The Project Gutenberg EBook of The Cabots and the Discovery of America, by 
Elizabeth Hodges

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Cabots and the Discovery of America
       With a Brief Description and History of Brandon Hill, The
              Site of the Cabot Memorial Tower

Author: Elizabeth Hodges

Illustrator: S. Loxton

Release Date: March 31, 2014 [EBook #45273]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK THE CABOTS ***




Produced by David Widger from page images generously
provided by the Internet Archive














0001m

Original

THE CABOTS AND THE DISCOVERY OF AMERICA

With A Brief Description And History Of Brandon Hill, The Site Of The Cabot Memorial Tower.

By Elizabeth Hodges

Illustrated By S. Loxton

London:

1897



0003m

Original



0006m

Original



0007m

Original






CONTENTS

THE CABOTS AND THE DISCOVERY OF AMERICA

BRANDON HILL, BRISTOL








THE CABOTS AND THE DISCOVERY OF AMERICA

CHIEF among the attractions of Bristol has been for centuries past the church of St. Mary Redcliffe; while few names on her roll of fame are more widely known than that of the ancient citizen to whom the stately fabric owes so much of its grace and beauty.



9008
Original

And we grudge not the mead of praise. He who gives of his best to the service of God and his fellow men deserves high honour. But, when all is said, the work of William Canynge was as a drop in the ocean compared with that accomplished by the merchant-pilot, his contemporary and probable neighbour. Canynge helped to re-build a church; John Cabot discovered a continent, and secured it for all time to the English-speaking race. Yet the one has been remembered and revered; the other neglected and forgotten. An anomaly, perhaps accounted for by the fact that Bristol has ever been slow to recognise merit outside her borders, and John Cabot was an alien, while the claims of Sebastian, his son, to citizenship are still hotly contested; which is not surprising, as the evidence so far obtainable rests mainly upon the contradictory accounts of Sebastian himself.

To an unprejudiced mind, however, the assertion made by him to his friend Eden in old age, when he had no purpose in view and nothing to gain by it, "that he was borne in Bristowe, and at iiii. yeare ould he was carried with his father to Venice, and so returned agayne to England with his father after certayne years, whereby he was thought to have been borne in Venice," appears far more likely to be true than his statement in middle life to Contarini, the Venetian Ambassador, by which he sought to obtain wealth and honour, "I was borne in Venice, but was bred in England."



0009m

Original

Practically, the birthplace of either father or son is of little moment, even to Bristolians; nor the question of earlier voyages, so long as the great fact remains—That it was from Bristol port, in a Bristol ship, manned by Bristol sailors, on the initiative of Bristol merchants, that John Cabot sailed on that memorable May morning four hundred years ago; and that to Bristol port he returned in the following August, after having planted the flag of St. George on the eastern-most point of Cape Breton, in the Dominion of Canada, and taken possession of that great northern continent for the King of England!—An achievement, be it remembered, preceding by more than a year the landing of Columbus on the Southern continent.



0010m

Original

That land across the wide Atlantic had been discovered long before Cabot sighted it is now generally admitted. Setting aside the claims of Madoc the Welshman and the Irish sailor-saint Brendan as not yet proven, it is certain that the Icelanders planted a colony in Greenland as early as the tenth century. The colony perished, but its traditions remained and were the inciting cause of later voyages; for Bristol merchants trading with Iceland, heard thereof and sent out ships in search of the "new land" for seven successive years before the the sailing of the "Matthew"—thinking to get by way of it to the Indies, or "far Cathay," the name given to all countries east of the Persian Gulf.

Unfortunately for the future historian, Sebastian Cabot not only "romanced" concerning his birth-place, but also concerning his voyages; in consequence of which he has been, for centuries, honoured as the commander of the "Matthew" and the discoverer of America. Thanks, however, to modern research among musty rolls and ancient charters, it has been proved beyond a doubt that the commander of the Bristol ship and discoverer of the Continent was John Cabot. Whether Sebastian ever sailed at all on that first voyage is entirely conjectural. The evidence that he did rests mainly upon a reported conversation held with a stranger at Seville, in which he appears to have mixed up the discoveries of the first expedition with those of later ones, and ignoring his father's share, himself claimed credit for the whole!

