The Project Gutenberg EBook of The Works of Christopher Marlowe, Vol. 3 (of 3), by Christopher Marlowe This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Works of Christopher Marlowe, Vol. 3 (of 3) Author: Christopher Marlowe Editor: A. H. Bullen Release Date: April 30, 2007 [EBook #21262] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK CHRISTOPHER MARLOWE *** Produced by Jonathan Ingram, Leonard Johnson and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
|
Ἁδυμελει θαμα μεν φορμιγγι παμφωνοισι τ' εν εντεσιν αυλων.
Pindar, Olymp. vii. |
LONDON
JOHN C. NIMMO
14. KING WILLIAM STREET, STRAND, W.C.
MDCCCLXXXV
One hundred and twenty copies of this Edition on Laid paper, medium 8vo, have been printed, and are numbered consecutively as issued.
No. ___
Two editions of Hero and Leander appeared in 1598. The first edition, containing only Marlowe's portion of the poem, is entitled Hero and Leander. By Christopher Marloe. London, Printed by Adam Islip, for Edward Blunt. 1598. 4to. The title-page of the second edition, which contains the complete poem, is Hero and Leander: Begun by Christopher Marloe; and finished by George Chapman. Ut Nectar, Ingenium. At London, Printed by Felix Kingston, for Paule Linley, and are to be solde in Paules Churche-yard, at the signe of the Blacke-beare. 1598. 4to.
Two copies of the second edition were discovered a few years ago at Lamport Hall (the seat of Sir Charles Isham, Bart.) by Mr. Charles Edmonds. The existence of this edition was previously unknown. Later editions are:—
Hero and Leander: Begunne by Christopher Marloe: Whereunto is added the first booke of Lucan translated line for line by the same Author. Ut Nectar, Ingenium. At London Printed for John Flasket, and are to be solde in Paules Church-yard, at the signe of the Blacke-beare. 1600. 4to.
Hero and Leander: Begunne by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. At London. Imprinted for John Flasket, and are to be sold in Paules Church-yard, at the signe of the blacke Beare. 1606. 4to.
Hero and Leander: Begunne by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. At London. Imprinted for Ed. Blunt and W. Barret, and are to be sold in Pauls Church-yard, at the signe of the blacke Beare. 1609. 4to.
Hero and Leander: Begunne by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. London. Printed by W. Stansby for Ed. Blunt and W. Barret, and are to be sold in Pauls Church-yard, at the signe of the Blacke Beare. 1613. 4to.
Hero and Leander: Begun by Christoper Marloe, and finished by George Chapman. Ut Nectar, Ingenium. London, Printed by A. M. for Richard Hawkins: and are to bee sold at his Shop in Chancerie-Lane, neere Serieants Inne. 1629. 4to.[Pg 3]
Hero and Leander: Begun by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. London: Printed by N. Okes for William Leake, and are to be sold at his shop in Chancery-lane neere the Roules. 1637. 4to.
I have not had an opportunity of seeing the 4tos. of 1598 or the 4to. of 1600. For the text of the Isham copy, I am indebted to the Works of George Chapman: Poems and Minor Translations, 1875. I have examined the texts of eds. 1606, 1613, 1629, 1637; and my friend Mr. C. H. Firth has examined for me the Bodleian copy of ed. 1600, in the margin of which Malone has noted the readings of the first edition.[Pg 4]
Sir, we think not ourselves discharged of the duty we owe to our friend when we have brought the breathless body to the earth; for albeit the eye there taketh his ever-farewell of that beloved object, yet the impression of the man that hath been dear unto us, living an after-life in our memory, there putteth us in mind of farther obsequies due unto the deceased; and namely of the performance of whatsoever we may judge shall make to his living credit and to the effecting of his determinations prevented by the stroke of death. By these meditations (as by an intellectual will) I suppose myself executor to the unhappily deceased author of this poem; upon whom knowing that in his lifetime you bestowed many kind favours, entertaining parts of reckoning and worth which you found in him with good countenance and liberal affection, I cannot but see so far into the will of him dead, that whatsoever issue of his brain should chance to come abroad, that the first breath it should take might be the gentle air of your liking; for, since his self had been accustomed thereunto, it would prove more agreeable and thriving to his right children than any other foster countenance whatsoever. At this time seeing that this unfinished tragedy happens under my hands to be imprinted; of a double duty, the one to yourself, the other to the deceased, I present the same to your most favourable allowance, offering my utmost self now and ever to be ready at your worship's disposing:
EDWARD BLUNT.[Pg 5]
The Argument[1] of the First Sestiad.
[1] The Arguments are by Chapman, who also divided Marlowe's portion of the form into the First and Second Sestiad.
[2] Eds. 1600, 1606, 1613, "Sea-borders."—Ed. 1598, according to Malone, has "sea-borderers;" and so eds. 1629, 1637.
[3] Some editions give "wore."
[4] Some eds. have "rockt," which may be the right reading.
[5] So ed. 1637.—The earlier editions that I have seen read "may."
