Project Gutenberg's Notes and Queries, Number 178, March 26, 1853, by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Notes and Queries, Number 178, March 26, 1853
       A Medium of Inter-communication for Literary Men, Artists,
              Antiquaries, Genealogists, etc

Author: Various

Editor: George Bell

Release Date: May 24, 2013 [EBook #42795]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES ***




Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
and the Online Distributed Proofreading Team at
http://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive/Canadian
Libraries)






{301}

NOTES AND QUERIES:

A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.

"When found, make a note of."Captain Cuttle.


No. 178. Saturday, March 26. 1853. Price Fourpence.
Stamped Edition 5d.

CONTENTS.

Notes:— Page
Napoleon a Poet, by Henry H. Breen 301
Smith's "Dictionary of Antiquities" and "Dictionary of Biography and Mythology," by P. J. F. Gantillon, B.A. 302
St. Columba's Cross 302
Minor Notes:—The "Ball at Brussels," June, 1815: Historical Parallel of April, 1605—Drawing an Inference—Edmund Spenser—The Mint, Southwark 303
Queries:—
The Spectre Horsemen of Southerfell 304
Minor Queries:—Passage in Bacon—Lamech killing Cain—Lord Chief Justice Popham—"Her face was like the milky way," &c.—Nelson Rings—Books wanted—Mr. Cromlin—Dr. Fletcher and Lady Baker—Jeremy Taylor and Christopher Lord Hatton—"Pylades and Corinna"—The Left Hand: its Etymology—The Parthenon 305
Replies:—
Mediæval or Middle Ages 306
Consecrators of English Bishops 306
"Grindle" 307
Mummies of Ecclesiastics, by William Bates 308
Vicars-Apostolic in England 308
Banbury Zeal, &c. 310
Dr. South versus Goldsmith, Talleyrand, &c., by Henry H. Breen 311
Irish Rhymes, by Henry H. Breen and Cuthbert Bede, B.A. 312
Count Gondomar 313
Door-head Inscriptions 314
Photographic Notes and Queries:—Photographic Gun-Cotton—Sealing-wax for Baths—Developing Chamber—The Black Tints on Photographic Positives 314
Replies To Minor Queries:—Contested Elections—Suicide at Marseilles—Acts xv. 23.—Serpent's Tongue—Croxton or Crostin—Robert Dodsley—Lord Goring—Chaplains to Noblemen—The Duke of Wellington Maréchal de France—Lord North—Mediæval Parchment—"I hear a lion," &c.—Fercett—Old Satchells—Curtseys and Bows—The Rev. Joshua Marsden—Sidney as a Christian Name—The Whetstone—Surname of Allen—Belatucadrus—Pot-guns—Graves Family—Portrait Painters—Plum Pudding—Muffs worn by Gentlemen—The Burial Service by Heart—Burrow—"Coming home to men's business"—Heuristic—"Cob" and "Conners"—Lady High Sheriff—Death of Nelson—Editions of the Prayer-Book prior to 1662—Passage in Juvenal—Tennyson—Capital Punishment 316
Miscellaneous:—
Books and Odd Volumes wanted 322
Notices to Correspondents 322
Advertisements 322

Notes.

NAPOLEON A POET.

In a work entitled Littérature Française Contemporaine, vol. ii. p. 268., there is a notice of the Bonaparte family, in their connexion with literature, in which it is stated that Napoleon, at the age of thirteen, wrote the following fable:—

"Le Chien, le Lapin, et le Chasseur.

César, chien d'arrêt renommé,

Mais trop enflé de son mérite,

Tenait arrêté dans son gîte

Un malheureux lapin de peur inanimé.

—Rends-toi, lui cria-t-il, d'une voix de tonnerre,

Qui fit au loin trembler les peuplades des bois:

Je suis César, connu par ses exploits,

Et dont le nom remplit toute la terre.

A ce grand nom, Jeannot lapin,

Recommandant à Dieu son âme pénitente,

Demande, d'une voix tremblante:

—Très sérénissime mâtin,

Si je me rends, quel sera mon destin?

—Tu mourras.—Je mourrai! dit la bête innocente.

Et si je fuis?—Ton trépas est certain.

—Quoi? dit l'animal qui se nourrit de thym;

Des deux côtés je dois perdre la vie!

Que votre auguste seigneurie

Veuille me pardonner, puisqu'il faut mourir,

Si j'ose tenter de m'enfuir.

Il dit, et fuit en héros de garenne.

Caton l'aurait blâmé: je dis qu'il n'eut pas tort:

Car le chasseur le voit à peine,

Qu'il l'ajuste, le tire—et le chien tombe mort.

Que dirait de ceci notre bon La Fontaine?

Aide-toi, le ciel t'aidera:

J'approuve fort cette méthode-là."

The writer of the notice (M. Quérard) says this "fable" was composed by Napoleon in 1782; and he thus explains the circumstances under which he obtained a knowledge of it:

"Cette fable a été imprimée dans un ouvrage dont nous ne pouvons donner le titre, parce que nous n'avons que le seul feuillet qui la contient. Nous ne savons aux soin de quel éditeur on doit de nous l'avoir fait connaître. Nous lisons au recto du feuillet en question, que, 'sans lui (l'éditeur), cette fable serait encore {302}perdue peut-être parmi les accidens ignorés de cette contrée rocailleuse (de la Corse).' Cet apologue n'étant que peu ou point connu, nous croyons faire plaisir en le reproduisant."

My own conviction is, that the greatest "fable" of all is the ascription to Napoleon, at the age of thirteen, of a poem which would do no discredit to an older and more practised hand. In his maturer years he wrote the Mémoire sur la Culture du Mûrier, the Lettre à M. Matteo Buttafuoco, the Souper de Beaucaire, and the Discours upon a subject proposed by Abbé Regnal to the Academy of Lyons; and these productions are confessedly "au-dessous du médiocre." With what show of reason, then, can we accept him as the author of a poetical effusion which, considering the age at which it is alleged to have been written, would throw into the shade the vaunted precocity of such professed poets as Cowley, Pope, Chatterton, and Louis Racine?

But whatever may be the origin of this fable, the assigning of it to Napoleon is in itself a singular circumstance. The dog César, who holds the rabbit a prisoner in his "gîte," and who summons him to surrender; and the unfortunate rabbit who prefers making his escape, "en héros de garenne," are so obviously applicable to the personal history of Napoleon, that it is impossible to conceive how the French (except on the score of their infatuation in everything that relates to that great man) could represent him as the author of such a satire upon himself.

Henry H. Breen.

St. Lucia.


SMITH'S "DICTIONARY OF ANTIQUITIES" AND "DICTIONARY OF BIOGRAPHY AND MYTHOLOGY."

As one of the objects of your publication professes to be (Vol. i., p. 18.) the correction of errors in standard works, I beg leave to forward you a few instances of errata in the references, &c. occurring in The Dictionary of Antiquities (2nd edit.) and Dictionary of Biography and Mythology of Dr. Smith.

Dictionary of Antiquities.

Page 2. a, Abolla (bis), for "Juv. iv. 75.," read "Juv. iii. 75."

Page 163. b, Astronomia, for "Ov. Trist. i. 1. 13.," read "i. 11. 13."

Page 163. b, Astronomia, for "4th Nov.," read "6th Octob."

Page 230. b, Calendarium, for "Liv. xi. 46.," read "ix. 46."

Page 526. a, Fenus, for "25 per cent.," read "22½."

Page 663. b, Justitium, for "Har. Resp. 36.," read "26."

Page 666. a, Lampadephoria, for "Herod. viii. 9.," read "viii. 98."

Page 642. b, Interdictum, for "give full satisfaction," read "get," &c.

Page 795. b, Neocori, for "Plat. vi. 759.," read "Plat. Legg. vi. 759."

Page 827. b, Olla, for "πυρίστατης," read "πυριστάτης."

Page 887. b, Periœci, for "Thucyd. viii. 61.," read "viii. 6."

Page 1087. a, Synoikia, for "Thucyd. iii. 15.," read "ii. 15."

Index.

Page 1256., for "φροός," read "φορὸς."

Page 1256., for "φρμοὸς," read "φορμὸς."

Page 1259., Augurale, for "233., a." read "253. a."

Page 1279., Transvectio, for "437. a," read "473. a."

Dictionary of Biography and Mythology.

Vol. I.

Page 452. a, Bacis, for "Pax 1009.," read "1071."

Page 452. a, Bacis, for "Av. 907.," read "962."

Page 689. a, Charmides, for "Acad. Quæst. iv. 6.," read "ii. 6."

Vol. II.

Page 221. b, Gallio, for "Acts viii. 12.," read "xviii. 12."

Page 519. a, Horatius, for "Sat. i. 71. 5.," read "i. 6. 71."

Page 519. b, Horatius, for "Epist. xi. 1. 71.," read "ii. 1. 71."

Page 528. b, Hortalus, for "Aug. 41.," read "Tib. 47."

Page 788. b, Lityerses, for "Athen. 615.," read "415."

Page 931. a, Marcellus, for "297. b.," read "927. b."

Page 1124. a, Mus, for "ii. 19.," read "De Fin. ii. 19."

Page 1206. a, Nobilior, for "de Orat. iii. 63.," read "ii. 63."

Vol. III.

Page 175. b, Pelagius, for "218.," read "418."

Page 514. a, Potitia Gens, for "Liv. ix. 39.," read "29."

N.B.—a, b, refer respectively to the first and second columns in the pages.

P. J. F. Gantillon, B.A.


ST. COLUMBA'S CROSS.

In 1584 Sir John Perrot, lord-deputy of Ireland, writes to Sir Francis Walsingham, the secretary of state:

"For a token I have sent you holie Columkill's crosse, a god of great veneration with Surleboy {303}(M‘Donnell) and all Ulster; for so great was his grace, as happy he thought himself that could gett a kisse of the said crosse. I send him unto you, that when you have made some sacrifice to him, according to the disposition you beare to idolatrie, you maie if you please bestowe him upon my good Lady Walsingham, or my Lady Sidney, to weare as a jewell of weight and bignesse, and not of price and goodness, upon some solempne feaste or triumphe daie at the Courte."

Walsingham's daughter was married to the celebrated Sir Philip Sidney; and afterwards to Robert Devereux, Earl of Essex; and, thirdly, to Richard De Burgh, Earl of Clanricard, when she embraced the Roman Catholic religion, that of her last husband, and may perhaps have regarded St. Columba's cross with more veneration than did the rugged old Perrot.

It may be possible to trace out this ancient relique to its present repository, if it be still in existence.

H.


Minor Notes.

The "Ball at Brussels," June, 1815.Historical Parallel of April, 1605.

"The archduke received the English ambassador (Edward Seymour, Earl of Hertford) with all honour and state; but whilest they were feasting and merry at Brusselles, Prince Maurice had an enterprize upon Antwerp, so that Spinola, Velasco, Van de Bergh, Busquoy, with many commanders, were forced to packe away speedily for the defence of the country."—Grimeston's History of the Netherlands, 1608, p. 1346.

W. M. R. E.

Drawing an Inference.—The following is an amusing instance of false inference, drawn through ignorance of the original. William Rae Wilson is the innocent offender, in his Travels in Egypt and the Holy Land (London, Longmans, 1824, 2nd edition). The author remarks (p. 105.):

"This I am inclined to believe was not the track which was taken by the Apostle Paul, when he went up to Jerusalem from the coast, as he appears to have travelled in some conveyance moved on wheels; for it is so far from being in any degree possible to draw one along, that, on the contrary, a great exertion is necessary for travellers to get forward their mules."

On referring to his authority for such an unapostolic mode of locomotion, we find (Acts xxi. 15.) these words:

"And after those days we took up our carriages, and went up to Jerusalem."

"Μετὰ δὲ τὰς ἡμέρας ταῦτας ἀποσκευασάμενοι ἀνεβαίνομεν ἐις Ἱερουσαλήμ."

The word "carriages" conveyed to the mind of our traveller the idea of a "conveyance moved on wheels;" whereas our translators intended the term to signify anything carried. Professor Scholefield, in his Hints for an improved Translation of the New Testament, renders the passage, "We put up our baggage." In fact, carriage, luggage, and baggage may be termed synonymes; for carriage = that which is carried; luggage = that which is lugged; and baggage = that which is bagged. The word "carriage" is used in this sense, Judges xviii. 21., and again 1 Sam. xvii. 22.

R. Price.

Edmund Spenser.—The subjoined paragraph from The Times newspaper, the readers of "N. & Q." may perhaps wish to find in a less voluminous journal, but by biographers of Spenser more likely to be consulted.

"Edmund Spenser.—The literary world will be glad to learn that the locality of the illustrious author of The Faëry Queen has been ascertained. Mr. F. F. Spenser, of Halifax, in making some researches into the ancient residence of his own family, has been fortunate in identifying it with that of the great Elizabethan bard, and, we are informed, is about to lay the particulars before the public. The little rural village of Hurstwood, near Burnley, in Lancashire, is the honoured locality; and in the romantic Alpine scenery of that neighbourhood it is probable Spenser took refuge when he was driven by academical disappointments 'to his relations in the north of England.' The family of that great poet appear to have resided at Hurstwood about four hundred years, that is, from the early part of the reign of Edward II. to the year 1690."—The Times, Wednesday, June 16, 1841.

W. P.

The Mint, Southwark.—In the year 1723, an act was passed to relieve all those debtors under 50l., who had taken sanctuary there from their creditors. The following curious account of the exodus of these unfortunates, is given in the Weekly Journal of Saturday, July 20, 1723:

"On Tuesday last some thousands of the Minters went out of the Land of Bondage, alias The Mint, to be cleared at the Quarter Sessions at Guildford, according to the late Act of Parliament. The road was covered with them, insomuch that they looked like one of the Jewish tribes going out of Egypt: the cavalcade consisting of caravans, carts, and waggons, besides numbers on horses, asses, and on foot. The drawer of the two fighting-cocks was seen to lead an ass loaded with geneva, to support the spirits of the ladies upon the journey. 'Tis said, that several heathen Bailiffs lay in ambuscade in ditches upon the road, to surprise some of them, if possible, on their march, if they should straggle from the main body; but they proceeded with so much order and discipline, that they did not lose a man upon this expedition."

E. G. B.

{304}


Queries.

THE SPECTRE HORSEMEN OF SOUTHERFELL.

