;
But, ere he alighted at Netherby gate,
The bride had consented, the gallant came late:
For a laggard in love, and a dastard in war,
Was to wed the fair Ellen of brave Lochinvar.

So boldly he entered the Netherby Hall,
Among bride’s-men and kinsmen, and brothers and all:
Then spoke the bride’s father, his hand on his sword
(For the poor craven bridegroom said never a word),
“O come ye in peace here, or come ye in war,
Or to dance at our bridal, young Lord Lochinvar?”

“I long wooed your daughter, my suit you denied:—
Love swells like the Solway, but ebbs like its tide—
And now I am come, with this lost love of mine
To lead but one measure, drink one cup of wine.
281There are maidens in Scotland more lovely by  far,
That would gladly be bride to the young Lochinvar.”

The bride kiss’d the goblet; the knight took it up,
He quaff’d off the wine, and he threw down the cup;
She look’d down to blush, and she look’d up to sigh,
With a smile on her lips and a tear in her eye.
He took her soft hand, ere her mother could bar,—
“Now tread we a measure!” said young Lochinvar.

So stately his form, and so lovely her face,
That never a hall such a galliard[50] did grace;
While her mother did fret, and her father did fume,
And the bridegroom stood dangling his bonnet and plume;
And the bride-maidens whisper’d, “’Twere better by far
To have match’d our fair cousin with young Lochinvar.”
282

One touch to her hand and one word in her ear,
When they reach’d the hall door and the charger stood near;
So light to the croupe the fair lady he swung,
So light to the saddle before her he sprung!
“She is won! we are gone, over bank, bush, and scaur[51];
They’ll have fleet steeds that follow,” quoth young Lochinvar.

There was mounting ’mong Graemes of the Netherby clan;
Forsters, Fenwicks, and Musgraves, they rode and they ran:
There was racing and chasing on Cannobie Lee,
But the lost bride of Netherby ne’er did they see.
So daring in love, and so dauntless in war,
Have ye e’er heard of gallant like young Lochinvar?

Sir Walter Scott.

[50] galliard: a gay dance.

[51] scaur: a steep bank.

283

DAY-DREAMS

This section will appeal to girls rather than to boys. And yet day-dreams are no bad things for either sex—just now and again, as a getting away from realities.

Dreams to Sell

If there were dreams to sell,
What would you buy?
Some cost a passing bell;
Some a light sigh,
That shakes from Life’s fresh crown
Only a rose-leaf down.
If there were dreams to sell,
Merry and sad to tell,
And the crier rang the bell,
What would you buy?

A cottage lone and still,
With bowers nigh,
Shadowy, my woes to still,
Until I die.
Such pearl from Life’s fresh crown
Fain would I shake me down.
Were dreams to have at will,
This would best heal my ill,
This would I buy.

T. L. Beddoes.

284

The Lost Bower

In the pleasant orchard closes,
“God bless all our gains,” say we;
But “May God bless all our losses,”
Better suits with our degree.—
Listen gentle—ay, and simple! Listen children on the knee!

Green the land is where my daily
Steps in jocund childhood played—
Dimpled close with hill and valley,
Dappled very close with shade;
Summer-snow of apple blossoms, running up from glade to glade.

There is one hill I see nearer,
In my vision of the rest;
And a little wood seems clearer,
As it climbeth from the west,
Sideway from the tree-locked valley, to the airy upland crest.

Small the wood is, green with hazels,
And, completing the ascent,
Where the wind blows and sun dazzles,
Thrills in leafy tremblement:
Like a heart that, after climbing, beateth quickly through content.
285

Not a step the wood advances
O’er the open hill-top’s bound:
There, in green arrest, the branches
See their image on the ground:
You may walk between them smiling, glad with sight and glad with sound.

For you hearken on your right hand,
How the birds do leap and call
In the greenwood, out of sight and
Out of reach and fear of all;
And the squirrels crack the filberts, through their cheerful madrigal.

On your left, the sheep are cropping
The slant grass and daisies pale;
And five apple-trees stand, dropping
Separate shadows toward the vale,
Over which, in choral silence, the hills look you their “All hail!”

Yet in childhood little prized I
That fair walk and far survey:
’Twas a straight walk, unadvised by
The least mischief worth a nay—
Up and down—as dull as grammar on an eve of holiday!
286

But the wood, all close and clenching
Bough in bough and root in root,—
No more sky (for over-branching)
At your head than at your foot,—
Oh, the wood drew me within it, by a glamour past dispute.

Few and broken paths showed through it,
Where the sheep had tried to run,—
Forced with snowy wool to strew it
Round the thickets, when anon
They with silly thorn-pricked noses bleated back into the sun.

But my childish heart beat stronger
Than those thickets dared to grow:
I could pierce them! I could longer
Travel on, methought, than so!
Sheep for sheep-paths! braver children climb and creep where they would go.

On a day, such pastime keeping,
With a fawn’s heart debonair,
Under-crawling, overleaping
Thorns that prick and boughs that bear,
I stood suddenly astonished—I was gladdened unaware!
287

From the place I stood in, floated
Back the covert dim and close;
And the open ground was suited
Carpet-smooth with grass and moss,
And the blue-bell’s purple presence signed it worthily across.

’Twas a bower for garden fitter,
Than for any woodland wide!
Though a fresh and dewy glitter
Struck it through, from side to side,
Shaped and shaven was the freshness, as by garden-cunning plied.

Rose-trees, either side the door, were
Growing lithe and growing tall;
Each one set a summer warder
For the keeping of the hall,—
With a red rose, and a white rose, leaning, nodding at the wall.

As I entered—mosses hushing
Stole all noises from my foot:
And a round elastic cushion,
Clasped within the linden’s root,
Took me in a chair of silence, very rare and absolute.
288

So, young muser, I sat listening
To my Fancy’s wildest word—
On a sudden, through the glistening
Leaves around, a little stirred,
Came a sound, a sense of music, which was rather felt than heard.

Softly, finely, it inwound me—
From the world it shut me in,—
Like a fountain falling round me,
Which with silver waters thin
Clips a little marble Naiad, sitting smilingly within.

Whence the music came, who knoweth?
I know nothing. But indeed
Pan or Faunus never bloweth
So much sweetness from a reed
Which has sucked the milk of waters, at the oldest river-head.

