Project Gutenberg's The Book of the Little Past, by Josephine Preston Peabody

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license


Title: The Book of the Little Past

Author: Josephine Preston Peabody

Illustrator: Elizabeth Shippen Green

Release Date: March 13, 2012 [EBook #39131]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK THE BOOK OF THE LITTLE PAST ***




Produced by Jennifer Sahmoun, Suzanne Shell and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)






The Book of the Little Past

 

'I watched, ... even as it were a
Sparrow that sitteth upon the
house-top
'

 

halftitle

 

 

Making A House
MAKING A HOUSE

 

 

Title Page

The Book of
the Little
Past

by Josephine Preston Peabody

Illustrated by Elizabeth Shippen Green

Houghton Mifflin Company
Boston         1910         New York

 

 

COPYRIGHT 1903 BY JOSEPHINE PRESTON PEABODY
COPYRIGHT 1908 BY JOSEPHINE PEABODY MARKS

ALL RIGHTS RESERVED

 

 

TO Alison
AND OLDER CHILDREN

 

 

NOTE

Of the poems of child-life brought together in this book
many are wholly new; some are reprinted from "The
Singing Leaves," published in 1903; and others have
appeared in Harper's Monthly Magazine, to the editor
of which I am indebted for permission to reprint them.
J. P. M.
  JULY, 1908

Contents

Making A House 1
The Busy Child 2
Sunset 4
Wind 5
Late 6
Cakes and Ale 7
The Journey 8
Pigeons Out Walking 10
Concerning Love 11
Curls 12
I Was Lost 14
The Polite Visitor 16
The Mystic 18
Market 19
Little Side-Streets 20
Chestnut Stands 22
The Play's the Thing 24
Windows 26
The Masterpiece 28
Ode on the Dog 29
The Sorrows 32
Secrets 33
The Christmas Tree 34
Candle-Light 36
Cow-Bells 37
Thunder-Storms 39
Church-Time 40
Angels 42
The Beggar-Man 43
The Green Singing-Book 44
Wing-Sprouts 46
Early 47
The Wind's East 48
After-Word 50

Illustrations

Making A House Frontispiece
The Journey 8
The Mystic 18
The Masterpiece 28
Candle-Light 36
The Green Singing-Book 44

[Pg 1]


Making a house

F
irst of all, I draw the Smoke
Trailing up the sky;
Then the Chimney, underneath;
And Birds all flying by;
Then the House; and every Window,
Watching, like an Eye.
Everybody else begins
With the House. But I
Love the Smoke the best of all;
And you don't know why!...
Here it goes,—like little feathers,
Sailing up the sky!
[Pg 2]

The Busy Child

I
have so many things to do,
I don't know when I shall be through.
To-day I had to watch the rain
Come sliding down the window-pane.
And I was humming, all the time,
Around my head, a kind of rhyme,
And blowing softly on the glass,
To see the dimness come and pass.
I made a picture, with my breath
Rubbed out to show the underneath.
I built a city on the floor;
And then I went and was a War.—
And I escaped, from square to square
That's greener on the carpet, there,
Until at last, I came to Us:
But it was very dangerous.—
Because, if I had stepped Outside,
I made believe I should have died!


And now I have the boat to mend;
And all our supper to pretend.
I am so Busy, all the day,
I haven't any time to play.
[Pg 4]

Sunset

T
hose islands far away are mine,
Beyond the cloudy strip;
And something beautiful, besides:—
I think it is a Ship.
[Pg 5]

Wind

I
let them call it just The Wind,
And tell me not to grieve.
But I know all it left behind,
And more than they believe.
I know; about the far-off lands,
Where people never sleep;
They hide their faces in their hands,
And rock, and weep, and weep.
And I too little, all alone,
To go and find them yet;—
But Oh, I hear!—When I am grown,
I never will forget.
[Pg 6]

Late

M
y Father brought somebody up,
To show us all, asleep.
They came as softly up the stairs
As you could creep.
They whispered in the doorway there,
And looked at us awhile.
I had my eyes shut up; but I
Could feel him smile.
I shut my eyes up close, and lay
As still as I could keep;
Because I knew he wanted us
To be asleep.
[Pg 7]

