The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 147,
October 28, 1914, by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Punch, or the London Charivari, Vol. 147, October 28, 1914

Author: Various

Release Date: March 23, 2009 [EBook #28392]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***




Produced by Punch, or the London Charivari, Neville Allen,
Malcolm Farmer and the Online Distributed Proofreading
Team at http://www.pgdp.net






PUNCH,
OR THE LONDON CHARIVARI.

VOL. 147.


October 28, 1914.


[Pg 349]

CHARIVARIA.

Reports that Germany is not best pleased with Austria-Hungary are peculiarly persistent just now. There would indeed seem to be good grounds for Germany's displeasure, for a gentleman just returned from Budapest says that the Hungarian Minister of the Interior has actually issued an official circular to the mayors and prefects throughout the land enjoining upon them the duty of treating citizens of hostile states sojourning in their midst with humanity and sympathy.


Inquisitive people are asking, "What is the Kaiser's quarrel with the Bavarians?" He is reported to have said, the other day, "My wish for the English is that one day they will have to fight the Bavarians."


The King of Bavaria, by the way, has been operated upon for a swelling of the shoulder blade. We are glad to hear that he is progressing favourably, and it is hoped that the swelling will not, as in the case of another distinguished patient, spread to the head.


For the following little story we are indebted to the German army:—"Fears are now entertained of an epidemic breaking out among the German troops in Antwerp, as, the German artillery having destroyed the municipal waterworks, there is no drinkable water available."


Several striking suggestions have reached the authorities in connection with the danger from Zeppelins. One is that St. Paul's Cathedral and Westminster Abbey should be covered over with dark cloths every night, and that shoddy reproductions of these edifices should be run up in another part of London, and be brilliantly illuminated so as to attract the attention of the enemy.


Another method of confusing the airships, it is pointed out, would be to drain the Thames, and to flood a great thoroughfare, say that from the Bank to Shepherd's Bush, and to place barges on it so that it would be mistaken for the river and cause the airmen to lose their bearings.


Meanwhile the authorities who are responsible for the safety of London are said to be anxious to hear of an intrepid airman who will undertake to paint out the moon.


There are, of course, always pessimists among us, but we would beg the editor of The Barmouth and County Advertiser to try not to be downhearted. Impressed, no doubt, by the recent sale of two German warships to Turkey, he gives voice to the following opinion in a leader:—"Our Fleet to-day is supreme; but no one knows when an auction may take place...."


It has suddenly become more imperative than ever that the War should be finished quickly. A publishing firm has issued the first volume of a history of the war with an announcement that it will be completed in four volumes at a fixed price. If the war should last longer than a year the last volume threatens to achieve such a size that the publisher would either have to go back on his word or be ruined.


The L.C.C. has just produced a new, revised, up-to-date and fully detailed map of London, and the German War Office is furious to think that it has been put to the needless expense of compiling a similar document itself.


It has been pointed out that the War has had a most satisfactory effect on criminality. And even in civil actions witnesses would seem to be turning over a new leaf, and even insisting on giving evidence against themselves. For example, we learn from The Northwood Gazette that a van driver, charged the other day with damaging a motor-car, said in cross-examination:—"I pulled up about fifteen years after the accident happened."


In spite of the War our Law Courts pursue the even tenour of their way, and the Divisional Court has just been asked to decide the important question, Is ice-cream meat? Personally we should say that, where it is made from unfiltered water, the answer is in the affirmative.


"DE WET OF THE SEA."

Daily Mail.

We should have thought this well-known characteristic was hardly worth mentioning.


"DISGUISED SPIES"

was the title of a paragraph in a contemporary last week. These cases must surely be exceptional. We always think of spies as wearing a recognised uniform, or at least a label to indicate their profession.


"CORK STEAMER SUNK BY MINE."

Evening News.

This war is shattering many of our illusions.


Mr. Fred Emney, who is now appearing at the Coliseum, would like it to be known that he is not an Alien Emney.

It's all very well, Jarge

"It's all very well, Jarge, for you t' say why don't Kitchener an' French do this an' that? but what I say is, it don't do for you an' me t' say anythink what might embarrass either of 'em."


The New Censorship.

"The country in which so much interest centres may be briefly described. From near —— to —— and onwards in a south-easterly direction there is a low range of chalky hills, closely resembling our South Downs. There is no harm in saying definitely that not a German is on this line."

Daily Telegraph.

No apparent harm, but you can't be too careful. If the news gets round to the Germans that they are not there, they might at once set about to correct this defect.


The Tandem.

"Mr. F. Marsham-Townshend's Polygamist, 3, 6-2, E. Crickmere 0

Mr. F. Marsham-Townshend's Polygamist, 3, 6-2, O. Grant 0"

Irish Times.

Racing, you will be glad to be reminded, still goes on, but of course only for the sake of creating employment. By putting two jockeys upon the same horse the desired end is attained more easily.


[Pg 350]

CANUTE AND THE KAISER.

[Thoughts extracted from a sea-shell (howitzer pattern) by Our Own Special Conchologist on the Belgian Coast.]

There was a King by name Canute

(In ancient jargon known as Knut),

And I, for one, will not dispute

The kingly figure which he cut;

A god in mufti—so his courtiers said—

Whatever thing he chose to have a try at,

He did it (loosely speaking) on his head,

By just remarking, "Fiat!"

One day they sat him by the sea

To put his virtue to the test,

And there, without conviction, he

Threw off the following, by request:—

"Ocean," he said, "I see your waves are wet"

(Bravely he spoke, but in his heart he funked 'em),

"So to your further progress here I set

A period, or punctum."

He knew it wasn't any good

Talking like that; and when the foam

Made for his feet (he knew it would)

He turned at once and made for home;

And "I'm no god, but just a man," he cried,

"And you, my sycophants, are sorry rotters,

Who told your Knut that he could dare the tide

To damp his heavenly trotters."


The scene was changed. Another strand;

Another god (alleged) was there

(In spirit, you must understand;

His actual frame occurred elsewhere);—

"O element designed for German ships,

Whose future lies," said he, "upon the water,

I strike at England! Ho!" and licked his lips

For lust of loot and slaughter.

Then by the sea was answer made,

And down the wind this word was blown:

"Thus far! but here your steps are stayed;

England is mine; I guard my own!"

And as upon his ear this challenge fell,

Out of the deep there also fell upon it, or

Close in the neighbourhood, a singing shell

From H.M. Mersey, Monitor.

And just as old Canute (or Knut)

Stopped not to parley when he found

His line of exit nearly cut,

But moved his feet to drier ground,

So too that other Monarch, much concerned

About his safety, looked no longer foam-ward,

But said, "This sea's too much for me," and turned

Strategically home-ward.

O. S.


WAR AND THE HIGH HAND.

Scene: A Mothers' Meeting.

"They do say as this old Keyser or Geyser or whatever 'e calls 'isself be goin' to 'op it."

"Afraid of 'is life, if t'other side should win—that it?"

"Likely 'e is—an' well may be. T'other side be our side in that case, bain't it?"

"That's it. An' it's 'im for 'isself an' the rest for theirselves, from what I can see."

"This old Keyser, 'e's to blame for most ev'rythin' happenin' nowadays. Reg'lar firebran' in our midst, 'e do seem."

"Daresay 'e was drove to it, if we could but see all."

"Some woman nagged 'im into it—if you ask me."

"They do say 'e craves for peace with 'is whole mind."

"Parson 'e says on Sunday as the hypocrit' cries for peace where there is no peace."

"This war seems to take people out of their true selves, makin' of 'em ravenin' beasts."

"Men, too, as otherwise acts quiet an' well-meanin' enough. You 'eard what Doctor done?"

"What 'e done?"

"Not to old Sally's son, Jim?"

"'Im as 'urted 'is 'and blackberry time—a year ago this very month?"

"'Im. Ill unto death, 'e were, with blood poisonin', and Doctor 'e says what a shockin' state 'is blood must 'ave been in for the poison to serve 'im so."