Never lark the sun can waken
With such sweetness! when the lark,
The high planets overtaking
In the half-evanished Dark,
Casts his singing to their singing, like an arrow to the mark.
289

Never nightingale so singeth—
Oh! she leans on thorny tree,
And her poet-soul she flingeth
Over pain to victory!
Yet she never sings such music,—or she sings it not to me!

Never blackbirds, never thrushes,
Nor small finches sing as sweet,
When the sun strikes through the bushes
To their crimson clinging feet,
And their pretty eyes look sideways to the summer heavens complete.

In a child-abstraction lifted,
Straightway from the bower I passed;
Foot and soul being dimly drifted
Through the greenwood, till, at last,
In the hill-top’s open sunshine, I all consciously was cast.

And I said within me, laughing,
I have found a bower to-day,
A green lusus[52]—fashioned half in
Chance, and half in Nature’s play—
And a little bird sings nigh it, I will never more missay.
290

Henceforth, I will be the fairy
Of this bower, not built by one;
I will go there, sad or merry,
With each morning’s benison;
And the bird shall be my harper in the dream-hall I have won.

So I said. But the next morning,
(—Child, look up into my face—
’Ware, O sceptic, of your scorning!
This is truth in its pure grace;)
The next morning, all had vanished, or my wandering missed the place.

Day by day, with new desire,
Toward my wood I ran in faith—
Under leaf and over brier—
Through the thickets, out of breath—
Like the prince who rescued Beauty from the sleep as long as death.

But his sword of mettle clashèd,
And his arm smote strong, I ween;
And her dreaming spirit flashèd
Through her body’s fair white screen,
And the light thereof might guide him up the cedarn alleys green.
291

But for me, I saw no splendour—
All my sword was my child-heart;
And the wood refused surrender
Of that bower it held apart,
Safe as Œdipus’s grave-place, ’mid Colone’s olives swart.

I have lost—oh many a pleasure—
Many a hope, and many a power—
Studious health and merry leisure—
The first dew on the first flower!
But the first of all my losses was the losing of the bower.

All my losses did I tell you,
Ye, perchance, would look away;—
Ye would answer me, “Farewell! you
Make sad company to-day;
And your tears are falling faster than the bitter words you say.”

For God placed me like a dial
In the open ground, with power;
And my heart had for its trial,
All the sun and all the shower!
And I suffered many losses; and my first was of the bower.

Elizabeth Barrett Browning.

[52] lusus: a sport, a freak.

292

Echo and the Ferry

Ay, Oliver! I was but seven, and he was eleven;
He looked at me pouting and rosy. I blushed where I stood.
They had told us to play in the orchard (and I only seven!
A small guest at the farm); but he said, “Oh, a girl was no good,”
So he whistled and went, he went over the stile to the wood.
It was sad, it was sorrowful! Only a girl—only seven!
At home in the dark London smoke I had not found it out.
The pear trees looked on in their white, and blue birds flashed about;
And they too were angry as Oliver. Were they eleven?
I thought so. Yes, every one else was eleven—eleven!

So Oliver went, but the cowslips were tall at my feet,
And all the white orchard with fast-falling blossom was littered,
And under and over the branches those little birds twittered,
293While hanging head downwards they scolded because I was seven.
A pity. A very great pity. One should be eleven.
But soon I was happy, the smell of the world was so sweet.
And I saw a round hole in an apple-tree rosy and old.
Then I knew! for I peeped, and I felt it was right they should scold!
Eggs small and eggs many. For gladness I broke into laughter;
And then some one else—oh, how softly! came after, came after
With laughter—with laughter came after.

So this was the country; clear dazzle of azure and shiver
And whisper of leaves, and a humming all over the tall
White branches, a humming of bees. And I came to the wall—
A little low wall—and looked over, and there was the river,
The lane that led on to the village, and then the sweet river.
Clear-shining and slow, she had far far to go from her snow;
294But each rush gleamed a sword in the sunlight to guard her long flow,
And she murmured methought, with a speech very soft, very low—
“The ways will be long, but the days will be long,” quoth the river,
“To me a long liver, long, long!” quoth the river—the river.

I dreamed of the country that night, of the orchard, the sky,
The voice that had mocked coming after and over and under.
But at last—in a day or two namely—Eleven and I
Were very fast friends, and to him I confided the wonder.
He said that was Echo. “Was Echo a wise kind of bee
That had learned how to laugh: could it laugh in one’s ear and then fly,
And laugh again yonder?” “No; Echo”—he whispered it low—
“Was a woman, they said, but a woman whom no one could see
And no one could find; and he did not believe it, not he,
295But he could not get near for the river that held us asunder.
Yet I that had money—a shilling, a whole silver shilling—
We might cross if I thought I would spend it.” “Oh yes, I was willing”—
And we ran hand in hand, we ran down to the ferry, the ferry,
And we heard how she mocked at the folk with a voice clear and merry
When they called for the ferry; but oh! she was very—was very
Swift-footed. She spoke and was gone; and when Oliver cried,
“Hie over! hie over! you man of the ferry—the ferry!”
By the still water’s side she was heard far and wide—she replied,
And she mocked in her voice sweet and merry “You man of the ferry,
You man of—you man of the ferry!”

“Hie over!” he shouted. The ferryman came at his calling,
Across the clear reed-bordered river he ferried us fast;—
296Such a chase! Hand in hand, foot to foot, we ran on; it surpassed
All measure her doubling—so close, then so far away falling,
Then gone, and no more. Oh! to see her but once unaware,
And the mouth that had mocked, but we might not (yet sure she was there!)
Nor behold her wild eyes and her mystical countenance fair.

We sought in the wood, and we found the wood-wren in her stead;
In the field, and we found but the cuckoo that talked overhead;
By the brook, and we found the reed-sparrow deep-nested, in brown—
Not Echo, fair Echo! for Echo, sweet Echo! was flown.

So we came to the place where the dead people wait till God call.
The church was among them, grey moss over roof, over wall.
Very silent, so low. And we stood on a green grassy mound
297And looked in at a window, for Echo, perhaps, in her round
Might have come in to hide there. But no; every oak carven seat
Was empty. We saw the great Bible—old, old, very old,
And the parson’s great Prayer-book beside it; we heard the slow beat
Of the pendulum swing in the tower; we saw the clear gold
Of a sunbeam float down to the aisle and then waver and play
On the low chancel step and the railing, and Oliver said,
“Look, Katie! Look, Katie! when Lettice came here to be wed
She stood where that sunbeam drops down, and all white was her gown;
And she stepped upon flowers they strewed for her.” Then quoth small Seven,
“Shall I wear a white gown and have flowers to walk upon ever?”