Cakes and Ale

I
'm always glad when Andrew comes.
If only I am there,
He stays awhile, and talks to me,
As if he did not care.
He took me to some Music once,
When it was all for me.
And Oh, I had a splendid time!
And he said, So did He.
It lasts as if the Music still
Went round and round the sky.—
He said he had a good time, too;
And I said, So did I!
[Pg 8]

The Journey

I
never saw the hills so far
And blue, the way the pictures are;
And flowers, flowers growing thick,
But not a one for me to pick!
The land was running from the train,
All blurry through the window-pane.
And then it all looked flat and still,
When up there jumped a little hill!
I saw the windows and the spires,
And sparrows sitting on the wires;
And fences, running up and down;
And then we cut straight through a town.
I saw a Valley, like a cup;
And ponds that twinkled, and dried up.
The Journey
THE JOURNEY
I counted meadows, that were burnt;
And there were trees,—and then there weren't!
We crossed the bridges with a roar,
Then hummed, the way we went before.
And tunnels made it dark and light
Like open-work of day and night.
Until I saw the chimneys rise,
And lights and lights and lights, like eyes.
And when they took me through the door,
I heard It all begin to roar.—
I thought—as far as I could see—
That everybody wanted Me!
[Pg 10]

Pigeons Out Walking

T
hey never seem to hurry,—no,
Even for the crowd.
They dip, and coo, and move as slow,
All so soft and proud!
You can see the wavy specks
Of bubble-color on their necks;
—Little, little Cloud.
Cloud that goes, the very way
All the Bubbles do:
Blue and green, and green and gray,
Gold and rosy, too.
And they talk as Bubbles could
If they only ever would
Talk and call and coo!
—Till you try to catch one so,
Just to make it stay
While the colors turn. But Oh,
Then they fly away!—
All at once, two, three, four, five—
Like a snowstorm all alive,—
Gray and white, and gray!
[Pg 11]

Concerning Love

I
wish she would not ask me if I love the Kitten more than her.
Of Course I love her. But I love the Kitten, too; and It has Fur.
[Pg 12]

Curls

I
t happens that way in the world
With everything you see.
Some people have their hair all curl'd,
Some straight as straight can be.
It is a Mystery.
Yes, some have hair that waves and clings,
And does all kinds of curly things;—
And some not ever, till they Die.
And nobody knows Why....
And some,—already born with Curls,
Some of them are not even Girls!

I always think,—of Curly Hair,
It looks as if the Curls came there
The way I hum around a song
More things than really do belong.
The happier I feel, the more
I sing, I never heard before!
I curl more music round the Air,
The way it looks with Curly Hair.

[Envoi]

But you may sing all day, you know;
You cannot really make it grow.
And you may know it is Not Fair;
But that won't give you Curly Hair.
[Pg 14]
[Pg 15]

I Was Lost

[Oh, the Day that I was Lost, I never shall forget:
I wake up in the night sometimes, and think It's Happening Yet.]
S
he let me go, a minute.
She said she would take care;
But she let me go, a minute:
And then— She wasn't there.
Everything grew awful
That was good before.
And the Faces didn't look
Like people any more.
It made you feel like Wrinkles
All over you; and Cold.
It made you feel two hundred
And eighty-nine years old.
It was like being Homesick,
And Hurt; when no one Cares.
It was exactly like a Wreck;
And people smiled like Bears.
I thought that my own Mother
Had just—Forgotten me!
I thought that God had lost me,
Like a Penny in the Sea.