A modern writer suggests in excuse that he feared to excite the jealous displeasure of the King of Spain, in whose service he then was, by attracting attention to the prior discovery of a continent which his Catholic majesty would fain claim as his own. Perhaps, however, as the conversation was transcribed not at second, but at third hand, the indictment may be best taken with the proverbial grain of salt; and, certainly, both on Sebastian's portrait and on his famous "Mappamundi," the claims of the elder Cabot are acknowledged.

Of John Cabot's birthplace no record exists, though some writers claim the honour for Bristol. Recent research, however, has proved him to have been of Norman extraction, descended from the Jersey Cabots or Chabots. In 1476, for purposes of commerce, he became a Venetian citizen. When he first came to London "to follow the trade of merchandise" is uncertain; but he ultimately found his way to Bristol, which he appears to have made his home for some years. As strangers were not allowed to remain within the city to trade longer than forty days, in all probability he resided with his Venetian wife, among others of her nation, in the eastern suburb (the north and west were occupied by Jews) near to St. Mary Redcliffe, where a district still bears the suggestive name of "Cathay."

An enterprising and wealthy merchant, Cabot was also an expert seaman, well versed in the science of navigation, and burning to take part in the search for those golden lands across the western ocean, whose existence mariners of all nations had so long suspected.



0013m

Original

Among Bristol merchants, baffled in their own attempts to reach the goal, such a man was sure of meeting with not only sympathy, but ready co-operation. And in 1496 we find him obtaining from Henry VII. a charter, made out in the names of himself and his sons, Lewis, Sebastian, and Sanctus, empowering him and those associated with him to fit out sundry vessels to search for new lands, and take possession of them in the name of the King, he and his heirs to occupy such lands as Henry's vassals and trade therein.

The "Matthew," a small vessel, was accordingly fitted out, sixteen Bristol men and a Burgundian forming the crew, and in her Cabot set sail from the ancient port, May 2nd, 1497.

Voyaging nearly due west, he, to quote from the contemporary letter of Lorenzo Pasqualigo, "wandered about a long time, and at length hit land"—not Bonavista, Newfoundland, nor Cape Chidley, Labrador,—whose shores are ice-bound at that season; but Cape Breton, the easternmost point of Nova Scotia;—"he coasted 300 leagues and landed; saw no human beings, but brought to the King certain snares which had been set to catch game, and a needle for making nets; he also found some felled trees, wherefore supposing there were inhabitants, he returned to his ship in alarm." Two islands were subsequently sighted (St. John's and Newfoundland), but shortness of provisions compelled Cabot to return homewards without landing.

And so, after an absence of three months, the little ship, having safely braved the perils of those unknown seas and inhospitable shores, sailed

"Up the Avon's gentle flood and under Clifton's height"

to her old anchorage beside the Quay.



0015m

Original

On the 10th of August, her captain was in London relating his discoveries to the King. Henry was so pleased with Cabot's success that he gave him a pension of £20 for life, and "£10 to him who found (first sighted) the new isle." Pasqualigo tells how he was styled the "Great Admiral," dressed in rich silks, and had vast honours paid him, the English running after him "like mad people."



9016
Original

In these rejoicings Bristolians, we may be sure, took a prominent part, and many a city father and wealthy merchant, when office and shop were closed for the day, would wend his way across the ancient bridge and up Redcliffe Street to Cabot's home in "Cathay," to hear his stories of those distant lands, and see the wondrous things he had brought therefrom.

One relic, and one only, of that voyage Bristol still retains—the famous "rib of the Dun Cow" (cow-whale) preserved with religious care in Redcliffe Church; the following interesting reference to which was discovered in recent times among the City records. "1497—Item. Paid for settynge upp ye bone of ye bigge fyshe and... (writing illegible) hys worke brote over seas, vid. For two rings of iron iiijd."

According to Socino, who wrote on Dec. 18th of this same year, Cabot recorded his discoveries on a map and also on a globe; but no trace of either has been found, although La Cosa must have had access to them for his map.

In the following year, 1498, the King granted a supplementary charter in the name of John Cabot only, authorising him to take out six ships to the "lande and isles of late founde by the said John," at his own cost, to trade and colonize; giving him for the latter purpose "300 prisoners"—doubtless glad enough to be rid of them, the gaols being full to overflowing just then in consequence of Perkin Warbeck's rebellion. Bounties were also allowed to "James Carter, Thos. Bradley, and Lancelot Thirkill, of Bristowe" for fitting out three of the ships.

