\version "2.10" \include "english.ly" \header { title = "YE SONS OF FREEMEN." poet = "Words by Mrs. J.G. Carter." composer = "Air, \"Marseilles Hymn.\"" source = "The Liberty Minstrel." tagline = "" } verseOne = \lyricmode { Ye sons of free -- men wake to sad -- ness, Hark! hark, what my -- riads bid you rise; Three mil -- lions of our race in mad -- ness Break out in wails, in bit -- ter cries, Break out in wails, in bit -- ter cries; Must men whose hearts now bleed with an -- guish, Yes, tremb -- ling slaves, in free -- dom's land En -- dure the lash, nor raise a hand? Must na -- ture 'neath the whip -- cord lan -- guish? Have Pi -- ty on the slave, Take cour -- age from God's word; Pray on, pray on, all hearts re -- solved, These cap -- tives shall be free, Pray on, Pray on, all hearts re -- solved these cap -- tives shall be free. } soprano = \relative c' { \clef treble \time 4/4 \key a \major \autoBeamOff \override Staff.TimeSignature #'style = #'() \partial 8*3 e8 e e | a4 a a gs | a2 a8 a a a | \break a4 d2 e8. d16 | cs2 r8 cs cs d | e4. a,8 a4 b8.[ a16] | \break a4 gs r8 gs gs gs | \stemUp b4 b b cs8.[ b16] | b4( a) r8 \stemNeutral e' e8. e16 | %%% systems 4-6 \break e4 cs8.[ a16] e'4 cs8.[ a16] | e2 r8 gs gs gs | fs4 b8.[ as16] b4 d | \break cs4 cs r8 a a a | a4. a8 a4 d8[ cs8] | %%[**NOTE: image has "e2 r4 r8 e4" which is an eighth too long!] e2 r4 e4 | \break e4. e8 e e e e | e2 r4 gs,4 | %%% systems 7 - 9 \break a4. gs8 a a \stemUp b \stemNeutral c | cs4 b r4 r8. e16 | \break e2 ~ e8. b16 c8. a16 | %%[**NOTE: image is one-eighth shy, presumably on the second rest] b2 r4 r8. e16 | e2 ~ e8. b16 c8. a16 | \break b2 r4 cs | cs2. cs4 | e1 | d2 cs4 a | %%% systems 10 - 12 \break gs2 r4 b | cs2 ~ cs8. a16 \stemUp b8. \stemNeutral d16 | cs2 r4 b | \break cs2. cs4 | a1 | d2 cs4 a | \break gs2 r4 \stemUp b | \stemNeutral cs2 ~ cs8. a16 \stemUp b8. \stemDown d16 cs2^\fermata r8 \bar "|." } alto = \relative c' { \clef treble \time 4/4 \key a \major \autoBeamOff \stemUp \override Staff.TimeSignature #'style = #'() \partial 8*3 e8 e e | 4 | e'4.( cs8) 8 | \break 4 2 8. 16 | 2 r8 8 | 4. 8 4 d'8.[ cs16] | \break d8.[ cs16] 4 r8 | 4 e'8.[ d16] | d4( cs) r8^\markup { \bold "Unisons." } \stemDown e e8. e16 | %%% systems 4-6 \break e4 cs8.[ a16] e'4 cs8.[ a16] | \stemUp e2 r8 e e e | 4 b8[ gs] | \break b8.[ a16] 4 r8 8 | 4. 8 4 gs8[ a] | %%[**NOTE: image has "2 r4 r8 4" which is an eighth too long!] 2 r4 4 | \break 4. 8 | \grace c4 2 r4 | %%% systems 7-9 \break 4. 8 | a8.[ gs16] 4 r4^\markup { \bold "Unisons." } r8. \stemDown e'16 | \break e2 ~ e8. b16 c8. \stemUp a16 | %%[**NOTE: image is one-eighth shy, presumably on the second rest] 2 r4 r8. \stemDown e'16 | e2 ~ e8. b16 c8. \stemUp a16 | \break 2 r4 e | 2. 4 | 1 | 2 4 | %%% systems 10-12 \break 2 r4 4 | 2 ~ 8. 16 8. 16 | 2 r4 e | \break 2. 4 | 1 | 2 4 | \break 2 r4 | 2 ~ 8. 16 8. 16 2^\fermata r8 \bar "|." } tenor = \relative c' { \clef treble \time 4/4 \key a \major \autoBeamOff \stemDown \override Staff.TimeSignature #'style = #'() s8 * 3 | s1 | e2 s2 | s1 | s1 | s2. e4 | e4 s2. | s2. e4 | e2 s2 | %%% systems 4-6 s1 | e2 s8 e8 e8 e8 | s2. e4 | e4 s2. | s2. e4 | s1 | s1 | s1 | %%% systems 7-9 s1 | e4 s2. | s1 | s1 | s1 | s2. e4 | s1 | s1 | s1 | %%% systems 10-12 s1 | s1 | s2. e4 | s1 * 3 | s1 * 2 | s2 s8 \bar "|." } bass = \relative c { \clef bass \time 4/4 \key a \major \autoBeamOff \override Staff.TimeSignature #'style = #'() e8 e e | a4 fs d e | cs2 cs8 cs cs cs | \break \stemUp d4 \stemNeutral b2 e8. e16 | a,2 r8 a'8 a a | a4. a8 a4 gs8.[ a16] | \break e4 e r8 e e e | e4 e e e | a2 r8 e'8 e8. e16 | %%% systems 4-6 \break e4 cs8.[ a16] e'4 cs8.[ a16] | e2 r8 e e e | \stemUp d4 d8.[ cs16] \stemNeutral b4 e4 | \break fs4 fs r8 cs cs cs | \stemUp d4. \stemNeutral cs8 cs4 b8 a8 | %%[**NOTE: image has "e2 r4 r8 e4" which is an eighth too long!] e'2 r4 e4 | \break a4. e8 e e e e | e2 r4 e | %%% systems 7-9 \break a,4. b8 c c \stemUp d d | \stemNeutral e4 e r4 r8. e'16 | \break e2 ~ e8. b16 c8. a16 | %%[**NOTE: image is one-eighth shy, presumably on the second rest] e2 r4 r8. e'16 | e2 ~ e8. b16 c8. a16 | \break e2 r4 gs | a2. a4 | a1 | fs2 e4 d | %%% systems 10-12 \break e2 r4 d | e2 ~ e8. e16 e8. e16 | a,2 r4 a'4 | \break a2. a4 | a1 | fs2 e4 d | \break e2 r4 d | e2 ~ e8. e16 e8. e16 2^\fermata r8 \bar "|." } \score { << \new ChoirStaff \with{systemStartDelimiter = #'SystemStartBrace } << \new Staff = "upperOne" \new Voice = "soprano" { \soprano } \new Staff = "upperTwo" << \new Voice = "alto" { \alto } \new Voice = "tenor" { \tenor } >> \context Lyrics = "lyrics" \lyricsto "soprano" \verseOne \new Staff = "bass" \new Voice = "bass" { \bass } >> >> \layout { indent=0 \context { \Staff \override Rest #'style = #'classical } \context { \Score \remove "Bar_number_engraver" } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4 ) }} } %%Transcriber's Notes: %%5th system, last measure: all parts are too long by an eighth, removed eighth rest to correct timing. %%8th system, 2nd measure: all parts are short by a sixteenth, added dot to eighth rest to correct timing. %%See also notes in the body of the code at these places. %%Original dissonances have been retained, as they may have been intentional.