On this mountain, which I believe is in the barony of Greystoke, Cumberland, a remarkable phenomenon is said to have been witnessed more than a century ago, circumstances of which appear to have been these:—In 1743 one Daniel Stricket, then servant to John Wren, of Wilton Hill, a shepherd, was sitting one evening after supper (the month is not mentioned) at the door with his master, when they saw a man with a dog pursuing some horses on Southerfell-side, a place so steep that a horse can scarcely travel on it at all; and they seemed to run at an amazing pace, and to disappear at the low end of the fell. Master and man resolved to go next morning to the steep side of the mountain, on which they expected to find that the horses had lost their shoes from the rate at which they galloped, and the man his life. They went, but to their surprise they found no vestige of horses having passed that way. They said nothing about their vision for some time, fearing the ridicule of their neighbours, and this they did not fail to receive when they at length ventured to relate their story. On the 23rd June (the eve of St. John's Day) in the following year (1744), Stricket, who was then servant to a Mr. Lancaster of Blakehills, the next house to Wilton Hill, was walking a little above the house in the evening, about half-past seven, when on looking towards Southerfell he saw a troop of men on horseback, riding on the mountain side in pretty close ranks, and at the speed of a brisk walk. He looked earnestly at this appearance for some time before he ventured to acquaint any one with what he saw, remembering the ridicule he had brought on himself by relating his former vision. At length satisfied of its reality, he went into the house and told his master he had something curious to show him. The master said he supposed Stricket wanted him to look at a bonfire (it being the custom for the shepherds on the eve of St. John to vie with each other for the largest bonfire); however, they went out together, and before Stricket spoke of or pointed to the phenomenon, Mr. Lancaster himself observed it, and when they found they both saw alike, they summoned the rest of the family, who all came, and all saw the visionary horsemen. There were many troops, and they seemed to come from the lower part of the fell, becoming first visible at a place called Knott; they then moved in regular order in a curvilinear path along the side of the fell, until they came opposite to Blakehills, when they went over the mountain and disappeared. The last, or last but one, in every troop, galloped to the front, and then took the swift walking pace of the rest. The spectators saw all alike these changes in relative position, and at the same time, as they found on questioning each other when any change took place. The phenomenon was also seen by every person at every cottage within a mile; and from the time that Stricket first observed it, the appearance lasted two hours and a half, viz. from half-past seven until night prevented any further view. Blakehills lay only half a mile from the place of this extraordinary appearance. Such are the circumstances as related in Clarke's Survey of the Lakes (fol. 1789), and he professes to give this account in the words of Mr. Lancaster, by whom it was related to him, and on whose testimony he fully relied; and he subjoins a declaration of its truth signed by the eye-witnesses, William Lancaster and Daniel Stricket (who then lived under Skiddaw, and followed the business of an auctioneer), dated 21st July, 1785. Mr. Clarke remarks that the country abounds in fables of apparitions, but that they are never said to have been seen by more than one or two persons at a time, and then only for moment; and remembering that Speed mentions some similar appearance to have preceded a civil war, he hazards the supposition that the vision might prefigure the tumults of the rebellion of the following year.

My Query is, Whether any subsequent appearance of the same kind is recorded to have been observed on this haunted mountain, and whether any attempt to account for it on principles of optical science, as applied to a supposed state of the atmosphere, has ever been published?

One is reminded of the apparition said to have been witnessed above Vallambrosa early in the fourteenth century. Rogers, after mentioning in the canto on "Florence and Pisa," in his Italy, that Petrarch, when an infant of seven months old (A.D. 1305), narrowly escaped drowning in a flood of the Arno, on the way from Florence to Ancisa, whither his mother was retiring with him, says:

"A most extraordinary deluge, accompanied by signs and prodigies, happened a few years afterwards. 'On that night,' says Giovanni Villani (xi. 2.), 'a hermit, being at prayer in his hermitage above Vallambrosa, heard a furious trampling as of many horses; and crossing himself and hurrying to the wicket, saw a multitude of infernal horsemen, all black and terrible, riding by at full speed. When, in the name of God, he demanded their purpose, one replied, We are going, if it be His pleasure, to drown the city of Florence for its wickedness. This account,' he adds, 'was given me by the Abbot of Vallambrosa, who had questioned the holy man himself.'"

This vision, however, without doubting the holy man's veracity, may, I presume, be considered wholly subjective.

W. S. G.

Newcastle-on-Tyne.

{305}


Minor Queries.

Passage in Bacon.—What is the meaning of this saying of Bacon "Poetry doth raise and erect the mind by submitting the shows of things to the desires of the mind?"

Recnac.

Lamech killing Cain.—In the church of St. Neot, Cornwall, are some very interesting ancient painted windows, representing various legendary and scriptural subjects. In one of them, descriptive of antediluvial history, is a painting of Lamech shooting Cain with a bow and arrow. Are any of your readers acquainted with a similar subject? Is there any tradition to this effect? and does it throw any light on that difficult passage, Gen. iv. 23, 24.?

"And Lamech said unto his wives, Adah and Zillah, Hear my voice: ye wives of Lamech, hearken unto my speech: for I have slain a man to my wounding, and a young man to my hurt.

"If Cain shall be avenged sevenfold, truly Lamech seventy and sevenfold."

J. W. M.

Hordley Ellesmere.

Lord Chief Justice Popham.C. Gonville says (Vol. vii., p. 259.) that Raleigh Gilbert "emigrated with Lord Chief Justice Popham in 1606" to Plymouth in Virginia. As this is a fact in the history of that learned judge with which I am unacquainted, I shall be obliged to your correspondent to favour me with some particulars. According to Anthony Wood he died on June 10, 1607, and was buried at Wellington in Somersetshire; and Sir Edward Coke (6 Reports, p. 75.) notices the last judgment he pronounced in the previous Easter Term.

Edward Foss.

"Her face was like the milky way," &c.—Where is the subjoined quotation taken from, and what is the context? I cannot be quite certain as to its verbal accuracy.

"Her face was like the milky way i' the sky,

A meeting of gentle lights without a name."

Via Lactea.

Nelson Rings.—I am in possession of a ring, which in place of a stone has a metal basso-relievo representation of Nelson (half-bust). The inscription inside the ring is as follows:

"A Gift to

T. Moon

from

G. L. Stoppleburg

1815."

The late Mr. Thomas Moon was an eminent merchant of Leeds, Yorkshire, and the writer has always understood that the ring referred to is one of three or half-a-dozen, which were made subsequently to Nelson's death, the metal (blackish in appearance) forming the basso-relievo set in them, being in reality portions of the ball which gave the late lamented and immortal admiral his fatal wound at Trafalgar.

Can any of your readers furnish me with the means of authenticating this supposition? likewise I should be glad to know if other similar rings are at present in existence, and by whom owned.

R. Nichols.

Pelsall, Staffordshire.

Books Wanted.

Life of Thomas Bonnell, Mayor of Norwich, published by Curl.

Samuel Hayne, Abstract of the Statutes relating to Aliens trading, 1690.[1]

Lalley's Churches and Chapels in London.

Can any of your readers tell me where I shall find these books? I do not see them in the British Museum.

J. S. B.

Footnote 1:(return)

[Hayne's Abstract, edit. 1685, will be found in the British Museum. See the new Catalogue s. v., Press-mark 8245. b.—Ed.]

Mr. Cromlin.—In Smith's History of Waterford (1746) are noticed "the thanks of the House of Commons given to Mr. Cromlin, a French gentleman naturalised in the kingdom, then actually sitting in the house," and the present to him of 10,000l. for establishing a linen manufactory at Waterford. Where shall I find the particulars of this grant recorded?

J. S. B.

Dr. Fletcher and Lady Baker.—Dr. Fletcher, Bishop of London, married a handsome widow, the Lady Baker, sister of George Gifford the Pensioner, at which marriage Queen Elizabeth being much displeased, the bishop is said to have died "discontentedly by immoderate taking of tobacco." (Athenæ.) Who was the Lady Baker's first husband? Who was George Gifford? Was she a Roman Catholic previous to her second marriage?

W. S.

Jeremy Taylor and Christopher Lord Hatton.—Bishop Jeremy Taylor, in his dedication of the Great Exemplar to Christopher Lord Hatton, entreats his lordship to "account him in the number of his relatives." Was Jeremy Taylor in any way connected with Lord Hatton by marriage? His first wife was a Mrs. Joanna Bridges of Mandinam, in the parish of Languedor, co. Carmarthen, and supposed to be a natural daughter of Charles I., to whom she bore a striking resemblance. Do any of your readers know of any relationship between this lady and Lord Hatton, or any other circumstance likely to account for the passage above mentioned?

Clarence Hopper.

"Pylades and Corinna."—Can anybody tell who was the author? Could it be De Foe?

P. R.

{306}

The Left Hand; its Etymology.—I have read with much pleasure Trench's Study of Words. The following passage occurs at p. 185:

"The 'left' hand, as distinguished from the right, is the hand which we 'leave,' inasmuch as for twenty times we use the right hand, we do not once employ it; and it obtains its name from being 'left' unused so often."

Now I should certainly be sorry to appear

"Ut lethargicus hic, cum fit pugil, et medicum urget."

I am not the person to aim a word at Mr. Trench's eye. Although I am Bœotian enough to ask, I am not too far Bœotian to feel no shame in asking, whether it is quite impossible that "left" should be corruption of lævus, λαιὸς. We have, at all events, adopted dexter, the "right" hand, and the rest of its family.

Bœoticus.

Edgmond, Salop.

The Parthenon.—M. de Chateaubriand says that the Greek, Theodore Zygomalas, who wrote in 1575, is the first among modern writers to have made known the existence of the Temple of Minerva or Parthenon, which was believed to have been totally destroyed. The Messager des Sciences et des Arts de la Belgique, vol. iv. p. 24., corrects Chateaubriand, and says that Ciriaco d'Ancona had, in the year 1436, described this celebrated monument, together with other ancient buildings of Athens. I am desirous of verifying this statement, and for this purpose beg the assistance of some of your learned correspondents, who may probably be able to inform me what is the title and date of the work of Ciriaco in which this description of the Parthenon occurs.

W. M. R. E.


Replies.

MEDIÆVAL OR MIDDLE AGES.

(Vol. v., p. 469.)

The question there put by L. T. is still constantly asked, and the answer given by a reference to Mr. Dowling's work may perhaps be unsatisfactory to many, as not sufficiently defining the period at which the Middle Ages may be said to terminate. By some of the best historical writers, the commencement and termination are variously stated. In a work recently published by George T. Manning, entitled Outlines of the History of the Middle Ages, with heads of analysis, &c., the Querist seems answered with more precision. Mr. Manning divides General History into three great divisions—Ancient History, that of the Middle Ages, and Modern History; the first division extending from the Creation to about four hundred years after the birth of Christ; the second from A.D. 400 to the close of the fifteenth century of the Christian era; the third embracing those ages which have elapsed since the close of mediæval times.

The Middle Age portions he divides into five great periods, denoted by the vast changes which took place in the course of that history, viz.:

A.D. 0400 to A.D. 0800, First Period.

A.D. 0800 to A.D. 0964, Second Period.

A.D. 0964 to A.D. 1066, Third Period.

A.D. 1066 to A.D. 1300, Fourth Period.

A.D. 1300 to A.D. 1500, Fifth Period.

The doubling of the Cape of Good Hope being the last important event, which he places in 1497.

This is nearly the same view as taken by M. Lamé Fleury, who commences with the fall of the Western Empire in 476, and closes with the conquest of Granada by the Spaniards in 1492: thinking that memorable event, which terminated in a degree the struggle of the Western against the Eastern Empire, a better limit ("une limite plus rigoureusement exacte") than the taking of Constantinople by Mahomet II. in 1453, the date when this historical period is generally terminated by most writers.

Appended to this little volume is a list of remarkable dates and events, as also of battles and treaties during the Middle Ages.

G.


CONSECRATORS OF ENGLISH BISHOPS.

(Vol. vii., pp. 132. 220.)

1. Ashurst Turner Gilbert, Bishop of Chichester, was consecrated Feb. 27, 1842, by the Archbishop of Canterbury, assisted by the Bishops of Lincoln and Llandaff.

2. Edward Field, Bishop of Newfoundland, April 28, 1844, by the Archbishop of Canterbury, assisted by the Bishops of London, Bangor, and Worcester.

3. Thomas Turton, Bishop of Ely;

4. John Medley, Bishop of Fredericton;

5. James Chapman, Bishop of Columbo; May 4, 1845, by the Archbishop of Canterbury, assisted by the Bishops of London, Rochester, Lincoln, Hereford, Lichfield, and Bishop Coleridge.

6. Samuel Gobat, Bishop of the United Church of England and Ireland in Jerusalem, July 5, 1846, by the Archbishop of Canterbury, assisted by the Bishops of London, Calcutta, and Lichfield.

7. George Smith, Bishop of Victoria;

8. David Anderson, Bishop of Rupert's Land; May 29, 1849, in Canterbury Cathedral, by the Archbishop of Canterbury, assisted by the Bishops of London, Winchester, and Oxford.

9. Francis Fulford, Bishop of Montreal, July 25, 1830, by the Archbishop of Canterbury, assisted by the Bishops of Oxford, Salisbury, Chichester, Norwich, and Toronto. {307}

10. John Harding, Bishop of Bombay, Aug. 10, 1851, by the Archbishop of Canterbury, assisted by the Bishop of London and Bishop Carr.

11. Hibbert Binney, Bishop of Nova Scotia, March 25, 1851, by the Archbishop of Canterbury, assisted by the Bishops of London, Chichester, and Oxford.

12. John Lonsdale, Bishop of Lichfield, was consecrated in the chapel of Lambeth Palace.

I believe A. S. A. will find all his Queries answered in the above list; but as he may wish to know the names as well as the titles of the consecrating Bishops, I subjoin a list of them.

In the consecration of the first six bishops in the list, the Archbishop of Canterbury was Dr. William Howley; in all the others he was Dr. John Bird Sumner. The Bishop of Lincoln, wherever mentioned, was Dr. John Kaye. The Bishop of Llandaff was Dr. E. Coplestone; the Bishop of London was Dr. C. J. Blomfield; the Bishop of Bangor, Dr. Christopher Bethell; the Bishop of Worcester, Dr. H. Pepys; the Bishop of Rochester, Dr. George Murray; the Bishop of Hereford, Dr. Thomas Musgrave; the Bishop of Lichfield, Dr. John Lonsdale; the Bishop of Calcutta, Dr. Daniel Wilson; the Bishop of Winchester, Dr. C. R. Sumner; the Bishop of Oxford, Dr. Samuel Wilberforce; the Bishop of Salisbury, Dr. Edward Denison; the Bishop of Chichester, Dr. A. T. Gilbert; the Bishop of Norwich, Dr. Samuel Hinds; the Bishop of Toronto, Dr. John Strachan.

Tyro.

Dublin.


"GRINDLE."

(Vol. vii., p. 107.)

The question of C. G. supplies a new instance of an ancient and heroic word still surviving in a local name. The only other places in England that I have as yet heard of are, Grindleton in the West Riding of Yorkshire, and a Gryndall in the East Riding. The authority for this latter is Mr. Williams' Translation of Leo's Anglo-Saxon Names, p. 7., note 3.

In old England, the name was probably not uncommon: it occurs in a description of landmarks in Kemble's Codex Dipl., vol. ii. p. 172.: "on grendles mere."

There is a peculiar interest attaching to this word; or, I might say, it is invested with a peculiar horror, as being the name of the malicious fiend, the man-enemy whom Beowulf subdues in our eldest national Epic:

"Wǣs se grimma gæst Grendel háten,

Mǣre mearc-stapa, se þe móras heóld,

Fen and fæsten—fífel-cynnes eard

Won-sæli wer...."

Beowulf, l. 203. seqq.—Ed. Kemble.

So he is introduced in the poem, when, in the dead of night, he comes to the hall where the warriors are asleep, ravining for the human prey. The following is something like the meaning of the lines:—

"Grendel hight the grisly guest,

Dread master he of waste and moor,

The fen his fastness—fiends among,

Bliss-bereft...."

