The Project Gutenberg EBook of The Judgment House, by Gilbert Parker

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Title: The Judgment House

Author: Gilbert Parker

Posting Date: May 13, 2009 [EBook #3746]
Release Date: February, 2003
First Posted: August 15, 2001
Last Updated: June 13, 2002

Language: English

Character set encoding: ASCII

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THE JUDGMENT HOUSE


by

Gilbert Parker




CONTENTS

       I  THE JASMINE FLOWER
      II  THE UNDERGROUND WORLD
     III  A DAUGHTER OF TYRE
      IV  THE PARTNERS MEET
       V  A WOMAN TELLS HER STORY
      VI  WITHIN THE POWER-HOUSE
     VII  THREE YEARS LATER
    VIII  "HE SHALL NOT TREAT ME SO"
      IX  THE APPIAN WAY
       X  AN ARROW FINDS A BREAST
      XI  IN WALES, WHERE JIGGER PLAYS HIS PART
     XII  THE KEY IN THE LOCK
    XIII  "I WILL NOT SING"
     XIV  THE BAAS
      XV  THE WORLD WELL LOST
     XVI  THE COMING OF THE BAAS
    XVII  IS THERE NO HELP FOR THESE THINGS?
   XVIII  LANDRASSY'S LAST STROKE
     XIX  TO-MORROW ... PREPARE!
      XX  THE FURNACE DOOR
     XXI  THE BURNING FIERY FURNACE
    XXII  IN WHICH FELLOWES GOES A JOURNEY
   XXIII  "MORE WAS LOST AT MOHACKSFIELD"
    XXIV  ONE WHO CAME SEARCHING
     XXV  WHEREIN THE LOST IS FOUND
    XXVI  JASMINE'S LETTER
   XXVII  KROOL
  XXVIII  "THE BATTLE CRY OF FREEDOM"
    XXIX  THE MENACE OF THE MOUNTAIN
     XXX  "AND NEVER THE TWAIN SHALL MEET!"
    XXXI  THE GREY HORSE AND ITS RIDER
   XXXII  THE WORLD'S FOUNDLING
  XXXIII  "ALAMACHTIG!"
   XXXIV  "THE ALPINE FELLOW"
    XXXV  AT BRINKWORT'S FARM
   XXXVI  SPRINGS OF HEALING
  XXXVII  UNDER THE GUN
 XXXVIII  "PHEIDIPPIDES"
   XXXIX  "THE ROAD IS CLEAR"




NOTE

Except where references to characters well-known to all the world occur
in these pages, this book does not present a picture of public or
private individuals living or dead. It is not in any sense a historical
novel. It is in conception and portraiture a work of the imagination.


  "Strangers come to the outer wall--
  (Why do the sleepers stir?)
  Strangers enter the Judgment House--
  (Why do the sleepers sigh?)
  Slow they rise in their judgment seats,
  Sieve and measure the naked souls,
  Then with a blessing return to sleep.
  (Quiet the Judgment House.)
  Lone and sick are the vagrant souls--
  (When shall the world come home?)"


  "Let them fight it out, friend! things have gone too far,
  God must judge the couple: leave them as they are--
  Whichever one's the guiltless, to his glory,
  And whichever one the guilt's with, to my story!


  "Once more. Will the wronger, at this last of all,
  Dare to say, 'I did wrong,' rising in his fall?
  No? Let go, then! Both the fighters to their places!
  While I count three, step you back as many paces!"


  "And the Sibyl, you know. I saw her with my own eyes at
  Cumae, hanging in a jar; and when the boys asked her, 'What
  would you, Sibyl?' she answered, 'I would die.'"


  "So is Pheidippides happy for ever,--the noble strong man
  Who would race like a God, bear the face of a God, whom a
  God loved so well:
  He saw the land saved he had helped to save, and was suffered to tell
  Such tidings, yet never decline, but, gloriously as he began
  So to end gloriously--once to shout, thereafter to be mute:
  'Athens is saved!' Pheidippides dies in the shout for his meed."


  "Oh, never star
  Was lost here, but it rose afar."




THE JUDGMENT HOUSE


BOOK I



CHAPTER I

THE JASMINE FLOWER


The music throbbed in a voice of singular and delicate power; the air
was resonant with melody, love and pain. The meanest Italian in the
gallery far up beneath the ceiling, the most exalted of the land in the
boxes and the stalls, leaned indulgently forward, to be swept by this
sweet storm of song. They yielded themselves utterly to the power of
the triumphant debutante who was making "Manassa" the musical feast of
the year, renewing to Covent Garden a reputation which recent lack of
enterprise had somewhat forfeited.

Yet, apparently, not all the vast audience were hypnotized by the
unknown and unheralded singer, whose stage name was Al'mah. At the
moment of the opera's supreme appeal the eyes of three people at least
were not in the thraldom of the singer. Seated at the end of the first
row of the stalls was a fair, slim, graciously attired man of about
thirty, who, turning in his seat so that nearly the whole house was in
his circle of vision, stroked his golden moustache, and ran his eyes
over the thousands of faces with a smile of pride and satisfaction
which in a less handsome man would have been almost a leer. His name
was Adrian Fellowes.

Either the opera and the singer had no charms for Adrian Fellowes, or
else he had heard both so often that, without doing violence to his
musical sense, he could afford to study the effect of this wonderful
effort upon the mob of London, mastered by the radiant being on the
stage. Very sleek, handsome, and material he looked; of happy colour,
and, apparently, with a mind and soul in which no conflicts ever
raged--to the advantage of his attractive exterior. Only at the summit
of the applause did he turn to the stage again. Then it was with the
gloating look of the gambler who swings from the roulette-table with
the winnings of a great coup, cynical joy in his eyes that he has
beaten the Bank, conquered the dark spirit which has tricked him so
often. Now the cold-blue eyes caught, for a second, the dark-brown eyes
of the Celtic singer, which laughed at him gaily, victoriously,
eagerly, and then again drank in the light and the joy of the myriad
faces before her.

In a box opposite the royal box were two people, a man and a very young
woman, who also in the crise of the opera were not looking at the
stage. The eyes of the man, sitting well back--purposely, so that he
might see her without marked observation--were fixed upon the
rose-tinted, delicate features of the girl in a joyous blue silk gown,
which was so perfect a contrast to the golden hair and wonderful colour
of her face. Her eyes were fixed upon her lap, the lids half closed, as
though in reverie, yet with that perspicuous and reflective look which
showed her conscious of all that was passing round her--even the effect
of her own pose. Her name was Jasmine Grenfel.

She was not oblivious of the music. Her heart beat faster because of
it; and a temperament adjustable to every mood and turn of human
feeling was answering to the poignancy of the opera; yet her youth,
child-likeness, and natural spontaneity were controlled by an elate
consciousness. She was responsive to the passionate harmony; but she
was also acutely sensitive to the bold yet deferential appeal to her
emotions of the dark, distinguished, bearded man at her side, with the
brown eyes and the Grecian profile, whose years spent in the Foreign
Office and at embassies on the Continent had given him a tact and an
insinuating address peculiarly alluring to her sex. She was well aware
of Ian Stafford's ambitions, and had come to the point where she
delighted in them, and had thought of sharing in them, "for weal or for
woe"; but she would probably have resented the suggestion that his
comparative poverty was weighed against her natural inclinations and
his real and honest passion. For she had her ambitions, too; and when
she had scanned the royal box that night, she had felt that something
only little less than a diadem would really satisfy her.

Then it was that she had turned meditatively towards another occupant
of her box, who sat beside her pretty stepmother--a big, bronzed,
clean-shaven, strong-faced man of about the same age as Ian Stafford of
the Foreign Office, who had brought him that night at her request. Ian
had called him, "my South African nabob," in tribute to the millions he
had made with Cecil Rhodes and others at Kimberley and on the Rand. At
first sight of the forceful and rather ungainly form she had inwardly
contrasted it with the figure of Ian Stafford and that other
spring-time figure of a man at the end of the first row in the stalls,
towards which the prima donna had flashed one trusting, happy glance,
and with which she herself had been familiar since her childhood. The
contrast had not been wholly to the advantage of the nabob; though, to
be sure, he was simply arrayed--as if, indeed, he were not worth a
thousand a year. Certainly he had about him a sense of power, but his
occasional laugh was too vigorous for one whose own great sense of
humour was conveyed by an infectious, rippling murmur delightful to
hear.

Rudyard Byng was worth three millions of pounds, and that she
interested him was evident by the sudden arrest of his look and his
movements when introduced to her. Ian Stafford had noted this look; but
he had seen many another man look at Jasmine Grenfel with just as much
natural and unbidden interest, and he shrugged the shoulders of his
mind; for the millions alone would not influence her, that was sure.
Had she not a comfortable fortune of her own? Besides, Byng was not the
kind of man to capture Jasmine's fastidious sense and nature. So much
had happened between Jasmine and himself, so deep an understanding had
grown up between them, that it only remained to bring her to the last
court of inquiry and get reply to a vital question--already put in a
thousand ways and answered to his perfect satisfaction. Indeed, there
was between Jasmine and himself the equivalent of a betrothal. He had
asked her to marry him, and she had not said no; but she had bargained
for time to "prepare"; that she should have another year in which to be
gay in a gay world and, in her own words, "walk the primrose path of
pleasure untrammelled and alone, save for my dear friend Mrs. Grundy."

Since that moment he had been quite sure that all was well. And now the
year was nearly up, and she had not changed; had, indeed, grown more
confiding and delicately dependent in manner towards him, though seeing
him but seldom alone.

As Ian Stafford looked at her now, he kept saying to himself, "So
exquisite and so clever, what will she not be at thirty! So well
poised, and yet so sweetly child-like dear dresden-china Jasmine."

That was what she looked like--a lovely thing of the time of Boucher in
dresden china.

At last, as though conscious of what was going on in his mind, she
slowly turned her drooping eyes towards him, and, over her shoulder, as
he quickly leaned forward, she said in a low voice which the others
could not hear:

"I am too young, and not clever enough to understand all the music
means--is that what you are thinking?"

He shook his head in negation, and his dark-brown eyes commanded hers,
but still deferentially, as he said: "You know of what I was thinking.
You will be forever young, but yours was always--will always be--the
wisdom of the wise. I'd like to have been as clever at twenty-two."

"How trying that you should know my age so exactly--it darkens the
future," she rejoined with a soft little laugh; then, suddenly, a cloud
passed over her face. It weighed down her eyelids, and she gazed before
her into space with a strange, perplexed, and timorous anxiety. What
did she see? Nothing that was light and joyous, for her small sensuous
lips drew closer, and the fan she held in her lap slipped from her
fingers to the floor.

This aroused her, and Stafford, as he returned the fan to her, said
into a face again alive to the present: "You look as though you were
trying to summon the sable spirits of a sombre future."

Her fine pink-white shoulders lifted a little and, once more quite
self-possessed, she rejoined, lightly, "I have a chameleon mind; it
chimes with every mood and circumstance."

Suddenly her eyes rested on Rudyard Byng, and something in the rough
power of the head arrested her attention, and the thought flashed
through her mind: "How wonderful to have got so much at thirty-three!
Three millions at thirty-three--and millions beget millions!"

... Power--millions meant power; millions made ready the stage for the
display and use of every gift, gave the opportunity for the full
occupation of all personal qualities, made a setting for the jewel of
life and beauty, which reflected, intensified every ray of merit.
Power--that was it. Her own grandfather had had power. He had made his
fortune, a great one too, by patents which exploited the vanity of
mankind, and, as though to prove his cynical contempt for his
fellow-creatures, had then invented a quick-firing gun which nearly
every nation in the world adopted. First, he had got power by a fortune
which represented the shallowness and gullibility of human nature, then
had exploited the serious gift which had always been his, the native
genius which had devised the gun when he was yet a boy. He had died at
last with the smile on his lips which had followed his remark, quoted
in every great newspaper of two continents, that: "The world wants to
be fooled, so I fooled it; it wants to be stunned, so I stunned it. My
fooling will last as long as my gun; and both have paid me well. But
they all love being fooled best."

Old Draygon Grenfel's fortune had been divided among his three sons and
herself, for she had been her grandfather's favourite, and she was the
only grandchild to whom he had left more than a small reminder of his
existence. As a child her intelligence was so keen, her perception so
acute, she realized him so well, that he had said she was the only one
of his blood who had anything of himself in character or personality,
and he predicted--too often in her presence--that she "would give the
world a start or two when she had the chance." His intellectual
contempt for his eldest son, her father, was reproduced in her with no
prompting on his part; and, without her own mother from the age of
three, Jasmine had grown up self-willed and imperious, yet with too
much intelligence to carry her will and power too far. Infinite
adaptability had been the result of a desire to please and charm;
behind which lay an unlimited determination to get her own way and bend
other wills to hers.

The two wills she had not yet bent as she pleased were those of her
stepmother and of Ian Stafford--one, because she was jealous and
obstinate, and the other because he had an adequate self-respect and an
ambition of his own to have his way in a world which would not give
save at the point of the sword. Come of as good family as there was in
England, and the grandson of a duke, he still was eager for power,
determined to get on, ingenious in searching for that opportunity which
even the most distinguished talent must have, if it is to soar high
above the capable average. That chance, the predestined alluring
opening had not yet come; but his eyes were wide open, and he was ready
for the spring--nerved the more to do so by the thought that Jasmine
would appreciate his success above all others, even from the standpoint
of intellectual appreciation, all emotions excluded. How did it come
that Jasmine was so worldly wise, and yet so marvellously the
insouciant child?

He followed her slow, reflective glance at Byng, and the impression of
force and natural power of the millionaire struck him now, as it had
often done. As though summoned by them both, Byng turned his face and,
catching Jasmine's eyes, smiled and leaned forward.

"I haven't got over that great outburst of singing yet," he said, with
a little jerk of the head towards the stage, where, for the moment,
minor characters were in possession, preparing the path for the last
rush of song by which Al'mah, the new prima donna, would bring her
first night to a complete triumph.

With face turned full towards her, something of the power of his head
seemed to evaporate swiftly. It was honest, alert, and almost brutally
simple--the face of a pioneer. The forehead was broad and strong, and
the chin was square and determined; but the full, dark-blue eyes had in
them shadows of rashness and recklessness, the mouth was somewhat
self-indulgent and indolent; though the hands clasping both knees were
combined of strength, activity, and also a little of grace.

"I never had much chance to hear great singers before I went to South
Africa," he added, reflectively, "and this swallows me like a storm on
the high veld--all lightning and thunder and flood. I've missed a lot
in my time."

With a look which made his pulses gallop, Jasmine leaned over and
whispered--for the prima donna was beginning to sing again:

"There's nothing you have missed in your race that you cannot ride back
and collect. It is those who haven't run a race who cannot ride back.
You have won; and it is all waiting for you."

Again her eyes beamed upon him, and a new sensation came to him--the
kind of thing he felt once when he was sixteen, and the vicar's
daughter had suddenly held him up for quite a week, while all his
natural occupations were neglected, and the spirit of sport was
humiliated and abashed. Also he had caroused in his time--who was there
in those first days at Kimberley and on the Rand who did not carouse,
when life was so hard, luck so uncertain, and food so bad; when men got
so dead beat, with no homes anywhere--only shake-downs and the Tents of
Shem? Once he had had a native woman summoned to be his slave, to keep
his home; but that was a business which had revolted him, and he had
never repeated the experiment. Then, there had been an adventuress, a
wandering, foreign princess who had fooled him and half a dozen of his
friends to the top of their bent; but a thousand times he had preferred
other sorts of pleasures--cards, horses, and the bright outlook which
came with the clinking glass after the strenuous day.

Jasmine seemed to divine it all as she looked at him--his primitive,
almost Edenic sincerity; his natural indolence and native force: a
nature that would not stir until greatly roused, but then, with an
unyielding persistence and concentrated force, would range on to its
goal, making up for a slow-moving intellect by sheer will, vision and a
gallant heart.

Al'mah was singing again, and Byng leaned forward eagerly. There was a
rustle in the audience, a movement to a listening position, then a
tense waiting and attention.

As Jasmine composed herself she said in a low voice to Ian Stafford,
whose well-proportioned character, personality, and refinement of
culture were in such marked contrast to the personality of the other:
"They live hard lives in those new lands. He has wasted much of
himself."

"Three millions at thirty-three means spending a deal of one thing to
get another," Ian answered a little grimly.

"Hush! Oh, Ian, listen!" she added in a whisper.

Once more Al'mah rose to mastery over the audience. The bold and
generous orchestration, the exceptional chorus, the fine and brilliant
tenor, had made a broad path for her last and supreme effort. The
audience had long since given up their critical sense, they were ready
to be carried into captivity again, and the surrender was instant and
complete. Now, not an eye was turned away from the singer. Even the
Corinthian gallant at the end of the first row of stalls gave himself
up to feasting on her and her success, and the characters in the opera
were as electrified as the audience.

For a whole seven minutes this voice seemed to be the only thing in the
world, transposing all thoughts, emotions, all elements of life into
terms of melody. Then, at last, with a crash of sweetness, the voice
broke over them all in crystals of sound and floated away into a world
of bright dreams.

An instant's silence which followed was broken by a tempest of
applause. Again, again, and again it was renewed. The subordinate
singers were quickly disposed of before the curtain, then Al'mah
received her memorable tribute. How many times she came and went she
never knew; but at last the curtain, rising, showed her well up the
stage beside a table where two huge candles flared. The storm of
applause breaking forth once more, the grateful singer raised her arms
and spread them out impulsively in gratitude and dramatic abandon.

As she did so, the loose, flowing sleeve of her robe caught the flame
of a candle, and in an instant she was in a cloud of fire. The wild
applause turned suddenly to notes of terror as, with a sharp cry, she
stumbled forward to the middle of the stage.

For one stark moment no one stirred, then suddenly a man with an
opera-cloak on his arm was seen to spring across a space of many feet
between a box on the level of the stage and the stage itself. He
crashed into the footlights, but recovered himself and ran forward. In
an instant he had enveloped the agonized figure of the singer and had
crushed out the flames with swift, strong movements.

Then lifting the now unconscious artist in his great arms, he strode
off with her behind the scenes.

"Well done, Byng! Well done, Ruddy Byng!" cried a strong voice from the
audience; and a cheer went up.

In a moment Byng returned and came down the stage. "She is not
seriously hurt," he said simply to the audience. "We were just in time."

Presently, as he entered the Grenfel box again, deafening applause
broke forth.

"We were just in time," said Ian Stafford, with an admiring, teasing
laugh, as he gripped Byng's arm.

"'We'--well, it was a royal business," said Jasmine, standing close to
him and looking up into his eyes with that ingratiating softness which
had deluded many another man; "but do you realize that it was my cloak
you took?" she added, whimsically.

"Well, I'm glad it was," Byng answered, boyishly. "You'll have to wear
my overcoat home."

"I certainly will," she answered. "Come--the giant's robe."

People were crowding upon their box.

"Let's get out of this," Byng said, as he took his coat from the hook
on the wall.

As they left the box the girl's white-haired, prematurely aged father
whispered in the pretty stepmother's ear: "Jasmine'll marry that
nabob--you'll see."

The stepmother shrugged a shoulder. "Jasmine is in love with Ian
Stafford," she said, decisively.

"But she'll marry Rudyard Byng," was the stubborn reply.




CHAPTER II

THE UNDERGROUND WORLD


"What's that you say--Jameson--what?"

Rudyard Byng paused with the lighted match at the end of his cigar, and
stared at a man who was reading from a tape-machine, which gave the
club the world's news from minute to minute.

"Dr. Jameson's riding on Johannesburg with eight hundred men. He
started from Pitsani two days ago. And Cronje with his burghers are out
after him."

The flaming match burned Byng's fingers. He threw it into the
fireplace, and stood transfixed for a moment, his face hot with
feeling, then he burst out:

"But--God! they're not ready at Johannesburg. The burghers'll catch him
at Doornkop or somewhere, and--" He paused, overcome. His eyes
suffused. His hands went out in a gesture of despair.

"Jameson's jumped too soon," he muttered. "He's lost the game for them."

The other eyed him quizzically. "Perhaps he'll get in yet. He surely
planned the thing with due regard for every chance. Johannesburg--"

"Johannesburg isn't ready, Stafford. I know. That Jameson and the Rand
should coincide was the only chance. And they'll not coincide now. It
might have been--it was to have been--a revolution at Johannesburg,
with Dr. Jim to step in at the right minute. It's only a filibustering
business now, and Oom Paul will catch the filibuster, as sure as guns.
'Gad, it makes me sick!"

"Europe will like it--much," remarked Ian Stafford, cynically, offering
Byng a lighted match.

Byng grumbled out an oath, then fixed his clear, strong look on
Stafford. "It's almost enough to make Germany and France forget 1870
and fall into each other's arms," he answered. "But that's your
business, you Foreign Office people's business. It's the fellows out
there, friends of mine, so many of them, I'm thinking of. It's the
British kids that can't be taught in their mother-tongue, and the men
who pay all the taxes and can't become citizens. It's the justice you
can only buy; it's the foot of Kruger on the necks of the subjects of
his suzerain; it's eating dirt as Englishmen have never had to eat it
anywhere in the range of the Seven Seas. And when they catch Dr. Jim,
it'll be ten times worse. Yes, it'll be at Doornkop, unless-- But, no,
they'll track him, trap him, get him now. Johannesburg wasn't ready.
Only yesterday I had a cable that--" he stopped short ... "but they
weren't ready. They hadn't guns enough, or something; and Englishmen
aren't good conspirators, not by a damned sight! Now it'll be the old
Majuba game all over again. You'll see."

"It certainly will set things back. Your last state will be worse than
your first," remarked Stafford.

Rudyard Byng drained off a glass of brandy and water at a gulp almost,
as Stafford watched him with inward adverse comment, for he never
touched wine or spirits save at meal-time, and the between-meal swizzle
revolted his aesthetic sense. Byng put down the glass very slowly,
gazing straight before him for a moment without speaking. Then he
looked round. There was no one very near, though curious faces were
turned in his direction, as the grim news of the Raid was passed from
mouth to mouth. He came up close to Stafford and touched his chest with
a firm forefinger.

"Every egg in the basket is broken, Stafford. I'm sure of that. Dr.
Jim'll never get in now; and there'll be no oeufs a la coque for
breakfast. But there's an omelette to be got out of the mess, if the
chef doesn't turn up his nose too high. After all, what has brought
things to this pass? Why, mean, low tyranny and injustice. Why, just a
narrow, jealous race-hatred which makes helots of British men. Simple
farmers, the sentimental newspapers call them--simple Machiavellis in
veldschoen!" *


* A glossary of South African words will be found at the end of the
book.


Stafford nodded assent. "But England is a very conventional chef," he
replied. "She likes the eggs for her omelette broken in the orthodox
way."

"She's not so particular where the eggs come from, is she?"

Stafford smiled as he answered: "There'll be a good many people in
England who won't sleep to-night some because they want Jameson to get
in; some because they don't; but most because they're thinking of the
millions of British money locked up in the Rand, with Kruger standing
over it with a sjambak, which he'll use. Last night at the opera we had
a fine example of presence of mind, when a lady burst into flames on
the stage. That spirited South African prima donna, the Transvaal, is
in flames. I wonder if she really will be saved, and who will save her,
and--"

A light, like the sun, broke over the gloomy and rather haggard face of
Rudyard Byng, and humour shot up into his eyes. He gave a low, generous
laugh, as he said with a twinkle: "And whether he does it at some
expense to himself--with his own overcoat, or with some one else's
cloak. Is that what you want to say?"

All at once the personal element, so powerful in most of us--even in
moments when interests are in existence so great that they should
obliterate all others--came to the surface. For a moment it almost made
Byng forget the crisis which had come to a land where he had done all
that was worth doing, so far in his life; which had burned itself into
his very soul; which drew him, sleeping or waking, into its arms of
memory and longing.

He had read only one paper that morning, and it--the latest attempt at
sensational journalism--had so made him blush at the flattering
references to himself in relation to the incident at the opera, that he
had opened no other. He had left his chambers to avoid the telegrams
and notes of congratulation which were arriving in great numbers. He
had gone for his morning ride in Battersea Park instead of the Row to
escape observation; had afterwards spent two hours at the house he was
building in Park Lane; had then come to the club, where he had
encountered Ian Stafford and had heard the news which overwhelmed him.

"Well, an opera cloak did the work better than an overcoat would have
done," Stafford answered, laughing. "It was a flash of real genius to
think of it. You did think it all out in the second, didn't you?"

Stafford looked at him curiously, for he wondered if the choice of a
soft cloak which could more easily be wrapped round the burning woman
than an overcoat was accidental, or whether it was the product of a
mind of unusual decision.

Byng puffed out a great cloud of smoke and laughed again quietly as he
replied:

"Well, I've had a good deal of lion and rhinoceros shooting in my time,
and I've had to make up my mind pretty quick now and then; so I suppose
it gets to be a habit. You don't stop to think when the trouble's on
you; you think as you go. If I'd stopped to think, I'd have funked the
whole thing, I suppose--jumping from that box onto the stage, and
grabbing a lady in my arms, all in the open, as it were. But that
wouldn't have been the natural man. The natural man that's in most of
us, even when we're not very clever, does things right. It's when the
conventional man comes in and says, Let us consider, that we go wrong.
By Jingo, Al'mah was as near having her beauty spoiled as any woman
ever was; but she's only got a few nasty burns on the arm and has
singed her hair a little."

"You've seen her to-day, then?"

Stafford looked at him with some curiosity, for the event was one
likely to rouse a man's interest in a woman. Al'mah was unmarried, so
far as the world knew, and a man of Byng's kind, if not generally
inflammable, was very likely to be swept off his feet by some unusual
woman in some unusual circumstance. Stafford had never seen Rudyard
Byng talk to any woman but Jasmine for more than five minutes at a
time, though hundreds of eager and avaricious eyes had singled him out
for attention; and, as it seemed absurd that any one should build a
palace in Park Lane to live in by himself, the glances sent in his
direction from many quarters had not been without hopefulness. And
there need not have been, and there was not, any loss of dignity on the
part of match-making mothers in angling for him, for his family was
quite good enough; his origin was not obscure, and his upbringing was
adequate. His external ruggedness was partly natural; but it was also
got from the bitter rough life he had lived for so many years in South
Africa before he had fallen on his feet at Kimberley and Johannesburg.

As for "strange women," during the time that had passed since his
return to England there had never been any sign of loose living. So, to
Stafford's mind, Byng was the more likely to be swept away on a sudden
flood that would bear him out to the sea of matrimony. He had put his
question out of curiosity, and he had not to wait for a reply. It came
frankly and instantly:

"Why, I was at Al'mah's house in Bruton Street at eight o'clock this
morning--with the milkman and the newsboy; and you wouldn't believe it,
but I saw her, too. She'd been up since six o'clock, she said. Couldn't
sleep for excitement and pain, but looking like a pansy blossom all the
same, rigged out as pretty as could be in her boudoir, and a nurse
doing the needful. It's an odd dark kind of beauty she has, with those
full lips and the heavy eyebrows. Well, it was a bull in a china-shop,
as you might judge--and thank you kindly, Mr. Byng, with such a jolly
laugh, and ever and ever and ever so grateful and so
wonderfully--thoughtful, I think, was the word, as though one had
planned it all. And wouldn't I stay to breakfast? And not a bit stagey
or actressy, and rather what you call an uncut diamond--a gem in her
way, but not fine beur, not exactly. A touch of the karoo, or the
prairie, or the salt-bush plains in her, but a good chap altogether;
and I'm glad I was in it last night with her. I laughed a lot at
breakfast--why yes, I stayed to breakfast. Laugh before breakfast and
cry before supper, that's the proverb, isn't it? And I'm crying, all
right, and there's weeping down on the Rand too."

As he spoke Stafford made inward comment on the story being told to
him, so patently true and honest in every particular. It was rather
contradictory and unreasonable, however, to hear this big, shy, rugged
fellow taking exception, however delicately and by inference only, to
the lack of high refinement, to the want of fine fleur, in Al'mah's
personality. It did not occur to him that Byng was the kind of man who
would be comparing Jasmine's quite wonderful delicacy, perfumed grace,
and exquisite adaptability with the somewhat coarser beauty and genius
of the singer. It seemed natural that Byng should turn to a personality
more in keeping with his own, more likely to make him perfectly at ease
mentally and physically.

Stafford judged Jasmine by his own conversations with her, when he was
so acutely alive to the fact that she was the most naturally brilliant
woman he had ever known or met; and had capacities for culture and
attainment, as she had gifts of discernment and skill in thought, in
marked contrast to the best of the ladies of their world. To him she
had naturally shown only the one side of her nature--she adapted
herself to him as she did to every one else; she had put him always at
an advantage, and, in doing so, herself as well.

Full of dangerous coquetry he knew her to be--she had been so from a
child; and though this was culpable in a way, he and most others had
made more than due allowance, because mother-care and loving
surveillance had been withdrawn so soon. For years she had been the
spoiled darling of her father and brothers until her father married
again; and then it had been too late to control her. The wonder was
that she had turned out so well, that she had been so studious, so
determined, so capable. Was it because she had unusual brain and
insight into human nature, and had been wise and practical enough to
see that there was a point where restraint must be applied, and so had
kept herself free from blame or deserved opprobrium, if not entirely
from criticism? In the day when girls were not in the present sense
emancipated, she had the savoir faire and the poise of a married woman
of thirty. Yet she was delicate, fresh, and flower-like, and very
amusing, in a way which delighted men; and she did not antagonize women.

Stafford had ruled Byng out of consideration where she was concerned.
He had not heard her father's remark of the night before, "Jasmine will
marry that nabob--you'll see."

He was, however, recalled to the strange possibilities of life by a
note which was handed to Byng as they stood before the club-room fire.
He could not help but see--he knew the envelope, and no other
handwriting was like Jasmine's, that long, graceful, sliding hand. Byng
turned it over before opening it.

"Hello," he said, "I'm caught. It's a woman's hand. I wonder how she
knew I was here."

Mentally Stafford shrugged his shoulders as he said to himself: "If
Jasmine wanted to know where he was, she'd find out. I wonder--I
wonder."

He watched Byng, over whose face passed a pleased smile.

"Why," Byng said, almost eagerly, "it's from Miss Grenfel--wants me to
go and tell her about Jameson and the Raid."

He paused for an instant, and his face clouded again. "The first thing
I must do is to send cables to Johannesburg. Perhaps there are some
waiting for me at my rooms. I'll go and see. I don't know why I didn't
get news sooner. I generally get word before the Government. There's
something wrong somewhere. Somebody has had me."

"If I were you I'd go to our friend first. When I'm told to go at once,
I go. She wouldn't like cablegrams and other things coming between you
and her command--even when Dr. Jim's riding out of Matabeleland on the
Rand for to free the slaves."

Stafford's words were playful, but there was, almost unknown to
himself, a strange little note of discontent and irony behind.

Byng laughed. "But I'll be able to tell her more, perhaps, if I go to
my rooms first."

"You are going to see her, then?"

"Certainly. There's nothing to do till we get news of Jameson at bay in
a conga or balled up at a kopje." Thrusting the delicately perfumed
letter in his pocket, he nodded, and was gone.

"I was going to see her myself," thought Stafford, "but that settles
it. It will be easier to go where duty calls instead, since Byng takes
my place. Why, she told me to come to-day at this very hour," he added,
suddenly, and paused in his walk towards the door.

"But I want no triangular tea-parties," he continued to reflect....
"Well, there'll be work to do at the Foreign Office, that's sure.
France, Austria, Russia can spit out their venom now and look to their
mobilization. And won't Kaiser William throw up his cap if Dr. Jim gets
caught! What a mess it will be! Well--well--well!"

He sighed, and went on his way brooding darkly; for he knew that this
was the beginning of a great trial for England and all British people.




CHAPTER III

A DAUGHTER OF TYRE


"Monsieur voleur!"

Jasmine looked at him again, as she had done the night before at the
opera, standing quite confidentially close to him, her hand resting in
his big palm like a pad of rose-leaves; while a delicate perfume
greeted his senses. Byng beamed down on her, mystified and eager, yet
by no means impatient, since the situation was one wholly agreeable to
him, and he had been called robber in his time with greater violence
and with a different voice. Now he merely shook his head in humorous
protest, and gave her an indulgent look of inquiry. Somehow he felt
quite at home with her; while yet he was abashed by so much delicacy
and beauty and bloom.

"Why, what else are you but a robber?" she added, withdrawing her hand
rather quickly from the too frank friendliness of his grasp. "You ran
off with my opera-cloak last night, and a very pretty and expensive one
it was."

"Expensive isn't the word," he rejoined; "it was unpurchasable."

She preened herself a little at the phrase. "I returned your overcoat
this morning--before breakfast; and I didn't even receive a note of
thanks for it. I might properly have kept it till my opera cloak came
back."

"It's never coming back," he answered; "and as for my overcoat, I
didn't know it had been returned. I was out all the morning."

"In the Row?" she asked, with an undertone of meaning.

"Well, not exactly. I was out looking for your cloak."

"Without breakfast?" she urged with a whimsical glance.

"Well, I got breakfast while I was looking."

"And while you were indulging material tastes, the cloak hid itself--or
went out and hanged itself?"

He settled himself comfortably in the huge chair which seemed made
especially for him. With a rare sense for details she had had this very
chair brought from the library beyond, where her stepmother, in full
view, was writing letters. He laughed at her words--a deep, round
chuckle it was.

"It didn't exactly hang itself; it lay over the back of a Chesterfield
where I could see it and breakfast too."

"A Chesterfield in a breakfast-room! That's more like the furniture of
a boudoir."

"Well, it was a boudoir." He blushed a little in spite of himself.

"Ah!... Al'mah's? Well, she owed you a breakfast, at least, didn't she?"

"Not so good a breakfast as I got."

"That is putting rather a low price on her life," she rejoined; and a
little smile of triumph gathered at her pink lips; lips a little like
those Nelson loved not wisely yet not too well, if love is worth while
at all.

"T didn't see where you were leading me," he gasped, helplessly. "I
give up. I can't talk in your way."

"What is my way?" she pleaded with a little wave of laughter in her
eyes.

"Why, no frontal attacks--only flank movements, and getting round the
kopjes, with an ambush in a drift here and there."

"That sounds like Paul Kruger or General Joubert," she cried in mock
dismay. "Isn't that what they are doing with Dr. Jameson, perhaps?"

His face clouded. Storm gathered slowly in his eyes, a grimness
suddenly settled in his strong jaw. "Yes," he answered, presently,
"that's what they will be doing; and if I'm not mistaken they'll catch
Jameson just as you caught me just now. They'll catch him at Doornkop
or thereabouts, if I know myself--and Oom Paul."

Her face flushed prettily with excitement. "I want to hear all about
this empire-making, or losing, affair; but there are other things to be
settled first. There's my opera-cloak and the breakfast in the prima
donna's boudoir, and--"

"But, how did you know it was Al'mah?" he asked blankly.

"Why, where else would my cloak be?" she inquired with a little laugh.
"Not at the costumier's or the cleaner's so soon. But, all this horrid
flippancy aside, do you really think I should have talked like this, or
been so exigent about the cloak, if I hadn't known everything; if I
hadn't been to see Al'mah, and spent an hour with her and knew that she
was recovering from that dreadful shock very quickly? But could you
think me so inhuman and unwomanly as not to have asked about her?"

"I wouldn't be in a position to investigate much when you were
talking--not critically," he replied, boldly. "I would only be thinking
that everything you said was all right. It wouldn't occur to me to--"

She half closed her eyes, looking at him with languishing humour. "Now
you must please remember that I am quite young, and may have my head
turned, and--"

"It wouldn't alter my mind about you if you turned your head," he broke
in, gallantly, with a desperate attempt to take advantage of an
opportunity, and try his hand at a game entirely new to him.

There was an instant's pause, in which she looked at him with what was
half-assumed, half-natural shyness. His attempt to play with words was
so full of nature, and had behind it such apparent admiration, that the
unspoiled part of her was suddenly made self-conscious, however
agreeably so. Then she said to him: "I won't say you were brave last
night--that doesn't touch the situation. It wasn't bravery, of course;
it was splendid presence of mind which could only come to a man with
great decision of character. I don't think the newspapers put it at all
in the right way. It wasn't like saving a child from the top of a
burning building, was it?"

"There was nothing in it at all where I was concerned," he replied.
"I've been living a life for fifteen years where you had to move
quick--by instinct, as it were. There's no virtue in it. I was just a
little quicker than a thousand other men present, and I was nearer to
the stage."

"Not nearer than my father or Mr. Stafford."

"They had a bigger shock than I had, I suppose. They got struck numb
for a second. I'm a coarser kind. I have seen lots of sickening things;
and I suppose they don't stun me. We get callous, I fancy, we
veld-rangers and adventurers."

"You seem sensitive enough to fine emotions," she said, almost shyly.
"You were completely absorbed, carried away, by Al'mah's singing last
night. There wasn't a throb of music that escaped you, I should think."

"Well, that's primary instinct. Music is for the most savage natures.
The boor that couldn't appreciate the Taj Mahal, or the sculpture of
Michael Angelo, might be swept off his feet by the music of a master,
though he couldn't understand its story. Besides, I've carried a banjo
and a cornet to the ends of the earth with me. I saved my life with the
cornet once. A lion got inside my zareba in Rhodesia. I hadn't my gun
within reach, but I'd been playing the cornet, and just as he was
crouching I blew a blast from it--one of those jarring discords of
Wagner in the "Gotterdammerung"--and he turned tail and got away into
the bush with a howl. Hearing gets to be the most acute of all the
senses with the pioneer. If you've ever been really dying of thirst,
and have reached water again, its sounds become wonderful to you ever
after that--the trickle of a creek, the wash of a wave on the shore,
the drip on a tin roof, the drop over a fall, the swish of a rainstorm.
It's the same with birds and trees. And trees all make different
sounds--that's the shape of the leaves. It's all music, too."

Her breath came quickly with pleasure at the imagination and
observation of his words. "So it wasn't strange that you should be
ravished by Al'mah's singing last night was it?" She looked at him
keenly. "Isn't it curious that such a marvellous gift should be given
to a woman who in other respects--" she paused.

"Yes, I know what you mean. She's so untrained in lots of ways. That's
what I was saying to Stafford a little while ago. They live in a world
of their own, the stage people. There's always a kind of
irresponsibility. The habit of letting themselves go in their art, I
suppose, makes them, in real life, throw things down so hard when they
don't like them. Living at high pressure is an art like music. It
alters the whole equilibrium, I suppose. A woman like Al'mah would
commit suicide, or kill a man, without realizing the true significance
of it all."

"Were you thinking that when you breakfasted with her?"

"Yes, when she was laughing and jesting--and when she kissed me
good-bye."

"When--she--kissed you--good-bye?"

Jasmine drew back, then half-glanced towards her stepmother in the
other room. She was only twenty-two, and though her emancipation had
been accomplished in its way somewhat in advance of her generation, it
had its origin in a very early period of her life, when she had been
allowed to read books of verse--Shelley, Byron, Shakespeare, Verlaine,
Rossetti, Swinburne, and many others--unchallenged and unguided. The
understanding of things, reserved for "the wise and prudent," had been
at first vaguely and then definitely conveyed to her by slow but subtle
means--an apprehension from instinct, not from knowledge. There had
never been a shock to her mind.

The knowledge of things had grown imperceptibly, and most of life's
ugly meanings were known--at a great distance, to be sure, but still
known. Yet there came a sudden half-angry feeling when she heard
Rudyard Byng say, so loosely, that Al'Mah had kissed him. Was it
possible, then, that a man, that any man, thought she might hear such
things without resentment; that any man thought her to know so much of
life that it did not matter what was said? Did her outward appearance,
then, bear such false evidence?

He did not understand quite, yet he saw that she misunderstood, and he
handled the situation with a tact which seemed hardly to belong to a
man of his training and calibre.

"She thought no more of kissing me," he continued, presently, in a calm
voice--"a man she had seen only once before, and was not likely to see
again, than would a child of five. It meant nothing more to her than
kissing Fanato on the stage. It was pure impulse. She forgot it as soon
as it was done. It was her way of showing gratitude. Somewhat
unconventional, wasn't it? But then, she is a little Irish, a little
Spanish, and the rest Saxon; and she is all artist and bohemian."

Jasmine's face cleared, and her equilibrium was instantly restored. She
was glad she had misunderstood. Yet Al'mah had not kissed her when she
left, while expressing gratitude, too. There was a difference. She
turned the subject, saying: "Of course, she insists on sending me a new
cloak, and keeping the other as a memento. It was rather badly singed,
wasn't it?"

"It did its work well, and it deserves an honoured home. Do you know
that even as I flung the cloak round her, in the excitement of the
moment I 'sensed,' as my young nephew says, the perfume you use."

He lifted his hand, conscious that his fingers still carried some of
that delicate perfume which her fingers left there as they lay in his
palm when she greeted him on his entrance. "It was like an incense from
the cloak, as it blanketed the flames. Strange, wasn't it, that the
undersense should be conscious of that little thing, while the
over-sense was adding a sensational postscript to the opera?"

She smiled in a pleased way. "Do you like the perfume? I really use
very little of it."

"It's like no other. It starts a kind of cloud of ideas floating. I
don't know how to describe it. I imagine myself--"

She interrupted, laughing merrily. "My brother says it always makes him
angry, and Ian Stafford calls it 'The Wild Tincture of
Time'--frivolously and sillily says that it comes from a bank whereon
the 'wild thyme' grows! But now, I want to ask you many questions. We
have been mentally dancing, while down beyond the Limpopo--"

His demeanour instantly changed, and she noted the look cf power and
purpose coming into the rather boyish and good-natured, the rash and
yet determined, face. It was not quite handsome. The features were not
regular, the forehead was perhaps a little too low, and the hair grew
very thick, and would have been a vast mane if it had not been kept
fairly close by his valet. This valet was Krool, a
half-caste--Hottentot and Boer--whom he had rescued from Lobengula in
the Matabele war, and who had in his day been ship-steward, barber,
cook, guide, and native recruiter. Krool had attached himself to Byng,
and he would not be shaken off even when his master came home to
England.

Looking at her visitor with a new sense of observation alive in her,
Jasmine saw the inherent native drowsiness of the nature, the love of
sleep and good living, the healthy primary desires, the striving,
adventurous, yet, in one sense, unambitious soul. The very cleft in the
chin, like the alluring dimple of a child's cheek, enlarged and
hardened, was suggestive of animal beauty, with its parallel suggestion
of indolence. Yet, somehow, too ample as he was both in fact and by
suggestion to the imagination there was an apparent underlying force, a
capacity to do huge things when once roused. He had been roused in his
short day. The life into which he had been thrown with men of vaster
ambition and much more selfish ends than his own, had stirred him to
prodigies of activity in those strenuous, wonderful, electric days when
gold and diamonds changed the hard-bitten, wearied prospector, who had
doggedly delved till he had forced open the hand of the Spirit of the
Earth and caught the treasure that flowed forth, into a millionaire,
into a conqueror, with the world at his feet. He had been of those who,
for many a night and many a year, eating food scarce fit for Kaffirs,
had, in poverty and grim endeavour, seen the sun rise and fall over the
Magaliesberg range, hope alive in the morning and dead at night. He had
faced the devilish storms which swept the high veld with lightning and
the thunderstone, striking men dead as they fled for shelter to the
boulders of some barren, mocking kopje; and he had had the occasional
wild nights of carousal, when the miseries and robberies of life and
time and the ceaseless weariness and hope deferred, were forgotten.

It was all there in his face--the pioneer endeavour, the reckless
effort, the gambler's anxiety, the self-indulgence, the crude passions,
with a far-off, vague idealism, the selfish outlook, and yet great
breadth of feeling, with narrowness of individual purpose. The rough
life, the sordid struggle, had left their mark, and this easy, coaxing,
comfortable life of London had not covered it up--not yet. He still
belonged to other--and higher--spheres.

There was a great contrast between him and Ian Stafford. Ian was
handsome, exquisitely refined, lean and graceful of figure, with a mind
which saw the end of your sentences from the first word, with a skill
of speech like a Damascus blade, with knowledge of a half-dozen
languages. Ian had an allusiveness of conversation which made human
intercourse a perpetual entertainment, and Jasmine's intercourse with
him a delight which lingered after his going until his coming again.
The contrast was prodigious--and perplexing, for Rudyard Byng had
qualities which compelled her interest. She sighed as she reflected.

"I suppose you can't get three millions all to yourself with your own
hands without missing a good deal and getting a good deal you could do
without," she said to herself, as he wonderingly interjected the
exclamation:

"Now, what do you know of the Limpopo? I'll venture there isn't another
woman in England who even knows the name."

"I always had a thirst for travel, and I've read endless books of
travel and adventure," she replied. "I'd have been an explorer, or a
Cecil Rhodes, if I had been a man."

"Can you ride?" he asked, looking wonderingly at her tiny hand, her
slight figure, her delicate face with its almost impossible pink and
white.

"Oh, man of little faith!" she rejoined. "I can't remember when I
didn't ride. First a Shetland pony, and now at last I've reached
Zambesi--such a wicked dear."

"Zambesi--why Zambesi? One would think you were South African."

She enjoyed his mystification. Then she grew serious and her eyes
softened. "I had a friend--a girl, older than I. She married. Well,
he's an earl now, the Earl of Tynemouth, but he was the elder son then,
and wild for sport. They went on their honeymoon to shoot in Africa,
and they visited the falls of the Zambesi. She, my friend, was standing
on the edge of the chasm--perhaps you know it--not far from
Livingstone's tree, between the streams. It was October, and the river
was low. She put up her big parasol. A gust of wind suddenly caught it,
and instead of letting the thing fly, she hung on, and was nearly swept
into the chasm. A man with them pulled her back in time--but she hung
on to that red parasol. Only when it was all over did she realize what
had really happened. Well, when she came back to England, as a kind of
thank-offering she gave me her father's best hunter. That was like her,
too; she could always make other people generous. He is a beautiful
Satan, and I rechristened him Zambesi. I wanted the red parasol, too,
but Alice Tynemouth wouldn't give it to me."

"So she gave it to the man who pulled her back. Why not?"

"How do you know she did that?"

"Well, it hangs in an honoured place in Stafford's chambers. I
conjecture right, do I?"

Her eyes darkened slowly, and a swift-passing shadow covered her
faintly smiling lips; but she only said, "You see he was entitled to
it, wasn't he?" To herself, however, she whispered, "Neither of
them--neither ever told me that."

At that moment the door opened, and a footman came forward to Rudyard
Byng. "If you please, sir, your servant says, will you see him. There
is news from South Africa."

Byng rose, but Jasmine intervened. "No, tell him to come here," she
said to the footman. "Mayn't he?" she asked.

Byng nodded, and remained standing. He seemed suddenly lost to her
presence, and with head dropped forward looked into space, engrossed,
intense.

Jasmine studied him as an artist would study a picture, and decided
that he had elements of the unusual, and was a distinct personality.
Though rugged, he was not uncouth, and there was nothing of the nouveau
riche about him. He did not wear a ring or scarf-pin, his watch-chain
was simple and inconspicuous enough for a school-boy--and he was worth
three million pounds, with a palace building in Park Lane and a feudal
castle in Wales leased for a period of years. There was nothing greatly
striking in his carriage; indeed, he did not make enough of his height
and bulk; but his eye was strong and clear, his head was powerful, and
his quick smile was very winning. Yet--yet, he was not the type of man
who, to her mind should have made three millions at thirty-three. It
did not seem to her that he was really representative of the great
fortune-builders--she had her grandfather and others closely in mind.
She had seen many captains of industry and finance in her grandfather's
house, men mostly silent, deliberate and taciturn, and showing in their
manner and persons the accumulated habits of patience, force, ceaseless
aggression and domination.

Was it only luck which had given Rudyard Byng those three millions? It
could not be just that alone. She remembered her grandfather used to
say that luck was a powerful ingredient in the successful career of
every man, but that the man was on the spot to take the luck, knew when
to take it, and how to use it. "The lucky man is the man that sits up
watching for the windfall while other men are sleeping"--that was the
way he had put it. So Rudyard Byng, if lucky, had also been of those
who had grown haggard with watching, working and waiting; but not a
hair of his head had whitened, and if he looked older than he was,
still he was young enough to marry the youngest debutante in England
and the prettiest and best-born. He certainly had inherent breeding.
His family had a long pedigree, and every man could not be as
distinguished-looking as Ian Stafford--as Ian Stafford, who, however,
had not three millions of pounds; who had not yet made his name and
might never do so.

She flushed with anger at herself that she should be so disloyal to
Ian, for whom she had pictured a brilliant future--ambassador at Paris
or Berlin, or, if he chose, Foreign Minister in Whitehall--Ian,
gracious, diligent, wonderfully trained, waiting, watching for his luck
and ready to take it; and to carry success, when it came, like a prince
of princelier days. Ian gratified every sense in her, met every demand
of an exacting nature, satisfied her unusually critical instinct, and
was, in effect, her affianced husband. Yet it was so hard to wait for
luck, for place, for power, for the environment where she could do
great things, could fill that radiant place which her cynical and
melodramatic but powerful and sympathetic grandfather had prefigured
for her. She had been the apple of that old man's eye, and he had
filled her brain--purposely--with ambitious ideas. He had done it when
she was very young, because he had not long to stay; and he had
overcoloured the pictures in order that the impression should be vivid
and indelible when he was gone. He had meant to bless, for, to his
mind, to shine, to do big things, to achieve notoriety, to attain
power, "to make the band play when you come," was the true philosophy
of life. And as this philosophy, successful in his case, was
accompanied by habits of life which would bear the closest inspection
by the dean and chapter, it was a difficult one to meet by argument or
admonition. He had taught his grandchild as successfully as he had
built the structure of his success. He had made material things the
basis of life's philosophy and purpose; and if she was not wholly
materialistic, it was because she had drunk deep, for one so young, at
the fountains of art, poetry, sculpture and history. For the last she
had a passion which was represented by books of biography without
number, and all the standard historians were to be found in her bedroom
and her boudoir. Yet, too, when she had opportunity--when Lady
Tynemouth brought them to her--she read the newest and most daring
productions of a school of French novelists and dramatists who saw the
world with eyes morally astigmatic and out of focus. Once she had
remarked to Alice Tynemouth:

"You say I dress well, yet it isn't I. It's my dressmaker. I choose the
over-coloured thing three times out of five--it used to be more than
that. Instinctively I want to blaze. It is the same in everything. I
need to be kept down, but, alas! I have my own way in everything. I
wish I hadn't, for my own good. Yet I can't brook being ruled."

To this Alice had replied: "A really selfish husband--not a difficult
thing to find--would soon keep you down sufficiently. Then you'd choose
the over-coloured thing not more than two times, perhaps one time, out
of five. Your orientalism is only undisciplined self-will. A little
cruelty would give you a better sense of proportion in colour--and
everything else. You have orientalism, but little or no orientation."

Here, now, standing before the fire, was that possible husband who, no
doubt, was selfish, and had capacities for cruelty which would give her
greater proportion--and sense of colour. In Byng's palace, with three
millions behind her--she herself had only the tenth of one million--she
could settle down into an exquisitely ordered, beautiful, perfect life
where the world would come as to a court, and--

Suddenly she shuddered, for these thoughts were sordid, humiliating,
and degrading. They were unbidden, but still they came. They came from
some dark fountain within herself. She really wanted--her idealistic
self wanted--to be all that she knew she looked, a flower in life and
thought. But, oh, it was hard, hard for her to be what she wished! Why
should it be so hard for her?

She was roused by a voice. "Cronje!" it said in a deep, slow, ragged
note.

Byng's half-caste valet, Krool, sombre of face, small, lean, ominous,
was standing in the doorway.

"Cronje! ... Well?" rejoined Byng, quietly, yet with a kind of smother
in the tone.

Krool stretched out a long, skinny, open hand, and slowly closed the
fingers up tight with a gesture suggestive of a trap closing upon a
crushed captive.

"Where?" Byng asked, huskily.

"Doornkop," was the reply; and Jasmine, watching closely, fascinated by
Krool's taciturnity, revolted by his immobile face, thought she saw in
his eyes a glint of malicious and furtive joy. A dark premonition
suddenly flashed into her mind that this creature would one day,
somehow, do her harm; that he was her foe, her primal foe, without
present or past cause for which she was responsible; but still a
foe--one of those antipathies foreordained, one of those evil
influences which exist somewhere in the universe against every
individual life.

"Doornkop--what did I say!" Byng exclaimed to Jasmine. "I knew they'd
put the double-and-twist on him at Doornkop, or some such place; and
they've done it--Kruger and Joubert. Englishmen aren't slim enough to
be conspirators. Dr. Jim was going it blind, trusting to good luck,
gambling with the Almighty. It's bury me deep now. It's Paul Kruger
licking his chops over the savoury mess. 'Oh, isn't it a pretty dish to
set before the king!' What else, Krool?"

"Nothing, Baas."

"Nothing more in the cables?"

"No, Baas."

"That will do, Krool. Wait. Go to Mr. Whalen. Say I want him to bring a
stenographer and all the Partners--he'll understand--to me at ten
to-night."

"Yes, Baas."

Krool bowed slowly. As he raised his head his eyes caught those of
Jasmine. For an instant they regarded each other steadily, then the
man's eyes dropped, and a faint flush passed over his face. The look
had its revelation which neither ever forgot. A quiver of fear passed
through Jasmine, and was followed by a sense of self-protection and a
hardening of her will, as against some possible danger.

As Krool left the room he said to himself: "The Baas speaks her for his
vrouw. But the Baas will go back quick to the Vaal--p'r'aps."

