Project Gutenberg's Blottentots and How to Make Them, by John Prosper Carmel

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Blottentots and How to Make Them

Author: John Prosper Carmel

Release Date: February 14, 2014 [EBook #44898]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK BLOTTENTOTS AND HOW TO MAKE THEM ***




Produced by Melissa McDaniel and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)






Transcriber's Note:

Obvious typographical errors have been corrected. Inconsistent spelling and hyphenation in the original document have been preserved.

Cover
Inner Front

O, I AM PRINCE OF THE INKY IMPS

AND KING OF THE BLOTTENTOT CREW;

MY ANCESTREE HAS A PEDIGREE

OF A ROYAL PURPLISH HUE.

ONCE MY LOT WAS A DARK BLUE SPOT

FLIPPED ON A MILK-WHITE SEA,

A CREASE AND A FOLD—AND A BUCCANEER BOLD

OUT JUMPED—AND THAT WAS ME!

BLOTTENTOTS
AND HOW TO MAKE THEM

BY
JOHN PROSPER CARMEL

If you've never made a

Blottentot

This book will help you

quite a lot!

PAUL ELDER AND COMPANY
SAN FRANCISCO AND NEW YORK

Copyright, 1907,
by Paul Elder &
Company.

Entered at
Stationers' Hall,
London.

These were made for Dymphna

[1]

HOW TO MAKE BLOTTENTOTS

To make a funny Blottentot,

First take a piece of paper,

Splash on some ink, a single spot,

Crease, press, but cut no caper.

Don't crease exactly at the blot—

You'll have a fearful muddle;

Press gently, too, and not a lot,

Unless you want a puddle.

With everything we humans do,

Practice makes us apter:

So start at once, you'll find it true

At the end of your first chapter.

[2]

A FLIT-FLIT FLITTER

In the realms of wonderland

Such flies do gaily flitter,

But when they're just a blot of ink

Of course they cannot glitter.

They flitter, flutter round about,

These Flitter-Flitter-Flitters,

O'er dewy flow'ry sunny meads,

The lightest, brightest critters.

[3]

A GOBBLE-ME-UP

Weedy, greedy Gobble-Me-Up,

Your mouth is a fearful size.

Do you live on little girls and boys,

Or merely cakes and pies?

[4]

TWO BUCKING NIGHTMARES

Two bucking nightmares ran out to neigh,

Thinking it night, but found it day,

So took to their heels in sore dismay,—

I'm 'fraid they still are running away.

[5]

STRANGE BUT TRUE

Now it seems to be scarcely credible,

A difficult thing to think,

That such a strange grotesquerie

Was pressed from a drop of ink.

But word for word I tell you,

As true as word can be,

That in its making there was naught

But the blindest chancerie.

[6]

LAW-MAKERS

Tom and Johnny Make-the-law,

Talkative and lazy,

Standing on a Thingumajig

Comical and crazy.

You are just a pair of Imps,

With but one leg that badly limps.

[7]

MISTRESS NELL

Gadzooks, Nell Gwynne!

How did you get in?

Did you walk or were you brought

in your chair?

Your dress is perfection

To the smallest section

Of stomacher, quilting and hair.

[8]

A PROFESSIONAL TIFF

Said Dr. Spindleshanks,

"I'll stand no silly pranks!"

"You're nothing but a prig!"

Said Dr. Funnywig.

Then, making each a face,

They went off at a pace.

[9]

SAFE AT A DISTANCE

You big Bugaboo!

We didn't want you,

But really now that you've come,

If you keep far away

We'll permit you to stay,

Just as long you keep quite dumb.

[10]

TEENY AND TINY

Teeny and Tiny Pugnoses

Have discovered two beautiful roses,

But the stems are so tall

They can't reach them at all,

Though they stand on the tips

of their toeses.

[11]

IMPISH

You can see by the look of this

big-footed Sprite,

That just the one thing that

affords him delight

Is to give a high jump and land

on your toe,

On the very same spot where

the biggest corns grow.

[12]

A LITTLE GRASS MIDGET

This is a little grass Midget,

As you know a most terrible fidget.

For a month every year

He makes it quite clear

That he is a little grass Midget.

[13]

SIAMESE TWINS?

I hope they're on pegs,

Because if they're legs,

They are altogether shocking.

They have no feet,

And almost meet,

And haven't the sign of a stocking.

[14]

A KANGAR-ROOSTER-ROO

Why, here's our dear old hopper,

Our Kangar-rooster-roo!

