The Project Gutenberg eBook, Four Days, by Hetty Hemenway, Illustrated by Richard Culter

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

Title: Four Days

The Story of a War Marriage

Author: Hetty Hemenway

Release Date: December 9, 2006 [eBook #20070]

Language: English

Character set encoding: ISO-8859-1

***START OF THE PROJECT GUTENBERG EBOOK FOUR DAYS***

 

E-text prepared by David Clarke, Mary Meehan,
and the Project Gutenberg Online Distributed Proofreading Team
(http://www.pgdp.net/)
from page images generously made available by
Internet Archive/American Libraries
(http://www.archive.org/details/americana)

 

Note: Images of the original pages are available through Internet Archive/American Libraries. See http://www.archive.org/details/fourdays00hemerich

 


 

 

 

FOUR DAYS

THE STORY OF A WAR MARRIAGE

BY HETTY HEMENWAY

WITH FRONTISPIECE BY RICHARD CULTER

 

 

BOSTON
LITTLE, BROWN, AND COMPANY
Copyright, 1917,
Published, September, 1917
All rights reserved


"If you hear I'm missing, there is still a good chance."


CONTENTS

I

II

III

IV

V


FOUR DAYS


I

With savage pity Marjorie regarded a sobbing girl whose face was distorted, and whose palsied hands were trying to straighten her veil and push back stray wisps of hair. Marjorie thought: "What a fool she is to cry like that! Her nose is red; she's a sight. I can control myself. I can control myself."

An elderly man with an austere face, standing beside Marjorie, started to light a cigarette. His hands trembled violently and the match flickered and went out.

Marjorie's heart was beating so fast that it made her feel sick.

A locomotive shrieked, adding its voice to the roar of traffic at Victoria Station. There came the pounding hiss of escaping steam. The crowd pressed close to the rails and peered down the foggy platform. A train had stopped, and the engine was panting close to the gate-rail. A few men in khaki were alighting from compartments. In a moment there was a stamping of many feet, and above the roar and confusion in the station rose the eager voices of multitudes of boys talking, shouting, calling to each other.

Marjorie saw Leonard before he saw her. He was walking with three men—joking, laughing absent-mindedly, while his eyes searched for a face in the crowd. She waited a moment, hidden, suffocated with anticipation, her heart turning over and over, until he said a nonchalant good-bye to his companions, who were pounced upon by eager relatives. Then she crept up behind and put both her hands about his wrist.

"Hello, Len."

Joy leaped to his eyes.

"Marjie!"

Impossible to say another word. For seconds they became one of the speechless couples, standing dumbly in the great dingy station, unnoticed and unnoticing.

"Where's the carriage?" said Leonard, looking blindly about him.

"Outside, of course, Len."

A crooked man in black livery, with a cockade in his hat, who had been standing reverently in the background, waddled forward, touching his hat.

"Well, Burns, how are you? Glad to see you."

"Very well, sir, and thank you, sir. 'Appy, most 'appy to see you back, sir. Pardon, sir, this way." His old face twitched and his eyes devoured the young lieutenant.

A footman was standing at the horses' heads, but the big bays, champing their bits, and scattering foam, crouched away from the tall young soldier when he put out a careless, intimate hand and patted their snorting noses. He swaggered a little, for all of a sudden he longed to put his head on their arching necks and cry.

"You've got the old pair out; I thought they had gone to grass," he said in his most matter-of-fact tone to the pink-faced footman, who was hardly more than a child.

"Well, sir, the others were taken by the Government. Madam gave them all away except Starlight and Ginger Girl. There is only me and Burns and another boy under military age in the stables now, sir."