Then an evil smile passed over his face, as he thought of the fall of
the Rooinek--of Dr. Jim in Oom Paul's clutches. He opened and shut his
fingers again with a malignant cruelty.

Standing before the fire, Byng said to Jasmine meditatively, with that
old ironic humour which was always part of him: "'Fee, fo, fi, fum, I
smell the blood of an Englishman.'"

Her face contracted with pain. "They will take Dr. Jim's life?" she
asked, solemnly.

"It's hard to tell. It isn't him alone. There's lots of others that we
both know."

"Yes, yes, of course. It's terrible, terrible," she whispered.

"It's more terrible than it looks, even now. It's a black day for
England. She doesn't know yet how black it is. I see it, though; I see
it. It's as plain as an open book. Well, there's work to do, and I must
be about it. I'm off to the Colonial Office. No time to lose. It's a
job that has no eight-hours shift."

Now the real man was alive. He was transformed. The face was set and
quiet. He looked concentrated will and power as he stood with his hands
clasped behind him, his shoulders thrown back, his eyes alight with
fire and determination. To herself Jasmine seemed to be moving in the
centre of great events, having her fingers upon the levers which work
behind the scenes of the world's vast schemes, standing by the secret
machinery of government.

"How I wish I could help you," she said, softly, coming nearer to him,
a warm light in her liquid blue eyes, her exquisite face flushing with
excitement, her hands clasped in front of her.

As Byng looked at her, it seemed to him that sweet honesty and
high-heartedness had never had so fine a setting; that never had there
been in the world such an epitome of talent, beauty and sincerity. He
had suddenly capitulated, he who had ridden unscathed so long. If he
had dared he would have taken her in his arms there and then; but he
had known her only for a day. He had been always told that a woman must
be wooed and won, and to woo took time. It was not a task he
understood, but suddenly it came to him that he was prepared to do it;
that he must be patient and watch and serve, and, as he used to do,
perhaps, be elate in the morning and depressed at night, till the day
of triumph came and his luck was made manifest.

"But you can help me, yes, you can help me as no one else can," he said
almost hoarsely, and his hands moved a little towards her.

"You must show me how," she said, scarce above a whisper, and she drew
back slightly, for this look in his eyes told its own story.

"When may I come again?" he asked.

"I want so much to hear everything about South Africa. Won't you come
to-morrow at six?" she asked.

"Certainly, to-morrow at six," he answered, eagerly, "and thank you."

His honest look of admiration enveloped her as her hand was again lost
in his strong, generous palm, and lay there for a moment thrilling
him.... He turned at the door and looked back, and the smile she gave
seemed the most delightful thing he had ever seen.

"She is a flower, a jasmine-flower," he said, happily, as he made his
way into the street.

When he had gone she fled to her bedroom. Standing before the mirror,
she looked at herself long, laughing feverishly. Then suddenly she
turned and threw herself upon the bed, bursting into a passion of
tears. Sobs shook her.

"Oh, Ian," she said, raising her head at last, "oh, Ian, Ian, I hate
myself!"

Down in the library her stepmother was saying to her father, "You are
right, Jasmine will marry the nabob."

"I am sorry for Ian Stafford," was the response.

"Men get over such things," came the quietly cynical reply.

"Jasmine takes a lot of getting over," answered Jasmine's father. "She
has got the brains of all the family, the beauty her family never
had--the genius of my father, and the wilfulness, and--"

He paused, for, after all, he was not talking to the mother of his
child.

"Yes, all of it, dear child," was the enigmatical reply.

"I wish--Nelly, I do wish that--"

"Yes, I know what you wish, Cuthbert, but it's no good. I'm not of any
use to her. She will work out her own destiny alone--as her grandfather
did."

"God knows I hope not! A man can carry it off, but a woman--"

Slow and almost stupid as he was, he knew that her inheritance from her
grandfather's nature was a perilous gift.




CHAPTER IV

THE PARTNERS MEET


England was more stunned than shocked. The dark significance, the evil
consequences destined to flow from the Jameson Raid had not yet reached
the general mind. There was something gallant and romantic in this wild
invasion: a few hundred men, with no commissariat and insufficient
clothing, with enough ammunition and guns for only the merest flurry of
battle, doing this unbelievable gamble with Fate--challenging a
republic of fighting men with well-stocked arsenals and capable
artillery, with ample sources of supply, with command of railways and
communications. It was certainly magnificent; but it was magnificent
folly.

It did not take England long to decide that point; and not even the
Laureate's paean in the organ of the aristocracy and upper middle class
could evoke any outburst of feeling. There was plenty of admiration for
the pluck and boldness, for the careless indifference with which the
raiders risked their lives; for the romantic side of the dash from
Pitsani to the Rand; but the thing was so palpably impossible, as it
was carried out, that there was not a knowing mind in the Islands which
would not have echoed Rhodes' words, "Jameson has upset the apple-cart."

Rudyard Byng did not visit Jasmine the next evening at six o'clock. His
world was all in chaos, and he had not closed his eyes to sleep since
he had left her. At ten o'clock at night, as he had arranged, "The
Partners" and himself met at his chambers, around which had gathered a
crowd of reporters and curious idlers; and from that time till the grey
dawn he and they had sat in conference. He had spent two hours at the
Colonial Office after he left Jasmine, and now all night he kneaded the
dough of a new policy with his companions in finance and misfortune.

There was Wallstein, the fairest, ablest, and richest financier of them
all, with a marvellous head for figures and invaluable and commanding
at the council-board, by virtue of his clear brain and his power to
co-ordinate all the elements of the most confusing financial problems.
Others had by luck and persistence made money--the basis of their
fortunes; but Wallstein had showed them how to save those fortunes and
make them grow; had enabled them to compete successfully with the games
of other great financiers in the world's stock-markets. Wallstein was
short and stout, with a big blue eye and an unwrinkled forehead;
prematurely aged from lack of exercise and the exciting air of the high
veld; from planning and scheming while others slept; from an inherent
physical weakness due to the fact that he was one of twin sons, to his
brother being given great physical strength, to himself a powerful
brain for finance and a frail if ample body. Wallstein knew little and
cared less about politics; yet he saw the use of politics in finance,
and he did not stick his head into the sand as some of his colleagues
did when political activities hampered their operations. In
Johannesburg he had kept aloof from the struggle with Oom Paul, not
from lack of will, but because he had no stomach for daily intrigue and
guerrilla warfare and subterranean workings; and he was convinced that
only a great and bloody struggle would end the contest for progress and
equal rights for all white men on the Rand. His inquiries had been bent
towards so disposing the financial operations, so bulwarking the mining
industry by sagacious designs, that, when the worst came, they all
would be able to weather the storm. He had done his work better than
his colleagues knew, or indeed even himself knew.

Probably only Fleming the Scotsman--another of the Partners--with a
somewhat dour exterior, an indomitable will, and a caution which
compelled him to make good every step of the way before him, and so
cultivate a long sight financially and politically, understood how
extraordinary Wallstein's work had been--only Fleming, and Rudyard
Byng, who knew better than any and all.

There was also De Lancy Scovel, who had become a biggish figure in the
Rand world because he had been a kind of financial valet to Wallstein
and Byng, and, it was said, had been a real unofficial valet to Rhodes,
being an authority on cooking, and on brewing a punch, and a master of
commissariat in the long marches which Rhodes made in the days when he
trekked into Rhodesia. It was indeed said that he had made his first
ten thousand pounds out of two trips which Rhodes made en route to
Lobengula, and had added to this amount on the principle of compound
multiplication when the Matabele war came; for here again he had a
collateral interest in the commissariat.

Rhodes, with a supreme carelessness in regard to money, with an
indifference to details which left his mind free for the working of a
few main ideas, had no idea how many cheques he gave on the spur of the
moment to De Lancy Scovel in this month or in that, in this year or in
that, for this thing or for that--cheques written very often on the
backs of envelopes, on the white margin of a newspaper, on the fly-leaf
of a book or a blank telegraph form. The Master Man was so stirred by
half-contemptuous humour at the sycophancy and snobbery of his vain
slave, who could make a salad out of anything edible, that, caring
little what men were, so long as they did his work for him, he once
wrote a cheque for two thousand pounds on the starched cuff of his
henchman's "biled shirt" at a dinner prepared for his birthday.

So it was that, with the marrow-bones thrown to him, De Lancy Scovel
came to a point where he could follow Wallstein's and Rhodes' lead
financially, being privy to their plans, through eavesdropping on the
conferences of his chiefs. It came as a surprise to his superiors that
one day's chance discovery showed De Lancy Scovel to be worth fifty
thousand pounds; and from that time on they used him for many a purpose
in which it was expedient their own hands should not appear. They felt
confident that a man who could so carefully and secretly build up his
own fortune had a gift which could be used to advantage. A man who
could be so subterranean in his own affairs would no doubt be equally
secluded in their business. Selfishness would make him silent. And so
it was that "the dude" of the camp and the kraal, the factotum, who in
his time had brushed Rhodes' clothes when he brushed his own, after the
Kaffir servant had messed them about, came to be a millionaire and one
of the Partners. For him South Africa had no charms. He was happy in
London, or at his country-seat in Leicestershire, where he followed the
hounds with a temerity which was at base vanity; where he gave the
county the best food to be got outside St. Petersburg or Paris; where
his so-called bachelor establishment was cared for by a coarse,
gray-haired housekeeper who, the initiated said, was De Lancy's South
African wife, with a rooted objection to being a lady or "moving in
social circles"; whose pleasure lay in managing this big household
under De Lancy's guidance. There were those who said they had seen her
brush a speck of dust from De Lancy's coat-collar, as she emerged from
her morning interview with him; and others who said they had seen her
hidden in the shrubbery listening to the rather flaccid conversation of
her splendid poodle of a master.

There were others who had climbed to success in their own way, some by
happy accident, some by a force which disregarded anything in their
way, and some by sheer honest rough merit, through which the soul of
the true pioneer shone.

There was also Barry Whalen, who had been educated as a doctor, and,
with a rare Irish sense of adaptability and amazing Celtic cleverness,
had also become a mining engineer, in the days when the Transvaal was
emerging from its pioneer obscurity into the golden light of mining
prosperity. Abrupt, obstinately honest, and sincere; always protesting
against this and against that, always the critic of authority, whether
the authority was friend or foe; always smothering his own views in the
moment when the test of loyalty came; always with a voice like a young
bull and a heart which would have suited a Goliath, there was no one
but trusted Barry, none that had not hurried to him in a difficulty;
not because he was so wise, but because he was so true. He would never
have made money, in spite of the fact that his prescience, his mining
sense, his diagnosis of the case of a mine, as Byng called it, had been
a great source of wealth to others, had it not been for Wallstein and
Byng.

Wallstein had in him a curious gentleness and human sympathy, little in
keeping with the view held of him by that section of the British press
which would willingly have seen England at the mercy of Paul
Kruger--for England's good, for her soul's welfare as it were, for her
needed chastisement. He was spoken of as a cruel, tyrannical, greedy
German Jew, whose soul was in his own pocket and his hand in the
pockets of the world. In truth he was none of these things, save that
he was of German birth, and of as good and honest German origin as
George of Hanover and his descendants, if not so distinguished.
Wallstein's eye was an eye of kindness, save in the vision of business;
then it saw without emotion to the advantage of the country where he
had made his money, and to the perpetual advantage of England, to whom
he gave an honourable and philanthropic citizenship. His charities were
not of the spectacular kind; but many a poor and worthy, and often
unworthy, unfortunate was sheltered through bad days and heavy weather
of life by the immediate personal care of "the Jew Mining Magnate, who
didn't care a damn what happened to England so long as his own nest was
well lined!"

It was Wallstein who took heed of the fact that, as he became rich,
Barry Whalen remained poor; and it was he who took note that Barry had
a daughter who might any day be left penniless with frail health and no
protector; and taking heed and note, it was he made all the Partners
unite in taking some financial risks and responsibilities for Barry,
when two new mines were opened--to Barry's large profit. It was
characteristic of Barry, however, that, if they had not disguised their
action by financial devices, and by making him a Partner, because he
was needed professionally and intellectually and for other business
reasons, nicely phrased to please his Celtic vanity, he would have
rejected the means to the fortune which came to him. It was a far
smaller fortune than any of the others had; but it was sufficient for
him and for his child. So it was that Barry became one of the Partners,
and said things that every one else would hesitate to say, but were
glad to hear said.

Others of the group were of varying degrees of ability and interest and
importance. One or two were poltroons in body and mind, with only a
real instinct for money-making and a capacity for constructive
individualism. Of them the most conspicuous was Clifford Melville,
whose name was originally Joseph Sobieski, with habitat Poland, whose
small part in this veracious tale belongs elsewhere.

Each had his place, and all were influenced by the great schemes of
Rhodes and their reflection in the purposes and actions of Wallstein.
Wallstein was inspired by the dreams and daring purposes of Empire
which had driven Rhodes from Table Mountain to the kraal of Lobengula
and far beyond; until, at last, the flag he had learned to love had
been triumphantly trailed from the Cape to Cairo.

Now in the great crisis, Wallstein, of them all, was the most
self-possessed, save Rudyard Byng. Some of the others were paralyzed.
They could only whine out execrations on the man who had dared
something; who, if he had succeeded, would have been hailed as the
great leader of a Revolution, not the scorned and humiliated captain of
a filibustering expedition. A triumphant rebellion or raid is always a
revolution in the archives of a nation. These men were of a class who
run for cover before a battle begins, and can never be kept in the
fighting-line except with the bayonet in the small of their backs.
Others were irritable and strenuous, bitter in their denunciations of
the Johannesburg conspirators, who had bungled their side of the
business and who had certainly shown no rashness. At any rate, whatever
the merits of their case, no one in England accused the Johannesburgers
of foolhardy courage or impassioned daring. They were so busy in trying
to induce Jameson to go back that they had no time to go forward
themselves. It was not that they lost their heads, their hearts were
the disappearing factors.

At this gloomy meeting in his house, Byng did not join either of the
two sections who represented the more extreme views and the unpolitical
minds. There was a small section, of which he was one, who were not
cleverer financially than their friends, but who had political sense
and intuition; and these, to their credit, were more concerned, at this
dark moment, for the political and national consequences of the Raid,
than for the certain set-back to the mining and financial enterprises
of the Rand. A few of the richest of them were the most hopeless
politically--ever ready to sacrifice principle for an extra dividend of
a quarter per cent.; and, in their inmost souls, ready to bow the knee
to Oom Paul and his unwholesome, undemocratic, and corrupt government,
if only the dividends moved on and up.

Byng was not a great genius, and he had never given his natural
political talent its full chance; but his soul was bigger than his
pocket. He had a passionate love for the land--for England--which had
given him birth; and he had a decent pride in her honour and good name.
So it was that he had almost savagely challenged some of the sordid
deliberations of this stern conference. In a full-blooded and manly
appeal he begged them "to get on higher ground." If he could but have
heard it, it would have cheered the heart of the broken and discredited
pioneer of Empire at Capetown, who had received his death-warrant, to
take effect within five years, in the little cottage at Muizenberg by
the sea; as great a soul in posse as ever came from the womb of the
English mother; who said as he sat and watched the tide flow in and
out, and his own tide of life ebbed, "Life is a three days' trip to the
sea-shore: one day in going, one day in settling down, and one day in
packing up again."

Byng had one or two colleagues who, under his inspiration, also took
the larger view, and who looked ahead to the consequences yet to flow
from the fiasco at Doornkop, which became a tragedy. What would happen
to the conspirators of Johannesburg? What would happen to Jameson and
Willoughby and Bobby White and Raleigh Grey? Who was to go to South
Africa to help in holding things together, and to prevent the worst
happening, if possible? At this point they had arrived when they saw--

   ... The dull dank morn stare in,
   Like a dim drowned face with oozy eyes.


A more miserable morning seldom had broken, even in England.

"I will go. I must go," remarked Byng at last, though there was a
strange sinking of the heart as he said it. Even yet the perfume of
Jasmine's cloak stole to his senses to intoxicate them. But it was his
duty to offer to go; and he felt that he could do good by going, and
that he was needed at Johannesburg. He, more than all of them, had been
in open conflict with Oom Paul in the the past, had fought him the most
vigorously, and yet for him the old veldschoen Boer had some regard and
much respect, in so far as he could respect a Rooinek at all.

"I will go," Byng repeated, and looked round the table at haggard
faces, at ashen faces, at the faces of men who had smoked to quiet
their nerves, or drunk hard all night to keep up their courage. How
many times they had done the same in olden days, when the millions were
not yet arrived, and their only luxury was companionship and
champagne--or something less expensive.

As Byng spoke, Krool entered the room with a great coffee-pot and a
dozen small white bowls. He heard Byng's words, and for a moment his
dark eyes glowed with a look of evil satisfaction. But his immobile
face showed nothing, and he moved like a spirit among them his lean
hand putting a bowl before each person, like a servitor of Death
passing the hemlock-brew.

At his entrance there was instant silence, for, secret as their
conference must be, this half-caste, this Hottentot-Boer, must hear
nothing and know nothing. Not one of them but resented his being Byng's
servant. Not one but felt him a danger at any time, and particularly
now. Once Barry Whalen, the most outwardly brusque and apparently frank
of them all, had urged Byng to give Krool up, but without avail; and
now Barry eyed the half-caste with a resentful determination. He knew
that Krool had heard Byng's words, for he was sitting opposite the
double doors, and had seen the malicious eyes light up. Instantly,
however, that light vanished. They all might have been wooden men, and
Krool but a wooden servitor, so mechanical and concentrated were his
actions. He seemed to look at nobody; but some of them shrank a little
as he leaned over and poured the brown, steaming liquid and the hot
milk into the bowls. Only once did the factotum look at anybody
directly, and that was at Byng just as he was about to leave the room.
Then Barry Whalen saw him glance searchingly at his master's face in a
mirror, and again that baleful light leaped up in his eyes.

When he had left the room, Barry Whalen said, impulsively: "Byng, it's
all damn foolery your keeping that fellow about you. It's dangerous,
'specially now."

"Coffee's good, isn't it? Think there's poison in it?" Byng asked with
a contemptuous little laugh. "Sugar--what?" He pushed the great bowl of
sugar over the polished table towards Barry.

"Oh, he makes you comfortable enough, but--"

"But he makes you uncomfortable, Barry? Well, we're bound to get on one
another's nerves one way or another in this world when the east wind
blows; and if it isn't the east wind, it's some other wind. We're
living on a planet which has to take the swipes of the universe,
because it has permitted that corrupt, quarrelsome, and pernicious
beast, man, to populate the hemispheres. Krool is staying on with me,
Barry."

"We're in heavy seas, and we don't want any wreckers on the shore," was
the moody and nervously indignant reply.

"Well, Krool's in the heavy seas, all right, too--with me."

Barry Whalen persisted. "We're in for complications, Byng. England has
to take a hand in the game now with a vengeance. We don't want any
spies. He's more Boer than native."

"There'll be nothing Krool can get worth spying for. If we keep our
mouths shut to the outside world, we'll not need fear any spies. I'm
not afraid of Krool. We'll not be sold by him. Though some one inside
will sell us perhaps--as the Johannesburg game was sold by some one
inside."

There was a painful silence, and more than one man looked at his
fellows furtively.

"We will do nothing that will not bear the light of day, and then we
need not fear any spying," continued Byng.

"If we have secret meetings and intentions which we don't make public,
it is only what governments themselves have; and we keep them quiet to
prevent any one taking advantage of us; but our actions are
justifiable. I'm going to do nothing I'm ashamed of; and when it's
necessary, or when and if it seems right to do so, I'll put all my
cards on the table. But when I do, I'll see that it's a full hand--if I
can."

There was a silence for a moment after he had ended, then some one said:

"You think it's best that you should go? You want to go to
Johannesburg?"

"I didn't say anything about wanting to go. I said I'd go because one
of us--or two of us--ought to go. There's plenty to do here; but if I
can be any more use out there, why, Wallstein can stay here, and--"

He got no further, for Wallstein, to whom he had just referred, and who
had been sitting strangely impassive, with his eyes approvingly fixed
on Byng, half rose from his chair and fell forward, his thick, white
hands sprawling on the mahogany table, his fat, pale face striking the
polished wood with a thud. In an instant they were all on their feet
and at his side.

Barry Whalen lifted up his head and drew him back into the chair, then
three of them lifted him upon a sofa. Barry's hand felt the breast of
the prostrate figure, and Byng's fingers sought his wrist. For a moment
there was a dreadful silence, and then Byng and Whalen looked at each
other and nodded.

"Brandy!" said Byng, peremptorily.

"He's not dead?" whispered some one.

"Brandy--quick," urged Byng, and, lifting up the head a little, he
presently caught the glass from Whalen's hand and poured some brandy
slowly between the bluish lips. "Some one ring for Krool," he added.

A moment later Krool entered. "The doctor--my doctor and his own--and a
couple of nurses," Byng said, sharply, and Krool nodded and vanished.
"Perhaps it's only a slight heart-attack, but it's best to be on the
safe side."

"Anyhow, it shows that Wallstein needs to let up for a while,"
whispered Fleming.

"It means that some one must do Wallstein's work here," said Barry
Whalen. "It means that Byng stays in London," he added, as Krool
entered the room again with a rug to cover Wallstein.

Barry saw Krool's eyes droop before his words, and he was sure that the
servant had reasons for wishing his master to go to South Africa. The
others present, however, only saw a silent, magically adept figure
stooping over the sick man, adjusting the body to greater ease,
arranging skilfully the cushion under the head, loosening and removing
the collar and the boots, and taking possession of the room, as though
he himself were the doctor; while Byng looked on with satisfaction.

"Useful person, eh?" he said, meaningly, in an undertone to Barry
Whalen.

"I don't think he's at home in England," rejoined Barry, as meaningly
and very stubbornly: "He won't like your not going to South Africa."

"Am I not going to South Africa?" Byng asked, mechanically, and looking
reflectively at Krool.

"Wallstein's a sick man, Byng. You can't leave London. You're the only
real politician among us. Some one else must go to Johannesburg."

"You--Barry?"

"You know I can't, Byng--there's my girl. Besides, I don't carry enough
weight, anyhow, and you know that too."

Byng remembered Whalen's girl--stricken down with consumption a few
months before. He caught Whalen's arm in a grip of friendship. "All
right, dear old man," he said, kindly. "Fleming shall go, and I'll
stay. Yes, I'll stay here, and do Wallstein's work."

He was still mechanically watching Krool attend to the sick man, and he
was suddenly conscious of an arrest of all motion in the half-caste's
lithe frame. Then Krool turned, and their eyes met. Had he drawn
Krool's eyes to his--the master-mind influencing the subservient
intelligence?

"Krool wants to go to South Africa," he said to himself with a strange,
new sensation which he did not understand, though it was not quite a
doubt. He reassured himself. "Well, it's natural he should. It's his
home.... But Fleming must go to Johannesburg. I'm needed most here."

There was gratitude in his heart that Fate had decreed it so. He was
conscious of the perfume from Jasmine's cloak searching his senses,
even in this hour when these things that mattered--the things of
Fate--were so enormously awry.




CHAPTER V

A WOMAN TELLS HER STORY


"Soon he will speak you. Wait here, madame."

Krool passed almost stealthily out.

Al'mah looked round the rather formal sitting-room, with its somewhat
incongruous furnishing--leopard-skins from Bechuanaland; lion-skins
from Matabeleland; silver-mounted tusks of elephants from Eastern Cape
Colony and Portuguese East Africa; statues and statuettes of classical
subjects; two or three Holbeins, a Rembrandt, and an El Greco on the
walls; a piano, a banjo, and a cornet; and, in the corner, a little
roulette-table. It was a strange medley, in keeping, perhaps, with the
incongruously furnished mind of the master of it all; it was expressive
of tastes and habits not yet settled and consistent.

Al'mah's eyes had taken it all in rather wistfully, while she had
waited for Krool's return from his master; but the wistfulness was due
to personal trouble, for her eyes were clouded and her motions languid.
But when she saw the banjo, the cornet, and the roulette-table, a deep
little laugh rose to her full red lips.

"How like a subaltern, or a colonial civil servant!" she said to
herself.

She reflected a moment, then pursued the thought further: "But there
must be bigness in him, as well as presence of mind and depth of
heart--yes, I'm sure his nature is deep."

She remembered the quick, protecting hands which had wrapped her round
with Jasmine Grenfel's cloak, and the great arms in which she had
rested, the danger over.

"There can't be much wrong with a nature like his, though Adrian hates
him so. But, of course, Adrian would. Besides, Adrian will never get
over the drop in the mining-stock which ruined him--Rudyard Byng's
mine.... It's natural for Adrian to hate him, I suppose," she added
with a heavy sigh.

Mentally she took to comparing this room with Adrian Fellowes'
sitting-room overlooking the Thames Embankment, where everything was in
perfect taste and order, where all was modulated, harmonious, soigne
and artistic. Yet, somehow, the handsome chambers which hung over the
muddy river with its wonderful lights and shades, its mists and
radiance, its ghostly softness and greyness, lacked in something that
roused imagination, that stirred her senses here--the vital being in
her.

It was power, force, experience, adventure. They were all here. She
knew the signs: the varied interests, the primary emotions, music, art,
hunting, prospecting, fighting, gambling. They were mixed with the
solid achievement of talent and force in the business of life. Here was
a model of a new mining-drill, with a picture of the stamps working in
the Work-and-Wonder mine, together with a model of the Kaffir compound
at Kimberley, with the busy, teeming life behind the wire boundaries.

Thus near was Byng to the ways of a child, she thought, thus near to
the everlasting intelligence and the busy soul of a constructive and
creative Deity--if there was a Deity. Despite the frequent laughter on
her tongue and in her eyes, she doubted bitterly at times that there
was a Deity. For how should happen the awful tragedies which
encompassed men and peoples, if there was a Deity. No benign Deity
could allow His own created humanity to be crushed in bleeding masses,
like the grapes trampled in the vats of a vineyard. Whole cities
swallowed up by earthquake; islands swept of their people by a tidal
wave; a vast ship pierced by an iceberg and going down with its
thousand souls; provinces spread with the vile elements of a plague
which carpeted the land with dead; mines flooded by water or devastated
by fire; the little new-born babe left without the rightful breast to
feed it; the mother and her large family suddenly deprived of the
breadwinner; old men who had lived like saints, giving their all to
their own and to the world, driven to the degradation of the poorhouse
in the end--ah, if one did not smile, one would die of weeping, she
thought.

Al'mah had smiled her way through the world; with a quick word of
sympathy for any who were hurt by the blows of life or time; with an
open hand for the poor and miserable,--now that she could afford
it--and hiding her own troubles behind mirth and bonhommie; for her
humour, as her voice, was deep and strong like that of a man. It was
sometimes too pronounced, however, Adrian Fellowes had said; and Adrian
was an acute observer, who took great pride in her. Was it not to
Adrian she had looked first for approval the night of her triumph at
Covent Garden--why, that was only a few days ago, and it seemed a
hundred days, so much had happened since. It was Adrian's handsome face
which had told her then of the completeness of her triumph.

The half-caste valet entered again. "Here come, madame," he said with
something very near a smile; for he liked this woman, and his dark,
sensual soul would have approved of his master liking her.

"Soon the Baas, madame," he said as he placed a chair for her, and with
the gliding footstep of a native left the room.

"Sunny creature!" she remarked aloud, with a little laugh, and looked
round. Instantly her face lighted with interest. Here was nothing of
that admired disorder, that medley of incongruous things which marked
the room she had just left; but perfect order, precision, and balance
of arrangement, the most peaceful equipoise. There was a great carved
oak-table near to sun-lit windows, and on it were little regiments of
things, carefully arranged--baskets with papers in elastic bands;
classified and inscribed reference-books, scales, clips, pencils; and
in one clear space, with a bunch of violets before it, the photograph
of a woman in a splendid silver frame--a woman of seventy or so,
obviously Rudyard Byng's mother.

Al'mah's eyes softened. Here was insight into a nature of which the
world knew so little. She looked further. Everywhere were signs of
disciplined hours and careful hands--cabinets with initialed drawers,
shelves filled with books. There is no more impressive and revealing
moment with man or woman than when you stand in a room empty of their
actual presence, but having, in every inch of it, the pervasive
influences of the absent personality. A strange, almost solemn
quietness stole over Al'mah's senses. She had been admitted to the
inner court, not of the man's house, but of his life. Her eyes
travelled on with the gratified reflection that she had been admitted
here. Above the books were rows of sketches--rows of sketches!

Suddenly, as her eyes rested on them, she turned pale and got to her
feet. They were all sketches of the veld, high and low; of natives; of
bits of Dutch architecture; of the stoep with its Boer farmer and his
vrouw; of a kopje with a dozen horses or a herd of cattle grazing; of a
spruit, or a Kaffir's kraal; of oxen leaning against the disselboom of
a cape-wagon; of a herd of steinboks, or a little colony of meerkats in
the karoo.

Her hand went to her heart with a gesture of pain, and a little cry of
misery escaped her lips.

Now there was a quick footstep, and Byng entered with a cordial smile
and an outstretched hand.

"Well, this is a friendly way to begin the New Year," he said,
cheerily, taking her hand. "You certainly are none the worse for our
little unrehearsed drama the other night. I see by the papers that you
have been repeating your triumph. Please sit down. Do you mind my
having a little toast while we talk? I always have my petit dejeuner
here; and I'm late this morning."

"You look very tired," she said as she sat down.

Krool here entered with a tray, placing it on a small table by the big
desk. He was about to pour out the tea, but Byng waved him away.

"Send this note at once by hand," he said, handing him an envelope. It
was addressed to Jasmine Grenfel.

"Yes, I'm tired--rather," he added to his guest with a sudden weariness
of manner. "I've had no sleep for three nights--working all the time,
every hour; and in this air of London, which doesn't feed you, one
needs plenty of sleep. You can't play with yourself here as you can on
the high veld, where an hour or two of sleep a day will do. On-saddle
and off-saddle, in-span and outspan, plenty to eat and a little sleep;
and the air does the rest. It has been a worrying time."

"The Jameson Raid--and all the rest?"

"Particularly all the rest. I feel easier in my mind about Dr. Jim and
the others. England will demand--so I understand," he added with a
careful look at her, as though he had said too much--"the right to try
Jameson and his filibusters from Matabeleland here in England; but it's
different with the Jo'burgers. They will be arrested--"

"They have been arrested," she intervened.

"Oh, is it announced?" he asked without surprise.

"It was placarded an hour ago," she replied, heavily.

"Well, I fancied it would be," he remarked. "They'll have a close
squeak. The sympathy of the world is with Kruger--so far."

"That is what I have come about," she said, with an involuntary and
shrinking glance at the sketches on the walls.

"What you have come about?" he said, putting down his cup of tea and
looking at her intently. "How are you concerned? Where do you come in?"

"There is a man--he has been arrested with the others; with Farrar,
Phillips, Hammond, and the rest--"

"Oh, that's bad! A relative, or--"

"Not a relative, exactly," she replied in a tone of irony. Rising, she
went over to the wall and touched one of the water-colour sketches.

"How did you come by these?" she asked.

"Blantyre's sketches? Well, it's all I ever got for all Blantyre owed
me, and they're not bad. They're lifted out of the life. That's why I
bought them. Also because I liked to think I got something out of
Blantyre; and that he would wish I hadn't. He could paint a bit--don't
you think so?"

"He could paint a bit--always," she replied.

A silence followed. Her back was turned to him, her face was towards
the pictures.

Presently he spoke, with a little deferential anxiety in the tone. "Are
you interested in Blantyre?" he asked, cautiously. Getting up, he came
over to her.

"He has been arrested--as I said--with the others."

"No, you did not say so. So they let Blantyre into the game, did they?"
he asked almost musingly; then, as if recalling what she had said, he
added: "Do you mind telling me exactly what is your interest in
Blantyre?"

She looked at him straight in the eyes. For a face naturally so full of
humour, hers was strangely dark with stormy feeling now.

"Yes, I will tell you as much as I can--enough for you to understand,"
she answered.

He drew up a chair to the fire, and she sat down. He nodded at her
encouragingly. Presently she spoke.

"Well, at twenty-one I was studying hard, and he was painting--"

"Blantyre?"

She inclined her head. "He was full of dreams--beautiful, I thought
them; and he was ambitious. Also he could talk quite marvellously."

"Yes, Blantyre could talk--once," Byng intervened, gently.

"We were married secretly."

Byng made a gesture of amazement, and his face became shocked and
grave. "Married! Married! You were married to Blantyre?"

"At a registry office in Chelsea. One month, only one month it was, and
then he went away to Madeira to paint--'a big commission,' he said; and
he would send for me as soon as he could get money in hand--certainly
in a couple of months. He had taken most of my half-year's income--I
had been left four hundred a year by my mother."

Byng muttered a malediction under his breath and leaned towards her
sympathetically.

With an effort she continued. "From Madeira he wrote to tell me he was
going on to South Africa, and would not be home for a year. From South
Africa he wrote saying he was not coming back; that I could divorce him
if I liked. The proof, he said, would be easy; or I needn't divorce him
unless I liked, since no one knew we were married."

For an instant there was absolute silence, and she sat with her fingers
pressed tight to her eyes. At last she went on, her face turned away
from the great kindly blue eyes bent upon her, from the face flushed
with honourable human sympathy.

"I went into the country, where I stayed for nearly three years,
till--till I could bear it no longer; and then I began to study and
sing again."

"What were you doing in the country?" he asked in a low voice.

"There was my baby," she replied, her hands clasping and unclasping in
pain. "There was my little Nydia."

"A child--she is living?" he asked gently.

"No, she died two years ago," was the answer in a voice which tried to
be firm.

"Does Blantyre know?"

"He knew she was born, nothing more."

"We were married secretly."

"And after all he has done, and left undone, you want to try and save
him now?"

He was thinking that she still loved the man. "That offscouring!" he
said to himself. "Well, women beat all! He treats her like a
Patagonian; leaves her to drift with his child not yet born; rakes the
hutches of the towns and the kraals of the veld for women--always
women, black or white, it didn't matter; and yet, by gad, she wants him
back!"

She seemed to understand what was passing in his mind. Rising, with a
bitter laugh which he long remembered, she looked at him for a moment
in silence, then she spoke, her voice shaking with scorn:

"You think it is love for him that prompts me now?" Her eyes blazed,
but there was a contemptuous laugh at her lips, and she nervously
pulled at the tails of her sable muff. "You are wrong--absolutely. I
would rather bury myself in the mud of the Thames than let him touch
me. Oh, I know what his life must have been--the life of him that you
know! With him it would either be the sewer or the sycamore-tree of
Zaccheus; either the little upper chamber among the saints or eating
husks with the swine. I realize him now. He was easily susceptible to
good and evil, to the clean and the unclean; and he might have been
kept in order by some one who would give a life to building up his
character; but his nature was rickety, and he has gone down and not up."

"Then why try to save him? Let Oom Paul have him. He'll do no more
harm, if--"

"Wait a minute," she urged. "You are a great man"--she came close to
him--"and you ought to understand what I mean, without my saying it. I
want to save him for his own sake, not for mine--to give him a chance.
While there's life there's hope. To go as he is, with the mud up to his
lips--ah, can't you see! He is the father of my dead child. I like to
feel that he may make some thing of his life and of himself yet. That's
why I haven't tried to divorce him, and--"

"If you ever want to do so--" he interrupted, meaningly.

"Yes, I know. I have always been sure that nothing could be quite so
easy; but I waited, on the chance of something getting hold of him
which would lift him out of himself, give him something to think of so
much greater than himself, some cause, perhaps--"

"He had you and your unborn child," he intervened.

"Me--!" She laughed bitterly. "I don't think men would ever be better
because of me. I've never seen that. I've seen them show the worst of
human nature because of me--and it wasn't inspiring. I've not met many
men who weren't on the low levels."

"He hasn't stood his trial for the Johannesburg conspiracy yet. How do
you propose to help him? He is in real danger of his life."

She laughed coldly, and looked at him with keen, searching eyes. "You
ask that, you who know that in the armory of life there's one
all-powerful weapon?"

He nodded his head whimsically. "Money? Well, whatever other weapons
you have, you must have that, I admit. And in the Transvaal--"

"Then here," she said, handing him an envelope--"here is what may help."

He took it hesitatingly. "I warn you," he remarked, "that if money is
to be used at all, it must be a great deal. Kruger will put up the
price to the full capacity of the victim."

"I suppose this victim has nothing," she ventured, quietly.

"Nothing but what the others give him, I should think. It may be a very
costly business, even if it is possible, and you--"

"I have twenty thousand pounds," she said.

"Earned by your voice?" he asked, kindly.

"Every penny of it."

"Well, I wouldn't waste it on Blantyre, if I were you. No, by Heaven,
you shall not do it, even if it can be done! It is too horrible."

"I owe it to myself to do it. After all, he is still my husband. I have
let it be so; and while it is so, and while"--her eyes looked away, her
face suffused slightly, her lips tightened--"while things are as they
are, I am bound--bound by something, I don't know what, but it is not
love, and it is not friendship--to come to his rescue. There will be
legal expenses--"

Byng frowned. "Yes, but the others wouldn't see him in a hole--yet I'm
not sure, either, Blantyre being Blantyre. In any case, I'm ready to do
anything you wish."

She smiled gratefully. "Did you ever know any one to do a favor who
wasn't asked to repeat it--paying one debt by contracting another,
finding a creditor who will trust, and trading on his trust? Yet I'd
rather owe you two debts than most men one." She held out her hand to
him. "Well, it doesn't do to mope--'The merry heart goes all the day,
the sad one tires in a mile-a.' And I am out for all day. Please wish
me a happy new year."

He took her hand in both of his. "I wish you to go through this year as
you ended the last--in a blaze of glory."

"Yes, really a blaze if not of glory," she said, with bright tears, yet
laughing, too, a big warm humour shining in her strong face with the
dark brown eyes and the thick, heavy eyebrows under a low, broad
forehead like his own. They were indeed strangely alike in many ways
both of mind and body.

"They say we end the year as we begin it," he said, cheerily. "You
proved to Destiny that you were entitled to all she could give in the
old year, and you shall have the best that's to be had in 1897. You are
a woman in a million, and--"

"May I come and breakfast with you some morning?" she asked, gaily.

"Well, if ever I'm thought worthy of that honour, don't hesitate. As
the Spanish say, It is all yours." He waved a hand to the surroundings.

"No, it is all yours," she said, reflectively, her eyes slowly roaming
about her. "It is all you. I'm glad to have been here, to be as near as
this to your real life. Real life is so comforting after the mock kind
so many of us live; which singers and actors live anyhow."

She looked round the room again. "I feel--I don't know why it is, but I
feel that when I'm in trouble I shall always want to come to this room.
Yes, and I will surely come; for I know there's much trouble in store
for me. You must let me come. You are the only man I would go to like
this, and you can't think what it means to me--to feel that I'm not
misunderstood, and that it seems absolutely right to come. That's
because any woman could trust you--as I do. Good-bye."

In another moment she had gone, and he stood beside the table with the
envelope she had left with him. Presently he opened it, and unfolded
the cheque which was in it. Then he gave an exclamation of astonishment.

"Seven thousand pounds!" he exclaimed. "That's a better estimate of
Krugerism than I thought she had. It'll take much more than that,
though, if it's done at all; but she certainly has sense. It's seven
thousand times too much for Blantyre," he added, with an exclamation of
disgust. "Blantyre--that outsider!" Then he fell to thinking of all she
had told him. "Poor girl--poor girl!" he said aloud. "But she must not
come here, just the same. She doesn't see that it's not the thing, just
because she thinks I'm a Sir Galahad--me!" He glanced at the picture of
his mother, and nodded toward it tenderly. "So did she always. I might
have turned Kurd and robbed caravans, or become a Turk and kept
concubines, and she'd never have seen that it was so. But Al'mah
mustn't come here any more, for her own sake.... I'd find it hard to
explain if ever, by any chance--"

He fell to thinking of Jasmine, and looked at the clock. It was only
ten, and he would not see Jasmine till six; but if he had gone to South
Africa he would not have seen her at all! Fate and Wallstein had been
kind.

Presently, as he went to the hall to put on his coat and hat to go out,
he met Barry Whalen. Barry looked at him curiously; then, as though
satisfied, he said: "Early morning visitor, eh? I just met her coming
away. Card of thanks for kind services au theatre, eh?"

"Well, it isn't any business of yours what it is, Barry," came the
reply in tones which congealed.

"No, perhaps not," answered his visitor, testily, for he had had a
night of much excitement, and, after all, this was no way to speak to a
friend, to a partner who had followed his lead always. Friendship
should be allowed some latitude, and he had said hundreds of things
less carefully to Byng in the past. The past--he was suddenly conscious
that Byng had changed within the past few days, and that he seemed to
have put restraint on himself. Well, he would get back at him just the
same for the snub.

"It's none of my business," he retorted, "but it's a good deal of
Adrian Fellowes' business--"

"What is a good deal of Adrian Fellowes' business?"

"Al'mah coming to your rooms. Fellowes is her man. Going to marry her,
I suppose," he added, cynically.

Byng's jaw set and his eyes became cold. "Still, I'd suggest your
minding your own business, Barry. Your tongue will get you into trouble
some day.... You've seen Wallstein this morning--and Fleming?"

Barry replied sullenly, and the day's pressing work began, with the
wires busy under the seas.




CHAPTER VI

WITHIN THE POWER-HOUSE


At a few moments before six o'clock Byng was shown into Jasmine's
sitting-room. As he entered, the man who sat at the end of the front
row of stalls the first night of "Manassa" rose to his feet. It was
Adrian Fellowes, slim, well groomed, with the colour of an apple in his
cheeks, and his gold-brown hair waving harmoniously over his
unintellectual head.

"But, Adrian, you are the most selfish man I've ever known," Jasmine
was saying as Byng entered.

Either Jasmine did not hear the servant announce Byng, or she pretended
not to do so, and the words were said so distinctly that Byng heard
them as he came forward.

"Well, he is selfish," she added to Byng, as she shook hands. "I've
known him since I was a child, and he has always had the best of
everything and given nothing for it." Turning again to Fellowes, she
continued: "Yes, it's true. The golden apples just fall into your
hands."

"Well, I wish I had the apples, since you give me the reputation,"
Fellowes replied, and, shaking hands with Byng, who gave him an
enveloping look and a friendly greeting, he left the room.

"Such a boy--Adrian," Jasmine said, as they sat down.

"Boy--he looks thirty or more!" remarked Byng in a dry tone.

"He is just thirty. I call him a boy because he is so young in most
things that matter to people. He is the most sumptuous person--entirely
a luxury. Did you ever see such colouring--like a woman's! But selfish,
as I said, and useful, too, is Adrian. Yes, he really is very useful.
He would be a private secretary beyond price to any one who needed such
an article. He has tact--as you saw--and would make a wonderful master
of ceremonies, a splendid comptroller of the household and equerry and
lord-chamberlain in one. There, if ever you want such a person, or if--"

She paused. As she did so she was sharply conscious of the contrast
between her visitor and Ian Stafford in outward appearance. Byng's
clothes were made by good hands, but they were made by tailors who knew
their man was not particular, and that he would not "try on." The
result was a looseness and carelessness of good things--giving him, in
a way, the look of shambling power. Yet in spite of the tie a little
crooked, and the trousers a little too large and too short, he had
touches of that distinction which power gives. His large hands with the
square-pointed fingers had obtrusive veins, but they were not common.

"Certainly," he intervened, smiling indulgently; "if ever I want a
comptroller, or an equerry, or a lord-chamberlain, I'll remember
'Adrian.' In these days one can never tell. There's the Sahara. It
hasn't been exploited yet. It has no emperor."

"I like you in this mood," she said, eagerly. "You seem on the surface
so tremendously practical and sensible. You frighten me a little, and I
like to hear you touch things off with raillery. But, seriously, if you
can ever put anything in that boy's way, please do so. He has had bad
luck--in your own Rand mine. He lost nearly everything in that,
speculating, and--"

Byng's face grew serious again. "But he shouldn't have speculated; he
should have invested. It wants brains, good fortune, daring and wealth
to speculate. But I will remember him, if you say so. I don't like to
think that he has been hurt in any enterprise of mine. I'll keep him in
mind. Make him one of my secretaries perhaps."

Then Barry Whalen's gossip suddenly came to his mind, and he added:
"Fellowes will want to get married some day. That face and manner will
lead him into ways from which there's only one outlet."

"Matrimony?" She laughed. "Oh dear, no, Adrian is much too selfish to
marry."

"I thought that selfishness was one of the elements of successful
marriages. I've been told so."

A curious look stole into her eyes. All at once she wondered if his
words had any hidden meaning, and she felt angrily self-conscious; but
she instantly put the reflection away, for if ever any man travelled by
the straight Roman road of speech and thought, it was he. He had only
been dealing in somewhat obvious worldly wisdom.

"You ought not to give encouragement to such ideas by repeating them,"
she rejoined with raillery. "This is an age of telepathy and
suggestion, and the more silent we are the safer we are. Now, please,
tell me everything--of the inside, I mean--about Cecil Rhodes and the
Raiders. Is Rhodes overwhelmed? And Mr. Chamberlain--you have seen him?
The papers say you have spent many hours at the Colonial Office. I
suppose you were with him at six o'clock last evening, instead of being
here with me, as you promised."

He shook his head. "Rhodes? The bigger a man is the greater the crash
when he falls; and no big man falls alone."

She nodded. "There's the sense of power, too, which made everything
vibrate with energy, which gave a sense of great empty places
filled--of that power withdrawn and collapsed. Even the bad great man
gone leaves a sense of desolation behind. Power--power, that is the
thing of all," she said, her eyes shining and her small fingers
interlacing with eager vitality: "power to set waves of influence in
motion which stir the waters on distant shores. That seems to me the
most wonderful thing."

Her vitality, her own sense of power, seemed almost incongruous. She
was so delicately made, so much the dresden-china shepherdess, that
intensity seemed out of relation to her nature. Yet the tiny hands
playing before her with natural gestures like those of a child had,
too, a decision and a firmness in keeping with the perfectly modelled
head and the courageous poise of the body. There was something regnant
in her, while, too, there was something sumptuous and sensuous and
physically thrilling to the senses. To-day she was dressed in an
exquisite blue gown, devoid of all decoration save a little chinchilla
fur, which only added to its softness and richness. She wore no jewelry
whatever except a sapphire brooch, and her hair shone and waved like
gossamer in the sun.

"Well, I don't know," he rejoined, admiration unbounded in his eyes for
the picture she was of maidenly charm and womanly beauty, "I should say
that goodness was a more wonderful thing. But power is the most common
ambition, and only a handful of the hundreds of millions get it in any
large way. I used to feel it tremendously when I first heard the stamps
pounding the quartz in the mills on the Rand. You never heard that
sound? In the clear height of that plateau the air reverberates
greatly; and there's nothing on earth which so much gives a sense of
power--power that crushes--as the stamps of a great mine pounding away
night and day. There they go, thundering on, till it seems to you that
some unearthly power is hammering the world into shape. You get up and
go to the window and look out into the night. There's the deep blue
sky--blue like nothing you ever saw in any other sky, and the stars so
bright and big, and so near, that you feel you could reach up and pluck
one with your hand; and just over the little hill are the lights of the
stamp-mills, the smoke and the mad red flare, the roar of great hammers
as they crush, crush, crush; while the vibration of the earth makes you
feel that you are living in a world of Titans."

"And when it all stops?" she asked, almost breathlessly. "When the
stamps pound no more, and the power is withdrawn? It is empty and
desolate--and frightening?"

"It is anything you like. If all the mills all at once, with the
thousands of stamps on the Rand reef, were to stop suddenly, and the
smoke and the red flare were to die, it would be frightening in more
ways than one. But I see what you mean. There might be a sense of
peace, but the minds and bodies which had been vibrating with the stir
of power would feel that the soul had gone out of things, and they
would dwindle too."

"If Rhodes should fall, if the stamps on the Rand should cease--?"

He got to his feet. "Either is possible, maybe probable; and I don't
want to think of it. As you say, there'd be a ghastly sense of
emptiness and a deadly kind of peace." He smiled bitterly.

She rose now also, and fingering some flowers in a vase, arranging them
afresh, said: "Well, this Jameson Raid, if it is proved that Cecil
Rhodes is mixed up in it, will it injure you greatly--I mean your
practical interests?"

He stood musing for a moment. "It's difficult to say at this distance.
One must be on the spot to make a proper estimate. Anything may happen."

She was evidently anxious to ask him a question, but hesitated. At last
she ventured, and her breath came a little shorter as she spoke.

"I suppose you wish you were in South Africa now. You could do so much
to straighten things out, to prevent the worst. The papers say you have
a political mind--the statesman's intelligence, the Times said. That
letter you wrote, that speech you made at the Chamber of Commerce
dinner--"

She watched him, dreading what his answer might be. There was silence
for a moment, then he answered: "Fleming is going to South Africa, not
myself. I stay here to do Wallstein's work. I was going, but Wallstein
was taken ill suddenly. So I stay--I stay."

She sank down in her chair, going a little pale from excitement. The
whiteness of her skin gave a delicate beauty to the faint rose of her
cheeks--that rose-pink which never was to fade entirely from her face
while life was left to her.

"If it had been necessary, when would you have gone?" she asked.

"At once. Fleming goes to-morrow," he added.

She looked slowly up at him. "Wallstein is a new name for a special
Providence," she murmured, and the colour came back to her face. "We
need you here. We--"

Suddenly a thought flashed into his mind and suffused his face. He was
conscious of that perfume which clung to whatever she touched. It stole
to his senses and intoxicated them. He looked at her with enamoured
eyes. He had the heart of a boy, the impulsiveness of a nature which
had been unschooled in women's ways. Weaknesses in other directions had
taught him much, but experiences with her sex had been few. The designs
of other women had been patent to him, and he had been invincible to
all attack; but here was a girl who, with her friendly little fortune
and her beauty, could marry with no difficulty; who, he had heard,
could pick and choose, and had so far rejected all comers; and who, if
she had shown preference at all, had shown it for a poor man like Ian
Stafford. She had courage and simplicity and a downright mind; that was
clear. And she was capable. She had a love for big things, for the
things that mattered. Every word she had ever said to him had
understanding, not of the world alone, and of life, but of himself,
Rudyard Byng. She grasped exactly what he would say, and made him say
things he would never have thought of saying to any one else. She drew
him out, made the most of him, made him think. Other women only tried
to make him feel. If he had had a girl like this beside him during the
last ten years, how many wasted hours would have been saved, how many
bottles of champagne would not have been opened, how many wild nights
would have been spent differently!

Too good, too fine for him--yes, a hundred times, but he would try to
make it up to her, if such a girl as this could endure him. He was not
handsome, he was not clever, so he said to himself, but he had a little
power. That he had to some degree rough power, of course, but power;
and she loved power, force. Had she not said so, shown it, but a moment
before? Was it possible that she was really interested in him, perhaps
because he was different from the average Englishman and not of a
general pattern? She was a woman of brains, of great individuality, and
his own individuality might influence her. It was too good to be true;
but there had ever been something of the gambler in him, and he had
always plunged. If he ever had a conviction he acted on it instantly,
staked everything, when that conviction got into his inner being. It
was not, perhaps, a good way, and it had failed often enough; but it
was his way, and he had done according to the light and the impulse
that were in him. He had no diplomacy, he had only purpose.

He came over to her. "If I had gone to South Africa would you have
remembered my name for a month?" he asked with determination and
meaning.

"My friends never suffer lunar eclipse," she answered, gaily. "Dear
sir, I am called Hold-Fast. My friends are century-flowers and are
always blooming."

"You count me among your friends?"

"I hope so. You will let me make all England envious of me, won't you?
I never did you any harm, and I do want to have a hero in my tiny
circle."

"A hero--you mean me? Well, I begin to think I have some courage when I
ask you to let me inside your 'tiny' circle. I suppose most people
would think it audacity, not courage."

"You seem not to be aware what an important person you are--how almost
sensationally important. Why, I am only a pebble on a shore like yours,
a little unknown slip of a girl who babbles, and babbles in vain."

She got to her feet now. "Oh, but believe me, believe me," she said,
with sweet and sudden earnestness, "I am prouder than I can say that
you will let me be a friend of yours! I like men who have done things,
who do things. My grandfather did big, world-wide things, and--"

"Yes, I know; I met your grandfather once. He was a big man, big as can
be. He had the world by the ear always."

"He spoiled me for the commonplace," she replied. "If I had lived in
Pizarro's time, I'd have gone to Peru with him, the splendid robber."

He answered with the eager frankness and humour of a boy. "If you mean
to be a friend of mine, there are those who will think that in one way
you have fulfilled your ambition, for they say I've spoiled the
Peruvians, too."

"I like you when you say things like that," she murmured. "If you said
them often--"

She looked at him archly, and her eyes brimmed with amusement and
excitement.

Suddenly he caught both her hands in his and his eyes burned. "Will
you--"

He paused. His courage forsook him. Boldness had its limit. He feared a
repulse which could never be overcome. "Will you, and all of you here,
come down to my place in Wales next week?" he blundered out.

She was glad he had faltered. It was too bewildering. She dared not yet
face the question she had seen he was about to ask. Power--yes, he
could give her that; but power was the craving of an ambitious soul.
There were other things. There was the desire of the heart, the longing
which came with music and the whispering trees and the bright stars,
the girlish dreams of ardent love and the garlands of youth and
joy--and Ian Stafford.

Suddenly she drew herself together. She was conscious that the servant
was entering the room with a letter.

"The messenger is waiting," the servant said.