All doubtful: “It takes a long time to grow up,” quoth Eleven;
“You’re so little, you know, and the church is so old, it can never
298Last on till you’re tall.” And in whispers—because it was old,
And holy, and fraught with strange meaning, half felt, but not told,
Full of old parsons’ prayers, who were dead, of old days, of old folk
Neither heard nor beheld, but about us, in whispers we spoke.
Then we went from it softly, and ran hand in hand to the strand,
While bleating of flocks and birds piping made sweeter the land,
And Echo came back e’en as Oliver drew to the ferry,
“O Katie!” “O Katie!” “Come on, then!” “Come on, then!” “For, see,
The round sun, all red, lying low by the tree”—“by the tree.”
“By the tree.” Ay, she mocked him again, with her voice sweet and merry:
“Hie over!” “Hie over!” “You man of the ferry”—“the ferry.”
“You man of the ferry—you man of—you man of—the ferry.”

Ay, here—it was here that we woke her, the Echo of old;
299All life of that day seems an echo, and many times told.
Shall I cross by the ferry to-morrow, and come in my white
To that little old church? and will Oliver meet me anon?
Will it all seem an echo from childhood passed over—passed on?
Will the grave parson bless us? Hark, hark! in the dim failing light
I hear her! As then the child’s voice clear and high, sweet and merry
Now she mocks the man’s tone with “Hie over! Hie over the ferry!”
“And Katie.” “And Katie.” “Art out with the glowworms to-night,
My Katie?” “My Katie.” For gladness I break into laughter
And tears. Then it all comes again as from far-away years;
Again, some one else—Oh, how softly!—with laughter comes after,
Comes after—with laughter comes after.

Jean Ingelow.

300

Poor Susan’s Dream

At the corner of Wood Street, when daylight appears,
Hangs a thrush that sings loud, it has sung for three years:
Poor Susan has passed by the spot, and has heard
In the silence of morning the song of the bird.

’Tis a note of enchantment; what ails her? She sees
A mountain ascending, a vision of trees;
Bright volumes of vapour through Lothbury glide,
And a river flows on through the vale of Cheapside.

Green pastures she views in the midst of the dale

Down which she so often has tripp’d with her pail;

And a single small cottage, a nest like a dove’s,

The one only dwelling on earth that she loves.

301

She looks, and her heart is in heaven: but they fade,
The mist and the river, the hill and the shade;
The stream will not flow, and the hill will not rise,
And the colours have all passed away from her eyes!

William Wordsworth.

Fancy

Tell me where is Fancy bred,
Or in the heart or in the head?
How begot, how nourishèd?
Reply, reply.
It is engender’d in the eyes,
With gazing fed; and Fancy dies
In the cradle where it lies.
Let us all ring Fancy’s knell:
I’ll begin it,—Ding, dong, bell.
Ding, dong, bell.

Shakespeare.

302

TWO HOME-COMINGS

1. The Good Woman Made Welcome in Heaven

Angels, thy old friends, there shall greet thee,
Glad at their own home now to meet thee.
All thy good works which went before,
And waited for thee at the door,
Shall own thee there; and all in one
Weave a constellation
Of crowns, with which the King, thy spouse,
Shall build up thy triumphant brows.
All thy old woes shall now smile on thee,
And thy pains sit bright upon thee:
All thy sorrows here shall shine,
And thy sufferings be divine.
Tears shall take comfort, and turn gems,
And wrongs repent to diadems.
Even thy deaths shall live, and new
Dress the soul which late they slew.
Thy wounds shall blush to such bright scars
As keep account of the Lamb’s wars.

Richard Crashaw.

303

2. The Soldier Relieved

I’d like now, yet had haply been afraid,
To have just looked, when this man came to die,
And seen who lined the clean gay garret sides,
And stood about the neat low truckle-bed,
With the heavenly manner of relieving guard.
Here had been, mark, the general-in-chief,
Thro’ a whole campaign of the world’s life and death,
Doing the King’s work all the dim day long,
In his old coat and up to knees in mud,
Smoked like a herring, dining on a crust,—
And, now the day was won, relieved at once!
No further show or need of that old coat,
You are sure, for one thing! Bless us, all the while
How sprucely we are dressed out, you and I!
A second, and the angels alter that.

Robert Browning.

304

WHEN KNIGHTS WERE BOLD

Hunting Song

Waken, lords and ladies gay,
On the mountain dawns the day,
All the jolly chase is here,
With horse, and hawk, and hunting spear!
Hounds are in their couples yelling,
Hawks are whistling, horns are knelling[53].
Merrily, merrily, mingle they,
“Waken, lords and ladies gay.”

Waken, lords and ladies gay,
The mist has left the mountain grey,
Springlets in the dawn are steaming,
Diamonds on the brake[54] are gleaming,
And foresters have busy been
To track the buck in thicket green;
Now we come to chant our lay,
“Waken, lords and ladies gay.”

Waken, lords and ladies gay,
To the greenwood haste away;
We can show you where he lies,
Fleet of foot, and tall of size;
We can show the marks he made
305When ’gainst the oak his antlers[55] frayed;
You shall see him brought to bay;
“Waken, lords and ladies gay.”

Louder, louder chant the lay,
Waken, lords and ladies gay!
Tell them youth, and mirth, and glee,
Run a course as well as we;
Time, stern huntsman! who can baulk,
Stanch as hound, and fleet as hawk?
Think of this, and rise with day,
Gentle lords and ladies gay!

Sir Walter Scott.

[53] knelling: sounding like a bell.

[54] brake: fern, bracken.

[55] antlers: horns.

The Riding to the Tournament

Over meadows purple-flowered,
Through the dark lanes oak-embowered,
Over commons dry and brown,
Through the silent red-roofed town,
Past the reapers and the sheaves,
Over white roads strewn with leaves,
By the gipsy’s ragged tent,
Rode we to the Tournament.
306

Over clover wet with dew,
Whence the sky-lark, startled, flew,
Through brown fallows, where the hare
Leapt up from its subtle lair,
Past the mill-stream and the reeds
Where the stately heron feeds,
By the warren’s sunny wall,
Where the dry leaves shake and fall,
By the hall’s ancestral trees,
Bent and writhing in the breeze,
Rode we all with one intent,
Gaily to the Tournament.