Inside the carriage Leonard and Marjorie were suddenly overawed by a strange, delicious shyness. They looked at each other gravely, like two children at a party, dumb, exquisitely thrilled. It was ten months ago that they had said a half-tearful, half-laughing good-bye to each other on the windy, sunny pier at Hoboken. They had been in love two months, and engaged two weeks. Leonard was sailing for England to keep a rowing engagement, but he was to return to America in a month. They were to have an early autumn wedding. Marjorie chose her wedding-dress and was busy with her trousseau. She had invited her brides-maids. It was to be a brilliant, conventional affair—flowers, music, countless young people dancing under festoons and colored lights. In August the war broke out. Leonard had been in training and at the front from the first. Marjorie crossed the precarious ocean, to be in England for his first leave. It was now May: they were to be married at last.

"Marjie."

"Len."

"I have just four days, you know, darling. That's all I could get. We've been transferred to the Dardanelles; else I wouldn't have got off at all."

"Four days," murmured Marjorie. She looked up, and met his eyes, and stared, and could not look away. "It's a long, long time, four days," she said, without knowing what she was saying. All at once she put her hands over her eyes, and, pressing her head fiercely against Leonard's arm, she began to cry and to laugh, continuing to repeat, senselessly, "It's a long, long time."

And Leonard, trembling all over, kissed her on the back of her head, which was all he could reach.

They drew near to Richmond, the familiar avenues and the cool, trim lawn, and the great trees. Marjorie's tongue all at once loosened; she chattered whimsically, like an excited child.

"It's home, home, home, and they're all waiting for us—mater and your father and all the family. He's been in a perfect state all day, poor old dear, though he hasn't an idea any one's noticed it. Little Herbert's the only one that's behaved a bit natural—and old Nannie. I've been rushing about your room, sitting in all the chairs, and saying, 'To-night he'll be sitting in this chair; to-night he may be standing in this very spot before the fire; to-night he may be looking out of this window.' O, Len, we're to be married at half-past eight, and we're going in motors so as not to waste any time. I haven't even read over the marriage service. I haven't the vaguest idea what to do or say. But what difference does that make! Do you see, Len? Do you see?" She stopped and squeezed Leonard's hand, for she saw that he was suddenly speechless. "There they are," lifting the blind, "mother and little Herbert; and see the servants peeking from the wing."

They swept grandly around the bend in the avenue. The windows of the great house blazed a welcome. All the sky was mother-of-pearl and tender. In the air was the tang of spring. In the white light Marjorie saw Leonard's lips quiver and he frowned. She had a sudden twinge of jealousy, swallowed up by an immense tenderness.

"There's mother," he said.

"Hello, Len, old boy."

His father was on the steps. Leonard greeted him with the restraint and the jocose matter-of-factness that exist between men who love each other. He kissed his mother a little hungrily, just as he had when he was a small boy back from his first homesick term at Eton, and fluttered the heart of that frail, austere lady, who had borne this big, strapping boy—a feat of which she was sedately but passionately proud.

Little Herbert, all clumsiness and fat legs and arms, did a good deal of hugging and squealing, and Miss Shake, Leonard's old governess, wept discreetly and worshipfully in the background.

"Look at 'im! Ain't he grand? Glory be to God—bless 'im, my baby!" cried Irish Nannie, who had suckled this soldier of England; and loudly she wept, her pride and her joy unrebuked and unashamed.

At the risk of annoying Leonard, they must follow him about, waiting upon him at tea-time, touching him wistfully, wonderingly, for was it not himself, their own Leonard, who had come back to them for a few days? And instead of himself, it might have been just a name,—Leonard Leeds,—one among a list of hundreds of others; and written opposite each name one of the three words, Wounded, Missing, Dead.

Jealously his own family drew aside and let Marjorie go upstairs with him alone. She had the first right; she was his bride. Mr. Leeds plucked little Herbert back by his sailor collar and put his arm through his wife's. Together they watched the two slender figures ascending the broad stair-case. Each parent was thinking, "He's hers now, and they're young. We mustn't be selfish, they have such a short time to be happy in, poor dears."