This awful being was no doubt in the mind of those who originated the name grendles mere, before quoted from Kemble. The name is applied to a locality quite in keeping with the ancient mythological character of Grendel, who held the moor and the fen. Most strikingly does the same sentiment appear in the name of that strange and wildering valley of the Bernese Oberland, in Switzerland:—I mean the valley of Grindelwald, with its two awful glaciers.

But when we come to consider the etymology of the name, we are led to an object which seems inadequate, and incapable of acting as the vehicle for these deep and natural sentiments of the inhuman and the horrible.

Grendel means, originally, no more than a bar or rod, or a palisade or lattice-work made of such bars or rods. Also a bar or bolt for fastening a door, or for closing a harbour. Middle-aged people at Zurich recollect when the old "Grindel" was still standing at the mouth of their river. This was a tremendous bar, by which the water-approach to their town could be closed against an enemy; who might otherwise pass from the Lake of Zurich down the river Limmat, into the heart of the town of Zurich.

It was in Germany that this word lived longest as a common substantive. There is no known instance of it in Anglo-Saxon, other than in proper names, and of these I know no more than are already enumerated above; whereas, in the Middle High German, it is by no means uncommon. It occurs in a mystery on the resurrection preserved in this dialect, and edited by Ettmüller, 1851 (Dat Spil fan der Upstandinge). I cannot now find the line, but it is used there for "the gates of hell." Cf. also Ziemann's Mittelhochdeutsches Wörterbuch, voc. Grindel.

Grimm, in his Mythology, establishes a connexion between Grendel and Loki, the northern half-deity half-demon, the origin of evil. He was always believed to have cunningly guided the shaft of Flöder the Blind, who, in loving sport, shot his brother Balder the Gay, the beloved of gods and men. So entered sorrow into the hitherto unclouded Asaland.

Grimm draws attention to the circumstance that Loki is apparently connected with the widespread root which appears in English in the forms lock and latch. Here is a very striking analogy, {308}and it is supported by an instance from the present German: Höllriegel = vectis infernalis, brand of hell, is still recognised as = teufel; or for an old witch = devil's dam.

And even in Latin documents we find the same idea represented. Thus, in a charter of King Edgar (Cod. Dipl., No. 487.), which begins with a recital of the fall of man, and the need of escaping the consequent misery, we have the following:

"Quamobrem ego Eadgar, totius Britanniæ gubernator et rector, ut hujus miseriæ repagulum quam protoplastus inretitus promeruit ... evadere queam, quandam ruris particulam ... largitus sum," &c. &c.

As to the application of this name to localities, it seems to represent the same sentiment as the prefix of Giant, Grim, or Devil: and this sentiment would be that of the grand or awful in Nature, and mysterious or unaccountable in artificial works. I think we may then safely conclude, that all dikes, ditches, camps, cromlechs, &c., which have such titles attached to them, date from an age previous to the Saxons being in England. For example, if we did not know from other sources the high antiquity of Wayland Smith's Cave in Berkshire, we might argue that it was at least pre-Saxon; from the fact that the Saxons called it by the name of their Vulcan, and therefore that it appeared to them so mysterious as to be dignus vindice nodus.

If your correspondent C. G., or any of your readers, can, either from their reading or from local knowledge, add any further illustrations or examples of this ancient heathen word, I, for one, shall receive them gratefully.

I. E.

Oxford.


MUMMIES OF ECCLESIASTICS.

(Vol. vi., pp. 53. 110. 205. 328.)

Although I have myself seen the natural mummies preserved at Kreuzberg on the Rhine, I can say nothing more with regard to them, than vouch for the accuracy of the accounts transmitted by your various correspondents under this head. Your Querist A. A. however may, if curious on this subject, be referred with advantage to Mr. T. J. Pettigrew's interesting History of Egyptian Mummies. In chap. xvii. of this work, many instances are adduced of the preservation of bodies from putrefaction by the desiccating properties of the natural air of the place in which they are contained. He says:

"In dry, and particularly calcareous vaults, bodies may be preserved for a great length of time. In Toulouse, bodies are to be seen quite perfect, although buried two centuries ago. In the vaults of St. Michael's Church, Dublin, the same effect is produced; and Mr. Madden says he there saw the body of Henry Shears, who was hanged in 1798, in a state of preservation equal to that of any Egyptian mummy."

Garcilasso de la Veya, and more recent historians, may be referred to for accounts of the mummy-pits of Peru, the dry air of which country is an effectual preventive of the process of putrefaction. One of the most curious spectacles, however, of this nature is to be found in the Catacombs of Palermo, where the traveller finds himself in the midst of some thousands of unburied bodies, which, suspended mostly by the neck, have become so distorted in form and feature in the process of desiccation, as to provoke an irrepressible smile in the midst of more solemn and befitting contemplations. (Sonnini's Travels, vol. i. p. 47.; Smyth's Memoirs of Sicily and its Islands, p. 88.)

Similar properties are also attributed to the air of the western islands of Scotland. "To return to our purpose," says P. Camerarius (The Living Librarie, translated by Molle, folio, London, 1625, p. 47.),—

"That which Abraham Ortelius reporteth after Gyrald de Cambren is wonderfull, that the bodies of men rot not after their decease, in the isles of Arran; and that therefore they bee not buried, but left in the open ayr, where putrefaction doth them no manner of hurt; whereby the families (not without amazement) doe know their fathers, grandfathers, great-grandfathers, and a long race of their predecessors. Peter Martyr, a Milannois, saith the same of some West Indians of Comagra. These bee his words: 'The Spaniards being entered the lodgings of this Cacick, found a chamber fulle of dead bodies, hanging by ropes of cotton, and asking what superstition that was, they received this answer, That those were the fathers, grandfathers, and great-grandfathers of the Cacick of Comagra. The Indians say that they keep such relikes preciously, and that the ceremonie is one of the points of their religion. According to his qualities while he lived, his bodie, being dead, is richly decked with jewels and precious stones.'"

Many other instances might be adduced, but you will now think that at least enough has been said on this subject.

William Bates.

Birmingham.


VICARS-APOSTOLIC IN ENGLAND.

(Vol. vi., pp. 125. 297. 400.; Vol. vii., pp. 242. 243.)

Your correspondent A. S. A. seems very anxious to possess a complete list of the vicars-apostolic of England. With their names, and the date of their consecration and death, collected from various sources, I am able to supply him.

The last survivor of the Roman Catholic bishops consecrated in England prior to the reign of Elizabeth was Dr. Thomas Watson, appointed bishop of Lincoln in 1557 by Queen Mary, and deprived (on the accession of Elizabeth) in 1559. {309}

Upon his death, in 1584, the Catholic clergy in England were left without a head, and the Pope some time after appointed an arch-priest, to superintend them, and the following persons filled the office:

Consecrated. Died.
1598. Rev. George Blackwell.
Rev. George Birkhead 1614.
1615. Rev. George Harrison 1621.

On the death of the latter the episcopate was revived by the pope in England, and one bishop was consecrated as head of the English Catholics.

Consecrated. Died.
1623. Dr. William Bishop 1624.
1625. Dr. Richard Smith 1655.
1685. Dr. John Leyburn, with whom, in 1688, Dr.
Giffard was associated; but almost immediately after
this England was divided into four districts, and the
order of succession in each was as follows:
London or Southern District.
Consecrated. Died.
1685. Bishop Leyburn 1703.
1688. Bishop Giffard (translated from
the Midland District, 1703)
1733.
1733. Bishop Petre 1758.
1741. Bishop Challoner 1781.
1758. Bishop Honourable James Talbot 1790.
1790. Bishop Douglas 1812.
1803. Bishop Poynter 1827.
1823. Bishop Bramston 1836.
1828. Bishop Gradwell 1833.
1833. Bishop Griffiths 1847.
Midland or Central District.
1688. Bishop Giffard (translated to
London, 1703).
1703. Bishop Witham (translated to the
Northern District, 1716).
1716. Bishop Stonor 1756.
1753. Bishop Hornihold 1779.
1766. Bishop Honourable T. Talbot 1795.
1786. Bishop Berington 1798.
1801. Bishop Stapleton 1802.
1803. Bishop Milner 1826.
1825. Bishop Walsh (translated to
London, 1848).
1840. Bishop Wiseman (coadjutor).
Western District.
1688. Bishop Ellis 1726.
1715. Bishop Prichard 1750.
1741. Bishop York 1770.
1758. Bishop Walmesley 1797.
1781. Bishop Sharrock 1809.
1807. Bishop Collingridge 1829.
1823. Bishop Baines 1843.
Northern District.
1688. Bishop James Smith 1711.
1716. Bishop Witham 1725.
1726. Bishop Williams 1740.
1741. Bishop Dicconson 1752.
1750. Bishop Honourable F. Petre 1775.
1768. Bishop Maire (coadjutor to Bishop
Petre)
1769.
1770. Bishop Walton 1780.
1780. Bishop Gibson 1790.
1790. Bishop William Gibson (brother
to the preceding bishop)
1821.
1810. Bishop Thomas Smith 1831.
1824. Bishop Penswick 1836.
1833. Bishop Briggs, removed to the new district
of Yorkshire in 1840, and became Roman Catholic
Bishop of Beverley in 1850.

In 1840, England and Wales were divided among eight vicars-apostolic, and from that time until the year 1850 the following was the arrangement:

London.
Consecrated. Died.
1833. Bishop Griffiths 1847.
1825. Bishop Walsh 1849.
1840. Bishop Wiseman, at first coadjutor to Bishop
Walsh here, as he had been in the central District.
Elevated to the archiepiscopate, 1850.
Central.
1825. Bishop Walsh, removed to London
in 1848.
1846. Bishop Ullathorne; became Roman
Catholic Bishop of Birmingham, 1850.
Western.
1823. Bishop Baines 1843.
1843. Bishop Beggs 1846.
1846. Bishop Ullathorne; removed to the
Central District, 1848.
1848. Bishop Hendren, became Roman
Catholic Bishop of Clifton, 1850.
Northern.
1833. Bishop Briggs; removed in 1840 to
the new district of Yorkshire.
1840. Bishop Riddell 1847.
1848. Bishop Hogarth; became Roman
Catholic Bishop of Hexham, 1850.
Eastern.
1840. Bishop Wareing; became Roman
Catholic Bishop of Northampton, 1850.
Yorkshire.
1833. Bishop Briggs, from the Northern
District; became Roman Catholic
Bishop of Beverley, 1850.
Lancashire.
1840. Bishop G. Brown; became Roman
Catholic Bishop of Liverpool, 1850.
1843. Bishop Sharples (coadjutor) 1850.
Wales.
1840. Bishop T. J. Browne; became Roman Catholic
Bishop of Newport, 1850.

In 1850 came another change, and one archbishop and twelve bishops were appointed to rule {310}over the Roman Catholic Church in England and Wales:

Archbishop of Westminster.
Consecrated.
1850. Cardinal Nicholas Wiseman.
Bishop of Hexham.
1850. William Hogarth.
Bishop of Beverley.
1850. John Briggs.
Bishop of Liverpool.
1850. George Brown.
Bishop of Birmingham.
1850. William Ullathorne.
Bishop of Northampton.
1850. William Wareing.
Bishop of Newport and Menevia.
1850. Thomas Joseph Browne.
Bishop of Nottingham.
1850. Joseph William Hendren (from Clifton); resigned
his bishoprick, 1853.
Bishop of Clifton.
1850. Joseph William Hendren (removed in 1851
to Nottingham.)
1851. Thomas Burgess.
Bishop of Salford.
1851. William Turner.
Bishop of Plymouth.
1851. George Errington.
Bishop of Shrewsbury.
1851. James Brown.
Bishop of Southwark.
1851. Thomas Grant.

The foregoing I believe to be, in the main, a correct account of the Roman Catholic episcopate in England and Wales from the accession of Elizabeth down to the present year.

J. R. W.

Bristol.


BANBURY ZEAL, ETC.

(Vol. vii., p. 106.)

I have no doubt that the particular instance of Zeal in the cause of the Church at Banbury, which Addison had in mind when he wrote No. 220. of the Tatler, published Sept. 5, 1710, was a grand demonstration made by its inhabitants in favour of Dr. Sacheverell, whose trial had terminated in his acquittal on March 23 of that year. And my opinion is strengthened by the introduction almost immediately afterwards of a passage on the party use of the terms High Church and Low Church.

On June 3, 1710, the High Church champion made a triumphal entry into Banbury, which is ridiculed in a pamphlet called The Banb..y Apes, or the Monkeys chattering to the Magpye; in a Letter to a Friend in London. On the back of the title is large woodcut, representing the procession which accompanied the doctor; among the personages of which the Mayor of Banbury (as a wolf), and the aldermen (as apes), are conspicuous figures. Dr. Sacheverell himself appears on horseback, followed by a crowd of persons bearing crosses and rosaries, or strewing branches. The accompanying letter-press describes this procession as being closed by twenty-four tinkers beating on their kettles, and a "vast mob, hollowing, hooping, and playing the devil." There is another tract on the same subject, which is extremely scarce, entitled—

"An Appeal from the City to the Country for the Preservation of Her Majesty's Person, Liberty, Property, and the Protestant Religion, &c. Occasionally written upon the late impudent Affronts offer'd to Her Majesty's Royal Crown and Dignity by the People of Banbury and Warwick: Lond. 8vo. 1710."

To your correspondent H.'s (p. 222.) quotation from Braithwait's "Drunken Barnaby" may be added this extract from an earlier poem by the same writer, called "A Strappado for the Divell:"

"But now for Bradford I must haste away:

Bradford, if I should rightly set it forth,

Stile it I might Banberry of the North;

And well this title with the town agrees,

Famous for twanging ale, zeal, cakes, and cheese."

A few words on "Banbury Cakes," and I have done. The earliest mention of them I am aware of (next to that in Camden's Britannia, published by Philemon Holland in 1608, and already referred to), is by Ben Jonson, in his Bartholomew Fair, written 1614; where he introduces "Zeal-of-the-Land Busy" as "a Banbury Man," who "was a baker—but he does dream now, and see visions: he has given over his trade, out of a scruple he took, that, in spiced conscience, those cakes he made were served to bridales, maypoles, morrisses, and such profane feasts and meetings." I do not know whether the sale of Banbury cakes flourished in the last century; but I find recorded in Beesley's Hist. of Banbury (published 1841) that Mr. Samuel Beesley sold in 1840 no fewer than 139,500 twopenny cakes; and in 1841, the sale had increased by at least a fourth. In Aug. 1841, 5,400 were sold weekly; being shipped to America, India, and even Australia. I fancy their celebrity in early days can hardly parallel this, but I do not vouch for the statistics.

J. R. M., M.A.

{311}


DR. SOUTH VERSUS GOLDSMITH, TALLEYRAND, ETC.

(Vol. vi., p. 575.)

This remarkable saying, like most good things of that kind, has been repeated by so many distinguished writers, that it is impossible to trace it to any one in particular, in the precise form in which it is now popularly received. I shall quote, in succession, all those who appear to have expressed it in words of the same, or a nearly similar, import, and then leave your readers to judge for themselves.

I cannot help thinking that the first place should be assigned to Jeremy Taylor, as he must have had the sentiment clearly in view in the following sentence:

"There is in mankind an universal contract implied in all their intercourses; and words being instituted to declare the mind, and for no other end, he that hears me speak hath a right in justice to be done him, that, as far as I can, what I speak be true; for else he by words does not know your mind, and then as good and better not speak at all."