With an apology she opened the note slowly as Byng turned to the fire.
She read the page with a strange, tense look, closing her eyes at last
with a slight sense of dizziness. Then she said to the servant:

"Tell the messenger to wait. I will write an answer."

"I am sure we shall be glad to go to you in Wales next week," she
added, turning to Byng again. "But won't you be far away from the
centre of things in Wales?"

"I've had the telegraph and a private telephone wire to London put in.
I shall be as near the centre as though I lived in Grosvenor Square;
and there are always special trains."

"Special trains--oh, but it's wonderful to have power to do things like
that! When do you go down?" she asked.

"To-morrow morning."

She smiled radiantly. She saw that he was angry with himself for his
cowardice just now, and she tried to restore him. "Please, will you
telephone me when you arrive at your castle? I should like the
experience of telephoning by private wire to Wales."

He brightened. "Certainly, if you really wish it. I shall arrive at ten
to-morrow night, and I'll telephone you at eleven."

"Splendid--splendid! I'll be alone in my room then. I've got a
telephone instrument there, and so we could say good-night."

"So we can say good-night," he repeated in a low voice, and he held out
his hand in good-bye. When he had gone, with a new, great hope in his
heart, she sat down and tremblingly re-opened the note she had received
a moment before.

"I am going abroad" it read--"to Paris, Berlin, Vienna, and St.
Petersburg. I think I've got my chance at last. I want to see you
before I go--this evening, Jasmine. May I?"

It was signed "Ian."

"Fate is stronger than we are," she murmured; "and Fate is not kind to
you, Ian," she added, wearily, a wan look coming into her face.

"Mio destino," she said at last--"mio destino!" But who was her
destiny--which of the two who loved her?




BOOK II




CHAPTER VII

THREE YEARS LATER


"Extra speshul--extra speshul--all about Kruger an' his guns!"

The shrill, acrid cry rang down St. James's Street, and a newsboy with
a bunch of pink papers under his arm shot hither and thither on the
pavement, offering his sensational wares to all he met.

"Extra speshul--extra speshul--all about the war wot's comin'--all
about Kruger's guns!"

From an open window on the second floor of a building in the street a
man's head was thrust out, listening.

"The war wot's comin'!" he repeated, with a bitter sort of smile. "And
all about Kruger's guns. So it is coming, is it, Johnny Bull; and you
do know all about his guns, do you? If it is, and you do know, then a
shattering big thing is coming, and you know quite a lot, Johnny Bull."

He hummed to himself an impromptu refrain to an impromptu tune:

  "Then you know quite a lot, Johnny Bull, Johnny Bull,
  Then you know quite a lot, Johnny Bull!"


Stepping out of the French window upon a balcony now, he looked down
the street. The newsboy was almost below. He whistled, and the lad
looked up. In response to a beckoning finger the gutter-snipe took the
doorway and the staircase at a bound. Like all his kind, he was a good
judge of character, and one glance had assured him that he was speeding
upon a visit of profit. Half a postman's knock--a sharp, insistent
stroke--and he entered, his thin weasel-like face thrust forward, his
eyes glittering. The fire in such eyes is always cold, for hunger is
poor fuel to the native flame of life.

"Extra speshul, m'lord--all about Kruger's guns."

He held out the paper to the figure that darkened the window, and he
pronounced the g in Kruger soft, as in Scrooge.

The hand that took the paper deftly slipped a shilling into the cold,
skinny palm. At its first touch the face of the paper-vender fell, for
it was the same size as a halfpenny; but even before the swift fingers
had had a chance to feel the coin, or the glance went down, the face
regained its confidence, for the eyes looking at him were generous. He
had looked at so many faces in his brief day that he was an expert
observer.

"Thank y' kindly," he said; then, as the fingers made assurance of the
fortune which had come to him, "Ow, thank ye werry much, y'r gryce," he
added.

Something alert and determined in the face of the boy struck the giver
of the coin as he opened the paper to glance at its contents, and he
paused to scan him more closely. He saw the hunger in the lad's eyes as
they swept over the breakfast-table, still heavy with uneaten
breakfast--bacon, nearly the whole of an omelette, and rolls, toast,
marmalade and honey.

"Wait a second," he said, as the boy turned toward the door.

"Yes, y'r gryce."

"Had your breakfast?"

"I has me brekfist w'en I sells me pypers." The lad hugged the
remaining papers closer under his arms, and kept his face turned
resolutely away from the inviting table. His host correctly interpreted
the action.

"Poor little devil--grit, pure grit!" he said under his breath. "How
many papers have you got left?" he asked.

The lad counted like lightning. "Ten," he answered. "I'll soon get 'em
off now. Luck's wiv me dis mornin'." The ghost of a smile lighted his
face.

"I'll take them all," the other said, handing over a second shilling.

The lad fumbled for change and the fumbling was due to honest
agitation. He was not used to this kind of treatment.

"No, that's all right," the other interposed.

"But they're only a h'ypenny," urged the lad, for his natural cupidity
had given way to a certain fine faculty not too common in any grade of
human society.

"Well, I'm buying them at a penny this morning. I've got some friends
who'll be glad to give a penny to know all about Kruger's guns." He too
softened the g in Kruger in consideration of his visitor's
idiosyncrasies.

"You won't be mykin' anythink on them, y'r gryce," said the lad with a
humour which opened the doors of Ian Stafford's heart wide; for to him
heaven itself would be insupportable if it had no humorists.

"I'll get at them in other ways," Stafford rejoined. "I'll get my
profit, never fear. Now what about breakfast? You've sold all your
papers, you know."

"I'm fair ready for it, y'r gryce," was the reply, and now the lad's
glance went eagerly towards the door, for the tension of labour was
relaxed, and hunger was scraping hard at his vitals.

"Well, sit down--this breakfast isn't cold yet.... But, no, you'd
better have a wash-up first, if you can wait," Stafford added, and rang
a bell.

"Wot, 'ere--brekfist wiv y'r gryce 'ere?"

"Well, I've had mine"--Stafford made a slight grimace--"and there's
plenty left for you, if you don't mind eating after me."

"I dusted me clothes dis mornin'," said the boy, with an attempt to
justify his decision to eat this noble breakfast. "An' I washed me
'ends--but pypers is muck," he added.

A moment later he was in the fingers of Gleg the valet in the
bath-room, and Stafford set to work to make the breakfast piping hot
again. It was an easy task, as heaters were inseparable from his
bachelor meals, and, though this was only the second breakfast he had
eaten since his return to England after three years' absence,
everything was in order.

For Gleg was still more the child of habit--and decorous habit--than
himself. It was not the first time that Gleg had had to deal with his
master's philanthropic activities. Much as he disapproved of them, he
could discriminate; and there was that about the newsboy which somehow
disarmed him. He went so far as to heap the plate of the lad, and would
have poured the coffee too, but that his master took the pot from his
hand and with a nod and a smile dismissed him; and his master's smile
was worth a good deal to Gleg. It was an exacting if well-paid service,
for Ian Stafford was the most particular man in Europe, and he had
grown excessively so during the past three years, which, as Gleg
observed, had brought great, if quiet, changes in him. He had grown
more studious, more watchful, more exclusive in his daily life, and
ladies of all kinds he had banished from direct personal share in his
life. There were no more little tea-parties and dejeuners chez lui,
duly chaperoned by some gracious cousin or aunt--for there was no
embassy in Europe where he had not relatives.

"'Ipped--a bit 'ipped. 'E 'as found 'em out, the 'uzzies," Gleg had
observed; for he had decided that the general cause of the change in
his master was Woman, though he did not know the particular woman who
had 'ipped him.

As the lad ate his wonderful breakfast, in which nearly half a pot of
marmalade and enough butter for three ordinary people figured, Stafford
read the papers attentively, to give his guest a fair chance at the
food and to overcome his self-consciousness. He got an occasional
glance at the trencherman, however, as he changed the sheets, stepped
across the room to get a cigarette, or poked the small fire--for, late
September as it was, a sudden cold week of rain had come and gone,
leaving the air raw; and a fire was welcome.

At last, when he realized that the activities of the table were
decreasing, he put down his paper. "Is it all right?" he asked. "Is the
coffee hot?"

"I ain't never 'ad a meal like that, y'r gryce, not never any time,"
the boy answered, with a new sort of fire in his eyes.

"Was there enough?"

"I've left some," answered his guest, looking at the jar of marmalade
and half a slice of toast. "I likes the coffee hot--tykes y'r longer to
drink it," he added.

Ian Stafford chuckled. He was getting more than the worth of his money.
He had nibbled at his own breakfast, with the perturbations of a
crossing from Flushing still in his system, and its equilibrium not
fully restored; and yet, with the waste of his own meal and the neglect
of his own appetite, he had given a great and happy half-hour to a waif
of humanity.

As he looked at the boy he wondered how many thousands there were like
him within rifle-shot from where he sat, and he thought each of them
would thank whatever gods they knew for such a neglected meal. The
words from the scare-column of the paper he held smote his sight:

"War Inevitable--Transvaal Bristling with Guns and Loaded to the Nozzle
with War Stores--Milner and Kruger No Nearer a Settlement--Sullen and
Contemptuous Treatment of British Outlander." ... And so on.

And if war came, if England must do this ugly thing, fulfil her bitter
and terrible task, then what about such as this young outlander here,
this outcast from home and goodly toil and civilized conditions, this
sickly froth of the muddy and dolorous stream of lower England? So much
withdrawn from the sources of the possible relief, so much less with
which to deal with their miseries--perhaps hundreds of millions, mopped
up by the parched and unproductive soil of battle and disease and loss.

He glanced at the paper again. "Britons Hold Your Own," was the heading
of the chief article. "Yes, we must hold our own," he said, aloud, with
a sigh. "If it comes, we must see it through; but the breakfasts will
be fewer. It works down one way or another--it all works down to this
poor little devil and his kind."

"Now, what's your name?" he asked.

"Jigger," was the reply.

"What else?"

"Nothin', y'r gryce."

"Jigger--what?"

"It's the only nyme I got," was the reply.

"What's your father's or your mother's name?"

"I ain't got none. I only got a sister."

"What's her name?"

"Lou," he answered. "That's her real name. But she got a fancy name
yistiddy. She was took on at the opera yistiddy, to sing with a hunderd
uvver girls on the styge. She's Lulu Luckingham now."

"Oh--Luckingham!" said Stafford, with a smile, for this was a name of
his own family, and of much account in circles he frequented. "And who
gave her that name? Who were her godfathers and godmothers?"

"I dunno, y'r gryce. There wasn't no religion in it. They said she'd
have to be called somefink, and so they called her that. Lou was always
plenty for 'er till she went there yistiddy."

"What did she do before yesterday?"

"Sold flowers w'en she could get 'em to sell. 'Twas when she couldn't
sell her flowers that she piped up sort of dead wild--for she 'adn't
'ad nothin' to eat, an' she was fair crusty. It was then a gentleman,
'e 'eard 'er singin' hot, an' he says, 'That's good enough for a
start,' 'e says, 'an' you come wiv me,' he says. 'Not much,' Lou says,
'not if I knows it. I seed your kind frequent.' But 'e stuck to it, an'
says, 'It's stryght, an' a lydy will come for you to-morrer, if you'll
be 'ere on this spot, or tell me w'ere you can be found.' An' Lou says,
says she, 'You buy my flowers, so's I kin git me bread-baskit full, an'
then I'll think it over.' An' he bought 'er flowers, an' give 'er five
bob. An' Lou paid rent for both of us wiv that, an' 'ad brekfist; an'
sure enough the lydy come next dy an' took her off. She's in the opery
now, an' she'll 'ave 'er brekfist reg'lar. I seed the lydy meself. Her
picture 's on the 'oardings--"

Suddenly he stopped. "W'y, that's 'er--that's 'er!" he said, pointing
to the mantel-piece.

Stafford followed the finger and the glance. It was Al'mah's portrait
in the costume she had worn over three years ago, the night when
Rudyard Byng had rescued her from the flames. He had bought it then. It
had been unpacked again by Gleg, and put in the place it had occupied
for a day or two before he had gone out of England to do his country's
work--and to face the bitterest disillusion of his life; to meet the
heaviest blow his pride and his heart had ever known.

"So that's the lady, is it?" he said, musingly, to the boy, who nodded
assent.

"Go and have a good look at it," urged Stafford.

The boy did so. "It's 'er--done up for the opery," he declared.

"Well, Lulu Luckingham is all right, then. That lady will be good to
her."

"Right. As soon as I seed her, I whispers to Lou 'You keep close to
that there wall,' I sez. 'There's a chimbey in it, an' you'll never be
cold,' I says to Lou."

Stafford laughed softly at the illustration. Many a time the lad
snuggled up to a wall which had a warm chimney, and he had got his
figure of speech from real life.

"Well, what's to become of you?" Stafford asked.

"Me--I'll be level wiv me rent to-day," he answered, turning over the
two shillings and some coppers in his pocket; "an' Lou and me's got a
fair start."

Stafford got up, came over, and laid a hand on the boy's shoulder. "I'm
going to give you a sovereign," he said--"twenty shillings, for your
fair start; and I want you to come to me here next Sunday-week to
breakfast, and tell me what you've done with it."

"Me--y'r gryce!" A look of fright almost came into the lad's face.
"Twenty bob--me!"

The sovereign was already in his hand, and now his face suffused. He
seemed anxious to get away, and looked round for his cap. He couldn't
do here what he wanted to do. He felt that he must burst.

"Now, off you go. And you be here at nine o'clock on Sunday-week with
the papers, and tell me what you've done."

"Gawd--my Gawd!" said the lad, huskily. The next minute he was out in
the hall, and the door was shut behind him. A moment later, hearing a
whoop, Stafford went to the window and, looking down, he saw his late
visitor turning a cart-wheel under the nose of a policeman, and then,
with another whoop, shooting down into the Mall, making Lambeth way.

With a smile he turned from the window. "Well, we shall see," he said.
"Perhaps it will be my one lucky speculation. Who knows--who knows!"

His eye caught the portrait of Al'mah on the mantelpiece. He went over
and stood looking at it musingly.

"You were a good girl," he said, aloud. "At any rate, you wouldn't
pretend. You'd gamble with your immortal soul, but you wouldn't sell
it--not for three millions, not for a hundred times three millions. Or
is it that you are all alike, you women? Isn't there one of you that
can be absolutely true? Isn't there one that won't smirch her soul and
kill the faith of those that love her for some moment's excitement, for
gold to gratify a vanity, or to have a wider sweep to her skirts? Vain,
vain, vain--and dishonourable, essentially dishonourable. There might
be tragedies, but there wouldn't be many intrigues if women weren't so
dishonourable--the secret orchard rather than the open highway and
robbery under arms.... Whew, what a world!"

He walked up and down the room for a moment, his eyes looking straight
before him; then he stopped short. "I suppose it's natural that, coming
back to England, I should begin to unpack a lot of old memories, empty
out the box-room, and come across some useless and discarded things.
I'll settle down presently; but it's a thoroughly useless business
turning over old stock. The wise man pitches it all into the junk-shop,
and cuts his losses."

He picked up the Morning Post and glanced down the middle page--the
social column first--with the half-amused reflection that he hadn't
done it for years, and that here were the same old names reappearing,
with the same brief chronicles. Here, too, were new names, some of
them, if not most of them, of a foreign turn to their syllables--New
York, Melbourne, Buenos Ayres, Johannesburg. His lip curled a little
with almost playful scorn. At St. Petersburg, Vienna, and elsewhere he
had been vaguely conscious of these social changes; but they did not
come within the ambit of his daily life, and so it had not mattered.
And there was no reason why it should matter now. His England was a
land the original elements of which would not change, had not changed;
for the old small inner circle had not been invaded, was still
impervious to the wash of wealth and snobbery and push. That refuge had
its sequestered glades, if perchance it was unilluminating and rather
heavily decorous; so that he could let the climbers, the toadies, the
gold-spillers, and the bribers have the middle of the road.

It did not matter so much that London was changing fast. The old clock
on the tower of St. James's would still give the time to his step as he
went to and from the Foreign Office, and there were quiet places like
Kensington Gardens where the bounding person would never think to
stray. Indeed, they never strayed; they only rushed and pushed where
their spreading tails could be seen by the multitude. They never got
farther west than Rotten Row, which was in possession of three classes
of people--those who sat in Parliament, those who had seats on the
Stock Exchange, and those who could not sit their horses. Three years
had not done it all, but it had done a good deal; and he was more
keenly alive to the changes and developments which had begun long
before he left and had increased vastly since. Wealth was more and more
the master of England--new-made wealth; and some of it was too
ostentatious and too pretentious to condone, much less indulge.

All at once his eye, roaming down the columns, came upon the following
announcement:

"Mr. and Mrs. Rudyard Byng have returned to town from Scotland for a
few days, before proceeding to Wales, where they are presently to
receive at Glencader Castle the Duke and Duchess of Sheffield, the
Prince and Princess of Cleaves, M. Santon, the French Foreign Minister,
the Slavonian Ambassador, the Earl and Countess of Tynemouth, and Mr.
Tudor Tempest."

"'And Mr. Tudor Tempest,'" Ian repeated to himself. "Well, she would.
She would pay that much tribute to her own genius. Four-fifths to the
claims of the body and the social nervous system, and one-fifth to the
desire of the soul. Tempest is a literary genius by what he has done,
and she is a genius by nature, and with so much left undone. The
Slavonian Ambassador--him, and the French Foreign Minister! That looks
like a useful combination at this moment--at this moment. She has a
gift for combinations, a wonderful skill, a still more wonderful
perception--and a remarkable unscrupulousness. She's the naturally
ablest woman I have ever known; but she wants to take short-cuts to a
worldly Elysium, and it can't be done, not even with three times three
millions--and three millions was her price."

Suddenly he got up and went over to a table where were several
dispatch-boxes. Opening one, he drew forth from the bottom, where he
had placed it nearly three years ago, a letter. He looked at the long,
sliding handwriting, so graceful and fine, he caught the perfume which
had intoxicated Rudyard Byng, and, stooping down, he sniffed the
dispatch-box. He nodded.

"She's pervasive in everything," he murmured. He turned over several
other packets of letters in the box. "I apologize," he said,
ironically, to these letters. "I ought to have banished her long ago,
but, to tell you the truth, I didn't realize how much she'd influence
everything--even in a box." He laughed cynically, and slowly opened the
one letter which had meant so much to him.

There was no show of agitation. His eye was calm; only his mouth showed
any feeling or made any comment. It was a little supercilious and
scornful. Sitting down by the table, he spread the letter out, and read
it with great deliberation. It was the first time he had looked at it
since he received it in Vienna and had placed it in the dispatch-box.

"Dear Ian," it ran, "our year of probation--that is the word isn't
it?--is up; and I have decided that our ways must lie apart. I am going
to marry Rudyard Byng next month. He is very kind and very strong, and
not too ragingly clever. You know I should chafe at being reminded
daily of my own stupidity by a very clever man. You and I have had so
many good hours together, there has been such confidence between us,
that no other friendship can ever be the same; and I shall always want
to go to you, and ask your advice, and learn to be wise. You will not
turn a cold shoulder on me, will you? I think you yourself realized
that my wish to wait a year before giving a final answer was proof that
I really had not that in my heart which would justify me in saying what
you wished me to say. Oh yes, you knew; and the last day when you bade
me good-bye you almost said as much! I was so young, so unschooled,
when you first asked me, and I did not know my own mind; but I know it
now, and so I go to Rudyard Byng for better or for worse--"

He suddenly stopped reading, sat back in his chair, and laughed
sardonically.

"For richer, for poorer'--now to have launched out on the first phrase,
and to have jibbed at the second was distinctly stupid. The quotation
could only have been carried off with audacity of the ripest kind. 'For
better, for worse, for richer, for poorer, in sickness and in health,
till death us do part, amen--' That was the way to have done it, if it
was to be done at all. Her cleverness forsook her when she wrote that
letter. 'Our year of probation'--she called it that. Dear, dear, what a
poor prevaricator the best prevaricator is! She was sworn to me, bound
to me, wanted a year in which to have her fling before she settled
down, and she threw me over--like that."

He did not read the rest of the letter, but got up, went over to the
fire, threw it in, and watched it burn.

"I ought to have done so when I received it," he said, almost kindly
now. "A thing like that ought never to be kept a minute. It's a
terrible confession, damning evidence, a self-made exposure, and to
keep it is too brutal, too hard on the woman. If anything had happened
to me and it had been read, 'Not all the King's horses nor all the
King's men could put Humpty Dumpty together again.'"

Then he recalled the brief letter he had written her in reply. Unlike
him, she had not kept his answer, when it came into her hands, but,
tearing it up into fifty fragments, had thrown it into the
waste-basket, and paced her room in shame, anger and humiliation.
Finally, she had taken the waste-basket and emptied it into the flames.
She had watched the tiny fragments burn in a fire not hotter than that
in her own eyes, which presently were washed by a flood of bitter tears
and passionate and unavailing protest. For hours she had sobbed, and
when she went out into the world the next day, it was with his every
word ringing in her ears, as they had rung ever since: the sceptic
comment at every feast, the ironical laughter behind every door, the
whispered detraction in every loud accent of praise.

"Dear Jasmine," his letter had run, "it is kind of you to tell me of
your intended marriage before it occurs, for in these distant lands
news either travels slowly or does not reach one at all. I am fortunate
in having my information from the very fountain of first knowledge. You
have seen and done much in the past year; and the end of it all is more
fitting than the most meticulous artist could desire or conceive. You
will adorn the new sphere into which you enter. You are of those who do
not need training or experience: you are a genius, whose chief
characteristic is adaptability. Some people, to whom nature and
Providence have not been generous live up to things; to you it is given
to live down to them; and no one can do it so well. We have had good
times together--happy conversations and some cheerful and entertaining
dreams and purposes. We have made the most of opportunity, each in his
and her own way. But, my dear Jasmine, don't ever think that you will
need to come to me for advice and to learn to be wise. I know of no one
from whom I could learn, from whom I have learned, so I much. I am
deeply your debtor for revelations which never could have come to me
without your help. There is a wonderful future before you, whose
variety let Time, not me, attempt to reveal. I shall watch your going
on"--(he did not say goings on)--"your Alpine course, with clear
memories of things and hours dearer to me than all the world, and with
which I would not have parted for the mines of the Rand. I lose them
now for nothing--and less than nothing. I shall be abroad for some
years, and, meanwhile, a new planet will swim into the universe of
matrimony. I shall see the light shining, but its heavenly orbit will
not be within my calculations. Other astronomers will watch, and some
no doubt will pray, and I shall read in the annals the bright story of
the flower that was turned into a star!

"Always yours sincerely, IAN STAFFORD."


From the filmy ashes of her letter to him Stafford now turned away to
his writing-table. There he sat for a while and answered several notes,
among them one to Alice Mayhew, now the Countess of Tynemouth, whose
red parasol still hung above the mantel-piece, a relic of the
Zambesi--and of other things.

Periodically Lady Tynemouth's letters had come to him while he was
abroad, and from her, in much detail, he had been informed of the rise
of Mrs. Byng, of her great future, her "delicious" toilettes, her great
entertainments for charity, her successful attempts to gather round her
the great figures in the political and diplomatic world; and her
partial rejection of Byng's old mining and financial confreres and
their belongings. It had all culminated in a visit of royalty to their
place in Suffolk, from which she had emerged radiantly and delicately
aggressive, and sweeping a wider circle with her social scythe.

Ian had read it all unperturbed. It was just what he knew she could and
would do; and he foresaw for Byng, if he wanted it, a peerage in the
not distant future. Alice Tynemouth was no gossip, and she was not
malicious. She had a good, if wayward, heart, was full of sentiment,
and was a constant and helpful friend. He, therefore, accepted her
invitation now to spend the next week-end with her and her husband; and
then, with letters to two young nephews in his pocket, he prepared to
sally forth to buy them presents, and to get some sweets for the
children of a poor invalid cousin to whom for years he had been a
generous friend. For children he had a profound love, and if he had
married, he would not have been content with a childless home--with a
childless home like that of Rudyard Byng. That news also had come to
him from Alice Tynemouth, who honestly lamented that Jasmine Byng had
no "balance-wheel," which was the safety and the anchor of women "like
her and me," Lady Tynemouth's letter had said.

Three millions then--and how much more now?--and big houses, and no
children. It was an empty business, or so it seemed to him, who had
come of a large and agreeably quarrelsome and clever family, with whom
life had been checkered but never dull.

He took up his hat and stick, and went towards the door. His eyes
caught Al'mah's photograph as he passed.

"It was all done that night at the opera," he said. "Jasmine made up
her mind then to marry him, ... I wonder what the end will be.... Sad
little, bad little girl.... The mess of pottage at the last? Quien
sabe!"




CHAPTER VIII

"HE SHALL NOT TREAT ME SO"


The air of the late September morning smote Stafford's cheeks
pleasantly, and his spirits rose as he walked up St. James's Street.
His step quickened imperceptibly to himself, and he nodded to or shook
hands with half a dozen people before he reached Piccadilly. Here he
completed the purchases for his school-boy nephews, and then he went to
a sweet-shop in Regent Street to get chocolates for his young
relatives. As he entered the place he was suddenly brought to a
standstill, for not two dozen yards away at a counter was Jasmine Byng.

She did not see him enter, and he had time to note what matrimony, and
the three years and the three million pounds, had done to her. She was
radiant and exquisite, a little paler, a little more complete, but
increasingly graceful and perfectly appointed. Her dress was of dark
green, of a most delicate shade, and with the clinging softness and
texture of velvet. She wore a jacket of the same material, and a single
brilliant ornament at her throat relieved the simplicity. In the hat,
too, one big solitary emerald shone against the lighter green.

She was talking now with animation and amusement to the shop-girl who
was supplying her with sweets, and every attendant was watching her
with interest and pleasure. Stafford reflected that this was always her
way: wherever she went she attracted attention, drew interest,
magnetized the onlooker. Nothing had changed in her, nothing of charm
and beauty and eloquence,--how eloquent she had always been!--of
esprit, had gone from her; nothing. Presently she turned her face full
toward him, still not seeing him, half hidden as he was behind some
piled-up tables in the centre of the shop.

Nothing changed? Yes, instantly he was aware of a change, in the eyes,
at the mouth. An elusive, vague, distant kind of disturbance--he could
not say trouble--had stolen into her eyes, had taken possession of the
corners of the mouth; and he was conscious of something exotic,
self-indulgent, and "emancipated." She had always been self-indulgent
and selfish, and, in a wilful, innocent way, emancipated, in the old
days; but here was a different, a fuller, a more daring expression of
these qualities.... Ah, he had it now! That elusive something was a
lurking recklessness, which, perhaps, was not bold enough yet to leap
into full exercise, or even to recognize itself.

So this was she to whom he had given the best of which he had been
capable--not a very noble or priceless best, he was willing to
acknowledge, but a kind of guarantee of the future, the nucleus of
fuller things. As he looked at her now his heart did not beat faster,
his pulses did not quicken, his eye did not soften, he did not even
wish himself away. Love was as dead as last year's leaves--so dead that
no spirit of resentment, or humiliation, or pain of heart was in his
breast at this sight of her again. On the contrary, he was conscious of
a perfect mastery of himself, of being easily superior to the situation.

Love was dead; youth was dead; the desire that beats in the veins of
the young was dead; his disillusion and disappointment and contempt for
one woman had not driven him, as it so often does, to other women--to
that wild waste which leaves behind it a barren and ill-natured soil
exhausted of its power, of its generous and native health. There was a
strange apathy in his senses, an emotional stillness, as it were, the
atrophy of all the passionate elements of his nature. But because of
this he was the better poised, the more evenly balanced, the more
perceptive. His eyes were not blurred or dimmed by any stress of
emotion, his mind worked in a cool quiet, and his forward tread had
leisurely decision and grace. He had sunk one part of himself far below
the level of activity or sensation, while new resolves, new powers of
mind, new designs were set in motion to make his career a real and
striking success. He had the most friendly ear and the full confidence
of the Prime Minister, who was also Foreign Secretary--he had got that
far; and now, if one of his great international schemes could but be
completed, an ambassadorship would be his reward, and one of
first-class importance. The three years had done much for him in a
worldly way, wonderfully much.

As he looked at the woman who had shaken his life to the centre--not by
her rejection of him, but by the fashion of it, the utter selfishness
and cold-blooded calculation of it, he knew that love's fires were out,
and that he could meet her without the agitation of a single nerve. He
despised her, but he could make allowance for her. He knew the strain
that was in her, got from her brilliant and rather plangent
grandfather. He knew the temptation of a vast fortune, the power that
it would bring--and the notoriety, too, again an inheritance from her
grandfather. He was not without magnanimity, and he could the more
easily exercise it because his pulses of emotion were still.

She was by nature the most brilliantly endowed woman he had ever met,
the most naturally perceptive and artistic, albeit there was a touch of
gorgeousness to the inherent artistry which time, training and
experience would have chastened. Would have chastened? Was it not,
then, chastened? Looking at her now, he knew that it was not. It was
still there, he felt; but how much else was also there--of charm, of
elusiveness, of wit, of mental adroitness, of joyous eagerness to
discover a new thought or a new thing! She was a creature of rare
splendour, variety and vanity.

Why should he deny himself the pleasure of her society? His
intellectual side would always be stimulated by her, she would always
"incite him to mental riot," as she had often said. Time had flown,
love had flown, and passion was dead; but friendship stayed. Yes,
friendship stayed--in spite of all. Her conduct had made him blush for
her, had covered him with shame, but she was a woman, and therefore
weak--he had come to that now. She was on a lower plateau of honour,
and therefore she must be--not forgiven--that was too banal; but she
must be accepted as she was. And, after all, there could be no more
deception; for opportunity and occasion no longer existed. He would go
and speak to her now.

At that moment he was aware that she had caught sight of him, and that
she was startled. She had not known of his return to England, and she
was suddenly overwhelmed by confusion. The words of the letter he had
written her when she had thrown him over rushed through her brain now,
and hurt her as much as they did the first day they had been received.
She became a little pale, and turned as though to find some other
egress from the shop. There being none, there was but one course, and
that was to go out as though she had not seen him. He had not even been
moved at all at seeing her; but with her it was different. She was
disturbed--in her vanity? In her peace? In her pride? In her senses? In
her heart? In any, or each, or all? But she was disturbed: her
equilibrium was shaken. He had scorched her soul by that letter to her,
so gently cold, so incisive, so subtly cruel, so deadly in its irony,
so final--so final.

She was ashamed, and no one else in the world but Ian Stafford could so
have shamed her. Power had been given to her, the power of great
riches--the three millions had been really four--and everything and
everybody, almost, was deferential towards her. Had it brought her
happiness, or content, or joy? It had brought her excitement--much of
that--and elation, and opportunity to do a thousand things, and to
fatigue herself in a thousand ways; but had it brought happiness?

If it had, the face of this man who was once so much to her, and whom
she had flung into outer darkness, was sufficient to cast a cloud over
it. She felt herself grow suddenly weak, but she determined to go out
of the place without appearing to see him.

He was conscious of it all, saw it out of a corner of his eye, and as
she started forward, he turned, deliberately walked towards her, and,
with a cheerful smile, held out his hand.

"Now, what good fortune!" he said, spiritedly. "Life plays no tricks,
practices no deception this time. In a book she'd have made us meet on
a grand staircase or at a court ball."

As he said this, he shook her hand warmly, and again and again, as
would be fitting with old friends. He had determined to be master of
the situation, and to turn the moment to the credit of his account--not
hers; and it was easy to do it, for love was dead, and the memory of
love atrophied.

Colour came back to her face. Confusion was dispelled, a quick and
grateful animation took possession of her, to be replaced an instant
after by the disconcerting reflection that there was in his face or
manner not the faintest sign of emotion or embarrassment. From his
attitude they might have been good friends who had not met for some
time; nothing more.

"Yes, what a place to meet!" she said. "It really ought to have been at
a green-grocer's, and the apotheosis of the commonplace would have been
celebrated. But when did you return? How long do you remain in England?"

Ah, the sense of relief to feel that he was not reproaching her for
anything, not impeaching her by an injured tone and manner, which so
many other men had assumed with infinitely less right or cause than he!

"I came back thirty-six hours ago, and I stay at the will of the
master-mind," he answered.

The old whimsical look came into her face, the old sudden flash which
always lighted her eyes when a daring phrase was born in her mind, and
she instantly retorted:

"The master-mind--how self-centred you are!"

Whatever had happened, certainly the old touch of intellectual
diablerie was still hers, and he laughed good-humoredly. Yes, she might
be this or that, she might be false or true, she might be one who had
sold herself for mammon, and had not paid tribute to the one great
natural principle of being, to give life to the world, man and woman
perpetuating man and woman; but she was stimulating and delightful
without effort.

"And what are you doing these days?" he asked. "One never hears of you
now."

This was cruel, but she knew that he was "inciting her to riot," and
she replied: "That's because you are so secluded--in your kindergarten
for misfit statesmen. Abandon knowledge, all ye who enter there!"

It was the old flint and steel, but the sparks were not bright enough
to light the tinder of emotion. She knew it, for he was cool and
buoyant and really unconcerned, and she was feverish--and determined.

"You still make life worth living," he answered, gaily.

"It is not an occupation I would choose," she replied. "It is sure to
make one a host of enemies."

"So many of us make our careers by accident," he rejoined.

"Certainly I made mine not by design," she replied instantly; and there
was an undercurrent of meaning in it which he was not slow to notice;
but he disregarded her first attempt to justify, however vaguely, her
murderous treatment of him.

"But your career is not yet begun," he remarked.

Her eyes flashed--was it anger, or pique, or hurt, or merely the fire
of intellectual combat?

"I am married," she said, defiantly, in direct retort.

"That is not a career--it is casual exploration in a dark continent,"
he rejoined.

"Come and say that to my husband," she replied, boldly. Suddenly a
thought lighted her eyes. "Are you by any chance free to-morrow night
to dine with us--quite, quite en famille' Rudyard will be glad to see
you--and hear you," she added, teasingly.

He was amused. He felt how much he had really piqued her and provoked
her by showing her so plainly that she had lost every vestige of the
ancient power over him; and he saw no reason why he should not spend an
evening where she sparkled.

"I am free, and will come with pleasure," he replied.

"That is delightful," she rejoined, "and please bring a box of bons
mots with you. But you will come, then--?" She was going to add, "Ian,"
but she paused.

"Yes, I'll come--Jasmine," he answered, coolly, having read her
hesitation aright.

She flushed, was embarrassed and piqued, but with a smile and a nod she
left him.

In her carriage, however, her breath came quick and fast, her tiny hand
clenched, her face flushed, and there was a devastating fire in her
eyes.

"He shall not treat me so. He shall show some feeling. He shall--he
shall--he shall!" she gasped, angrily.




CHAPTER IX

THE APPIAN WAY


"Cape to Cairo be damned!"

The words were almost spat out. The man to whom they were addressed
slowly drew himself up from a half-recumbent position in his
desk-chair, from which he had been dreamily talking into the ceiling,
as it were, while his visitor leaned against a row of bookshelves and
beat the floor impatiently with his foot.

At the rude exclamation, Byng straightened himself, and looked fixedly
at his visitor. He had been dreaming out loud again the dream which
Rhodes had chanted in the ears of all those who shared with him the
pioneer enterprises of South Africa. The outburst which had broken in
on his monologue was so unexpected that for a moment he could scarcely
realize the situation. It was not often, in these strenuous and
perilous days--and for himself less often than ever before, so had
London and London life worked upon him--that he, or those who shared
with him the vast financial responsibilities of the Rand, indulged in
dreams or prophecies; and he resented the contemptuous phrase just
uttered, and the tone of the speaker even more.

Byng's blank amazement served only to incense his visitor further.
"Yes, be damned to it, Byng!" he continued. "I'm sick of the British
Empire and the All Red, and the 'immense future.' What I want is the
present. It's about big enough for you and me and the rest of us. I
want to hold our own in Johannesburg. I want to pull thirty-five
millions a year out of the eighty miles of reef, and get enough native
labour to do it. I want to run the Rand like a business concern, with
Kruger gone to Holland; and Leyds gone to blazes. That's what I want to
see, Mr. Invincible Rudyard Byng."

The reply to this tirade was deliberate and murderously bitter. "That's
what you want to see, is it, Mr. Blasphemous Barry Whalen? Well, you
can want it with a little less blither and a little more manners."

A hard and ugly look was now come into the big clean-shaven face which
had become sleeker with good living, and yet had indefinably coarsened
in the three years gone since the Jameson raid; and a gloomy anger
looked out of the deep-blue eyes as he slowly went on:

"It doesn't matter what you want--not a great deal, if the others agree
generally on what ought to be done; and I don't know that it matters
much in any case. What have you come to see me about?"

"I know I'm not welcome here, Byng. It isn't the same as it used to be.
It isn't--"

Byng jerked quickly to his feet and lunged forward as though he would
do his visitor violence; but he got hold of himself in time, and, with
a sudden and whimsical toss of the head, characteristic of him, he
burst into a laugh.

"Well, I've been stung by a good many kinds of flies in my time, and I
oughtn't to mind, I suppose," he growled.... "Oh, well, there," he
broke off; "you say you're not welcome here? If you really feel that,
you'd better try to see me at my chambers--or at the office in London
Wall. It can't be pleasant inhaling air that chills or stifles you. You
take my advice, Barry, and save yourself annoyance. But let me say in
passing that you are as welcome here as anywhere, neither more nor
less. You are as welcome as you were in the days when we trekked from
the Veal to Pietersburg and on into Bechuanaland, and both slept in the
cape-wagon under one blanket. I don't think any more of you than I did
then, and I don't think any less, and I don't want to see you any more
or any fewer. But, Barry"--his voice changed, grew warmer,
kinder--"circumstances are circumstances. The daily lives of all of us
are shaped differently--yours as well as mine--here in this
pudding-faced civilization and in the iron conventions of London town;
and we must adapt ourselves accordingly. We used to flop down on our
Louis Quinze furniture on the Vaal with our muddy boots on--in our
front drawing-room. We don't do it in Thamesfontein, my noble
buccaneer--not even in Barry Whalen's mansion in Ladbroke Square, where
Barry Whalen, Esq., puts his silk hat on the hall table, and--and, 'If
you please, sir, your bath is ready'! ... Don't be an idiot-child,
Barry, and don't spoil my best sentences when I let myself go. I don't
do it often these days--not since Jameson spilt the milk and the can
went trundling down the area. It's little time we get for dreaming,
these sodden days, but it's only dreams that do the world's work and
our own work in the end. It's dreams that do it, Barry; it's dreams
that drive us on, that make us see beyond the present and the
stupefying, deadening grind of the day. So it'll be Cape to Cairo in
good time, dear lad, and no damnation, if you please.... Why, what's
got into you? And again, what have you come to see me about, anyhow?
You knew we were to meet at dinner at Wallstein's to-night. Is there
anything that's skulking at our heels to hurt us?"

The scowl on Barry Whalen's dissipated face cleared a little. He came
over, rested both hands on the table and leaned forward as he spoke,
Byng resuming his seat meanwhile.

Barry's voice was a little thick with excitement, but he weighed his
words too. "Byng, I wanted you to know beforehand what Fleming intends
to bring up to-night--a nice kind of reunion, isn't it, with war ahead
as sure as guns, and the danger of everything going to smash, in spite
of Milner and Jo?"

A set look came into Byng's face. He caught the lapels of his big,
loose, double-breasted jacket, and spread his feet a little, till he
looked as though squaring himself to resist attack.

"Go on with your story," he interposed. "What is Fleming going to
say--or bring up, you call it?"

"He's going to say that some one is betraying us--all we do that's of
any importance and most we say that counts--to Kruger and Leyds. He's
going to say that the traitor is some one inside our circle."

Byng started, and his hands clutched at the chairback, then he became
quiet and watchful. "And whom does Fleming--or you--suspect?" he asked,
with lowering eyelids and a slumbering malice in his eyes.

Barry straightened himself and looked Byng rather hesitatingly in the
face; then he said, slowly:

"I don't know much about Fleming's suspicions. Mine, though, are at
least three years old, and you know them.

"Krool?"

"Krool--for sure."

"What would be Krool's object in betraying us, even if he knew all we
say and do?"

"Blood is thicker than water, Byng, and double pay to a poor man is a
consideration."

"Krool would do nothing that injured me, Barry. I know men. What sort
of thing has been given away to Brother Boer?"

Barry took from his pocket a paper and passed it over. Byng scanned it
very carefully and slowly, and his face darkened as he read; for there
were certain things set down of which only he and Wallstein and one or
two others knew; which only he and one high in authority in England
knew, besides Wallstein. His face slowly reddened with anger. London
life, and its excitements multiplied by his wife and not avoided by
himself, had worn on him, had affected his once sunny and even temper,
had given him greater bulk, with a touch of flabbiness under the chin
and at the neck, and had slackened the firmness of the muscles.
Presently he got up, went over to a table, and helped himself to brandy
and soda, motioning to Barry to do the same. There were two or three
minutes' silence, and then he said:

"There's something wrong, certainly, but it isn't Krool. No, it isn't
Krool."

"Nevertheless, if you're wise you'll ship him back beyond the Vaal, my
friend."

"It isn't Krool. I'll stake my life on that. He's as true to me as I am
to myself; and, anyhow, there are things in this Krool couldn't know."
He tossed the paper into the fire and watched it burn.

He had talked over many, if not all, of these things with Jasmine, and
with no one else; but Jasmine would not gossip. He had never known her
to do so. Indeed, she had counselled extreme caution so often to
himself that she would, in any case, be innocent of having babbled. But
certainly there had been leakage--there had been leakage regarding most
critical affairs. They were momentous enough to cause him to say
reflectively now, as he watched the paper burn:

"You might as well carry dynamite in your pocket as that."

"You don't mind my coming to see you?" Barry asked, in an anxious tone.

He could not afford to antagonize Byng; in any case, his heart was
against doing so; though, like an Irishman, he had risked everything by
his maladroit and ill-mannered attack a little while ago.

"I wanted to warn you, so's you could be ready when Fleming jumped in,"
Barry continued.

"No; I'm much obliged, Barry," was Byng's reply, in a voice where
trouble was well marked, however. "Wait a minute," he continued, as his
visitor prepared to leave. "Go into the other room"--he pointed. "Glue
your ear to the door first, then to the wall, and tell me if you can
hear anything--any word I say."

Barry did as he was bidden. Presently Byng spoke in a tone rather
louder than in ordinary conversation to an imaginary interlocutor for
some minutes. Then Barry Whalen came back into the room.

"Well?" Byng asked. "Heard anything?"

"Not a word--scarcely a murmur."

"Quite so. The walls are thick, and those big mahogany doors fit like a
glove. Nothing could leak through. Let's try the other door, leading
into the hall." They went over to it. "You see, here's an inside
baize-door as well. There's not room for a person to stand between the
two. I'll go out now, and you stay. Talk fairly loud."

The test produced the same result.

"Maybe I talk in my sleep," remarked Byng, with a troubled, ironical
laugh.

Suddenly there shot into Barry Whalen's mind a thought which startled
him, which brought the colour to his face with a rush. For years he had
suspected Krool, had considered him a danger. For years he had regarded
Byng as culpable, for keeping as his servant one whom the Partners all
believed to be a spy; but now another, a terrible thought came to him,
too terrible to put into words--even in his own mind.

There were two other people besides Krool who were very close to Byng.
There was Mrs. Byng for one; there was also Adrian Fellowes, who had
been for a long time a kind of handy-man of the great house, doing the
hundred things which only a private secretary, who was also a kind of
master-of-ceremonies and lord-in-waiting, as it were, could do. Yes,
there was Adrian Fellowes, the private secretary; and there was Mrs.
Byng, who knew so much of what her husband knew! And the private
secretary and the wife necessarily saw much of each other. What came to
Barry's mind now stunned him, and he mumbled out some words of good-bye
with an almost hang-dog look to his face; for he had a chivalrous heart
and mind, and he was not prone to be malicious.

"We'll meet at eight, then?" said Byng, taking out his watch. "It's a
quarter past seven now. Don't fuss, Barry. We'll nose out the spy,
whoever he is, or wherever to be found. But we won't find him here, I
think--not here, my friend."

Suddenly Barry Whalen turned at the door. "Oh, let's go back to the
veld and the Rand!" he burst out, passionately. "This is no place for
us, Byng--not for either of us. You are getting flabby, and I'm
spoiling my temper and my manners. Let's get out of this infernal
jack-pot. Let's go where we'll be in the thick of the broiling when it
comes. You've got a political head, and you've done more than any one
else could do to put things right and keep them right; but it's no
good. Nothing'll be got except where the red runs. And the red will
run, in spite of all Jo or Milner or you can do. And when it comes, you
and I will be sick if we're not there--yes, even you with your
millions, Byng."

With moist eyes Byng grasped the hand of the rough-hewn comrade of the
veld, and shook it warmly.

"England has got on your nerves, Barry," he said, gently. "But we're
all right in London. The key-board of the big instrument is here."

"But the organ is out there, Byng, and it's the organ that makes the
music, not the keys. We're all going to pieces here, every one of us. I
see it. Herr Gott, I see it plain enough! We're in the wrong shop.
We're not buying or selling; we're being sold. Baas--big Baas, let's go
where there's room to sling a stone; where we can see what's going on
round us; where there's the long sight and the strong sight; where you
can sell or get sold in the open, not in the alleyways; where you can
have a run for your money."

Byng smiled benevolently. Yet something was stirring his senses
strangely. The smell of the karoo was in his nostrils. "You're not
ending up as you began, Barry," he replied. "You started off like an
Israelite on the make, and you're winding up like Moody and Sankey."

"Well, I'm right now in the wind-up. I'm no better, I'm no worse, than
the rest of our fellows, but I'm Irish--I can see. The Celt can always
see, even if he can't act. And I see dark days coming for this old
land. England is wallowing. It's all guzzle and feed and finery, and
nobody cares a copper about anything that matters--"

"About Cape to Cairo, eh?"

"Byng, that was one of my idiocies. But you think over what I say, just
the same. I'm right. We're rotten cotton stuff now in these isles.
We've got fatty degeneration of the heart, and in all the rest of the
organs too."

Again Byng shook him by the hand warmly. "Well, Wallstein will give us
a fat dinner to-night, and you can moralize with lime-light effects
after the foie gras, Barry."

Closing the door slowly behind his friend, whom he had passed into the
hands of the dark-browed Krool, Byng turned again to his desk. As he
did so he caught sight of his face in the mirror over the mantel-piece.
A shadow swept over it; his lips tightened.

"Barry was right," he murmured, scrutinizing himself. "I've
degenerated. We've all degenerated. What's the matter, anyhow? What is
the matter? I've got everything--everything--everything."

Hearing the door open behind him, he turned to see Jasmine in evening
dress smiling at him. She held up a pink finger in reproof.

"Naughty boy," she said. "What's this I hear--that you have thrown me
over--me--to go and dine with the Wallstein! It's nonsense! You can't
go. Ian Stafford is coming to dine, as I told you."

His eyes beamed protectingly, affectionately, and yet, somehow, a
little anxiously, on her "But I must go, Jasmine. It's the first time
we've all been together since the Raid, and it's good we should be in
the full circle once again. There's work to do--more than ever there
was. There's a storm coming up on the veld, a real jagged lightning
business, and men will get hurt, hosts beyond recovery. We must commune
together, all of us. If there's the communion of saints, there's also
the communion of sinners. Fleming is back, and Wolff is back, and
Melville and Reuter and Hungerford are back, but only for a few days,
and we all must meet and map things out. I forgot about the dinner. As
soon as I remembered it I left a note on your dressing-table."

With sudden emotion he drew her to him, and buried his face in her soft
golden hair. "My darling, my little jasmine-flower," he whispered,
softly, "I hate leaving you, but--"

"But it's impossible, Ruddy, my man. How can I send Ian Stafford away?
It's too late to put him off."

"There's no need to put him off or to send him away--such old friends
as you are. Why shouldn't he dine with you a deux? I'm the only person
that's got anything to say about that."

She expressed no surprise, she really felt none. He had forgotten that,
coming up from Scotland, he had told her of this dinner with his
friends, and at the moment she asked Ian Stafford to dine she had
forgotten it also; but she remembered it immediately afterwards, and
she had said nothing, done nothing.

As Byng spoke, however, a curious expression emerged from the far
depths of her eyes--emerged, and was instantly gone again to the
obscurity whence it came. She had foreseen that he would insist on
Stafford dining with her; but, while showing no surprise--and no
perplexity--there was a touch of demureness in her expression as she
answered:

"I don't want to seem too conventional, but--"

"There should be a little latitude in all social rules," he rejoined.
"What nonsense! You are prudish, Jasmine. Allow yourself some latitude."

"Latitude, not license," she returned. Having deftly laid on him the
responsibility for this evening's episode, this excursion into the
dangerous fields of past memory and sentiment and perjured faith, she
closed the book of her own debit and credit with a smile of
satisfaction.

"Let me look at you," he said, standing her off from him.

Holding her hand, he turned her round like a child to be inspected.
"Well, you're a dream," he added, as she released herself and swept
into a curtsey, coquetting with her eyes as she did so. "You're
wonderful in blue--a flower in the azure," he added. "I seem to
remember that gown before--years ago--"

She uttered an exclamation of horror. "Good gracious, you wild and
ruthless ruffian! A gown--this gown--years ago! My bonny boy, do you
think I wear my gowns for years?"

"I wear my suits for years. Some I've had seven years. I've got a
frock-coat I bought for my brother Jim's wedding, ten years ago, and it
looks all right--a little small now, but otherwise 'most as good as
new."

"What a lamb, what a babe, you are, Ruddy! Like none that ever lived.
Why, no woman wears her gowns two seasons, and some of them rather hate
wearing them two times."

"Then what do they do with them--after the two times?"

"Well, for a while, perhaps, they keep them to look at and gloat over,
if they like them; then, perhaps, they give them away to their poor
cousins or their particular friends--"

"Their particular friends--?"

"Why, every woman has some friends poorer than herself who love her
very much, and she is good to them. Or there's the Mart--"

"Wait. What's 'the Mart'?"

"The place where ladies can get rid of fine clothes at a wicked
discount."

"And what becomes of them then?"

"They are bought by ladies less fortunate."

"Ladies who wear them?"

"Why, what else would they do? Wear them--of course, dear child."

Byng made a gesture of disgust. "Well, I call it sickening. To me
there's something so personal and intimate about clothes. I think I
could kill any woman that I saw wearing clothes of yours--of yours."

She laughed mockingly. "My beloved, you've seen them often enough, but
you haven't known they were mine; that's all."

"I didn't recognize them, because no one could wear your clothes like
you. It would be a caricature. That's a fact, Jasmine."

She reached up and swept his cheek with a kiss. "What a darling you
are, little big man! Yet you never make very definite remarks about my
clothes."

He put his hands on his hips and looked her up and down approvingly.
"Because I only see a general effect, but I always remember colour.
Tell me, have you ever sold your clothes to the Mart, or whatever the
miserable coffin-shop is called?"

"Well, not directly."

"What do you mean by 'not directly'?"

"Well, I didn't sell them, but they were sold for me." She hesitated,
then went on hurriedly. "Adrian Fellowes knew of a very sad case--a
girl in the opera who had had misfortune, illness, and bad luck; and he
suggested it. He said he didn't like to ask for a cheque, because we
were always giving, but selling my old wardrobe would be a sort of
lucky find--that's what he called it."

Byng nodded, with a half-frown, however. "That was ingenious of
Fellowes, and thoughtful, too. Now, what does a gown cost, one like
that you have on?"

"This--let me see. Why, fifty pounds, perhaps. It's not a ball gown, of
course."

He laughed mockingly. "Why, 'of course,' And what does a ball gown
cost--perhaps?" There was a cynical kind of humour in his eye.

"Anything from fifty to a hundred and fifty--maybe," she replied, with
a little burst of merriment.

"And how much did you get for the garments you had worn twice, and then
seen them suddenly grow aged in their extreme youth?"

"Ruddy, do not be nasty--or scornful. I've always worn my gowns more
than twice--some of them a great many times, except when I detested
them. And anyhow, the premature death of a gown is very, very good for
trade. That influences many ladies, of course."

He burst out laughing, but there was a satirical note in the gaiety, or
something still harsher.

"'We deceive ourselves and the truth is not in us,'" he answered. "It's
all such a hollow make-believe."

"What is?"

She gazed at him inquiringly, for this mood was new to her. She was
vaguely conscious of some sort of change in him--not exactly toward
her, but a change, nevertheless.

"The life we rich people lead is a hollow make-believe, Jasmine," he
said, with sudden earnestness. "I don't know what's the matter, but
we're not getting out of life all we ought to get; and we're not
putting into it all we ought to put in. There's a sense of
emptiness--of famine somewhere."

He caught the reflection of his face in the glass again, and his brow
contracted. "We get sordid and sodden, and we lose the proportions of
life. I wanted Dick Wilberforce to do something with me the other day,
and he declined. 'Why, my dear fellow,' I said, 'you know you want to
do it?' 'Of course I do,' he answered, 'but I can't afford that kind of
thing, and you know it.' Well, I did know it, but I had forgotten. I
was only thinking of what I myself could afford to do. I was setting up
my own financial standard, and was forgetting the other fellows who
hadn't my standard. What's the result? We drift apart, Wilberforce and
I--well, I mean Wilberforce as a type. We drift into sets of people who
can afford to do certain things, and we leave such a lot of people
behind that we ought to have clung to, and that we would have clung to,
if we hadn't been so much thinking of ourselves, or been so soddenly
selfish."