"Looks fit, doesn't he?" said the father, cheerfully, patting his wife's arm. Inwardly he was thinking, "How fortunate no woman can appreciate all that boy has been through!"

"Do you think so? I thought he looked terribly thin," she answered, absently. To herself she was saying, "No one—not even his father—will ever know what that boy has seen and suffered."

Little Herbert, watching with big eyes, suddenly wriggled his hand from his father's grasp.

"Wait, Leonard, wait for me! I am coming!"

Upstairs old Nannie was officiating. She was struggling with Leonard's kit, which resembled, she thought, more the rummage box of a gypsy pedler than the luggage of a gentleman.

The young officer had taken off his great-coat and was standing with his back to the hearth. He loomed up very big in the demure room, a slender, boyish figure, still too slim for his shoulder-width and height, clad in a ragged uniform, a pistol bulging from one hip at his belt. He looked about him at the bright hangings, with a wandering gaze that reverted to a spot of sunlight on Marjorie's hair and rested there.

"I'm all spinning round," he said with a puzzled smile, "like a dream."

He continued to stare with dazed, smiling eyes on the sunbeam. His hair was cropped close like a convict's, which accentuated the leanness of his face and the taut, rigid lines about his mouth. Under his discolored uniform, the body was spare almost to the point of emaciation. Through a rent in his coat, a ragged shirt revealed the bare skin. He looked at it ruefully, still smiling. "I'm rather a mess, I expect," he said. "Tried to fix up in the train, but I was too far gone in dirt to succeed much."

Marjorie, with the instinct of a kitten that comforts its master, went up to him and rubbed her head against the torn arm.

"Don't," he said, hoarsely; "I'm too dirty." He put out a hand, and softly touched her dress. "Is it pink?" he asked, "or does it only look so in this light? It feels awfully downy and nice."

She noticed that two of his nails were crushed and discolored, and the half of one was torn away. She bent down and kissed it, to hide the tears which were choking her. She felt his eyes on her, and she knew that look which made her whole being ache with tenderness—that numb, dazed look. She had seen it before in the eyes of very young soldiers home on their first leave—mute young eyes that contained the unutterable secrets of the battlefield, but revealed none. She had seen them since she came to England, sitting with their elders, gray-haired fathers who talked war, war, war, while the young tongues—once so easily braggart—remained speechless.

What had they seen, these silent youngsters—sensitive, joyous children, whom the present day had nurtured so cleanly and so tenderly? Their bringing-up had been the complex result of so much enlightened effort. War, pestilence, famine, slaughter, were only names in a history book to them. They thought hardship was sport. A blithe summer month had plunged them into the most terrible war of the scarred old earth. The battlefields where they had mustered, stunned, but tingling with vigor and eagerness, were becoming the vast cemeteries of their generation. The field where lay the young dead was their place in the sun. The still hospital where lay the maimed was their part in a civilization whose sincerity they had trusted as little children trust in the perfection of their parents.

Beside the army of maimed and fallen boys was another shadowy army of girls in their teens and sweet early twenties—the unclaimed contemporaries of a buried generation.

There was a fumbling at the door-handle and a small, muffled voice came from the corridor:—

"I say, Len; I say, Marjorie, can I come in?" And in he walked, spotless and engaging, in a white sailor suit with baggy long trousers, his hair still wet from being tortured into corkscrew curls. "I'm all dressed for the party," he announced; "I'm not going to bed at all to-night."

Marjorie tried to draw him into her lap, but he eluded her with a resentful wiggle, and walking up to Leonard, whacked him on the thigh and looked up with a sly, beseeching glance which said, "Whack me back. You play with me. You notice me. I love you."

His eyes were on a level with Leonard's pistol; he put his little pink face close to it lovingly, but drew back again, puckering up his small nose.

"Oh, Leonard, you smell just like a poor man!" he exclaimed.

Leonard grinned. "You never got as near as this to any poor man who is half as dirty as I am, old dear."