Next we have David Lloyd, who in his State Worthies thus remarks of Sir Roger Ascham:

"None is more able for, yet none is more averse to, that circumlocution and contrivance wherewith some men shadow their main drift and purpose. Speech was made to open man to man, and not to hide him; to promote commerce, and not betray it."

Dr. South, Lloyd's cotemporary, but who survived him more than twenty years, expresses the sentiment in nearly the same words:

"In short, this seems to be the true inward judgment of all our politick sages, that speech was given to the ordinary sort of men, whereby to communicate their mind, but to wise men whereby to conceal it."

The next writer in whom this thought occurs is Butler, the author of Hudibras. In one of his prose essays on the "Modern Politician," he says:

"He (the modern politician) believes a man's words and his meanings should never agree together: for he that says what he thinks lays himself open to be expounded by the most ignorant; and he who does not make his words rather serve to conceal than discover the sense of his heart, deserves to have it pulled out, like a traitor's, and shown publicly to the rabble."

Young has the thought in the following couplet on the duplicity of courts:

"When Nature's end of language is declin'd,

And men talk only to conceal their mind."

From Young it passed to Voltaire, who in the dialogue entitled "Le Chapon et la Poularde," makes the former say of the treachery of men:

"Ils n'emploient les paroles que pour déguiser leurs pensées."

Goldsmith, about the same time, in his paper in The Bee, produces it in the well-known words:

"Men who know the world hold that the true use of speech is not so much to express our wants, as to conceal them."

Then comes Talleyrand, who is reported to have said:

"La parole n'a été donnée à l'homme que pour déguiser sa pensée."

The latest writer who adopts this remark without acknowledgment is, I believe, Lord Holland. In his Life of Lope de Vega he says of certain Spanish writers, promoters of the cultismo style:

"These authors do not avail themselves of the invention of letters for the purpose of conveying, but of concealing, their ideas."

From these passages (some of which have already appeared in Vol. i., p. 83) it will be seen that the germ of the thought occurs in Jeremy Taylor; that Lloyd and South improved upon it; that Butler, Young and Goldsmith repeated it; that Voltaire translated it into French; that Talleyrand echoed Voltaire's words; and that it has now become so familiar an expression, that any one may quote it, as Lord Holland has done, without being at the trouble of giving his authority.

If, from the search for the author, we turn to consider the saying itself, we shall find that its practical application extends not merely to every species of equivocation, mental reservation, and even falsehood; but comprises certain forms of speech, which are intended to convey the contrary of what they express. To this class of words the French have given the designation of contre-vérité; and, to my surprise, I find that they include therein the expression amende honorable. Upon this point the Grammaire des Grammaires, by Girault Duvivier, has these remarks:

"La contre-vérité a beaucoup de rapport avec l'ironie. Amende honorable, par exemple, est une contre-vérité, une vérité prise dans un sens opposé à celui de son énonciation; car, au lieu d'être honorable, elle est infamante, déshonorante."

I have some doubts as to whether this meaning of amende honorable be in accordance with our English notion of its import; and I shall be thankful to any of your readers who will help me to a solution. I always understood that the term honorable, in this expression, was to be taken in its literal sense, namely, that the person who made an open avowal of his fault, or tendered an apology for it, was acting, in that respect, in strict conformity with the rules of honour. It is possible that, at first, the amende honorable may have been designed as a "peine infamante;" but its modern acceptation would seem to admit of a more liberal construction. {312}

There are other expressions, framed upon this "lucus a non lucendo" principle, which may fairly be classed among contre-vérités. The French say that a thing is à propos de bottes, when it is altogether inappropriate. We all use the formula of "your most obedient, humble servant," even when we intend anything but humility or obedience.

Henry H. Breen.

St. Lucia.


IRISH RHYMES.

(Vol. vi., pp. 431. 539. 605.)

Mr. Cuthbert Bede (Vol. vi., p. 605.) says "he thinks A. B. R. would have to search a long time, before he found, in the pages of Pope, such brogue-inspired rhymes as rake well and sequel, starve it and deserve it, charge ye and clergy, and others quoted by him at p. 431." Among the latter, I presume he chiefly relies on the rhymes satire and hater, creature and nature.

Of all these I am able to adduce parallel instances both from Dryden and Pope. And first, as to rake well and sequel. Mr. Bede is, of course, aware that these are double rhymes; that quel and well are good English rhymes; and that the brogue betrays itself only in the first syllable of each, rake and se. It is, in fact, the same sort of rhyme as break and weak, which is of such frequent occurrence both in Dryden and Pope. Here is an example from each:

"Or if they should, their interest soon would break,

And with such odious aid make David weak."

Absalom and Achitophel.

"Men in their loose, unguarded hours they take;

Not that themselves are wise, but others weak."

Essay on Man.

The next "brogue-inspired rhyme" is starve it and deserve it. Here, as in the former instance, the last syllables rhyme correctly, and the objection is confined to starve and deserve. Let us see what Dryden says to this:

"Wrong conscience, or no conscience, may deserve

To thrive, but ours alone is privileged to starve."

Hind and Panther.

And Pope:

"But still the great have kindness in reserve:

He help'd to bury whom he help'd to starve."

Prologue to the Satires.

Of this species of rhyme I have noted three other instances in Dryden, and two in Pope.

As regards the rhyme charge ye and clergy, no instance, in the same words, occurs in Dryden or Pope. They did not write much in that sort of doggerel. But the brogue, even here, is nothing more than the confounding of the sounds of a and e, which is so beautifully exemplified in the following couplet in Dryden:

"For yet no George, to our discerning,

Has writ without a ten years' warning."

Epistle to Sir G. Etheredge.

Next, we have the rhyme satire and hater. The following in Dryden is quite as bad, if not worse:

"Spiteful he is not, though he wrote a satire,

For still there goes some thinking to ill-nature."

Absalom and Achitophel.

Of this rhyme satire and nature, I can adduce two other instances from Dryden.

In the same category we must place nature and creature, nature and feature. Here is an example from Dryden; and I can bring forward two others:

"A proof that chance alone makes every creature

A very Killigrew without good nature."

Essay upon Satire.

And here is one from Pope:

"'Tis a virgin hard of feature,

Old and void of all good nature."

Answer to "What is Prudery?"

Can Mr. Bede produce anything to match the following sample of the crater, to be found in our most polished English poet?

"Alas! if I am such a creature,

To grow the worse for growing greater!"

Dialogue between Pope and Craggs.

It will be seen, from the foregoing quotations, that the rhymes described as Irish were, a century and a half ago, common to both countries,—a fact which Mr. Bede was probably not sufficiently aware of when he introduced the subject in "N. & Q." For obvious reasons, the use of such rhymes, at the present day, would be open to the imputation of "Irishism;" but it was not so in the days of Swift.

Henry H. Breen.

St. Lucia.

In a former Number I drew attention to that peculiar fondness for "Irish rhymes" which is more evident in Swift than in any other poet; and another correspondent afterwards gave examples to show that "our premier poet, Pope," sometimes tripped in the same Hibernian manner. In looking over an old volume of the New Monthly Magazine, during the time of its being edited by the poet Campbell, I have stumbled upon a passage which is so apropos to the subject referred to, that I cannot resist quoting it; and independent of its bearing on our Irish rhyming discussion, the passage has sufficient interest to excuse my making a Note of it. It occurs in one of a series of papers called "The Family Journal," supposed to have been written by the immediate descendants of the "Will Honeycomb" of the Spectator. A {313}dinner-party is assembled at Mr. Pope's, when the conversation takes this turn:

"Mr. Walscott asked if he (Dryden) was an Englishman or an Irishman, for he never could find out. 'You would find out,' answered Mr. Pope, 'if you heard him talk, for he cannot get rid of the habit of saying a for e. He would be an Englishman with all his heart, if he could; but he is an Irishman, that is certain, and with all his heart too in one sense, for he is the truest patriot that country ever saw.... You must not talk to him about Irish rhymes,' added Mr. Pope, 'any more than you must talk to me about the gods and abodes in my Homer, which he quarrels with me for. The truth is, we all write Irish rhymes, and the Dean contrives to be more exact that way than most of us.' 'What!' said Mr. Walscott, 'does he carry his Irish accent into his writings, and yet think to conceal himself?' Mr. Pope read to us an odd kind of Latin-English effusion of the Dean's, which made us shake with laughter. It was about a consultation of physicians. The words, though Latin in themselves, make English when put together; and the Hibernianism of the spelling is very plain. I remember a taste of it. A doctor begins by inquiring,

"'Is his Honor sic? Præ lætus felis pulse. It do es beat veris loto de.'

"Here de spells day. An Englishman would have used the word da.

"'No,' says the second doctor; 'no, notis as qui cassi e ver feltu metri it,' &c.

"Metri for may try.

"Mr. Pope told us that there were two bad rhymes in the Rape of the Lock, and in the space of eight lines:

"'The doubtful beam long nods from side to side;

At length the wits mount up, the hairs subside.

But this bold lord, with manly strength endued,

She with one finger and a thumb subdued.'

"Mr. Walscott. 'These would be very good French rhymes.'

"Mr. Pope. 'Yes, the French make a merit of necessity, and force their poverty upon us for riches. But it is bad in English. However, it is too late to alter what I wrote. I now care less about them, notwithstanding the Doctor. When I was a young man, I was for the free disinvolte way of Dryden, as in the Essay on Criticism; but the town preferred the style of my pastorals, and somehow or other I agreed with them. I then became very cautious, and wonder how those lines in the Lock escaped me. But I have come to this conclusion, that when a man has established his reputation for being able to do a thing, he may take liberties. Weakness is one thing, and the carelessness of power another.'"—New Monthly Magazine, vol. xiii. (1825), pp. 551, 552.

With regard to the French rhyme, I see, in a note to Odes and other Poems, by Henry Neele, 1821, that he apologises for rhyming multitude with solitude, by saying:

"It is of that kind which is very common in French, but I fear hardly justified by English practice. Still, 'La rime est une esclave, et ne doit qu'obéir.'"

I would append to this Note a Query. Where in Swift's works is the "Latin-English effusion of the Dean's" to be met with?[2] or is it composed for him by the writer of the article? I only know of two such effusions really written by Swift; the Love Song, "Apud in is almi des ire," &c., and the Epigram on Dic:

"Dic, heris agro at an da quarto finale

Fora ringat ure nos an da stringat ure tale."

I should also like to know the author of the clever series of papers from which I have quoted.

Cuthbert Bede, B.A.

Footnote 2:(return)

[See "Consultation upon a Lord that was Dying," in Swift's Works, ed. Scott, vol. xiii. p. 471.—Ed.]


COUNT GONDOMAR.

(Vol. v., p. 489.)

Your correspondent W. Stanley Simmonds will find a lengthy account of this notable Spanish Don—Diego Sarmiento de Acuña, Conde de Gondomar—in the Nobiliario genealogico de los Reyes y Titulos de España of Lopez de Haro, folio, Madrid, 1622, vol. i. pp. 236-238. In this notice he chiefly figures, strange to say, as a military character! At the ripe age of seventeen this "famous captain" is said to have chastised the insolence of that bold "English pirate, Francisco Draques," who in 1584 had had the temerity to land somewhere near Bayona, his sole object being of course plunder. Don Diego guarded well his territory of Tuy when the same formidable "dragon," in the year 1589, made his appearance before Coruña; and again in 1596, when the English Armada visited ill-fated Cadiz. Being a person of "great parts," the Count was despatched to England as ambassador in 1613, and during the five years that he resided in this country, "the king and his nobility showered upon him favours and honours innumerable." He once told James that the flour of England (meaning the gentry) was very fine, but the bran (meaning the common people) was very coarse; "La harina de Inglatierra es muy delgada y fina, pero el afrecho es muy grossero,"—for Gondomar, like the learned Isaac Casaubon, had been subject to the grossest insults from the London rabble. We next find ranked among his praiseworthy deeds the following atrocious one:

"Hizo cortar la cabeça al General Ingles Wbaltero Rale (Sir Walter Raleigh) por aver intentado descubrimiento en las Indias Occidentales de Castilla a su partida."

Another meritorious action is added:

"A su instancia perdonó la Magestad de aquel Rey (James I.) a sesenta sacerdotes que estavan presos condenados por causa de la religion, y a otros mucho Catolicos, passandolos todos consigo a Flandes."

{314}

The title of Count Gondomar was conferred upon him by Philip III. in 1617, but the date of his death is still a desideratum. Many anecdotes concerning him are to be seen scattered in Howel's Treatise of Ambassadors.

W. M. R. E.


DOOR-HEAD INSCRIPTIONS.

(Vol. vi., p. 543.)

B. B. Woodward (urged, probably, by R. Rawlinson's question in Vol. vi., p. 412.) sends you the following inscription,

"Sit mihi nec glis servus, nec hospes hirudo,"

copied from over the entrance to an old hostel in the town of Wymondham, Norfolk. He says he quotes from memory.

Vol. vii., p. 23., you give an English translation of the inscription:

"From servant lazy as dormouse,

Or leeching guest, God keep my house;"

but suggest that "hirudo" should be "hirundo," and produce some apt classical quotations supposing it may be so, requesting Mr. Woodward to look again at the original inscription.

In a recent Number (Vol. vii., p. 190.) Mr. Woodward appears to have done this, and sends you the inscriptions correctly (as I beg to vouch, having often read and copied it, and living within four miles of the spot), thus:

"Nec mihi glis servus, nec hospes hirudo."

Permit me to add to this corroboration, that I should venture a different translation of the word "hospes" from your correspondent's, and render the notice thus:

"Good attendance and cheap charges:"

taking "hospes" not as guest but host, and the literal words, "My servant is not a dormouse, nor (I) the host a leech."

Ainsworth gives authority for "hospes" meaning host as well as guest, and quotes Ovid's Metamorphoses in support of it.

John P. Boileau.

Ketteringham Park, Wymondham, Norfolk.

With due respect to your correspondent A. B. R., the word "hospes" most probably means host, not guest.

"Sit mihi nec servus glis, nec hospes hirudo."

In Blomfield's Norfolk (but I cannot now lay my finger on the passage) the line is given as an inscription on the lintel of a door of an ancient hostelry, carved in oak. If so, the line may be rendered—

"No maid like dormouse on me wait,

Nor leech-like host be here my fate."

But, on the supposition that guest is the proper meaning, "hirudo" might be taken in the sense of a greedy guest, although this would not be complimentary to the older hospitality. And even in the sense of gossiping, "hirudo" would not be so inappropriate an imitation of the "recitator acerbus" at the conclusion of the Ars Poetica:

"Nec missura cutem nisi plena cruoris hirudo."

E. L. B.

Ruthin.


PHOTOGRAPHIC NOTES AND QUERIES.

Photographic Gun-Cotton.—The "doctors differ" not a little in their prescriptions for preparing the best gun-cotton for photographic use. How shall the photographer decide between them?

Dr. Diamond ("N. & Q.," Vol. vi., p. 277.) says (I quote briefly), "Pour upon 100 grains of cotton an ounce and a half of nitric acid, previously mixed with one ounce of strong sulphuric acid. Knead it with glass rods during five minutes," &c.