"An' old Sally been a-keepin' of 'im ever since. 'Er needle been at it reg'lar, but 'ardly earnin' a livin' wage owin' to the meanness of them who 'as it to pay."

"An' a poisoned and, when the worst be over, ain't no bar to the appetite."

"Glad she's been to do it sooner than lose 'im, as she lost 'is brother with 'oopin'-cough."

"That must be a matter of twenty-five year ago—before ever Jim was born."

"You ain't told us yet, dear, what Doctor done."

"I'm comin' to that. Jim, 'e's not without 'is uses an' 'e's more time, like, to read the paper than the other men. So 'e reads the news an' tells it all over at 'Plough an' 'Orses' nights, an' they do say the way 'e urges of the men to 'list is somethin' wonderful."

"Not thinkin' of goin' 'isself, of course?"

"Ain't 'e 'ad a poisoned 'and? Still, this 'e did; to a lot of chaps as 'eld back 'e says—'If you goes to Doctor to be examined I'll go with you,' 'e says—could a man do more? 'I tell you honest,' 'e says, 'that with my poor 'and I'm a man marked down for stayin' at 'ome, worse luck. What would I give,' 'e says, 'to go forth in the pride of 'ealth, same as you? Still, I'll go to Doctor with the rest of you, if only to show 'ow these things should be done.'"

"'Ow many went?"

"Three in all, includin' of Jim. 'E led the way up to Doctor's surgery, then 'e waved the others in front of 'im. 'Take the sound men first, Sir,' 'e says, 'an' then, if you'll spare me a minute, I'll take it kind.'"

"What did Doctor do?"

"Doctor 'e does as Jim says and takes 'im last, after tellin' the other two as they were better at 'ome. 'I been waitin' for you,' 'e says, an' 'e turned on Jim that fierce as never was. 'A 'and as 'as been perfectly well for the last six months to my certain knowledge ain't goin' to prevent you fightin',' he says, 'so off you go an' 'list.'"

"Poor old Sally! No one to work for now but just 'erself, then?"

"War be an awful thing, it seems, for raisin' the wicked passions in peaceful men. Keyser, Geyser—whatever 'e calls 'isself—and our old Doctor ... it be all the same."


Extract from Fortress Orders at Malta:—

"A box containing butchers' implements, and marked with a red cross. Finder should communicate with the D.D.M.S., 28, Strada Britannica, Valletta."

If we did not happen to know through our Secret Intelligence Bureau that D.D.M.S. stands for Deputy Director of Medical Services we should suspect that the Germans had been once more using the sign of the Red Cross as a screen for their barbarities.


[Pg 351]
THE LIMIT

THE LIMIT.

Scene: The Coast of Belgium.

The Kaiser: "'WHAT ARE THE WILD WAVES SAYING?'"

Wild Waves: "WE WERE JUST SAYING, 'THUS FAR, AND NO FARTHER!'"

[Pg 352]
[Pg 353]
UNDER ONE FLAG.

UNDER ONE FLAG.

Genial Person (to retired Colonel, who for the past two months has put in fourteen hours a day recruiting). "Lovely morning, Sir. I see you're on our side."


THE WATCH DOGS.

VI.

Dear Charles,—We're tired of this place, so we're going to move on. Some said, "Let's go to Egypt and doze in the sun." Others were for India, and one, having a flame in Guernsey, proposed that the Division might just as well go to the Channel Islands as anywhere else. But what tempted the majority was the thought of a season's shooting without having to pay for so much as a gun licence, and so we decided for the Continent. We gave formal notice to the War Office of our requirements, said we would let them know in due course what time we should want trains, ships and motor omnibuses to start, and asked them to call for our luggage at an hour we would name, indicating that in the case of each man it would not be more than a couple of trunks or so, half-a-dozen odds and ends of smaller bags, and a case of golf clubs. To this the War Office replied that they were in receipt of our favour, thanked us for our kind patronage, assured us of their immediate attention to our esteemed commands on this and all occasions, and begged (positively begged) to be allowed to remain our obedient servants. If then you hear (as you probably will in a few days) of our departure, you will appreciate the exact manner of it: a duly deliberated and quietly dignified excursion, undertaken by us in our own way at our own time, because we happen to feel so inclined and not because we happen to be so ordered. (Speaking in the language of the registered alien, "Yes, I don't think.")

Meanwhile we watch with interest the effect of our new recruits upon the battalion as a whole. You will remember that those recruits are from all classes, and the presence of the so-called Non-manual is clearly marked in the daily conversation overheard. Thus in the good old B company you will hear: "'Ere, Bill, where's me pull-through?" "I ain't seen yer ruddy pull-through." "You'm a liar; you've bin and took it." "Get off with yer; I ain't. If yer want a ruddy pull-through, why don't yer pinch Joe's ruddy pull-through? 'E's away on guard." In F Company as now constituted it runs: "Angus, have you seen my pull-through anywhere?" "No, Gerald, I have not." "You are sure you haven't taken it by mistake?" "I assure you I have not; but, if you want a pull-through, I am sure Clement would not mind your borrowing his temporarily."

Among our last draft of recruits was a newly-joined officer who had been at the military business before. What he liked about us was that we are Territorials, immune from this new "platoon" system. "I like people," he said, "who call half a company a half-company." He had tried the new business, but couldn't manage it; he could give the "On the left: Form section" all right, but when it came to platoons he would shout, "Form ..." and then could[Pg 354] think of nothing better than pontoon or pantaloon. His brother, it appeared, had joined a Territorial regiment up North; being methodical he had read all the letters from the front which have appeared in the Press, and set about equipping himself accordingly. Even if he should lose all except what he stood up in he meant to keep dry and warm; so he scrapped all his shirts, socks, vests and whatnots, and substituted others of monstrous weight and thickness, lined his tunic with fleece, his breeches with waterproof, his puttees with fur, and his boots, it was said, with all three. Within twenty-four hours of completing his fortifications he was sailing for India.

We all contemplate that time when our valises shall be, unhappily, no longer with us. The odd things we must still have are: towel, razor, soap, shaving soap, shaving brush, toothbrush, extra boots, socks and so-on's, mess-tin, knife, fork, spoon, revolver, ammunition, compass, clasp-knife, field-service pocket-book, note-books, sketching-books, lamp, flask, bandages, mug and house-wife. These might be accommodated in the haversack or elsewhere, but that all available sites are already occupied by what we, or better still our relatives, friends and acquaintances, consider indispensable, such as pipes, tobacco, matches, compressed victuals and drinks, maps, dictionaries, medicine-chests, chocolate, purses, cheque-books, letter-pads, fountain-pens, fountain-pen fillers, chronometers, electric-torches, charges for same, unpaid bills, unanswered correspondence, sponges, ointments, mittens, bed-socks, camera, boot-brushes, dubbin and spare parts. Obviously one will eliminate (as you were about to write and suggest) the bills and the correspondence, but those, Charles, are the only things that don't occupy room. What else can one eliminate? The only thing is to reform one's life and learn to be a pantechnicon; one may also, with a little ingenuity, use one's clothes to serve a double purpose. I have only got as far as evolving a scheme for tying up all the outlets of my breeches and then filling them with air, so that one leg makes a bolster and the other a pillow—two articles which, you will observe, were omitted from the inventory.

By the way, our new officer was only gazetted on the very day he travelled down with us. He started badly with a heavy reverse and casualty list, for we played bridge on the way and he lost his first day's pay, messing allowance and field allowance, all except twopence, which goes (I believe) to income-tax. When we arrived at our billet we found Pay in process. A private, who has a moment or so ago saluted and withdrawn with his pay, seeks re-admission. "Colour-Sergeant!" he says. "What is it?" "I think you have given me sixpence short." To which the brutal Colours replies briefly, "'Op it." Later another private comes. "Colour-Sergeant!" says he. "What is it now?" "I think you have given me sixpence too much." "Come in, my lad, come in," replies the kindly Colours.

We were lectured in map-reading and so forth this morning, and were told that, all else failing, we might get our bearings from observing the direction in which the local church pointed. But an active brain suggested that these Germans had no doubt thought of that years and years before and, in order to deceive us, had built their churches with the east windows pointing west. When, the other day, the R.A.M.C. man inspected the feet of the battalion, the same intelligent unit wished to know who had got the first prize and whether for quality or quantity.