The expedition sailed, made further discoveries, and returned; but whether it was under the control of John Cabot is not known, for here all record of the elder Cabot ceases.



0018m

Original

Sebastian says his father died about this time, but he gives neither date or place of burial. It seems most probable that John Cabot's death occurred at sea, and that Sebastian, who—though this has been contested—accompanied him on this voyage, returned in command. Strangely enough, no account of the expedition appears to exist among English records; the sole fact of its return being gathered from the presence in London of Lancelot Thirkill, June 6, 1501, and his repayment of the loan he had had of the King. From foreign sources, however, we know that it was John Cabot's intention in this expedition to follow the shore from his former discovery till he reached the equinoctial regions; and we also know that (whether under his command or that of Sebastian) the plan was pursued until lack of provisions compelled its abandonment.

The second expedition, taking a more northerly course than the first, visited Iceland, and then steering west, made the coast of Labrador, named by Cabot "De la Terra de los Baccalaos," "The Land of the Cod-fish," from the immense shoals of those fish which they encountered. Landing the colonists, though whereabouts in that inhospitable region is not stated, they sailed still farther to the north-west—through Hudson's Straits—until "affrighted by the monstrous heaps of ice swimming in the sea, and the continual daylight," they dared go no further.



0020m

Original

Retracing their course they found many of the colonists dead of cold and hunger, and re-embarking the remainder, they sailed south as far as Cape Hatteras, when provisions failing, the little flotilla returned to England—Unsuccessful, the merchants who had freighted the vessels deemed, for they had not found the golden goal of Cathay nor even established a trading colony! But in reality successful beyond the wildest dreams of King or people, for there is no doubt that the Cabot charter and the voyages made pursuant to it, were always regarded as the root of England's title to her American possessions, and that, "to the daring and genius of Cabot is owing the occupation of the northern continent by an English-speaking race, with their vast energies and wealth. But for the Cabots Spain might have monopolized discovery in North as well as in South America."

Eschewing the "trade of merchandise," Sebastian Cabot appears to have devoted himself entirely to nautical science; attaining such eminence that, on the death of Columbus, the King of Spain engaged his services as Cartographer, at a salary of 30,000 maravedas, intending to send him on another voyage. Before the design could be carried out, Ferdinand died, and Sebastian returned to England.

Under the auspices of Henry VIII., he is said to have again crossed the Atlantic, seeking a passage to India through Hudson's Bay. The attempt failed, and after surveying the bay, and studying the variations of the magnetic needle, Cabot returned.

A few years later he was again in the service of Spain, engaged under the young Emperor, Charles V., as Pilot-major, at a largely increased salary. This post he retained during the greater part of Charles' reign. It was while holding it that he made to Contarini those dishonest offers of information and those misleading statements concerning his birth, which have proved so prolific in controversy to his biographers.

In 1526, Cabot commanded a Spanish expedition to Brazil, which although he penetrated some distance into the interior, ended disastrously, and resulted in his being imprisoned for a year on the charge of "mismanagement and excesses."

The first count of the indictment may have been true. Very probably the great cartographer was not skilled in the management of men. As Oviedo, the Spanish historian, sapiently remarked, "it is not the same thing to command and govern people as to point a quadrant or an astrolabe"; but the "excesses" charged against him were far more likely to have been committed by the Portugese, who had sent out a rival expedition, and to whose malicious intrigues and jealous interference the disasters of the Spaniards were mainly due. Untruthful and covetous of honours and gold, Sebastian has been proved; but that he was also kindly, gentle, and humane, there is no doubt; while his mode of treating the natives may be gathered from his "Instructions" for the ordering of a similar expedition in later years.

While in the employ of Spain, Cabot made his "Mappamundi," or Map of the World. This famous map, which not only presented his own and his father's discoveries, but those of Spain and Portugal down to his own time, was drawn on parchment and illuminated with gold and colours. The original was sold on the death of the President of the Council of the Indies in 1575, and has never since been heard of. Several engravings of it were made, only one of which is now known; that in the Galerie de Géographie, Paris.

Soon after Henry VIII. death, the Council of the young King, Edward, induced Cabot to return to England, and, according to Strype, he settled in Bristol, 1548.

Charles V., through his ambassador, commanded his return; but the Privy Council replied that "he refused to go either into Spain or to the Emperor, and that, being of that mind, and the King's subject, no reason or equity would that he should be forced against his will."