A rippling laugh rang through the room. "Boanerges--oh, Boanerges Byng!
'Owever can you be so heloquent!"

Jasmine put both hands on his shoulders and looked up at him with that
look which had fascinated him--and so many others--in their day. The
perfume which had intoxicated him in the first days of his love of her,
and steeped his senses in the sap of youth and Eden, smote them again,
here on the verge of the desert before him. He suddenly caught her in
his arms and pressed her to him almost roughly.

"You exquisite siren--you siren of all time," he said, with a note of
joy in which there was, too, a stark cry of the soul. He held her face
back from him.... "If you had lived a thousand years ago you would have
had a thousand lovers, Jasmine. Perhaps you did--who knows! And now you
come down through the centuries purified by Time, to be my
jasmine-flower."

His lip trembled a little. There was a strange melancholy in his eyes,
belying the passion and rapture of his words.

In all their days together she had never seen him in this mood. She had
heard him storm about things at times, had watched his big impulses
working; had drawn the thunder from his clouds; but there was something
moving in him now which she had never seen before. Perhaps it was only
a passing phase, even a moment's mood, but it made a strange impression
on her. It was remembered by them both long after, when life had
scattered its vicissitudes before their stumbling feet and they had
passed through flood and fire.

She drew back and looked at him steadily, reflectively, and with an
element of surprise in her searching look. She had never thought him
gifted with perception or insight, though he had eloquence and an eye
for broad effects. She had thought him curiously ignorant of human
nature, born to be deceived, full of child-like illusions, never
understanding the real facts of life, save in the way of business--and
politics. Women he never seemed by a single phrase or word to
understand, and yet now he startled her with a sudden revelation and
insight of which she had not thought him capable.

"If you had lived a thousand years ago you would have had a thousand
lovers. Perhaps you did--who knows! ... And now you come down through
the centuries purified by Time--"

The words slowly repeated themselves in her brain. Many and many a time
she had imagined herself as having lived centuries ago, and again and
again in her sleep these imaginings had reflected themselves in wild
dreams of her far past--once as a priestess of Isis, once as a
Slavonian queen, once as a peasant in Syria, and many times as a
courtezan of Alexandria or Athens--many times as that: one of the
gifted, beautiful, wonderful women whose houses were the centres of
culture, influence, and power. She had imagined herself, against her
will, as one of these women, such as Cleopatra, for whom the world were
well lost; and who, at last, having squeezed the orange dry, but while
yet the sun was coming towards noon, in scorn of Life and Time had left
the precincts of the cheerful day without a lingering look.... Often
and often such dreams, to her anger and confusion, had haunted her,
even before she was married; and she had been alternately humiliated
and fascinated by them. Years ago she had told Ian Stafford of one of
the dreams of a past life--that she was a slave in Athens who saved her
people by singing to the Tyrant; and Ian had made her sing to him, in a
voice quite in keeping with her personality, delicate and fine and
wonderfully high in its range, bird-like in its quality, with trills
like a lark--a little meretricious but captivating. He had also written
for her two verses which were as sharp and clear in her mind as the
letter he wrote when she had thrown him over so dishonourably:

  "Your voice I knew, its cadences and trill;
  It stilled the tumult and the overthrow
  When Athens trembled to the people's will;
  I knew it--'twas a thousand years ago.

  "I see the fountains, and the gardens where
  You sang the fury from the Satrap's brow;
  I feel the quiver of the raptured air
  I heard you in the Athenian grove--I hear you now."


As the words flashed into her mind now she looked at her husband
steadfastly. Were there, then, some unexplored regions in his nature,
where things dwelt, of which she had no glimmering of knowledge? Did he
understand more of women than she thought? Could she then really talk
to him of a thousand things of the mind which she had ever ruled out of
any commerce between them, one half of her being never opened up to his
sight? Not that he was deficient in intellect, but, to her thought, his
was a purely objective mind; or was it objective because it had not
been trained or developed subjectively? Had she ever really tried to
find a region in his big nature where the fine allusiveness and
subjectivity of the human mind could have free life and untrammelled
exercise, could gambol in green fields of imagination and adventure
upon strange seas of discovery? A shiver of pain, of remorse, went
through her frame now, as he held her at arm's length and looked at
her.... Had she started right? Had she ever given their natures a
chance to discover each other? Warmth and passion and youth and
excitement and variety--oh, infinite variety there had been!--but had
the start been a fair one, had she, with a whole mind and a full soul
of desire, gone to him first and last? What had been the governing
influence in their marriage where she was concerned?

Three years of constant motion, and never an hour's peace; three years
of agitated waters, and never in all that time three days alone
together. What was there to show for the three years? That for which he
had longed with a great longing had been denied him; for he had come of
a large family, and had the simple primitive mind and heart. Even in
his faults he had ever been primitively simple and obvious. She had
been energetic, helping great charities, aiding in philanthropic
enterprises, with more than a little shrewdness preventing him from
being robbed right and left by adventurers of all descriptions; and
yet--and yet it was all so general, so soulless, her activity in good
causes. Was there a single afflicted person, one forlorn soul whom she
had directly and personally helped, or sheltered from the storm for a
moment, one bereaved being whose eyes she had dried by her own direct
personal sympathy?

Was it this which had been more or less vaguely working in his mind a
little while before when she had noticed a change in him; or was it
that he was disappointed that they were two and no more--always two,
and no more? Was it that which was working in his mind, and making him
say hard things about their own two commendable selves?

"If you had lived a thousand years ago you would have had a thousand
lovers.... And now you come down through the centuries purified by
Time, to be my jasmine-flower"--

She did not break the silence for some time, but at last she said: "And
what were you a thousand years ago, my man?"

He drew a hot hand across a troubled brow. "I? I was the Satrap whose
fury you soothed away, or I was the Antony you lured from fighting
Caesar."

It was as though he had read those lines written by Ian Stafford long
ago.

Again that perfume of hers caught his senses, and his look softened
wonderfully. A certain unconscious but underlying discontent appeared
to vanish from his eyes, and he said, abruptly: "I have it--I have it.
This dress is like the one you wore the first night that we met. It's
the same kind of stuff, it's just the same colour and the same style.
Why, I see it all as plain as can be--there at the opera. And you wore
blue the day I tried to propose to you and couldn't, and asked you down
to Wales instead. Lord, how I funked it!" He laughed, happily almost.
"Yes, you wore blue the first time we met--like this."

"It was the same skirt, and a different bodice, of course both those
first times," she answered. Then she stepped back and daintily smoothed
out the gown she was wearing, smiling at him as she did that day three
years ago. She had put on this particular gown, remembering that Ian
Stafford had said charming things about that other blue gown just
before he bade her good-bye three years ago. That was why she wore blue
this night--to recall to Ian what it appeared he had forgotten. And
presently she would dine alone with Ian in her husband's house--and
with her husband's blessing. Pique and pride were in her heart, and she
meant Ian Stafford to remember. No man was adamantine; at least she had
never met one--not one, neither bishop nor octogenarian.

"Come, Ruddy, you must dress, or you'll be late," she continued,
lightly, touching his cheek with her fingers; "and you'll come down and
apologize, and put me right with Ian Stafford, won't you?"

"Certainly. I won't be five minutes. I'll--"

There was a tap at the door and a footman, entering, announced that Mr.
Stafford was in the drawing-room.

"Show him into my sitting-room," she said. "The drawing-room, indeed,"
she added to her husband--"it is so big, and I am so small. I feel
sometimes as though I wanted to live in a tiny, tiny house."

Her words brought a strange light to his eyes. Suddenly he caught her
arm.

"Jasmine," he said, hurriedly, "let us have a good talk over
things--over everything. I want to see if we can't get more out of life
than we do. There's something wrong. What is it? I don't know; but
perhaps we could find out if we put our heads together--eh?" There was
a strange, troubled longing in his look.

She nodded and smiled. "Certainly--to-night when you get back," she
said. "We'll open the machine and find what's wrong with it." She
laughed, and so did he.

As she went down the staircase she mused to herself and there was a
shadow in her eyes and over her face.

"Poor Ruddy! Poor Ruddy!" she said.

Once again before she entered the sitting-room, as she turned and
looked back, she said:

"Poor boy ... Yet he knew about a thousand years ago!" she added with a
nervous little laugh, and with an air of sprightly eagerness she
entered to Ian Stafford.




CHAPTER X

AN ARROW FINDS A BREAST


As he entered the new sphere of Jasmine's influence, charm, and
existence, Ian Stafford's mind became flooded by new impressions. He
was not easily moved by vastness or splendour. His ducal grandfather's
houses were palaces, the estates were a fair slice of two counties, and
many of his relatives had sumptuous homes stored with priceless
legacies of art. He had approached the great house which Byng had built
for himself with some trepidation; for though Byng came of people whose
names counted for a good deal in the north of England, still, in newly
acquired fortunes made suddenly in new lands there was something that
coarsened taste--an unmodulated, if not a garish, elegance which "hit
you in the eye," as he had put it to himself. He asked himself why Byng
had not been content to buy one of the great mansions which could
always be had in London for a price, where time had softened all the
outlines, had given that subdued harmony in architecture which only
belongs to age. Byng could not buy with any money those wonderful
Adam's mantels, over-mantels and ceilings which had a glory quite their
own. There must, therefore, be an air of newness in the new mansion,
which was too much in keeping with the new money, the gold as yet not
worn smooth by handling, the staring, brand-new sovereigns looking like
impostors.

As he came upon the great house, however, in the soft light of evening,
he was conscious of no violence done to his artistic sense. It was a
big building, severely simple in design, yet with the rich grace,
spacious solidity, and decorative relief of an Italian palace: compact,
generous, traditionally genuine and wonderfully proportionate.

"Egad, Byng, you had a good architect--and good sense!" he said to
himself. "It's the real thing; and he did it before Jasmine came on the
scene too."

The outside of the house was Byng's, but the inside would, in the
essentials, of course, be hers; and he would see what he would see.

When the door opened, it came to him instantly that the inside and
outside were in harmony. How complete was that harmony remained to be
seen, but an apparently unstudied and delightful reticence was
noticeable at once. The newness had been rubbed off the gold somehow,
and the old furniture--Italian, Spanish--which relieved the
spaciousness of the entrance gave an air of Time and Time's eloquence
to this three-year-old product of modern architectural skill.

As he passed on, he had more than a glimpse of the ball-room, which
maintained the dignity and the refined beauty of the staircase and the
hallways; and only in the insistent audacity and intemperate colouring
of some Rubens pictures did he find anything of that inherent tendency
to exaggeration and Oriental magnificence behind the really delicate
artistic faculties possessed by Jasmine.

The drawing-room was charming. It was not quite perfect, however. It
was too manifestly and studiously arranged, and it had the finnicking
exactness of the favourite gallery of some connoisseur. For its
nobility of form, its deft and wise softness of colouring, its
half-smothered Italian joyousness of design in ceiling and cornice, the
arrangement of choice and exquisite furniture was too careful, too much
like the stage. He smiled at the sight of it, for he saw and knew that
Jasmine had had his playful criticism of her occasionally flamboyant
taste in mind, and that she had over-revised, as it were. She had, like
a literary artist, polished and refined and stippled the effect, till
something of personal touch had gone, and there remained classic
elegance without the sting of life and the idiosyncrasy of its
creator's imperfections. No, the drawing-room would not quite do,
though it was near the perfect thing. His judgment was not yet
complete, however. When he was shown into Jasmine's sitting-room his
breath came a little quicker, for here would be the real test; and
curiosity was stirring greatly in him.

Yes, here was the woman herself, wilful, original, delightful, with a
flower-like delicacy joined to a determined and gorgeous audacity.
Luxury was heaped on luxury, in soft lights from Indian lamps and
lanterns, in the great divan, the deep lounge, the piled-up cushions,
the piano littered with incongruous if artistic bijouterie; but
everywhere, everywhere, books in those appealing bindings and with that
paper so dear to every lover of literature. Instinctively he picked
them up one by one, and most of them were affectionately marked by
marginal notes of criticism, approval, or reference; and all showing
the eager, ardent mind of one who loved books. He noticed, however,
that most of the books he had seen before, and some of them he had read
with her in the days which were gone forever. Indeed, in one of them he
found some of his own pencilled marginal notes, beneath which she had
written her insistent opinions, sometimes with amazing point. There
were few new books, and they were mostly novels; and it was borne in on
him that not many of these annotated books belonged to the past three
years. The millions had come, the power and the place; but something
had gone with their coming.

He was turning over the pages of a volume of Browning when she entered;
and she had an instant to note the grace and manly dignity of his
figure, the poise of the intellectual head--the type of a perfect,
well-bred animal, with the accomplishment of a man of purpose and
executive design. A little frown of trouble came to her forehead, but
she drove it away with a merry laugh, as he turned at the rustle of her
skirts and came forward.

He noted her blue dress, he guessed the reason she had put it on; and
he made an inward comment of scorn. It was the same blue, and it was
near the same style of the dress she wore the last time he saw her. She
watched to see whether it made any impression on him, and was piqued to
observe that he who had in that far past always swept her with an
admiring, discriminating, and deferential glance, now only gave her
deference of a courteous but perfunctory kind. It made the note to all
she said and did that evening--the daring, the brilliance, the light
allusion to past scenes and happenings, the skilful comment on the
present, the joyous dominance of a position made supreme by beauty and
by gold; behind which were anger and bitterness, and wild and desperate
revolt.

For, if love was dead in him, and respect, and all that makes man's
association with woman worth while, humiliation and the sting of
punishment and penalty were alive in her, flaying her spirit, rousing
that mad streak which was in her grandfather, who had had many a
combat, the outcome of wild elements of passion in him. She was not
happy; she had never been happy since she married Rudyard Byng; yet she
had said to herself so often that she might have been at peace, in a
sense, had it not been for the letter which Ian Stafford had written
her, when she turned from him to the man she married.

The passionate resolve to compel him to reproach himself in soul for
his merciless, if subtle, indictment of her to bring him to the old
place where he had knelt in spirit so long ago--ah, it was so
long!--came to her. Self-indulgent and pitifully mean as she had been,
still this man had influenced her more than any other in the world--in
that region where the best of herself lay, the place to which her eyes
had turned always when she wanted a consoling hour. He belonged to her
realm of the imagination, of thought, of insight, of intellectual
passions and the desires of the soul. Far above any physical attraction
Ian had ever possessed for her was the deep conviction that he gave her
mind what no one else gave it, that he was the being who knew the song
her spirit sang.... He should not go forever from her and with so
cynical a completeness. He should return; he should not triumph in his
self-righteousness, be a living reproach to her always by his careless
indifference to everything that had ever been between them. If he
treated her so because of what she had done to him, with what savagery
might not she be treated, if all that had happened in the last three
years were open as a book before him!

Her husband--she had not thought of that. So much had happened in the
past three years; there had been so much adulation and worship and
daring assault upon her heart--or emotions--from quarters of unusual
distinction, that the finest sense of her was blunted, and true
proportions were lost. Rudyard ought never to have made that five
months' visit to South Africa a year before, leaving her alone to make
the fight against the forces round her. Those five months had brought a
change in her, had made her indignant at times against Rudyard.

"Why did he go to South Africa? Why did he not take me with him? Why
did he leave me here alone?" she had asked herself. She did not realize
that there would have been no fighting at all, that all the forces
contending against her purity and devotion would never have gathered at
her feet and washed against the shores of her resolution, if she had
loved Rudyard Byng when she married him as she might have loved him,
ought to have loved him.

The faithful love unconsciously announces its fidelity, and men
instinctively are aware of it, and leave it unassailed. It is the
imperfect love which subtly invites the siege, which makes the call
upon human interest, selfishness, or sympathy, so often without
intended unscrupulousness at first. She had escaped the suspicion, if
not the censure, of the world--or so she thought; and in the main she
was right. But she was now embarked on an enterprise which never would
have been begun, if she had not gambled with her heart and soul three
years ago; if she had not dragged away the veil from her inner self,
putting her at the mercy of one who could say, "I know you--what you
are."

Just before they went to the dining-room Byng came in and cheerily
greeted Stafford, apologizing for having forgotten his engagement to
dine with Wallstein.

"But you and Jasmine will have much to talk about," he said--"such old
friends as you are; and fond of books and art and music and all that
kind of thing.... Glad to see you looking so well, Stafford," he
continued. "They say you are the coming man. Well, au revoir. I hope
Jasmine will give you a good dinner." Presently he was gone--in a heavy
movement of good-nature and magnanimity.

"Changed--greatly changed, and not for the better," said Ian Stafford
to himself. "This life has told on him. The bronze of the veld has
vanished, and other things are disappearing."

At the table with the lights and the flowers and the exquisite
appointments, with appetite flattered and tempted by a dinner of rare
simplicity and perfect cooking, Jasmine was radiant, amusing, and
stimulating in her old way. She had never seemed to him so much a
mistress of delicate satire and allusiveness. He rose to the combat
with an alacrity made more agile by considerable abstinence, for clever
women were few, and real talk was the rarest occurrence in his life,
save with men in his own profession chiefly.

But later, in her sitting-room, after the coffee had come, there was a
change, and the transition was made with much skill and sensitiveness.
Into Jasmine's voice there came another and more reflective note, and
the drift of the conversation changed. Books brought the new current;
and soon she had him moving almost unconsciously among old scenes,
recalling old contests of ideas, and venturing on bold reproductions of
past intellectual ideals. But though they were in this dangerous field
of the past, he did not once betray a sign of feeling, not even when,
poring over Coventry Patmore's poems, her hand touched his, and she
read the lines which they had read together so long ago, with no
thought of any significance to themselves:

  "With all my will, but much against my heart,
  We two now part.
  My very Dear,
  Our solace is the sad road lies so clear...
  Go thou to East, I West.
  We will not say
  There's any hope, it is so far away..."


He read the verses with a smile of quiet enjoyment, saying, when he had
finished:

"A really moving and intimate piece of work. I wonder what their story
was--a hopeless love, of course. An affaire--an 'episode'--London
ladies now call such things."

"You find London has changed much since you went away--in three years
only?" she asked.

"Three years--why, it's an eternity, or a minute, as you are obliged to
live it. In penal servitude it is centuries, in the Appian Way of
pleasure it is a sunrise moment. Actual time has nothing to do with the
clock."

She looked up to the little gold-lacquered clock on the mantel-piece.
"See, it is going to strike," she said. As she spoke, the little silver
hammer softly struck. "That is the clock-time, but what time is it
really--for you, for instance?"

"In Elysium there is no time," he murmured with a gallantry so
intentionally obvious and artificial that her pulses beat with anger.

"It is wonderful, then, how you managed the dinner-hour so exactly. You
did not miss it by a fraction."

"It is only when you enter Elysium that there is no time. It was eight
o'clock when I arrived--by the world's time. Since then I have been
dead to time--and the world."

"You do not suggest that you are in heaven?" she asked, ironically.

"Nothing so extreme as that. All extremes are violent."

"Ah, the middle place--then you are in purgatory?"

"But what should you be doing in purgatory? Or have you only come with
a drop of water to cool the tongue of Dives?" His voice trailed along
so coolly that it incensed her further.

"Certainly Dives' tongue is blistering," she said with great effort to
still the raging tumult within her. "Yet I would not cool it if I
could."

Suddenly the anger seemed to die out of her, and she looked at him as
she did in the days before Rudyard Byng came across her path--eagerly,
childishly, eloquently, inquiringly. He was the one man who satisfied
the intellectual and temperamental side of her; and he had taught her
more than any one else in the world. She realized that she had "Tossed
him violently like a ball into a far country," and that she had not now
a vestige of power over him--either of his senses or his mind; that he
was master of the situation. But was it so that there was a man whose
senses could not be touched when all else failed? She was very woman,
eager for the power which she had lost, and power was hard to get--by
what devious ways had she travelled to find it!

As they leaned over a book of coloured prints of Gainsborough, Romney,
and Vandyke, her soft, warm breast touched his arm and shoulder, a
strand of her cobweb, golden hair swept his cheek, and a sigh came from
her lips, so like those of that lass who caught and held her Nelson to
the end, and died at last in poverty, friendless, homeless, and alone.
Did he fancy that he heard a word breathing through her sigh--his name,
Ian? For one instant the wild, cynical desire came over him to turn and
clasp her in his arms, to press those lips which never but once he had
kissed, and that was when she had plighted her secret troth to him, and
had broken it for three million pounds. Why not? She was a woman, she
was beautiful, she was a siren who had lured him and used him and
tossed him by. Why not? All her art was now used, the art of the born
coquette which had been exquisitely cultivated since she was a child,
to bring him back to her feet--to the feet of the wife of Rudyard Byng.
Why not? For an instant he had the dark impulse to treat her as she
deserved, and take a kiss "as long as my exile, as sweet as my
revenge"; but then the bitter memory came that this was the woman to
whom he had given the best of which he was capable and the promise of
that other best which time and love and life truly lived might
accomplish; and the wild thing died in him.

The fever fled, and his senses became as cold as the statue of
Andromeda on the pedestal at his hand. He looked at her. He did not for
the moment realize that she was in reality only a girl, a child in so
much; wilful, capricious, unregulated in some ways, with the hereditary
taint of a distorted moral sense, and yet able, intuitive and wise, in
so many aspects of life and conversation. Looking, he determined that
she should never have that absolution which any outward or inward
renewal of devotion would give her. Scorn was too deep--that arrogant,
cruel, adventitious attribute of the sinner who has not committed the
same sin as the person he despises--

  "Sweet is the refuge of scorn."

His scorn was too sweet; and for the relish of it on his tongue, the
price must be paid one way or another. The sin of broken faith she had
sinned had been the fruit of a great temptation, meaning more to a
woman, a hundred times, than to a man. For a man there is always
present the chance of winning a vast fortune and the power that it
brings; but it can seldom come to a woman except through marriage. It
ill became him to be self-righteous, for his life had not been
impeccable--

  "The shaft of slander shot
  Missed only the right blot!"


Something of this came to him suddenly now as she drew away from him
with a sense of humiliation, and a tear came unbidden to her eye.

She wiped the tear away, hastily, as there came a slight tapping at the
door, and Krool entered, his glance enveloping them both in one
lightning survey--like the instinct of the dweller in wild places of
the earth, who feels danger where all is most quiet, and ever scans the
veld or bush with the involuntary vigilance belonging to the life. His
look rested on Jasmine for a moment before he spoke, and Stafford
inwardly observed that here was an enemy to the young wife whose hatred
was deep. He was conscious, too, that Jasmine realized the antipathy.
Indeed, she had done so from the first days she had seen Krool, and had
endeavoured, without success, to induce Byng to send the man back to
South Africa, and to leave him there last year when he went again to
Johannesburg. It was the only thing in which Byng had proved
invulnerable, and Krool had remained a menace which she vaguely felt
and tried to conquer, which, in vain, Adrian Fellowes had endeavoured
to remove. For in the years in which Fellowes had been Byng's secretary
his relations with Krool seemed amiable and he had made light of
Jasmine's prejudices.

"The butler is out and they come me," Krool said. "Mr. Stafford's
servant is here. There is a girl for to see him, if he will let. The
boy, Jigger, his name. Something happens."

Stafford frowned, then turned to Jasmine. He told her who Jigger was,
and of the incident the day before, adding that he had no idea of the
reason for the visit; but it must be important, or nothing would have
induced his servant to fetch the girl.

"I will come," he said to Krool, but Jasmine's curiosity was roused.

"Won't you see her here?" she asked.

Stafford nodded assent, and presently Krool showed the girl into the
room.

For an instant she stood embarrassed and confused, then she addressed
herself to Stafford. "I'm Lou--Jigger's sister," she said, with white
lips. "I come to ask if you'd go to him. 'E's been hurt bad--knocked
down by a fire-engine, and the doctor says 'e can't live. 'E made yer a
promise, and 'e wanted me to tell yer that 'e meant to keep it; but if
so be as you'd come, and wouldn't mind a-comin', 'e'd tell yer himself.
'E made that free becos 'e had brekfis wiv ye. 'E's all right--the best
as ever--the top best."  Suddenly the tears flooded her eyes and
streamed down her pale cheeks. "Oh, 'e was the best--my Gawd, 'e was
the best! If it 'd make 'im die happy, you'd come, y'r gryce, wouldn't
y'r?"

Child of the slums as she was, she was exceedingly comely and was
simply and respectably dressed. Her eyes were big and brown like
Stafford's; her face was a delicate oval, and her hair was a deep
black, waving freely over a strong, broad forehead. It was her speech
that betrayed her; otherwise she was little like the flower-girl that
Adrian Fellowes had introduced to Al'mah, who had got her a place in
the chorus of the opera and had also given her personal care and
friendly help.

"Where is he? In the hospital?" Stafford asked.

"It was just beside our own 'ome it 'appened. We got two rooms now,
Jigger and me. 'E was took in there. The doctor come, but 'e says it
ain't no use. 'E didn't seem to care much, and 'e didn't give no 'ope,
not even when I said I'd give him all me wages for a year."

Jasmine was beside her now, wiping her tears and holding her hand, her
impulsive nature stirred, her heart throbbing with desire to help.
Suddenly she remembered what Rudyard had said up-stairs three hours
ago, that there wasn't a single person in the world to whom they had
done an act which was truly and purely personal during the past three
years: and she had a tremulous desire to help this crude, mothering,
passionately pitiful girl.

"What will you do?" Jasmine said to Stafford.

"I will go at once. Tell my servant to have up a cab," he said to
Krool, who stood outside the door.

"Truly, 'e will be glad," the girl exclaimed. "'E told me about the
suvring, and Sunday-week for brekfis," she murmured. "You'll never miss
the time, y'r gryce. Gawd knows you'll not miss it--an' 'e ain't got
much left."

"I will go, too--if you will let me," said Jasmine to Stafford. "You
must let me go. I want to help--so much."

"No, you must not come," he replied. "I will pick up a surgeon in
Harley Street, and we'll see if it is as hopeless as she says. But you
must not come to-night. To-morrow, certainly, to-morrow, if you will.
Perhaps you can do some good then. I will let you know."

He held out his hand to say good-bye, as the girl passed out with
Jasmine's kiss on her cheek and a comforting assurance of help.

Jasmine did not press her request. First there was the fact that
Rudyard did not know, and might strongly disapprove; and secondly,
somehow, she had got nearer to Stafford in the last few minutes than in
all the previous hours since they had met again. Nowhere, by all her
art, had she herself touched him, or opened up in his nature one tiny
stream of feeling; but this girl's story and this piteous incident had
softened him, had broken down the barriers which had checked and
baffled her. There was something almost gentle in his smile as he said
good-bye, and she thought she detected warmth in the clasp of his hand.

Left alone, she sat in the silence, pondering as she had not pondered
in the past three years. These few days in town, out of the season,
were sandwiched between social functions from which their lives were
never free. They had ever passed from event to event like minor
royalties with endless little ceremonies and hospitalities; and there
had been so little time to meditate--had there even been the wish?

The house was very still, and the far-off, muffled rumble of omnibuses
and cabs gave a background of dignity to this interior peace and
luxurious quiet. For long she sat unmoving--nearly two hours--alone
with her inmost thoughts. Then she went to the little piano in the
corner where stood the statue of Andromeda, and began to play softly.
Her fingers crept over the keys, playing snatches of things she knew
years before, improvising soft, passionate little movements. She took
no note of time. At last the clock struck twelve, and still she sat
there playing. Then she began to sing a song which Alice Tynemouth had
written and set to music two years before. It was simply yet
passionately written, and the wail of anguished disappointment, of
wasted chances was in it--

  "Once in the twilight of the Austrian hills,
  A word came to me, beautiful and good;
  If I had spoken it, that message of the stars,
  Love would have filled thy blood:
  Love would have sent thee pulsing to my arms,
  Thy heart a nestling bird;
  A moment fled--it passed:
  I seek in vain
  For that forgotten word."


In the last notes the voice rose in passionate pain, and died away into
an aching silence.

She leaned her arms on the piano in front of her and laid her forehead
on them.

"When will it all end--what will become of me!" she cried in pain that
strangled her heart. "I am so bad--so bad. I was doomed from the
beginning. I always felt it so--always, even when things were
brightest. I am the child of black Destiny. For me--there is nothing,
nothing, for me. The straight path was before me, and I would not walk
in it."

With a gesture of despair, and a sudden faintness, she got up and went
over to the tray of spirits and liqueurs which had been brought in with
the coffee. Pouring out a liqueur-glass of brandy, she was about to
drink it, when her ear became attracted by a noise without, a curious
stumbling, shuffling sound. She put down the glass, went to the door
that opened into the hall, and looked out and down. One light was still
burning below, and she could see distinctly. A man was clumsily,
heavily, ascending the staircase, holding on to the balustrade. He was
singing to himself, breaking into the maudlin harmony with an
occasional laugh--

  "For this is the way we do it on the veld,
  When the band begins to play;
  With one bottle on the table and one below the belt,
  When the band begins to play--"


It was Rudyard, and he was drunk--almost helplessly drunk.

A cry of pain rose to her lips, but her trembling hand stopped it. With
a shudder she turned back to her sitting-room. Throwing herself on the
divan where she had sat with Ian Stafford, she buried her face in her
arms. The hours went by.




CHAPTER XI

IN WALES, WHERE JIGGER PLAYS HIS PART


"Really, the unnecessary violence with which people take their own
lives, or the lives of others, is amazing. They did it better in olden
days in Italy and the East. No waste or anything--all scientifically
measured."

With a confident and satisfied smile Mr. Mappin, the celebrated
surgeon, looked round the little group of which he was the centre at
Glencader, Rudyard Byng's castle in Wales.

Rudyard blinked at him for a moment with ironical amusement, then
remarked: "When you want to die, does it matter much whether you kill
yourself with a bludgeon or a pin, take gas from a tap or cyanide of
potassium, jump in front of a railway train or use the revolting razor?
You are dead neither less nor more, and the shock to the world is the
same. It's only the housemaid or the undertaker that notices any
difference. I knew a man at Vleifontein who killed himself by jumping
into the machinery of a mill. It gave a lot of trouble to all
concerned. That was what he wanted--to end his own life and exasperate
the foreman."

"Rudyard, what a horrible tale!" exclaimed his wife, turning again to
the surgeon, eagerly. "It is most interesting, and I see what you mean.
It is, that if we only really knew, we could take our own lives or
other people's with such ease and skill that it would be hard to detect
it?"

The surgeon nodded. "Exactly, Mrs. Byng. I don't say that the expert
couldn't find what the cause of death was, if suspicion was aroused;
but it could be managed so that 'heart failure' or some such silly
verdict would be given, because there was no sign of violence, or of
injury artificially inflicted."

"It is fortunate the world doesn't know these ways to euthanasia,"
interposed Stafford. "I fancy that murders would be more numerous than
suicides, however. Suicide enthusiasts would still pursue their
melodramatic indulgences--disfiguring themselves unnecessarily."

Adrian Fellowes, the amiable, ever-present secretary and "chamberlain"
of Rudyard's household, as Jasmine teasingly called him, whose
handsome, unintellectual face had lighted with amusement at the
conversation, now interposed. "Couldn't you give us some idea how it
can be done, this smooth passage of the Styx?" he asked. "We'll promise
not to use it."

The surgeon looked round the little group reflectively. His eyes passed
from Adrian to Jasmine, who stood beside him, to Byng, and to Ian
Stafford, and stimulated by their interest, he gave a pleased smile of
gratified vanity. He was young, and had only within the past three
years got to the top of the tree at a bound, by a certain successful
operation in royal circles.

Drawing out of his pocket a small case, he took from it a needle and
held it up. "Now that doesn't look very dangerous, does it?" he asked.
"Yet a firm pressure of its point could take a life, and there would be
little possibility of finding how the ghastly trick was done except by
the aroused expert."

"If you will allow me," he said, taking Jasmine's hand and poising the
needle above her palm. "Now, one tiny thrust of this steel point, which
has been dipped in a certain acid, would kill Mrs. Byng as surely as
though she had been shot through the heart. Yet it would leave scarcely
the faintest sign. No blood, no wound, just a tiny pin-prick, as it
were; and who would be the wiser? Imagine an average coroner's jury and
the average examination of the village doctor, who would die rather
than expose his ignorance, and therefore gives 'heart failure' as the
cause of death."

Jasmine withdrew her hand with a shudder. "Please, I don't like being
so near the point," she said.

"Woman-like," interjected Byng ironically.

"How does it happen you carry this murdering asp about with you, Mr.
Mappin?" asked Stafford.

The surgeon smiled. "For an experiment to-morrow. Don't start. I have a
favorite collie which must die. I am testing the poison with the
minimum. If it kills the dog it will kill two men."

He was about to put the needle back into the case when Adrian Fellowes
held out a hand for it. "Let me look at it," he said. Turning the
needle over in his palm, he examined it carefully. "So near and yet so
far," he remarked. "There are a good many people who would pay a high
price for the little risk and the dead certainty. You wouldn't,
perhaps, tell us what the poison is, Mr. Mappin? We are all very
reliable people here, who have no enemies, and who want to keep their
friends alive. We should then be a little syndicate of five, holding a
great secret, and saving numberless lives every day by not giving the
thing away. We should all be entitled to monuments in Parliament
Square."

The surgeon restored the needle to the case. "I think one monument will
be sufficient," he said. "Immortality by syndicate is too modern, and
this is an ancient art." He tapped the case. "Turkey and the Mongol
lands have kept the old cult going. In England, it's only for the dog!"
He laughed freely but noiselessly at his own joke.

This talk had followed the news brought by Krool to the Baas, that the
sub-manager of the great mine, whose chimneys could be seen from the
hill behind the house, had thrown himself down the shaft and been
smashed to a pulp. None of them except Byng had known him, and the dark
news had brought no personal shock.

They had all gathered in the library, after paying an afternoon visit
to Jigger, who had been brought down from London in a special carriage,
and was housed near the servants' quarters with a nurse. On the night
of Jigger's accident Ian Stafford on his way from Jasmine's house had
caught Mr. Mappin, and the surgeon had operated at once, saving the
lad's life. As it was necessary to move him in any case, it was almost
as easy, and no more dangerous, to bring him to Glencader than to take
him to a London hospital.

Under the surgeon's instructions Jasmine had arranged it all, and
Jigger had travelled like royalty from Paddington into Wales, and there
had captured the household, as he had captured Stafford at breakfast in
St. James's Street.

Thinking that perhaps this was only a whim of Jasmine's, and merely
done because it gave a new interest to a restless temperament, Stafford
had at first rejected the proposal. When, however, the surgeon said
that if the journey was successfully made, the after-results would be
all to the good, Stafford had assented, and had allowed himself to be
included in the house-party at Glencader.

It was a triumph for Jasmine, for otherwise Stafford would not have
gone. Whether she would have insisted on Jigger going to Glencader if
it had not meant that Ian would go also, it would be hard to say. Her
motives were not unmixed, though there had been a real impulse to do
all she could. In any case, she had lessened the distance between Ian
and herself, and that gave her wilful mind a rather painful pleasure.
Also, the responsibility for Jigger's well-being, together with her
duties as hostess, had prevented her from dwelling on that scene in the
silent house at midnight which had shocked her so--her husband reeling
up the staircase, singing a ribald song.

The fullest significance of this incident had not yet come home to her.
She had fought against dwelling on it, and she was glad that every
moment since they had come to Glencader had been full; that Rudyard had
been much away with the shooters, and occupied in trying to settle a
struggle between the miners and the proprietors of the mine itself, of
whom he was one. Still, things that Rudyard had said before he left the
house to dine with Wallstein, leaving her with Stafford, persistently
recurred to her mind.

"What's the matter?" had been Rudyard's troubled cry. "We've got
everything--everything, and yet--!" Her eyes were not opened. She had
had a shock, but it had not stirred the inner, smothered life; there
had been no real revelation. She was agitated and disturbed--no more.
She did not see that the man she had married to love and to cherish was
slowly changing--was the change only a slow one now?--before her eyes;
losing that brave freshness which had so appealed to London when he
first came back to civilization. Something had been subtracted from his
personality which left it poorer, something had been added which made
it less appealing. Something had given way in him. There had been a
subsidence of moral energy, and force had inwardly declined, though to
all outward seeming he had played a powerful and notable part in the
history of the last three years, gaining influence in many directions,
without suffering excessive notoriety.

On the day Rudyard married Jasmine he would have cut off his hand
rather than imagine that he would enter his wife's room helpless from
drink and singing a song which belonged to loose nights on the Limpopo
and the Vaal.

As the little group drew back, their curiosity satisfied, Mr. Mappin,
putting the case carefully into his pocket again, said to Jasmine:

"The boy is going on so well that I am not needed longer. Mr. Wharton,
my locum tenens, will give him every care."

"When did you think of going?" Jasmine asked him, as they all moved on
towards the hall, where the other guests were assembled.

"To-morrow morning early, if I may. No night travel for me, if I can
help it."

"I am glad you are not going to-night," she answered, graciously.
"Al'mah is arriving this afternoon, and she sings for us this evening.
Is it not thrilling?"

There was a general murmur of pleasure, vaguely joined by Adrian
Fellowes, who glanced quickly round the little group, and met an
enigmatical glance from Byng's eye. Byng was remembering what Barry
Whalen had told him three years ago, and he wondered if Jasmine was
cognizant of it all. He thought not; for otherwise she would scarcely
bring Al'mah to Glencader and play Fellowes' game for him.

Jasmine, in fact, had not heard. Days before she had wondered that
Adrian had tried to discourage her invitation to Al'mah. While it was
an invitation, it was also an engagement, on terms which would have
been adequate for Patti in her best days. It would, if repeated a few
times, reimburse Al'mah for the sums she had placed in Byng's hands at
the time of the Raid, and also, later still, to buy the life of her
husband from Oom Paul. It had been insufficient, not because of the
value of the article for sale, but because of the rapacity of the
vender. She had paid half the cruel balance demanded; Byng and his
friends had paid the rest without her knowledge; and her husband had
been set free.

Byng had only seen Al'mah twice since the day when she first came to
his rooms, and not at all during the past two years, save at the opera,
where she tightened the cords of captivity to her gifts around her
admirers. Al'mah had never met Mrs. Byng since the day after that first
production of "Manassa," when Rudyard rescued her, though she had seen
her at the opera again and again. She cared nothing for society or for
social patronage or approval, and the life that Jasmine led had no
charms for her. The only interest she had in it was that it suited
Adrian from every standpoint. He loved the splendid social environment
of which Jasmine was the centre, and his services were well rewarded.

When she received Jasmine's proposal to sing at Glencader she had
hesitated to accept it, for society had no charms for her; but at
length three considerations induced her to do so. She wanted to see
Rudyard Byng, for South Africa and its shadow was ever present with
her; and she dreaded she knew not what. Blantyre was still her husband,
and he might return--and return still less a man than when he deserted
her those sad long years ago. Also, she wanted to see Jigger, because
of his sister Lou, whose friendless beauty, so primitively set, whose
transparent honesty appealed to her quick, generous impulses. Last of
all she wanted to see Adrian in the surroundings and influences where
his days had been constantly spent during the past three years.

Never before had she had the curiosity to do so. Adrian had, however,
deftly but clearly tried to dissuade her from coming to Glencader, and
his reasons were so new and unconvincing that, for the first time,--she
had a nature of strange trustfulness once her faith was given--a vague
suspicion concerning Adrian perplexed and troubled her. His letter had
arrived some hours after Jasmine's, and then her answer was
immediate--she would accept. Adrian heard of the acceptance first
through Jasmine, to whom he had spoken of his long "acquaintance" with
the great singer.

From Byng's look, as they moved towards the hall, Adrian gathered that
rumour had reached a quarter where he had much at stake; but it did not
occur to him that this would be to his disadvantage. Byng was a man of
the world. Besides, he had his own reasons for feeling no particular
fear where Byng was concerned. His glance ran from Byng's face to that
of Jasmine; but, though her eyes met his, there was nothing behind her
glance which had to do with Al'mah.

In the great hall whose windows looked out on a lovely, sunny valley
still as green as summer, the rest of the house-party were gathered,
and Jigger's visitors were at once surrounded.

Among the visitors were Alice, Countess of Tynemouth, also the
Slavonian ambassador, whose extremely pale face, stooping shoulders,
and bald head with the hair carefully brushed over from each side in a
vain attempt to cover the baldness, made him seem older than he really
was. Count Landrassy had lived his life in many capitals up to the
limit of his vitality, and was still covetous of notice from the sex
who had, in a checkered career, given him much pleasure, and had
provided him with far more anxiety. But he was almost uncannily able
and astute, as every man found who entered the arena of diplomacy to
treat with him or circumvent him. Suavity, with an attendant mordant
wit, and a mastery of tactics unfamiliar to the minds and capacities of
Englishmen, made him a great factor in the wide world of haute
politique; but it also drew upon him a wealth of secret hatred and
outward attention. His follies were lashed by the tongues of virtue and
of slander; but his abilities gave him a commanding place in the arena
of international politics.

As Byng and his party approached, the eyes of the ambassador and of
Lady Tynemouth were directed towards Ian Stafford. The glance of the
former was ironical and a little sardonic. He had lately been deeply
engaged in checkmating the singularly skilful and cleverly devised
negotiations by which England was to gain a powerful advantage in
Europe, the full significance of which even he had not yet pierced.
This he knew, but what he apprehended with the instinct of an almost
scientific sense became unduly important to his mind. The author of the
profoundly planned international scheme was this young man, who had
already made the chancelleries of Europe sit up and look about them in
dismay; for its activities were like those of underground wires; and
every area of diplomacy, the nearest, the most remote, was mined and
primed, so that each embassy played its part with almost startling
effect. Tibet and Persia were not too far, and France was not too near
to prevent the incalculably smooth working of a striking and
far-reaching political move. It was the kind of thing that England's
Prime Minister, with his extraordinary frankness, with his equally
extraordinary secretiveness, insight and immobility, delighted in; and
Slavonia and its ambassador knew, as an American high in place had
colloquially said, "that they were up against a proposition which would
take some moving."

The scheme had taken some moving. But it had not yet succeeded; and if
M. Mennaval, the ambassador of Moravia, influenced by Count Landrassy,
pursued his present tactics on behalf of his government, Ian Stafford's
coup would never be made, and he would have to rise to fame in
diplomacy by slower processes. It was the daily business of the
Slavonian ambassador to see that M. Mennaval of Moravia was not
captured either by tactics, by smooth words, or all those arts which
lay beneath the outward simplicity of Ian Stafford and of those who
worked with him.

With England on the verge of war, the outcome of the negotiations was a
matter of vital importance. It might mean the very question of
England's existence as an empire. England in a conflict with South
Africa, the hour long desired by more than one country, in which she
would be occupied to the limit of her capacity, with resources taxed to
the utmost, army inadequate, and military affairs in confusion, would
come, and with it the opportunity to bring the Titan to her knees. This
diplomatic scheme of Ian Stafford, however, would prevent the worst in
any case, and even in the disasters of war, would be working out
advantages which, after the war was done, would give England many
friends and fewer enemies, give her treaties and new territory, and set
her higher than she was now by a political metre.

Count Landrassy had thought at first, when Ian Stafford came to
Glencader, that this meeting had been purposely arranged; but through
Byng's frankness and ingenuous explanations he saw that he was
mistaken. The two subtle and combating diplomats had not yet conversed
save in a general way by the smoking-room fire.

Lady Tynemouth's eyes fell on Ian with a different meaning. His coming
to Glencader had been a surprise to her. He had accepted an invitation
to visit her in another week, and she had only come to know later of
the chance meeting of Ian and Jasmine in London, and the subsequent
accident to Jigger which had brought Ian down to Wales. The man who had
saved her life on her wedding journey, and whose walls were still
garish with the red parasol which had nearly been her death, had a
place quite his own in her consideration. She had, of course, known of
his old infatuation for Jasmine, though she did not know all; and she
knew also that he had put Jasmine out of his life completely when she
married Byng; which was not a source of regret to her. She had written
him about Jasmine, again and again,--of what she did and what the world
said--and his replies had been as casual and as careless as the most
jealous woman could desire; though she was not consciously jealous,
and, of course, had no right to be.

She saw no harm in having a man as a friend on a basis of intimacy
which drew the line at any possibility of divorce-court proceedings.
Inside this line she frankly insisted on latitude, and Tynemouth gave
it to her without thought or anxiety. He was too fond of outdoor life,
of racing and hunting and shooting and polo and travel, to have his eye
unnerved by any such foolishness as jealousy.

"Play the game--play the game, Alice, and so will I, and the rest of
the world be hanged!" was what Tynemouth had said to his wife; and it
would not have occurred to him to suspect Stafford, or to read one of
his letters to Lady Tynemouth. He had no literary gifts; in truth, he
had no "culture," and he looked upon his wife's and Stafford's interest
in literature and art as a game of mystery he had never learned.
Inconsequent he thought it in his secret mind, but played by nice,
clever, possible, "livable" people; and, therefore, not to be
pooh-poohed openly or kicked out of the way. Besides, it "gave Alice
something to do, and prevented her from being lonely--and all that kind
of thing."

Thus it was that Lady Tynemouth, who had played the game all round
according to her lights, and thought no harm of what she did, or of her
weakness for Ian Stafford--of her open and rather gushing friendship
for him--had an almost honest dislike to seeing him brought into close
relations again with the woman who had dishonourably treated him.
Perhaps she wanted his friendship wholly for herself; but that selfish
consideration did not overshadow the feeling that Jasmine had cheated
at cards, as it were; and that Ian ought not to be compelled to play
with her again.

"But men, even the strongest, are so weak," she had said to Tynemouth
concerning it, and he had said in reply, "And the weakest are so
strong--sometimes."

At which she had pulled his shoulder, and had said with a delighted
laugh, "Tynie, if you say clever things like that I'll fall in love
with you."

To which he had replied: "Now, don't take advantage of a moment's
aberration, Alice; and for Heaven's sake don't fall in love wiv me" (he
made a v of a th, like Jigger). "I couldn't go to Uganda if you did."

To which she had responded, "Dear me, are you going to Uganda?" and was
told with a nod that next month he would be gone. This conversation had
occurred on the day of their arrival at Glencader; and henceforth Alice
had forcibly monopolized Stafford whenever and wherever possible. So
far, it had not been difficult, because Jasmine had, not
ostentatiously, avoided being often with Stafford. It seemed to Jasmine
that she must not see much of him alone. Still there was some new cause
to provoke his interest and draw him to herself. The Jigger episode had
done much, had altered the latitudes of their association, but the
perihelion of their natures was still far off; and she was
apprehensive, watchful, and anxious.

This afternoon, however, she felt that she must talk with him. Waiting
and watching were a new discipline for her, and she was not yet the
child of self-denial. Fate, if there be such a thing, favoured her,
however, for as they drew near to the fireplace where the ambassador
and Alice Tynemouth and her husband stood, Krool entered, came forward
to Byng, and spoke in a low tone to him.

A minute afterward, Byng said to them all: "Well, I'm sorry, but I'm
afraid we can't carry out our plans for the afternoon. There's trouble
again at the mine, and I am needed, or they think I am. So I must go
there--and alone, I'm sorry to say; not with you all, as I had hoped.
Jasmine, you must plan the afternoon. The carriages are ready. There's
the Glen o' Smiling, well worth seeing, and the Murderer's Leap, and
Lover's Land--something for all tastes," he added, with a dry note to
his voice.

"Take care of yourself, Ruddy man," Jasmine said, as he left them
hurriedly, with an affectionate pinch of her arm. "I don't like these
mining troubles," she added to the others, and proceeded to arrange the
afternoon.

She did it so deftly that she and Ian and Adrian Fellowes were the only
ones left behind out of a party of twelve. She had found it impossible
to go on any of the excursions, because she must stay and welcome
Al'mah. She meant to drive to the station herself, she said. Adrian
stayed behind because he must superintend the arrangements of the
ball-room for the evening, or so he said; and Ian Stafford stayed
because he had letters to write--ostensibly; for he actually meant to
go and sit with Jigger, and to send a code message to the Prime
Minister, from whom he had had inquiries that morning.

When the others had gone, the three stood for a moment silent in the
hall, then Adrian said to Jasmine, "Will you give me a moment in the
ball-room about those arrangements?"

Jasmine glanced out of the corner of her eye at Ian. He showed no sign
that he wanted her to remain. A shadow crossed her face, but she
laughingly asked him if he would come also.

"If you don't mind--!" he said, shaking his head in negation; but he
walked with them part of the way to the ball-room, and left them at the
corridor leading to his own little sitting-room.

A few minutes later, as Jasmine stood alone at a window looking down
into the great stone quadrangle, she saw him crossing toward the
servants' quarters.

"He is going to Jigger," she said, her heart beating faster. "Oh, but
he is 'the best ever,'" she added, repeating Lou's words--"the best
ever!"

Her eye brightened with intention. She ran down the corridor, and
presently made her way to the housekeeper's room.




CHAPTER XII

THE KEY IN THE LOCK


A quarter of an hour later Jasmine softly opened the door of the room
where Jigger lay, and looked in. The nurse stood at the foot of the
bed, listening to talk between Jigger and Ian, the like of which she
had never heard. She was smiling, for Jigger was original, to say the
least of it, and he had a strange, innocent, yet wise philosophy. Ian
sat with his elbows on his knees, hands clasped, leaning towards the
gallant little sufferer, talking like a boy to a boy, and getting
revelations of life of which he had never even dreamed.

Jasmine entered with a little tray in one hand, bearing a bowl of
delicate broth, while under an arm was a puzzle-box, which was one of
the relics of a certain house-party in which a great many smart people
played at the simple life, and sought to find a new sensation in making
believe they were the village rector's brood of innocents. She was
dressed in a gown almost as simple in make as that of the nurse, but of
exquisite material--the soft green velvet which she had worn when she
met Ian in the sweetshop in Regent Street. Her hair was a perfect gold,
wavy and glistening and prettily fine, and her eyes were shining--so
blue, so deep, so alluring.

The boy saw her first, and his eyes grew bigger with welcome and
interest.

"It's her--me lydy," he said with a happy gasp, for she seemed to him
like a being from another sphere. When she came near him the faint,
delicious perfume exhaling from her garments was like those
flower-gardens and scented fields to which he had once been sent for a
holiday by some philanthropic society.

Ian rose as the nurse came forward quickly to relieve Jasmine of the
tray and the box. His first glance was enigmatical--almost
suspicious--then, as he saw the radiance in her face and the burden she
carried, a new light came into his eyes. In this episode of Jigger she
had shown all that gentle charm, sympathy, and human feeling which he
had once believed belonged so much to her. It seemed to him in the old
days that at heart she was simple, generous, and capable of the best
feelings of woman, and of living up to them; and there began to grow at
the back of his mind now the thought that she had been carried away by
a great temptation--the glitter and show of power and all that gold can
buy, and a large circle for the skirts of woman's pride and vanity. If
she had married him instead of Byng, they would now be living in a
small house in Curzon Street, or some such fashionable quarter, with
just enough to enable them to keep their end up with people who had
five thousand a year--with no box at the opera, or house in the
country, or any of the great luxuries, and with a thriving nursery
which would be a promise of future expense--if she had married him! ...
A kinder, gentler spirit was suddenly awake in him, and he did not
despise her quite so much. On her part, she saw him coming nearer, as,
standing in the door of a cottage in a valley, one sees trailing over
the distant hills, with the light behind, a welcome and beloved figure
with face turned towards the home in the green glade.

A smile came to his lips, as suspicion stole away ashamed, and he said:
"This will not do. Jigger will be spoiled. We shall have to see Mr.
Mappin about it."

As she yielded to him the puzzle-box, which she had refused to the
nurse, she said: "And pray who sets the example? I am a very imitative
person. Besides, I asked Mr. Mappin about the broth, so it's all right;
and Jigger will want the puzzle-box when you are not here," she added,
quizzically.

"Diversion or continuity?" he asked, with a laugh, as she held the bowl
of soup to Jigger's lips. At this point the nurse had discreetly left
the room.

"Continuity, of course," she replied. "All diplomatists are puzzles,
some without solution."

"Who said I was a diplomatist?" he asked, lightly.

"Don't think that I'm guilty of the slander," she rejoined. "It was the
Moravian ambassador who first suggested that what you were by
profession you were by nature."

Jasmine felt Ian hold his breath for a moment, then he said in a low
tone, "M. Mennaval--you know him well?"

She did not look towards him, but she was conscious that he was eying
her intently. She put aside the bowl, and began to adjust Jigger's
pillow with deft fingers, while the lad watched her with a worship
worth any money to one attacked by ennui and stale with purchased
pleasures.

"I know him well--yes, quite well," she replied. "He comes sometimes of
an afternoon, and if he had more time--or if I had--he would no doubt
come oftener. But time is the most valuable thing I have, and I have
less of it than anything else."

"A diminishing capital, too," he returned with a laugh; while his mind
was suddenly alert to an idea which had flown into his vision, though
its full significance did not possess him yet.

"The Moravian ambassador is not very busy," he added with an undertone
of meaning.

"Perhaps; but I am," she answered with like meaning, and looked him in
the eyes, steadily, serenely, determinedly. All at once there had
opened out before her a great possibility. Both from the Count
Landrassy and from the Moravian ambassador she had had hints of some
deep, international scheme of which Ian Stafford was the
engineer-in-chief, though she did not know definitely what it was. Both
ambassadors had paid their court to her, each in a different way, and
M. Mennaval would have been as pertinacious as he was vain and somewhat
weak (albeit secretive, too, with the feminine instinct so strong in
him) if she had not checked him at all points. From what Count
Landrassy had said, it would appear that Ian Stafford's future hung in
the balance--dependent upon the success of his great diplomatic scheme.