Mr. Hunt, quoting, (apparently with approbation) from Mr. Archer, says (p. 260., 3rd edit.), "Take one ounce by measure of nitric acid, mixed with one ounce by measure of ordinary sulphuric acid, and add to them eighty grains of cotton; well stir," &c., "for not more than FIFTEEN SECONDS," &c. "It will be seen that the cotton is not exposed to the action of the mixed acids in this last mode longer than is necessary to saturate the cotton; should the action be continued further, the solubility of the cotton is entirely lost."

Not only is the order of manipulation different (a point probably not material), but the time between "five minutes" and "fifteen seconds" must exercise a most important influence on the result. Who is right?

Cokely.

Sealing-wax for Baths.—I notice in your answers to correspondents (No. 176., p. 274.), that you inform H. Henderson that glass may be cemented for baths with sealing-wax. May I recommend to H. Henderson the use of gutta percha, instead of glass, for that purpose? Sheet gutta percha is now very cheap, and the baths are most easily made. I have had one of my own making in constant use since last July, having never emptied it but twice, to filter the nitrate of silver solution. It is not liable to breakage. The joinings are much less liable to leakage. And when it is necessary to heat slightly the silver solution (as it has been during the late cold weather), I have adopted the following simple plan: Heat moderately a stout piece of plate glass; plunge it into the bath; repeat the operation according to the size of bath. It is very useful to make a gutta percha cap to cover over the bath when not in use; it protects it from dust and evaporation, and saves the continual loss of materials arising from pouring the solution backwards and forwards. For home-work I have reduced {315}the whole operation to a very simple system. My bath, hypo-soda, developing fluid (of which, as it keeps so long, I make ten ounces at a time), are always ready in a small closet in my study. These I arrange on my study-table: a gutta percha tray, a brass levelling-stand upon it, a jug of soft water, and half-a-dozen small plates to place my pictures on, after treating them with the hypo-solution (for, to save time, I do not finish washing them until I have done all the pictures I require). All these things I can prepare and arrange in less than ten minutes, and can as easily return them to their places afterwards.

With regard to Mr. Mabley's process, described in "N. & Q.," No. 176., p. 267., as I am but a beginner myself, and have much to learn, I should be sorry to condemn it; but I should fear that his pictures would not exhibit sufficient contrast in the tints. Nor do I see the advantage the pictures would possess, if they did, over positives taken by our process. We amateurs in the country labour at present under great disadvantages, some of which I think the Photographic Society will remove. I am myself quite unable to form an idea what the collodion pictures done by first-rate photographers are like. All the positives done by amateurs in this part of the world, and developed by pyrogallic acid, which I have seen, present a dirty brown hue, by no means pleasing or artistic; and I have seen but very few, either developed by pyrogallic acid or protosulphate of iron, free from blemishes. I think if we were to act upon the suggestion made in "N. & Q." some time back, and send the editor a specimen of our performances, it would be a slight return for his endeavours in our behalf; and he would, I doubt not, honestly tell us whether our pictures were tolerable or not. I, for one, shall be very happy to do so.

J. L. Sisson.

Edingthorpe Rectory.

Developing Chamber.—I think Mr. Sisson will find some difficulty in applying his very excellent idea of a sheet India rubber lighting medium to his portable laboratory, as the vapour of the ether will act upon it and render it sticky and useless after one or two usings. Allow me to suggest what I am in the habit of using, viz. a double layer of yellow glazed calico, stuck together with a little common drying oil, and allowed to dry for a few days: this causes a perfect exclusion of the actinic rays, and is very durable.

F. Maxwell Lyte.

Falkland, Torquay.

The Black Tints on Photographic Positives.—A correspondent having inquired how these were obtained, and another replying that it was caused by starch, I beg to offer a process to your readers as to how they may obtain those carbonic tints; though I must premise that the process requires some skill, and is not always successful, though always sure to make them black: but on occasions of failure the lights sink, and the brilliancy of the picture is lost. That it is not starch in the French process, unless that vehicle contains some preparation, I am tolerably certain; the chloride of barium will often produce black images, though very uncertain; and the black process as given by Le Gray is uncertain also. For myself, I generally prefer the colour given by ammoniac salt; it is artistical and sufficient for any purpose. The present process, which I use myself when I require a black colour, with its imperfections, I offer to the photographic readers of "N. & Q.," and here it is.

Take a two-ounce vial, and have some powdered litharge of lead, by some called gold or scale litharge; pound it fine in a Wedgewood mortar, and put in the vial about one scruple; pour on it about half an ounce of Beaufoy's acetic acid, but do not replace the cork or stopper, as the gas evolved is very active, and will burst the vial, placing the operator's eyes in jeopardy; agitate and allow it to stand some hours to settle, or leave it till next day, when it will be better for the purpose: then decant the clear part and throw the fæces away, return the solution into the bottle, and fill up with distilled water. The positive paper being now prepared with the ammonio-nitrate of silver, and placed as usual in the sun, the artist must remove it when a tolerably distinct image is visible, but not altogether up: this is one of the niceties of the process; if it is too much done the blacks will be too black, and if not enough they will be feeble and want richness; it is when a visible image of the whole is developed: at this point put the positive into cold water; this will remove a great deal of the silver that has not been acted upon by the light: let it soak three or four minutes; take it out and blot off the water, laying a clean piece of paper below. Now pour a small quantity of the solution of lead on one end, and with a glass rod pass it carefully over every part; blot it off, and giving the paper a little time to dry partially, pass over a solution of newly made gallic acid; the shadows will rapidly become perfectly blank, and the picture will come up. But another nicety in the process is the point at which it must be plunged into hyposulphite of soda solution; if plunged in too soon the black will be mingled with the sepia tints, and if too late the whole tint will be too black. I offer it, however, because I know its capabilities of improvement, and the intensity of the black is sometimes beautiful: it is better suited for architectural subjects, where there is but little sky, as it will lay a faint tint over it; but if a sky is attempted, it must be kept under by a brush with a little hyposulphite of soda solution, touching it {316}carefully. The time it will take in becoming black will not exceed one minute; but as the eyesight is the guide, the moment the tints have changed from red to black is the proper time to arrest its further progress: the combination thus obtained will not change, nor, I believe, become faint by time; but I repeat it may be much improved, and if any abler hand, or one with better means at his disposal, will take the trouble to examine its capabilities, I shall be very thankful for his notes on the subject.

N.B. The solution of lead must contain acid; and if by keeping it does not change litmus-paper, acid must be added till it does.

Weld Taylor.

7. Conduit Street West.


Replies to Minor Queries.

Contested Elections (Vol. vii., p.208.).—There is a very fair history of the boroughs of Great Britain, by Edwards, in 3 Vols. 8vo., printed by Debrett in 1792.

J. B.

X. Y. Z. is informed that a compilation on the subject to which his Query relates was published a few years since in Leeds by Henry Stooks Smith. Speaking from recollection, it appears to be a work of some research; but I cannot say how far it is to be relied on. It may, perhaps, be one of the unfortunate works which have already fallen under his censure.

J. B.

Prestwich.

Suicide at Marseilles (Vol. vii., p. 180.).—In Montaigne's Essays I find,—

"In former times there was kept, in our city of Marseilles, a poison prepared out of hemlock, at the public charge, for those who had a mind to hasten their end, having first, before the Six Hundred, which were their Senate, given an account of the reasons and motives of their design; and it was not otherwise lawful than by leave from the magistrate, and upon just occasion, to do violence to themselves. The same law was also in use in other places."—Book ii. chap. iii., at end.

This, however, is not the original authority required by your correspondent.

In the earlier part of the same chapter, "Plutarch, On the Virtuous Deeds of Women," is referred to as the authority for the statement which Montaigne makes of

"The Milesian virgins, that by an insane compact hanged themselves, one after another, until the magistrate took order in it, enacting, that the bodies of such as should be found so hanged should be drawn by the same halter, stark naked, through the city."

J. P.

Birmingham.

Acts, xv. 23. (Vol. vii., p. 204.).—From the notes to Tischendorf's Greek Testament, it appears that καὶ ὁι is omitted by Griesbach ed. II. anno 1806, as well as by Lachman, on the authority of the four most ancient Greek MSS. distinguished as A, B, C, and D, confirmed by the versio Armenica, and so quoted by Athanasius, Irenæus, Pacian, and Vigilius. The MS. A is referred by Tischendorf to the latter half of the fifth century, and is the Alexandrian MS. in the British Museum. B is the Vatican codex of about the middle of the fourth century. C the codex Ephraemi Syri rescriptus at Paris, and is of the first half of the fifth century; and D is Beza's MS. at Cambridge, of about the middle of the sixth century. Mr. Sansom may find a very interesting letter upon this subject from Dr. Tregelles to Dr. Charles Wordsworth, the present Bishop of St. Andrew's, which was published very recently in the Scottish Ecclesiastical Journal, and in which that learned critic defends the omission of the καὶ ὁι. I regret that I cannot furnish him with the number of that Journal, but it was not more than three or four back.

I hope that Mr. Sansom will inform your readers of the ultimate result of his inquiries on this interesting subject.

P. H.

Serpent's Tongue (Vol. vi., p. 340.).—The Lingua Serpentina of old MSS., and the fossil now commonly termed a Shark's-tooth. In former days, few pilgrims returned from the East without bringing at least one of those curious stones. Being principally found in Malta, it was said they were the tongues of the vipers, which once infested that island, and which St. Paul had turned into stone. Considered to be antidotes, and possessed of talismanic qualities, they were set in cups, dishes, knife-handles, and other requisites for the table.

W. Pinkerton.

Ham.

Croxton or Crostin of Lancashire (Vol. vii., p. 108.).—A full account of the parish of Croston (not Crostin), which was formerly very extensive, but is now divided into the six parishes of Croston, Chorley, Hesketh, Hoole, Rumford, and Tarleton, may be found in Baines's Lancashire, vol. iii. pp. 395. to 440. There does not appear to have been a family of Croston of any note, though the name is common in the county. In Burke's Heraldic Dictionary, I find three families named Croxton; the principal one being of Croxton in Cheshire, since temp. Hen. III. Their arms are—Sable, a lion rampant arg. debruised by a bend componée or and gu.

Broctuna.

Bury, Lancashire.

Robert Dodsley (Vol. vii., p. 237.).—In the Biographia Dramatica it is stated that "this author was born near Mansfield, in Nottinghamshire, as it is supposed;" and this supposition was, {317}not improbably, founded on the following lines, which occur in one of his poems, as Mansfield is situated in the forest of Sherwood:

"O native Sherwood! happy were thy Bard,

Might these, his rural notes, to future time,

Boast of tall groves, that nodding o'er thy plain,

Rose to their tuneful melody."

Tyro.

Dublin.

Lord Goring (Vol. ii., pp. 22. 65.; Vol. vii., p. 143.).—In the order-books of the council of state, I find that William Killegrew was, on the 1st Oct., 1642, appointed lieutenant-colonel of the regiment of Colonel Goringh, vice Thomas Hollis, deceased; and that, on the 26th March, 1647, he was named colonel of the same regiment, vice Colonel Goringh, resigned. That the last-mentioned colonel is George Goringh we learn from the war-budget (Staat van Oorlog) of 1644, where the salaries of

Colonel George Goringh iijc£
William Killegre, Lieutenant-Colonel lxxx£

are charged on the province of Holland. It nowhere appears from official reports that Lord Goring held a higher military rank than that of colonel in the Netherlands army. That he left England previous to 1645 is proved not only by the above, but also by his presence, as colonel in the service of Spain, at the siege of Breda in 1637. If he afterwards served in the Spanish army as lieutenant-general, what could have induced him at a later period to accept the rank of colonel in the army of the States?

—t.

In the Irish Compendium, or Rudiments of Honour, vol. iii. pp. 64, 65., 2nd ed.: London, 1727, we read that Lord Richard Boyle, born in 1566, married as second wife "Catharine, only daughter to Sir Jeffry Fenton; by her had five sons and seven daughters, of which the Lady Lettice was married to George Lord Goring."—V. D. N. From the Navorscher.

Chaplains to Noblemen (Vol. vii., p. 163.).—There is, in the Faculty Office in Doctors' Commons, an entry kept of the appointments of chaplains when brought to be registered. Under what authority the entry is made does not seem very clear. The register does not extend beyond the year 1730, though there may be amongst the records of the office in St. Paul's some earlier notices of similar appointments.

G.

The Duke of Wellington Maréchal de France (Vol. vii., p. 283.).—The Duke of Wellington is indebted to the writer in the Revue Britannique for his dukedom and bâton of France, and not to Garter King-at-Arms. No such titles were attributed to his Grace or proclaimed by Garter, as a reference to the official accounts in the London Gazette will show. The Order of St. Esprit was the only French honour ascribed to him; that Order he received and frequently wore, the insignia of which were displayed, with his numerous other foreign honours, at the lying-in-state. Such being the case, Garter will not perhaps be expected to produce the diploma for either the title of Duc de Brunoy or the rank of Maréchal de France.

C. G. Y.

Lord North (Vol. vii., p. 207.).—Mr. Forster has, it seems, blundered a piece of old scandal into an insinuation at once absurd and treasonable. The scandal was not of Lord Guilford and the Princess Dowager, but of Frederick Prince of Wales and Lady Guilford. On this I will say no more than that the supposed resemblance between King George III. and Lord North is very inaccurately described by Mr. Forster in almost every point except the fair complexion. The king's figure was not clumsy—quite the reverse, nor his face homely, nor his lips thick, nor his eyebrows bushy, nor his eyes protruding like Lord North's; but there was certainly something of a general look which might be called resemblance, and there was above all (which is not alluded to) the curious coincidence of the failure of sight in the latter years of both. Lord North was the only son of Lord Guilford's first marriage: I know not whether the children of the second bed inherited defective sight; if they did, it would remove one of the strongest grounds of the old suspicion.

C.

Mediæval Parchment (Vol. vii., p. 155.).—The method of preparing parchment for illumination will be found in the Birch and Sloane MSS., under "Painting and Drawing," &c., where are a number of curious MS. instructions on the subject, written chiefly in the sixteenth century, in English, French, and Italian.

Sir Frederic Madden, in the Introduction to Illuminated Ornaments, fol. 1833, and Mr. Ottley, in Archæologia, vol. xxiv. art. 1., have both written very minutely on the subject of illuminating, but their observations are too long for quotation.

E. G. B.

I remember reading in an old French work the process used in illuminating parchments, and remember that the gilding was laid upon garlic juice; it might very possibly be diluted with proof spirits of wine; at all events, no parchments can bear water at whatever time they may have been prepared: the process of making them wear out with water would turn them into leather. The work I allude to was brought out, I recollect, under the auspices of the French Academy.

W. T.

{318}

"I hear a lion," &c. (Vol. vii., p. 205.).—These lines (corrupted by your correspondent Sagitta into five) are two couplets in Bramstone's lively poem of the Art of Politics. They are a versification of a shrewd question put by Colonel Titus in the debate on the celebrated bill for excluding James Duke of York.

C.

The Art of Politics, by the Rev. Mr. Bramston, contains the following lines, which will, I apprehend, give your correspondent the required information:

"With art and modesty your part maintain;

And talk like Col'nel Titus, not like Lane.