"You've got just half an hour to dress for dinner, and we're due in the church at eight," said Marjorie.

She paused in the doorway, a slim figure in a crumpled white dress.

Leonard stared at her blankly, and then put out a bony arm and drew her to his side.

"It's awfully tough on you, honey, to have it this way; no new clothes or anything fixed up, and," he added, smiling and closing his eyes, "coming away across the ocean full of dirty little submarines to a bridegroom smelling like a poor man! Jove! I want a bath!"

"Just as I was about to take the liberty of remarking myself," old Nannie said. She was standing in the doorway, her arms akimbo and her sleeves rolled up. "Captain Leeds, it's all ready."

Leonard's arms were still about Marjorie. "Captain Leeds, otherwise known as Lieutenant Leeds," he said, "once known as Leonard, presents his compliments to Mrs. Bridget O'Garrity, née Flannagan, and wishes her to request Mr. Jakes, in the culinary regions, to draw his bath and lay out his things and generally make himself a nuisance. He will not permit Mrs. O'Garrity to dress him."

"Oh, now, Captain Leeds—well then, Leonard dearie, you bad boy," wailed the old woman reproachfully. "Mr. Jakes has gone to the war, as has likewise all the men in the house, and a good riddance it is, too. There was a time when you weren't too grand to let your poor old Nannie wait on you. Why, Miss Marjorie, I remember the time when he couldn't—"

"No reminiscences!" broke in Leonard, eyeing Nannie suspiciously. "You have had so much experience with men you ought to know how they hate it. Why, Marjorie, do you realize that Nannie has had five husbands?"

"Oh, Master Leonard, indade, it is only three!" cried Nannie, horrified.

"Seven," Leonard insisted; "it's a compliment. It only shows how fascinating you are with the polygamous sex. It was seven, only two never showed up after the wedding. I was to be the eighth, Marjie, only you came in between us."

"Master Leonard, I could smack you for talking like that! Don't listen to 'im, Miss Marjorie."

"Cheer up, old Nannie," continued Leonard; "there's still Kitchener. He's a bachelor and a woman-hater, but then, he's never met you, and he's even a greater hero than I am."

Nannie, aghast but delighted, advanced toward Leonard, shaking her gray curls. "H'm, h'm. Woman-haters, you say. I never met one, indade." Then, very coaxingly, "Didn't you bring your old Nannie a souvenir from the war?"

"Rather," said Leonard, indicating with his chin the rent on his shoulder. "How about this?"

"How about that?" said Nannie, her old eyes in their deep furrows gleaming with malice.

From behind her broad back she drew forth a round metal object that flashed in the firelight.

"It's a German helmet!" cried Marjorie.

"I want it!" shouted Herbert, stretching up his arms for the flashing plaything.

"It's mine," coaxed Marjorie, trying to wrest it from Nannie.

Leonard put out a swift hand, and held it aloft by the spike.

"Let me try it on," wheedled Marjorie, coaxing down his arm.

"You look like a baby Valkyrie," said Leonard, placing the helmet on her head; but he frowned.

Marjorie regarded herself in the mirror.

"This belonged to an officer of the Prussian guard," she said.

"It did. How did you know?"

Marjorie continued to stare at herself in the mirror as if she saw something there behind her own reflection. "The very first man who was ever in love with me wore a helmet like this," she said, suddenly, lifting enigmatic and mischievous eyes to Leonard.

"How many have there been since?" Leonard smiled, lazily.

"I can remember only the first and the last," said Marjorie.

Leonard laughed, but he could not see Marjorie's face. She was standing looking down at the gold eagle-crest, holding the helmet in both hands, carefully, timidly, as if it were a loaded weapon that might go off.

"Where did you get it, Len?" she asked, gravely.

"There's a crop of them coming up in France this summer," said Leonard.

"But seriously, Len?"