Could she help Ian? Could she help him? Had the time come when she
could pay her debt, the price of ransom from the captivity in which he
held her true and secret character? It had been vaguely in her mind
before; but now, standing beside Jigger's bed, with the lad's feverish
hand in hers, there spread out before her a vision of a lien lifted, of
an ugly debt redeemed, of freedom from this man's scorn. If she could
do some great service for him, would not that wipe out the unsettled
claim? If she could help to give him success, would not that, in the
end, be more to him than herself? For she would soon fade, the dust
would soon gather over her perished youth and beauty; but his success
would live on, ever freshening in his sight, rising through long years
to a great height, and remaining fixed and exalted. With a great belief
she believed in him and what he could do. He was a Sisyphus who could
and would roll the-huge stone to the top of the hill--and ever with
easier power.

The old touch of romance and imagination which had been the governing
forces of her grandfather's life, the passion of an idea, however
essentially false and meretricious and perilous to all that was worth
while keeping in life, set her pulses beating now. As a child her
pulses used to beat so when she had planned with her good-for-nothing
brother some small escapade looming immense in the horizon of her
enjoyment. She had ever distorted or inflamed the facts of life by an
overheated fancy, by the spirit of romance, by a gift--or curse--of
imagination, which had given her also dark visions of a miserable end,
of a clouded and piteous close to her brief journey. "I am
doomed--doomed," had been her agonized cry that day before Ian Stafford
went away three years ago, and the echo of that cry was often in her
heart, waking and sleeping. It had come upon her the night when Rudyard
reeled, intoxicated, up the staircase. She had the penalties of her
temperament shadowing her footsteps always, dimming the radiance which
broke forth for long periods, and made her so rare and wonderful a
figure in her world. She was so young, and so exquisite, that Fate
seemed harsh and cruel in darkening her vision, making pitfalls for her
feet.

Could she help him? Had her moment come when she could force him to
smother his scorn and wait at her door for bounty? She would make the
effort to know.

"But, yes, I am very busy," she repeated. "I have little interest in
Moravia--which is fortunate; for I could not find the time to study it."

"If you had interest in Moravia, you would find the time with little
difficulty," he answered, lightly, yet thinking ironically that he
himself had given much time and study to Moravia, and so far had not
got much return out of it. Moravia was the crux of his diplomacy.
Everything depended on it; but Landrassy, the Slavonian ambassador, had
checkmated him at every move towards the final victory.

"It is not a study I would undertake con amore," she said, smiling down
at Jigger, who watched her with sharp yet docile eyes. Then, suddenly
turning towards him again, she said:

"But you are interested in Moravia--do you find it worth the time?"

"Did Count Landrassy tell you that?" he asked.

"And also the ambassador for Moravia; but only in the vaguest and least
consequential way," she replied.

She regarded him steadfastly. "It is only just now--is it a kind of
telepathy'--that I seem to get a message from what we used to call the
power-house, that you are deeply interested in Moravia and Slavonia.
Little things which have been said seem to have new meaning now, and I
feel"--she smiled significantly--"that I am standing on the brink of
some great happening, and only a big secret, like a cloud, prevents me
from seeing it, realizing it. Is it so?" she added, in a low voice.

He regarded her intently. His look held hers. It would seem as though
he tried to read the depths of her soul; as though he was asking if
what had once proved so false could in the end prove true; for it came
to him with sudden force, with sure conviction, that she could help him
as no one else could; that at this critical moment, when he was
trembling between success and failure, her secret influence might be
the one reinforcement necessary to conduct him to victory. Greater and
better men than himself had used women to further their vast purposes;
could one despise any human agency, so long as it was not
dishonourable, in the carrying out of great schemes?

It was for Britain--for her ultimate good, for the honour and glory of
the Empire, for the betterment of the position of all men of his race
in all the world, their prestige, their prosperity, their patriotism;
and no agency should be despised. He knew so well what powers of
intrigue had been used against him, by the embassy of Slavonia and
those of other countries. His own methods had been simple and direct;
only the scheme itself being intricate, complicated, and reaching
further than any diplomatist, except his own Prime Minister, had
dreamed. If carried, it would recast the international position in the
Orient, necessitating new adjustments in Europe, with cession of
territory and gifts for gifts in the way of commercial treaties and the
settlement of outstanding difficulties.

His key, if it could be made to turn in the lock, would open the door
to possibilities of prodigious consequence.

He had been three years at work, and the end must come soon. The crisis
was near. A game can only be played for a given time, then it works
itself out, and a new one must take its place. His top was spinning
hard, but already the force of the gyration was failing, and he must
presently make his exit with what the Prime Minister called his Patent,
or turn the key in the lock and enter upon his kingdom. In three
months--in two months--in one month--it might be too late, for war was
coming; and war would destroy his plans, if they were not fulfilled
now. Everything must be done before war came, or be forever abandoned.

This beautiful being before him could help him. She had brains, she was
skilful, inventive, supple, ardent, yet intellectually discreet. She
had as much as told him that the ambassador of Moravia had paid her the
compliment of admiring her with some ardour. It would not grieve him to
see her make a fool and a tool of the impressionable yet adroit
diplomatist, whose vanity was matched by his unreliability, and who had
a passion for philandering--unlike Count Landrassy, who had no
inclination to philander, who carried his citadels by direct attack in
great force. Yes, Jasmine could help him, and, as in the dead years
when it seemed that she would be the courier star of his existence,
they understood each other without words.

"It is so," he said at last, in a low voice, his eyes still regarding
her with almost painful intensity.

"Do you trust me--now--again?" she asked, a tremor in her voice and her
small hand clasping ever and ever tighter the fingers of the lad, whose
eyes watched her with such dog-like adoration.

A mournful smile stole to his lips--and stayed. "Come where we can be
quiet and I will tell you all," he said. "You can help me, maybe."

"I will help you," she said, firmly, as the nurse entered the room
again and, approaching the bed, said, "I think he ought to sleep now";
and forthwith proceeded to make Jigger comfortable.

When Stafford bade Jigger good-bye, the lad said: "I wish I could 'ear
the singing to-night, y'r gryce. I mean the primmer donner. Lou says
she's a fair wonder."

"We will open your window," Jasmine said, gently. "The ball-room is
just across the quadrangle, and you will be able to hear perfectly."

"Thank you, me lydy," he answered, gratefully, and his eyes closed.

"Come," said Jasmine to Stafford. "I will take you where we can talk
undisturbed."

They passed out, and both were silent as they threaded the corridors
and hallways; but in Jasmine's face was a light of exaltation and of
secret triumph.

"We must give Jigger a good start in life," she said, softly, as they
entered her sitting-room. Jigger had broken down many barriers between
her and the man who, a week ago, had been eternities distant from her.

"He's worth a lot of thought," Ian answered, as the pleasant room
enveloped him, and they seated themselves on a big couch before the
fire.

Again there was a long silence; then, not looking at her, but gazing
into the fire, Ian Stafford slowly unfolded the wide and wonderful
enterprise of diplomacy in which his genius was employed. She listened
with strained attention, but without moving. Her eyes were fixed on his
face, and once, as the proposed meaning of the scheme was made dear by
the turn of one illuminating phrase, she gave a low exclamation of
wonder and delight. That was all until, at last, turning to her as
though from some vision that had chained him, he saw the glow in her
eyes, the profound interest, which was like the passion of a spirit
moved to heroic undertaking. Once again it was as in the years gone
by--he trusted her, in spite of himself; in spite of himself he had now
given his very life into her hands, was making her privy to great
designs which belonged to the inner chambers of the chancelleries of
Europe.

Almost timorously, as it seemed, she put out her hand and touched his
shoulder. "It is wonderful--wonderful," she said. "I can, I will help
you. Will let you let me win back your trust--Ian?"

"I want your help, Jasmine," he replied, and stood up. "It is the last
turn of the wheel. It may be life or death to me professionally."

"It shall be life," she said, softly.

He turned slowly from her and went towards the door.

"Shall we not go for a walk," she intervened--"before I drive to the
station for Al'mah?"

He nodded, and a moment afterward they were passing along the
corridors. Suddenly, as they passed a window, Ian stopped. "I thought
Mr. Mappin went with the others to the Glen?" he said.

"He did," was the reply.

"Who is that leaving his room?" he continued, as she followed his
glance across the quadrangle. "Surely, it's Fellowes," he added.

"Yes, it looked like Mr. Fellowes," she said, with a slight frown of
wonder.




CHAPTER XIII

"I WILL NOT SING"


"I will not sing--it's no use, I will not." Al'mah's eyes were vivid
with anger, and her lips, so much the resort of humour, were set in
determination. Her words came with low vehemence.

Adrian Fellowes' hand nervously appealed to her. His voice was coaxing
and gentle.

"Al'mah, must I tell Mrs. Byng that?" he asked. "There are a hundred
people in the ball-room. Some of them have driven thirty miles to hear
you. Besides, you are bound in honour to keep your engagement."

"I am bound to keep nothing that I don't wish to keep--you understand!"
she replied, with a passionate gesture. "I am free to do what I please
with my voice and with myself. I will leave here in the morning. I sang
before dinner. That pays my board and a little over," she added, with
bitterness. "I prefer to be a paying guest. Mrs. Byng shall not be my
paying hostess."

Fellowes shrugged his shoulders, but his lips twitched with excitement.
"I don't know what has come over you, Al'mah," he said helplessly and
with an anxiety he could not disguise. "You can't do that kind of
thing. It isn't fair, it isn't straight business; from a social
standpoint, it isn't well-bred."

"Well-bred!" she retorted with a scornful laugh and a look of angry
disdain. "You once said I had the manners of Madame Sans Gene, the
washer-woman--a sickly joke, it was. Are you going to be my guide in
manners? Does breeding only consist in having clothes made in Savile
Row and eating strawberries out of season at a pound a basket?"

"I get my clothes from the Stores now, as you can see," he said, in a
desperate attempt to be humorous, for she was in a dangerous mood. Only
once before had he seen her so, and he could feel the air charged with
catastrophe. "And I'm eating humble pie in season now at nothing a
dish," he added. "I really am; and it gives me shocking indigestion."

Her face relaxed a little, for she could seldom resist any touch of
humour, but the stubborn and wilful light in her eyes remained.

"That sounds like last year's pantomime," she said, sharply, and, with
a jerk of her shoulders, turned away.

"For God's sake wait a minute, Al'mah!" he urged, desperately. "What
has upset you? What has happened? Before dinner you were yourself;
now--" he threw up his hands in despair--"Ah, my dearest, my star--"

She turned upon him savagely, and it seemed as though a storm of
passion would break upon him; but all at once she changed, came up
close to him, and looked him steadily in the eyes.

"I do not think I trust you," she said, quite quietly.

His eyes could not meet hers fairly. He felt them shrinking from her
inquisition. "You have always trusted me till now. What has happened?"
he asked, apprehensively and with husky voice.

"Nothing has happened," she replied in a low, steady voice. "Nothing.
But I seem to realize you to-night. It came to me suddenly, at dinner,
as I listened to you, as I saw you talk--I had never before seen you in
surroundings like these. But I realized you then: I had a revelation.
You need not ask me what it was. I do not know quite. I cannot tell. It
is all vague, but it is startling, and it has gone through my heart
like a knife. I tell you this, and I tell you quite calmly, that if you
prove to be what, for the first time, I have a vision you are, I shall
never look upon your face again if I can help it. If I come to know
that you are false in nature and in act, that all you have said to me
is not true, that you have degraded me--Oh," she fiercely added,
breaking off and speaking with infinite anger and scorn--"it was only
love, honest and true, however mistaken, which could make what has been
between us endurable in my eyes! What I have thought was true love, and
its true passion, helped me to forget the degradation and the secret
shame--only the absolute honesty of that love could make me forget. But
suppose I find it only imitation; suppose I see that it is only
selfishness, only horrible, ugly self-indulgence; suppose you are a man
who plays with a human soul! If I find that to be so, I tell you I
shall hate you; and I shall hate myself; but I shall hate you more--a
thousand times more."

She paused with agony and appealing, with confusion and vague horror in
her face. Her look was direct and absorbing, her eyes like wells of
sullen fire.

"Al'mah," he replied with fluttered eagerness, "let us talk of this
later--not now--later. I will answer anything--everything. I can and I
will prove to you that this is only a mad idea of yours, that--"

"No, no, no, not mad," she interrupted. "There is no madness in it. I
had a premonition before I came. It was like a cloud on my soul. It
left me when we met here, when I heard your voice again; and for a
moment I was happy. That was why I sang before dinner that song of
Lassen's, 'Thine Eyes So Blue and Tender.' But it has come back.
Something deep within me says, 'He is not true.' Something whispers,
'He is false by nature; it is not in him to be true to anything or
anybody.'"

He made an effort to carry off the situation lightly. With a great
sense of humour, she had also an infinite capacity for taking things
seriously--with an almost sensational gravity. Yet she had always
responded to his cheerful raillery when he had declined to be tragical.
He essayed the old way now.

"This is just absurd, old girl;"--she shrank--"you really are mad. Your
home is Colney Hatch or thereabouts. Why, I'm just what I always was to
you--your constant slave, your everlasting lover, and your friend. I'll
talk it all over with you later. It's impossible now. They're ready for
you in the ball-room. The accompanist is waiting. Do, do, do be
reasonable. I will see you--afterwards--late."

A determined poignant look came into her eyes. She drew still farther
away from him. "You will not, you shall not, see me 'afterwards--late.'
No, no, no; I will trust my instinct now. I am natural, I am true, I
hide nothing. I take my courage in both hands. I do not hide my head in
the sands. I have given, because I chose to give, and I made and make
no presences to myself. I answer to myself, and I do not play false
with the world or with you. Whatever I am the world can know, for I
deceive no one, and I have no fears. But you--oh, why, why is it I feel
now, suddenly, that you have the strain of the coward in you! Why it
comes to me now I do not know; but it is here"--she pressed her hand
tremblingly to her heart--"and I will not act as though it wasn't here.
I'm not of this world."

She waved a hand towards the ball-room. "I am not of the world that
lives in terror of itself. Mine is a world apart, where one acts and
lives and sings the passion and sorrows and joys of others--all unreal,
unreal. The one chance of happiness we artists have is not to act in
our own lives, but to be true--real and true. For one's own life as
well as one's work to be all grease-paint--no, no, no. I have hid all
that has been between us, because of things that have nothing to do
with fear or courage, and for your sake; but I haven't acted, or
pretended. I have not flaunted my private life, my wretched sin--"

"The sin of an angel--"

She shrank from the blatant insincerity of the words, and still more
from the tone. Why had it not all seemed insincere before?

"But I was true in all I did, and I believed you were," she continued.

"And you don't believe it now?"

"To-night I do not. What I shall feel to-morrow I cannot tell. Maybe I
shall go blind again, for women are never two days alike in their minds
or bodies." She threw up her hands with a despairing helplessness. "But
we shall not meet till to-morrow, and then I go back to London. I am
going to my room now. You may tell Mrs. Byng that I am not well enough
to sing--and indeed I am not well," she added, huskily. "I am sick at
heart with I don't know what; but I am wretched and angry and
dangerous--and bad."

Her eyes fastened his with a fateful bitterness and gloom. "Where is
Mr. Byng?" she added, sharply. "Why was he not at dinner?"

He hailed the change of idea gladly. He spoke quickly, eagerly. "He was
kept at the mine. There's trouble--a strike. He was needed. He has
great influence with the men, and the masters, too. You heard Mrs. Byng
say why he had not returned."

"No; I was thinking of other things. But I wanted--I want to see him.
When will he be back?"

"At any moment, I should think. But, Al'mah, no matter what you feel
about me, you must keep your engagement to sing here. The people in
there, a hundred of the best people of the county--"

"The best people of the county--such abject snobbery!" she retorted,
sharply. "Do you think that would influence me? You ought to know me
well enough--but that's just it, you do not know me. I realize it at
last. Listen now. I will not sing to-night, and you will go and tell
Mrs. Byng so."

Once again she turned away, but her exit was arrested by another voice,
a pleasant voice, which said:

"But just one minute, please. Mr. Fellowes is quite right.... Fellowes,
won't you go and say that Madame Al'mah will be there in five minutes?"

It was Ian Stafford. He had come at Jasmine's request to bring Al'mah,
and he had overheard her last words. He saw that there had been a
scene, and conceived that it was the kind of quarrel which could be
better arranged by a third disinterested person.

After a moment's hesitation, with an anxious yet hopeful look, Fellowes
disappeared, Al'mah's brown eyes following him with dark inquisition.
Presently she looked at Ian Stafford with a flash of malice. Did this
elegant and diplomatic person think that all he had to do was to speak,
and she would succumb to his blandishment? He should see.

He smiled, and courteously motioned her to a chair.

"You said to Mr. Fellowes that I should sing in five minutes," she
remarked maliciously and stubbornly, but she moved forward to the
chair, nevertheless.

"Yes, but there is no reason why we should not sit for three out of the
five minutes. Energy should be conserved in a tiring world."

"I have some energy to spare--the overflow," she returned with a
protesting flash of the eyes, as, however, she slowly seated herself.

"We call it power and magnetism in your case," he answered in that low,
soothing voice which had helped to quiet storms in more than one
chancellerie of Europe.... "What are you going to sing to-night?" he
added.

"I am not going to sing," she answered, nervously. "You heard what I
said to Mr. Fellowes."

"I was an unwilling eavesdropper; I heard your last words. But surely
you would not be so unoriginal, so cliche, as to say the same thing to
me that you said to Mr. Fellowes!"

His smile was winning and his humour came from a deep well. On the
instant she knew it to be real, and his easy confidence, his assumption
of dominancy had its advantage.

"I'll say it in a different way to you, but it will be the same thing.
I shall not sing to-night," she retorted, obstinately.

"Then a hundred people will go hungry to bed," he rejoined. "Hunger is
a dreadful thing--and there are only three minutes left out of the
five," he added, looking at his watch.

"I am not the baker or the butler," she replied with a smile, but her
firm lips did not soften.

He changed his tactics with adroitness. If he failed now, it would be
final. He thought he knew where she might be really vulnerable.

"Byng will be disappointed and surprised when he hears of the famine
that the prima donna has left behind her. Byng is one of the best that
ever was. He is trying to do his fellow-creatures a good turn down
there at the mine. He never did any harm that I ever heard of--and this
is his house, and these are his guests. He would, I'll stake my life,
do Al'mah a good turn if he could, even if it cost him something quite
big. He is that kind of a man. He would be hurt to know that you had
let the best people of the county be parched, when you could give them
drink."

"You said they were hungry a moment ago," she rejoined, her resolution
slowly breaking under the one influence which could have softened her.

"They would be both hungry and thirsty," he urged. "But, between
ourselves, would you like Byng to come home from a hard day's work, as
it were, and feel that things had gone wrong here while he was away on
humanity's business? Just try to imagine him having done you a
service--"

"He has done me more than one service," she interjected. "You know it
as well as I do. You were there at the opera, three years ago, when he
saved me from the flames, and since then--"

Stafford looked at his watch again with a smile. "Besides, there's a
far more important reason why you should sing to-night. I promised some
one who's been hurt badly, and who never heard you sing, that he should
hear you to-night. He is lying there now, and--"

"Jigger?" she asked, a new light in her eyes, something fleeing from
her face and leaving a strange softness behind it.

"Quite so," he replied. "That's a lad really worth singing for. He's an
original, if ever there was one. He worships you for what you have done
for his sister, Lou. I'd undergo almost any humiliation not to
disappoint Jigger. Byng would probably get over his
disappointment--he'd only feel that he hadn't been used fairly, and
he's used to that; but Jigger wouldn't sleep to-night, and it's
essential that he should. Think of how much happiness and how much pain
you can give, just by trilling a simple little song with your little
voice oh, madame la cantatrice?"

Suddenly her eyes filled with tears. She brushed them away hastily.
"I've been upset and angry and disturbed--and I don't know what," she
said, abruptly. "One of my black moods was on me. They only come once
in a blue moon; but they almost kill me when they do." ... She stopped
and looked at him steadily for a moment, the tears still in her eyes.
"You are very understanding and gentle--and sensible," she added, with
brusque frankness and cordiality. "Yes, I will sing for Rudyard Byng
and for Jigger; and a little too for a very clever diplomatist." She
gave a spasmodic laugh.

"Only half a minute left," he rejoined with gay raillery. "I said you'd
sing to them in five minutes, and you must. This way."

He offered her his arm, she took it, and in cheerful silence he hurried
her to the ball-room.

Before her first song he showed her the window which looked across to
that out of which Jigger gazed with trembling eagerness. The blinds and
curtains were up at these windows, and Jigger could see her as she sang.

Never in all her wonderful career had Al'mah sung so well--with so much
feeling and an artist's genius--not even that night of all when she
made her debut. The misery, the gloom, the bitterness of the past hour
had stirred every fibre of her being, and her voice told with thrilling
power the story of a soul.

Once after an outburst of applause from the brilliant audience, there
came a tiny echo of it from across the courtyard. It was Jigger,
enraptured by a vision of heaven and the sounds of it. Al'mah turned
towards the window with a shining face, and waved a kiss out of the
light and glory where she was, to the sufferer in the darkness. Then,
after a whispered word to the accompanist she began singing Gounod's
memorable song, "There is a Green Hill Far Away." It was not what the
audience expected; it was in strangest contrast to all that had gone
before; it brought a hush like a benediction upon the great chamber.
Her voice seemed to ache with the plaintive depth of the song, and the
soft night filled its soul with melody.

A wonderful and deep solemnity was suddenly diffused upon the assembly
of world-worn people, to most of whom the things that mattered were
those which gave them diversion. They were wont to swim with the tide
of indolence, extravagance, self-seeking, and sordid pleasure now
flowing through the hardy isles, from which had come much of the
strength of the Old World and the vision and spirit of the New World.

Why had she chosen this song? Because, all at once, as she thought of
Jigger lying there in the dark room, she had a vision of her own child
lying near to death in the grasp of pneumonia five years ago; and the
misery of that time swept over her--its rebellion, its hideous fear,
its bitter loneliness. She recalled how a woman, once a great singer,
now grown old in years as in sorrow, had sung this very song to her
then, in the hour of her direst apprehension. She sang it now to her
own dead child, and to Jigger. When she ceased, there was not a sound
save of some woman gently sobbing. Others were vainly trying to choke
back their tears.

Presently, as Al'mah stood still in the hush which was infinitely more
grateful to her than any applause, she saw Krool advancing hurriedly up
the centre aisle. He was drawn and haggard, and his eyes were sunken
and wild. Turning at the platform, he said in a strange, hollow voice:

"At the mine--an accident. The Baas he go down to save--he not come up."

With a cry Jasmine staggered to her feet. Ian Stafford was beside her
in an instant.

"The Baas--the Baas!" said Krool, insistently, painfully. "I have the
horses--come."




CHAPTER XIV

THE BAAS


There had been an explosion in the Glencader Mine, and twenty men had
been imprisoned in the stark solitude of the underground world. Or was
it that they lay dead in that vast womb of mother-earth which takes all
men of all time as they go, and absorbs them into her fruitful body, to
produce other men who will in due days return to the same great mother
to rest and be still? It mattered little whether malevolence had
planned the outrage in the mine, or whether accident alone had been
responsible; the results were the same. Wailing, woebegone women wrung
their hands, and haggard, determined men stood by with bowed heads,
ready to offer their lives to save those other lives far down below, if
so be it were possible.

The night was serene and quiet, clear and cold, with glimmering stars
and no moon, and the wide circle of the hills was drowsy with night and
darkness. All was at peace in the outer circle, but at the centre was
travail and storm and outrage and death. What nature had made
beautiful, man had made ugly by energy and all the harsh necessities of
progress. In the very heart of this exquisite and picturesque
country-side the ugly, grim life of the miner had established itself,
and had then turned an unlovely field of industrial activity into a
cock-pit of struggle between capital and labour. First, discontent, fed
by paid agitators and scarcely steadied by responsible and level-headed
labour agents and leaders; then active disturbance and threatening;
then partial strike, then minor outrages, then some foolishness on the
part of manager or man, and now tragedy darkening the field, adding
bitterness profound to the discontent and strife.

Rudyard Byng had arrived on the scene in the later stages of the
struggle, when a general strike with all its attendant miseries, its
dangers and provocations, was hovering. Many men in his own mine in
South Africa had come from this very district, and he was known to be
the most popular of all the capitalists on the Rand. His generosity to
the sick and poor of the Glencader Mine had been great, and he had
given them a hospital and a club with adequate endowment. Also, he had
been known to take part in the rough sports of the miners, and had
afterwards sat and drunk beer with them--as much as any, and carrying
it better than any.

If there was any one who could stay the strike and bring about a
settlement it was he; and it is probable he would have stayed it, had
it not been for a collision between a government official and a miners'
leader. Things had grown worse, until the day of catastrophe, when Byng
had been sent for by the leaders of both parties to the quarrel. He had
laboured hours after hour in the midst of grave unrest and threats of
violence, for some of the men had taken to drinking heavily--but
without success. Still he had stayed on, going here and there, mostly
among the men themselves, talking to them in little groups, arguing
simply with them, patiently dealing with facts and figures, quietly
showing them the economic injustice which lay behind their full
demands, and suggesting compromises.

He was received with good feeling, but in the workers' view it was
"class against class--labour against capital, the man against the
master." In their view Byng represented class, capital and master, not
man; his interests were not identical with theirs; and though some were
disposed to cheer him, the majority said he was "as good a sort as that
sort can be," but shrugged their shoulders and remained obstinate. The
most that he did during the long afternoon and evening was to prevent
the worst; until, as he sat eating a slice of ham in a miner's kitchen,
there came the explosion: the accident or crime--which, like the lances
in an angry tumour, let out the fury, enmity, and rebellion, and gave
human nature its chance again. The shock of the explosion had been
heard at Glencader, but nothing was thought of it, as there had been
much blasting in the district for days.

"There's twenty men below," said the grimy manager who had brought the
news to Byng. Together they sped towards the mine, little groups
running beside them, muttering those dark sayings which, either as
curses or laments, are painful comments on the relations of life on the
lower levels with life on the higher plateaux.

Among the volunteers to go below, Byng was of the first, and against
the appeal of the mine-manager, and of others who tried to dissuade
him, he took his place with two miners with the words:

"I know this pit better than most; and I'd rather be down there knowing
the worst, than waiting to learn it up here. I'm going; so lower away,
lads."

He had disappeared, and for a long time there was no sign; but at last
there came to the surface three of the imprisoned miners and two dead
bodies, and these were followed by others still alive; but Byng did not
come up. He remained below, leading the search, the first in the places
of danger and exploration, the last to retreat from any peril of
falling timbers or from fresh explosion. Twelve of the twenty men were
rescued. Six were dead, and their bodies were brought to the surface
and to the arms of women whose breadwinners were gone; whose husbands
or sons or brothers had been struck out into darkness without time to
strip themselves of the impedimenta of the soul. Two were left below,
and these were brothers who had married but three months before. They
were strong, buoyant men of twenty-five, with life just begun, and home
still welcome and alluring--warm-faced, bonny women to meet them at the
door, and lay the cloth, and comfort their beds, and cheer them away to
work in the morning. These four lovers had been the target for the
good-natured and half-affectionate scoffing of the whole field; for the
twins, Jabez and Jacob, were as alike as two peas, and their wives were
cousins, and were of a type in mind, body, and estate. These twin
toilers were left below, with Rudyard Byng forcing his way to the place
where they had worked. With him was one other miner of great courage
and knowledge, who had gone with other rescue parties in other
catastrophes.

It was this man who was carried to the surface when another small
explosion occurred. He brought the terrible news that Byng, the rescuer
of so many, was himself caught by falling timbers and imprisoned near a
spot where Jabez and Jacob Holyhoke were entombed.

Word had gone to Glencader, and within an hour and a half Jasmine,
Al'mah, Stafford, Lord Tynemouth, the Slavonian Ambassador, Adrian
Fellowes, Mr. Tudor Tempest and others were at the pit's mouth,
stricken by the same tragedy which had made so many widows and orphans
that night. Already two attempts had been made to descend, but they had
not been successful. Now came forward a burly and dour-looking miner,
called Brengyn, who had been down before, and had been in command. His
look was forbidding, but his face was that of a man on whom you could
rely; and his eyes had a dogged, indomitable expression. Behind him
were a dozen men, sullen and haggard, their faces showing nothing of
that pity in their hearts which drove them to risk all to save the
lives of their fellow-workers. Was it all pity and humanity? Was there
also something of that perdurable cohesion of class against class; the
powerful if often unlovely unity of faction, the shoulder-to-shoulder
combination of war; the tribal fanaticism which makes brave men out of
unpromising material? Maybe something of this element entered into the
heroism which had been displayed; but whatever the impulse or the
motive, the act and the end were the same--men's lives were in peril,
and they were risking their own to rescue them.

When Jasmine and her friends arrived, Ian Stafford addressed himself to
the groups of men at the pit's mouth, asking for news. Seeing Brengyn
approach Jasmine, he hurried over, recognizing in the stalwart miner a
leader of men.

"It's a chance in a thousand," he heard Brengyn say to Jasmine, whose
white face showed no trace of tears, and who held herself with courage.
There was something akin in the expression of her face and that of
other groups of women, silent, rigid and bitter, who stood apart, some
with children's hands clasped in theirs, facing the worst with regnant
resolution. All had that horrible quietness of despair so much more
poignant than tears and wailing. Their faces showed the weariness of
labour and an ill-nourished daily life, but there was the same look in
them as in Jasmine's. There was no class in this communion of suffering
and danger.

"Not one chance in a thousand," Brengyn added, heavily. "I know where
they are, but--"

"You think they are--dead?" Jasmine asked in a hollow voice.

"I think, alive or dead, it's all against them as goes down to bring
them out. It's more lives to be wasted."

Stafford heard, and he stepped forward. "If there's a chance in a
thousand, it's good enough for a try," he said. "If you were there, Mr.
Byng would take the chance in the thousand for you."

Brengyn looked Stafford up and down slowly. "What is it you've got to
say?" he asked, gloomily.

"I am going down, if there's anybody will lead," Stafford replied. "I
was brought up in a mining country. I know as much as most of you about
mines, and I'll make one to follow you, if you'll lead--you've been
down, I know."

Brengyn's face changed. "Mr. Byng isn't our class, he's with capital,"
he said, "but he's a man. He went down to help save men of my class,
and to any of us he's worth the risk. But how many of his own class is
taking it on?"

"I, for one," said Lord Tynemouth, stepping forward.

"I--I," answered three other men of the house-party.

Al'mah, who was standing just below Jasmine, had her eyes fixed on
Adrian Fellowes, and when Brengyn called for volunteers, her heart
almost stood still in suspense. Would Adrian volunteer?

Brengyn's look rested on Adrian for an instant, but Adrian's eyes
dropped. Brengyn had said one chance in a thousand, and Adrian said to
himself that he had never been lucky--never in all his life. At games
of chance he had always lost. Adrian was for the sure thing always.

Al'mah's face flushed with anger and shame at the thing she saw, and a
weakness came over her, as though the springs of life had been suddenly
emptied.

Brengyn once again fastened the group from Glencader with his eyes.
"There's a gentleman in danger," he said, grimly, again. "How many
gentlemen volunteer to go down--ay, there's five!" he added, as
Stafford and Tynemouth and the others once again responded.

Jasmine saw, but at first did not fully realize what was happening. But
presently she understood that there was one near, owing everything to
her husband, who had not volunteered to help to save him--on the
thousandth chance. She was stunned and stricken.

"Oh, for God's sake, go!" she said, brokenly, but not looking at Adrian
Fellowes, and with a heart torn by misery and shame.

Brengyn turned to the men behind him, the dark, determined toilers who
sustained the immortal spirit of courage and humanity on thirty
shillings a week and nine hours' work a day. "Who's for it, mates?" he
asked, roughly. "Who's going wi' me?"

Every man answered hoarsely, "Ay," and every hand went up. Brengyn's
back was on Fellowes, Al'mah, and Jasmine now. There was that which
filled the cup of trembling for Al'mah in the way he nodded to the men.

"Right, lads," he said with a stern joy in his voice. "But there's only
one of you can go, and I'll pick him. Here, Jim," he added to a small,
wiry fellow not more than five feet four in height--"here, Jim Gawley,
you're comin' wi' me, an' that's all o' you as can come. No, no," he
added, as there was loud muttering and dissent. "Jim's got no missis,
nor mother, and he's tough as leather and can squeeze in small places,
and he's all right, too, in tight corners." Now he turned to Stafford
and Tynemouth and the others. "You'll come wi' me," he said to
Stafford--"if you want. It's a bad look-out, but we'll have a try.
You'll do what I say?" he sharply asked Stafford, whose face was set.

"You know the place," Stafford answered. "I'll do what you say."

"My word goes?"

"Right. Your word goes. Let's get on."

Jasmine took a step forward with a smothered cry, but Alice Tynemouth
laid a hand on her arm.

"He'll bring Rudyard back, if it can be done," she whispered.

Stafford did not turn round. He said something in an undertone to
Tynemouth, and then, without a glance behind, strode away beside
Brengyn and Jim Gawley to the pit's mouth.

Adrian Fellowes stepped up to Tynemouth. "What do you think the chances
are?" he asked in a low tone.

"Go to--bed!" was the gruff reply of the irate peer, to whom cowardice
was the worst crime on earth, and who was enraged at being left behind.
Also he was furious because so many working-men had responded to
Brengyn's call for volunteers and Adrian Fellowes had shown the white
feather. In the obvious appeal to the comparative courage of class his
own class had suffered.

"Or go and talk to the women," he added to Fellowes. "Make 'em
comfortable. You've got a gift that way."

Turning on his heel, Lord Tynemouth hastened to the mouth of the pit
and watched the preparations for the descent.

Never was night so still; never was a sky so deeply blue, nor stars so
bright and serene. It was as though Peace had made its habitation on
the wooded hills, and a second summer had come upon the land, though
wintertime was near. Nature seemed brooding, and the generous odour of
ripened harvests came over the uplands to the watchers in the valley.
All was dark and quiet in the sky and on the hills; but in the valley
were twinkling lights and the stir and murmur of troubled life--that
sinister muttering of angry and sullen men which has struck terror to
the hearts of so many helpless victims of revolution, when it has been
the mutterings of thousands and not of a few rough, discontented
toilers. As Al'mah sat near to the entrance of the mine, wrapped in a
warm cloak, and apart from the others who watched and waited also, she
seemed to realize the agony of the problem which was being worked out
in these labour-centres where, between capital and the work of men's
hands, there was so apparent a gulf of disproportionate return.

The stillness of the night was broken now by the hoarse calls of the
men, now by the wailing of women, and Al'mah's eyes kept turning to
those places where lights were shining, which, as she knew, were houses
of death or pain. For hours she and Jasmine and Lady Tynemouth had gone
from cottage to cottage where the dead and wounded were, and had left
everywhere gifts, and the promises of gifts, in the attempt to soften
the cruelty of the blow to those whose whole life depended on the
weekly wage. Help and the pledge of help had lightened many a dark
corner that night; and an unexplainable antipathy which had suddenly
grown up in Al'mah's mind against Jasmine after her arrival at
Glencader was dissipated as the hours wore on.

Pale of face, but courageous and solicitous, Jasmine, accompanied by
Al'mah, moved among the dead and dying and the bitter and bereaved
living, with a gentle smile and a soft word or touch of the hand. Men
near to death, or suffering torture, looked gratefully at her or tried
to smile; and more than once Mr. Mappin, whose hands were kept busy and
whose skill saved more than a handful of lives that night, looked at
her in wonder.

Jasmine already had a reputation in the great social world for being of
a vain lightness, having nothing of that devotion to good works which
Mr. Mappin had seen so often on those high levels where the rich and
the aristocratic lived. There was, then, more than beauty and wit and
great social gift, gaiety and charm, in this delicate personality? Yes,
there was something good and sound in her, after all. Her husband's
life was in infinite danger,--had not Brengyn said that his chances
were only one in a thousand?--death stared her savagely in the face;
yet she bore herself as calmly as those women who could not afford the
luxury of tears or the self-indulgence of a despairing indolence; to
whom tragedy was but a whip of scorpions to drive them into action. How
well they all behaved, these society butterflies--Jasmine, Lady
Tynemouth, and the others! But what a wonderful motherliness and
impulsive sympathy steadied by common sense did Al'mah the
singing-woman show!

Her instinct was infallible, her knowledge of how these poor people
felt was intuitive, and her great-heartedness was to be seen in every
motion, heard in every tone of her voice. If she had not had this work
of charity to do, she felt she would have gone shrieking through the
valley, as, this very midnight, she had seen a girl with streaming hair
and bare breast go crying through the streets, and on up the hills to
the deep woods, insane with grief and woe.

Her head throbbed. She felt as though she also could tear the coverings
from her own bosom to let out the fever which was there; for in her
life she had loved two men who had trampled on her self-respect, had
shattered all her pride of life, had made her ashamed to look the world
in the face. Blantyre, her husband, had been despicable and cruel, a
liar and a deserter; and to-night she had seen the man to whom she had
given all that was left of her heart and faith disgrace himself and his
class before the world by a cowardice which no woman could forgive.

Adrian Fellowes had gone back to Glencader to do necessary things, to
prepare the household for any emergency; and she was grateful for the
respite. If she had been thrown with him in the desperate mood of the
moment, she would have lost her self-control. Happily, fate had taken
him away for a few hours; and who could tell what might not happen in a
few hours? Meanwhile, there was humanity's work to be done.

About four o'clock in the morning, when she came out from a cottage
where she had assisted Mr. Mappin in a painful and dangerous operation,
she stood for a moment in reverie, looking up at the hills, whose peace
had been shrilly broken a few hours before by that distracted waif of
the world, fleeing from the pain of life.

An ample star of rare brilliancy came stealing up over the trees
against the sky-line, twinkling and brimming with light.

"No," she said, as though in reply to an inner voice, "there's nothing
for me--nothing. I have missed it all." Her hands clasped her breast in
pain, and she threw her face upwards. But the light of the star caught
her eyes, and her hands ceased to tremble. A strange quietness stole
over her.

"My child, my lost beloved child," she whispered.

Her eyes swam with tears now, the lines of pain at her mouth relaxed,
the dark look in her eyes stole away. She watched the star with
sorrowful eyes. "How much misery does it see!" she said. Suddenly, she
thought of Rudyard Byng. "He saved my life," she murmured. "I owe
him--ah, Adrian might have paid the debt!" she cried, in pain. "If he
had only been a man to-night--"

At that moment there came a loud noise up the valley from the pit's
mouth--a great shouting. An instant later two figures ran past her. One
was Jasmine, the other was a heavy-footed miner. Gathering her cloak
around her Al'mah sped after them.

A huddled group at the pit's mouth, and men and women running toward
it; a sharp voice of command, and the crowd falling back, making way
for men who carried limp bodies past; then suddenly, out of wild
murmurs and calls, a cry of victory like the call of a muezzin from the
tower of a mosque--a resonant monotony, in which a dominant principle
cries.

A Welsh preaching hillman, carried away by the triumph of the moment,
gave the great tragedy the bugle-note of human joy and pride.

Ian Stafford and Brengyn and Jim Gawley had conquered. The limp bodies
carried past Al'mah were not dead. They were living, breathing men whom
fresh air and a surgeon's aid would soon restore. Two of them were the
young men with the bonny wives who now with murmured endearments
grasped their cold hands. Behind these two was carried Rudyard Byng,
who could command the less certain concentration of a heart. The men
whom Rudyard had gone to save could control a greater wealth, a more
precious thing than anything he had. The boundaries of the interests of
these workers were limited, but their souls were commingled with other
souls bound to them by the formalities; and every minute of their days,
every atom of their forces, were moving round one light, the light upon
the hearthstone. These men were carried ahead of Byng now, as though by
the ritual of nature taking their rightful place in life's procession
before him.

Something of what the working-women felt possessed Jasmine, but it was
an impulse born of the moment, a flood of feeling begotten by the
tragedy. It had in it more of remorse than aught else; it was, in part,
the agitation of a soul surprised into revelation. Yet there was, too,
a strange, deep, undefined pity welling up in her heart,--pity for
Rudyard, and because of what she did not say directly even to her own
soul. But pity was there, with also a sense of inevitableness, of the
continuance of things which she was too weak to alter.

Like the two women of the people ahead, she held Rudyard's hand, as she
walked beside him, till he was carried into the manager's office near
by. She was conscious that on the other side of Rudyard was a tall
figure that staggered and swayed as it moved on, and that two dark eyes
were turned towards her ever and anon.

Into those eyes she had looked but once since the rescue, but all that
was necessary of gratitude was said in that one glance: "You have saved
Rudyard--you, Ian," it said.

With Al'mah it was different. In the light of the open door of the
manager's office, she looked into Ian Stafford's face. "He saved my
life, you remember," she said; "and you have saved his. I love you."

"I love you!" Greatness of heart was speaking, not a woman's emotions.
The love she meant was of the sort which brings no darkness in its
train. Men and women can speak of it without casting down their eyes or
feeling a flush in their cheeks.

To him came also the two women whose husbands, Jacob and Jabez, were
restored to them.

"Man, we luv ye," one said, and the other laid a hand on his breast and
nodded assent, adding, "Ay, we luv ye."

That was all; but greater love hath no man than this, that he lay down
his life for his friend--and for his enemies, maybe. Enemies these two
rescued men were in one sense--young socialists--enemies to the present
social order, with faces set against the capitalist and the aristocrat
and the landlord; yet in the crisis of life dipping their hands in the
same dish, drinking from the same cup, moved by the same sense of
elementary justice, pity, courage, and love.

"Man, we luv ye!" And the women turned away to their own--to their
capital, which in the slump of Fate had suffered no loss. It was
theirs, complete and paying large dividends.

To the crowd, Brengyn, with gruff sincerity, said, loudly: "Jim Gawley,
he done as I knowed he'd do. He done his best, and he done it prime. We
couldn't ha' got on wi'out him. But first there was Mr. Byng as had
sense and knowledge more than any; an' he couldn't be denied; an' there
was Mr. Stafford--him--" pointing to Ian, who, with misty eyes, was
watching the women go back to their men. "He done his bit better nor
any of us. And Mr. Byng and Jacob and Jabez, they can thank their stars
that Mr. Stafford done his bit. Jim's all right an' I done my duty, I
hope, but these two that ain't of us, they done more--Mr. Byng and Mr.
Stafford. Here's three cheers, lads--no, this ain't a time for
cheerin'; but ye all ha' got hands."

His hand caught Ian's with the grip of that brotherhood which is as old
as Adam, and the hand of miner after miner did the same.

The strike was over--at a price too big for human calculation; but it
might have been bigger still.

Outside the open door of the manager's office Stafford watched and
waited till he saw Rudyard, with a little laugh, get slowly to his feet
and stretch his limbs heavily. Then he turned away gloomily to the
darkness of the hills. In his soul there was a depression as deep as in
that of the singing-woman.

"Al'mah had her debt to pay, and I shall have mine," he said, wearily.




BOOK III




CHAPTER XV

THE WORLD WELL LOST


People were in London in September and October who seldom arrived
before November. War was coming. Hundreds of families whose men were in
the army came to be within touch of the War Office and Aldershot, and
the capital of the Empire was overrun by intriguers, harmless and
otherwise. There were ladies who hoped to influence officers in high
command in favour of their husbands, brothers, or sons; subalterns of
title who wished to be upon the staff of some famous general; colonels
of character and courage and scant ability, craving commands;
high-placed folk connected with great industrial, shipping, or
commercial firms, who were used by these firms to get "their share" of
contracts and other things which might be going; and patriotic amateurs
who sought to make themselves notorious through some civilian auxiliary
to war organization, like a voluntary field hospital or a home of
convalescence. But men, too, of the real right sort, longing for chance
of work in their profession of arms; ready for anything, good for
anything, brave to a miracle: and these made themselves fit by hard
riding or walking or rowing, or in some school of physical culture,
that they might take a war job on, if, and when, it was going.

Among all these Ian Stafford moved with an undercurrent of agitation
and anxiety unseen in his face, step, motion, or gesture. For days he
was never near the Foreign Office, and then for days he was there
almost continuously; yet there was scarcely a day when he did not see
Jasmine. Also there were few days in the week when Jasmine did not see
M. Mennaval, the ambassador for Moravia--not always at her own house,
but where the ambassador chanced to be of an evening, at a fashionable
restaurant, or at some notable function. This situation had not been
difficult to establish; and, once established, meetings between the
lady and monsieur were arranged with that skill which belongs to woman
and to diplomacy.

Once or twice at the beginning Jasmine's chance question concerning the
ambassador's engagements made M. Mennaval keen to give information as
to his goings and comings. Thus if they met naturally, it was also so
constantly that people gossiped; but at first, certainly, not to
Jasmine's grave disadvantage, for M. Mennaval was thought to be less
dangerous than impressionable.

In that, however, he was somewhat maligned, for his penchant for
beautiful and "select" ladies had capacities of development almost
unguessed. Previously Jasmine had never shown him any marked
preference; and when, at first, he met her in town on her return from
Wales he was no more than watchfully courteous and admiring. When,
however, he found her in a receptive mood, and evidently taking
pleasure in his society, his vanity expanded greatly. He at once became
possessed by an absorbing interest in the woman who, of all others in
London, had gifts which were not merely physical, but of a kind that
stimulate the mind and rouse those sensibilities so easily dulled by
dull and material people. Jasmine had her material side; but there was
in her the very triumph of the imaginative also; and through it the
material became alive, buoyant and magnetic.

Without that magnetic power which belonged to the sensuous part of her
she would not have gained control of M. Mennaval's mind, for it was
keen, suspicious, almost abnormally acute; and, while lacking real
power, it protected itself against the power of others by assembled and
well-disciplined adroitness and evasions.

Very soon, however, Jasmine's sensitive beauty, which in her desire to
intoxicate him became voluptuousness, enveloped his brain in a mist of
rainbow reflections. Under her deft questions and suggestions he
allowed her to see the springs of his own diplomacy and the machinery
inside the Moravian administration. She caught glimpses of its
ambitions, its unscrupulous use of its position in international
relations, to gain advantage for itself, even by a dexterity which
might easily bear another name, and by sudden disregard of
international attachments not unlike treachery.

Rudyard was too busy to notice the more than cavalier attitude of M.
Mennaval; and if he had noticed it, there would have been no
intervention. Of late a lesion of his higher moral sense made him
strangely insensitive to obvious things. He had an inborn chivalry, but
the finest, truest chivalry was not his--that which carefully protects
a woman from temptation, by keeping her unostentatiously away from it;
which remembers that vanity and the need for admiration drive women
into pitfalls out of which they climb again maimed for life, if they
climb at all.

He trusted Jasmine absolutely, while there was, at the same time, a
great unrest in his heart and life--an unrest which the accident at the
Glencader Mine, his own share in a great rescue, and her gratitude for
his safety did little to remove. It produced no more than a passing
effect upon Jasmine or upon himself. The very convention of making
light of bravery and danger, which has its value, was in their case an
evil, preventing them from facing the inner meaning of it all. If they
had been less rich, if their house had been small, if their
acquaintances had been fewer, if ...

It was not by such incidents that they were to be awakened, and with
the wild desire to make Stafford grateful to her, and owe her his
success, the tragedy yonder must, in the case of Jasmine, have been
obscured and robbed of its force. At Glencader Jasmine had not got
beyond desire to satisfy a vanity, which was as deep in her as life
itself. It was to regain her hold upon a man who had once acknowledged
her power and, in a sense, had bowed to her will. But that had changed,
and, down beneath all her vanity and wilfulness, there was now a
dangerous regard and passion for him which, under happy circumstances,
might have transformed her life--and his. Now it all served to twist
her soul and darken her footsteps. On every hand she was engaged in a
game of dissimulation, made the more dangerous by the thread of
sincerity and desire running through it all. Sometimes she started
aghast at the deepening intrigue gathering in her path; at the
deterioration in her husband; and at the hollow nature of her home
life; but the excitement of the game she was playing, the ardour of the
chase, was in her veins, and her inherited spirit of great daring kept
her gay with vitality and intellectual adventure.

Day after day she had strengthened the cords by which she was drawing
Ian to her; and in the confidence begotten of her services to him, of
her influence upon M. Mennaval and the progress of her efforts, a new
intimacy, different from any they had ever known, grew and thrived. Ian
scarcely knew how powerful had become the feeling between them. He only
realized that delight which comes from working with another for a
cherished cause, the goal of one's life, which has such deeper
significance when the partner in the struggle is a woman. They both
experienced that most seductive of all influences, a secret knowledge
and a pact of mutual silence and purpose.

"You trust me now?" Jasmine asked at last one day, when she had been
able to assure Ian that the end was very near, that M. Mennaval had
turned his face from Slavonia, and had carried his government with
him--almost. In the heir-apparent to the throne of Moravia, whose
influence with the Moravian Prime Minister was considerable, there
still remained one obdurate element; but Ian's triumph only lacked the
removal of this one obstructive factor, and thereafter England would be
secure from foreign attack, if war came in South Africa. In that case
Ian's career might culminate at the head of the Foreign Office itself,
or as representative of the throne in India, if he chose that splendid
sphere.

"You do trust me, Ian?" Jasmine repeated, with a wistfulness as near
reality as her own deceived soul could permit.

With a sincerity as deep as one can have who embarks on enterprises in
which one regrets the means in contemplation of the end, Ian replied:

"Yes, yes, I trust you, Jasmine, as I used to do when I was twenty and
you were five. You have brought back the boy in me. All the dreams of
youth are in my heart again, all the glow of the distant sky of hope. I
feel as though I lived upon a hill-top, under some greenwood tree,
and--"

"And 'sported with Amaryllis in the shade,'" she broke in with a little
laugh of triumph, her eyes brighter than he had ever seen them. They
were glowing with a fire of excitement which was like a fever devouring
the spirit, with little dark, flying banners of fate or tragedy behind.

Strange that he caught the inner meaning of it as he looked into her
eyes now. In the depths of those eyes, where long ago he had drowned
his spirit, it was as though he saw an army of reckless battalions
marching to a great battle; but behind all were the black wings of
vultures--pinions of sorrow following the gay brigades. Even as he
gazed at her, something ominous and threatening caught his heart, and,
with the end of his great enterprise in sight, a black premonition
smothered him.

But with a smile he said: "Well, it does look as though we are near the
end of the journey."

"And 'journeys end in lovers' meeting,'" she whispered softly, lowered
her eyes, and then raised them again to his.

The light in them blinded him. Had he not always loved her--before any
one came, before Rudyard came, before the world knew her? All that he
had ever felt in the vanished days rushed upon him with intolerable
force. Through his life-work, through his ambition, through helping him
as no one else could have done at the time of crisis, she had reached
the farthest confines of his nature. She had woven, thread by thread,
the magic carpet of that secret companionship by which the best as the
worst of souls are sometimes carried into a land enchanted--for a brief
moment, before Fate stoops down and hangs a veil of plague over the
scene of beauty, passion, and madness.

Her eyes, full of liquid fire, met his. They half closed as her body
swayed slightly towards him.

With a cry, almost rough in its intensity, he caught her in his arms
and buried his face in the soft harvest of her hair. "Jasmine--Jasmine,
my love!" he murmured.

Suddenly she broke from him. "Oh no--oh no, Ian! The work is not done.
I can't take my pay before I have earned it--such pay--such pay."

He caught her hands and held them fast. "Nothing can alter what is. It
stands. Whatever the end, whatever happens to the thing I want to do,
I--"

He drew her closer.

"You say this before we know what Moravia will do; you--oh, Ian, tell
me it is not simply gratitude, and because I tried to help you; not
only because--"

He interrupted her with a passionate gesture. "It belonged at first to
what you were doing for me. Now it is by itself, that which, for good
or ill, was to be between you and me--the foreordained thing."

She drew back her head with a laugh of vanity and pride and bursting
joy. "Ah, it doesn't matter now!" she said. "It doesn't matter."

He looked at her questioningly.

"Nothing matters now," she repeated, less enigmatically. She stretched
her arms up joyously, radiantly.

"The world well lost!" she cried.

Her reckless mood possessed him also. They breathed that air which
intoxicates, before it turns heavy with calamity and stifles the whole
being; by which none ever thrived, though many have sought nourishment
in daring draughts of it.

"The world well lost!" he repeated; and his lips sought hers.

Her determined patience had triumphed. Hour by hour, by being that to
his plans, to his work of life, which no one else could be, she had won
back what she had lost when the Rand had emptied into her lap its
millions, at the bidding of her material soul. With infinite tact and
skill she had accomplished her will. The man she had lost was hers
again. What it must mean, what it must do, what price must be paid for
this which her spirit willed had never yet been estimated. But her will
had been supreme, and she took all out of the moment which was possible
to mortal pleasure.

Like the Columbus, however, who plants his flag upon the cliffs of a
new land, and then, leaving his vast prize unharvested, retreats upon
the sea by which he came, so Ian suddenly realized that here was no
abiding-place for his love. It was no home for his faith, for those
joys which the sane take gladly, when it is right to take them, and the
mad long for and die for when their madness becomes unbearable.

A cloud suddenly passed over him, darkened his eyes, made his bones
like water. For, whatever might come, he knew in his heart of hearts
that the "old paths" were the only paths which he could tread in
peace--or tread at all without the ruin of all he had slowly builded.

Jasmine, however, did not see his look or realize the sudden physical
change which passed over him, leaving him cold and numbed; for a
servant now entered with a note.

Seeing the handwriting on the envelope, with an exclamation of
excitement and surprise, Jasmine tore the letter open. One glance was
sufficient.