Yours,

Henry.


Mary Jane

Mary Jane (at climax of fearful story of German spy). "And when the police searched the cellars they found enough ambition to blow up the whole of London."


"PROGRESL IN NORTHERN FRANCE."

North Eastern Daily Gazette.

Przemysl, however, remains in Galicia.


STUDIES IN DISCIPLESHIP.

(In humble imitation of the exploits of the German Wireless Service.)

Mr. Ramsay MacDonald and Mr. Keir Hardie have joined Mr. Blatchford in a recruiting campaign, with most gratifying results. In the course of one of his speeches Mr. Ramsay MacDonald announced that the experience he had gained while tiger-shooting in India had enabled him to organise an elephant-gun battery, with which he was shortly about to proceed to the front.

It is reported that, at the instigation of the Chevalier William le Queux, the Republic of San Marino has declared war on Germany, and appointed the Chevalier as generalissimo of its forces, which are estimated at 250 men.

Great consternation has been caused in Vienna on receipt of the news that, in view of Beethoven's full name being van Beethoven, and his origin Dutch, he has been removed from the list of belligerent composers and regarded as a neutral by concert-givers in London and Paris. A counter-movement has in consequence been started with the object of treating Beethoven as a hostile alien during the progress of the war.

The transports of enthusiasm caused in Berlin by the announcement that Mr. G. B. Shaw had decided to be known in future as Mr. Bernhardi Shaw have given place to bitter disappointment on the peremptory denial of the rumour by the famous comedian himself. As a matter of fact he is hesitating between Benckendorff, Balakirev and Bomboudia.


"War F. N. Belgian Manager going home, sold new F. N. Motorbike 2½ H.P. kick starter at cost price."

Advt. in "Ceylon Independent."

The starter will probably consider that it is not worth it.


"A flag day on behalf of the Belgian refugees was held at Wimbledon yesterday. A procession was formed in front of the Town Hall headed by the High Sheriff of Paris, M. Leo Strachey."

Sunday Chronicle.

We welcome M. Strachey to England, and trust that he will be impressed by such British institutions (e.g. The Spectator) as he may chance to come across during his stay.


[Pg 355]

THE WHITE MAN'S BURDEN.

Who ran to watch how Nancy fell

Beneath a storm of shot and shell,

And, when she didn't, felt unwell?

The Kaiser.

Who stimulates his gentle sons

To ape the manners of the Huns?

Who doesn't feed the Bear with buns?

The Kaiser.

Who circulates ingenious glosses

To minimize his army's losses,

And scatters showers of Iron Crosses?

The Kaiser.

Who suffers agonizing pains

When stern necessity constrains

The bashing-in of Gothic fanes?

The Kaiser.

Who has for several weeks of late

Omitted to communicate

With any foreign potentate?

The Kaiser.

Who in a cage of steel, we're told,

The tides of war about him rolled,

Watches the scroll of Fate unfold?

The Kaiser.


The Recruit here portrayed

The Recruit here portrayed, being most anxious to get into Kitchener's Army, is determined to accommodate himself to any conditions as they arise.

Officer (filling in form). "What's your religion?"

Zealous Recruit. "Well, what are you short of?"


FALSE PRETENCES.

Since the War began the military experts have monopolised one corner of the smoke-room. Don't imagine I am going to write about them. It is in the other corner of the smoke-room that the Cheering-Up Association meets. There we all come and relate our business troubles and listen to the troubles of our friends. It is wonderful how consoling other people's troubles are. Robinson brightens perceptibly when he discovers that Jenkins is also heading for the Bankruptcy Court.

Of course the talk began with Mitchell's play. It always does. We have followed with tempered interest its pilgrimage from one manager to another these two years.

"All U P," groaned Mitchell. "Algernon Princeton had promised faithfully to produce it in October. Now he's closed his theatre. He's a pretty patriot. If it had run—let us put it moderately—two hundred nights I should have made £4,000 clear. American rights would have been worth quite as much. Touring companies in the provinces, Colonial rights, translation rights—why, I should have made ten thousand—no, in business matters one must be accurate—say, twenty thousand. It's all that William! If I wasn't over age and hadn't tobacco heart, I'd go and have a pop at him myself."

"That's just speculative loss," said Nairn. "Now I've lost an actual income. You men know I'm by way of being a financial authority. Well, who wants financial advice nowadays? I give you my word of honour I've sold nothing since the war began except half-a-dozen articles on the weakness of Germany's financial position. If it is anything like my financial position the war won't last long. I envy Wilson over there. He's got something to sell that's wanted. Nothing like the wholesale woollen business nowadays."

Wilson shook his head. "You don't know all," he said. "I don't mind telling you fellows in confidence that I owe over four thousand pounds, and I don't know when I shall be in a position to pay it."

Everyone looked sympathetic, and when Wilson had risen from his seat and walked towards the door there was a general murmur of "Poor fellow, it's hit him very hard."

Wilson paused at the door and looked back. "Did I mention," he said, "that I owe that sum to German manufacturers?"

It was unanimously voted by the Cheering-Up Association that no club rule was violated when Mitchell hurled a match-stand at the member whom we had been cheering up on false pretences.


[Pg 356]

THE LAST LINE.

III.

As our wives remark to each other nowadays over the knitted helmets, "It's extraordinary how dark London is at night." They then drop two and purl two, and add, "Particularly as the evenings are drawing in so." But while they prattle of it thus lightly we (their husbands) are outside in it all, marching ... and wheeling ... and tripping over each other. At what risk to ourselves I will show you.

It was Thursday the 22nd, and at six o'clock our Company might have been seen (had there been a better light to see it by) progressing smartly in column of platoons. The shades of night were falling fast as over Regent's Park we passed, and my platoon was marching last, excelsior. As my platoon came opposite our Commanding Officer he gave the order, "About turn." We did so. "Form fours, left"—we made it that. The night fell thicker; I can now speak only for myself and my immediate neighbours. "Right incline"—we inclined rightly. Another "Right incline" and a "Halt," and then the C.O. came up to look for us. My platoon had got together somehow, and murmurs came to us from the platoons behind us. You know how quickly a rumour will run through a company. Such a rumour now ran through ours. It went from man to man; it came to me at last; it went on ... it got to our Commander.

"No. 1 platoon missing!"

The C.O. came up to us, struck a match and counted us. Only three platoons—we were a platoon short.

The rumour was true!

We never saw that platoon again. Its story, as we piece it together from the tales of park-keepers, policemen and other non-combatants, is as follows. It failed to hear the order "About-turn" and marched straight forward. In the Regular Army a combination of obedience with initiative is taught the recruit; we are still at the implicit obedience stage. No. 1 platoon had its orders. It came to some railings three hundred yards further on and climbed over. At the Ornamental Lake it took to the water. The survivors continued the march south. They were seen for a moment at the Marble Arch, and then again at Epsom. Nothing more is known definitely; but a specimen of the Corps badge has been found on the beach at New Shoreham, and it is supposed.... Well, well—we shall miss them.

These, then, are some of the dangers which we who drill in the evenings face cheerfully. But there are other spirits, less brave but more energetic, who drill in the early mornings. I have been told the hour at which they fall in, and I tried at once to forget it. I am in bed then. But there is, I know, one hero who comes up thirty miles from the country to attend. In order to be there punctually he has to get up three days beforehand each morning, and have his breakfast over-night; but he does it.... And I think the Germans ought to know.

However, he and all of us had our reward last Saturday, when we marched down to camp five hundred strong. It was not so much the remarks of the spectators (many of whom foolishly mistook us for Belgian refugees) which flattered us, as the respectful way in which the police held up the traffic to let us pass. Five hundred men take some time passing; to delay for that time the taxi of some impatient War Office official, bulging with critical despatches, gave one an importance never to be acquired in civil life. For a mere editor not even a tricycle would be held up.

