The Project Gutenberg EBook of Our Boys and Other Poems, by Alan L. Strang

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Our Boys and Other Poems

Author: Alan L. Strang

Release Date: May 13, 2011 [EBook #36094]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK OUR BOYS AND OTHER POEMS ***




Produced by Jason Isbell, David E. Brown, Bryan Ness and
the Online Distributed Proofreading Team at
https://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive/American
Libraries.)






Our Boys and Other Poems

Decoration

by

ALAN L. STRANG

California's BOY POET

Copyrighted, 1919

BY J. L. STRANG

Alan L. Strang; Born August 18th, 1908; Died January 29th, 1919

 

Alan L. Strang

Introduction

Alan L. Strang was born in Spokane, Washington, August 18, 1908. Living there until he was four years old, he came to California in 1913 with his parents, making their home in Redwood City.

He had a gentle, loving disposition, was always frail and delicate and possessed a mental development far in advance of his years. He was taken to the Great Beyond January 29, 1919.

The poems contained in this book were written prior to his tenth birthday. Considering the age of the author we feel that the work contains real merit, while the sentiment expressed betokens that patriotic spirit which never fails or hesitates when our country calls for men.

J. L. S.


To the Reader of this Book

This little book's a letter,
I send direct to you;
I hope that you will like it,
And read it thru and thru.
And after you have read it,
Just send a thot to me;
Your thots will help to make me
The "Poet" I would be.
Yours very truly,
ALAN L. STRANG,
Redwood City, California.

[Pg 12]

Our Boys

Written after the United States entered the war, fighting on the side of the Entente Allies.

[Pg 13]

Halt! Attention! Salute the flag,
The boys are marching by;
They're going forth to win the war
For us to do or die.
Our country needed fighting men,
Her liberty to save;
These boys responded to the call,
And all they had they gave.
All loyal hearts are beating fast,
And hope our bosoms fill;
For liberty shall reign supreme
O'er ocean, dale and hill.
With no regrets for parted hopes
Or futures cast aside,
Our soldier boys are marching by;
They are our country's pride.

[Pg 14]

Our Soldier Boy

Written as a tribute to my brother, W. M. Strang, with the Engineers.

[Pg 15]

He said, "I'm Daddy's soldier boy,"
When he was five years old;
And then went out and built snow forts,
Although the day was cold.
The snowballs were his hand grenades,
A stick his bayonette;
And with a home-made wooden gun
The foe he bravely met.
In five more years he joined the "scouts"
And hiked across the hills;
He learned to wear a khaki suit,
And do military drills.
And so the years passed swiftly on,
And now he is a man;
He's in the trenches over there,
Fighting for Uncle Sam.
I know he'll make the Huns regret
They started this big fight,
For he knows the cause he's fighting for
Is liberty and right.

[Pg 16]

A Small Boy's Desire

Written for the first thrift stamp drive.

[Pg 17]

I want to be a soldier
And march away to France;
I want to find a wicked "Hun,"
And shoot him in the pants.
I want to be a soldier,
And wear a khaki suit;
I want to have a sword and gun
And all the "Boches" shoot.
I want to be a soldier,
And have an aeroplane
To drop bombs on the German towns,
And fly back home again.
I want to be a soldier
And do my little bit;
My country needs brave fighting men,
While here at home I sit.
Some day I'll be a big, big man;
I'll go to war and fight
The wicked Hun, or any one
Who does not do what's right.
But now the only way for me
To help my country win,
Is save my coin and buy thrift stamps,
So, boys, let's save our tin.

[Pg 18]

The Storm

[Pg 19]

The rough old Mr. Storm
Is whirling, swirling past
He makes the treetops bow their heads
And trembles at his blast.
He never stops to think
Of the damage he may do,
He's always rushing in and out
And hitting, batting you.
He pushes big, black clouds
Against the mountain tops;
The rain and hail comes rushing down
In large, round crystal drops.
The storm will soon be over;
See the rainbow in the sky.
The birds will sing on airy wing,
And the bright sun shine on high.