"Moravia is ours--ours, Ian!" she cried, and thrust the letter into his
hands.


"Dearest lady," it ran, "the Crown has intervened successfully. The
Heir Apparent has been set aside. The understanding may now be
ratified. May I dine with you to-night?

"Yours, M.

"P.S.--You are the first to know, but I have also sent a note to our
young friend, Ian Stafford. Mais, he cannot say, 'Alone I did it.'

"M."


"Thank God--thank God, for England!" said Ian solemnly, the greater
thing in him deeply stirred. "Now let war come, if it must; for we can
do our work without interference."

"Thank God," he repeated, fervently, and the light in his eyes was
clearer and burned brighter than the fire which had filled them during
the past few moments.

Then he clasped her in his arms again.

As Ian drove swiftly in a hansom to the Foreign Office, his brain
putting in array and reviewing the acts which must flow from this
international agreement now made possible, the note Mennaval had
written Jasmine flashed before his eyes: "Dearest lady.... May I dine
with you to-night? ... M."

His face flushed. There was something exceedingly familiar--more in the
tone of the words than the words themselves--which irritated and
humiliated him. What she had done for him apparently warranted this
intimate, self-assured tone on the part of Mennaval, the philanderer.
His pride smarted. His rose of triumph had its thorns.

A letter from Mennaval was at the Foreign Office awaiting him. He
carried it to the Prime Minister, who read it with grave satisfaction.

"It is just in time, Stafford," he remarked. "You ran it close. We will
clinch it instantly. Let us have the code."

As the Prime Minister turned over the pages of the code, he said,
dryly: "I hear from Pretoria, through Mr. Byng, that President Kruger
may send the ultimatum tomorrow. I fear he will have the laugh on us,
for ours is not ready. We have to make sure of this thing first.... I
wonder how Landrassy will take it."

He chuckled deeply. "Landrassy made a good fight, but you made a better
one, Stafford. I shouldn't wonder if you got on in diplomacy," he
added, with quizzical humour.... "Ah, here is the code! Now to clinch
it all before Oom Paul's challenge arrives."




CHAPTER XVI

THE COMING OF THE BAAS


"The Baas--where the Baas?"

Barry Whalen turned with an angry snort to the figure in the doorway.
"Here's the sweet Krool again," he said. "Here's the faithful, loyal
offspring of the Vaal and the karoo, the bulwark of the Baas.... For
God's sake smile for once in your life!" he growled with an oath, and,
snatching up a glass of whiskey and water, threw the contents at the
half-caste.

Krool did not stir, and some of the liquid caught him in the face.
Slowly he drew out an old yellow handkerchief and wiped his cheeks, his
eyes fixed with a kind of impersonal scrutiny on Barry Whalen and the
scene before him.

The night was well forward, and an air of recklessness and dissipation
pervaded this splendid room in De Lancy Scovel's house. The air was
thick with tobacco-smoke, trays were scattered about, laden with stubs
of cigars and ashes, and empty and half-filled glasses were everywhere.
Some of the party had already gone, their gaming instinct satisfied for
the night, their pockets lighter than when they came; and the tables
where they had sat were in a state of disorder more suggestive of a
"dive" than of the house of one who lived in Grosvenor Square.

No servant came to clear away the things. It was a rule of the
establishment that at midnight the household went to bed, and the host
and his guests looked after themselves thereafter. The friends of De
Lancy Scovel called him "Cupid," because of his cherubic face, but he
was more gnome than cherub at heart. Having come into his fortune by
being a henchman to abler men than himself, he was almost over-zealous
to retain it, knowing that he could never get it again; yet he was
hospitable with the income he had to spend. He was the Beau Brummel of
that coterie which laid the foundation of prosperity on the Rand; and
his house was a marvel of order and crude elegance--save when he had
his roulette and poker parties, and then it was the shambles of
murdered niceties. Once or twice a week his friends met here; and it
was not mendaciously said that small fortunes were lost and won within
these walls "between drinks."

The critical nature of things on the Rand did not lessen the gaming or
the late hours, the theatrical entertainments and social functions at
which Al'mah or another sang at a fabulous fee; or from which a dancer
took away a pocketful of gold--partly fee. Only a few of all the group,
great and small, kept a quiet pace and cherished their nerves against
possible crisis or disaster; and these were consumed by inward anxiety,
because all the others looked to them for a lead, for policy, for the
wise act and the manoevre that would win.

Rudyard Byng was the one person who seemed equally compacted of both
elements. He was a powerful figure in the financial inner circle; but
he was one of those who frequented De Lancy Scovel's house; and he had,
in his own house, a roulette-table and a card-room like a
banqueting-hall. Wallstein, Wolff, Barry Whalen, Fleming, Hungerford,
Reuter, and the others of the inner circle he laughed at in a
good-natured way for coddling themselves, and called them--not without
some truth--valetudinarians. Indeed, the hard life of the Rand in the
early days, with the bad liqueur and the high veld air, had brought to
most of the Partners inner physical troubles of some kind; and their
general abstention was not quite voluntary moral purpose.

Of them all, except De Lancy Scovel, Rudyard was most free from any
real disease or physical weakness which could call for the care of a
doctor. With a powerful constitution, he had kept his general health
fairly, though strange fits of depression had consumed him of late, and
the old strong spring and resilience seemed going, if not gone, from
his mind and body. He was not that powerful virile animal of the day
when he caught Al'mah in his arms and carried her off the stage at
Covent Garden. He was vaguely conscious of the great change in him, and
Barry Whalen, who, with all his faults, would have gone to the gallows
for him, was ever vividly conscious of it, and helplessly resented the
change. At the time of the Jameson Raid Rudyard Byng had gripped the
situation with skill, decision, and immense resource, giving as much
help to the government of the day as to his colleagues and all British
folk on the Rand.

But another raid was nearing, a raid upon British territory this time.
The Rand would be the centre of a great war; and Rudyard Byng was not
the man he had been, in spite of his show of valour and vigour at the
Glencader Mine. Indeed, that incident had shown a certain physical
degeneracy--he had been too slow in recovering from the few bad hours
spent in the death-trap. The government at Whitehall still consulted
him, still relied upon his knowledge and his natural tact; but secret
as his conferences were with the authorities, they were not so secret
that criticism was not viciously at work. Women jealous of Jasmine,
financiers envious of Rudyard, Imperial politicians resentful of his
influence, did their best to present him in the worst light possible.
It was more than whispered that he sat too long over his wine, and that
his desire for fiery liquid at other than meal-times was not in keeping
with the English climate, but belonged to lands of drier weather and
more absorptive air.

"What damned waste!" was De Lancy Scovel's attempt at wit as Krool
dried his face and put the yellow handkerchief back into his pocket.
The others laughed idly and bethought themselves of their own glasses,
and the croupier again set the ball spinning and drew their eyes.

"Faites vos jeux!" the croupier called, monotonously, and the jingle of
coins followed.

"The Baas--where the Baas?" came again the harsh voice from the doorway.

"Gone--went an hour ago," said De Lancy Scovel, coming forward. "What
is it, Krool?"

"The Baas--"

"The Baas!" mocked Barry Whalen, swinging round again. "The Baas is
gone to find a rope to tie Oom Paul to a tree, as Oom Paul tied you at
Lichtenburg."

Slowly Krool's eyes went round the room, and then settled on Barry
Whalen's face with owl-like gravity. "What the Baas does goes good," he
said. "When the Baas ties, Alles zal recht kom."

He turned away now with impudent slowness, then suddenly twisted his
body round and made a grimace of animal-hatred at Barry Whalen, his
teeth showing like those of a wolf.

"The Baas will live long as he want," he added, "but Oom Paul will have
your heart--and plenty more," he added, malevolently, and moved into
the darkness without, closing the door behind him.

A shudder passed through the circle, for the uncanny face and the weird
utterance had the strange reality of fate. A gloom fell on the gamblers
suddenly, and they slowly drew into a group, looking half furtively at
one another.

The wheel turned on the roulette-table, the ball clattered.

"Rien ne va plus!" called the croupier; but no coins had fallen on the
green cloth, and the wheel stopped spinning for the night, as though by
common consent.

"Krool will murder you some day, Barry," said Fleming, with irritation.
"What's the sense in saying things like that to a servant?"

"How long ago did Rudyard leave?" asked De Lancy Scovel, curiously. "I
didn't see him go. He didn't say good-night to me. Did he to you--to
any of you?"

"Yes, he said to me he was going," rejoined Barry Whalen.

"And to me," said Melville, the Pole, who in the early days on the Rand
had been a caterer. His name then had been Joseph Sobieski, but this
not fitting well with the English language, he had searched the
directory of London till he found the impeachably English combination
of Clifford Melville. He had then cut his hair and put himself into the
hands of a tailor in Conduit Street, and they had turned him into--what
he was.

"Yes, Byng thed good-night to me--deah old boy," he repeated. "'I'm so
damned thleepy, and I have to be up early in the morning,' he thed to
me."

"Byng's example's good enough. I'm off," said Fleming, stretching up
his arms and yawning.

"Byng ought to get up earlier in the morning--much earlier," interposed
De Lancy Scovel, with a meaning note in his voice.

"Why?" growled out Barry Whalen.

"He'd see the Outlander early-bird after the young domestic worm," was
the slow reply.

For a moment a curious silence fell upon the group. It was as though
some one had heard what had been said--some one who ought not to have
heard.

That is exactly what had happened. Rudyard had not gone home. He had
started to do so; but, remembering that he had told Krool to come at
twelve o'clock if any cables arrived, that he might go himself to the
cable-office, if necessary, and reply, he passed from the hallway into
a little room off the card-room, where there was a sofa, and threw
himself down to rest and think. He knew that the crisis in South Africa
must come within a few hours; that Oom Paul would present an ultimatum
before the British government was ready to act; and that preparations
must be made on the morrow to meet all chances and consequences.
Preparations there had been, but conditions altered from day to day,
and what had been arranged yesterday morning required modification this
evening.

He was not heedless of his responsibilities because he was at the
gaming-table; but these were days when he could not bear to be alone.
Yet he could not find pleasure in the dinner-parties arranged by
Jasmine, though he liked to be with her--liked so much to be with her,
and yet wondered how it was he was not happy when he was beside her.
This night, however, he had especially wished to be alone with her, to
dine with her a deux, and he had been disappointed to find that she had
arranged a little dinner and a theatre-party. With a sigh he had begged
her to arrange her party without him, and, in unusual depression, he
had joined "the gang," as Jasmine called it, at De Lancy Scovel's house.

Here he moved in a kind of gloom, and had a feeling as though he were
walking among pitfalls. A dread seemed to descend upon him and deaden
his natural buoyancy. At dinner he was fitful in conversation, yet
inclined to be critical of the talk around him. Upon those who talked
excitedly of war and its consequences, with perverse spirit he fell
like a sledge-hammer, and proved their information or judgment wrong.
Then, again, he became amiable and almost sentimental in his attitude
toward them all, gripping the hands of two or three with a warmth which
more than surprised them. It was as though he was subconsciously aware
of some great impending change. It may be there whispered through the
clouded space that lies between the dwelling-house of Fate and the
place where a man's soul lives the voice of that Other Self, which
every man has, warning him of darkness, or red ruin, or a heartbreak
coming on.

However that may be, he had played a good deal during the evening, had
drunk more than enough brandy and soda, had then grown suddenly
heavy-hearted and inert. At last he had said good-night, and had fallen
asleep in the little dark room adjoining the card-room.

Was it that Other Self which is allowed to come to us as our trouble or
our doom approaches, who called sharply in his ear as De Lancy Scovel
said, "Byng ought to get up earlier in the morning--much earlier."

Rudyard wakened upon the words without stirring--just a wide opening of
the eyes and a moveless body. He listened with, as it were, a new sense
of hearing, so acute, so clear, that it was as though his friends
talked loudly in his very ears.

"He'd see the Outlander early-bird after the young domestic worm."

His heart beat so loud that it seemed his friends must hear it, in the
moment's silence following these suggestive words.

"Here, there's enough of this," said Barry Whalen, sharply, upon the
stillness. "It's nobody's business, anyhow. Let's look after ourselves,
and we'll have enough to do, or I don't know any of us."

"But it's no good pretending," said Fleming. "There isn't one of us but
'd put ourselves out a great deal for Byng. It isn't human nature to
sit still and do naught, and say naught, when things aren't going right
for him in the place where things matter most.

"Can't he see? Doesn't he see--anything?" asked a little wizened
lawyer, irritably, one who had never been married, the solicitor of
three of their great companies.

"See--of course he doesn't see. If he saw, there'd be hell--at least,"
replied Barry Whalen, scornfully.

"He's as blind as a bat," sighed Fleming.

"He got into the wrong garden and picked the wrong flower--wrong for
him," said another voice. "A passion-flower, not the flower her name
is," added De Lancy Scovel, with a reflective cynicism.

"They they there's no doubt about it--she's throwing herself away.
Ruddy isn't in it, deah old boy, so they they," interposed Clifford
Melville, alias Joseph Sobieski of Posen. "Diplomathy is all very well,
but thith kind of diplomathy is not good for the thoul." He laughed as
only one of his kidney can laugh.

Upon the laugh there came a hoarse growl of anger. Barry Whalen was
standing above Mr. Clifford Melville with rage in every fibre, threat
in every muscle.

"Shut up--curse you, Sobieski! It's for us, for any and every one, to
cut the throats of anybody that says a word against her. We've all got
to stand together. Byng forever, is our cry, and Byng's wife is
Byng--before the world. We've got to help him--got to help him, I say."

"Well, you've got to tell him first. He's got to know it first,"
interposed Fleming; "and it's not a job I'm taking on. When Byng's
asleep he takes a lot of waking, and he's asleep in this thing."

"And the world's too wide awake," remarked De Lancy Scovel, acidly.
"One way or another Byng's got to be waked. It's only him can put it
right."

No one spoke for a moment, for all saw that Barry Whalen was about to
say something important, coming forward to the table impulsively for
the purpose, when a noise from the darkened room beyond fell upon the
silence.

De Lancy Scovel heard, Fleming heard, others heard, and turned towards
the little room. Sobieski touched Barry Whalen's arm, and they all
stood waiting while a hand slowly opened wide the door of the little
room, and, white with a mastered agitation, Byng appeared.

For a moment he looked them all full in the face, yet as though he did
not see them; and then, without a word, as they stepped aside to make
way for him, he passed down the room to the outer hallway.

At the door he turned and looked at them again. Scorn, anger, pride,
impregnated with a sense of horror, were in his face. His white lips
opened to speak, but closed again, and, turning, he stepped out of
their sight.

No one followed. They knew their man.

"My God, how he hates us!" said Barry Whalen, and sank into a chair at
the table, with his head between his hands.

The cheeks of the little wizened lawyer glistened with tears, and De
Lancy Scovel threw open a window and leaned out, looking into the night
remorsefully.




CHAPTER XVII

IS THERE NO HELP FOR THESE THINGS?


Slowly, heavily, like one drugged, Rudyard Byng made his way through
the streets, oblivious of all around him. His brain was like some
engine pounding at high pressure, while all his body was cold and
lethargic. His anger at those he left behind was almost madness, his
humiliation was unlike anything he had ever known. In one sense he was
not a man of the world. All his thoughts and moods and habits had been
essentially primitive, even in the high social and civilized
surroundings of his youth; and when he went to South Africa, it was to
come into his own--the large, simple, rough, adventurous life. His
powerful and determined mind was confined in its scope to the big
essential things. It had a rare political adroitness, but it had little
intellectual subtlety. It had had no preparation for the situation now
upon him, and its accustomed capacity was suddenly paralyzed. Like some
huge ship staggered by the sea, it took its punishment with heavy,
sullen endurance. Socially he had never, as it were, seen through a
ladder; and Jasmine's almost uncanny brilliance of repartee and skill
in the delicate contest of the mind had ever been a wonder to him,
though less so of late than earlier in their married life. Perhaps this
was because his senses were more used to it, more blunted; or was it
because something had gone from her--that freshness of mind and body,
that resilience of temper and spirit, without which all talk is travail
and weariness? He had never thought it out, though he was dimly
conscious of some great loss--of the light gone from the evening sky.

Yes, it was always in the evening that he had most longed to see "his
girl"; when the day's work was done; when the political and financial
stress had subsided; or when he had abstracted himself from it all and
turned his face towards home. For the big place in Park Lane had really
been home to him, chiefly because, or alone because, Jasmine had made
it what it was; because in every room, in every corner, was the product
of her taste and design. It had been home because it was associated
with her. But of late ever since his five months' visit to South Africa
without her the year before--there had come a change, at first almost
imperceptible, then broadening and deepening.

At first it had vexed and surprised him; but at length it had become a
feeling natural to, and in keeping with, a scheme of life in which they
saw little of each other, because they saw so much of other people. His
primitive soul had rebelled against it at first, not bitterly, but
confusedly; because he knew that he did not know why it was; and he
thought that if he had patience he would come to understand it in time.
But the understanding did not come, and on that ominous, prophetic day
before they went to Glencader, the day when Ian Stafford had dined with
Jasmine alone after their meeting in Regent Street, there had been a
wild, aching protest against it all. Not against Jasmine--he did not
blame her; he only realized that she was different from what he had
thought she was; that they were both different from what they had been;
and that--the light had gone from the evening sky.

But from first to last he had always trusted her. It had never crossed
his mind, when she "made up" to men in her brilliant, provoking,
intoxicating way, that there was any lack of loyalty to him. It simply
never crossed his mind. She was his wife, his girl, his flower which he
had plucked; and there it was, for the universe to see, for the
universe to heed as a matter of course. For himself, since he had
married her, he had never thought of another woman for an instant,
except either to admire or to criticize her; and his criticism was, as
Jasmine had said, "infantile." The sum of it was, he was married to the
woman of his choice, she was married to the man of her choice; and
there it was, there it was, a great, eternal, settled fact. It was not
a thing for speculation or doubt or reconsideration.

Always, when he had been troubled of late years, his mind had
involuntarily flown to South Africa, as a bird flies to its nest in the
distant trees for safety, from the spoiler or from the storm. And now,
as he paced the streets with heavy, almost blundering tread,--so did
the weight of slander drag him down--his thoughts suddenly saw a
picture which had gone deep down into his soul in far-off days. It was
after a struggle with Lobengula, when blood had been shed and lives
lost, and the backbone of barbarism had been broken south of the
Zambesi for ever and ever and ever. He had buried two companions in
arms whom he had loved in that way which only those know who face
danger on the plain, by the river, in the mountain, or on the open road
together. After they had been laid to rest in the valley where the
great baboons came down to watch the simple cortege pass, where a stray
lion stole across the path leading to the grave, he had gone on alone
to a spot in the Matoppos, since made famous and sacred.

Where John Cecil Rhodes sleeps on that high plateau of convex hollow
stone, with the great natural pillars standing round like sentinels,
and all the rugged unfinished hills tumbling away to an unpeopled
silence, he came that time to rest his sorrowing soul. The woods, the
wild animal life, had been left behind, and only a peaceful middle
world between God and man greeted his stern eyes.

Now, here in London, at that corner where the lonely white statue
stands by Londonderry House, as he moved in a dream of pain, with vast
weights like giant manacles hampering every footstep, inwardly raging
that into his sweet garden of home the vile elements of slander had
been thrown, yet with a terrible and vague fear that something had gone
terribly wrong with him, that far-off day spent at the Matoppos flashed
upon his sight.

Through streets upon streets he had walked, far, far out of his way,
subconsciously giving himself time to recover before he reached his
home; until the green quiet of Hyde Park, the soft depths of its empty
spaces, the companionable and commendable trees, greeted his senses.
Then, here, suddenly there swam before his eyes the bright sky over
those scarred and jagged hills beyond the Matoppos, purple and grey,
and red and amethyst and gold, and his soul's sight went out over the
interminable distance of loneliness and desolation which only ended
where the world began again, the world of fighting men. He saw once
more that tumbled waste of primeval creation, like a crazed sea
agitated by some Horror underneath, and suddenly transfixed in its
plunging turmoil--a frozen concrete sorrow, with all active pain gone.
He heard the loud echo of his feet upon that hollow plateau of rock,
with convex skin of stone laid upon convex skin, and then suddenly the
solid rock which gave no echo under his tread, where Rhodes lies
buried. He saw all at once, in the shining horizon at different points,
black, angry, marauding storms arise and roar and burst: while all the
time above his head there was nothing but sweet sunshine, into which
the mists of the distant storms drifted, and rainbows formed above him.
Upon those hollow rocks the bellow of the storms was like the rumbling
of the wheels of a million gun-carriages; and yet high overhead there
were only the bright sun and faint drops of rain falling like mystic
pearls.

And then followed--he could hear it again, so plainly, as his eyes now
sought the friendly shades of the beeches and the elms yonder in Hyde
Park!--upon the air made denser by the storm, the call of a lonely bird
from one side of the valley. The note was deep and strong and clear,
like the bell-bird of the Australian salt-bush plains beyond the
Darling River, and it rang out across the valley, as though a soul
desired its mate; and then was still. A moment, and there came across
the valley from the other side, stealing deep sweetness from the hollow
rocks, the answer of the bird which had heard her master's call.
Answering, she called too, the viens ici of kindred things; and they
came nearer and nearer and nearer, until at last their two voices were
one.

In that wild space there had been worked out one of the great wonders
of creation, and under the dim lamps of Park Lane, in his black,
shocked mood, Rudyard recalled it all by no will of his own. Upon his
eye and brain the picture had been registered, and in its appointed
time, with an automatic suggestion of which he was ignorant and
innocent, it came to play its part and to transform him.

The thought of it all was like a cool hand laid upon his burning brow.
It gave him a glimpse of the morning of life.

The light was gone from the evening sky: but was it gone forever?

As he entered his house now he saw upon a Spanish table in the big hall
a solitary bunch of white roses--a touch of simplicity in an area of
fine artifice. Regarding it a moment, black thoughts receded, and
choosing a flower from the vase he went slowly up the stairs to
Jasmine's room.

He would give her this rose as the symbol of his faith and belief in
her, and then tell her frankly what he had heard at De Lancy Scovel's
house.

For the moment it did not occur to him that she might not be at home.
It gave him a shock when he opened the door and found her room empty.
On her bed, like a mesh of white clouds, lay the soft linen and lace
and the delicate clothes of the night; and by the bed were her tiny
blue slippers to match the blue dressing-gown. Some gracious things for
morning wear hung over a chair; an open book with a little cluster of
violets and a tiny mirror lay upon a table beside a sofa; a footstool
was placed at a considered angle for her well-known seat on the sofa
where the soft-blue lamp-shade threw the light upon her book; and a
little desk with dresden-china inkstand and penholder had little
pockets of ribbon-tied letters and bills--even business had an air of
taste where Jasmine was. And there on a table beside her bed was a
large silver-framed photograph of himself turned at an angle toward the
pillow where she would lay her head.

How tender and delicate and innocent it all was! He looked round the
room with new eyes, as though seeing everything for the first time.
There was another photograph of himself on her dressing-table. It had
no companion there; but on another table near were many photographs;
four of women, the rest of men: celebrities, old friends like Ian
Stafford--and M. Mennaval.

His face hardened. De Lancy Scovel's black slander swept through his
veins like fire again, his heart came up in his throat, his fingers
clinched.

Presently, as he stood with clouded face and mist in his eyes,
Jasmine's maid entered, and, surprised at seeing him, retreated again,
but her eyes fastened for a moment strangely on the white rose he held
in his hand. Her glance drew his own attention to it again. Going over
to the gracious and luxurious bed, with its blue silk canopy, he laid
the white rose on her pillow. Somehow it was more like an offering to
the dead than a lover's tribute to the living. His eyes were fogged,
his lips were set. But all he was then in mind and body and soul he
laid with the rose on her pillow.

As he left the rose there, his eyes wandered slowly over this retreat
of rest and sleep: white robe-de-nuit, blue silk canopy, blue slippers,
blue dressing-gown--all blue, the colour in which he had first seen her.

Slowly he turned away at last and went to his own room. But the picture
followed him. It kept shining in his eyes. Krool's face suddenly
darkened it.

"You not ring, Baas," Krool said.

Without a word Rudyard waved him away, a sudden and unaccountable fury
in his mind. Why did the sight of Krool vex him so?

"Come back," he said, angrily, before the door of the bedroom closed.

Krool returned.

"Weren't there any cables? Why didn't you come to Mr. Scovel's at
midnight, as I told you?"

"Baas, I was there at midnight, but they all say you come home, Baas.
There the cable--two." He pointed to the dressing-table.

Byng snatched them, tore them open, read them.

One had the single word, "Tomorrow." The other said, "Prepare." The
code had been abandoned. Tragedy needs few words.

They meant that to-morrow Kruger's ultimatum would be delivered and
that the worst must be faced.

He glanced at the cables in silence, while Krool watched him narrowly,
covertly, with a depth of purpose which made his face uncanny.

"That will do, Krool; wake me at seven," he said, quietly, but with
suppressed malice in his tone.

Why was it that at that moment he could, with joy, have taken Krool by
the neck and throttled him? All the bitterness, anger and rage that he
had felt an hour ago concentrated themselves upon Krool--without
reason, without cause. Or was it that his deeper Other Self had
whispered something to his mind about Krool--something terrible and
malign?

In this new mood he made up his mind that he would not see Jasmine till
the morning. How late she was! It was one o'clock, and yet this was not
the season. She had not gone to a ball, nor were these the months of
late parties.

As he tossed in his bed and his head turned restlessly on his pillow,
Krool's face kept coming before him, and it was the last thing he saw,
ominous and strange, before he fell into a heavy but troubled sleep.

Perhaps the most troubled moment of the night came an hour after he
went to bed.

Then it was that a face bent over him for a minute, a fair face, with
little lines contracting the ripe lips, which were redder than usual,
with eyes full of a fevered brightness. But how harmonious and sweetly
ordered was the golden hair above! Nothing was gone from its lustre,
nothing robbed it of its splendour. It lay upon her forehead like a
crown. In its richness it seemed a little too heavy for the tired face
beneath, almost too imperial for so slight and delicate a figure.

Rudyard stirred in his sleep, murmuring as she leaned over him; and his
head fell away from her hand as she stretched out her fingers with a
sudden air of pity--of hopelessness, as it might seem from her look.
His face restlessly turned to the wall--a vexed, stormy, anxious face
and head, scarred by the whip of that overlord more cruel and tyrannous
than Time, the Miserable Mind.

She drew back with a little shudder. "Poor Ruddy!" she said, as she had
said that evening when Ian Stafford came to her after the estranging
and scornful years, and she had watched Rudyard leave her--to her fate
and to her folly.

"Poor Ruddy!"

With a sudden frenzied motion of her hands she caught her breath, as
though some pain had seized her. Her eyes almost closed with the shame
that reached out from her heart, as though to draw the veil of her
eyelids over the murdered thing before her--murdered hope, slaughtered
peace: the peace of that home they had watched burn slowly before their
eyes in the years which the locust had eaten.

Which the locust had eaten--yes, it was that. More than once she had
heard Rudyard tell of a day on the veld when the farmer surveyed his
abundant fields with joy, with the gay sun flaunting it above; and
suddenly there came a white cloud out of the west, which made a weird
humming, a sinister sound. It came with shining scales glistening in
the light and settled on the land acre upon acre, morgen upon morgen;
and when it rose again the fields, ready for the harvest, were like a
desert--the fields which the locust had eaten. So had the years been,
in which Fortune had poured gold and opportunity and unlimited choice
into her lap. She had used them all; but she had forgotten to look for
the Single Secret, which, like a key, unlocks all doors in the House of
Happiness.

"Poor Ruddy!" she said, but even as she said it for the second time a
kind of anger seemed to seize her.

"Oh, you fool--you fool!" she whispered, fiercely. "What did you know
of women! Why didn't you make me be good? Why didn't you master me--the
steel on the wrist--the steel on the wrist!"

With a little burst of misery and futile rage she went from the room,
her footsteps uneven, her head bent. One of the open letters she
carried dropped from her hand onto the floor of the hall outside. She
did not notice it. But as she passed inside her door a shadowy figure
at the end of the hall watched her, saw the letter drop, and moved
stealthily forward towards it. It was Krool.

How heavy her head was! Her worshipping maid, near dead with fatigue,
watched her furtively, but avoided the eyes in the mirror which had a
half-angry look, a look at once disturbed and elated, reckless and
pitiful. Lablanche was no reader of souls, but there was something here
beyond the usual, and she moved and worked with unusual circumspection
and lightness of touch. Presently she began to unloose the coils of
golden hair; but Jasmine stopped her with a gesture of weariness.

"No, don't," she said. "I can't stand your touch tonight, Lablanche.
I'll do the rest myself. My head aches so. Good-night."

"I will be so light with it, madame," Lablanche said, protestingly.

"No, no. Please go. But the morning, quite early."

"The hour, madame?"

"When the letters come, as soon as the letters come, Lablanche--the
first post. Wake me then."

She watched the door close, then turned to the mirror in front of her
and looked at herself with eyes in which brooded a hundred thoughts and
feelings: thoughts contradictory, feelings opposed, imaginings
conflicting, reflections that changed with each moment; and all under
the spell of a passion which had become in the last few hours the most
powerful influence her life had ever known. Right or wrong, and it was
wrong, horribly wrong; wise or unwise, and how could the wrong be wise!
she knew she was under a spell more tyrannous than death, demanding
more sacrifices than the gods of Hellas.

Self-indulgent she had been, reckless and wilful and terribly modern,
taking sweets where she found them. She had tried to squeeze the orange
dry, in the vain belief that Wealth and Beauty can take what they want,
when they want it, and that happiness will come by purchase; only to
find one day that the thing you have bought, like a slave that revolts,
stabs you in your sleep, and you wake with wide-eyed agony only to die,
or to live--with the light gone from the evening sky.

Suddenly, with the letters in her hand with which she had entered the
room, she saw the white rose on her pillow. Slowly she got up from the
dressing-table and went over to the bed in a hushed kind of way. With a
strange, inquiring, half-shrinking look she regarded the flower. One
white rose. It was not there when she left. It had been brought from
the hall below, from the great bunch on the Spanish table. Those white
roses, this white rose, had come from one who, selfish as he was, knew
how to flatter a woman's vanity. From that delicate tribute of flattery
and knowledge Rudyard had taken this flowering stem and brought it to
her pillow.

It was all too malevolently cynical. Her face contracted in pain and
shame. She had a soul to which she had never given its chance. It had
never bloomed. Her abnormal wilfulness, her insane love of pleasure,
her hereditary impulses, had been exercised at the expense of the great
thing in her, the soul so capable of memorable and beautiful deeds.

As she looked at the flower, a sense of the path by which she had come,
of what she had left behind, of what was yet to chance, shuddered into
her heart.

That a flower given by Adrian Fellowes should be laid upon her pillow
by her husband, by Rudyard Byng, was too ghastly or too devilishly
humorous for words; and both aspects of the thing came to her. Her face
became white, and almost mechanically she put the letters she held on a
writing-table near; then coming to the bed again she looked at the rose
with a kind of horror. Suddenly, however, she caught it up, and
bursting into a laugh which was shrill and bitter she threw it across
the room. Still laughing hysterically, with her golden hair streaming
about her head, folding her round like a veil which reached almost to
her ankles, she came back to the chair at the dressing-table and sat
down.

Slowly drawing the wonderful soft web of hair over her shoulders, she
began to weave it into one wide strand, which grew and grew in length
till it was like a great rope of spun gold. Inch by inch, foot by foot
it grew, until at last it lay coiled in her lap like a golden serpent,
with a kind of tension which gave it life, such as Medusa's hair must
have known as the serpent-life entered into it. There is--or was--in
Florence a statue of Medusa, seated, in her fingers a strand of her
hair, which is beginning to coil and bend and twist before her
horror-stricken eyes; and this statue flashed before Jasmine's eyes as
she looked at the loose ends of gold falling beyond the blue ribbon
with which she had tied the shining rope.

With the mad laughter of a few moments before still upon her lips, she
held the flying threads in her hand, and so strained was her mind that
it would not have caused her surprise if they had wound round her
fingers or given forth forked tongues. She laughed again--a low and
discordant laugh it was now.

"Such imaginings--I think I must be mad," she murmured.

Then she leaned her elbows on the dressing-table and looked at herself
in the glass.

"Am I not mad?" she asked herself again. Then there stole across her
face a strange, far-away look, bringing a fresh touch of beauty to it,
and flooding it for a moment with that imaginative look which had been
her charm as a girl, a look of far-seeing and wonder and strange light.

"I wonder--if I had had a mother!" she said, wistfully, her chin in her
hand. "If my mother had lived, what would I have been?"

She reached out to a small table near, and took from it a miniature at
which she looked with painful longing. "My dear, my very dear, you were
so sweet, so good," she said. "Am I your daughter, your own
daughter--me? Ah, sweetheart mother, come back to me! For God's sake
come--now. Speak to me if you can. Are you so very far away?
Whisper--only whisper, and I shall hear.

"Oh, she would, she would, if she could!" her voice wailed, softly.
"She would if she could, I know. I was her youngest child, her only
little girl. But there is no coming back. And maybe there is no going
forth; only a blackness at the last, when all stops--all stops, for
ever and ever and ever, amen! ...Amen--so be it. Ah, I even can't
believe in that! I can't even believe in God and Heaven and the
hereafter. I am a pagan, with a pagan's heart and a pagan's ways."

She shuddered again and closed her eyes for a moment. "Ruddy had a
glimpse, one glimpse, that day, the day that Ian came back. Ruddy said
to me that day, 'If you had lived a thousand years ago you would have
had a thousand lovers.' ... And it is true--by all the gods of all the
worlds, it is true. Pleasure, beauty, is all I ever cared
for--pleasure, beauty, and the Jasmine-flower. And Ian--and Ian, yes,
Ian! I think I had soul enough for one true thing, even if I was not
true."

She buried her face in her hands for a moment, as though to hide a
great burning.

"But, oh, I wonder if I did ever love Ian, even! I wonder.... Not then,
not then when I deserted him and married Rudyard, but now--now? Do--do
I love him even now, as we were to-day with his arms round me, or is it
only beauty and pleasure and--me? ... Are they really happy who believe
in God and live like--like her?" She gazed at her mother's portrait
again. "Yes, she was happy, but only for a moment, and then she was
gone--so soon. And I shall never see her, I who never saw her with eyes
that recall.... And if I could see her, would I? I am a pagan--would I
try to be like her, if I could? I never really prayed, because I never
truly felt there was a God that was not all space, and that was all
soul and understanding. And what is to come of it, or what will become
of me? ... I can't go back, and going on is madness. Yes, yes, it is
madness, I know--madness and badness--and dust at the end of it all.
Beauty gone, pleasure gone.... I do not even love pleasure now as I
did. It has lost its flavour; and I do not even love beauty as I did.
How well I know it! I used to climb hills to see a sunset; I used to
walk miles to find the wood anemones and the wild violets; I used to
worship a pretty child ... a pretty child!"

She shrank back in her chair and pondered darkly. "A pretty child....
Other people's pretty children, and music and art and trees and the
sea, and the colours of the hills, and the eyes of wild animals ... and
a pretty child. I wonder, I wonder if--"

But she got no farther with that thought. "I shall hate everything on
earth if it goes from me, the beauty of things; and I feel that it is
going. The freshness of sense has gone, somehow. I am not stirred as I
used to be, not by the same things. If I lose that sense I shall kill
myself. Perhaps that would be the easiest way now. Just the overdose
of--"

She took a little phial from the drawer of the dressing-table. "Just
the tiny overdose and 'good-bye, my lover, good-bye.'" Again that hard
little laugh of bitterness broke from her. "Or that needle Mr. Mappin
had at Glencader. A thrust of the point, and in an instant gone, and no
one to know, no one to discover, no one to add blame to blame, to pile
shame upon shame. Just blackness--blackness all at once, and no light
or anything any more. The fruit all gone from the trees, the garden all
withered, the bower all ruined, the children all dead--the pretty
children all dead forever, the pretty children that never were born,
that never lived in Jasmine's garden."

As there had come to Rudyard premonition of evil, so to-night, in the
hour of triumph, when, beyond peradventure, she had got for Ian
Stafford what would make his career great, what through him gave
England security in her hour of truth, there came now to her something
of the real significance of it all.

She had got what she wanted. Her pride had been appeased, her vanity
satisfied, her intellect flattered, her skill approved, and Ian was
hers. But the cost?

Words from Swinburne's threnody on Baudelaire came to her mind. How
often she had quoted them for their sheer pagan beauty! It was the kind
of beauty which most appealed to her, which responded to the element of
fatalism in her, the sense of doom always with her since she was a
child, in spite of her gaiety, her wit, and her native eloquence. She
had never been happy, she had never had a real illusion, never aught
save the passion of living, the desire to conquer unrest:

  "And now, no sacred staff shall break in blossom,
  No choral salutation lure to light
  The spirit sick with perfume and sweet night,
  And Love's tired eyes and hands and barren bosom.
  There is no help for these things, none to mend and none to mar
  Not all our songs, oh, friend, can make Death clear or make Life durable
  But still with rose and ivy and wild vine,
  And with wild song about this dust of thine,
  At least I fill a place where white dreams dwell,
  And wreathe an unseen shrine."

"'And Love's tired eyes and hands and barren bosom.... There is no help
for these things, none to mend and none to mar....'" A sob rose in her
throat. "Oh, the beauty of it, the beauty and the misery and the
despair of it!" she murmured.

Slowly she wound and wound the coil of golden hair about her neck,
drawing it tighter, fold on fold, tighter and tighter.

"This would be the easiest way--this," she whispered. "By my own hair!
Beauty would have its victim then. No one would kiss it any more,
because it killed a woman.... No one would kiss it any more."

She felt the touch of Ian Stafford's lips upon it, she felt his face
buried in it. Her own face suffused, then Adrian Fellowes' white rose,
which Rudyard had laid upon her pillow, caught her eye where it lay on
the floor. With a cry as of a hurt animal she ran to her bed, crawled
into it, and huddled down in the darkness, shivering and afraid.

Something had discovered her to herself for the first time. Was it her
own soul? Had her Other Self, waking from sleep in the eternal spaces,
bethought itself and come to whisper and warn and help? Or was it
Penalty, or Nemesis, or that Destiny which will have its toll for all
it gives of beauty, or pleasure, or pride, or place, or pageantry?

"Love's tired eyes and hands and barren bosom"--

The words kept ringing in her ears. They soothed her at last into a
sleep which brought no peace, no rest or repose.




CHAPTER XVIII

LANDRASSY'S LAST STROKE


Midnight--one o'clock, two o'clock, three o'clock. Big Ben boomed the
hours, and from St. James's Palace came the stroke of the quarters,
lighter, quicker, almost pensive in tone. From St. James's Street below
came no sounds at last. The clatter of the hoofs of horses had ceased,
the rumble of drays carrying their night freights, the shouts of the
newsboys making sensation out of rumours made in a newspaper office,
had died away. Peace came, and a silver moon gave forth a soft light,
which embalmed the old thoroughfare, and added a tenderness to its
workaday dignity. In only one window was there a light at three
o'clock. It was the window of Ian Stafford's sitting-room.

He had not left the Foreign Office till nearly ten o'clock, then had
had a light supper at his club, had written letters there, and after a
long walk up and down the Mall had, with reluctant feet, gone to his
chambers.

The work which for years he had striven to do for England had been
accomplished. The Great Understanding was complete. In the words of the
secretary of the American Embassy, "Mennaval had delivered the goods,"
and an arrangement had been arrived at, completed this very night,
which would leave England free to face her coming trial in South Africa
without fear of trouble on the flank or in the rear.

The key was turned in the lock, and that lock had been the original
device and design of Ian Stafford. He had done a great work for
civilization and humanity; he had made improbable, if not impossible, a
European war. The Kaiser knew it, Franz Joseph knew it, the Czar knew
it; the White House knew it, and its master nodded with satisfaction,
for John Bull was waking up--"getting a move on." America might have
her own family quarrel with John Bull, but when it was John Bull versus
the world, not even James G. Blaine would have been prepared to see the
old lion too deeply wounded. Even Landrassy, ambassador of Slavonia,
had smiled grimly when he met Ian Stafford on the steps of the Moravian
Embassy. He was artist enough to appreciate a well-played game, and, in
any case, he had had done all that mortal man could in the way of
intrigue and tact and device. He had worked the international press as
well as it had ever been worked; he had distilled poison here and
rosewater there; he had again and again baffled the British Foreign
Office, again and again cut the ground from under Ian Stafford's feet;
and if he could have staved off the pact, the secret international
pact, by one more day, he would have gained the victory for himself,
for his country, for the alliance behind him.

One day, but one day, and the world would never have heard of Ian
Stafford. England would then have approached her conflict with the cup
of trembling at her lips, and there would be a new disposition of power
in Europe, a new dominating force in the diplomacy and the relations of
the peoples of the world. It was Landrassy's own last battle-field of
wit and scheming, of intellect and ambition. If he failed in this, his
sun would set soon. He was too old to carry on much longer. He could
not afford to wait. He was at the end of his career, and he had meant
this victory to be the crown of his long services to Slavonia and the
world.

But to him was opposed a man who was at the beginning of his career,
who needed this victory to give him such a start as few men get in that
field of retarded rewards, diplomacy. It had been a man at the end of
the journey, and a man at the beginning, measuring skill, playing as
desperate a game as was ever played. If Landrassy won--Europe a red
battle-field, England at bay; if Ian Stafford won--Europe at peace,
England secure. Ambition and patriotism intermingled, and only He who
made human nature knew how much was pure patriotism and how much pure
ambition. It was a great stake. On this day of days to Stafford destiny
hung shivering, each hour that passed was throbbing with unparalleled
anxiety, each minute of it was to be the drum-beat of a funeral march
or the note of a Te Deum.

Not more uncertain was the roulette-wheel spinning in De Lancy Scovel's
house than the wheel of diplomacy which Ian Stafford had set spinning.
Rouge et noire--it was no more, no less. But Ian had won; England had
won. Black had been beaten.

Landrassy bowed suavely to Ian as they met outside Mennaval's door in
the early evening of this day when the business was accomplished, the
former coming out, the latter going in.

"Well, Stafford," Landrassy said in smooth tones and with a jerk of the
head backward, "the tables are deserted, the croupier is going home.
But perhaps you have not come to play?"

Ian smiled lightly. "I've come to get my winnings--as you say," he
retorted.

Landrassy seemed to meditate pensively. "Ah yes, ah yes, but I'm not
sure that Mennaval hasn't bolted with the bank and your winnings, too!"

His meaning was clear--and hateful. Before Ian had a chance to reply,
Landrassy added in a low, confidential voice, saturated with sardonic
suggestion, "To tell you the truth, I had ceased to reckon with women
in diplomacy. I thought it was dropped with the Second Empire; but you
have started a new dispensation--evidemment, evidemment. Still Mennaval
goes home with your winnings. Eh bien, we have to pay for our game!
Allons gai!"

Before Ian could reply--and what was there to say to insult couched in
such highly diplomatic language?--Landrassy had stepped sedately away,
swinging his gold-headed cane and humming to himself.

"Duelling had its merits," Ian said to himself, as soon as he had
recovered from the first effect of the soft, savage insolence. "There
is no way to deal with our Landrassys except to beat them, as I have
done, in the business of life."

He tossed his head with a little pardonable pride, as it were, to
soothe his heart, and then went in to Mennaval. There, in the
arrangements to be made with Moravia he forgot the galling incident;
and for hours afterward it was set aside. When, however, he left his
club, his supper over, after scribbling letters which he put in his
pocket absent-mindedly, and having completed his work at the Foreign
Office, it came back to his mind with sudden and scorching force.

Landrassy's insult to Jasmine rankled as nothing had ever rankled in
his mind before, not even that letter which she had written him so long
ago announcing her intended marriage to Byng. He was fresh from the
first triumph of his life: he ought to be singing with joy, shouting to
the four corners of the universe his pride, walking on air, finding the
world a good, kind place made especially for him--his oyster to open,
his nut which he had cracked; yet here he was fresh from the applause
of his chief, with a strange heaviness at his heart, a gloom upon his
mind.

Victory in his great fight--and love; he had them both and so he said
to himself as he opened the door of his rooms and entered upon their
comfort and quiet. He had love, and he had success; and the one had
helped to give him the other, helped in a way which was wonderful, and
so brilliantly skilful and delicate. As he poured out a glass of water,
however, the thought stung him that the nature of the success and its
value depended on the nature of the love and its value. As the love
was, so was the success, no higher, no different, since the one, in
some deep way, begot the other. Yes, it was certain that the thing
could not have been done at this time without Jasmine, and if not at
this time, then the chances were a thousand to one that it never could
be done at any time; for Britain's enemies would be on her back while
she would have to fight in South Africa. The result of that would mean
a shattered, humiliated land, with a people in pawn to the will of a
rising power across the northern sea. That it had been prevented just
in the nick of time was due to Jasmine, his fate, the power that must
beat in his veins till the end of all things.

Yet what was the end to be? To-day he had buried his face in her
wonderful cloud of hair and had kissed her; and with it, almost on the
instant, had come the end of his great struggle for England and
himself; and for that he was willing to pay any price that time and
Nemesis might demand--any price save one.

As he thought of that one price his lips tightened, his brow clouded,
his eyes half closed with shame.

Rudyard Byng was his friend, whose bread he had eaten, whom he had
known since they were boys at school. He remembered acutely Rudyard's
words to him that fateful night when he had dined with Jasmine
alone--"You will have much to talk about, to say to each other, such
old friends as you are." He recalled how Rudyard had left them,
trusting them, happy in the thought that Jasmine would have a pleasant
evening with the old friend who had first introduced him to her, and
that the old friend would enjoy his eager hospitality. Rudyard had
blown his friend's trumpet wherever men would listen to him; had
proclaimed Stafford as the coming man: and this was what he had done to
Rudyard!

This was what he had done; but what did he propose to do? What of the
future? To go on in miserable intrigue, twisting the nature, making
demands upon life out of all those usual ways in which walk love and
companionship--paths that lead through gardens of poppies, maybe, but
finding grey wilderness at the end? Never, never the right to take the
loved one by the hand before all the world and say: "We two are one,
and the reckoning of the world must be made with both." Never to have
the right to stand together in pride before the wide-eyed many and say:
"See what you choose to see, say what you choose to say, do what you
choose to do, we do not care." The open sharing of worldly success; the
inner joys which the world may not see--these things could not be for
Jasmine and for him.

Yet he loved her. Every fibre in his being thrilled to the thought of
her. But as his passion beat like wild music in his veins, a blindness
suddenly stole into his sight, and in deep agitation he got up, opened
the window, and looked out into the night. For long he stood gazing
into the quiet street, and watched a daughter of the night, with
dilatory steps and neglected mien, go up towards the more frequented
quarter of Piccadilly. Life was grim in so much of it, futile in more,
feeble at the best, foolish in the light of a single generation or a
single century or a thousand years. It was only reasonable in the vast
proportions of eternity. It had only little sips of happiness to give,
not long draughts of joy. Who drank deep, long draughts--who of all the
men and women he had ever known? Who had had the primrose path without
the rain of fire, the cinders beneath the feet, the gins and the nets
spread for them?

Yet might it not be that here and there people were permanently happy?
And had things been different, might not he and Jasmine have been of
the radiant few? He desired her above all things; he was willing to
sacrifice all--all for her, if need be; and yet there was that which he
could not, would not face. All or nothing--all or nothing. If he must
drink of the cup of sorrow and passion mixed, then it would be from the
full cup.

With a stifled exclamation he sat down and began to write. Again and
again he stopped to think, his face lined and worn and old; then he
wrote on and on. Ambition, hope, youth, the Foreign Office, the
chancelleries of Europe, the perils of impending war, were all
forgotten, or sunk into the dusky streams of subconsciousness. One
thought dominated him. He was playing the game that has baffled all
men, the game of eluding destiny; and, like all men, he must break his
heart in the playing.


"Jasmine," he wrote, "this letter, this first real letter of love which
I have ever written you, will tell you how great that love is. It will
tell you, too, what it means to me, and what I see before us. To-day I
surrendered to you all of me that would be worth your keeping, if it
was so that you might take and keep it. When I kissed you, I set the
seal upon my eternal offering to you. You have given me success. It is
for that I thank you with all my soul, but it is not for that I love
you. Love flows from other fountains than gratitude. It rises from the
well which has its springs at the beginning of the world, where those
beings lived who loved before there were any gods at all, or any
faiths, or any truths save the truth of being.

"But it is because what I feel belongs to something in me deeper than I
have ever known that, since we parted a few hours ago, I see all in a
new light. You have brought to me what perhaps could only have come as
it did--through fire and cloud and storm. I did not will it so, indeed,
I did not wish it so, as you know; but it came in spite of all. And I
shall speak to you of it as to my own soul. I want no illusions, no
self-deception, no pretense to be added to my debt to you. With
wide-open eyes I want to look at it. I know that this love of mine for
you is my fate, the first and the last passion of my soul. And to have
known it with all its misery,--for misery there must be; misery,
Jasmine, there is--to have known it, to have felt it, the great
overwhelming thing, goes far to compensate for all the loss it so
terribly exposes. It has brought me, too, the fruit of life's ambition.
With the full revelation of all that I feel for you came that which
gives me place in the world, confers on me the right to open doors
which otherwise were closed to me. You have done this for me, but what
have I done for you? One thing at least is forced upon me, which I must
do now while I have the sight to see and the mind to understand.

"I cannot go on with things as they are. I cannot face Rudyard and give
myself to hourly deception. I think that yesterday, a month ago, I
could have done so, but not now. I cannot walk the path which will be
paved with things revolting to us both. My love for you, damnable as it
would seem in the world's eyes, prevents it. It is not small enough to
be sustained or made secure in its furfilment by the devices of
intrigue. And I know that if it is so with me, it must be a thousand
times so with you. Your beauty would fade and pass under the stress and
meanness of it; your heart would reproach me even when you smiled; you
would learn to hate me even when you were resting upon my hungry heart.
You would learn to loathe the day when you said, Let me help you. Yet,
Jasmine, I know that you are mine; that you were mine long ago, even
when you did not know, and were captured by opportunity to do what,
with me, you felt you could not do. You were captured by it; but it has
not proved what it promised. You have not made the best of the power
into which you came, and you could not do so, because the spring from
which all the enriching waters of married life flow was dry. Poor
Jasmine--poor illusion of a wild young heart which reached out for the
golden city of the mirage!

"But now.... Two ways spread out, and only two, and one of these two I
must take--for your sake. There is the third way, but I will not take
it--for your sake and for my own. I will not walk in it ever. Already
my feet are burned by the fiery path, already I am choked by the smoke
and the ashes. No. I cannot atone for what has been, but I can try and
gather up the chances that are left.

"You must come with me away--away, to start life afresh, somewhere,
somehow; or I must go alone on some enterprise from which I shall not
return. You cannot bear what is, but, together, having braved the
world, we could look into each other's eyes without shrinking, knowing
that we had been at least true to each other, true at the last to the
thing that binds us, taking what Fate gave without repining, because we
had faced all that the world could do against us. It would mean that I
should leave diplomacy forever, give up all that so far has possessed
me in the business of life; but I should not lament. I have done the
one big thing I wanted to do, I have cut a swath in the field. I have
made some principalities and powers reckon with me. It may be I have
done all I was meant to do in doing that--it may be. In any case, the
thing I did would stand as an accomplished work--it would represent one
definite and original thing; one piece of work in design all my own, in
accomplishment as much yours as mine.... To go then--together--with
only the one big violence to the conventions of the world, and take the
law into our own hands? Rudyard, who understands Life's violence, would
understand that; what he could never understand would be perpetual
artifice, unseemly secretiveness. He himself would have been a great
filibuster in the olden days; he would have carried off the wives and
daughters of the chiefs and kings he conquered; but he would never have
stolen into the secret garden at night and filched with the hand of the
sneak-thief--never.

"To go with me--away, and start afresh. There will be always work to
do, always suffering humanity to be helped. We should help because we
would have suffered, we should try to set right the one great mistake
you made in not coming to me and so fulfilling the old promise. To set
that error right, even though it be by wronging Rudyard by one great
stroke--that is better than hourly wronging him now with no surcease of
that wrong. No, no, this cannot go on. You could not have it so. I seem
to feel that you are writing to me now, telling me to begone forever,
saying that you had given me gifts--success and love; and now to go and
leave you in peace.

"Peace, Jasmine, it is that we cry for, pray for, adjure the heavens
for in the end. And all this vast, passionate love of mine is the
strife of the soul for peace, for fruition.

"That peace we may have in another way: that I should go forever, now,
before the terrible bond of habit has done its work, and bound us in
chains that never fall, that even remain when love is dead and gone,
binding the cold cadre to the living pain. To go now, with something
accomplished, and turn my back forever on the world, with one last
effort to do the impossible thing for some great cause, and fail and be
lost forever--do you not understand? Face it, Jasmine, and try to see
it in its true light.... I have a friend, John Caxton--you know him. He
is going to the Antarctic to find the futile thing, but the necessary
thing so far as the knowledge of the world is concerned. With him,
then, that long quiet and in the far white spaces to find
peace--forever.