As I have said, our exact status in the military world was misapprehended by the spectator. It so happened that our more elderly members were on the left or pavement side, and it was from the pavement side that I heard the remark (evidently from one who felt that his relief-fund subscription had not really been wanted), "Well, they don't look 'ungry." Others on this side surmised that we were suspected waiters rounded up from the different restaurants, and made humorous complaints to us in our late capacities—as that their ice-pudding had been fried too long. But on the road side we did better. Dear ladies, observing only the flower of the Corps (myself and others), took us for the real thing and called down blessings and kisses upon our heads; and for a time we even deceived a small boy who had been watching us eagerly. But only for a time. "Lumme," he said aloud to himself, "there's anuvver of 'em wiv knock-knees," and disillusionment cannot have been long delayed.

It may be admitted that some of the more active ones feel it a little that they have to carry the more elderly ones with them. A suggestion has been made that there should be an age-limit of eighty-five, but I don't know if it will come to anything. Another suggestion is that a special Veterans' Wing should be formed, which, instead of marching, would go out at the week-ends with a couple of cement-hounds, and look for cement foundations. It is felt that the work would be useful and yet not too active. It is in the same spirit that we discuss what will be done with the Corps as a whole when the Germans arrive. The pessimistic view is that we shall be immediately interned by the War Office, to keep us out of trouble. Others, more hopeful, think that we might be kept for "exchanges," in case the enemy make any notable captures. For instance, five of us might be considered the equivalent of an artillery mule; a platoon would balance a Territorial subaltern; and the whole bunch could be offered for (say) the return of the Albert Memorial. But the most popular impression is that we shall be asked to give some sort of display in the centre, in order to lure the Germans on. And while we are forming fours strongly and persistently in front of them ... the real attack (Regulars and Territorials—with rifles) ... will fall suddenly upon their flanks ... and decimate them.

So we talk, but at heart we take it seriously; and very seriously and gratefully we take the real soldiers who give up their time to teach us, and do not seem to think that that time will be altogether wasted.

A. A. M.


MISTAKEN POLICY.

"Thorny Bank."

Dear Sir,—I am directed to give you notice that the Vesuvius Fire Insurance Co., Ltd. has lately acquired the freehold of these premises and desires to have the insurance against loss or damage by fire transferred to itself. The premium, at the rate of one shilling and sixpence per cent on their value, is fifteen shillings. Upon receipt of this sum I will give immediate instructions for a policy to be issued and forwarded to you.

I am, dear Sir, yours faithfully,

D. Smith, Secy.,

The Vesuvius Fire Insurance Co., Ltd

H. Jones, Esq.


"Thorny Bank."

Dear Sir,—In reply to your letter of yesterday, I find that I have an unexpired policy for £1,000 with the Etna, an office which has enjoyed my confidence for many years and in which I have other insurances. Under this policy I am held covered till Lady Day not only against fire, but also against lightning, explosions of gas—most things, in fact, except riots, earthquakes, the King's enemies, aeroplanes and volcanoes. Regretting, therefore, that I am unable to give you the business, because of the more extensive benefits conferred by the Etna.

I am, yours faithfully,

The Secy., Hy. Jones.   

The Vesuvius Insce. Co.

[Pg 357]
"Thorny Bank."

Dear Sir,—I am in receipt of your letter, but I would beg to refer you to your lease. You will find it there expressly stipulated that you shall insure in some office of repute in London or Westminster to be approved of in writing by the Lessors. In these circumstances you will no doubt be persuaded of the desirability of sending me the premium forthwith, in order to effect an insurance which has your Lessors' approval. It is possible that the office you name would give you credit for so much of the premium as is proportionate to the risk unexpired.

Yours faithfully,      

D. Smith, etc., etc.

H. Jones, Esq.


"Thorny Bank."

Dear Sir,—I feel very keenly the suggestion that the Etna is an office of questionable repute. The likelihood of fire is small, as unfortunately the premises are at present standing empty, though I have a tenant in prospect. But in any case it is unthinkable that the Etna could not assemble a thousand pounds, should the need arise. If you care to write to me again shortly before Lady Day with terms no less advantageous than those I now enjoy, I do not say that I should not be prepared to consider them. But in the meantime this unprofitable discussion must cease.

Yours faithfully,

The Secy.,    Hy. Jones.

The Vesuvius Insce. Co.


"Thorny Bank."

Dear Sir,—I am directed to inform you that, unless the premium for effecting a fresh insurance in this office is forwarded within a week, proceedings will be taken to enforce the forfeiture of your lease without any further notice whatever.

Yours faithfully,

D. Smith, etc., etc.

H. Jones, Esq.       


"Thorny Bank."

Dear Sir,—Being desirous of effecting an insurance of these premises against fire, I should be obliged if you would kindly give instructions for a policy to be issued at once. I enclose postal order for fifteen shillings. The policy when issued should be forwarded to me.

Yours faithfully,

The Secy.,    Hy. Jones.

The Vesuvius Insce. Co.


Policy No. 3,262,854.

Dear Sir,—I regret that owing to my absence in Scotland the safe receipt of this policy was not sooner acknowledged. But I still more regret to have to inform you that the insured premises were totally destroyed by fire at a late hour last night, the cause of ignition being ascribed to the caretaker's habit of smoking in bed. Whilst sympathising with you in your loss, I find, on reference to my lease, that I am under covenant to reinstate them as speedily as possible. As I particularly wish to avoid any unpleasantness with my Lessors, may I ask you to proceed with the work at once?

Yours faithfully,

The Secy.,    Hy. Jones.

The Vesuvius Insce. Co.


Policy No. 3,262,854.

Sir,—I am in receipt of your letter of yesterday, which has been handed to the Claims Department. I recollect that in a former letter you adverted to an existing policy with the Etna Office, and as that office will be liable to contribute a share of the moneys covered by the double insurance you are required to furnish particulars of the policy.

Yours truly,

D. Smith, etc., etc.

H. Jones, Esq.      


Policy No. 3,262,854.

Dear Sir,—I enclose, as requested, particulars of my policy with the Etna. For my own part, I do not quite see how it will help you, since, profiting by your advice, I succeeded in obtaining a part rebate of premium—thus, I apprehend, releasing the risk. But no doubt you know best.

Yours very truly,

The Secy.,    Hy. Jones.   

The Vesuvius Insce. Co.   


Patriotic Teacher.

Patriotic Teacher. "'England expects—— 'Now, will one of you boys finish the sentence? 'England expects——'"

Bright Pupil. "To win!"


"91 To Sing Solo."

Asbury Park Evening Express.

Too many.


[Pg 358]
That's a nice pair of Oolan boots

First Trooper. "That's a nice pair of Oolan boots you got there, Bill."

Second Trooper. "Yes; not bad. Had to knock out six of the blighters afore I got a pair to fit me!"


IN DARKEST GERMANY.

(Being a humble appeal to English Divines, suggested by the attitude of Teuton Professors to the Belgian atrocities.)

Hear me, most noble missionaries who,

Toiling on Africa's half-tutored shore,

Had words quite recently at Kikuyu

Whereof the motley bard may say no more.

I would not dare to judge of warring creeds;

It may be that the dark-skinned Hottentot

Has skill to balance up his spirit's needs

And know that this is truth and that is not.

But there are sloughs of ignorance so deep

That sect and rubric seem to fade away,

Souls unaroused as yet from barbarous sleep

That have not glimpsed the prospect of the day.

These have no art to tell the wrong from right

Who tot up two and two to sums unknown;

Uganda, relatively erudite,

Has wants unfelt by Frankfurt and Cologne.

So, when the flags are furled, the trumpets mute,

And soft-voiced messengers replace the guns,

Let it be yours to stifle old dispute

And found a first-aid mission to the Huns;

Teaching them not at first the subtler things

Of dogma, suited to a folk more wise,

Such gospel as ye bear to savage kings,

But "steal no longer" and "have done with lies."

Tell them that murder is esteemed "tabu",

That the Red Cross is now a sacred sign;

Tell them no more than that; it will be new;

They have no need of ritual on the Rhine.