[Pg 20]

Do Not Worry

[Pg 21]

Do not worry over trifles, though
to you they may seem great,
All your fretting will not help you,
or your troubles dissipate.
If your sky is dark and gloomy,
and the sun is hid from view,
Bravely smile and keep on smiling,
And your friends will smile with you.
Happiness is so contagious, and a
smile is never lost;
Then why worry over trifles, tho
your heart seems tempest tossed.
Therefore go on life's journey
with an optimistic smile,
See the world is good to live in,
and that living is worth while.

[Pg 22]

How can we Fool the Rooster?

Written when the clock was set ahead one hour on April 1, 1918.

[Pg 23]

Our Rooster wakes at half-past five
And crows with all his might,
He tries to wake the people up
Before the day is light.
When Daddy hears the rooster crow
He knows he should awake
And light the kitchen fire, so Ma
Can cook the Johnny cake.
Now, maybe we can fool my Dad
That it's half-past five when it's half-past four,
And maybe the system's the best we have had
To fool some thousands of people or more;
[Pg 24] But, how can we fool that rooster?
[Pg 25]
I have always thought our rooster had
A clock inside of his head,
And I don't know how we can fix it so
We can set the clock ahead.
I asked my Dad, and he said to me,
"Why, son, you surely know
A rooster's instinct wakens him
And tells him when to crow."
Now the hands of the clock we can turn ahead,
We can fool the people and feel content;
But the thing that worries me night and day,
And on which my entire thought is bent
Is, how can we fool that rooster?

[Pg 26]

A Wreath Of Flowers

Written for Decoration Day, May 30, 1918.

[Pg 27]

I wove me a wreath of flowers
To place in memories hall,
In honor of the brave and fearless men
Who had answered our country's call.
The men who had answered, and fought, and died
For the cause of freedom, our country's pride!
I wove me a wreath of flowers
With many a sigh and tear,
As a tribute to all the good and true
Who were given few honors here.
The man of humble piety
Who lived and died in obscurity.
A wreath of flowers, a little thing
For flowers wither and fade;
But the fragrance they shed is not soon forgot
By me, who the wreath has made.
So the virtues of those who have gone before,
Will always be treasured in memory's store.

[Pg 28]

EPITAPH

[Pg 29]

Our loved ones lay them down to sleep
And leave us here to grieve and mourn,
While we, our silent watches keep,
O'er their low graves whence they are bourne.
Some heroes are in battle slain,
Their names are honored far and near,
While others die on beds of pain
And no sad mourner sheds a tear.
This day we honor each and all
Whose soul has left its temporal case;
And be he great, or be he small,
We'll reverence his resting place.

Part Second

The poems and story of Masata in part second of this book were written during the last month of the young Author's life.

He was taken to the Spirit Land, January 29, 1919.


[Pg 32]

The Lily of the Valley

[Pg 33]

I've a lily of the Valley
That I'm keeping here for you;
I care for and protect it,
And water it with dew.
It is a living emblem
Of the wonderful domain,
Where all is pure and love-like,
And where we feel no pain.
Yes, the Lily of the Valley
Is a tie twixt you and me;
For every time you see one
Think how happy I must be.
I'm an atom of the infinite,
How wonderful it seems;
Yet from your sphere the finite
But a thin veil intervenes.

[Pg 34]

The Roses

[Pg 35]

I have roses in my garden,
And their fragrance fills the air.
How I love to watch them blooming;
For they all are very fair.
Some have deep red velvet petals,
Some again are snowy white;
And the little baby pink ones,
Surely give you such delight.
Pretty birds come to my garden,
And sing there the live-long day;
Yes the birds and pretty flowers
Help and cheer us on our way.

[Pg 36]

The Seasons

[Pg 37]

SPRING

Spring time is here with its sunshine and showers,
All nature is waking from its long winter sleep.
The gardens are blooming with beautiful flowers,
The song-birds are carolling melodies sweet.