"You? ... Ah, Jasmine, habit, the habit of enduring me, is not fixed,
and in my exit there would be the agony of the moment, and then the
comforting knowledge that I had done my best to set things right.
Perhaps it is the one way to set things right; the fairest to you, the
kindest, and that which has in it most love. The knowledge of a great
love ended--yours and mine--would help you to give what you can give
with fuller soul. And, maybe, to be happy with Rudyard at the last!
Maybe, to be happy with him, without this wonderful throbbing pulse of
being, but with quiet, and to get a measure of what is due to you in
the scheme of things. Destiny gives us in life so much and no more: to
some a great deal in a little time, to others a little over a great
deal of time, but never the full cup and the shining sky over long
years. One's share small it must be, but one's share! And it may be, in
what has come to-day, in the hour of my triumph, in the business of
life, in the one hour of revealing love, it may be I have had my
share.... And if that is so, then peace should be my goal, and peace I
can have yonder in the snows. No one would guess that it was not
accident, and I should feel sure that I had stopped in time to save you
from the worst. But it must be the one or the other.

"The third way I cannot, will not, take, nor would you take it
willingly. It would sear your heart and spirit, it would spoil all that
makes you what you are. Jasmine, once for all I am your lover and your
friend. I give you love and I give you friendship--whatever comes;
always that, always friendship. Tempus fugit sed amicitia est.

"In my veins is a river of fire, and my heart is wrenched with pain;
but in my soul is that which binds me to you, together or apart, in
life, in death.... Good-night.... Good-morrow.

"Your Man,

"IAN.

"P.S.--I will come for your reply at eleven to-morrow.

"IAN."


He folded the letter slowly and placed it in an envelope which was
lying loose on the desk with the letters he had written at the
Trafalgar Club, and had forgotten to post. When he had put the letter
inside the envelope and stamped it, he saw that the envelope was one
carrying the mark of the Club. By accident he had brought it with the
letters written there. He hesitated a moment, then refrained from
opening the letter again, and presently went out into the night and
posted all his letters.




CHAPTER XIX

TO-MORROW ... PREPARE!


Krool did not sleep. What he read in a letter he had found in a
hallway, what he knew of those dark events in South Africa, now to
culminate in a bitter war, and what, with the mysterious psychic
instinct of race, he divined darkly and powerfully, all kept his eyes
unsleeping and his mind disordered. More than any one, he knew of the
inner story of the Baas' vrouw during the past week and years; also he
had knowledge of what was soon to empty out upon the groaning earth the
entrails of South Africa; but how he knew was not to be discovered.
Even Rudyard, who thought he read him like a book, only lived on the
outer boundaries of his character. Their alliance was only the durable
alliance of those who have seen Death at their door, and together have
driven him back.

Barry Whalen had regarded Krool as a spy; all Britishers who came and
went in the path to Rudyard's door had their doubts or their dislike of
him; and to every servant of the household he was a dark and isolated
figure. He never interfered with the acts of his fellow-servants,
except in so far as those acts affected his master's comfort; and he
paid no attention to their words except where they affected himself.

"When you think it's a ghost, it's only Krool wanderin' w'ere he ain't
got no business," was the angry remark of the upper-housemaid, whom his
sudden appearance had startled in a dim passage one day.

"Lor'! what a turn you give me, Mr. Krool, spookin' about where there's
no call for you to be," she had said to him, and below stairs she had
enlarged upon his enormities greatly.

"And Mrs. Byng, she not like him better as we do," was the comment of
Lablanche, the lady's maid. "A snake in the grass--that is what Madame
think."

Slowly the night passed for Krool. His disturbed brain was like some
dark wood through which flew songless birds with wings of night;
through which sped the furtive dwellers of the grass and the
earth-covert. The real and the imaginative crowded the dark purlieus.
He was the victim of his blood, his beginnings off there beyond the
Vaal, where the veld was swept by the lightning and the storm, the home
of wild dreams, and of a loneliness terrible and strange, to which the
man who once had tasted its awful pleasures returned and returned
again, until he was, at the last, part of its loneliness, its woeful
agitations and its reposeless quiet.

It was not possible for him to think or be like pure white people, to
do as they did. He was a child of the kopje, the spruit, and the dun
veld, where men dwelt with weird beings which were not men--presences
that whispered, telling them of things to come, blowing the warnings of
Destiny across the waste, over thousands and thousands of miles. Such
as he always became apart and lonely because of this companionship of
silence and the unseen. More and more they withdrew themselves,
unwittingly and painfully, from the understanding and companionship of
the usual matter-of-fact, commonplace, sensible people--the settler,
the emigrant, and the British man. Sinister they became, but with the
helplessness of those in whom the under-spirit of life has been
working, estranging them, even against their will, from the rest of the
world.

So Krool, estranged, lonely, even in the heart of friendly, pushing,
jostling London, still was haunted by presences which whispered to him,
not with the old clearness of bygone days, but with confused utterances
and clouded meaning; and yet sufficient in dark suggestion for him to
know that ill happenings were at hand, and that he would be in the
midst of them, an instrument of Fate. All night strange shapes trooped
past his clouded eyes, and more than once, in a half-dream, he called
out to his master to help him as he was helped long ago when that
master rescued him from death.

Long before the rest of the house was stirring, Krool wandered hither
and thither through the luxurious rooms, vainly endeavouring to occupy
himself with his master's clothes, boots, and belongings. At last he
stole into Byng's room and, stooping, laid something on the floor; then
reclaiming the two cables which Rudyard had read, crumpled up, and
thrown away, he crept stealthily from the room. His face had a sombre
and forbidding pleasure as he read by the early morning light the
discarded messages with their thunderous warnings--"To-morrow...
Prepare!"

He knew their meaning well enough. "To-morrow" was here, and it would
bring the challenge from Oom Paul to try the might of England against
the iron courage of those to whom the Vierkleur was the symbol of
sovereignty from sea to sea and the ruin of the Rooinek.

"Prepare!" He knew vastly more than those responsible men in position
or in high office, who should know a thousand times as much more. He
knew so much that was useful--to Oom Paul; but what he knew he did not
himself convey, though it reached those who welcomed it eagerly and
grimly. All that he knew, another also near to the Baas also knew, and
knew it before Krool; and reaped the reward of knowing.

Krool did not himself need to betray the Baas direct; and, with the
reasoning of the native in him, he found it possible to let another be
the means and the messenger of betrayal. So he soothed his conscience.

A little time before they had all gone to Glencader, however, he had
discovered something concerning this agent of Paul Kruger in the heart
of the Outlander camp, whom he employed, which had roused in him the
worst passions of an outcast mind. Since then there had been no
trafficking with the traitor--the double traitor, whom he was now
plotting to destroy, not because he was a traitor to his country, but
because he was a traitor to the Baas. In his evil way, he loved his
master as a Caliban might love an Apollo. That his devotion took forms
abnormal and savage in their nature was due to his origin and his
blood. That he plotted to secure the betrayal of the Baas' country and
the Outlander interest, while he would have given his life for the
Baas, was but the twisted sense of a perverted soul.

He had one obsession now--to destroy Adrian Fellowes, his agent for
Paul Kruger in the secret places of British policy and in the house of
the Partners, as it were. But how should it be done? What should be the
means? On the very day in which Oom Paul would send his ultimatum, the
means came to his hand.

"Prepare!" the cable to the Baas had read. The Baas would be prepared
for the thunderbolt to be hurled from Pretoria; but he would have no
preparation for the thunderbolt which would fall at his feet this day
in this house, where white roses welcomed the visitor at the door-way
and the beauty of Titians and Botticellis and Rubens' and Goyas greeted
him in the luxuriant chambers. There would be no preparation for that
war which rages most violently at a fireside and in the human heart.




CHAPTER XX

THE FURNACE DOOR


It was past nine o'clock when Rudyard wakened. It was nearly ten before
he turned to leave his room for breakfast. As he did so he stooped and
picked up an open letter lying on the floor near the door.

His brain was dazed and still surging with the terrible thoughts which
had agonized him the night before. He was as in a dream, and was only
vaguely conscious of the fugitive letter. He was wondering whether he
would go at once to Jasmine or wait until he had finished breakfast.
Opening the door of his room, he saw the maid entering to Jasmine with
a gown over her arm.

No, he would not go to her till she was alone, till she was dressed and
alone. Then he would tell her all, and take her in his arms, and talk
with her--talk as he had never talked before. Slowly, heavily, he went
to his study, where his breakfast was always eaten. As he sat down he
opened, with uninterested inquiry, the letter he had picked up inside
the door of his room. As he did so he vaguely wondered why Krool had
overlooked it as he passed in and out. Perhaps Krool had dropped it.
His eyes fell on the opening words... His face turned ashen white. A
harsh cry broke from him.

At eleven o'clock to the minute Ian Stafford entered Byng's mansion and
was being taken to Jasmine's sitting-room, when Rudyard appeared on the
staircase, and with a peremptory gesture waved the servant away. Ian
was suddenly conscious of a terrible change in Rudyard's appearance.
His face was haggard and his warm colour had given place to a strange
blackish tinge which seemed to underlie the pallor--the deathly look to
be found in the faces of those stricken with a mortal disease. All
strength and power seemed to have gone from the face, leaving it tragic
with uncontrolled suffering. Panic emotion was uppermost, while
desperate and reckless purpose was in his eyes. The balance was gone
from the general character and his natural force was like some great
gun loose from its fastenings on the deck of a sea-stricken ship. He
was no longer the stalwart Outlander who had done such great work in
South Africa and had such power in political London and in
international finance. The demoralization which had stealthily gone on
for a number of years was now suddenly a debacle of will and body. Of
the superb physical coolness and intrepid mind with which he had sprung
upon the stage of Covent Garden Opera House to rescue Al'mah nothing
seemed left; or, if it did remain, it was shocked out of its bearings.
His eyes were almost glassy as he looked at Ian Stafford, and
animal-like hatred was the dominating note of his face and carriage.

"Come with me, Stafford: I want to speak to you," he said, hoarsely.
"You've arrived when I wanted you--at the exact time."

"Yes, I said I would come at eleven," responded Stafford, mechanically.
"Jasmine expects me at eleven."

"In here," Byng said, pointing to a little morning-room.

As Stafford entered, he saw Krool's face, malign and sombre, show in a
doorway of the hall. Was he mistaken in thinking that Krool flashed a
look of secret triumph and yet of obscure warning? Warning? There was
trouble, strange and dreadful trouble, here; and the wrenching thought
had swept into his brain that he was the cause of it all, that he was
to be the spring and centre of dreadful happenings.

He was conscious of something else purely objective as he entered the
room--of music, the music of a gay light opera being played in the
adjoining room, from which this little morning-room was separated only
by Indian bead-curtains. He saw idle sunlight play upon these beads, as
he sat down at the table to which Rudyard motioned him. He was also
subconsciously aware who it was that played the piano beyond there with
such pleasant skill. Many a time thereafter, in the days to come, he
would be awakened in the night by the sound of that music, a love-song
from the light opera "A Lady of London," which had just caught the ears
of the people in the street.

Of one thing he was sure: the end of things had come--the end of all
things that life meant to him had come. Rudyard knew! Rudyard, sitting
there at the other side of the table and leaning toward him with a face
where, in control of all else, were hate and panic emotion--he knew.

The music in the next room was soft, persistent and searching. As Ian
waited for Rudyard to speak he was conscious that even the words of the
silly, futile love-song:

  "Not like the roses shall our love be, dear
  Never shall its lovely petals fade,
  Singing, it will flourish till the world's last year
  Happy as the song-birds in the glade."

Through it all now came Rudyard's voice.

"I have a letter here," the voice said, and he saw Rudyard slowly take
it from his pocket. "I want you to read it, and when you have read it,
I want you to tell me what you think of the man who wrote it."

He threw a letter down on the table--a square white envelope with the
crest of the Trafalgar Club upon it. It lay face downward, waiting for
his hand.

So it had come. His letter to Jasmine which told all--Rudyard had read
it. And here was the end of everything--the roses faded before they had
bloomed an hour. It was not for them to flourish "till the world's last
year."

His hand reached out for the letter. With eyes almost blind he raised
it, and slowly and mechanically took the document of tragedy from the
envelope. Why should Rudyard insist on his reading it? It was a
devilish revenge, which he could not resent. But time--he must have
time; therefore he would do Rudyard's bidding, and read this thing he
had written, look at it with eyes in which Penalty was gathering its
mists.

So this was the end of it all--friendship gone with the man before him;
shame come to the woman he loved; misery to every one; a home-life
shattered; and from the souls of three people peace banished for
evermore.

He opened out the pages with a slowness that seemed almost apathy,
while the man opposite clinched his hands on the table spasmodically.
Still the music from the other room with cheap, flippant sensuousness
stole through the burdened air:

"Singing, it will flourish till the world's last year--"

He looked at the writing vaguely, blindly. Why should this be exacted
of him, this futile penalty? Then all at once his sight cleared; for
this handwriting was not his--this letter was not his; these wild,
passionate phrases--this terrible suggestiveness of meaning, these
references to the past, this appeal for further hours of love together,
this abjectly tender appeal to Jasmine that she would wear one of his
white roses when he saw her the next day--would she not see him between
eleven and twelve o'clock?--all these words were not his.

They were written by the man who was playing the piano in the next
room; by the man who had come and gone in this house like one who had
the right to do so; who had, as it were, fed from Rudyard Byng's hand;
who lived on what Byng paid him; who had been trusted with the
innermost life of the household and the life and the business of the
master of it.

The letter was signed, Adrian.

His own face blanched like the face of the man before him. He had
braced himself to face the consequences of his own letter to the woman
he loved, and he was face to face with the consequences of another
man's letter to the same woman, to the woman who had two lovers. He was
face to face with Rudyard's tragedy, and with his own.... She, Jasmine,
to whom he had given all, for whom he had been ready to give up
all--career, fame, existence--was true to none, unfaithful to all,
caring for none, but pretending to care for all three--and for how many
others? He choked back a cry.

"Well--well?" came the husband's voice across the table. "There's one
thing to do, and I mean to do it." He waved a hand towards the
music-room. "He's in the next room there. I mean to kill him--to kill
him--now. I wanted you to know why, to know all, you, Stafford, my old
friend and hers. And I'm going to do it now. Listen to him there!"

His words came brokenly and scarce above a whisper, but they were
ghastly in their determination, in their loathing, their blind fury. He
was gone mad, all the animal in him alive, the brain tossing on a sea
of disorder.

"Now!" he said, suddenly, and, rising, he pushed back his chair. "Give
that to me."

He reached out his hand for the letter, but his confused senses were
suddenly arrested by the look in Ian Stafford's face, a look so
strange, so poignant, so insistent, that he paused. Words could not
have checked his blind haste like that look. In the interval which
followed, the music from the other room struck upon the ears of both,
with exasperating insistence:

"Not like the roses shall our love be, dear--"

Stafford made no motion to return the letter. He caught and held
Rudyard's eyes.

"You ask me to tell you what I think of the man who wrote this letter,"
he said, thickly and slowly, for he was like one paralyzed, regaining
his speech with blanching effort: "Byng, I think what you think--all
you think; but I would not do what you want to do."

As he had read the letter the whole horror of the situation burst upon
him. Jasmine had deceived her husband when she turned to himself, and
that was to be understood--to be understood, if not to be pardoned. A
woman might marry, thinking she cared, and all too soon, sometimes
before the second day had dawned, learn that shrinking and repugnance
which not even habit can modify or obscure. A girl might be mistaken,
with her heart and nature undeveloped, and with that closer intimate
life with another of another sex still untried. With the transition
from maidenhood to wifehood, fateful beyond all transitions, yet
unmade, she might be mistaken once; as so many have been in the
revelations of first intimacy; but not twice, not the second time. It
was not possible to be mistaken in so vital a thing twice. This was
merely a wilful, miserable degeneracy. Rudyard had been
wronged--terribly wronged--by himself, by Jasmine; but he had loved
Jasmine since she was a child, before Rudyard came--in truth, he all
but possessed her when Rudyard came; and there was some explanation, if
no excuse, for that betrayal; but this other, it was incredible, it was
monstrous. It was incredible but yet it was true. Thoughts that
overturned all his past, that made a melee of his life, rushed and
whirled through his mind as he read the letter with assumed
deliberation when he saw what it was. He read slowly that he might make
up his mind how to act, what to say and do in this crisis. To do--what?
Jasmine had betrayed him long ago when she had thrown him over for
Rudyard, and now she had betrayed him again after she had married
Rudyard, and betrayed Rudyard, too; and for whom this second betrayal?
His heart seemed to shrink to nothingness. This business dated far
beyond yesterday. The letter furnished that sure evidence.

What to do? Like lightning his mind was made up. What to do? Ah, but
one thing to do--only one thing to do--save her at any cost, somehow
save her! Whatever she was, whatever she had done, however she had
spoiled his life and destroyed forever his faith, yet he too had
betrayed this broken man before him, with the look in his eyes of an
animal at bay, ready to do the last irretrievable thing. Even as her
shameless treatment of himself smote him; lowered him to that dust
which is ground from the heels of merciless humanity--even as it
sickened his soul beyond recovery in this world, up from the lowest
depths of his being there came the indestructible thing. It was the
thing that never dies, the love that defies injury, shame, crime,
deceit, and desertion, and lives pityingly on, knowing all, enduring
all, desiring no touch, no communion, yet prevailing--the
indestructible thing.

He knew now in a flash what he had to do. He must save her. He saw that
Rudyard was armed, and that the end might come at any moment. There was
in the wronged husband's eyes the wild, reckless, unseeing thing which
disregards consequences, which would rush blindly on the throne of God
itself to snatch its vengeance. He spoke again: and just in time.

"I think what you think, Byng, but I would not do what you want to do.
I would do something else."

His voice was strangely quiet, but it had a sharp insistence which
caused Rudyard to turn back mechanically to the seat he had just left.
Stafford saw the instant's advantage which, if he did not pursue, all
would be lost. With a great effort he simulated intense anger and
indignation.

"Sit down, Byng," he said, with a gesture of authority. He leaned over
the table, holding the other's eyes, the letter in one clinched hand.
"Kill him--," he said, and pointed to the other room, from which came
the maddening iteration of the jingling song--"you would kill him for
his hellish insolence, for this infamous attempt to lead your wife
astray, but what good will it do to kill him?"

"Not him alone, but her too," came the savage, uncontrolled voice from
the uncontrolled savagery of the soul.

Suddenly a great fear shot up in Stafford's heart. His breath came in
sharp, breaking gasps. Had he--had he killed Jasmine?

"You have not--not her?"

"No--not yet." The lips of the avenger suddenly ceased twitching, and
they shut with ominous certainty.

An iron look came into Stafford's face. He had his chance now. One
word, one defense only! It would do all, or all would be lost--sunk in
a sea of tragedy. Diplomacy had taught him the gift of control of face
and gesture, of meaning in tone and word. He made an effort greater
than he had ever put forward in life. He affected an enormous and
scornful surprise.

"You think--you dare to think that she--that Jasmine--"

"Think, you say! The letter--that letter--"

"This letter--this letter, Byng--are you a fool? This letter, this
preposterous thing from the universal philanderer, the effeminate
erotic! It is what it is, and it is no more. Jasmine--you know her.
Indiscreet--yes; always indiscreet in her way, in her own way, and
always daring. A coquette always. She has coquetted all her life; she
cannot help it. She doesn't even know it. She led him on from sheer
wilfulness. What did it matter to her that he was of no account! She
led him on, to be at her feet like the rest, like bigger and better
men--like us all. Was there ever a time when she did not want to master
us? She has coquetted since--ah, you do not know as I do, her old
friend! She has coquetted since she was a little child. Coquetted, and
no more. We have all been her slaves--yes, long before you came--all of
us. Look at Mennaval! She--"

With a distracted gesture Byng interrupted. "The world believes the
worst. Last night, by accident, I heard at De Lancy Scovel's house that
she and Mennaval--and now this--!"

But into the rage, the desperation in the wild eyes, was now creeping
an eager look--not of hope, but such a look as might be in eyes that
were striving to see through darkness, looking for a glimmer of day in
the black hush of morning before the dawn. It was pitiful to see the
strong man tossing on the flood of disordered understanding, a willing
castaway, yet stretching out a hand to be saved.

"Oh, last night, Mennaval, you say, and to-day--this!" Stafford held up
the letter. "This means nothing against her, except indiscretion, and
indiscretion which would have been nothing if the man had not been what
he is. He is of the slime. He does not matter, except that he has
dared--!"

"He has dared, by God--!"

All Byng's rage came back, the lacerated pride, the offended manhood,
the self-esteem which had been spattered by the mud of slander, by the
cynical defense, or the pitying solicitude of his friends--of De Lancy
Scovel, Barry Whalen, Sobieski the Polish Jew, Fleming, Wolff, and the
rest. The pity of these for him--for Rudyard Byng, because the flower
in his garden, his Jasmine-flower, was swept by the blast of calumny!
He sprang from his chair with an ugly oath.

But Stafford stepped in front of him. "Sit down, Byng, or damn yourself
forever. If she is innocent--and she is--do you think she would ever
live with you again, after you had dragged her name into the dust of
the criminal courts and through the reek of the ha'penny press? Do you
think Jasmine would ever forgive you for suspecting her? If you want to
drive her from you forever, then kill him, and go and tell her that you
suspect her. I know her--I have known her all her life, long before you
came. I care what becomes of her. She has many who care what becomes of
her--her father, her brother, many men, and many women who have seen
her grow up without a mother. They understand her, they believe in her,
because they have known her over all the years. They know her better
than you. Perhaps they care for her--perhaps any one of them cares for
her far more than you do."

Now there came a new look into the big, staring eyes. Byng was as one
fascinated; light was breaking in on his rage, his besmirched pride,
his vengeance; hope was stealing tremblingly into his face.

"She was more to me than all the world--than twenty worlds. She--"

He hesitated, then his voice broke and his body suddenly shook
violently, as tears rose in the far, deep wells of feeling and tried to
reach the fevered eyes. He leaned his head in his big, awkward hands.

Stafford saw the way of escape for Jasmine slowly open out, and went on
quickly. "You have neglected her "--Rudyard's head came up in angry
protest--"not wilfully; but you have neglected her. You have been too
easy. You should lead, not follow, where a woman is concerned. All
women are indiscreet, all are a little dishonourable on opportunity;
but not in the big way, only in the small, contemptible way, according
to our code. We men are dishonourable in the big way where they are
concerned. You have neglected her, Byng, because you have not said,
'This way, Jasmine. Come with me. I want you; and you must came, and
come now.' She wanted your society, wanted you all the time; but while
you did not have her on the leash she went playing--playing. That is
it, and that is all. And now, if you want to keep her, if you want her
to live on with you, I warn you not to tell her you know of the insult
this letter contains, nor ever say what would make her think you
suspected her. If you do, you will bid good-bye to her forever. She has
bold blood in her veins, rash blood. Her grandfather--"

"I know--I know." The tone was credulous, understanding now. Hope stole
into the distorted face.

"She would resent your suspicion. She, then, would do the mad thing,
not you. She would be as frenzied as you were a moment ago; and she
would not listen to reason. If you dared to hint outside in the world,
that you believed her guilty, there are some of her old friends who
would feel like doing to you what you want to do to that libertine in
there, to Al'mah's lover--"

"Good God, Stafford--wait!"

"I don't mean Barry Whalen, Fleming, De Lancy Scovel, and the rest.
They are not her old friends, and they weren't yours once--that breed;
but the others who are the best, of whom you come, over there in
Herefordshire, in Dorset, in Westmorland, where your and her people
lived, and mine. You have been too long among the Outlanders, Byng.
Come back, and bring Jasmine with you. And as for this letter--"

Byng reached out his hand for it.

"No, it contains an insult to your wife. If you get it into your hands,
you will read it again, and then you will do some foolish thing, for
you have lost grip of yourself. Here is the only place for such
stuff--an outburst of sensuality!"

He threw the letter suddenly into the fire. Rudyard sprang to his feet
as though to reclaim it, but stood still bewildered, as he saw Stafford
push it farther into the coals.

Silent, they watched shrivel such evidence as brings ruin upon men and
women in courts of law.

"Leave the whole thing--leave Fellowes to me," Stafford said, after a
slight pause. "I will deal with him. He shall leave the country
to-night. I will see to that. He shall go for three years at least. Do
not see him. You will not contain yourself, and for your own chance of
happiness with the woman you love, you must do nothing, nothing at all
now."

"He has keys, papers--"

"I will see to that; I will see to everything. Now go, at once. There
is enough for you to do. The war, Oom Paul's war, will be on us to day.
Do you hear, Byng--to-day! And you have work to do for this your native
country and for South Africa, your adopted country. England and the
Transvaal will be at each other's throat before night. You have work to
do. Do it. You are needed. Go, and leave this wretched business in my
hands. I will deal with Fellowes--adequately."

The rage had faded from Byng's fevered eyes, and now there was a
moisture in them, a look of incalculable relief. To believe in Jasmine,
that was everything to him. He had not seen her yet, not since he left
the white rose on her pillow last night--Adrian Fellowes' tribute; and
after he had read the letter, he had had no wish to see her till he had
had his will and done away with Fellowes forever. Then he would see
her--for the last time: and she should die, too,--with himself. That
had been his purpose. Now all was changed. He would not see her now,
not till Fellowes was gone forever. Then he would come again, and say
no word which would let her think he knew what Fellowes had written.
Yes, Stafford was right. She must not know, and they must start again,
begin life again together, a new understanding in his heart, new
purposes in their existence. In these few minutes Stafford had taught
him much, had showed him where he had been wrong, had revealed to him
Jasmine's nature as he never really understood it.

At the door, as Stafford helped him on with a light overcoat, he took a
revolver from his pocket.

"That's the proof of what I meant to do," he said; "and this is proof
of what I mean to do," he added, as he handed over the revolver and
Stafford's fingers grasped it with a nervous force which he
misinterpreted.

"Ah yes," he exclaimed, sadly, "you don't quite trust me yet--not
quite, Stafford; and I don't wonder; but it's all right.... You've been
a good, good friend to us both," he added. "I wish Jasmine might know
how good a friend you've been. But never mind. We'll pay the debt
sometime, somehow, she and I. When shall I see you again?"

At that moment a clear voice rang out cheerily in the distance.
"Rudyard--where are you, Ruddy?" it called.

A light broke over Byng's haggard face. "Not yet?" he asked Stafford.

"No, not yet," was the reply, and Byng was pushed through the open door
into the street.

"Ruddy--where are you, Ruddy?" sang the voice like a morning song.

Then there was silence, save for the music in the room beyond the
little room where the two men had sat a few moments ago.

The music was still poured forth, but the tune was changed. Now it was
"Pagliacci"--that wonderful passage where the injured husband pours out
his soul in agony.

Stafford closed the doors of the little room where he and Byng had sat,
and stood an instant listening to the music. He shuddered as the
passionate notes swept over his senses. In this music was the note of
the character of the man who played--sensuous emotion, sensual delight.
There are men who by nature are as the daughters of the night, primary
prostitutes, with no minds, no moral sense; only a sensuous
organization which has a gift of shallow beauty, while the life is
never deep enough for tears nor high enough for real joy.

In Stafford's pocket was the revolver which Byng had given him. He took
it out, and as he did so, a flush swept over his face, and every nerve
of his body tingled.

"That way out?" he thought. "How easy--and how selfish.... If one's
life only concerned oneself.... But it's only partly one's own from
first to last." ... Then his thoughts turned again to the man who was
playing "Pagliacci." "I have a greater right to do it than Byng, and
I'd have a greater joy in doing it; but whatever he is, it is not all
his fault." Again he shuddered. "No man makes love like that to a woman
unless she lets him, ... until she lets him." Then he looked at the
fire where the cruel testimony had shrivelled into smoke. "If it had
been read to a jury ... Ah, my God! How many he must have written her
like that ... How often...."

With an effort he pulled himself together. "What does it matter now!
All things have come to an end for me. There is only one way. My letter
to her showed it. But this must be settled first. Then to see her for
the last time, to make her understand...."

He went to the beaded curtain, raised it, and stepped into the flood of
warm sunlight. The voluptuous, agonizing music came in a wave over him.
Tragedy, poignant misery, rang through every note, swelled in a stream
which drowned the senses. This man-devil could play, Stafford remarked,
cynically, to himself.

"A moment--Fellowes," he said, sharply.

The music frayed into a discord and stopped.




CHAPTER XXI

THE BURNING FIERY FURNACE


There was that in Stafford's tone which made Fellowes turn with a
start. It was to this room that Fellowes had begged Jasmine to come
this morning, in the letter which Krool had so carefully placed for his
master to find, after having read it himself with minute scrutiny. It
was in this room they had met so often in those days when Rudyard was
in South Africa, and where music had been the medium of an intimacy
which had nothing for its warrant save eternal vanity and curiosity,
the evil genius of the race of women. Here it was that Krool's
antipathy to Jasmine and fierce hatred of Fellowes had been nurtured.
Krool had haunted the room, desiring the end of it all; but he had been
disarmed by a smiling kindness on Jasmine's part, which shook his
purpose again and again.

It had all been a problem which Krool's furtive mind failed to master.
If he went to the Baas with his suspicions, the chance was that he
would be flayed with a sjambok and turned into the streets; if he
warned Jasmine, the same thing might happen, or worse. But fate had at
last played into his hands, on the very day that Oom Paul had
challenged destiny, when all things were ready for the ruin of the
hated English.

Fate had sent him through the hallway between Jasmine's and Rudyard's
rooms in the moment when Jasmine had dropped Fellowes' letter; and he
had seen it fall. He knew not what it was, but it might be of
importance, for he had seen Fellowes' handwriting on an envelope among
those waiting for Jasmine's return home. In a far dark corner he had
waited till he saw Lablanche enter her mistress' room hurriedly,
without observing the letter. Then he caught it up and stole away to
the library, where he read it with malevolent eyes.

He had left this fateful letter where Rudyard would see it when he rose
in the morning. All had worked out as he had planned, and now, with his
ear against the door which led from the music-room, he strained to hear
what passed between Stafford and Fellowes.

"Well, what is it?" asked Fellowes, with an attempt to be casual,
though there was that in Stafford's face which gave him anxiety, he
knew not why. He had expected Jasmine, and, instead, here was Stafford,
who had been so much with her of late; who, with Mennaval, had occupied
so much of her time that she had scarcely spoken to him, and, when she
did so, it was with a detachment which excluded him from intimate
consideration.

His face wore a mechanical smile, as his pale blue eyes met the dark
intensity of Stafford's. But slowly the peach-bloom of his cheeks faded
and his long, tapering fingers played nervously with the
leather-trimming of the piano-stool.

"Anything I can do for you, Stafford?" he added, with attempted
nonchalance.

"There is nothing you can do for me," was the meaning reply, "but there
is something you can do advantageously for yourself, if you will think
it worth while."

"Most of us are ready to do ourselves good turns. What am I to do?"

"You will wish to avoid it, and yet you will do yourself a good turn in
not avoiding it."

"Is that the way you talk in diplomatic circles--cryptic, they call it,
don't they?"

Stafford's chin hardened, and a look of repulsion and disdain crossed
over his face.

"It is more cryptic, I confess, than the letter which will cause you to
do yourself a good turn."

Now Fellowes' face turned white. "What letter?" he asked, in a sharp,
querulous voice.

"The letter you wrote Mrs. Byng from the Trafalgar Club yesterday."

Fellowes made a feint, an attempt at bravado. "What business is it of
yours, anyhow? What rights have you got in Mrs. Byng's letters?"

"Only what I get from a higher authority."

"Are you in sweet spiritual partnership with the Trinity?"

"The higher authority I mean is Mr. Byng. Let us have no tricks with
words, you fool."

Fellowes made an ineffective attempt at self-possession.

"What the devil ... why should I listen to you?" There was a peevish
stubbornness in the tone.

"Why should you listen to me? Well, because I have saved your life.
That should be sufficient reason for you to listen."

"Damnation--speak out, if you've got anything to say! I don't see what
you mean, and you are damned officious. Yes, that's it--damned
officious." The peevishness was becoming insolent recklessness.

Slowly Stafford drew from his pocket the revolver Rudyard had given
him. As Fellowes caught sight of the glittering steel he fell back
against the piano-stool, making a clatter, his face livid.

Stafford's lips curled with contempt. "Don't squirm so, Fellowes. I'm
not going to use it. But Mr. Byng had it, and he was going to use it.
He was on his way to do it when I appeared. I stopped him ... I will
tell you how. I endeavoured to make him believe that she was absolutely
innocent, that you had only been an insufferably insolent,
presumptuous, and lecherous cad--which is true. I said that, though you
deserved shooting, it would only bring scandal to Rudyard Byng's
honourable wife, who had been insulted by the lover of Al'mah and the
would-be betrayer of an honest girl--of Jigger's sister.... Yes, you
may well start. I know of what stuff you are, how you had the soul and
body of one of the most credulous and wonderful women in the world in
your hands, and you went scavenging. From Al'mah to the flower-girl!
... I think I should like to kill you myself for what you tried to do
to Jigger's sister; and if it wasn't here"--he handled the little steel
weapon with an eager fondness--"I think I'd do it. You are a pest."

Cowed, shivering, abject, Fellowes nervously fell back. His body
crashed upon the keys of the piano, producing a hideous discord.
Startled, he sprang aside and with trembling hands made gestures of
appeal.

"Don't--don't! Can't you see I'm willing! What is it you want me to do?
I'll do it. Put it away.... Oh, my God--Oh!" His bloodless lips were
drawn over his teeth in a grimace of terror.

With an exclamation of contempt Stafford put the weapon back into his
pocket again. "Pull yourself together," he said. "Your life is safe for
the moment; but I can say no more than that. After I had proved the
lady's innocence--you understand, after I had proved the lady's
innocence to him--"

"Yes, I understand," came the hoarse reply.

"After that, I said I would deal with you; that he could not be trusted
to do so. I said that you would leave England within twenty-four hours,
and that you would not return within three years. That was my pledge.
You are prepared to fulfil it?"

"To leave England! It is impossible--"

"Perhaps to leave it permanently, and not by the English Channel,
either, might be worse," was the cold, savage reply. "Mr. Byng made his
terms."

Fellowes shivered. "What am I to do out of England--but, yes, I'll go,
I'll go," he added, as he saw the look in Stafford's face and thought
of the revolver so near to Stafford's hand.

"Yes, of course you will go," was the stern retort. "You will go, just
as I say."

"What shall I do abroad?" wailed the weak voice.

"What you have always done here, I suppose--live on others," was the
crushing reply. "The venue will be changed, but you won't change, not
you. If I were you, I'd try and not meet Jigger before you go. He
doesn't know quite what it is, but he knows enough to make him
reckless."

Fellowes moved towards the door in a stumbling kind of way. "I have
some things up-stairs," he said.

"They will be sent after you to your chambers. Give me the keys to the
desk in the secretary's room."

"I'll go myself, and--"

"You will leave this house at once, and everything will be sent after
you--everything. Have no fear. I will send them myself, and your
letters and private papers will not be read.... You feel you can rely
on me for that--eh?"

"Yes ... I'll go now ... abroad ... where?"

"Where you please outside the United Kingdom."

Fellowes passed heavily out through the other room, where his letter
had been read by Stafford, where his fate had been decided. He put on
his overcoat nervously and went to the outer door.

Stafford came up to him again. "You understand, there must be no
attempt to communicate here.... You will observe this?"

Fellowes nodded. "Yes, I will.... Good-night," he added, absently.

"Good-day," answered Stafford, mechanically.

The outer door shut, and Stafford turned again to the little room where
so much had happened which must change so many lives, bring so many
tears, divert so many streams of life.

How still the house seemed now! It had lost all its charm and
homelikeness. He felt stifled. Yet there was the warm sun streaming
through the doorway of the music-room, making the beaded curtains shine
like gold.

As he stood in the doorway of the little morning-room, looking in with
bitter reflection and dreading beyond words what now must come--his
meeting with Jasmine, the story he must tell her, and the exposure of a
truth so naked that his nature revolted from it, he heard a footstep
behind him. It was Krool.

Stafford looked at the saturnine face and wondered how much he knew;
but there was no glimmer of revelation in Krool's impassive look. The
eyes were always painful in their deep animal-like glow, and they
seemed more than usually intense this morning; that was all.

"Will you present my compliments to Mrs. Byng, and say--"

Krool, with a gesture, stopped him.

"Mrs. Byng is come now," he said, making a gesture towards the
staircase. Then he stole away towards the servants' quarters of the
house. His work had been well done, of its kind, and he could now await
consequences.

Stafford turned to the staircase and saw--in blue, in the old
sentimental blue--Jasmine slowly descending, a strange look of
apprehension in her face.

Immediately after calling out for Rudyard a little while before, she
had discovered the loss of Adrian Fellowes' letter. Hours before this
she had read and re-read Ian's letter, that document of pain and
purpose, of tragical, inglorious, fatal purpose. She was suddenly
conscious of an air of impending catastrophe about her now. Or was it
that the catastrophe had come? She had not asked for Adrian Fellowes'
letter, for if any servant had found it, and had not returned it, it
was useless asking; and if Rudyard had found it--if Rudyard had found
it...!

Where was Rudyard? Why had he not come to her, Why had he not eaten the
breakfast which still lay untouched on the table of his study? Where
was Rudyard?

Ian's eyes looked straight into hers as she came down the staircase,
and there was that in them which paralyzed her. But she made an effort
to ignore the apprehension which filled her soul.

"Good-morning. Am I so very late?" she said, gaily, to him, though
there was a hollow note in her voice.

"You are just in time," he answered in an even tone which told nothing.

"Dear me, what a gloomy face! What has happened? What is it? There
seems to be a Cassandra atmosphere about the place--and so early in the
day, too."

"It is full noon--and past," he said, with acute meaning, as her
daintily shod feet met the floor of the hallway and glided towards him.
How often he had admired that pretty flitting of her feet!

As he looked at her he was conscious, with a new force, of the wonder
of that hair on a little head as queenly as ever was given to the
modern world. And her face, albeit pale, and with a strange
tremulousness in it now, was like that of some fairy dame painted by
Greuze. All last night's agony was gone from the rare blue eyes, whose
lashes drooped so ravishingly betimes, though that droop was not there
as she looked at Ian now.

She beat a foot nervously on the floor. "What is it--why this
Euripidean air in my simple home? There's something wrong, I see. What
is it? Come, what is it, Ian?"

Hesitatingly she laid a hand upon his arm, but there was no
loving-kindness in his look. The arms which yesterday--only
yesterday--had clasped her passionately and hungrily to his breast now
hung inert at his side. His eyes were strange and hard.

"Will you come in here," he said, in an arid voice, and held wide the
door of the room where he and Rudyard had settled the first chapter of
the future and closed the book of the past.

She entered with hesitating step. Then he shut the door with an
accentuated softness, and came to the table where he had sat with
Rudyard. Mechanically she took the seat which Rudyard had occupied, and
looked at him across the table with a dread conviction stealing over
her face, robbing it of every vestige of its heavenly colour, giving
her eyes a staring and solicitous look.

"Well, what is it? Can't you speak and have it over?" she asked, with
desperate impatience.

"Fellowes' letter to you--Rudyard found it," he said, abruptly.

She fell back as though she had been struck, then recovered herself.
"You read it?" she gasped.

"Rudyard made me read it. I came in when he was just about to kill
Fellowes."

She gave a short, sharp cry, which with a spasm of determination her
fingers stopped.

"Kill him--why?" she asked in a weak voice, looking down at her
trembling hands which lay clasped on the table before her.

"The letter--Fellowes' letter to you."

"I dropped it last night," she said, in a voice grown strangely
impersonal and colourless. "I dropped it in Rudyard's room, I suppose."

She seemed not to have any idea of excluding the terrible facts, but to
be speaking as it were to herself and of something not vital, though
her whole person was transformed into an agony which congealed the
lifeblood.

Her voice sounded tuneless and ragged. "He read it--Rudyard read a
letter which was not addressed to him! He read a letter addressed to
me--he read my letter.... It gave me no chance."

"No chance--?"

A bitter indignation was added to the cheerless discord of her tones.
"Yes, I had a chance, a last chance--if he had not read the letter. But
now, there is no chance.... You read it, too. You read the letter which
was addressed to me. No matter what it was--my letter, you read it."

"Rudyard said to me in his terrible agitation, 'Read that letter, and
then tell me what you think of the man who wrote it.' ... I thought it
was the letter I wrote to you, the letter I posted to you last night. I
thought it was my letter to you."

Her eyes had a sudden absent look. It was as though she were speaking
in a trance. "I answered that letter--your letter. I answered it this
morning. Here is the answer ... here." She laid a letter on the table
before him, then drew it back again into her lap. "Now it does not
matter. But it gives me no chance...."

There was a world of despair and remorse in her voice. Her face was wan
and strained. "No chance, no chance," she whispered.

"Rudyard did not kill him?" she asked, slowly and cheerlessly, after a
moment, as though repeating a lesson. "Why?"

"I stopped him. I prevented him."

"You prevented him--why?" Her eyes had a look of unutterable confusion
and trouble. "Why did you prevent it--you?"

"That would have hurt you--the scandal, the grimy press, the world."

Her voice was tuneless, and yet it had a strange, piteous poignancy.
"It would have hurt me--yes. Why did you not want to hurt me?"

He did not answer. His hands had gone into his pockets, as though to
steady their wild nervousness, and one had grasped the little weapon of
steel which Rudyard had given him. It produced some strange, malignant
effect on his mind. Everything seemed to stop in him, and he was
suddenly possessed by a spirit which carried him into that same region
where Rudyard had been. It was the region of the abnormal. In it one
moves in a dream, majestically unresponsive to all outward things,
numb, unconcerned, disregarding all except one's own agony, which seems
to neutralize the universe and reduce all life's problems to one
formula of solution.

"What did you say to him that stopped him?" she asked in a whisper of
awed and dreadful interest, as, after an earthquake, a survivor would
speak in the stillness of dead and unburied millions.

"I said the one thing to say," he answered after a moment,
involuntarily laying the pistol on the table before him--doing it, as
it were, without conscious knowledge.

It fascinated Jasmine, the ugly, deadly little vehicle of oblivion. Her
eyes fastened on it, and for an instant stared at it transfixed; then
she recovered herself and spoke again.

"What was the one thing to say?" she whispered.

"That you were innocent--absolutely, that--"

Suddenly she burst into wild laughter--shrill, acrid, cheerless,
hysterical, her face turned upward, her hands clasped under her chin,
her body shaking with what was not laughter, but the terrifying
agitation of a broken organism.

He waited till she had recovered somewhat, and then he repeated his
words.

"I said that you were innocent absolutely; that Fellowes' letter was
the insolence and madness of a voluptuary, that you had only been
wilful and indiscreet, and that--"

In a low, mechanical tone from which was absent any agitation, he told
her all he had said to Rudyard, and what Rudyard had said to him. Every
word had been burned into his brain, and nearly every word was now
repeated, while she sat silent, looking at her hands clasped on the
table before her. When he came to the point where Rudyard went from the
house, leaving Stafford to deal with Fellowes, she burst again into
laughter, mocking, wilful, painful.

"You were left to set things right, to be the lord high
executioner--you, Ian!"

How strange his name sounded on her lips now--foreign, distant,
revealing the nature of the situation more vividly than all the words
which had been said, than all that had been done.

"Rudyard did not think of killing you, I suppose," she went on,
presently, with a bitter motion of the lips, and a sardonic note
creeping into the voice.

"No, I thought of that," he answered, quietly, "as you know." His eyes
sought the weapon on the table involuntarily. "That would have been
easy enough," he added. "I was not thinking of myself, or of Fellowes,
but only of you--and Rudyard."

"Only of me--and Rudyard," she repeated with drooping eyes, which
suddenly became alive again with feeling and passion and wildness.
"Wasn't it rather late for that?"

The words stung him beyond endurance. He rose and leaned across the
table towards her.

"At least I recognized what I had done, what you had done, and I tried
to face it. I did not disguise it. My letter to you proves that. But
nevertheless I was true to you. I did not deceive you--ever. I loved
you--ah, I loved you as few women have been loved! ... But you, you
might have made a mistake where Rudyard was concerned, made the mistake
once, but if you wronged him, you wronged me infinitely more. I was
ready to give up all, throw all my life, my career, to the winds, and
prove myself loyal to that which was more than all; or I was willing to
eliminate myself from the scene forever. I was willing to pay the
price--any price--just to stand by what was the biggest thing in my
life. But you were true to nothing--to nothing--to nobody."

"If one is untrue--once, why be true at all ever?" she said with an
aching laugh, through which tears ran, though none dropped from her
eyes. "If one is untrue to one, why not to a thousand?"

Again a mocking laugh burst from her. "Don't you see? One kiss, a
wrong? Why not, then, a thousand kisses! The wrong came in the moment
that the one kiss was given. It is the one that kills, not the thousand
after."

There came to her mind again--and now with what sardonic
force--Rudyard's words that day before they went to Glencader: "If you
had lived a thousand years ago you would have had a thousand lovers."

"And so it is all understood between you and Rudyard," she added,
mechanically. "That is what you have arranged for me--that I go on
living as before with Rudyard, while I am not to know from him anything
has happened; but to accept what has been arranged for me, and to be
repentant and good and live in sackcloth. It has been arranged, has it,
that Rudyard is to believe in me?"

"That has not been arranged."

"It has been arranged that I am to live with him as before, and that he
is to pretend to love me as before, and--"

"He does love you as before. He has never changed. He believed in you,
was so pitifully eager to believe in you even when the letter--"

"Where is the letter?"

He pointed to the fire.

"Who put it in the fire?" she asked. "You?"

He inclined his head.

"Ah yes, always so clever! A burst of indignation at his daring to
suspect me even for an instant, and with a flourish into the fire, the
evidence. Here is yours--your letter. Would you like to put it into the
fire also?" she asked, and drew his letter from the folds of her dress.

"But, no, no, no--" She suddenly sprang to her feet, and her eyes had a
look of agonized agitation. "When I have learned every word by heart, I
will burn it myself--for your sake." Her voice grew softer, something
less discordant came into it. "You will never understand. You could
never understand me, or that letter of Adrian Fellowes to me, and that
he could dare to write me such a letter. You could never understand it.
But I understand you. I understand your letter. It came while I
was--while I was broken. It healed me, Ian. Last night I wanted to kill
myself. Never mind why. You would not understand. You are too good to
understand. All night I was in torture, and then this letter of
yours--it was a revelation. I did not think that a man lived like you,
so true, so kind, so mad. And so I wrote you a letter, ah, a letter
from my soul! and then came down to this--the end of all. The end of
everything--forever."

"No, the beginning if you will have it so.... Rudyard loves you ..."

She gave a cry of agony. "For God's sake--oh, for God's sake, hush! ...
You think that now I could ..."

"Begin again with new purpose."

"Purpose! Oh, you fool! You fool! You fool--you who are so wise
sometimes! You want me to begin again with Rudyard: and you do not want
me to begin again--with you?"

He was silent, and he looked her in the eyes steadily.

"You do not want me to begin again with you, because you believe
me--because you believed the worst from that letter, from Adrian
Fellowes' letter.... You believed, yet you hypnotized Rudyard into not
believing. But did you, after all? Was it not that he loves me, and
that he wanted to be deceived, wanted to be forced to do what he has
done? I know him better than you. But you are right, he would have
spoken to me about it if you had not warned him."

"Then begin again--"

"You do not want me any more." The voice had an anguish like the cry of
the tragic music in "Elektra." "You do not want what you wanted
yesterday--for us together to face it all, Ian. You do not want it? You
hate me."

His face was disturbed by emotion, and he did not speak for a moment.

In that moment she became transformed. With a sudden tragic motion she
caught the pistol from the table and raised it, but he wrenched it from
her hand.

"Do you think that would mend anything?" he asked, with a new pity in
his heart for her. "That would only hurt those who have been hurt
enough already. Be a little magnanimous. Do not be selfish. Give others
a chance."

"You were going to do it as an act of unselfishness," she moaned. "You
were going to die in order to mend it all. Did you think of me in that?
Did you think I would or could consent to that? You believed in me, of
course, when you wrote it. But did you think that was magnanimous--when
you had got a woman's love, then to kill yourself in order to cure her?
Oh, how little you know! ... But you do not want me now. You do not
believe in me now. You abhor me. Yet if that letter had not fallen into
Rudyard's hands we might perhaps have now been on our way to begin life
again together. Does that look as though there was some one else that
mattered--that mattered?"

He held himself together with all his power and will. "There is one
way, and only one way," he said, firmly. "Rudyard loves you. Begin
again with him." His voice became lower. "You know the emptiness of
your home. There is a way to make some recompense to him. You can pay
your debt. Give him what he wants so much. It would be a link. It would
bind you. A child ..."

"Oh, how you loathe me!" she said, shudderingly. "Yesterday--and now...
No, no, no," she added, "I will not, cannot live with Rudyard. I cannot
wrench myself from one world into another like that. I will not live
with him any more.... There--listen."

Outside the newsboys were calling:

"Extra speshul! Extra speshul! All about the war! War declared! Extra
speshul!"

"War! That will separate many," she added. "It will separate Rudyard
and me.... No, no, there will be no more scandal.... But it is the way
of escape--the war."

"The way of escape for us all, perhaps," he answered, with a light of
determination in his eyes. "Good-bye," he added, after a slight pause.
"There is nothing more to say."

He turned to go, but he did not hold out his hand, nor even look at her.

"Tell me," she said, in a strange, cold tone, "tell me, did Adrian
Fellowes--did he protect me? Did he stand up for me? Did he defend me?"

"He was concerned only for himself," Ian answered, hesitatingly.

Her face hardened. Pitiful, haggard lines had come into it in the last
half-hour, and they deepened still more.

"He did not say one word to put me right?"

Ian shook his head in negation. "What did you expect?" he said.

She sank into a chair, and a strange cruelty came into her eyes,
something so hard that it looked grotesque in the beautiful setting of
her pain-worn, exquisite face.

So utter was her dejection that he came back from the door and bent
over her.

"Jasmine," he said, gently, "we have to start again, you and I--in
different paths. They will never meet. But at the end of the
road--peace. Peace the best thing of all. Let us try and find it,
Jasmine."

"He did not try to protect me. He did not defend me," she kept saying
to herself, and was only half conscious of what Ian said to her.

He touched her shoulder. "Nothing can set things right between you and
me, Jasmine," he added, unsteadily, "but there's Rudyard--you must help
him through. He heard scandal about Mennaval last night at De Lancy
Scovel's. He didn't believe it. It rests with you to give it all the
lie.... Good-bye."

In a moment he was gone. As the door closed she sprang to her feet.
"Ian--Ian--come back," she cried. "Ian, one word--one word."

But the door did not open again. For a moment she stood like one
transfixed, staring at the place whence he had vanished, then, with a
moan, she sank in a heap on the floor, and rocked to and fro like one
demented.

Once the door opened quietly, and Krool's face showed, sinister and
furtive, but she did not see it, and the door closed again softly.

At last the paroxysms passed, and a haggard face looked out into the
world of life and being with eyes which were drowned in misery.

"He did not defend me--the coward!" she murmured; then she rose with a
sudden effort, swayed, steadied herself, and arranged her hair in the
mirror over the mantelpiece. "The low coward!" she said again. "But
before he leaves ... before he leaves England..."

As she turned to go from the room, Rudyard's portrait on the wall met
her eyes. "I can't go on, Rudyard," she said to it. "I know that now."

Out in the streets, which Ian Stafford travelled with hasty steps, the
newsboys were calling:

"War declared! All about the war!"

"That is the way out for me," Stafford said, aloud, as he hastened on.
"That opens up the road.... I'm still an artillery officer."

He directed his swift steps toward Pall Mall and the War Office.




CHAPTER XXII

IN WHICH FELLOWES GOES A JOURNEY


Kruger's ultimatum, expected though it was, shook England as nothing
had done since the Indian mutiny, but the tremour of national
excitement presently gave way to a quiet, deep determination.

An almost Oriental luxury had gone far to weaken the fibre of that
strong and opulent middle-class who had been the backbone of England,
the entrenched Philistines. The value of birth as a moral asset which
had a national duty and a national influence, and the value of money
which had a social responsibility and a communal use, were unrealized
by the many nouveaux riches who frequented the fashionable purlieus;
who gave vast parties where display and extravagance were the principal
feature; who ostentatiously offered large sums to public objects. Men
who had made their money where copper or gold or oil or wool or silver
or cattle or railways made commercial kings, supported schemes for the
public welfare brought them by fine ladies, largely because the ladies
were fine; and they gave substantial sums--upon occasion--for these
fine ladies' fine causes. Rich men, or reputed rich men, whose wives
never appeared, who were kept in secluded quarters in Bloomsbury or
Maida Vale, gave dinners at the Savoy or the Carlton which the
scrapings of the aristocracy attended; but these gave no dinners in
return.

To get money to do things, no matter how,--or little matter how; to be
in the swim, and that swim all too rapidly washing out the real
people--that was the almost universal ambition. But still the real
people, however few or many, in the time of trouble came quietly into
the necessary and appointed places with the automatic precision of the
disciplined friend of the state and of humanity; and behind them were
folk of the humbler sort, the lower middle-class, the labouring-man. Of
these were the landpoor peer, with his sense of responsibility
cultivated by daily life and duty in his county, on the one hand; the
professional man of all professions, the little merchant, the sailor,
the clerk and artisan, the digger and delver, on the other; and, in
between, those people in the shires who had not yet come to be material
and gross, who had old-fashioned ideas of the duty of the citizen and
the Christian. In the day of darkness these came and laid what they had
at the foot of the altar of sacrifice.

This at least the war did: it served as a sieve to sift the people, and
it served as the solvent of many a life-problem.

Ian Stafford was among the first to whom it offered "the way out," who
went to it for the solution of their own set problem. Suddenly, as he
stood with Jasmine in the little room where so many lives were tossed
into the crucible of Fate that morning, the newsboy's voice shouting,
"War declared!" had told him the path he must tread.