Golden sparkles, flashing gem,
Lit the robes of each of them,
Cloak of velvet, robe of silk,
Mantle snowy-white as milk,
Rings upon our bridle-hand,
Jewels on our belt and band,
Bells upon our golden reins,
Tinkling spurs and shining chains—
In such merry mob we went
Riding to the Tournament.

Laughing voices, scraps of song,
Lusty music loud and strong,
Rustling of the banners blowing,
Whispers as of rivers flowing.
307Whistle of the hawks we bore
As they rise and as they soar,
Now and then a clash of drums
As the rabble louder hums,
Now and then a burst of horns
Sounding over brooks and bourns,
As in merry guise we went
Riding to the Tournament.

There were abbots fat and sleek,
Nuns in couples, pale and meek,
Jugglers tossing cups and knives,
Yeomen with their buxom wives,
Pages playing with the curls
Of the rosy village girls,
Grizzly knights with faces scarred,
Staring through their vizors barred,
Huntsmen cheering with a shout
At the wild stag breaking out,
Harper, stately as a king,
Touching now and then a string,
As our revel laughing went
To the solemn Tournament.

Charger with the massy chest,
Foam-spots flecking mane and breast,
Pacing stately, pawing ground,
Fretting for the trumpet’s sound,
308White and sorrel, roan and bay,
Dappled, spotted, black, and grey,
Palfreys snowy as the dawn,
Ponies sallow as the fawn,
All together neighing went
Trampling to the Tournament.

Long hair scattered in the wind,
Curls that flew a yard behind,
Flags that struggled like a bird
Chained and restive—not a word
But half buried in a laugh;
And the lance’s gilded staff
Shaking when the bearer shook
At the jester’s merry look,
As he grins upon his mule,
Like an urchin leaving school,
Shaking bauble, tossing bells,
At the merry jest he tells,—
So in happy mood we went,
Laughing to the Tournament.

What a bustle at the inn,
What a stir, without—within;
Filling flagons, brimming bowls
For a hundred thirsty souls;
Froth in snow-flakes flowing down,
From the pitcher big and brown,
309While the tankards brim and bubble
With the balm for human trouble;
How the maiden coyly sips,
How the yeoman wipes his lips,
How the old knight drains the cup
Slowly and with calmness up,
And the abbot, with a prayer,
Fills the silver goblet rare,
Praying to the saints for strength
As he holds it at arm’s length;
How the jester spins the bowl
On his thumb, then quaffs the whole;
How the pompous steward bends
And bows to half-a-dozen friends,
As in a thirsty mood we went
Duly to the Tournament.

Then again the country over
Through the stubble and the clover,
By the crystal-dropping springs,
Where the road dust clogs and clings
To the pearl-leaf of the rose,
Where the tawdry nightshade blows,
And the bramble twines its chains
Through the sunny village lanes,
Where the thistle sheds its seed,
And the goldfinch loves to feed,
310By the milestone green with moss,
By the broken wayside cross,
In a merry band we went
Shouting to the Tournament.

Pilgrims with their hood and cowl,
Pursy burghers cheek by jowl,
Archers with their peacock’s wing
Fitting to the waxen string,
Pedlars with their pack and bags,
Beggars with their coloured rags,
Silent monks, whose stony eyes
Rest in trance upon the skies,
Children sleeping at the breast,
Merchants from the distant West,
All in gay confusion went
To the royal Tournament.

Players with the painted face
And a drunken man’s grimace,
Grooms who praise their raw-boned steeds,
Old wives telling maple beads,—
Blackbirds from the hedges broke,
Black crows from the beeches croak,
Glossy swallows in dismay
From the mill-stream fled away,
The angry swan, with ruffled breast,
311Frowned upon her osier nest,
The wren hopped restless on the brake,
The otter made the sedges shake,
The butterfly before our rout
Flew like a blossom blown about,
The coloured leaves, a globe of life,
Spun round and scattered as in strife,
Sweeping down the narrow lane
Like the slant shower of the rain,
The lark in terror, from the sod,
Flew up and straight appealed to God,
As a noisy band we went
Trotting to the Tournament.

But when we saw the holy town,
With its river and its down,
Then the drums began to beat
And the flutes piped mellow sweet;
Then the deep and full bassoon
Murmured like a wood in June,
And the fifes, so sharp and bleak,
All at once began to speak.
Hear the trumpets clear and loud,
Full-tongued, eloquent and proud,
And the dulcimer that ranges
Through such wild and plaintive changes;
312Merry sounds the jester’s shawm[56],
To our gladness giving form;
And the shepherd’s chalumeau[57],
Rich and soft and sad and low;
Hark! the bagpipes squeak and groan—
Every herdsman has his own;
So in measured step we went
Pacing to the Tournament.

All at once the chimes break out,
Then we hear the townsmen shout,
And the morris-dancers’ bells
Tinkling in the grassy dells;
The bell thunder from the tower
Adds its sound of doom and power,
As the cannon’s loud salute
For a moment made us mute;
Then again the laugh and joke
On the startled silence broke;—
Thus in merry mood we went
Laughing to the Tournament.

G. W. Thornbury.

[56] shawm: reed pipe.

[57] chalumeau: reed pipe.

313

VARIOUS

A Red, Red Rose

O, my love is like a red, red rose,
That’s newly sprung in June:
O, my love is like the melody
That’s sweetly play’d in tune.

As fair art thou, my bonnie lass,
So deep in love am I,
And I will love thee still, my dear,
Till all the seas gang[58] dry.

Till all the seas gang dry, my dear,
And the rocks melt wi’ the sun!
And I will love thee still, my dear,
While the sands o’ life shall run.

And fare thee well, my only love,
And fare thee well a while!
And I will come again, my love,
Tho’ it were ten thousand mile!

Robert Burns.

[58] gang: go.

314

Blow, Bugle, Blow

The splendour falls on castle walls
And snowy summits old in story:
The long light shakes across the lakes,
And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.

O hark, O hear! how thin and clear,
And thinner, clearer, farther going!
O sweet and far from cliff and scar[59]
The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.

O love, they die in yon rich sky,
They faint on hill or field or river:
Our echoes roll from soul to soul,
And grow for ever and for ever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.

Alfred, Lord Tennyson.

[59] scar: a crag, a precipice.