And seeing he's such a whopper,

I'll certainly not say "Shoo"!

Then there are two, you see,

So I'd better hold my peace,

Or they may sit on me

And leave me a crumpled crease.

[15]

A SURPRISE

A Squidgeecumsquee

Got up in a tree,

And found another—

The fac simile.

"Oh dear! oh my!"

He said jumping high,

"It's surely my brother—

What a horrible guy!"

[16]

CONSIDERATE

"You jump over to me," said Sue.

"I wish you would come to me,"

said Loo;

"As sure as I jump

I'll kick that stump,

So really I'd rather let you."

[17]

RISKY

Now this is just the funniest rogue,

A Brownie as black as ink,

And what he's doing perched up there,

I'm sure I cannot think.

He's holding his arms like a pair of sails;

Perhaps he's trying to fly.

Let's hope he won't be playing that game

When you and I pass by.

[18]

DOGGEREL

Here are the strangest pair of dogs,

What sort I cannot tell,

But judging by their noses sharp

They have the sense of smell.

Their tails are very, very long,—

But does it really matter?

By the very way they stare and start

They're mad as any hatter.

[19]

A WARNING

Are these Quumps or Zagabogs,

Golliwogs or Quees?

Anyhow, you'd best look out,—

They're just about to sneeze!

[20]

THE LATEST DISCOVERY

I've just discovered a marvelous way

Of making these Blottentots mottled and gray;

If you promise you never will show any one

I'll tell you the secret of how it is done.

Take two bottles of ink, one thick and one thin,

Of different blacks, and dip your pen in;

From each splash a drop at the very same spot,

Then do as before, only pressing a lot.

[21]

SORRY GRIGS

What makes these little Grigs so sad?

They're standing most dejected.

Have they been up to something bad

And in it got detected?

[22]

LANKY DOODLE

Lanky Doodle came to town

Without his little pony,

Stuck a feather in his hat

With bits of macaroni.

[23]

THE DANCE

Jingle your bells and your tambourine

For just such a dance as you never have seen;

Such swishing of skirts, and glancing of feet,

Such bowing and parting, then running to meet;

So jingle your bells and your tambourine,

And keep them a-dancing from morning till e'en.

[24]

LOOK OUT FOR HIM!

He's flying in the air,

So you are safe and sound;

But you had better skip

When he lights upon the ground.

[25]

MACBETH

Act I, Scene I.

"When shall we 'two' meet again—

In thunder, lightning, or in rain?"

"When the hurly-burly's done,

When the battle's lost and won."

[26]

PERPLEXING

A queer little wight,

Very strangely dight,

Looked so much like his brother,

That, believe me, it's true,

No one ever knew

How to tell one from t'other.

[27]

MERELY ACCIDENTAL

Such angular shapes

In such beautiful capes

Are the silliest contradiction,

But they simply "came,"

So I'm not to blame;

With Blottentots there's no restriction.

[28]

BIRDS OF A FEATHER

"Now really it is shocking!" irately said

Miss B,

"To think that you are mocking and

making fun of me.

You have your wings and rufflings

the very same as I,

So you need not turn your nose up,

with a twinkle in your eye."

[29]

A DE-DUCK-TION

Pluck

A duck

Of a wing.

Alack!

He'll quack,

And not sing.

[30]

AN OVERSIGHT

Two Rabbits met and shook hands one day

In the gravest possible kind of a way.

But what was the cause of their serious mien

From our picture is not very easily seen.

They'd been jollier far if they'd stopped to sup

The honeyed mead from the buttercup.

[31]

QUITE THE THING

Words fail

To detail,

I can only smile.

Your salute

Is cute

And just perfect style.

[32]

QUAINT AND QUEER

Quaint and Queer,

A funny pair,

The funniest you could see,

Met one day

In a strange array,

The strangest that could be.

Each stood and stared

As if he feared

That he would get a poke;

But laughed to find

The other kind,

And thought it all a joke.

[33]

FINIS

Before, I had some Cassowaries,

Now I have two Dromedaries.

So just to leave some shapes for you,

I'll doff my cap and say adieu.

Innerback
Backcover





End of the Project Gutenberg EBook of Blottentots and How to Make Them, by 
John Prosper Carmel

*** END OF THIS PROJECT GUTENBERG EBOOK BLOTTENTOTS AND HOW TO MAKE THEM ***

***** This file should be named 44898-h.htm or 44898-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/4/4/8/9/44898/

Produced by Melissa McDaniel and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
  www.gutenberg.org/license.


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:  www.gutenberg.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.