[6] Cf. Venus and Adonis (l. 3)—
[7] So Hamlet i. 1—
[8] "Thrilling—tremulously moving."—Dyce. Perhaps the meaning rather is penetrating—drilling its way through—"the gloomy sky."
[9] Variegated (Lat. discolor).
[10] Dyce quotes a passage of Harington's Orlando Furioso where "flowre" (floor) rhymes with "towre."
[11] Ed. 1600 and later 4tos. "Tail'd." For the coupling of "Vailed" with "veiling," cf. 2. Tamb. v. iii. 6. "pitch their pitchy tents."
[12] This line is quoted in As you like it, iii. 5:—
[13] "A periphrasis of Night." Marginal note in ed. 1598.
[14] Lines 199-204, 221-222, are quoted, not quite accurately, by Matthew in Every Man in his Humour, iv. 1.
[15] Some eds. give "between."
[16] Cf. Shakespeare, Sonnet cxxxvi.—
[17] Some eds. read "sweet."
[18] Cf. Second Sestiad, l. 73—
[19] This line is quoted in England's Parnassus with the reading "ripest."
[20] Hushed.
[21] "To the 'beldam nurse' there occurs the following allusion in Drayton's Heroical Epistle from Queen Mary to Charles Brandon:—
[22] So the old eds.—Dyce reads "about."
[23] We are reminded of Lycidas:—
[24] Omitted in ed. 1600 and later 4tos.
[25] This word cannot be right. Query, "high-aspiring?"
The Argument of the Second Sestiad.
[26] Cf. Rom. and Jul. v. 1—
[27] Omitted in eds. 1600, 1606, 1613, and 1637.
[28] Peised, weighed.
[29] Rooms were strewed with rushes before the introduction of carpets. Shakespeare, like Marlowe, attributed the customs of his own day to ancient times. Cf. Cymb. ii. 2—
[30] Old eds. "crau'd."
[31] Some eds. give "O, none have power but gods."
[32] "In ages and countries where mechanical ingenuity has but few outlets it exhausts itself in the constructions of bits, each more peculiar in form or more torturing in effect than that which has preceded it. I have seen collections of these instruments of torments, and among them some of which Marlowe's curious adjective would have been highly descriptive. It may be, however, that the word is 'ring-led,' in which shape it would mean guided by the ring on each side like a snaffle."—Cunningham.
[33] Some eds. give "so faire and kind." Cf. Othello, iv. 2—
[34] Ed. 1613 and later eds. "upstarting."
[35] Fetched
[36] Some eds. give "shallow."
[37] In the old eds. this line and the next stood after l. 300. The transposition was made by Singer in the edition of 1821.
[38] Old eds.—"then ... displaid," and in the next line "laid."
[39] Old eds. "heare" and "haire."
[40] Old eds. "glympse."
[41] Pluto was frequently identified by the Greeks with Plutus.
[42] Old eds. "day bright-bearing car."
[43] Dinged, dashed. Some eds. give "hurled."—Here Marlowe's share ends.
I present your ladyship with the last affections of the first two Lovers that ever Muse shrined in the Temple of Memory; being drawn by strange instigation to employ some of my serious time in so trifling a subject, which yet made the first Author, divine Musaeus, eternal. And were it not that we must subject our accounts of these common received conceits to servile custom, it goes much against my hand to sign that for a trifling subject on which more worthiness of soul hath been shewed, and weight of divine wit, than can vouchsafe residence in the leaden gravity of any money-monger; in whose profession all serious subjects are concluded. But he that shuns trifles must shun the world; out of whose reverend heaps of substance and austerity I can and will ere long single or tumble out as brainless and passionate fooleries as ever panted in the bosom of the most ridiculous lover. Accept it, therefore, good Madam, though as a trifle, yet as a serious argument of my affection; for to be thought thankful for all free and honourable favours is a great sum of that riches my whole thrift intendeth.[Pg 39]
Such uncourtly and silly dispositions as mine, whose contentment hath other objects than profit or glory, are as glad, simply for the naked merit of virtue, to honour such as advance her, as others that are hard to commend with deepliest politique bounty.
It hath therefore adjoined much contentment to my desire of your true honour to hear men of desert in court add to mine own knowledge of your noble disposition how gladly you do your best to prefer their desires, and have as absolute respect to their mere good parts as if they came perfumed and charmed with golden incitements. And this most sweet inclination, that flows from the truth and eternity of Nobles[se], assure your Ladyship doth more suit your other ornaments, and makes more to the advancement of your name and happiness of your proceedings, than if like others you displayed ensigns of state and sourness in your forehead, made smooth with nothing but sensuality and presents.
This poor Dedication (in figure of the other unity betwixt Sir Thomas
and yourself) hath rejoined you with him, my honoured best friend; whose
continuance of ancient kindness to my still-obscured estate, though it
cannot increase my love to him which hath been entirely circular; yet
shall it encourage my deserts to their utmost requital, and make my
hearty gratitude speak; to which the unhappiness of my life hath
hitherto been uncomfortable and painful dumbness.
[44] This Epistle is only found in the Isham copy, 1598.
The Argument of the Third Sestiad.