Let presently a non-sectarian school,

Where knowledge shall be taught to Teuton men

That mumbo-jumbo is an out-worn rule,

Be built at Heidelberg or Göttingen.

There shall the Vandal sages come and go,

And learn at last why Belgium felt chagrin,

And pace the Prussian goose-step very slow,

From class to class, with lots of halts between.

They shall attain in time, but not as yet,

To starrier heights that now the negroes win;

Meanwhile your common goal is clearly set

To wake the untouched blindness of Berlin.

Evoe.


Another Impending Apology.

"Lieutenant Asquith's first thought is for the comfort and feeding of his mary ..."—Daily Record.


From an ante-War advertisement:—

"Holiday Courses in German, Kaiserslauten, Rhenish Palatinate.

Lectures under the auspices of the International Peace Association.—Aug. 3 to Aug. 29."

This course of pacific lectures has had to be postponed, but it is hoped that it may be given by the end of next summer under the auspices of the Allies in Berlin.


[Pg 359]

A PLAIN DUTY.

A PLAIN DUTY.

Britannia (to Holland). "MY RESOURCES AND MY OBLIGATIONS ARE GREATER THAN YOURS; LET THIS SERVICE FALL UPON ME."


[The number of Belgian refugees in Holland is probably ten times as great as the number in England.]

[Pg 360]
[Pg 361]
Well, William, heard anything of your son?

"Well, William, heard anything of your son?"
"No, Miss; but they'll send 'e to the front right away. 'E be just the man they be wantin' there."
"I'm sure he is. But why do you think he will go straight to the front?"
"Why, you see, Miss, 'e'll be able to show 'em the way about. 'E was at the Boer War, an' knows all them furrin' parts."


THE REAL REASON.

Mr. Arthur Grayson, recently returned from Bad Nauheim, brings an interview with His Excellency Herr von Bode, which he obtained under curious circumstances. It seems that the famous Director of the Kaiser Friedrich Museum in Berlin, and for long the ultimate arbiter of taste in Germany, wishing to send a message to the American people, wrote to an American journalist, also, as it chanced, named Grayson, and also a resident in the other Grayson's hotel, making an appointment. But the American Grayson had then gone, and the English Grayson having opened his letter by mistake, and being not unwilling to see Berlin for himself during war-time, carried the missive to the capital, met the illustrious virtuoso and received the confidences intended for the instruction of New York and Washington, correcting their preposterous view of the German origin of the war.

We now give Mr. Grayson's words: "'To make you understand the situation clearly,' said Herr von Bode, 'we must go back a little into history. Some years ago I was offered by an English dealer a wax bust of Flora, which I saw in a moment was by Leonardo da Vinci. No trained eye could have mistaken it for anything else. I therefore bought it and made it the very jewel of this superb collection. England, however, always envious and acquisitive, in matters of connoisseurship dense, and now mad with rage to think that I alone had sufficient culture to discern the true and beautiful, at once set up the cry that the bust was the work not of Leonardo in the fifteenth century, but of an Englishman named Lucas in the nineteenth. They stopped at nothing in defence of this claim. The English sculptor's son was even produced to remember his father at work on it; while it was affirmed that a piece of his father's waistcoat had been used as an internal support for the bust. The campaign of calumny and mis-information, in short, was as thorough as if Wolff's Bureau—I mean it was very thorough.'

"'And what happened?' I asked.

"'We had no doubt ourselves,' said my companion. 'Had Mr. Tussaud himself sworn that he was the modeller only yesterday we should have had no doubt, so indelibly, to the competent German eye, was the genius of Leonardo stamped upon it. But we permitted the bust to be opened from the back, and true enough a piece of modern cloth was found within. That, however, as I say, could not affect the authenticity of the work, for it might easily have been sent to Lucas for renovation, and it is well known that a renovator often stuffs something inside the shell of these busts to keep it from falling in while he is at work.'

"'Still it was, perhaps, awkward for you?' I asked.

"'In the contemptible English art circles some cry of triumph was raised,' he replied, 'but no one in Germany was shaken. Moreover, they knew—what I knew—that England raised these doubts merely to cover her own original stupidity and ignorance. She was now convinced that it was by Leonardo, because she knew I could not err, and her game was to belittle the bust. How barbaric! how devilish![Pg 362] but how characteristic! And why did she belittle it?" he continued.

"'Why, indeed, go to that trouble?' I said.

"'Because'—his words were slow and impressive—'because she wanted it! She wanted it, hungered for it, thirsted for it. She had let it go and she could not forgive herself. How much she wanted it no one will ever know!' He paused.

"'What then did she do?' he resumed. 'Finding that her bitter attack on the bust was useless, and served only to make us prize it the more, she began to plot to steal it. I could not tell you the number of attempts that have been made to get possession of this world-wonder. No one could tell you. Day after day Englishmen, disguised even as German gentlemen, thronged the museum, all asking the way to the bust. We were continually on our guard. Attendants patrolled the room day and night. Our efforts were successful.'

"He paused again and looked at me in triumph.

"'Yes,' he resumed, 'the bust remained where it was. England, in despair, then decided that a supreme effort must be made, and began to arm and mobilize. The art faction got hold of Sir Edward Grey—nobbled him, as you say. It was upon learning of this treacherous preparation and its dastardly motive, that our sublime Kaiser took the action he did. I say it with conviction, there would have been no war but for England's mad desire to possess again the Leonardo wax bust.'

"'But what about the violation of Belgium?' I asked.

"'Ah!' he said darkly. 'It was England's intention to march through Belgium to Berlin to get the bust. Fortunately we knew that. We therefore marched through Belgium first.'

"With these words the famous virtuoso sat back in his chair.

"'If you will consent to be blind-folded for a part of the journey—a necessary precaution which I am sure you will appreciate,' he remarked a moment or so later,—'I will show you the priceless masterpiece in its hiding-place. Then you will understand. Also I should like the world to know how Germany reveres and guards its choicest treasures."

"Naturally I consented, and a bandage being bound over my eyes I took the hand of my companion and was led away.

"You may wonder that after everything that has been happening recently I was willing thus to entrust myself to a German, but you must remember that so far as he knew I was an American, a member of a country whose goodwill has been angled for with every conceivable bait. It is not as if I had been a cathedral or a French priest or a Belgian mother.

"For how far I was led I cannot say, but we seemed to descend an incredible distance into the earth and then pass along interminable passages. At last my eyes were unbound and I discovered myself to be in the midst of a company of soldiers armed to the teeth, obviously underground, and I saw opposite me, in the light of an electric torch, a massive iron gate, which the supreme expert proceeded to unlock.

"We entered a gloomy cavern and again were confronted by a massive gate, which in its turn was also unlocked, revealing an inner chamber in the midst of which was a glass case.

"My companion reverently uncovered. 'The triumph of my career,' he murmured. 'The coping-stone of my virtuosity. The cause of my ennoblement.'

"Before us was the famous wax bust, fresh from the hands of Luc—I mean Leonardo.

"'And the early-Victorian waistcoat,' I said, 'which the clumsy fellow who renovated this bust always stuffed into the Leonardos which he was called upon to botch—you still have that?"

"'Oh no,' replied the enthusiast hastily, 'we threw that away. Why keep that? But you can understand," he continued, "why we have taken all the precautions we have? Whatever else might be lost in any attack on Berlin—should one be within the bounds of possibility—this must be saved.'

"'Not only must,' I replied, but will be saved. I feel certain that your plans have been sufficient. England, whatever else she may take from Berlin, will leave this bust with you.'

"He wrung my hand. 'You hearten me,' he said. 'But now for the return journey;' and again the bandage was applied."


I.II.III.
"Morning, mate. Bit breezy
for getting a light,
ain't it?
"


Among other items being produced at the Ambassadors' Theatre by an Anglo-Franco-Belgian company is "My Lady's Undress." A contemporary describes this as "a good take-off."


"English submarine after a rude battle drowned the German Ship Heine."

This is from The Bahia Blanca Times (the only foreign paper we take in), and shows how the news gets about.