The Noise all seemed to grow and grow
And roar until it drowned me.—
And I could only say,—'I'm Lost.'...
And then, at last,—they Found me,
—They Found me!
[Pg 16]

Polite Visitor

I
feel polite, outside the door;
But when it should begin,
I can't remember Not to ask
If just their Cat is in.
And if the Sun should sprinkle through
Along the floor that way,
I can't remember what I do
If I am Urged to Stay.
And when I've shaken hands all round,
—No matter how I try,
I can't remember Not to go
And Kiss their Dog good-by,
—Good-by,
—Good-by!
Yes, thank you, please.—They're Very Well;
I think I'd better go.
Yes, thank you, please. I'm always late;
My Mother told me so.
Yes, thank you!—If I Have to Bring
A message,—yes, I'll come;
And if your Bird will only Sing;
And when your Cat is home.
[Pg 18]

The Mystic

P
eople say to me,
'A penny for your thought.'—
And I can't remember thinking;
And I should think I ought.
I wasn't sleeping, either:
I know that, because
I saw things out of both my eyes.
I wonder where I was.
Now I'm back, I see them
Sitting all around;
And the noise, together,
Makes a purring sound.
But I know Something More
Than just awhile ago.
I know Something More!—
I wonder what I know.
The Mystic
THE MYSTIC

[Pg 19]


Market

I
went to Market yesterday,
And it is like a Fair
Of everything you'd like to see;
But nothing live is there:
—The Pigeons, hanging up to eat;
And Rabbits, by their little feet!—
And no one seemed to care.
And there were Fishes out in rows,
Bright ones of every kind;
Some were pink, and silver too;
But all of them were blind.
Yes, everything you'd like to touch.—
It would not make you happy much,
But no one seemed to mind.
And loveliest of all, a Deer!—
Only its eyes were blurred;
And hanging by it, very near,
A beautiful great Bird.
So I could smooth his feathers through,
And kiss them, very softly, too:
But Oh, he never stirred!
[Pg 20]

Little Side-Streets

W
hy are some streets so different?
The kittens all are long and thin;
I think they have more flowers there,
But broken things to grow them in.
Why do they like the house so high,
With such a little of the ground?
And do you think they ever see
The Moon before it's old and round?
Why won't I like to play there, too?—
With all the funny things to eat,
And all the carts with little bells,
And dancing-music in the street?
And if I can't, then why do they
Stay out, the whole of evening?—
Why do they always seem to have
Just Not-Enough of everything?
Why don't you come?—Why can't I go?
It isn't Fair!—What makes it so?—
If they don't like it? Don't you know?
Why do you always never know?
[Pg 22]

Chestnut Stands

I
wonder why you feel, somehow,
It's wrong to leave a Chestnut stand,
With all so much of what you want
In both your pockets and your hand.
I always have to turn around;—
It sounds so hurt—I don't see why—
That little high-up crying sound
I don't remember by and by.
There is not anything so good
As Chestnuts (when they're hot) can be.
It must be fun to count them out,
With One for You and One for Me;
And yet it stays so doleful there,
—For all the People going by,—
And breathing frosty on the air,
Like something trying not to cry.
—It Isn't something I was Told!—
I know it's small and scared and thin.—
It's like when both your hands are cold,
And Pockets you can't put them in!
—Like something happened long ago;
—Like feeling Homesick,—yes, and Shy;
Like being Sorry,—when you know
You won't remember, by and by.
[Pg 24]

The Play's the Thing

I
never dared to look away
While they were tuning so,
For fear the Curtain might go up,
—And I not see it go!—
Then all at once, it all went Dark;—
To make you hold your breath and hark,
—Oh, hold your breath and hark!
Excepting where the Curtain was,
It stayed as black as night;
And that kept still one minute more,
All edged across with light:—
Then Up—and Up—
And Oh, so soon,
It was like all Inside the Moon,
—Yes, sitting in the Moon!
And Oh, how Beautiful they were!—
And could we see them near?—
And Oh, how brave at everything!
But it was somehow queer
To see that smiling way they had:
They smiled so much, but not all glad;
—No, not so always glad.
I wish we couldn't go away;
I wish it would begin
All over, now, and never end;
I wish we were Locked In!
Oh, can't we see it all again?
To-morrow!—Sunday! Monday? When?
—Ah, when, when?
[Pg 26]