Charles immediately stopped his pension, but Edward replaced it by one of 250 marks, and Cabot continued in the service of England until his death, exercising a kind of general supervision over the maritime affairs of the Kingdom, and adding to his store of charts and "discourses."



0024m

Original

In 1551, a general stagnation of trade pervaded England, and the London merchants consulted Cabot, who had just succeeded in breaking the monopoly of the German "Merchants of the Steelyard," as to what steps could be taken to revive it. Through his advice they formed themselves into the "Company of Merchant Adventurers of London" (of which the Bristol "Merchant Venturers" is an outcome) for the search and discovery of the northern part of the world by sea, and to open a way and passage to Cathay by the north-east.

Cabot, in recognition of his services, was made Governor for life, and immediately set about building new ships, the keels of which he covered with lead after the Spanish fashion, thus being the first to introduce the custom of "sheathing" into England.



0025m

Original

Great was the rejoicing when the first expedition put to sea, May 20th, 1553. The ships were towed down the Thames by boats, "and being come neare to Greenwich, where the Court then lay, the courtiers came running out, and the common people flocked together upon the shores in crowdes; the Privy Council they lookt out of the windowes of the Court, and the rest ranne up to the toppes of the towers," while the "skies rang agayne with the shouts of the mariners and the firing of the shippe's ordnance." But, alas! the young king who would have taken so keen an interest in the show, being well learned in all matters pertaining to the sea, was lying sick unto death in his room in the Palace, and e'er the ships were well on their way he had breathed his last.

The expedition, and others that followed, succeeded in opening up Russia and extending English trade across the Caspian Sea into Central Asia—to the jubilant delight of the organiser of them! Stephen Boroughs, who commanded the last of these expeditions (a little pinnace called the "Swiftsure") gives the following quaint picture of the Ancient Mariner, who came aboard the pinnace to see them off:—

"The goode olde gentleman, Master Cabota, gave to the poore most liberall almes, wishing them to praye for the good fortune and prosperous successe of the 'Serchthrift,' our pinnesse. And then, at the sign of the Christopher, he and his friends banketted, and made me and them that were in the companie great cheere; and, for very joy that he had to see the towardness of our intended discovery, he enter'd into the dance himself, amongst the rest of the younge and lusty company; which being ended, he and his friends departed, most gently commending us to the governance of Almighty God."

This is the last public appearance of Cabot of which we have any record. How long he lived, or where he died, is not known, and can only be inferred from the facts that his pension ceased to be drawn after 1557, and that Eden, who lived in London, was present at his deathbed.

The only literary relics of Cabot known to exist are the engraved map of 1544 and its facsimile. Of his other "remains," voluminous though they must have been, there is no trace. Hakluyt, writing of Cabot in 1582, says, "Shortly shall come out in print all his own mappes and discourses drawne and written by himselfe, which are in the custody of the Worshipful Master William Worthington." The publication was never made, and no one knows what has become of them. It is, however, strongly suspected that they found their way to Spain, through the instrumentality of the said "Master Worthington" (Cabot's associate in office), who seems to have been but indifferent honest. If this were so, there is hope that they are still in existence and may some day be restored.



0028m

Original

One relic we had of Cabot—the famous portrait, painted when he was an old man, and which in 1625, hung in the King's gallery at Whitehall. In 1792, this picture was presented to Charles J. Harford, Esquire, of Bristol, who discovered it while in Scotland; but, unfortunately for Bristolians, he sold it to Mr. John Biddle of Pittsburg, and it perished in the destruction of that gentleman's house by fire in 1848. Several copies exist in America, and an excellent engraving of the picture was made by Rawle of Bristol. Cabot is represented in his robe and chain as Governor of the Merchant Adventurers. There is also a painting of John Cabot and his three sons in the Ducal Palace, Venice.

Although the maps and charts of the Cabots are so far, lost to us whom they most concern, clear traces of them exist in the work of foreign cosmographers, and especially in the famous map of Juan de la Cosa, published in 1501, only three years after the voyage of John Cabot; where the row of British flags, commencing at the southern end with Mar descubierta por inglese, "sea discovered by the English;" and ending at the north with Cavo de ynglaterra, "Cape of England," mark unmistakably the discoveries of Cabot, and could have been obtained only from his map.

The most curious evidence, however, comes from none other than the supreme Pontiff himself, and testifies, not only to the fact of Cabot's discoveries, but also that he hailed from Bristol!