The Daily News quotes the Berlin Taegliche Rundschau as follows:—

"Germany and Holland ... are neighbours of ethnological affinity and united by numerous commercial and intellectual bombs."

Even the bombs in Germany are cultured.


[Pg 363]

THE ARREST.

"Excuse me, but can you tell me which is Hunter Street?" said the tall pleasant-looking man with the slightly foreign aspect.

"Hunter Street," I said, waving a vague hand, "lies over there. It is," I continued, fixing him with a stern look, "for constabulary purposes a chapel-of-ease to Bow Street."

He did not seem in the least perturbed.

"Ah!" he said, "a special constable, I suppose?"

I was only going on duty—theoretically I am never off duty—but I am missing no chances.

"Yes," I said, "I am. Do you mind telling me, quite between ourselves, you know, whether you are a German spy?"

He smiled slightly.

"Because if you are," I said, "perhaps you wouldn't mind holding on a minute. The strap of my truncheon has (tug) got fouled (tug) with my (tug) braces."

I got it out at last and stroked it lovingly. "I can't start before I'm ready," I said. "Rather neat bit of wood—what? Chose it myself at Bow Street. I take a 13½-ounce racquet, you know."

"You seem," he said, "to have given up caring whether I am a German spy or not."

"Your mistake," I said; "I was merely gaining time to size you up properly. Better take your pince-nez off. Broken glass is such a nuisance, don't you think?"

He ignored the friendly hint. "As a matter of fact," he said, "I am partly German."

"Show me the German part," I said, gripping the corrugations of my truncheon more tightly. "I'm a little pressed for time."

"And partly French," he went on.

"That's rather awkward," I said.

"And I was born in Russia."

"Worse and worse," I said.

"And spent practically the first twenty years of my life in Italy."

"This," I said, "is the absolute boundary. Yours is a case for the New Prize Courts."

"But you haven't formally arrested me yet," he said.

"True," I said, "I'm just coming to that part, but at the moment I've forgotten the opening movements of the half-nelson."

"My wife," he said musingly, "will be very annoyed. She's extremely English, you know."

"Look here," I said, "I really think I shall let you go, after all. So little of you is the enemy, so much the friend, that I don't care to take the responsibility of arresting you. But perhaps I ought to resign. Come and have a sandwich, I've just time for one, and we can talk it over."

"Right," he said, "we may as well. By the way, it was my grandparents on my mother's side who were French and German." Then, producing his warrant card, he said, "I am a Special too. My name's Briggs."


TALES FROM THE TRENCHES.

TALES FROM THE TRENCHES.

Some of our Soldiers, who were within seventy yards of the German trenches, hoisted an improvised target. The Germans did the same. Both sides signalled the result of the shooting.

First Tommy. "Get down! Do you want 'em to cop yer?"

Second Tommy. "Blimy! The perishers signalled my bull a miss, and I'm just agoin' to 'op over an' tell 'em abaht it."


The following reaches us from General Headquarters abroad:—

"Army Troop Order, No. 40.—Information has been received that many Field Service postcards are arriving at the G. P. O. without any address on them. The instructions printed on the cards that nothing is to be written on them does not apply to the address. O. C.'s are requested to bring this fact to the notice of all ranks. Oct. 12, 1914."

The discipline in the Army seems to be almost too good.


"The German Press is conducting a campaign to prove that Belgium was deceived by the English, who, it is asserted, depicted the Germans as sausages; hence the people were frightened when the German troops approached."—Yorkshire Evening Press.

The Scotch, however, are even less polite, The Aberdeen Evening Express announcing boldly—

"GORILLA FIGHTING ON THE BELGIAN FRONTIER."

[Pg 364]

THE KHAKI MUFFLER.

The blinds were drawn, the lamps were lit and the fire was burning brightly. I was reading an evening paper—we get the 5.30 edition at the moment of publication, though we are thirty miles from London—and I had just found Prezymyzle (my own pronunciation) on the map for the thousandth time. Helen says that quite in the early days of the war she was told it ought to be pronounced Perimeeshy, but that seems impossible. Rosie declares for Prozmeel. Still she isn't very confident about it. One thing seems certain: when the Russians take this jaw-cracking town they will pronounce it quite differently from the Austrian form, whatever that may be. Just think of what happened to Lemberg. There appeared to be a kind of finality about that, but no sooner were the Russians in it than it turned into Lwow. After that anything might happen to Przemysl.

However, there were the three of us sitting in the library. I was helping the common cause with the evening paper and the map, and Helen and Rosie were knitting away like mad at khaki mufflers for Lady French. Click-click went the needles; the youthful fingers moved with incredible deftness and celerity, and line after line was added by each executant to her already enormous pile. There had been a long silence, and the time for breaking it seemed to have come.

"Well done, both of you," I said. "You really are getting on to-day. A week ago I thought you'd never get finished, and now——" I waved my hand encouragingly at the two heaps of wool-work.

"There," said Helen, "you've made me drop one."

"Pick it up again," I said with enthusiasm. "What were girls made for if not to pick up dropped stitches? But tell me," I added, "what would happen if you didn't pick it up?"

"My soldier," said Helen gloomily, "would go into the trenches and, instead of having a muffler, he would suddenly find himself coming undone all over him. Do you think he would like that?"

"No," I said, "he wouldn't. No soldier could possibly like a thing of that sort when he's got to fight Germans."

"I wonder," put in Rosie, "what my soldier will be like. I think I should like him to have a moustache—yes, I'm sure I want him to have a moustache."

"He'll have a moustache all right," said Helen, who is practical rather than dreamy. "And he'll have whiskers, too, and a beard as long as your arm. Do you think people have time to shave when they're in trenches?"

"Well, anyhow," said Rosie, "both our soldiers will be very brave men."

"That," said Helen, "is quite certain. Let's put in some good hard stitches to thank them for their bravery."

There was a short silence while this operation was performed with great zeal. The fingers flew through their complicated task and the web seemed to grow visibly.

"Haven't you both," I said, "done about enough? Talk about mufflers! In my day a muffler was something a man wore round his neck; but your mufflers would serve to clothe a whole platoon from head to heel with something left over. Benevolence is all very well, but you shouldn't overdo it. There isn't a soldier alive who wouldn't trip over your mufflers. Think of him tripped up by a muffler and caught by a German."

"Lady French," said Helen, "wrote in her letter to The Times that every muffler was to be two yards and a half long and twelve inches broad."

"Well," I said, "you've got the breadth all right."

"Yes," said Helen, "we got that in the first line, and we've never let go of it since. Anybody could get the breadth. You could do that if you tried."

"Graceless child," I said, "you don't seem to be aware that in my earliest boyhood I once began to knit a sock."

"But you didn't finish it," said Helen. "I know that story."

"Fathers," said Rosie, "could knit very well if they tried, but they won't try."

"Come," I said, "I won't compete with you in knitting, but I'm game to bet you've done seven feet six inches in length already."

"All right," said Helen, "we'll bet a penny. Only remember, mine was only six feet yesterday and Rosie's was four inches shorter."

I spread the fabrics on the floor and set to work with a tape measure. The first result was, Helen five feet eleven inches; Rosie five feet six inches.

"This," I said, "is maddening. You are imitating Penelope."

"I don't know about Penelope," said Helen, "but you haven't straightened them out enough."

I smoothed them out carefully and measured again. This time the result was, Helen six feet two inches; Rosie five feet ten inches.

"Capital!" I said; "I will do some more smoothing."

"No," said Helen, "that won't be fair to Lady French or our soldiers. We must give them an inch or so over, if anything;" and they picked up the unfinished mufflers and set to work at them with renewed energy.


This was four days ago. Now both the mufflers are gloriously finished and ready to be despatched. When our two soldiers wear them we hope they will feel that there is a little magic in them as well as a great deal of warmth. There is love knitted into them and admiration and gratitude, and there are quiet thoughts of beautiful English country-sides and happy homes which our soldiers are helping to guard for us, though they are far away.

R. C. L.


THE LOST SEASON.

(A Point of View.)