Windows

O
nce, and in the daytime too, I made myself afraid,
Playing Eyelids-Up-and-Down, with the window-shade;
Till the Houses seemed to watch People going by;
And they kept me looking, too,—wondering where and why.
If I were that Other Boy,—if I were those Men,
Going by with things to sell,—who would I be, then?
Windows with their eyebrows high; windows like a frown,
Thinking it all over, so, with the curtains down;
Tall ones that are somehow sad, narrow ones that blink,—
All the Windows you can see make you think, and think.
If I were that Old Man, and I looked up at me
Watching from the window here, Oh, then how would it be?
Sometimes they are golden, with shining in their eyes.—
Every time the sun sets, it happens like surprise,—
And so bright, I almost forget the dream I made;
But I keep it, for the days I want to make myself afraid.
If I were that Boy who limps,—now it's dark and snowing,
And if I were going home,—Oh, where would I be going?
[Pg 28]

The Masterpiece

M
y Mother cut it out for me,
And started it, so I could see;
And then she turned some edges in,
And let me take it to begin.
I made it. But I did not know
How very long it takes to sew.
I took a long time for that stitch;
And now it's there, I don't know which
Is better. But not one is small,
And they are not alike at all.
That side was very hard to fix.
And then, the needle always pricks:
But you must hold it, and take care,—
Because the point is always there;
And knots keep coming by and by;
And then, no matter how you try,
The thread comes out of its old eye!

But some way, now I have it done,—
I think it is a Pretty One.
The Masterpiece
THE MASTERPIECE

[Pg 29]


Ode on the Dog

I
M
y Pitch-dark Angel with a Rosy Tongue,
My Own—my Own,
Why can't the grown-up Things we live among
Let us alone?
Why do they have to talk the livelong day
About such silly things?
But if they must,—why can't they, anyway,
Have either Tails or Wings?
II
Of Course I cannot love them as they are,
As much as You.
Why aren't they ever really Beautiful,
—They too?—
With curly coats, like wool;
And floppy ears to pull;
Yes, and a wide pink mouth, with such a Smile![Pg 51]
Yes, and a Tail that beats time all the while;
Beautiful, Beautiful!—
And golden stars, for eyes,
Behind the darkest trees
(Till your hair's parted)!
Why can't they have such darling ways as these?—
Why can't they be so lovely when they sneeze?—
Why can't they ever be so tender-hearted,
Or even look so wise
As You?—
My Wonderful (even if you Won't say Mew),
My True Prince in Disguise!
Why can't they be
As funny, when they try to sing a song?
And when, for everything that I can do,
They Won't Agree,—
Why can't they think they're always in the wrong?
—Like You!
III
Why you,—O Precious Thing,
You are swift (almost) as any Sparrow.—
Over the tall grass how you arch and spring,
Yes, like a bow and arrow!—[Pg 52]
Oh, and how good to see you, when it snows,
Plough a long, lovely pathway with your nose!
(No one grown-up could do it, I suppose.)
IV
My dearest Blessing and my Very Own,
Even when I am grown,
Never do you forsake me!
If you don't go to heaven when you die,
—Neither will I:
Nothing can ever make me!
I won't go,
For all that they can do.
No; on the steps Outside, and down, below,
Forever and ever and ever, I'll stay too!
—With You.
[Pg 32]

The Sorrows

I
f This is all it will be like,
I wish to Die;—I don't care how—
While I am very, very young;
As young as almost Now.
They never felt what Sorrow was;
Or never learned their Golden Rule;
They say, These are your happiest days,
—With School,—School,—School!
When Saturday's all out of breath
With all the week before in sight;—
And Monday coming after you
Spoils every Sunday night!
And Nothing done but yesterdays;
And Nothing coming but to-morrows!
Don't cheer me up. Please let me be.
—I have the Sorrows.
[Pg 33]

Secrets

I
have a secret to myself,
That no one else can see.
I hum it over to myself,
And no one hears but me.
—Something You don't know!
I knew long ago.—
And the more I never tell you it,
The more it gets to be.
It makes me feel as purry
As the Kitten on your knee.
It makes me feel as round and warm
As the Sparrow on that tree;
It makes me puff my feathers out
The way he puffs out his.—
And if you think I haven't one,
I'll tell you what it Is,
—Maybe!
[Pg 34]