315

West and East

Rome is chiefly known to young readers through the medium of Macaulay’s spirited “Lays,” which, however, are only a re-telling, in English ballad form, of some of the legends which survived into historical times concerning the infant city, about which nothing certain is known. They give no idea of the Rome of history, the world-power, or of the brooding immensity of her influence through centuries. This and the following poem illustrate, to some slight extent, the later Rome.

In his cool hall, with haggard eyes,
The Roman noble lay;
He drove abroad, in furious guise,
Along the Appian way.

He made a feast, drank fierce and fast,
And crown’d his hair with flowers—
No easier nor no quicker pass’d
The impracticable hours.

The brooding East with awe beheld

Her impious younger world.

The Roman tempest swell’d and swell’d,

And on her head was hurled.

316

The East bow’d low before the blast
In patient, deep disdain;
She let the legions thunder past,
And plunged in thought again.

Matthew Arnold.

Genseric

Genseric, King of the Vandals, who, having laid waste seven lands,
From Tripolis far as Tangier, from the sea to the great desert sands,
Was lord of the Moor and the African,—thirsting anon for new slaughter,
Sail’d out of Carthage, and sail’d o’er the Mediterranean water;
Plunder’d Palermo, seiz’d Sicily, sack’d the Lucanian coast,
And paused, and said, laughing, “Where next?”
Then there came to the Vandal a Ghost
From the Shadowy Land that lies hid and unknown in the Darkness Below.
And answered, “To Rome!”
Said the King to the Ghost, “And whose envoy art thou?
317Whence com’st thou? and name me his name that hath sent thee: and say what is thine.”
“From far: and His name that hath sent me is God,” the Ghost answered, “and mine
Was Hannibal once, ere thou wast: and the name that I now have is Fate.
But arise, and be swift, and return. For God waits, and the moment is late.”
And, “I go,” said the Vandal. And went. When at last to the gates he was come,
Loud he knock’d with his fierce iron fist. And full drowsily answer’d him Rome.
“Who is it that knocketh so loud? Get thee hence. Let me be. For ’tis late.”
“Thou art wanted,” cried Genseric. “Open! His name that hath sent me is Fate,
And mine, who knock late, Retribution.”
Rome gave him her glorious things;
The keys she had conquer’d from kingdoms: the crowns she had wrested from kings:
And Genseric bore them away into Carthage, avenged thus on Rome,
And paused, and said, laughing, “Where next?”
And again the Ghost answer’d him, “Home!
318For now God doth need thee no longer.”
“Where leadest thou me by the hand?”
Cried the King to the Ghost. And the Ghost answer’d, “Into the Shadowy Land.”

Owen Meredith.

Kubla Khan

In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills
Where blossom’d many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.
But O, that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e’er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
319As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced;
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher’s flail:
And ’mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And ’mid this tumult Kubla heard from far
Ancestral voices prophesying war!
The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!

A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she play’d,
Singing of Mount Abora.
320Could I revive within me
Her symphony and song,
To such a deep delight ’twould win me
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.

Samuel Taylor Coleridge.

Something to Remember

Ah, did you once see Shelley plain,
And did he stop and speak to you,
And did you speak to him again?
How strange it seems, and new!

But you were living before that.

And also you are living after,

And the memory I started at—

My starting moves your laughter!

321

I crossed a moor, with a name of its own
And a certain use in the world, no doubt,
Yet a hand’s-breadth of it shines alone
’Mid the blank miles round about:

For there I picked up on the heather
And there I put inside my breast
A moulted feather, an eagle-feather!
Well, I forget the rest.

Robert Browning.

Ring Out, Wild Bells

Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light:
The year is dying in the night;
Ring out wild bells, and let him die.

Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.

Ring out the grief that saps the mind,

For those that here we see no more;

Ring out the feud of rich and poor,

Ring in redress to all mankind.

322

Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.

Ring out the want, the care, the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.

Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.

Ring out old shapes of foul disease;
Ring out the narrowing lust of gold;
Ring out the thousand wars of old,
Ring in the thousand years of peace.

Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.

Alfred, Lord Tennyson.

323

INDEX OF AUTHORS

	PAGE
Anonymous,	228, 230, 234, 236
Arnold, Matthew,	265, 315
Beddoes, Thomas Lovell,	283
Browning, Elizabeth Barrett,	284
Browning, Robert,	219, 220, 254, 303, 320
Burns, Robert,	313
Byron, Lord,	239, 243
Campbell, Thomas,	221
Clough, Arthur Hugh,	257
Coleridge, Samuel Taylor,	318
Collins, William,	252
Crashaw, Richard,	302
Herrick, Robert,	221
Hovey, Richard,	227
Howe, Julia Ward,	247
Hunt, Leigh,	277
Ingelow, Jean,	292
Jonson, Ben,	218
Keats, John,	227
Kingsley, Charles,	231, 278
Longfellow, Henry Wadsworth,	222, 224, 226, 272
324 Lovelace, Richard,	248
Meredith, Owen,	316
Miller, Joaquin,	256
Roberts, Theodore,	237
Scott, Sir Walter,	249, 253, 279, 304
Shakespeare, William,	230, 301
Shelley, Percy Bysshe,	29, 213
Tennyson, Alfred, Lord,	222, 258, 314, 321
Thornbury, G. W.,	305
Wolfe, Charles,	250
Wordsworth, William,	224, 300