In the British Museum is a facsimile, by Wm. Griggs, of the original "Carta Universal," or Chart of the World, preserved in the "Propaganda" at Rome, by which Pope Alexander VI. divided the unclaimed lands of the globe between Spain and Portugal. On this unique chart the Northern Continent ends at Labrador, which is described as a country "which was discovered by the English of the town of Bristol, and which is of no use!"

Truly,


"When a thing's beyond our power,

We say in scorn, 'the grapes are sour!"



0030m

Original








BRANDON HILL, BRISTOL

The Site of the Cabot Memorial.

Brandon Hill, the site of Bristol's memorial to the Cabots, lies between the north-west portion of the city and the wooded heights of Clifton.



8031
Original

A fringe of houses encircles the base, but the remainder of its twenty-five acres, up to the rounded summit, 250 feet high, is open greensward, with gravelled paths, and seats under shady hawthorne bushes—the happy haunt of children from all parts of the city; and, as evening spreads her dusky mantle around, of whispering lovers, every seat accommodating a pair, sometimes two!

The Hill takes its name from the Irish saint, Brendan, a chapel and hermitage dedicated to him having once stood on its summit.

This St. Brendan is said to have been a great sailor, and claims to have himself discovered land across the Atlantic. Whether the claim be true or false, certain it is that the story of his "voyages," and the golden legends connected therewith, aroused men's curiosity and incited to subsequent expeditions, which, nearly a thousand years after Brendan's death, resulted in the discovery of the Northern Continent. The choice, therefore, of "St. Brendon's Hill" for the site of the memorial of that discovery is peculiarly appropriate; more especially as Brendan was the patron saint of sailors, and his chapel much frequented by Bristol mariners.



0032m

Original

The first known occupant of the hermitage, in 1351, was "Lucy de Newchurch," who, tired of the world, begged permission to immure herself therein. Fifty years later it was tenanted by a hermit, Reginald Taylor. Bluff King Hal, however, made short work of both chapel and hermitage, and in the troubled times of the Civil War a fort took their place, traces of which still remain. It is upon the site of this fort, recently occupied by two Russian cannon, that the memorial tower will stand. In digging out the foundations was discovered, beneath the soft concrete of the chapel, a grave containing human bones, which, in all probability, are those of the ancient denizens of the spot!



9033
Original

No finer view of Bristol and its environs can be obtained anywhere than from the Hill. On the right rise the woods and mansions of Clifton, and its Parish Church, "severely simple!" In the valley between is Jacobs Wells, the old Jewish quarter. The City schools were built on the ancient burial ground, which gave rise to the witty if gruesome remark that, "whatever the boys might lack they were always sure of a good Hebrew foundation." Thanks to Queen Elizabeth, the boys' mothers have been always sure of a good "drying ground!" Her Majesty having secured to them for all time a portion of this side of the Hill for laundry purposes; in recognition, it is said, of the faultless style in which their progenitors "got up" the immense ruffles worn by herself when visiting the City. Immediately on the left is St. Michael's Hill, the site of another large fort; and Tyndall's Park and mansion, still possessed by a branch of the family whence sprang William Tyndall, the translator of the Bible, the only perfect copy of whose first edition is still preserved in the Baptist College hard by. Beyond, and spreading for miles along the valley, bounded on its opposite side by Bedminster Downs and Dundry Hill, lies the City with its churches and schools, its ancient buildings (now, alas! rapidly disappearing), its modern warehouses and factories, its venerable cathedral and historic "green," encircled by avenues of limes. And, intersecting its southern side, the floating harbour, formed by the Avon and Frome, and bearing on its capacious bosom the merchandise of many lands, carried in craft of all sizes, from the tiny coasting lugger to the huge, perfectly equipped Atlantic steamer.

And not a ship among them all, going or coming, but must pass within full view of Brandon Hill, whose long southern slope stretches to within a few hundred yards of the water's edge!












End of the Project Gutenberg EBook of The Cabots and the Discovery of America, by 
Elizabeth Hodges

*** END OF THIS PROJECT GUTENBERG EBOOK THE CABOTS ***

***** This file should be named 45273-h.htm or 45273-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/4/5/2/7/45273/

Produced by David Widger from page images generously
provided by the Internet Archive


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
  www.gutenberg.org/license.


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:  www.gutenberg.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.