SUMMER

The summer comes with glaring heat,
And we will have vacation;
We pack our grips for the seashore trips,
Or other recreation.

AUTUMN

The harvest moon is shining bright,
The leaves are falling everywhere;
How glorious is the autumn night,
How cool and bracing is the air.

WINTER

Jack frost is stalking through the land,
The ground is covered white, with snow.
We like to sit beside the fire
And tell the tales of long ago.

[Pg 38]

Wishes

[Pg 39]

A BIRTHDAY WISH.

I'm wishing a happy birthday,
To you my dear sweet friend;
And may every day be a happy day
Is the wish I will always send.

A CHRISTMAS WISH.

A Merry Christmas Wish to you,
And may your heart be gay;
May Santa bring you many things,
This Merry Christmas day.

A NEW YEAR WISH

A happy happy, New Year,
We all are wishing you;
We hope no sorrow you shall know
This whole year through.

[Pg 40]

Dreams

[Pg 41]

Away o'er the hills in the valley green
Away from the noise of the busy town;
I dream sweet dreams of the olden days
Of you in your beautiful wedding gown.
I dream that you come and sit by me
And you hold my hand and ruff my hair;
Your eyes shine with a sweet delight
That I used to see so often there.
Then my heart is filled with a hallowed love
And I know t'is but a little way
To the spirit land, and I know that I
Shall meet you there some glad sweet day.
Then our wedding day in the spirit land
Will be filled with love and joy serene;
And the infinite hand will guide us where
The waters are still and the valleys green.

[Pg 42]

Masata

[Pg 43]

Masata was an Indian boy, he lived on the banks of the Ohio River in Kentucky. During the Revolutionary War in 1771, the Americans were taking over the land very fast, and when Masata was ten years old his parents moved to the wild regions of the Dakotas, taking Masata with them.

Here he enjoyed life although it was much colder than in his native Kentucky, and in the Winter months he wore coats of fur made from bear skin.

The days soon became filled with interesting things for Masata. One day when he was roaming through the wilds, he heard a wild buffalo approaching. He seemed almost helpless, as he had nothing but a small bow and a few arrows, and the buffalo was only a short distance from him. He began to run in what he thought was the direction of his home, but instead he was going in the opposite way. In a few minutes [Pg 44] he saw the smoke of a camp fire and ran toward it. By this time the beast was very close to him and he was almost in despair, when the buffalo lurched forward, then rolled over dead. Three Indians hunting near by had hit [Pg 45] him in a vital spot with an arrow.

The Indians belonged to a tribe which was his father's most bitter enemy, and they took him before their chief. The chief ordered that he be let live for two moons, and he was given a bed of dry twigs to sleep on as the night was drawing near.

Time passed quietly for Masata until the approach of the morning of the second moon. He had been planning how he would escape from his father's enemies. Finally one morning he slipped into a bear skin and hopped bravely off toward the woods. The Indians thinking he was a bear, shot arrows at him and wounded him in the right arm, [Pg 46]but Masata kept bravely on and was soon out of range of the arrows. Then he bandaged his wounded arm the best he could and set out for his father's wigwam.[Pg 47]

He arrived safely the same evening, and his parents were overjoyed to see him and know he was safe once more, and the tribe made a great feast, or as they call it, Pow Wow, as a welcome to his home coming.

While Masata was still a young "brave" their chief died and after a great ceremony, Masata was made Chief of the tribes, and was known as great and good ruler.






End of Project Gutenberg's Our Boys and Other Poems, by Alan L. Strang

*** END OF THIS PROJECT GUTENBERG EBOOK OUR BOYS AND OTHER POEMS ***

***** This file should be named 36094-h.htm or 36094-h.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/3/6/0/9/36094/

Produced by Jason Isbell, David E. Brown, Bryan Ness and
the Online Distributed Proofreading Team at
https://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive/American
Libraries.)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.