The trading knight with rants his speech begins,

Sun, moon, and stars, and dragons, saints, and kings:

But Titus said, with his uncommon sense,

When the exclusion-bill was in suspense,

I hear a lion in the lobby roar;

Say, Mr. Speaker, shall we shut the door

And keep him there, or shall we let him in

To try if we can turn him out again?"

Mr. Bramston's poem is in the first volume of Dodsley's Collection.

Perhaps some of your correspondents may be able to refer to a cotemporary account of Colonel Titus's speech on the Exclusion Bill.

C. H. Cooper.

Cambridge.

Fercett (Vol. vi., p. 292.).—The term Fercett is probably intended as the designation of some collection in MS. of family evidences and pedigrees. It was usual among our ancestors thus to inscribe such collections either with the name of the collector, or that of the particular family to whom the book related. Thus the curious MS. in the library of the City of London, called Dunthorne, and containing ancient municipal records, is so called from its collector, whose name was Dunthorne. Instances of such titles are to be found in the collections of Gervase Holles in the Lansdowne MSS., where one of such books is referred to as Trusbutt.

E. G. B.

Old Satchells (Vol. vi., p. 160.; Vol. vii., p.209.).—Your correspondent J. O. seems not to be aware that another and a fourth edition of Old Satchells' True History ("with copious additions, notes, and emendations," under the editorial superintendence of William Turnbull, Esq., F.S.A.) is in course of preparation 'neath the fostering care of Mr. John Gray Bell, the pro amore publisher of so many historical and antiquarian tracts of interest. Mr. Bell has already given to the world a Pedigree of the Ancient Family of Scott of Stokoe, edited, with notes, by William Robson Scott, Ph. D., of St. Leonard's, Exeter, from the original work compiled by his grandfather, Dr. William Scott, of Stamfordham, Northumberland, then (1783) representative of the family. The latter gentleman left behind him a large and valuable collection of MSS. relative to the family, which, as I learn from the prospectus, will be called into requisition in the forthcoming reprint of the Old Souldier of Satchell. Possibly the publishers of the second and third editions may have been assisted in their labours by the learned doctor in question, whose already quoted Pedigree of the Scotts of Stokoe was issued only a few years prior to the appearance of the Hawick edition of 1786, not 1784, as accidentally misprinted in J. O.'s interesting communication.

T. Hughes.

Chester.

Curtseys and Bows (Vol. vii., p. 156).—In the interlude of The Trial of Treasure, by Purfoote, 1567 (page 14. of reprint), Inclination says to Gredy-gutte:

"Ise teach you to speake, I hold you a pounde!

Curchy, lob, curchy downe to the grounde.

Gre. Che can make curchy well enowe.

Inc. Lower, old knave, or yle make ye to bowe!"

For rationale of bows and curtseys, see "N. & Q.," Vol. v., p. 157., though I fancy the bob curtseys are the ones referred to.

Thos. Lawrence.

Ashby-de-la-Zouch.

The Rev. Joshua Marsden (Vol. vii., p. 181.).—This gentleman was born at Warrington in the year 1777. In the year 1800 he offered himself, and was accepted by the Wesleyan Methodist Conference, as a missionary to British North America, where he laboured for several years. He removed thence to Bermuda. In 1814 he returned to England with a constitution greatly impaired, but continued to occupy regular stations under the direction of the Conference until 1836, when, worn out by affliction, he became a supernumerary, and resided in London, where he occasionally preached as his health permitted. He died August 11, 1837, aged sixty.

John I. Dredge.

A memoir and portrait of the Rev. Joshua Marsden will be found in the Imperial Magazine, July, 1830. He was at that period a preacher among the Wesleyan Methodists, having been for many years previously a missionary in connexion with that people. He was an amiable, ingenious, and worthy man, and although not a powerful, a pleasing poet. Among other things, he published Amusements of a Mission, Forest Musings, and The Evangelical Minstrel.

J. H.

Sidney as a Christian Name (Vol. vii., p. 39.).—Your correspondent R. D. B., of Baltimore, is informed that the name of Sidney is extremely common in North Wales as a Christian name of either sex, but more particularly of the female.

There seems to be no tradition connected with its use. In this part of the principality, the name {319}has generally been assumed more from its euphonistic character than from any family connexion.

E. L. B.

Ruthin.

The Whetstone (Vol. vii., p. 208.).—In your No. 174. of "N. & Q.," E. G. R. alludes to the Game of the Whetstone. The following quotation, as bearing on that subject, may not be uninteresting to your readers:

"In the fourth year of this king's (Edward VI.) reign, in the month of September, one Grig, a poulterer of Surrey (taken among the people for a prophet, in curing of divers diseases by words and prayers, and saying he would take no money), was, by command of the Earl of Warwick, and others of the Council, set on a scaffold in the town of Croidon, in Surrey, with a paper on his breast, wherein was written his deceitful and hypocritical dealings: and after that, on the eighth of September, set on a pillory in Southwark, being then Our Lady Fair there kept; and the Mayor of London, with his brethren the aldermen, riding through the fair, the said Grig asked them and all the citizens forgiveness.

"'Of the like counterfeit physicians,' saith Stow, 'I have noted, in the summary of my Chronicles (anno 1382), to be set on horseback, his face to the horse-tail, the same tail in his hand as a bridle, a collar of jordans about his neck, a whetstone on his breast; and so led through the city of London, with ringing of basons, and banished.'

"Whereunto I had added (with the forementioned author) as followeth:—Such deceivers, no doubt, are many who, being never trained up in reading or practice of physicke and chirurgery, do boast to doe great cures, especially upon women; as to make them straight that before were crooked, corbed, or cramped in any part of their bodies, &c. But the contrary is true; for some have received gold, when they have better deserved the whetstone."—Goodall's Royal College of Physicians: London, 1684, p. 306.

J. S. S.

Bath.

Surname of Allen (Vol. vii., p. 205.).—Perhaps A. S. A. may find the following words in Celtic of use to him in his researches as to the origin of the name of Allan:—Adlann, pronounced allānn, means a spearman or lancer; aluin, a white hind or fawn (Query, Do any of the name bear a hind as a crest?); allin, a rocky islet; alain, fair, bright, fair-haired, &c.

Fras. Crossley.

Belatucadrus (Vol. vii., p. 205.).—Papers concerning the god Belatucadrus are to be found in the Archæologia, vol. i. p. 310., vol. iii. p. 101., vol. x. p. 118. I take these references from Mr. Akerman's useful Archæological Index.

C. W. G.

Pot-guns (Vol. vi., p. 612.; Vol. vii., p. 190.).—In the parish of Halvergate, a train of seventeen pot-guns is kept at the blacksmith's shop. Mr. Woodward is correct in stating that they are "short cylinders set perpendicularly in a frame, flat-candlestickwise;" but each pot-gun at Halvergate is set in a separate block of wood, and not several in a frame together. By touching the touchholes of each pot-gun successively with a bar of red-hot iron, and with the aid of two double-barrel guns, a royal salute is fired at every wedding or festive occasion in Halvergate.

E. G. R.

Graves Family (Vol. vii., p. 130.).—Your correspondent James Graves will find a tolerable pedigree of the Graves family, commencing in the time of Edward IV., in the first volume of Dr. Nash's Worcestershire; and, in the notes thereto, many interesting particulars of various learned members of the family. Independent of the three portraits mentioned by your correspondent, of which I possess fine proof impressions, I have also one in mezzotinto of Morgan Graves, Esq., of Mickleton, county of Gloucester, and Lord of the Manor of Poden, in the co. of Worcester.

J. B. Whitborne.

Portrait Painters (Vol. vii., p. 180.).—The name of the Derby artist was Wright, not White. I have seen several portraits by him of great excellence. The time of his death I do not recollect, but I think the greater part of his works were executed in the latter part of the last century. Have not some of them been exhibited in Pall Mall? I have not the means at hand of ascertaining the fact, but I think he painted the "Blacksmith's Forge," which was so admirably mezzotinted by Earlom.

E. H.

Plum Pudding (Vol. vi., p. 604.).—Southey, in his Omniana, vol. i. p. 7., quotes the following receipt for English plum puddling, as given by the Chevalier d'Arvieux, who in 1658 made a voyage in an English forty-gun ship:

"Leur pudding était détestable. C'est un composé de biscuit pilé, ou de farine, de lard, de raisins de Corinthe, de sel, et de poivre, dont on fait une pâte, qu'on enveloppe dans une serviette, et que l'on fait cuire dans le pot avec du bouillon de la viande; on la tire de la serviette, et on la met dans un plat, et on rappe dessus du vieux fromage, qui lui donne une odeur insupportable. Sans ce fromage la chose en elle-même n'est pas absolument mauvaise."

Cheese is now eaten with apple puddings and pies; but is there any nook in England where they still grate it over plum pudding? I have heard the joke of forgetting the pudding-cloth, told against Lord Macartney during his embassy in China. Your correspondent will find plum porridge and plum puddings mentioned together at page 122. vol. ii. of Knight's Old England.

Thos. Lawrence.

Ashby-de-la-Zouch.

{320}

Muffs worn by Gentlemen (Vol. vi., passim.).—The Tatler, No. 155., describing a meeting with his neighbour the upholsterer, says:

"I saw he was reduced to extreme poverty by certain shabby superfluities in his dress; for notwithstanding that it was a very sultry day for the time of year, he wore a loose great coat and a muff, with a long campaign wig out of curl," &c.

Erica.

The Burial Service by heart (Vol. vii., p. 13.).—In the Life of the Rev. Griffith Jones, the celebrated founder of the Welsh circulating charity schools, is this note:

"Living amongst dissenters who disliked forms of prayer, he committed to memory the whole of the baptismal and burial services; and, as his delivery was very energetic, his friends frequently heard dissenters admire his addresses, which they praised as being extempore effusions unshackled by the Prayer Book!"

E. D.

Burrow (Vol. vii., p. 205.).—Balliolensis says that in North Gloucestershire "the side of a thick coppice is spoken of as a very burrow place for cattle." He understands this to mean "sheltered, secure from wind;" and he asks to what etymology this sense can be attributed. I suspect the Anglo-Saxon bearo, a grove or copse, is the word here preserved. As a wood forms a fence against the wind, and is habitually so used and regarded by the agricultural population, the association of ideas is suitable enough in this interpretation. Bearo, first signifying the grove itself, might easily come to mark the shelter which the grove afforded. But there is also a compound of this word preserved in the ancient charters, in which the fitness of a place as a pasture for swine is the prominent notion. Kemble, Cod. Dipl., No. 288.: "Hæc sunt pascua porcorum, quæ nostrâ linguâ Saxonicâ denbera nominamus." In the same sense the compound with the word weald (= a great forest) is found: weald-bero. The wood was considered by our forefathers as propitious to their swine, not only for its shelter, but also for the masts it supplied; and this may have further helped to associate bearo with the comforts of cattle.

Orielensis.

"Coming home to men's business" (Vol. vii., p.235.).—It is hardly requisite to state to the readers of "N. & Q.," that many editions of Bacon's memorable, beautiful, and didactic Essays appeared in the distinguished author's lifetime, obviously having experienced (proved by prefatory epistles of different dates) the repeated revision and emendations of the writer. The Essays were clearly favourites with him, as well as with the then reading public. They were first published in 1597, preceded by a letter addressed "To M. Anthony Bacon, his deare Brother." The ninth edition was issued the year before his death, which took place April 9, 1626. In that edition is added a dedication "To the Right Honorable my very good Lo. the Duke of Buckingham, his Grace Lo. High Admirall of England;" signed, "Fr. St. Alban:" previous signatures being "Fran. Bacon" (1597); "Fr. Bacon" (1612); "Fra. Bacon" (no date). In this dedication to the Duke of Buckingham first appeared the passage inquired about: "I doe now (he tells the Duke) publish my Essayes; which, of all my other workes, haue beene most current: for that, as it seems, they come home to Men's Businesse and Bosomes."—How accurate, yet modest, an appreciation of his labours!

A Hermit at Hampstead.

My copy of Lord Bacon's Essays is a 12mo.: London, 1668. And in the epistle dedicatory, the author himself tells the Duke of Buckingham as follows:

"I do now publish my Essays; which, of all my other works, have been most current: for that, as it seems, they come home to men's business and bosomes."

This will carry J. P. eleven years further back, at all events.

Rt.

Heuristic (Vol. vii., p. 237.), as an English scholar would write it, or Hevristisch, as it would be written by a German, is a word not to be found in the sixth edition of Kant's Critik (Leipzig, 1818), nor in his Prolegomena (Riga, 1783).[3] Your correspondent's copy appears to have been tampered with. The title Kritik should be spelt with the initial C, and reinen should not have a capital letter: the Germans being very careful to prefix capitals to all substantives, but never to adjectives. The above-mentioned edition of the Critik was sent to me from Hamburg soon after its publication. It was printed by Fröbels at Rudolstadt in 1818; and is unblemished by a single erratum, so far as I have been able to detect one. Allow me to suggest to H. B. C. to collate the pages in his edition with the sixth of 1818; the seventh of 1828; and, if possible, with one published in Kant's lifetime prior to 1804; and he will probably find, that the very favourite word of Kant, empirisch, has been altered in a few instances to hevristich. Mr. Haywood is evidently inaccurate in writing evristic, which is wrong in Greek as well as in German and English.

Instead of giving the pages of his copy, your correspondent will more oblige by stating the divisions under which this exceptional word occurs, in the running title at the top of each page of his copy; together with two or three lines of the context, which I can compare with my own copy. I {321}have not here the facility of resort to a British Museum, or to German booksellers. Should your correspondent find any difficulty in effecting collation of his edition with others, I shall be willing to part with my copy for a short time for his use; or, if he will oblige me with his copy, I will collate it with mine, and return it within the week with the various readings of the cited passages.

T. J. Buckton.

Lichfield.

Footnote 3:(return)

The former is the synthetic, the latter the analytic exposition of his system of mental philosophy.

"Cob" and "Conners" (Vol. vii., p. 234.).—These words are Celtic. Cob means a mouth, a harbour, an entrance. Conners appears to be a compound word, from cuan, a bay or harbour, and mar or mara, the sea; pronounced "Cuan wara," then shortened into Conner. Conna-mara, in the west of Ireland, properly spelled Cuan na mara, means "bays of the sea."

Fras. Crossley.

Lady High Sheriff (Vol. vii., p. 236.).—Your correspondent W. M. is informed that in Duncumb's Herefordshire there is no mention made of the fact, that a lady executed the office of high sheriff of the county. The high sheriffs for the years 1768—1771 inclusive were Richard Gorges, William Nourse, Price Clutton, and Charles Hoskyns, Bart. The lady alluded to would be the widow of one of these.

H. C. K.

—— Rectory, Hereford.

Anne Clifford, Countess of Dorset, Pembroke, and Montgomery, exercised the office of hereditary sheriff of Westmoreland, and, at the assizes at Appleby, sat with the judges on the bench (temp. Car. I.) Vide Blackstone's Comment., and Pocock's Memorials of the Tufton Family, p. 78. (1800.)

I may add that ladies have also been included in the commission of the peace. The Lady Bartlet was made a justice of the peace by Queen Mary in Gloucestershire (Harl. MSS); Margaret, Countess of Richmond, mother of Henry VII., was made a justice of peace; and a lady in Sussex, of the name of Rowse, did usually sit on the bench at the assizes and sessions amongst other justices cincta gladio (op. cit.).