He had astonished the War Office by his request to be sent to the Front
with his old arm, the artillery, and he was himself astonished by the
instant assent that was given. And now on this October day he was on
his way to do two things--to see whether Adrian Fellowes was keeping
his promise, and to visit Jigger and his sister.

There had not been a week since the days at Glencader when he had not
gone to the sordid quarters in the Mile End Road to see Jigger, and to
hear from him how his sister was doing at the opera, until two days
before, when he had learned from Lou herself what she had suffered at
the hands of Adrian Fellowes. That problem would now be settled
forever; but there remained the question of Jigger, and that must be
settled, whatever the other grave problems facing him. Jigger must be
cared for, must be placed in a position where he could have his start
in life. Somehow Jigger was associated with all the movements of his
life now, and was taken as part of the problem. What to do? He thought
of it as he went eastward, and it did not seem easy to settle it.
Jigger himself, however, cut the Gordian knot.

When he was told that Stafford was going to South Africa, and that it
was a question as to what he--Jigger--should now do, in what sphere of
life his abnormally "cute" mind must run, he answered, instantly.

"I'm goin' wiv y'r gryce," he said. "That's it--stryght. I'm goin' out
there wiv you."

Ian shook his head and smiled sadly. "I'm afraid that's not for you,
Jigger. No, think again."

"Ain't there work in Souf Afriker--maybe not in the army itself, y'r
gryce? Couldn't I have me chanct out there? Lou's all right now, I bet;
an' I could go as easy as can be."

"Yes, Lou will be all right now," remarked Stafford, with a reflective
irony.

"I ain't got no stiddy job here, and there's work in Souf Afriker,
ain't they? Couldn't I get a job holdin' horses, or carryin' a flag, or
cleanin' the guns, or nippin' letters about--couldn't I, y'r gryce? I'm
only askin' to go wiv you, to work, same as ever I did before I was run
over. Ain't I goin' wiv you, y'r gryce?"

With a sudden resolve Stafford laid a hand on his shoulder. "Yes, you
are going 'wiv' me, Jigger. You just are, horse, foot, and artillery.
There'll be a job somewhere. I'll get you something to do, or--"

"Or bust, y'r gryce?"

So the problem lessened, and Ian's face cleared a little. If all the
difficulties perplexing his life would only clear like that! The babe
and the suckling had found the way so simple, so natural; and it was a
comforting way, for he had a deep and tender regard for this quaint,
clever waif who had drifted across his path.

To-morrow he would come and fetch Jigger: and Jigger's face followed
him into the coming dusk, radiant and hopeful and full of life--of life
that mattered. Jigger would go out to "Souf Afriker" with all his life
before him, but he, Ian Stafford, would go with all his life behind
him, all mile-stones passed except one.

So, brooding, he walked till he came to an underground station, and
there took a train to Charing Cross. Here he was only a little distance
away from the Embankment, where was to be found Adrian Fellowes; and
with bent head he made his way among the motley crowd in front of the
station, scarcely noticing any one, yet resenting the jostle and the
crush. Suddenly in the crowd in front of him he saw Krool stealing
along with a wide-awake hat well down over his eyes. Presently the
sinister figure was lost in the confusion. It did not occur to him that
perhaps Krool might be making for the same destination as himself; but
the sight of the man threw his mind into an eddy of torturing thoughts.

The flare of light, white and ghastly, at Charing Cross was shining on
a moving mass of people, so many of whom were ghastly also--derelicts
of humanity, ruins of womanhood, casuals, adventurers, scavengers of
life, prowlers who lived upon chance, upon cards, upon theft, upon
women, upon libertines who waited in these precincts for some foolish
and innocent woman whom they could entrap. Among them moved also the
thousand other good citizens bent upon catching trains or wending their
way home from work; but in the garish, cruel light, all, even the good,
looked evil in a way, and furtive and unstable. To-night, the crowd
were far more restless than usual, far more irritating in their
purposeless movements. People sauntered, jerked themselves forward,
moved in and out, as it were, intent on going everywhere and nowhere;
and the excitement possessing them, the agitation in the air, made them
seem still more exasperating, and bewildering. Newsboys with shrill
voices rasped the air with invitations to buy, and everywhere eager,
nervous hands held out their half-pennies for the flimsy sensational
rags.

Presently a girl jostled Stafford, then apologized with an endearing
word which brought a sick sensation to his brain; but he only shook his
head gravely at her. After all, she had a hard trade and it led
nowhere--nowhere.

"Coming home with me, darling?" she added in response to his meditative
look. Anything that was not actual rebuff was invitation to her blunted
sense. "Coming home with me--?"

Home! A wave of black cynicism, of sardonic mirth passed through
Stafford's brain. Home--where the business of this poor wayfarer's
existence was carried on, where the shopkeeper sold her wares in the
inner sanctuary! Home.... He shook the girl's hand from his elbow and
hastened on.

Yet why should he be angered with her, he said to himself. It was not
moral elevation which had made him rough with her, but only that word
Home she used.... The dire mockery of it burned his mind like a
corrosive acid. He had had no home since his father died years
ago,--his mother had died when he was very young--and his eldest
brother had taken possession of the family mansions, placing them in
the control of his foreign wife, who sat in his mother's chair and in
her place at table.

He had wished so often in the past for a home of his own, where he
could gather round him young faces and lose himself in promoting the
interests of those for whom he had become forever responsible. He had
longed for the Englishman's castle, for his own little realm of
interest where he could be supreme; and now it was never to be.

The idea gained in sacred importance as it receded forever from all
possibility. In far-off days it had been associated with a vision in
blue, with a face like a dresden-china shepherdess and hair like
Aphrodite's. Laughter and wit and raillery had been part of the
picture; and long evenings in the winter-time, when they two would read
the books they both loved, and maybe talk awhile of world events in
which his work had place; in which his gifts were found, shaping,
influencing, producing. The garden, the orchard--he loved orchards--the
hedges of flowering ivy and lilacs; and the fine grey and chestnut
horses driven by his hand or hers through country lanes; the smell of
the fallen leaves in the autumn evenings; or the sting of the bracing
January wind across the moors or where the woodcock awaited its
spoiler. All these had been in the vision. It was all over now. He had
seen an image, it had vanished, and he was in the desert alone.

A band was playing "The Banks o' Garry Owen," and the tramp of marching
men came to his ears. The crowd surged round him, pushed him, forced
him forward, carried him on, till the marching men came near, were
alongside of him--a battalion of Volunteers, going to the war to see
"Kruger's farmers bite the dust!"--a six months' excursion, as they
thought. Then the crowd, as it cheered jostled him against the wall of
the shops, and presently he found himself forced down Buckingham
Street. It was where he wished to go in order to reach Adrian Fellowes'
apartments. He did not notice, as he was practically thrown into the
street, that Krool was almost beside him.

The street was not well lighted, and he looked neither to right nor
left. He was thinking hard of what he would say to Adrian Fellowes, if,
and when, he saw him.

But not far behind him was a figure that stole along in the darker
shadows of the houses, keeping at some distance. The same figure
followed him furtively till he came into that part of the Embankment
where Adrian Fellowes' chambers were; then it fell behind a little, for
here the lights were brighter. It hung in the shadow of a door-way and
watched him as he approached the door of the big building where Adrian
Fellowes lived.

Presently, as he came nearer, Stafford saw a hansom standing before the
door. Something made him pause for a moment, and when, in the pause,
the figure of a woman emerged from the entrance and hastily got into
the hansom, he drew back into the darkness of a doorway, as the man did
who was now shadowing him; and he waited till it turned round and
rolled swiftly away. Then he moved forward again. When not far from the
entrance, however, another cab--a four-wheeler--discharged its occupant
at a point nearer to the building than where he waited. It was a woman.
She paid the cabman, who touched his hat with quick and grateful
emphasis, and, wheeling his old crock round, clattered away. The woman
glanced along the empty street swiftly, and then hurried to the doorway
which opened to Adrian Fellowes' chambers.

Instantly Stafford recognized her. It was Jasmine, dressed in black and
heavily veiled. He could not mistake the figure--there was none other
like it; or the turn of her head--there was only one such head in all
England. She entered the building quickly.

There was nothing to do but wait until she came out again. No passion
stirred in him, no jealousy, no anger. It was all dead. He knew why she
had come; or he thought he knew. She would tell the man who had said no
word in defense of her, done nothing to protect her, who let the worst
be believed, without one protest of her innocence, what she thought of
him. She was foolish to go to him, but women do mad things, and they
must not be expected to do the obviously sensible thing when the crisis
of their lives has come. Stafford understood it all.

One thing he was certain Jasmine did not know--the intimacy between
Fellowes and Al'mah. He himself had been tempted to speak of it in
their terrible interview that morning; but he had refrained. The
ignominy, the shame, the humiliation of that would have been beyond her
endurance. He understood; but he shrank at the thought of the nature of
the interview which she must have, at the thought of the meeting at all.

He would have some time to wait, no doubt, and he made himself easy in
the doorway, where his glance could command the entrance she had used.
He mechanically took out a cigar-case, but after looking at the cigars
for a moment put them away again with a sigh. Smoking would not soothe
him. He had passed beyond the artificial.

His waiting suddenly ended. It seemed hardly three minutes after
Jasmine's entrance when she appeared in the doorway again, and, after a
hasty glance up and down the street, sped away as swiftly as she could,
and, at the corner, turned up sharply towards the Strand. Her movements
had been agitated, and, as she hurried on, she thrust her head down
into her muff as a woman would who faced a blinding rain.

The interview had been indeed short. Perhaps Fellowes had already gone
abroad. He would soon find out.

He mounted the deserted staircase quickly and knocked at Fellowes'
door. There was no reply. There was a light, however, and he knocked
again. Still there was no answer. He tried the handle of the door. It
turned, the door gave, and he entered. There was no sound. He knocked
at an inner door. There was no reply, yet a light showed in the room.
He turned the handle. Entering the room, he stood still and looked
round. It seemed empty, but there were signs of packing, of things
gathered together hastily.

Then, with a strange sudden sense of a presence in the room, he looked
round again. There in a far corner of the large room was a couch, and
on it lay a figure--Adrian Fellowes, straight and still--and sleeping.

Stafford went over. "Fellowes," he said, sharply.

There was no reply. He leaned over and touched a shoulder. "Fellowes!"
he exclaimed again, but something in the touch made him look closely at
the face half turned to the wall. Then he knew.

Adrian Fellowes was dead.

Horror came upon Stafford, but no cry escaped him. He stooped once more
and closely looked at the body, but without touching it. There was no
sign of violence, no blood, no disfigurement, no distortion, only a
look of sleep--a pale, motionless sleep.

But the body was warm yet. He realized that as his hand had touched the
shoulder. The man could only have been dead a little while.

Only a little while: and in that little while Jasmine had left the
house with agitated footsteps.

"He did not die by his own hand," Stafford said aloud.

He rang the bell loudly. No one answered. He rang and rang again, and
then a lazy porter came.




CHAPTER XXIII

"MORE WAS LOST AT MOHACKSFIELD"


Eastminster House was ablaze. A large dinner had been fixed for this
October evening, and only just before half-past eight Jasmine entered
the drawing-room to receive her guests. She had completely forgotten
the dinner till very late in the afternoon, when she observed
preparations for which she had given instructions the day before. She
was about to leave the house upon the mission which had drawn her
footsteps in the same direction as those of Ian Stafford, when the
butler came to her for information upon some details. These she gave
with an instant decision which was part of her equipment, and then,
when the butler had gone, she left the house on foot to take a cab at
the corner of Piccadilly.

When she returned home, the tables in the dining-room were decorated,
the great rooms were already lighted, and the red carpet was being laid
down at the door. The footmen looked up with surprise as she came up
the steps, and their eyes followed her as she ascended the staircase
with marked deliberation.

"Well, that's style for you," said the first footman. "Takin' an airin'
on shanks' hosses."

"And a quarter of an hour left to put on the tirara," sniggered the
second footman. "The lot is asked for eight-thirty."

"Swells, the bunch, windin' up with the brother of an Emperor--'struth!"

"I'll bet the Emperor's brother ain't above takin' a tip about shares
on the Rand, me boy."

"I'll bet none of 'em ain't. That's why they come--not forgetting th'
grub and the fizz."

"What price a title for the Byng Baas one of these days! They like tips
down there where the old Markis rumbles through his beard--and a lot of
hands to be greased. And grease it costs a lot, political grease does.
But what price a title--Sir Rudyard Byng, Bart., wot oh!"

"Try another shelf higher up, and it's more like it. Wot a head for a
coronet 'ers! W'y--"

But the voice of the butler recalled them from the fields of
imagination, and they went with lordly leisure upon the business of the
household.

Socially this was to be the day of Jasmine's greatest triumph. One of
the British royal family was, with the member of another great reigning
family, honouring her table--though the ladies of neither were to be
present; and this had been a drop of chagrin in her cup. She had been
unaware of the gossip there had been of late,--though it was unlikely
the great ladies would have known of it--and she would have been slow
to believe what Ian had told her this day, that men had talked lightly
of her at De Lancy Scovel's house. Her eyes had been shut; her wilful
nature had not been sensitive to the quality of the social air about
her. People came--almost "everybody" came--to her house, and would
come, of course, until there was some open scandal; until her husband
intervened. Yet everybody did not come. The royal princesses had not
found it convenient to come; and this may have meant nothing, or very
much indeed. To Jasmine, however, as she hastily robed herself for
dinner, her mind working with lightning swiftness, it did not matter at
all; if all the kings and queens of all the world had promised to come
and had not come, it would have meant nothing to her this night of
nights.

In her eyes there was the look of one who has seen some horrible thing,
though she gave her orders with coherence and decision as usual, and
with great deftness she assisted her maid in the hasty toilette. Her
face was very pale, save for one or two hectic spots which took the
place of the nectarine bloom so seldom absent from her cheeks, and in
its place was a new, shining, strange look like a most delicate
film--the transfiguring kind of look which great joy or great pain
gives.

Coming up the staircase from the street, she had seen Krool enter her
husband's room more hastily than usual, and had heard him greeted
sharply--something that sounded strange to her ears, for Rudyard was
uniformly kind to Krool. Never had Rudyard's voice sounded as it did
now. Of course it was her imagination, but it was like a voice which
came from some desolate place, distant, arid and alien. That was not
the voice in which he had wooed her on the day when they heard of
Jameson's Raid. That was not the voice which had spoken to her in
broken tones of love on the day Ian first dined with her after her
marriage--that fateful, desperate day. This was a voice which had a
cheerless, fretful note, a savage something in it. Presently they two
would meet, and she knew how it would be--an outward semblance, a
superficial amenity and confidence before their guests; the smile of
intimacy, when there was no intimacy, and never, never, could be again;
only acting, only make-believe, only the artifice of deceit.

Yet when she was dressed--in pure white, with only a string of pearls,
the smallest she had, round her neck--she was like that white flower
which had been placed on her pillow last night.

Turning to leave the bedroom she caught sight of her face and figure
again in the big mirror, and she seemed to herself like some other
woman. There was that strange, distant look of agony in her eyes, that
transfiguring look in the face; there was the figure somehow gone
slimmer in these few hours; and there was a frail appearance which did
not belong to her.

As she was about to leave the room to descend the stairs, there came a
knock at the door. A bunch of white violets was handed in, with a
pencilled note in Rudyard's handwriting.

White violets--white violets!

The note read, "Wear these to-night, Jasmine."

White violets--how strange that he should send them! These they send
for the young, the innocent, and the dead. Rudyard had sent them to
her--from how far away! He was there just across the hallway, and yet
he might have been in Bolivia, so far as their real life was concerned.

She was under no illusion. This day, and perhaps a few, a very few
others, must be lived under the same roof, in order that they could
separate without scandal; but things could never go on as in the past.
She had realized that the night before, when still that chance of which
she had spoken to Stafford was hers; when she had wound the coil of her
wonderful hair round her throat, and had imagined that self-destruction
which has tempted so many of more spiritual make than herself. It was
melodramatic, emotional, theatrical, maybe; but the emotional, the
theatrical, the egotistic mortal has his or her tragedy, which is just
as real as that which comes to those of more spiritual vein, just as
real as that which comes to the more classical victim of fate. Jasmine
had the deep defects of her qualities. Her suffering was not the less
acute because it found its way out with impassioned demonstration.

There was, however, no melodrama in the quiet trembling with which she
took the white violets, the symbol of love and death. She was sure that
Rudyard was not aware of their significance and meaning, but that did
not modify the effect upon her. Her trouble just now was too deep for
tears, too bitter for words, too terrible for aught save numb
endurance. Nothing seemed to matter in a sense, and yet the little
routine of life meant so much in its iron insistence. The habits of
convention are so powerful that life's great issues are often obscured
by them. Going to her final doom a woman would stop to give the last
careful touch to her hair--the mechanical obedience to long habit. It
is not vanity, not littleness, but habit; never shown with subtler
irony than in the case of Madame de Langrois, who, pacing the path to
her execution at Lille, stooped, picked up a pin from the ground, and
fastened it in her gown--the tyranny of habit.

Outside her own room Jasmine paused for a moment and looked at the
closed door of Rudyard's room. Only a step--and yet she was kept apart
from him by a shadow so black, so overwhelming, that she could not
penetrate it. It smothered her sight. No, no, that little step could
not be taken; there was a gulf between them which could not be bridged.

There was nothing to say to Rudyard except what could be said upon the
surface, before all the world, as it were; things which must be said
through an atmosphere of artificial sounds, which would give no
response to the agonized cries of the sentient soul. She could make
believe before the world, but not alone with Rudyard. She shrank within
herself at the idea of being alone with him.

As she went down-stairs a scene in a room on the Thames Embankment,
from which she had come a half hour ago, passed before her vision. It
was as though it had been imprinted on the film of her eye and must
stay there forever.

When would the world know that Adrian Fellowes lay dead in the room on
the Embankment? And when they knew it, what would they say? They would
ask how he died--the world would ask how he died. The Law would ask how
he died.

How had he died? Who killed him? Or did he die by his own hand? Had
Adrian Fellowes, the rank materialist, the bon viveur, the man-luxury,
the courage to kill himself by his own hand? If not, who killed him?
She shuddered. They might say that she killed him.

She had seen no one on the staircase as she had gone up, but she had
dimly seen another figure outside in the terrace as she came out, and
there was the cabman who drove her to the place. That was all.

Now, entering the great drawing-room of her own house she shuddered as
though from an icy chill. The scene there on the Embankment--her own
bitter anger, her frozen hatred; then the dead man with his face turned
to the wall; the stillness, the clock ticking, her own cold voice
speaking to him, calling; then the terrified scrutiny, the touch of the
wrist, the realization, the moment's awful horror, the silence which
grew more profound, the sudden paralysis of body and will.... And
then--music, strange, soft, mysterious music coming from somewhere
inside the room, music familiar and yet unnatural, a song she had heard
once before, a pathetic folk-song of eastern Europe, "More Was Lost at
Mohacksfield." It was a tale of love and loss and tragedy and despair.

Startled and overcome, she had swayed, and would have fallen, but that
with an effort of the will she had caught at the table and saved
herself. With the music still creeping in unutterable melancholy
through the room, she had fled, closing the door behind her very softly
as though not to disturb the sleeper. It had followed her down the
staircase and into the street, the weird, unnatural music.

It was only when she had entered a cab in the Strand that she realized
exactly what the music was. She remembered that Fellowes had bought a
music-box which could be timed to play at will--even days ahead, and he
had evidently set the box to play at this hour. It did so, a strange,
grim commentary on the stark thing lying on the couch, nerveless as
though it had been dead a thousand years. It had ceased to play before
Stafford entered the room, but, strangely enough, it began again as he
said over the dead body, "He did not die by his own hand."

Standing before the fireplace in the drawing-room, awaiting the first
guest, Jasmine said to herself: "No, no, he had not the courage to kill
himself."

Some one had killed him. Who was it? Who killed him--Rudyard--Ian--who?
But how? There was no sign of violence. That much she had seen. He lay
like one asleep. Who was it killed him?

"Lady Tynemouth."

Back to the world from purgatory again. The butler's voice broke the
spell, and Lady Tynemouth took her friend in her arms and kissed her.

"So handsome you look, my darling--and all in white. White violets,
too. Dear, dear, how sweet, and oh, how triste! But I suppose it's
chic. Certainly, it is stunning. And so simple. Just the weeny, teeny
string of pearls, like a young under-secretary's wife, to show what she
might do if she had a fair chance. Oh, you clever, wonderful Jasmine!"

"My dressmaker says I have no real taste in colours, so I compromised,"
was Jasmine's reply, with a really good imitation of a smile.

As she babbled on, Lady Tynemouth had been eyeing her friend with swift
inquiry, for she had never seen Jasmine look as she did to-night, so
ethereal, so tragically ethereal, with dark lines under the eyes, the
curious transparency of the skin, and the feverish brightness and
far-awayness of the look. She was about to say something in comment,
but other guests entered, and it was impossible. She watched, however,
from a little distance, while talking gaily to other guests; she
watched at the dinner-table, as Jasmine, seated between her two
royalties, talked with gaiety, with pretty irony, with respectful
badinage; and no one could be so daring with such ceremonious respect
at the same time as she. Yet through it all Lady Tynemouth saw her
glance many times with a strange, strained inquiry at Rudyard, seated
far away opposite her; at another big, round table.

"There's something wrong here," Lady Tynemouth said to herself, and
wondered why Ian Stafford was not present. Mennaval was there, eagerly
seeking glances. These Jasmine gave with a smiling openness and
apparent good-fellowship, which were not in the least compromising.
Lady Tynemouth saw Mennaval's vain efforts, and laughed to herself, and
presently she even laughed with her neighbour about them.

"What an infant it is!" she said to her table companion. "Jasmine Byng
doesn't care a snap of her finger about Mennaval."

"Does she care a snap for anybody?" asked the other. Then he added,
with a kind of query in the question apart from the question itself:
"Where is the great man--where's Stafford to-night?"

"Counting his winnings, I suppose." Lady Tynemouth's face grew soft.
"He has done great things for so young a man. What a distance he has
gone since he pulled me and my red umbrella back from the Zambesi
Falls!"

Then proceeded a gay conversation, in which Lady Tynemouth was quite
happy. When she could talk of Ian Stafford she was really enjoying
herself. In her eyes he was the perfect man, whom other women tried to
spoil, and whom, she flattered herself, she kept sound and unspoiled by
her frank platonic affection.

"Our host seems a bit abstracted to-night," said her table companion
after a long discussion about what Stafford had done and what he still
might do.

"The war--it means so much to him," said Lady Tynemouth. Yet she had
seen the note of abstraction too, and it had made her wonder what was
happening in this household.

The other demurred.

"But I imagine he has been prepared for the war for some time. He
didn't seem excessively worried about it before dinner, yet he seemed
upset too, so pale and anxious-looking."

"I'll make her talk, make her tell me what it is, if there is
anything," said Lady Tynemouth to herself. "I'll ask myself to stay
with her for a couple of days."

Superficial as Lady Tynemouth seemed to many, she had real sincerity,
and she was a friend in need to her friends. She loved Jasmine as much
as she could love any woman, and she said now, as she looked at
Jasmine's face, so alert, so full of raillery, yet with such an
undertone of misery:

"She looks as if she needed a friend."

After dinner she contrived to get her arm through that of her hostess,
and gave it an endearing pressure. "May I come to you for a few days,
Jasmine?" she asked.

"I was going to ask if you would have me," answered Jasmine, with a
queer little smile. "Rudyard will be up to his ears for a few days, and
that's a chance for you and me to do some shopping, and some other
things together, isn't it?"

She was thinking of appearances, of the best way to separate from
Rudyard for a little while, till the longer separation could be
arranged without scandal. Ian Stafford had said that things could go on
in this house as before, that Rudyard would never hint to her what he
knew, or rather what the letter had told him or left untold: but that
was impossible. Whatever Rudyard was willing to do, there was that
which she could not do. Twenty-four hours had accomplished a complete
revolution in her attitude towards life and in her sense of things.
Just for these immediate days to come, when the tragedy of Fellowes'
death would be made a sensation of the hour, there must be temporary
expedients; and Lady Tynemouth had suggested one which had its great
advantages.

She could not bear to remain in Rudyard's house; and in his heart of
hearts Rudyard would wish the same, even if he believed her innocent;
but if she must stay for appearance' sake, then it would be good to
have Lady Tynemouth with her. Rudyard would be grateful for time to get
his balance again. This bunch of violets was the impulse of a big,
magnanimous nature; but it would be followed by the inevitable
reaction, which would be the real test and trial.

Love and forgiveness--what had she to do with either! She did not wish
forgiveness because of Adrian Fellowes. No heart had been involved in
that episode. It had in one sense meant nothing to her. She loved
another man, and she did not wish forgiveness of him either. No, no,
the whole situation was impossible. She could not stay here. For his
own sake Rudyard would not, ought not, to wish her to stay. What might
the next few days bring forth?

Who had killed Adrian Fellowes? He was not man enough to take his own
life--who had killed him? Was it her husband, after all? He had said to
Ian Stafford that he would do nothing, but, with the maggot of revenge
and jealousy in their brains, men could not be trusted from one moment
to another.

The white violets? Even they might be only the impulse of the moment,
one of those acts of madness of jealous and revengeful people. Men had
kissed their wives and then killed them--fondled them, and then
strangled them. Rudyard might have made up his mind since morning to
kill Fellowes, and kill herself, also. Fellowes was gone, and now might
come her turn. White violets were the flowers of death, and the first
flowers he had ever given her were purple violets, the flowers of life
and love.

If Rudyard had killed Adrian Fellowes, there would be an end to
everything. If he was suspected, and if the law stretched out its hand
of steel to clutch him--what an ignominious end to it all; what a mean
finish to life, to opportunity, to everything worth doing!

And she would have been the cause of everything.

The thought scorched her soul.

Yet she talked on gaily to her guests until the men returned from their
cigars; as though Penalty and Nemesis were outside even the range of
her imagination; as though she could not hear the snap of the handcuffs
on Rudyard's--or Ian's--wrists.

Before and after dinner only a few words had passed between her and
Rudyard, and that was with people round them. It was as though they
spoke through some neutralizing medium, in which all real personal
relation was lost. Now Rudyard came to her, however, and in a
matter-of-fact voice said: "I suppose Al'mah will be here. You haven't
heard to the contrary, I hope? These great singers are so whimsical."

There was no time for Jasmine to answer, for through one of the far
entrances of the drawing-room Al'mah entered. Her manner was
composed--if possible more composed than usual, and she looked around
her calmly. At that moment a servant handed Byng a letter. It contained
only a few words, and it ran:


"DEAR BYNG,--Fellowes is gone. I found him dead in his rooms. An
inquest will be held to-morrow. There are no signs of violence; neither
of suicide or anything else. If you want me, I shall be at my rooms
after ten o'clock to-night. I have got all his papers." Yours ever,

"IAN STAFFORD."


Jasmine watched Rudyard closely as he read. A strange look passed over
his face, but his hand was steady as he put the note in his pocket. She
then saw him look searchingly at Al'mah as he went forward to greet her.

On the instant Rudyard had made up his mind what to do. It was clear
that Al'mah did not know that Fellowes was dead, or she would not be
here; for he knew of their relations, though he had never told Jasmine.
Jasmine did not suspect the truth, or Al'mah would not be where she
was; and Fellowes would never have written to Jasmine the letter for
which he had paid with his life.

Al'mah was gently appreciative of the welcome she received from both
Byng and Jasmine, and she prepared to sing.

"Yes, I think I am in good voice," she said to Jasmine, presently. Then
Rudyard went, giving his wife's arm a little familiar touch as he
passed, and said:

"Remember, we must have some patriotic things tonight. I'm sure Al'mah
will feel so, too. Something really patriotic and stirring. We shall
need it--yes we shall need cheering very badly before we've done. We're
not going to have a walk-over in South Africa. Cheering up is what we
want, and we must have it."

Again he cast a queer, inquiring look at Al'mah, to which he got no
response, and to himself he said, grimly: "Well, it's better she should
not know it--here."

His mind was in a maze. He moved as in a dream. He was pale, but he had
an air of determination. Once he staggered with dizziness, then he
righted himself and smiled at some one near. That some one winked at
his neighbour.

"It's true, then, what we hear about him," the neighbour said, and
suggestively raised fingers to his mouth.

Al'mah sang as perhaps she had seldom sung. There was in her voice an
abandon and tragic intensity, a wonderful resonance and power, which
captured her hearers as they had never been captured before. First she
sang a love-song, then a song of parting. Afterwards came a lyric of
country, which stirred her audience deeply. It was a challenge to every
patriot to play his part for home and country. It was an appeal to the
spirit of sacrifice; it was an inspiration and an invocation. Men's
eyes grew moist.

And now another, a final song, a combination of all--of love, and loss
and parting and ruin, and war and patriotism and destiny. With the
first low notes of it Jasmine rose slowly from her seat, like one in a
dream, and stood staring blindly at Al'mah. The great voice swelled out
in a passion of agony, then sank away into a note of despair that
gripped the heart.

"But more was lost at Mohacksfield--"

Jasmine had stood transfixed while the first words were sung, then, as
the last line was reached, staring straight in front of her, as though
she saw again the body of Adrian Fellowes in the room by the river, she
gave a cry, which sounded half laughter and half torture, and fell
heavily on the polished floor.

Rudyard ran forward and lifted her in his arms. Lady Tynemouth was
beside him in an instant.

"Yes, that's right--you come," he said to her, and he carried the limp
body up-stairs, the white violets in her dress crushed against his
breast.

"Poor child--the war, of course; it means so much to them."

Thus, a kindly dowager, as she followed the Royalties down-stairs.




CHAPTER XXIV

ONE WHO CAME SEARCHING


"A lady to see you, sir."

"A lady? What should we be doing with ladies here, Gleg?"

"I'm sure I have no use for them, sir," replied Gleg, sourly. He was in
no good humour. That very morning he had been told that his master was
going to South Africa, and that he would not be needed there, but that
he should remain in England, drawing his usual pay. Instead of
receiving this statement with gratitude, Gleg had sniffed in a manner
which, in any one else, would have been impertinence; and he had not
even offered thanks.

"Well, what do you think she wants? She looks respectable?"

"I don't know about that, sir. It's her ladyship, sir."

"It's what 'ladyship,' Gleg?"

"Her ladyship, sir--Lady Tynemouth."

Stafford looked at Gleg meditatively for a minute, and then said
quietly:

"Let me see, you have been with me sixteen years, Gleg. You've
forgotten me often enough in that time, but you've never forgotten
yourself before. Come to me to-morrow at noon.... I shall allow you a
small pension. Show her ladyship in."

Gone waxen in face, Gleg crept out of the room.

"Seven-and-six a week, I suppose," he said to himself as he went down
the stairs. "Seven-and-six for a bit of bonhommy."

With great consideration he brought Lady Tynemouth up, and shut the
door with that stillness which might be reverence, or something at its
antipodes.

Lady Tynemouth smiled cheerily at Ian as she held out her hand.

"Gleg disapproves of me very greatly. He thinks I am no better than I
ought to be."

"I am sure you are," answered Stafford, drily.

"Well, if you don't know, Ian, who does? I've put my head in the lion's
mouth before, just like this, and the lion hasn't snapped once," she
rejoined, settling herself cozily in a great, green leather-chair.
"Nobody would believe it; but there it is. The world couldn't think
that you could be so careless of your opportunities, or that I would
pay for the candle without burning it."

"On the contrary, I think they would believe anything you told them."

She laughed happily. "Wouldn't you like to call me Alice, 'same as
ever,' in the days of long ago? It would make me feel at home after
Gleg's icy welcome."

He smiled, looked down at her with admiration, and quoted some lines of
Swinburne, alive with cynicism:

  "And the worst and the best of this is,
  That neither is most to blame
  If she has forgotten my kisses,
  And I have forgotten her name."

Lady Tynemouth made a plaintive gesture. "I should probably be able to
endure the bleak present, if there had been any kisses in the sunny
past," she rejoined, with mock pathos. "That's the worst of our
friendship, Ian. I'm quite sure the world thinks I'm one of your spent
flames, and there never was any fire, not so big as the point of a
needle, was there? It's that which hurts so now, little Ian
Stafford--not so much fire as would burn on the point of a needle."

"'On the point of a needle,'" Ian repeated, half-abstractedly. He went
over to his writing-desk, and, opening a blotter, regarded it
meditatively for an instant. As he did so she tapped the floor
impatiently with her umbrella, and looked at him curiously, but with a
little quirk of humour at the corners of her mouth.

"The point of a needle might carry enough fire to burn up a good deal,"
he said, reflectively. Then he added, slowly: "Do you remember Mr.
Mappin and his poisoned needle at Glencader?"

"Yes, of course. That was a day of tragedy, when you and Rudyard Byng
won a hundred Royal Humane Society medals, and we all felt like martyrs
and heroes. I had the most creepy dreams afterwards. One night it was
awful. I was being tortured with Mr. Mappin's needle horribly by--guess
whom? By that half-caste Krool, and I waked up with a little scream, to
find Tynie busy pinching me. I had been making such a wurra-wurra, as
he called it."

"Well, it is a startling idea that there's poison powerful enough to
make a needle-point dipped in it deadly."

"I don't believe it a bit, but--"

Pausing, she flicked a speck of fluff from her black dress--she was all
in black, with only a stole of pure white about her shoulders. "But
tell me," she added, presently--"for it's one of the reasons why I'm
here now--what happened at the inquest to-day? The evening papers are
not out, and you were there, of course, and gave evidence, I suppose.
Was it very trying? I'm sure it was, for I've never seen you look so
pale. You are positively haggard, Ian. You don't mind that from an old
friend, do you? You look terribly ill, just when you should look so
well."

"Why should I look so well?" He gazed at her steadily. Had she any
glimmering of the real situation? She was staying now in Byng's house,
and two days had gone since the world had gone wrong; since Jasmine had
sunk to the floor unconscious as Al'mah sang, "More was lost at
Mohacksfield."

"Why should you look so well? Because you are the coming man, they say.
It makes me so proud to be your friend--even your neglected, if not
quite discarded, friend. Every one says you have done such splendid
work for England, and that now you can have anything you want. The ball
is at your feet. Dear man, you ought to look like a morning-glory, and
not as you do. Tell me, Ian, are you ill, or is it only the reaction
after all you've done?"

"No doubt it's the reaction," he replied.

"I know you didn't like Adrian Fellowes much," she remarked, watching
him closely. "He behaved shockingly at the Glencader Mine
affair--shockingly. Tynie was for pitching him out of the house, and
taking the consequences; but, all the same, a sudden death like that
all alone must have been dreadful. Please tell me, what was the
verdict?"

"Heart failure was the verdict; with regret for a promising life cut
short, and sympathy with the relatives."

"I never heard that he had heart trouble," was the meditative response.
"But--well, of course, it was heart failure. When the heart stops
beating, there's heart failure. What a silly verdict!"

"It sounded rather worse than silly," was Ian's comment.

"Did--did they cut him up, to see if he'd taken morphia, or an overdose
of laudanum or veronal or something? I had a friend who died of taking
quantities of veronal while you were abroad so long--a South American,
she was."

He nodded. "It was all quite in order. There were no signs of poison,
they said, but the heart had had a shock of some kind. There had been
what they called lesion, and all that kind of thing, and not sufficient
strength for recovery."

"I suppose Mr. Mappin wasn't present?" she asked, curiously. "I know it
is silly in a way, but don't you remember how interested Mr. Fellowes
was in that needle? Was Mr. Mappin there?"

"There was no reason why he should be there."

"What witnesses were called?"

"Myself and the porter of Fellowes' apartments, his banker, his
doctor--"

"And Al'mah?" she asked, obliquely.

He did not reply at once, but regarded her inquiringly.

"You needn't be afraid to speak about Al'mah," she continued. "I saw
something queer at Glencader. Then I asked Tynie, and he told me
that--well, all about her and Adrian Fellowes. Was Al'mah there? Did
she give evidence?"

"She was there to be called, if necessary," he responded, "but the
coroner was very good about it. After the autopsy the authorities said
evidence was unnecessary, and--"

"You arranged that, probably?"

"Yes; it was not difficult. They were so stupid--and so kind."

She smoothed out the folds of her dress reflectively, then got up as if
with sudden determination, and came near to him. Her face was pale now,
and her eyes were greatly troubled.

"Ian," she said, in a low voice, "I don't believe that Adrian Fellowes
died a natural death, and I don't believe that he killed himself. He
would not have that kind of courage, even in insanity. He could never
go insane. He could never care enough about anything to do so.
He--did--not--kill--himself. There, I am sure of it. And he did not die
a natural death, either."

"Who killed him?" Ian asked, his face becoming more drawn, but his eyes
remaining steady and quiet.

She put her hand to her eyes for a moment. "Oh, it all seems so
horrible! I've tried to shake it off, and not to think my thoughts, and
I came to you to get fresh confidence; but as soon as I saw your face I
knew I couldn't have it. I know you are upset too, perhaps not by the
same thoughts, but through the same people."

"Tell me all you think or know. Be quite frank," he said, heavily. "I
will tell you why later. It is essential that you should be wholly
frank with me."

"As I have always been. I can't be anything else. Anyhow, I owe you so
much that you have the right to ask me what you will.... There it is,
the fatal thing," she added.

Her eyes were raised to the red umbrella which had nearly carried her
over into the cauldron of the Zambesi Falls.

"No, it is the world that owes me a heavy debt," he responded,
gallantly. "I was merely selfish in saving you."

Her eyes filled with tears, which she brushed away with a little laugh.

"Ah, how I wish it was that! I am just mean enough to want you to want
me, while I didn't want you. That's the woman, and that's all women,
and there's no getting away from it. But still I would rather you had
saved me than any one else who wasn't bound, like Tynie, to do so."

"Well, it did seem absurd that you should risk so much to keep a
sixpenny umbrella," he rejoined, drily.

"How we play on the surface while there's so much that is wearing our
hearts out underneath," she responded, wearily. "Listen, Ian, you know
what I mean. Whoever killed Adrian Fellowes, or didn't, I am sure that
Jasmine saw him dead. Three nights ago when she fainted and went ill to
bed, I stayed with her, slept in the same room, in the bed beside hers.
The opiate the doctor gave her was not strong enough, and two or three
times she half waked, and--and it was very painful. It made my heart
ache, for I knew it wasn't all dreams. I am sure she saw Adrian
Fellowes lying dead in his room.... Ian, it is awful, but for some
reason she hated him, and she saw him lying dead. If any one knows the
truth, you know. Jasmine cares for you--no, no, don't mind my saying
it. She didn't care a fig for Mennaval, or any of the others, but she
does care for you--cares for you. She oughtn't to, but she does, and
she should have married you long ago before Rudyard Byng came. Please
don't think I am interfering, Ian. I am not. You never had a better
friend than I am. But there's something ghastly wrong. Rudyard is
looking like a giant that's had blood-letting, and he never goes near
Jasmine, except when some one is with her. It's a bad sign when two
people must have some third person about to insulate their
self-consciousness and prevent those fatal moments when they have to be
just their own selves, and have it out."

"You think there's been trouble between them?" His voice was quite
steady, his manner composed.

"I don't think quite that. But there is trouble in that palace. Rudyard
is going to South Africa."

"Well, that is not unnatural. I should expect him to do so. I am going
to South Africa also."

For a moment she looked at him without speaking, and her face slowly
paled. "You are going to the Front--you?"

"Yes--'Back to the army again, sergeant, back to the army again.' I was
a gunner, you know, and not a bad one, either, if I do say it."

"You are going to throw up a great career to go to the Front? When you
have got your foot at the top of the ladder, you climb down?" Her voice
was choking a little.

He made a little whimsical gesture. "There's another ladder to climb.
I'll have a try at it, and do my duty to my country, too. I'll have a
double-barrelled claim on her, if possible."

"I know that you are going because you will not stay when Rudyard
goes," she rejoined, almost irritably.

"What a quixotic idea! Really you are too impossible and wrong-headed."

He turned an earnest look upon her. "No, I give you my word, I am not
going because Rudyard is going. I didn't know he was going till you
told me. I got permission to go three hours after Kruger's message
came."

"You are only feckless--only feckless, as the Scotch say," she rejoined
with testy sadness. "Well, since everybody is going, I am going too. I
am going with a hospital-ship."

"Well, that would pay off a lot of old debts to the Almighty," he
replied, in kindly taunt.

"I haven't been worse than most women, Ian," she replied. "Women
haven't been taught to do things, to pay off their debts. Men run up
bills and pay them off, and run them up again and again and pay them
off; but we, while we run up bills, our ways of paying them off are so
few, and so uninteresting."

Suddenly she took from her pocket a letter. "Here is a letter for you,"
she said. "It was lying on Jasmine's table the night she was taken ill.
I don't know why I did it, but I suppose I took it up so that Rudyard
should not see it; and then I didn't say anything to Jasmine about it
at once. She said nothing, either; but to-day I told her I'd seen the
letter addressed to you, and had posted it. I said it to see how she
would take it. She only nodded, and said nothing at first. Then after a
while she whispered, 'Thank you, my dear,' but in such a queer tone.
Ian, she meant you to have the letter, and here it is."

She put it into his hands. He remembered it. It was the letter which
Jasmine had laid on the table before him at that last interview when
the world stood still. After a moment's hesitation he put it in his
pocket.

"If she wished me to have it--" he said in a low voice.

"If not, why, then, did she write it? Didn't she say she was glad I
posted it?"

A moment followed, in which neither spoke. Lady Tynemouth's eyes were
turned to the window; Stafford stood looking into the fire.

"Tynie is sure to go to South Africa with his Yeomanry," she continued
at last. "He'll be back in England next week. I can be of use out
there, too. I suppose you think I'm useless because I've never had to
do anything, but you are quite wrong. It's in me. If I'd been driven to
work when I was a girl, if I'd been a labourer's daughter, I'd have
made hats--or cream-cheeses. I'm not really such a fool as you've
always thought me, Ian; at any rate, not in the way you've thought me."

His look was gentle, as he gazed into her eyes. "I've never thought you
anything but a very sensible and alluring woman, who is only wilfully
foolish at times," he said. "You do dangerous things."

"But you never knew me to do a really wrong thing, and if you haven't,
no one has."

Suddenly her face clouded and her lips trembled. "But I am a good
friend, and I love my friends. So it all hurts. Ian, I'm most upset.
There's something behind Adrian Fellowes' death that I don't
understand. I'm sure he didn't kill himself; but I'm also sure that
some one did kill him." Her eyes sought his with an effort and with
apprehension, but with persistency too. "I don't care what the jury
said--I know I'm right."

"But it doesn't matter now," he answered, calmly. "He will be buried
to-morrow, and there's an end of it all. It will not even be the usual
nine days' wonder. I'd forget it, if I were you."

"I can't easily forget it while you remember it," she rejoined,
meaningly. "I don't know why or how it affects you, but it does affect
you, and that's why I feel it; that's why it haunts me."

Gleg appeared. "A gentleman to see you, sir," he said, and handed Ian a
card.

"Where is he?"

"In the dining-room, sir."

"Very good. I will see him in a moment."

When they were alone again, Lady Tynemouth held out her hand. "When do
you start for South Africa?" she asked.

"In three days. I join my battery in Natal."

"You will hear from me when I get to Durban," she said, with a shy,
inquiring glance.

"You are really going?"

"I mean to organize a hospital-ship and go."

"Where will you get the money?"

"From some social climber," she replied, cynically. His hand was on the
door-knob, and she laid her own on it gently. "You are ill, Ian," she
said. "I have never seen you look as you do now."

"I shall be better before long," he answered. "I never saw you look so
well."

"That's because I am going to do some work at last," she rejoined.
"Work at last. I'll blunder a bit, but I'll try a great deal, and
perhaps I'll do some good.... And I'll be there to nurse you if you get
fever or anything," she added, laughing nervously--"you and Tynie."

When she was gone he stood looking at the card in his hand, with his
mind seeing something far beyond. Presently he rang for Gleg.

"Show Mr. Mappin in," he said.




CHAPTER XXV

WHEREIN THE LOST IS FOUND


In a moment the great surgeon was seated, looking reflectively round
him. Soon, however, he said brusquely, "I hope your friend Jigger is
going on all right?"

"Yes, yes, thanks to you."

"No, no, Mr. Stafford, thanks to you and Mrs. Byng chiefly. It was care
and nursing that did it. If I could have hospitals like Glencader and
hospital nurses like Mrs. Byng and Al'mah and yourself, I'd have few
regrets at the end of the year. That was an exciting time at Glencader."

Stafford nodded, but said nothing. Presently, after some reference to
the disaster at the mine at Glencader and to Stafford's and Byng's
bravery, Mr. Mappin said. "I was shocked to hear of Mr. Fellowes'
death. I was out of town when it happened--a bad case at Leeds; but I
returned early this morning." He paused, inquiringly but Ian said
nothing, and he continued, "I have seen the body."

"You were not at the inquest, I think," Ian remarked, casually.

"No, I was not in time for that, but I got permission to view the body."

"And the verdict--you approve?"

"Heart failure--yes." Mr. Mappin's lip curled. "Of course. But he had
no heart trouble. His heart wasn't even weak. His life showed that."

"His life showed--?" Ian's eyebrows went up.

"He was very much in society, and there's nothing more strenuous than
that. His heart was all right. Something made it fail, and I have been
considering what it was."

"Are you suggesting that his death was not natural?"

"Quite artificial, quite artificial, I should say."

Ian took a cigarette, and lighted it slowly. "According to your theory,
he must have committed suicide. But how? Not by an effort of the will,
as they do in the East, I suppose?"

Mr. Mappin sat up stiffly in his chair. "Do you remember my showing you
all at Glencader a needle which had on its point enough poison to kill
a man?"

"And leave no trace--yes."

"Do you remember that you all looked at it with interest, and that Mr.
Fellowes examined it more attentively than any one else?"

"I remember."

"Well, I was going to kill a collie with it next day."

"A favourite collie grown old, rheumatic--yes, I remember."

"Well, the experiment failed."

"The collie wasn't killed by the poison?"

"No, not by the poison, Mr. Stafford."

"So your theory didn't work except on paper."

"I think it worked, but not with the collie."

There was a pause, while Stafford looked composedly at his visitor, and
then he said: "Why didn't it work with the collie?"

"It never had its chance."

"Some mistake, some hitch?"

"No mistake, no hitch; but the wrong needle."

"The wrong needle! I should not say that carelessness was a habit with
you." Stafford's voice was civil and sympathetic.

"Confidence breeds carelessness," was Mr. Mappin's enigmatical retort.

"You were over-confident then?"

"Quite clearly so. I thought that Glencader was beyond reproach."

There was a slight pause, and then Stafford, flicking away some
cigarette ashes, continued the catechism. "What particular form of
reproach do you apply to Glencader?"

"Thieving."

"That sounds reprehensible--and rude."

"If you were not beyond reproach, it would be rude, Mr. Stafford."

Stafford chafed at the rather superior air of the expert, whose habit
of bedside authority was apt to creep into his social conversation;
but, while he longed to give him a shrewd thrust, he forbore. It was
hard to tell how much he might have to do to prevent the man from
making mischief. The compliment had been smug, and smugness irritated
Stafford.

"Well, thanks for your testimonial," he said, presently, and then he
determined to cut short the tardy revelation, and prick the bubble of
mystery which the great man was so slowly blowing.

"I take it that you think some one at Glencader stole your needle, and
so saved your collie's life," he said.

"That is what I mean," responded Mr. Mappin, a little discomposed that
his elaborate synthesis should be so sharply brought to an end.

There was almost a grisly raillery in Stafford's reply. "Now, the
collie--were you sufficiently a fatalist to let him live, or did you
prepare another needle, or do it in the humdrum way?"

"I let the collie live."

"Hoping to find the needle again?" asked Stafford, with a smile.

"Perhaps to hear of it again."

"Hello, that is rather startling! And you have done so?

"I think so. Yes, I may say that."

"Now how do you suppose you lost that needle?"

"It was taken from my pocket-case, and another substituted.

"Returning good for evil. Could you not see the difference in the
needles?"

"There is not, necessarily, difference in needles. The substitute was
the same size and shape, and I was not suspicious."

"And what form does your suspicion take now?"

The great man became rather portentously solemn--he himself would have
said "becomingly grave." "My conviction is that Mr. Fellowes took my
needle."

Stafford fixed the other with his gaze. "And killed himself with it?"

Mr. Mappin frowned. "Of that I cannot be sure, of course."

"Could you not tell by examining the body?"

"Not absolutely from a superficial examination."

"You did not think a scientific examination necessary?"

"Yes, perhaps; but the official inquest is over, the expert analysis or
examination is finished by the authorities, and the superficial proofs,
while convincing enough to me, are not complete and final; and so,
there you are."

Stafford got and held his visitor's eyes, and with slow emphasis said:
"You think that Fellowes committed suicide with your needle?"

"No, I didn't say that."

"Then I fear my intelligence must be failing rapidly. You said--"

"I said I was not sure that he killed himself. I am sure that he was
killed by my needle; but I am not sure that he killed himself. Motive
and all that kind of thing would come in there."

"Ah--and all that kind of thing! Why should you discard motive for his
killing himself?"

"I did not say I discarded motive, but I think Mr. Fellowes the last
man in the world likely to kill himself."

"Why, then, do you think he stole the needle?"

"Not to kill himself."

Stafford turned his head away a little. "Come now; this is too tall.
You are going pretty far in suggesting that Fellowes took your needle
to kill some one else."

"Perhaps. But motive might not be so far to seek."

"What motive in this case?" Stafford's eyes narrowed a little with the
inquiry.

"Well, a woman, perhaps."

"You know of some one, who--"

"No. I am only assuming from Mr. Fellowes' somewhat material nature
that there must be a woman or so."

"Or so--why 'or so?'" Stafford pressed him into a corner.

"There comes the motive--one too many, when one may be suspicious, or
jealous, or revengeful, or impossible."

"Did you see any mark of the needle on the body?"

"I think so. But that would not do more than suggest further delicate,
detailed, and final examination."

"You have no trace of the needle itself?"

"None. But surely that isn't strange. If he had killed himself, the
needle would probably have been found. If he did not kill himself, but
yet was killed by it, there is nothing strange in its not being
recovered."

Stafford took on the gravity of a dry-as-dust judge. "I suppose that to
prove the case it would be necessary to produce the needle, as your
theory and your invention are rather new."

"For complete proof the needle would be necessary, though not
indispensable."

Stafford was silent for an instant, then he said: "You have had a look
for the little instrument of passage?"

"I was rather late for that, I fear."

"Still, by chance, the needle might have been picked up. However, it
would look foolish to advertise for a needle which had traces of atric
acid on it, wouldn't it?"

Mr. Mappin looked at Stafford quite coolly, and then, ignoring the
question, said, deliberately: "You discovered the body, I hear. You
didn't by any chance find the needle, I suppose?"

Stafford returned his look with a cool stare. "Not by any chance," he
said, enigmatically.

He had suddenly decided on a line of action which would turn this
astute egoist from his half-indicated purpose. Whatever the means of
Fellowes' death, by whomsoever caused, or by no one, further inquiry
could only result in revelations hurtful to some one. As Mr. Mappin had
surmised, there was more than one woman,--there may have been a dozen,
of course--but chance might just pitch on the one whom investigation
would injure most.

If this expert was quieted, and Fellowes was safely bestowed in his
grave, the tragic incident would be lost quickly in the general
excitement and agitation of the nation. The war-drum would drown any
small human cries of suspicion or outraged innocence. Suppose some one
did kill Adrian Fellowes? He deserved to die, and justice was
satisfied, even if the law was marauded. There were at least four
people who might have killed Fellowes without much remorse. There was
Rudyard, there was Jasmine, there was Lou the erstwhile
flower-girl--and himself. It was necessary that Mappin, however, should
be silenced, and sent about his business.

Stafford suddenly came over to the table near to his visitor, and with
an assumed air of cold indignation, though with a little natural
irritability behind all, said "Mr. Mappin, I assume that you have not
gone elsewhere with your suspicions?"

The other shook his head in negation.

"Very well, I should strongly advise you, for your own reputation as an
expert and a man of science, not to attempt the rather cliche
occupation of trying to rival Sherlock Holmes. Your suspicions may have
some distant justification, but only a man of infinite skill, tact, and
knowledge, with an almost abnormal gift for tracing elusive clues and,
when finding them, making them fit in with fact--only a man like
yourself, a genius at the job, could get anything out of it. You are
not prepared to give the time, and you could only succeed in causing
pain and annoyance beyond calculation. Just imagine a Scotland Yard
detective with such a delicate business to do. We have no Hamards here,
no French geniuses who can reconstruct crimes by a kind of special
sense. Can you not see the average detective blundering about with his
ostentatious display of the obvious; his mind, which never traced a
motive in its existence, trying to elucidate a clue? Well, it is the
business of the Law to detect and punish crime. Let the Law do it in
its own way, find its own clues, solve the mysteries given it to solve.
Why should you complicate things? The official fellows could never do
what you could do, if you were a detective. They haven't the brains or
initiative or knowledge. And since you are not a detective, and can't
devote yourself to this most delicate problem, if there be any problem
at all, I would suggest--I imitate your own rudeness--that you mind
your own business."

He smiled, and looked down at his visitor with inscrutable eyes.

At the last words Mr. Mappin flushed and looked consequential; but
under the influence of a smile, so winning that many a chancellerie of
Europe had lost its irritation over some skilful diplomatic stroke made
by its possessor, he emerged from his atmosphere