325

INDEX OF FIRST LINES

	PAGE
A lofty ship from Salcombe came	234
Abou Ben Adhem (may his tribe increase!)	277
Ah, did you once see Shelley plain	320
Ah! what pleasant visions haunt me	222
“All honour to him who shall win the prize”	256
Angels, thy old friends, there shall greet thee	302
At the corner of Wood Street, when daylight appears	300
Ay, Oliver! I was but seven, and he was eleven	292
Come, dear children, let us away	265
Full fathom five thy father lies	230
Genseric, King of the Vandals, who, having laid waste seven lands	316
“Hadst thou stayed, I must have fled”	272
Hail to thee, blithe spirit	213
Here’s the tender coming	230
How sleep the brave, who sink to rest	252
I am fever’d with the sunset	227
I come from haunts of coot and hern	222
I’d like now, yet had haply been afraid	303
If there were dreams to sell	283
In his cool hall, with haggard eyes	315
In the pleasant orchard closes	284
In Xanadu did Kubla Khan	318
It was roses, roses, all the way	254
Mine eyes have seen the glory of the coming of the Lord	247
Nobly, nobly Cape St Vincent to the North-west died away	220
Not a drum was heard, not a funeral note	250
326 Oh England is a pleasant place for them that’s rich and high	231
O for the voice of that wild horn	249
O Mary, go and call the cattle home	278
O, my love is like a red, red rose	313
O my true love’s a smuggler and sails upon the sea	236
O, to be in England	219
O wild West Wind, thou breath of Autumn’s being	229
O young Lochinvar is come out of the West	279
Often I think of the beautiful town	226
On either side the river lie	258
Over meadows purple-flowered	305
Queen and huntress, chaste and fair	218
Ring out wild bells to the wild sky	321
Say not the struggle nought availeth	257
Season of mists and mellow fruitfulness	227
Simon Danz has come home again	224
Soldier, rest! thy warfare o’er	253
Tell me not, Sweet, I am unkind	248
Tell me where is Fancy bred	301
The isles of Greece! the isles of Greece!	243
The splendour falls on castle walls	314
There was a sound of revelry by night	239
There was a time when meadow, grove, and stream	224
Thunder of riotous hoofs over the quaking sod	237
’Twas in the good ship Rover	228
Waken, lords and ladies gay	304
Ye have been fresh and green	221
Ye Mariners of England	221

CAMBRIDGE: PRINTED BY JOHN CLAY, M.A. AT THE UNIVERSITY PRESS.

Books on English Language and Literature

published by the

Cambridge University Press

ENGLISH LANGUAGE

English Grammar: Descriptive and Historical. By T. G. Tucker, Litt.D., and R. S. Wallace, M.A. Crown 8vo. 3s. net.

A Junior Graphic Grammar. By E. A. A. Varnish and J. H. Hanly. Crown 8vo. With a table. 2s. net.

The Elements of English Grammar. With a Chapter on Essay-writing. By A. S. West, M.A. Extra fcap. 8vo. 3s. net.

A Chapter on Essay-writing, separately. 6d. net.

An English Grammar for Beginners. By A. S. West, M.A. Extra fcap. 8vo. 150th to 175th Thousand. 1s. 3d. net.

The Revised English Grammar. A new edition of The Elements of English Grammar, based upon the recommendations of the Committee on Grammatical Terminology. By A. S. West, M.A. Extra fcap. 8vo. 3s. net.

The Revised English Grammar for Beginners. A new edition of English Grammar for Beginners. By A. S. West, M.A. Extra fcap. 8vo. 1s. 3d. net.

Key to the Questions contained in West’s Revised English Grammar and Revised English Grammar for Beginners. By A. S. West, M.A. Extra fcap. 8vo. 4s. net. Suitable for use with both the original and revised editions.

A Handbook of English for Junior and Intermediate Classes. By D. B. Nicolson, M.A. Crown 8vo. 1s. 9d. net.

English Composition: with Chapters on Précis Writing, Prosody, and Style. By W. Murison, M.A. Crown 8vo. 5s. net. Or in two parts, 3s. net each.

Key to the Exercises in English Composition. By W. Murison, M.A. Crown 8vo. 5s. net.

Précis-Writing. By W. Murison. Crown 8vo. In three parts. Part I, 3s. net. Part II, 3s. 6d. net. Part III, 4s. net.

A Handbook of Précis-Writing. With graduated exercises. By E. D. Evans, M.A. Crown 8vo. 2s. 6d. net.

An Elementary Old English Grammar (Early West-Saxon). By A. J. Wyatt, M.A. Crown 8vo. 5s. net.

An Elementary Old English Reader (Early West-Saxon). By the same author. Crown 8vo. 5s. net.

A Concise Anglo-Saxon Dictionary for the use of Students. By John R. Clark Hall. Second Edition. Revised and enlarged. Demy 8vo. 15s. net.

The Pronunciation of English. Phonetics and Phonetic Transcriptions. By Daniel Jones, M.A. Crown 8vo. 3s. net. (Cambridge Primers of Pronunciation.) Wall-charts for class use:

1. The Organs of Speech. On card 2s. 6d. net, on paper 2s. net. Mounted on canvas, varnished, with rollers, 3s. 6d. net; mounted on canvas, folded, 4s. 6d. net.

2. English Speech Sounds. On card 2s. 6d. net, on paper 2s. net. Mounted on canvas, varnished, with rollers, 3s. 6d. net; mounted on canvas, folded, 4s. 6d. net.

The Pronunciation of English in Scotland. By William Grant, M.A. Crown 8vo. 4s. net. (Cambridge Primers of Pronunciation.)

Outlines of the History of the English Language. By Professor T. N. Toller, M.A. Crown 8vo. 4s. 6d. net.

Chapters on English Metre. By Joseph B. Mayor, M.A. Second Edition. Demy 8vo. 7s. 6d. net.

A Handbook of Modern English Metre. By the same author. Extra fcap. 8vo. 2s. 6d. net.

ENGLISH LITERATURE

Beowulf, with the Finnsburg Fragment. Edited by A. J. Wyatt. New edition, revised, with introduction and notes, by R. W. Chambers. Demy 8vo. With 2 facsimiles of MSS. 9s. net.

Beowulf. A metrical translation into Modern English. By John R. Clark Hall. Crown 8vo. 2s. 6d. net.

Spindrift. Salt from the Ocean of English Prose. Edited by Geoffrey Callender, M.A. Crown 8vo. 3s. 6d. net.

Stories from Chaucer. Retold from the Canterbury Tales. With Introduction and Notes by Margaret C. Macaulay. Crown 8vo. With frontispiece and 28 illustrations from old MSS. 1s. 9d. net. Without Introduction and Notes. 1s. 3d. net.

The Elder Brother. A Comedy by John Fletcher. First printed in 1637, now reprinted with slight alterations and abridgement for use on occasions of entertainment, especially in Schools and Colleges. Edited by W. H. Draper, M.A. Crown 8vo. With 2 illustrations. 3s. net.

Lyrical Forms in English. Edited with Introduction and Notes by Norman Hepple, M. Litt. Second Edition. Crown 8vo. 2s. 6d. net.

Principles and Method in the Study of English Literature. By W. Macpherson, M.A. Crown 8vo. 2s. 6d. net.

Milton. Paradise Lost. Edited by A. W. Verity, M.A. Crown 8vo. 8s. 6d. net.