W. S.

Northiam.

Death of Nelson (Vol. vii., p. 52.).—The "beautiful picture which hangs in a bad light in the hall of Greenwich Hospital" was not painted by West, but by Arthur William Devis, a very talented artist, but somewhat careless in financial matters. He was a pupil of Zoffeny, was in India for some years, where he practised portrait-painting with considerable success. The well-known print of the "Marquis Cornwallis receiving the Sons of Tippoo Saib as Hostages," was from a picture painted by him. The "Death of Nelson" at Greenwich was a commission from the house of Boydell, Cheapside; and a large print was afterwards published by them from it. Devis met the vessel on its return to England, and on its way homeward painted, very carefully, the portraits of the persons represented in his picture, and also a very exact view of the cockpit in which the hero died. The picture has great merit, and deserves to be better placed.

T. W. T.

Editions of the Prayer-Book prior to 1662 (Vol. vi., pp. 435. 564.; Vol. vii., p. 18.).—As a small instalment towards completing this desirable object, I send you the following:

1551. Humphrey Powell. Folio. (Emmanuel Coll.)

1552. Jugge and Cawood. 4to.

1553. Grafton. 8vo. (White Knight's, 3283.)

1564. Jugge and Cawood. 4to.

1565. W. Seres. 8vo. (Christ Church, Oxford.)

1571. Cawood. 4to. (White Knight's, 3539.)

1580. Widow of R. Jugge. Folio.

1607. Barker. Folio. (Sir M. Sykes, Part III., 1019.)

1615. Barker. Folio. (St. John's Coll., Oxford.)

1632. Barker. 4to. (In my possession.)

1634. Edinburgh. 12mo.

1636. Bill. Folio. (Bindley, Part I., 955.)

Edward F. Rimbault.

Passage in Juvenal (Vol. vii., p. 165.).—The Delphin edition of Juvenal, in a note on Sat. x. v. 365., says: "Sunt qui legunt, Nullum numen abest." It would be very easy, in carelessly copying a MS., to substitute either word for the other. When Mr. J. S. Warden has ascertained which is the true reading, he may fairly call the other an "alteration."

R. Y. Th—b.

Tennyson (Vol. vii., p. 84.).—The first Query of H. J. J. having been already answered (p. 189.), in reply to his second inquiry, I beg to inform him that he will find the custom referred to in the passage of the "Princess," of which he desires to know the meaning, fully explained in the Gentleman's Magazine for October 1848, p. 379.

W. L. N.

Capital Punishment (Vol. vii., p. 181.).—Your correspondent S. Y. may find the date of the last instance of capital punishment for exercising the Roman Catholic religion in Bishop Challoner's very interesting Memoirs of Missionary Priests: Keating, 1836. Every reader of Fox's Book of Martyrs should, in fairness, consult the above work. There is another earlier work, Théâtre des Cruautés des Hérectiques de nostre temps, Anvers, 1588; but it is unfortunately very scarce.

W. L. N.


{322}

Miscellaneous.

BOOKS AND ODD VOLUMES

WANTED TO PURCHASE.

A Description of the Royal Gardens at Richmond in Surry. In a Letter to a Society of Gentlemen. Pp. 32. 8vo. With a Plan and Eight Plates. No date, circa annum 1770?

Memoirs of the Rose, by Mr. John Holland. 1 Vol. 12mo. London, 1824.

Psyche and Other Poems, by Mrs. Mary Tighe. Portrait. 8vo. 1811.

Gmelin's Handbook of Chemistry. Inorganic Part.

Archæologia. Vols. III., IV., V., VI., VII., VIII., X., XXVII., XXVIII., unbound.

The History of Shenstone, by the Rev. H. Saunders. 4to. London, 1794.

Lubbock's Elementary Treatise on the Tides.

Transactions of the Microscopical Society of London. Vol. I., and Parts I. and II. of Vol. II.

*** Correspondents sending Lists of Books Wanted are requested to send their names.

*** Letters, stating particulars and lowest price, carriage free, to be sent to Mr. Bell, Publisher of "NOTES AND QUERIES," 186. Fleet Street.


Notices to Correspondents.

In consequence of our having to publish the present Number on Thursday instead of Friday, we have been compelled to omit several highly interesting articles, our Notes on Books, &c.

A. X. Nineveh is said to have been destroyed by fire, when taken by the Medes and Babylonians. The date of this is fixed by Clinton, in his Fasti Hell., vol. i. p. 269., at 606 B.C. Layard (Nineveh, vol. ii. p. 161.) also adopts this date.

B. N. C. The words "à secretis," in the passage quoted, signify that the party alluded to was a member of the Privy Council.

J. G. B., who asks if Monkey is not derived from Homunculus, is referred to Skinner, who derives it from Monikin, or Manikin, i. e. Homunculus.

H. H. B. (St. Lucia). The wishes of our Correspondent shall be attended to.

T. Massey (Manchester) is referred to Richardson's Dictionary, s. v. with, within, without, for a solution of his Query. Nisi Prius are the first words on certain legal records, where an issue is appointed to be tried by a jury from the county, unless before the day appointed (nisi prius) the judges shall have come to the county in question. The judges of assize, by virtue of their commission of nisi prius, try the causes thus appointed.

E., who asks the origin of "Mind your P's and Q's," is referred to our 3rd Vol., pp. 328. 357. 463. 523.

Balliolensis. We are flattered by the suggestion of our Correspondent, but we must leave the agitation which he suggests to abler hands.

Photographic Notes. In consequence of the number of Replies to Minor Queries waiting for insertion, we have been compelled to postpone the Rev. Mr. Sisson's description of a new Head-rest, and Sir W. Newton's explanation of his Process.

A. S. K. (Worthing) is informed that it is quite useless to extract the size from the paper of positive pictures, to ensure their permanence. If the hyposulphite of soda is entirely freed from them, they will bear any exposure to atmospheric influence without change. Although in all works on Photography it is recommended that the size should be extracted from negatives before waxing them, it is a process we have entirely dispensed with: if the iron is used sufficiently hot, the wax will perfectly permeate the entire texture of the paper. Our Correspondent is referred to our back Numbers for an account of the mode of taking a positive picture on glass from a glass negative.

R. S. C. (Solihull) shall receive a private communication on the subject of the construction of his glass house for Photographic purposes. There are points in it which are not generally attended to, and upon which the want of success of many operators has no doubt depended.

Tyro (March 14th). The second sample of collodion which you have used is over-iodized. It is quite requisite that it should be known that the sensitive properties of collodion are not increased by adding too much of the iodizing solution. If the collodion is good, the film is semi-transparent, of a bluish opal-like appearance. If the iodine is in excess, it becomes more opaque and creamy after immersion in the bath, and of a deep orange when looked through; whereas it should appear of a pale amber colour.

Tyro (March 17th). The reticulated appearance you complain of is from using your collodion too thick, and not giving the glass the rotatory rocking motion which you should do when you drain off the excess into the bottle. Prepare two pieces of glass with collodion: in one simply drain off the excess of collodion, and in the other use the motion which has been before described, and you will perceive the difference in the evenness of the two films.

H. Henderson (Glasgow). We consider glass baths are much superior to gutta percha in every respect. Many of the unpleasant markings in collodion pictures may have their origin in the gutta percha. This is frequently adulterated, and the nitrate acts upon the extraneous substances which are added to the gutta percha, either for adulteration, to give it firmness, or an agreeable colour. A glass bath is readily made, but the minute details of the mode we cannot enter into. Our Correspondent is referred to our numerous advertising friends, as the readiest way to supply his present want in this respect. "Jefferies' Marine Glue" can be procured at all times, the cost being about sixpence per pound. One part of marine glue, and two of best red sealing-wax, form a beautiful cement for glass baths. The marine glue, when used alone, becomes detached from the glass by the nitrate solution; and, without a substance to temper it, the sealing-wax is too brittle.

X. (Manchester). When the blue spots occur of which our Correspondent complains, it is because there is at the time of operating very feeble actinic action in the light. If he were to rub one of these pictures when dry, he would find it almost entirely removable from the glass. The occasional want of brilliancy in all probability depends on the same cause. Proto-nitrate of iron, when prepared with the nitrate of baryta of commerce, instead of pure nitrate of baryta, will often have the same effect.


Now ready, in one volume, price 21s.,

SOME ACCOUNT OF DOMESTIC ARCHITECTURE IN ENGLAND during the FOURTEENTH CENTURY, with Notices of Foreign Examples, and NUMEROUS ILLUSTRATIONS of existing Remains from ORIGINAL DRAWINGS, by the editor of the "Glossary of Architecture."

Also,

THE TWELFTH and THIRTEENTH CENTURIES, by the late MR. HUDSON TURNER. Uniform, price 21s.

Oxford & London: JOHN HENRY PARKER.


BOOKS FROM DAWSON TURNER'S LIBRARY.

CATALOGUES GRATIS and POST FREE (Ready on Monday).—W. S. LINCOLN'S Ninety-first Catalogue (for April) will entirely consist of Books purchased at the Sale of the Valuable and Important Library of DAWSON TURNER, Esq., F.R.S., of Yarmouth. A Copy will be sent Gratis and Post Free, Town or Country, to any Gentleman who forwards his Address to

CHELTENHAM HOUSE, WESTMINSTER ROAD, LONDON.


3 vols. 8vo. price 2l. 8s.

A GLOSSARY OF TERMS USED IN GRECIAN, ROMAN, ITALIAN, AND GOTHIC ARCHITECTURE. The Fifth Edition enlarged, exemplified by 1700 Woodcuts.

"In the Preparation of this the Fifth Edition of the Glossary of Architecture, no pains have been spared to render it worthy of the continued patronage which the work has received from its first publication.

"The Text has been considerably augmented, as well by the additions of many new Articles, as by the enlargement of the old ones, and the number of Illustrations has been increased from eleven hundred to seventeen hundred.

"Several additional Foreign examples are given, for the purpose of comparison with English work, of the same periods.

"In the present Edition, considerably more attention has been given to the subject of Mediæval Carpentry, the number of Illustrations of 'Open Timber Roofs' has been much increased, and most of the Carpenter's terms in use at the period have been introduced with authorities."—Preface to the Fifth Edition.

JOHN HENRY PARKER, Oxford; and 377. Strand, London.


Foolscap 8vo., 10s. 6d.

THE CALENDAR OF THE ANGLICAN CHURCH; illustrated with Brief Accounts of the Saints who have Churches dedicated in their Names, or whose Images are most frequently met with in England; also the Early Christian and Mediæval Symbols, and an Index of Emblems.

"It is perhaps hardly necessary to observe, that this work is of an Archæological, and not a Theological character. The Editor has not considered it his business to examine into the truth or falsehood of the legends of which he narrates the substance; he gives them merely as legends, and, in general, so much of them only as is necessary to explain why particular emblems were used with a particular Saint, or why Churches in a given locality are named after this or that Saint."—Preface.

"The latter part of the book, on the early Christian and mediæval symbols, and on ecclesiastical emblems, is of great historical and architectural value. A copious Index of emblems is added, as well as a general Index to the volume with its numerous illustrations. The work is an important contribution to English Archæology, especially in the department of ecclesiastical iconography."—Literary Gazette.

JOHN HENRY PARKER, Oxford; and 377. Strand, London.


{323}

PHOTOGRAPHIC PAPER.—Negative and Positive Papers of Whatman's, Turner's, Sanford's, and Canson Frères' make. Waxed-Paper for Le Gray's Process. Iodized and Sensitive Paper for every kind of Photography.

Sold by JOHN SANFORD, Photographic Stationer, Aldine Chambers, 13. Paternoster Row, London.


To Members of Learned Societies, Authors, &c.

ASHBEE & DANGERFIELD, LITHOGRAPHERS, DRAUGHTSMEN, AND PRINTERS, 18. Broad Court, Long Acre.

A. & D. respectfully beg to announce that they devote particular attention to the execution of ANCIENT AND MODERN FACSIMILES, comprising Autograph Letters, Deeds, Charters, Title-pages, Engravings, Woodcuts, &c., which they produce from any description of copies with the utmost accuracy, and without the slightest injury to the originals.

Among the many purposes to which the art of Lithography is most successfully applied, may be specified,—ARCHÆOLOGICAL DRAWINGS, Architecture, Landscapes, Marine Views, Portraits from Life or Copies, Illuminated MSS., Monumental Brasses, Decorations, Stained Glass Windows, Maps, Plans, Diagrams, and every variety of illustrations requisite for Scientific and Artistic Publications.

PHOTOGRAPHIC DRAWINGS lithographed with the greatest care and exactness.

LITHOGRAPHIC OFFICES, 18. Broad Court, Long Acre, London.


WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY.

3. PARLIAMENT STREET, LONDON.

Founded A.D. 1842.


Directors.

H. E. Bicknell, Esq.
W. Cabell, Esq.
T. S. Cocks, Jun. Esq., M.P.
G. H. Drew, Esq.
W. Evans, Esq.
W. Freeman, Esq.
F. Fuller, Esq.
J. H. Goodhart, Esq.
T. Grissell, Esq.
J. Hunt, Esq.
J. A. Lethbridge, Esq.
E. Lucas, Esq.
J. Lys Seager, Esq.
J. B. White, Esq.
J. Carter Wood, Esq.

Trustees.—W. Whateley, Esq., Q.C.; L. C. Humfrey, Esq., Q.C.; George Drew, Esq.,
Physician.—William Rich. Basham, M.D.
Bankers.—Messrs. Cocks, Biddulph, and Co., Charing Cross.

VALUABLE PRIVILEGE.

POLICIES effected in this Office do not become void through temporary difficulty in paying a Premium, as permission is given upon application to suspend the payment at interest, according to the conditions detailed in the Prospectus.

Specimens of Rates of Premium for Assuring 100l., with a Share in three-fourths of the Profits:—

Age £ s. d. Age £ s. d.
  17 1 14 4   32 2 10 8
  22 1 18 8   37 2 18 6
  27 2 4 5   42 3 8 2

ARTHUR SCRATCHLEY, M.A., F.R.A.S., Actuary.

Now ready, price 10s. 6d., Second Edition, with material additions, INDUSTRIAL INVESTMENT and EMIGRATION: being a TREATISE ON BENEFIT BUILDING SOCIETIES, and on the General Principles of Land Investment, exemplified in the Cases of Freehold Land Societies, Building Companies, &c. With a Mathematical Appendix on Compound Interest and Life Assurance. By ARTHUR SCRATCHLEY, M.A., Actuary to the Western Life Assurance Society, 3. Parliament Street, London.


ISLINGTON, HIGHBURY, ETC.

ALFRED ALLCHIN begs to inform Photographers, that he can supply them with pure Chemicals for Photographic purposes.

32. COLES TERRACE, RICHMOND ROAD, BARNSBURY PARK.


PHOTOGRAPHY.—HORNE & CO.'S Iodized Collodion, for obtaining Instantaneous Views, and Portraits in from three to thirty seconds, according to light.

Portraits obtained by the above, for delicacy of detail rival the choicest Daguerreotypes, specimens of which may be seen at their Establishment.

Also every description of Apparatus, Chemicals, &c. &c. used in this beautiful Art.—123. and 121. Newgate Street.