Farewell to the stretches of pasture and plough

And the flicker of sterns through the gorse on the hill,

And the mulberry coats there, alone with them now,

To cheer as they're finding and whoop at the kill;

Farewell to the vale and the woodland forlorn,

To the fox in his earth and the hound on his bench;

Unheard is the pack and unheeded the horn,

So loud and so near are the bugles of French.

The lines of blood hunters are gone from the stalls

And a host of good men to the millions that meet,

For grim is the Huntsman, in thunder he calls,

And continents roar with the galloping feet;

There's a country to cross where the fences are steel,

And, though many must fall and the finish is far,

There is none shall outride them, with heart, hand and heel,

Who have gone hard and straight in "The Image of War."


The German "Dove."

(Suggested by recent exploits of the "Taube" Aeroplane.)

In ancient and in happier days the Dove

Stood as an emblem sure of peace and love;

Now must we link it with the fiend who flies

Down-dropping death on children from the skies.


[Pg 365]
Sportsman.

Sportsman. "Last two cartridges, Dan. What's to be done now?"

Dan'l. "Ye'll hev to take to the bainit, Colonel."


A NEW ART.

[It is rumoured that Cinema playwrights, following the example of certain well-known stage dramatists, are likely in future, in addition to the film representations, to publish their works in novel-form. The manuscript of one of the earliest of these productions has just come into our hands.]

LOVE AND DIPLOMACY.

Chapter I.

The last rays of the setting sun, shining through the windows of the Foreign Office, fell upon Clement Carmichael, the brilliant young Foreign Secretary, as he sat at his desk studying despatches. A slight noise caused him to raise his head sharply, and he observed a stranger of alien appearance standing before him.

Without a word the intruder produced a revolver and levelled it at Carmichael. Caught like a rat in a trap, the latter, after a moment's hesitation, handed over the despatches and leaned back with an expression of bitter despair.

"It is Raymond Blütherski!" he gasped when he was again alone. "I am ruined!"

Chapter II.

There was not an instant to be lost. Dashing down the steps of the Foreign Office, Carmichael leapt into the waiting motor and shouted hoarsely to the driver. A moment later the car was disappearing rapidly down the street.

Chapter III.

Felix Capperton, the detective whose fame had penetrated two hemispheres, was playing chess with his daughter Madge, a tall and beautiful blonde. Suddenly the door opened and Carmichael entered hastily. In a few tense words he explained the situation to the famous sleuth, while Madge Capperton stood silent, pressing her hands to her heart.

The detective pointed meaningly at the chessboard, and Carmichael bent over it with an expectant face.

"It is checkmate!" he said.

"We will checkmate Blütherski!" replied the other confidently.

The eyes of the Foreign Secretary met those of the girl and a sympathetic smile passed between them.

Chapter IV.

In his private sanctum Capperton with skillful fingers fixed a moustache and side whiskers to his lean and mobile face. His daughter handed him a soft hat and a Gladstone bag, and he was transformed before her eyes into a commercial traveller.

Chapter V.

Raymond Blütherski paced the deck of a Channel steamer, deeply absorbed in the fateful despatches. Suddenly he turned smartly on his heels.

He was face to face with Capperton, disguised as a commercial traveller.

Accustomed to such emergencies his mind was made up in an instant. Rolling the papers into a ball, he hurled them into the mouth of a large ventilator which stood near.

Unhesitatingly the detective threw himself into the ventilator and disappeared head first. With a cry of baffled rage Blütherski followed.

Chapter VI.

In the bows of the same steamer stood Madge Capperton and Clement Carmichael, gazing anxiously before them. Her fingers tightened on his arm. Their faces took on an expression of horror and despair.

A huge liner was bearing directly down upon them![Pg 366]

Chapter VII.

In the treacherous waters of the English Channel the brilliant young Foreign Secretary supported Madge Capperton with one arm, while with the other he swam strongly towards the only floating object in view.

As they drew near he perceived that it was a large ship's ventilator. It was sinking fast, and from its mouth protruded the heads of two men engaged in a life-and-death struggle. They were Capperton and Blütherski.

With a cry of encouragement Carmichael redoubled his efforts.

Chapter VIII.

A ship's lifeboat, propelled by strong and willing arms, travelled swiftly across the sea. Presently a shout went up from the man in the bow. Four figures were seen struggling frantically in the water, and the rowers bent themselves with renewed energy to their oars.

Chapter IX.

On board the liner which had been responsible both for the collision and the rescue, Raymond Blütherski, a sinister figure, was seen to leave his cabin and disappear down the corridor. An instant later Carmichael and Capperton entered stealthily. With quick cat-like movements the detective pushed open the door and tip-toed into the cabin.

Carmichael waited outside in an attitude of intense watchfulness. As a steward passed down the corridor he assumed a careless expression and lit a cigarette with nonchalant elaboration.

Directly the steward had gone the watcher resumed his vigil, every nerve on the alert.

Chapter X.

Inside the cabin the detective hurriedly opened drawers, turned over bed-clothes, tapped partitions and felt in boots. Then with an expression of disappointment he turned to the door.

Chapter XI.

In the corridor the two men stood face to face.

"Have you found them?" asked Carmichael hoarsely.

"No. They have sunk in the sea!" replied the other.

Chapter XII.

Across the smooth waters of the English Channel a motor-boat moved swiftly. In the bows the Foreign Secretary and the detective gazed earnestly forward.

Presently the latter clutched Carmichael's arm with an oath. Another boat had come into view, and they perceived that a diver in full costume was climbing into it.

The motor-boat came to a stop alongside the other. It could be seen that the diver held in his hand a ball of paper.

Chapter XIII.

The diver's headpiece was being unscrewed. On either side of him stood Capperton and Carmichael, each with a loaded revolver.

At length the cumbrous helmet was lifted off and the face of the diver was revealed.

It was Madge!

Chapter XIV.

The motor-boat drew up beside the quay and the Foreign Secretary stepped out with the detective and his daughter. All were plainly in a joyous mood, and they smiled happily at each other.

So gratified were they at their success that they quite failed to observe three men, who crept up stealthily behind them and thrust pads soaked in chloroform over their mouths.

In a few seconds the struggles of the victims ceased, and their inert bodies were roughly thrust into a waiting motor.

From the driver's seat Blütherski smiled sardonically.

Chapter XV.

Madge Capperton lay in a cellar of Blütherski's house, tightly bound and gagged. But her indomitable spirit was not yet cowed.

Using the edge of a rough stone as a saw she was laboriously severing the cord which tied her wrists. At length her persistence was rewarded and the frayed ends of the rope fell apart.

In fifteen seconds she stood up free.

Chapter XVI.

In another cellar, similarly shackled, the resolute detective was exerting all his mighty strength to burst his bonds.

With a superhuman effort he broke the cord which held his arms, and in fifteen seconds he also was free.

Chapter XVII.

In a small room in the same house the detective's daughter methodically pressed her hand against picture after picture hung on the walls. Her face was grimly determined.

At last she was successful. A large section of the wall slid back, revealing a dark opening.

After a few seconds' natural hesitation the brave girl stepped through the aperture.

Chapter XVIII.

Raymond Blütherski lay asleep. On his dressing-table rested the fatal ball of paper.

Suddenly a portion of the wall moved back and Madge Capperton appeared in the opening. As noiselessly as possible she crept forward and snatched up the despatches. In a few seconds she would be safe!

At that instant Blütherski awoke, leapt out of his bed and grasped her roughly by the arm. But he had reckoned without Capperton.

The commanding figure of the detective appeared in the room. He levelled a large revolver at Blütherski, and the latter threw up his hands with a cry of baffled hate.

Chapter XIX.

In a moonlit garden Clement Carmichael was waiting impatiently. Presently Madge came to him with a radiant face and placed the lost despatches in his hands. His reputation was saved!

Seizing the girl in his arms he pressed his lips to hers in a long passionate kiss.

The End.


CASUS BELLI.

(For a sensitive Scot.)

Tea-shop, how I loathe thee!

Our connection's o'er;

Henceforth I don't know thee

Any more.