Milton. The Poetical Works, edited with Critical Notes by William Aldis Wright, M.A., Litt.D. Crown 8vo. Cloth, 6s. net. India paper, limp lamb-skin, 8s. 6d. net.

On the Art of Writing. Lectures delivered in the University of Cambridge 1913–1914. By Sir Arthur Quiller-Couch, M.A. Demy 8vo. 7s. 6d. net.

Tennyson. In Memoriam. Edited with a Commentary by Arthur W. Robinson, B.D. Crown 8vo. 3s. net.

The Literature of the Victorian Era. By Professor Hugh Walker, LL.D. Crown 8vo. 10s. 6d. net.

Outlines of Victorian Literature. By Hugh Walker, LL.D., and Mrs Hugh Walker. Demy 8vo. 3s. 6d. net.

A Book of Victorian Poetry and Prose. Compiled by Mrs Hugh Walker. Crown 8vo. 3s. 6d. net.

Jonathan Swift. The Leslie Stephen Lecture delivered before the University of Cambridge on 26 May, 1917. By Charles Whibley, M.A. Crown 8vo. 1s. 6d. net.

A Primer of English Literature. By W. T. Young, M.A. Small crown 8vo. Cloth, gilt lettering. 2s. 3d. net. School edition. Limp cloth. 1s. 3d. net.

CAMBRIDGE ANTHOLOGIES

Life in Shakespeare’s England. A Book of Elizabethan Prose compiled by J. D. Wilson, M.A. Illustrated. 4s. net.

An Anthology of the Poetry of the Age of Shakespeare. Chosen by W. T. Young, M.A. Crown 8vo. 3s. net.

ENGLISH ROMANTIC POETS

Selections from the Poems of John Keats. Edited by A. Hamilton Thompson, M.A., F.S.A. Crown 8vo. 2s. net.

Selections from the Poems of Percy Bysshe Shelley. Edited by A. H. Thompson. Crown 8vo. 2s. net.

Selections from the Poems of Samuel Taylor Coleridge. Edited by A. H. Thompson. Crown 8vo. 2s. net.

PITT PRESS SERIES, ETC.

Bacon’s Essays. Edited by A. S. West, M.A. 3s. net.

Bacon’s History of the Reign of King Henry VII. Edited by the Rev. J. R. Lumby, D.D. 3s. 6d. net.

Bacon. New Atlantis. Edited by G. C. Moore Smith, M.A. 2s. net.

Ballads and Poems Illustrating English History. Edited by Frank Sidgwick. 2s. net.

Without introduction and notes. 1s. 6d. net.

Old Ballads. Edited by Frank Sidgwick. 2s. net.

Robert Browning. A Selection of Poems (1835–1864). Edited by W. T. Young, M.A. 3s. net.

Burke. Reflections on the French Revolution. Edited by W. Alison Phillips, M.A., and Catherine Beatrice Phillips. 4s. 6d. net.

Burke. Speeches on American Taxation and Conciliation with America. Edited by A. D. Innes, M.A. 3s. 6d. net. Speech on Conciliation with America, separately. 2s. net.

Burke. Thoughts on the Cause of the Present Discontents. Edited by W. Murison, M.A. 3s. net.

Byron. Childe Harold’s Pilgrimage. Edited by A. H. Thompson, M.A. 3s. net.

Chaucer. The Prologue and The Knight’s Tale. Edited by M. Bentinck Smith, M.A. 3s. net.

Chaucer. The Clerkes Tale and The Squieres Tale. Edited by L. Winstanley, M.A. 3s. net.

Chaucer. The Nonnë Prestes Tale. Edited by L. Winstanley, M.A. 2s. 3d. net.

Cowley’s Prose Works. Edited by J. R. Lumby. 4s. 6d. net.

De Foe. Robinson Crusoe. Part I. Edited by J. Howard B. Masterman, M.A. 2s. 6d. net.

Earle. Microcosmography. Edited by A. S. West, M.A. 3s. 6d. net.

Goldsmith. The Traveller and the Deserted Village. Edited by W. Murison, M.A. 1s. 9d. net.

Gray. English Poems. Edited by D. C. Tovey, M.A. 4s. 6d. net.

_Extracts from the above_

Ode on the Spring and the Bard. 1s. net.

Ode on the Spring and Elegy in a Country Churchyard. 1s. net.

Gray’s English Poems. Edited by R. F. Charles, M.A. 2s. 3d. net.

Kingsley. The Heroes, or Greek Fairy Tales for my Children. Edited with Notes, Illustrations from Greek Vases, and Two Maps, by Ernest Gardner, M.A. 1s. 9d. net. Without introduction and notes. 1s. 3d. net.

Lamb’s Essays of Elia and Last Essays of Elia. Edited by A. H. Thompson, M.A. 3s. net each.

Lamb, Charles and Mary. A Selection of Tales from Shakespeare. With Introduction and Notes, and an Appendix of Extracts from Shakespeare, by J. H. Flather, M.A. 1s. 9d. net.

A second selection. By the same editor, 1s. 9d. net.

Macaulay. The Lays of Ancient Rome, and other Poems. Edited by J. H. Flather, M.A. 1s. 6d. net.

Macaulay. John Milton. Edited, with Introduction and Notes, by J. H. Flather, M.A. 1s. 6d. net.

Macaulay. History of England, Chapters I-III. Edited by W. F. Reddaway, M.A. 2s. 6d. net.

Macaulay. Lord Clive. Edited by A. D. Innes, M.A. 2s. net.

By the same editor

Warren Hastings. 2s. net.

Two Essays on William Pitt, Earl of Chatham. 3s. net.

Essay on The Pilgrim’s Progress, 1s. 6d. net.

Nineteenth Century Essays. Edited with Introduction and Notes by George Sampson. 2s. 3d. net.

THE CAMBRIDGE MILTON FOR SCHOOLS

With Introduction, Notes and Glossaries, by A. W. Verity, M.A.

Arcades. 2s. net. Samson Agonistes. 3s. net.

Ode on the Morning of Christ’s Nativity, L’Allegro, Il Penseroso, and Lycidas. 3s. net. Sonnets. 2s. net.

Comus and Lycidas. 2s. 6d. net. Comus, separately, 1s. 6d. net.

Paradise Lost. In 6 volumes, each containing 2 books, 2s. 3d. net per volume. (For _Paradise Lost_ in one volume see p. 2)

More’s Utopia. Edited by J. R. Lumby, D.D. 2s. 3d. net.