PHOTOGRAPHIC PICTURES.—A Selection of the above beautiful Productions may be seen at BLAND & LONG'S, 153. Fleet Street, where may also be procured Apparatus of every Description, and pure Chemicals for the practice of Photography in all its Branches.

Calotype, Daguerreotype, and Glass Pictures for the Stereoscope.

BLAND & LONG, Opticians, Philosophical and Photographical Instrument Makers, and Operative Chemists, 153. Fleet Street.


TO PHOTOGRAPHERS.—MR. PHILIP DELAMOTTE begs to announce that he has now made arrangements for printing Calotypes in large or small quantities, either from Paper or Glass Negatives. Gentlemen who are desirous of having good impressions of their works, may see specimens of Mr. Delamotte's Printing at his own residence, 38. Chepstow Place, Bayswater, or at

MR. GEORGE BELL'S, 186. Fleet Street.


Just published, price 1s., free by Post 1s. 4d.,

The WAXED-PAPER PHOTOGRAPHIC PROCESS of GUSTAVE LE GRAY'S NEW Edition. Translated from the French.

Sole Agents in the United Kingdom for VOIGHTLANDER & SON'S celebrated Lenses for Portraits and Views.

General Depôt for Turner's, Whatman's, Canson Frères', La Croix, and other Talbotype Papers.

Pure Photographic Chemicals.

Instructions and Specimens in every Branch of the Art.

GEORGE KNIGHT & SONS, Foster Lane, London.


PHOTOGRAPHY.—Collodion (Iodized with the Ammonio-Iodide of Silver).—J. B. HOCKIN & CO., Chemists, 289. Strand, were the first in England who published the application of this agent (see Athenæum, Aug. 14th). Their Collodion (price 9d. per oz.) retains its extraordinary sensitiveness, tenacity, and colour unimpaired for months: it may be exported to any climate, and the Iodizing Compound mixed as required. J. B. HOCKIN & CO. manufacture PURE CHEMICALS and all APPARATUS with the latest Improvements adapted for all the Photographic and Daguerreotype processes. Camera for Developing in the open Country. GLASS BATHS adapted to any Camera. Lenses from the best Makers. Waxed and Iodized Papers, &c.

TO PHOTOGRAPHERS.—Pure Chemicals, with every requisite for the practice of Photography, according to the instructions of Le Gray, Hunt, Brébisson, and other writers, may be obtained wholesale and retail, of WILLIAM BOLTON, (formerly Dymond & Co.), Manufacturer of pure Chemicals for Photographic and other purposes. Lists may be had on application.

Improved Apparatus for iodizing paper in vacuo, according to Mr. Stewart's instructions.

146. HOLBORN BARS.


BENNETT'S MODEL WATCH, as shown at the GREAT EXHIBITION. No. 1. Class X., in Gold and Silver Cases, in five qualities, and adapted to all Climates, may now be had at the MANUFACTORY, 65. CHEAPSIDE. Superior Gold London-made Patent Levers, 17, 15, and 12 guineas. Ditto, in Silver Cases, 8, 6, and 4 guineas. First-rate Geneva Levers, in Gold Cases, 12, 10, and 8 guineas. Ditto, in Silver Cases, 8, 6, and 5 guineas. Superior Lever, with Chronometer Balance, Gold, 27, 23, and 19 guineas. Bennett's Pocket Chronometer, Gold, 50 guineas; Silver, 40 guineas. Every Watch skilfully examined, timed, and its performance guaranteed. Barometers, 2l., 3l., and 4l. Thermometers from 1s. each.

BENNETT, Watch, Clock and Instrument Maker to the Royal Observatory, the Board of Ordnance, the Admiralty, and the Queen,

65. CHEAPSIDE.


UNITED KINGDOM LIFE ASSURANCE COMPANY: established by Act of Parliament in 1834.—8. Waterloo Place, Pall Mall, London.

HONORARY PRESIDENTS.
Earl of Courtown
Earl Leven and Melville
Earl of Norbury
Earl of Stair
Viscount Falkland
Lord Elphinstone
Lord Belhaven and Stenton
Wm. Campbell, Esq.,
of Tillichewan
LONDON BOARD.
Chairman.—Charles Graham, Esq.
Deputy-Chairman.—Charles Downes, Esq.
H. Blair Avarne, Esq.
E. Lennox Boyd, Esq.,
F.S.A., Resident.
C. Berwick Curtis, Esq.
William Fairlie, Esq.
D. Q. Henriques, Esq.
J. G. Henriques, Esq.
F. C. Maitland, Esq.
William Railton, Esq.
F. H. Thomson, Esq.
Thomas Thorby, Esq.
MEDICAL OFFICERS.
Physician.—Arthur H. Hassall, Esq., M.D., 8. Bennett Street, St. James's.
Surgeon.—F. H. Tomson, Esq., 48. Berners Street.

The Bonus added to Policies from March, 1834, to December 31, 1847, is as follows:—

Sum
Assured

Time
Assured.

Sum added to
Policy

Sum
Payable
at Death.

In 1841.

In 1848.

£   

£   s. d.

£   s. d.

£   s. d.

5000

14 years

683   6  8 

787 10  0 

6470 16  8 

* 1000

  7 years

157 10  0 

1157 10  0 

500

  1 year

11   5  0 

511   5  0 

* Example.—At the commencement of the year 1841, a person aged thirty took out a Policy for 1000l., the annual payment for which is 24l. 1s. 8d.; in 1847 he had paid in premiums 168l. 11s. 8d.; but the profits being 2¼ per cent. per annum on the sum insured (which is 22l. 10s. per annum for each 1000l.) he had 157l. 10s. added to the Policy, almost as much as the premiums paid.

The Premiums, nevertheless, are on the most moderate scale, and only one-half need be paid for the first five years, when the Insurance is for Life. Every information will be afforded on application to the Resident Director.


{324}

The Camden Society,

for the publication of

EARLY HISTORICAL AND LITERARY REMAINS.

THE CAMDEN SOCIETY is instituted to perpetuate, and render accessible, whatever is valuable, but at present little known, amongst the materials for the Civil, Ecclesiastical, or Literary History of the United Kingdom; and it accomplishes that object by the publication of Historical Documents, Letters, Ancient Poems, and whatever else lies within the compass of its designs, in the most convenient forms, and at the least possible expense consistent with the production of useful volumes.

The Subscription to the Society is 1l. per annum, which becomes due in advance on the first day of May in every year, and is received by MESSRS. NICHOLS, 25. PARLIAMENT STREET, or by the several LOCAL SECRETARIES. Members may compound for their future Annual Subscriptions, by the payment of 10l. over and above the Subscription for the current year. The compositions received have been funded in the Three per Cent. Consols to an amount exceeding 900l. No Books are delivered to a Member until his Subscription for the current year has been paid. New Members are admitted at the Meetings of the Council held on the First Wednesday in every month.

The Publications for the past year (1851-2) were:

52. PRIVY PURSE EXPENSES of CHARLES II. and JAMES II. Edited by J. Y. AKERMAN, Esq., Sec. S.A.

53. THE CHRONICLE OF THE GREY FRIARS OF LONDON. Edited from a MS. in the Cottonian Library by J. GOUGH NICHOLS, Esq., F.S.A.

54. PROMPTORIUM: An English and Latin Dictionary of Words in Use during the Fifteenth Century, compiled chiefly from the Promptorium Parvulorum. By ALBERT WAY, Esq., M.A., F.S.A. Vol. II. (M to R.) (In the Press.)

Books for 1852-3.

55. THE SECOND VOLUME OF THE CAMDEN MISCELLANY, containing, 1. Expenses of John of Brabant, 1292-3; 2. Household Accounts of Princess Elizabeth, 1551-2; 3. Requeste and Suite of a True-hearted Englishman, by W. Cholmeley, 1553; 4. Discovery of the Jesuits' College at Clerkenwell, 1627-8; 5. Trelawny Papers; 6. Autobiography of Dr. William Taswell.—Now ready for delivery to all Members not in arrear of their Subscription.

56. THE VERNEY PAPERS. A Selection from the Correspondence of the Verney Family during the reign of Charles I. to the year 1639. From the Originals in the possession of Sir Harry Verney, Bart. To be edited by JOHN BRUCE, ESQ., Trea. S.A. (Will be ready immediately.)

57. THE CORRESPONDENCE OF LADY BRILLIANA HARLEY, during the Civil Wars. To be edited by the REV. T. T. LEWIS, M.A. (Will be ready immediately.)

The following Works are at Press, and will be issued from time to time, as soon as ready:

ROLL of the HOUSEHOLD EXPENSES of RICHARD SWINFIELD, Bishop of Hereford, in the years 1289, 1290, with Illustrations from other and coeval Documents. To be edited by the REV. JOHN WEBB, M.A., F.S.A.

REGULÆ INCLUSARUM: THE ANCREN REWLE. A Treatise on the Rules and Duties of Monastic Life, in the Anglo-Saxon Dialect of the Thirteenth Century, addressed to a Society of Anchorites, being a translation from the Latin Work of Simon de Ghent, Bishop of Salisbury. To be edited from MSS. in the Cottonian Library, British Museum, with an Introduction, Glossarial Notes, &c., by the REV. JAMES MORTON, B.D., Prebendary of Lincoln.

THE DOMESDAY OF ST. PAUL'S: a Description of the Manors belonging to the Church of St. Paul's in London in the year 1222. By the VEN. ARCHDEACON HALE.

ROMANCE OF JEAN AND BLONDE OF OXFORD, by Philippe de Reims, an Anglo-Norman Poet of the latter end of the Twelfth Century. Edited, from the unique MS. in the Royal Library at Paris, by M. LE ROUX DE LINCY, Editor of the Roman de Brut.

Communications from Gentlemen desirous of becoming Members may be addressed to the Secretary, or to Messrs. Nichols.

WILLIAM J. THOMS, Secretary.

25. Parliament Street, Westminster.


WORKS OF THE CAMDEN SOCIETY, AND ORDER OF THEIR PUBLICATION.

01. Restoration of King Edward IV.

02. Kyng Johan, by Bishop Bale.

03. Deposition of Richard II.

04. Plumpton Correspondence.

05. Anecdotes and Traditions.

06. Political Songs.

07. Hayward's Annals of Elizabeth.

08. Ecclesiastical Documents.

09. Norden's Description of Essex.

10. Warkworth's Chronicle.

11. Kemp's Nine Daies Wonder.

12. The Egerton Papers.

13. Chronica Jocelini de Brakelonda.

14. Irish Narratives, 1641 and 1690.

15. Rishanger's Chronicle.

16. Poems of Walter Mapes.

17. Travels of Nicander Nucius.

18. Three Metrical Romances.

19. Diary of Dr. John Dee.

20. Apology for the Lollards.

21. Rutland Papers.

22. Diary of Bishop Cartwright.

23. Letters of Eminent Literary Men.

24. Proceedings against Dame Alice Kyteler.

25. Promptorium Parvulorum: Tom. I.

26. Suppression of the Monasteries.

27. Leycester Correspondence.

28. French Chronicle of London.

29. Polydore Vergil.

30. The Thornton Romances.

31. Verney's Notes of the Long Parliament.

32. Autobiography of Sir John Bramston.

33. Correspondence of James Duke of Perth.

34. Liber de Antiquis Legibus.

35. The Chronicle of Calais.

36. Polydore Vergil's History, Vol. I.

37. Italian Relation of England.

38. Church of Middleham.

39. The Camden Miscellany, Vol. I.

40. Life of Ld. Grey of Wilton.

41. Diary of Walter Yonge, Esq.

42. Diary of Henry Machyn.

43. Visitation of Huntingdonshire.

44. Obituary of Rich. Smyth.

45. Twysden on the Government of England.

46. Letters of Elizabeth and James VI.

47. Chronicon Petroburgense.

48. Queen Jane and Queen Mary.

49. Bury Wills and Inventories.

50. Mapes de Nugis Curialium.

51. Pilgrimage of Sir R. Guylford.


WORDSWORTH'S ECCLESIASTICAL BIOGRAPHY—FOURTH, IMPROVED, AND CHEAPER EDITION

In 4 vols. 8vo. (with Five Portraits), price 2l. 14s.

ECCLESIASTICAL BIOGRAPHY; or, Lives of Eminent Men connected with the History of Religion in England; from the commencement of the Reformation to the Revolution. Selected, and illustrated with Notes, by CHRISTOPHER WORDSWORTH, D.D., late Master of Trinity College, Cambridge.

*** This Edition contains many additional Historical and Biographical Notes.

RIVINGTONS, St. Paul's Church Yard, and Waterloo Place;

Of whom may be had, by the same Editor (uniformly printed),

CHRISTIAN INSTITUTES; a Series of Discourses and Tracts, selected, arranged systematically, and illustrated with Notes. Second Edition. In 4 vols. 8vo. 2l. 14s.


Just published, in 8vo., price One Shilling,

A THIRD LETTER to the REV. S. R. MAITLAND, D.D., formerly Librarian to the late Archbishop of Canterbury, on the GENUINENESS of the WRITINGS ascribed to CYPRIAN, Bishop of Carthage. By EDWARD JOHN SHEPHERD, M.A., Rector of Luddesdown; Author of "History of the Church of Rome to the end of the Episcopate of Damasus."

*** The First Letter on the same subject, price 1s., and the Second, price 2s., may still be had.

London: LONGMAN, BROWN, GREEN & LONGMANS.


NEW AND THOROUGHLY REVISED EDITION OF SIR DAVID BREWSTER'S TREATISE ON OPTICS, CORRECTED TO 1853.

Just published, in fcp. 8vo., with Vignette Title and numerous Woodcuts, price 3s. 6d. cloth.

A TREATISE ON OPTICS. By SIR DAVID BREWSTER, K.H., D.C.L., V.P.R.S. Edin., Associate of the National Institute of France, Honorary Member of the Imperial Academy of St. Petersburg, and of the Royal Academy of Sciences of Berlin, Vienna, Stockholm, Copenhagen, Göttingen, &c. A New Edition, revised throughout.

London: LONGMAN, BROWN, GREEN & LONGMANS.


Just published, pp. 720, plates 24, price 21s.

A HISTORY OF INFUSORIAL ANIMALCULES, living and fossil, with Descriptions of all the Species, and Abstracts of the Systems of Ehrenberg, Dujardin, Kützing, Siebold, &c. By ANDREW PRITCHARD, ESQ., M.R.I.

Also, price 5s.,

A GENERAL HISTORY OF ANIMALCULES, with 500 Engravings.

Also, price 8s. 6d.,

MICROGRAPHIA, or Practical Essays on Microscopes.

London: WHITTAKER & CO., Ave Maria Lane.


Printed by Thomas Clark Shaw, of No. 8 New Street Square, at No. 5. New Street Square, in the Parish of St. Bride, in the City of London; and published by George Bell, of No. 186. Fleet Street, in the Parish of St. Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet Street aforesaid.—Saturday, March 26. 1853.






End of the Project Gutenberg EBook of Notes and Queries, Number 178, March
26, 1853, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES ***

***** This file should be named 42795-h.htm or 42795-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/4/2/7/9/42795/

Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
and the Online Distributed Proofreading Team at
http://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive/Canadian
Libraries)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
  www.gutenberg.org/license.


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:  www.gutenberg.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.