The Christmas Tree

I
know you're in the house;
I know you are in there;
I feel the green and breathing
All around the air.
I know you're safe and warm;
I know you're very near.
Oh, darling Tree,
Do you hear?
I promised not to look
(The way I did before),
But I can hear you purring—
Purring, through the door:
A green, soft, purring;
Just as if you knew:
Everybody here
Loves you.
Don't feel lonely,
Now you are in-doors.—[Pg 56]
Wait for all the shining things
To-morrow,—all yours!
Then you won't know what to think!—
All over Candle-light.
—Oh, darling Tree,
Good-night.
And I love you, I love you;
And everybody, too.
And so does the market-man
That brought us you!
And if you haven't Anything
For me, this year,
—I love you. Good-night!
Do you hear?
[Pg 36]

Candle-Light

W
hen I've wished on my first star,
While the rest begin,
And the grass is waking up,
Oh, She calls us in!—
Then She calls us in.
But I wouldn't go, unless
I were sure there'd be
Something more like that, indoors,
Something more to see,—
Beautiful to see.
So She lights the candle then,
Where the shadows are,
And it stands, and holds its breath—
Then it makes a Star,—
Then it makes a Star!
I curl up for my good-night,
Dark, where I can see.
And I watch the Candle-light
Till It looks at me,
Oh, It looks at me!
[Pg 58]
Candle-Light
CANDLE-LIGHT

[Pg 37]


Cow-Bells

I

've followed till the Sun was down,
As low as to the very brink;
And still the pathway kept along,
Around the world, I think.
I've tried to find it, everywhere
A bell would clink, and clink, and call;
But someway I can never find
That Farthest One of all.
I've been in all the tallest weeds,—
And thistles (with the loudest bees);
And once, across the stepping-stones
And through the cedar-trees.
And now you hear it hushing up,
And then you hear it clink and clink;
And if you found it, it would lead
Around the world, I think![Pg 61]
It sounds so small, and gold, and far—
Far-off, beyond the lily-pool;—
And so, as if there must be there
—Oh, something Wonderful!
[Pg 39]

Thunder-Storms

E
xcepting when they're very loud,
And then, when they're almost too bright,
I love to see a Thunder-Storm,
Excepting when it's in the night.
It's harder to remember, then:
It's Very Wicked not to trust
A Thunder-Storm. Because it's Sure
To know!—And then, besides, you Must.
For it will light your Heart up.—Yes;
The Deepest Darkness ever Made
Could Never Hide the Guilty One
... Who feels At All Afraid.
The thunder is the best of all,—
Except the wading for the Birds;
And then, the Shining in the wet;
—Oh, and the Rainbow, afterwards!
[Pg 40]

Church-Time

I
t feels Forever without End,
The time I have to stay.
It's even harder to keep still
Than pray and pray and pray.
The reading happens all the time;
The praying rolls along;
And something makes them always sing
A long, long song.
So when I've nearly gone to sleep,
I make my Penny walk.—
I walk it up and down, to hear
The talk and talk and talk.
And if I lose it on the floor
Before they pass the Plate,
Why then there's nothing more to do
But wait—wait—wait.—
Till, when you'd have to go to sleep
Or else you'd have to die,[Pg 64]
They let you Out,—and straight into
The Sky!
With nests all hiding up the Trees,
And Roads to make you Run:—
And everything like Squirrels!—
In the Sun—the Sun!
[Pg 42]

Angels

T
hey are more shy than Snow.
You may look up and try to see one there,
Just when you feel It breathing on your hair;
But then It has to go.—
Somehow, I know.
They want you to believe
How bright they are, and never try to see
Whether they keep their word. For that would be
As if they could deceive.
That makes them grieve.
So, if you want Yours near,
And hide your eyes and keep quite still; and say,
"Oh, I have Wanted you all day—all day;
Shine at me, Angel, dear!"
It will be Here.
[Pg 43]