More’s History of King Richard III. Edited by J. R. Lumby, D.D. 4s. net.

Pope’s Essay on Criticism. Edited by A. S. West, M.A. 2s. 6d. net.

Pope’s Essay on Man. Edited by A. H. Thompson, M.A. 2s. 6d. net.

SCHOOL EDITIONS OF SCOTT’S WORKS

Each volume contains Introduction, Notes and Glossary

Marmion. Edited by J. H. B. Masterman, M.A. 3s. net.

The Lady of the Lake. Same editor. 3s. net.

The Lord of the Isles. Edited by J. H. Flather, M.A. 2s. 3d. net.

The Lay of the Last Minstrel. Same editor. 2s. 3d. net.

A Legend of Montrose. Edited by H. F. M. Simpson, M.A. 2s. 3d. net.

Old Mortality. Edited by J. A. Nicklin. 2s. 3d. net.

Kenilworth. Edited by J. H. Flather, M.A. 2s. 3d. net.

Quentin Durward. Edited by W. Murison, M.A. 2s. 3d. net.

The Talisman. Edited by A. S. Gaye, B.A. 2s. 3d. net.

Woodstock. Same editor. 2s. 3d. net.

The Pitt Press Shakespeare. By A. W. Verity, M.A. With Introduction, Notes, and Glossary. Price 1s. 9d. net each.

A Midsummer-Night’s Dream
The Merchant of Venice
As You Like It
Twelfth Night
King Richard II
King Henry V
Coriolanus
Julius Caesar
King Lear
Macbeth
Hamlet
The Tempest

The Granta Shakespeare. By J. H. Lobban, M.A. With short Notes and brief Glossary. Price 1s. 3d. net each.

Twelfth Night
The Winter’s Tale
The Merchant of Venice
Julius Caesar
A Midsummer-Night’s Dream
Cymbeline
King Henry V
King Henry IV (Part I)
King Henry IV (Part II)
Macbeth
The Tempest
Much Ado about Nothing
Coriolanus
Antony and Cleopatra

The Student’s Shakespeare. Edited by A. W. Verity, M.A. With Introductions, Notes, Glossaries, etc. 3s. net each.

Coriolanus.
Hamlet.
Macbeth.

Sidney. An Apologie for Poetrie. Edited by E. S. Shuckburgh, Litt.D. 3s. 6d. net.

Spenser. The Fowre Hymnes. Edited by Lilian Winstanley, M.A. 2s. 6d. net.

Spenser. The Faerie Queene, Books I and II. Edited by L. Winstanley. 3s. net each.

Tennyson. Fifty Poems, 1830–1864. Edited by J. H. Lobban, M.A. 3s. net.

Poems by William Wordsworth. Selected and annotated by Miss Clara L. Thomson. 1s. 9d. net.

The Cambridge Book of Poetry for Children. Edited by Kenneth Grahame. Crown 8vo. In two parts. 1s. net each. In one volume, cloth extra. 3s. net.

A Book of Verse for Children. Compiled by Alys Rodgers, L.L.A. (Hons.). Crown 8vo. Complete, cloth gilt, 3s. net; cloth back, 2s. _6d._ net. Parts I-III separately, limp cloth, 1s. net.

English Patriotic Poetry. Selected by L. Godwin Salt, M.A. 1s. 9d. net. Text only, without introduction and notes, 9d. net.

A Book of English Poetry for the Young. Arranged for Preparatory and Elementary Schools by W. H. Woodward. 1s. net.

A Second Book of English Poetry for the Young. Arranged for Secondary and High Schools by W. H. Woodward. 1s. net.

Transcriber’s Note:

Spelling, word usage an punctuation have been retained as in the original publication, except as follows:

PART I

Page 91
- Who alway by Lars Porsena
  changed to
  Who always by Lars Porsena
Page 104
- So fierce a thrust he sped
  changed to
  So fierce a thrust he sped,

PART II

Page 81
- more lovely by far.
  changed to
  more lovely by far,






End of the Project Gutenberg EBook of The Cambridge Book of Poetry for
Children, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK CAMBRIDGE BOOK POETRY CHILDREN ***

***** This file should be named 50994-h.htm or 50994-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/5/0/9/9/50994/

Produced by The Online Distributed Proofreading Team at
http://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive/American
Libraries.)

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org



Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    gbnewby@pglaf.org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

The Cambridge Book of Poetry for Children

NOTE

PREFACE

CONTENTS

RHYMES AND JINGLES

Merry are the Bells

Safe in Bed

Jenny Wren

Curly Locks

Pussy-Cat Mew

Draw a Pail of Water

I Saw a Ship a-sailing

The Nut-Tree

My Maid Mary

The Wind and the Fisherman

Blow, Wind, Blow

All Busy

Winter has Come

Poor Robin

I have a Little Sister

In Marble Walls

FAMILIAR OBJECTS

The Moon

The Star

Kitty

Kitty: How to Treat Her

Kitty: what She thinks of Herself

The Sea Shell

COUNTRY BOYS’ SONGS

The Cuckoo

The Bird-Scarer’s Song

Cradle Song

GOOD NIGHT!

A BUNCH OF LENT LILIES

Daffodils

To Daffodils

Daffodils

SEASONS AND WEATHER

The Months

The Wind in a Frolic

The Four Sweet Months

Glad Day

Buttercups and Daisies

The Merry Month of March

What the Birds Say

Spring’s Procession

The Call of the Woods

A Prescription for a Spring Morning

The Country Faith

The Butterfly’s Ball

TASTES AND PREFERENCES

A Wish

Wishing

Bunches of Grapes

Contentment

TOYS AND PLAY, IN-DOORS AND OUT

The Land of Story-Books

Sand Castles

Ring o’ Roses

DREAM-LAND

Wynken, Blynken, and Nod

The Drummer-Boy and the Sheperdess

The Land of Dreams

Sweet and Low

Cradle Song

Mother and I

FAIRY-LAND

The Fairies

Shakespeare’s Fairies

The Lavender Beds

Farewell to the Fairies

Dirge on the Death of Oberon, the Fairy King

Kilmeny

TWO SONGS

A Boy’s Song

A Girl’s Song

FUR AND FEATHER

Three Things to Remember

The Knight of Bethlehem

The Lamb

The Cambridge Book
of
Poetry for Children

The Cambridge Book
of
Poetry for Children