'Tisn't that I did not

On thy pastry dote;

'Tisn't that it slid not

Down my throat;

'Tisn't that thy crumpets

Fell a trifle flat—

If I've got the hump it's

Not from that.

'Tisn't that the waitress

Tried to wink at me,

Or let fall a stray tress

In my tea;

'Tisn't that I tossed thee

Tenpence in the till

For a snack that cost thee

Almost nil....

Nay, 'twas this unnerved me—

Just a scŏne alone,

Which the lass who served me

Called a scōne.


IN A GOOD CAUSE.

In connection with his chief Cartoon of this week, Mr. Punch begs to invite his readers to help the kind people of Holland on whom the care of so many Belgian refugees has fallen. Contributions will be gladly received by the International Women's Relief Committee (Miss Chrystal Macmillan, Treasurer), 7, Adam Street, Adelphi, W.C.


[Pg 367]
Scene: A Recruiting Station in Ireland.
In order not to lose a stalwart recruit who
happens to be under the standard height
measurement the examining officer makes a
brilliant suggestion to sergeant O'Flanagan—
—which suggestion sergeant O'Flanagan
carries out with a highly satisfactory result.

OUR BOOKING-OFFICE.

(By Mr. Punch's Staff of Learned Clerks.)

Coasting Bohemia is the attractive title of a series of essays upon men and matters by Mr. Comyns Carr, issued in a portly volume published by Macmillan. During the last forty years Mr. Carr, eminently a clubable man, has made the acquaintance and enjoyed the friendship of a galaxy of painters, authors and actors. He was equally at home with Millais, Alma-Tadema, Rossetti, Burne-Jones, Whistler, George Meredith, Henry Irving and Arthur Sullivan. A shrewd observer, quick in sympathy, apt in characterisation, he has much that is interesting and informing to say of each. Perhaps the chapter on Whistler is the most attractive, since in some respects his individuality was the most pronounced. In a couple of brief sentences, pleasing in the slyness of their gentle malice, Mr. Carr hits off a striking quality in the character of the Whistler we most of us knew. "At times," he writes, "Whistler was even greedy of applause, and, provided it was full and emphatic enough, showed no inclination to question its source or authority. There were moments indeed when, if it appeared to lack volume or vehemence, he was ready himself to supply what was deficient." Mr. Carr has in his time played many parts. He made a start at the Bar, but did not get further than the position of a Junior, which suited him admirably. As a critic, he cannot plead in extenuation the dictum of Disraeli that critics are those who have failed in Literature and Art. He has written several successful plays, was English editor of L'Art, was among the founders of the New Gallery, and remains established as one of our best after-dinner speakers. Of such is the kingdom of Bohemia. From these various sources he draws a stream of reminiscence that runs pleasantly through many pages. The only drawback to the delight with which I read them arose from the circumstance that the volume was uncut. Why should a harmless reviewer be compelled to "coast Bohemia" armed with a paper-knife, interrupted, when he comes to an exceptionally interesting point, by necessity for cutting a chunk of pages? R.S.V.P., Messrs. Macmillan.


The ease with which the nuptial knot

In Yankee-land is severed—such is

The underlying theme of what

The Letter of the Contract touches;

So, but that Basil King has brain

And uses it when he is writing,

The book (from Methuen) might contain

Little that's novel or inviting.

Yet it's so good it's doomed to miss,

I rather fear, the approbation

Of folk who hope such books as this

May help the cause of reformation;

For, if divorce in U.S.A.

Inspires such work, it stands to reason

To change the law in any way

Amounts to literary treason.


In contemplating the present season's output of fiction I have been impressed by the number of novels that might apparently have been written with an eye to the conditions that attended their publication. Which, unless one credits our romancers with much further sight than is commonly supposed to be their portion, is absurd. The thing is a coincidence; and of this there is no more striking example than the story that Anne Douglas Sedgwick has prepared for the world this autumn. She calls it The Encounter (Arnold), and it is all about the struggle between "the Nietzschean attitude of mind in Germany," as exemplified in an egotistical, crack-brained genius named Ludwig Wehlitz, and the ideals of civilized Christianity exemplified in several[Pg 368] other more agreeable persons. You will own that this is at least á propos. The whole thing is, of course, quite charmingly told. All the characters are thoroughly alive; most of all perhaps the placid, tolerant and entirely practical mother of the heroine. Persis Fennamy had been introduced to the genius as a suitable disciple and possible helpmate by the Signorina Zardo, who worshipped him from afar. Persis met Ludwig, was interested, impressed and even willing to admire. There were two other men also, attendant upon the great one: Conrad Sachs, who was gentle and deformed, and Graf von Ludenstein, who represented another type of German manhood. He represented it so well, indeed, that, when Mrs. Fennamy discovered that he had taken Persis off for an intimate conversation in a wood, even her tolerant placidity was deranged. But it was all right, and Persis escapes heart-whole from the lot of them, clay superman and all. She is to be congratulated. So is the author, for her book is both apt to the moment and interesting in itself.


There is, for all its gaiety, a certain external quality of pathos (now that the German is to us so sinister a figure) in much of The Pastor's Wife (Smith, Elder) with its types of an East Prussian village drawn in with those deft, half kindly, half malicious touches to which the creatrix of Elizabeth of the Garden has accustomed us. Ingeborg is the daughter of an English bishop—a bishop, by the way, so needlessly odious that even those who would cheerfully believe the worst of the order must protest against this hitting below the gaiters—and she meets her pastor in a railway carriage on a cheap trip to Lucerne. This so-utterly-by-the-pursuit-of-knowledge-dominated Herr Dremmel (his subject is scientific manure) has a lapse from the even paths of research into the disturbing realms of love, and with an egotistic single-mindedness which is beyond all praise overwhelms her into marriage by the heroic process of ignoring all objections, refusals and obstacles. And lo! in this manse of lonely Kökensee we have a problem! Elizabeth, tongue in cheek, in the mask of Ibsen!... I couldn't get myself to believe in the ineffable preoccupations of Herr Dremmel that made so desolate a pastor's wife; nor could I see the later enchanting Ingeborg in the little negligible mouse of the episcopal study (though I liked them both); and, as I said, I entirely refused to accept the bishop. But I heartily and thoroughly enjoyed the story, the happy little strokes of humour and irony, the apt, pert thumbnail-sketches of the subsidiary characters, the tender love of country things and moods; and saw that I'd been an ass to take it all too seriously. It was written to charm—and it's charming.

Laughter in these dark days is so wholesome a corrective that we mustn't be too exacting with Mr. Phillips Oppenheim, that fertile spinner of yarns, when in The Double Life of Mr. Alfred Burton (Methuen) he presents us with the diverting idea of a mean, little, loud, untruthful auctioneer's clerk converted by the eating of a mysterious brown bean into a paragon of candid truth, refined taste and romantic desire. There's an amusing scene when Burton's chief, a thoroughly resourceful specimen of his tribe, cries down, under the same mysterious influence, the pseudo-antiques he is selling, and so intrigues his old friends the dealers that, with a curious naïveté, they make absurdly high bids in the belief that the auctioneer is up to some profitable little game. Mr. Alfred Burton himself becomes at a stroke a famous author just by merely writing what he sees and seeing true. (But wouldn't his readers also need a nibble at the bean?) Finally falling from grace as the effect of this food of the gods wears off, he accepts a directorship of the new mind-food company, "Menatogen," which brings him untold wealth. Quite innocent fooling which yet leaves one with the impression that our popular authors let themselves off rather lightly from the labour of working out their themes.


A GARGOYLE OF NÔTRE DAME DE PARIS.

A GARGOYLE OF NÔTRE DAME DE PARIS.

(With acknowledgments to the etching by M. Méryon.)


Spirits of evil, when they're thrown
  Out of a church, are turned to stone;

But the above was petrified
Even before he got inside
.






End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol.
147, October 28, 1914, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***

***** This file should be named 28392-h.htm or 28392-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/8/3/9/28392/

Produced by Punch, or the London Charivari, Neville Allen,
Malcolm Farmer and the Online Distributed Proofreading
Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.