The Beggar-Man

H
e only looked like a Beggar-man,
As ragged, just, as any.
But he might have been an Angel, too.
So I gave him my penny.
I waited, till I thought I saw
Him shining through. And when he
Held out his hand, I watched for what
Would happen to my penny.
He might have been an Angel, too!
But I know he wasn't any.
For he frowned at me, like that, you see,
When it wasn't but One penny.
And now that's gone; and I don't care.
I'd rather not have any,
Than keep it, if an Angel came
And asked me for my penny.
[Pg 44]

The Green Singing-Book

I
don't know how to read the words,
Nor how the black things go.
But if you stand it up, and sing,
You never have to know.
The music sounds alike each time
When grown-up people play;
But every time I sing, myself,
It sounds a different way.
And when I've sung the book all through,
And every page, around,
I stand it upside down and sing,
To see how that will sound.
I sing how all the things outside
The window look to me;
The shiny wrinkles in the road,
And then, about my Tree;
The Green Singing-Book
THE GREEN SINGING-BOOK
I sing about the City, too,
The noises and the wheels;
And Windows blinking in the sun;—
I sing the way it feels.
And if a Sparrow flies across,
I put him in the Song.—
I sing whatever happens in,
To make it last for long.
I sing about the things I think
Of almost everything.
Sometimes I don't know what to Think
—Till I begin to Sing.
[Pg 46]

Wing-Sprouts

I
t happens when the birds go by
And leave you far behind;
And you flutter, till you ache
All around your mind.—
Like a Flag,
Like a Flag
Flapping at the wind!
It happens when you catch the hills
As blue as yesterday;
You hold your heart in both your hands,
Or it would fly away.
Yes, it would!
Yes, it would!
Away—away—away!
It makes your heart into a Bird
That darts, and leaps, and sings.
—Oh, feel my pinafore, high up!—
Oh, do you think it's Wings?
Do you think—
Do you think—
Oh, couldn't it be Wings?
[Pg 47]

Early

I
like to lie and wait, to see
My Mother braid her hair.
It is as long as it can be,
And yet she doesn't care.
I love my Mother's hair.
And then the way her fingers go;
They look so quick and white,—
In and out, and to and fro,
And braiding in the light;
And it is always right.
So then she winds it, shiny brown,
Around her head into a crown,
Just like the day before.
And then she looks, and pats it down,
And looks, a minute more.—
While I stay here, all still and cool.
Oh, isn't Morning beautiful?
[Pg 48]

The Wind's East

T
he Wind's east,—Oh, Oh!
Only a little while ago,
To-day was just like yesterday.
But now—now, only Now
The world's all turned some silver way;—
I know how,
I know how!
The Wind's east,
The Wind's east!—
Salt, salt Wind that I love so.
All the things in the garden blow
Wavy gray;—and the Trees all know,—
Trees that never, never can go,
Must know how it would feel to be
There, where the Ships sail to and fro,
Ships on the blue, blue Sea!
And the homesick ones by the bridge up here
Are tugging to get their anchors clear,
And they reach up high, to see.[Pg 74]
They catch their breath when they feel the air,
And the rigging stirs, and the lanterns stare;
For they know the tide is high out there,
The gulls go skirling by, out there,—
The gulls and the Wind go free.
And they tug, and they pull, and they wonder so
When will the Captain let them go?—
Oh, Oh,—to Sea,
To Sea!
[Pg 50]

After-Word

A
nd shall we light the candle now?
And leave, since there is so much more,
Our cupful, and the share of bread,
Here by the open door?
For some one might be wanting it,
If there should chance to come this way,
A very poor Man; or a Bird;—
Or maybe, God, some day.
[Pg 76]





End of the Project Gutenberg EBook of The Book of the Little Past, by 
Josephine Preston Peabody

*** END OF THIS PROJECT GUTENBERG EBOOK THE BOOK OF THE LITTLE PAST ***

***** This file should be named 39131-h.htm or 39131-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/9/1/3/39131/

Produced by Jennifer Sahmoun, Suzanne Shell and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.