"Seriously, Marjorie." He took the helmet by the spike and put it on the mantel. "Lord knows, I'm not presenting that as a token of valor to any one. It belonged to a poor chap who died on the field the night I was wounded. My orderly packed it in my kit."

Marjorie drew a deep breath. "Oh, Len," she whispered, staring at the helmet. "How does it feel to kill a man?"

Leonard, smiling, shifted his position and answered, "No different from killing your first rabbit, if you don't sit down on the bank and watch it kick, and write poetry. Besides, you always have the pleasure of thinking it's a German rabbit."

"Oh, Len!"

"You're just one in a great big machine called England. It isn't your job to think," Leonard said. "For God's sake, lamb, don't cherish any fool Yankee pacifist notions. We are going to beat the Germans till every man Fritz of them is either dead or can't crawl off the field." His black fingers closed over Marjorie's. "Remember, after to-night you're an Englishwoman. You can't be a little American mongrel any more; not until I'm dead, anyway. Now I've got you, I'll never let you go!" He showed his teeth in a fierce, defiant smile, in which there was pathos. He knew what a life in the Dardanelles was worth. He put his cropped head close to Marjorie's. "Do you hate me for that, Marjie?"

Marjorie, pressing against him, felt the strength of his gaunt shoulder through his coat. A sense of delicious fear stole over her, and the savage which lies close to the surface in every woman leaped within her.

"I love you for it!" she cried.

"Don't rub your head against my coat," murmured Leonard; "there's bugs in it."

They both laughed excitedly.


II

Two hours later the wedding took place in the church where Leonard had been baptized and confirmed. Little Herbert thought he had never been to such a strange party. He didn't care if he never went to one again. No one was dressed up but himself. His mother and father and Marjorie wore their everyday clothes, but their faces were different. He wouldn't have believed it was a party at all, except for their faces, which wore an expression he associated with Christmas and birthdays.

The church was dark, and it seemed to Herbert so vast and strange at this late hour. Candles gleamed on the altar, at the end of a long, shadowy aisle. Their footsteps made no sound on the velvet carpet as they walked under the dim arches to the front seat. His aunts and his uncles and his brother's big friends from the training camp seemed suddenly to appear out of the shadows and silently fill the front rows. In the queer light he kept recognizing familiar faces that smiled and nodded at him in the dimness. Even Miss Shake and Nannie looked queer in the pew behind. Nannie was dressed in her "day-off" clothes. She was crying. Herbert looked about him wonderingly: yes, Miss Shake was crying, too—and that lady in the black veil over there: oh, how she was crying! No; he didn't like this party.

Through a little space between his father's arm and a stone pillar he could see Leonard's back. Leonard was standing on the white stone steps, very straight. Then he kneeled down, and Herbert heard his sword click on the stone floor. The minister, dressed in a white and purple robe, with one arm out-stretched, was talking to him in a sing-song voice. Herbert couldn't see Marjorie, the pillar was in the way; but he felt that she was there. Leonard's voice sounded frightened and muffled, not a bit like himself, but he heard Marjorie's voice just as plain as anything—

"Till death us do part."

Presently the choir began to sing, and his mother found the place in the hymn-book. Herbert couldn't read, but he knew the hymn. Each verse ended,—

"Rejoice, rejoice,
Rejoice, give thanks, and sing."

Herbert looked on the hymn-book and pretended he was reading. The book trembled. Leonard and Marjorie were passing close to the pew. They looked, oh, so pleased! Leonard smiled at his mother, and she smiled back. She lifted Herbert up on the seat and he watched them pass down the dark aisle together and out through the shadowy doorway at the very end. The little boy felt a vague sensation of distress. He looked up at his mother and the distress grew. She was still singing, but her mouth kept getting queerer and queerer as she came to the line,—

"—give thanks, and sing."

He had never seen his mother cry before. He didn't suppose she could cry. She was grown up. You don't expect grown-up people, like your mother, to cry—except, of course, Nannie and Miss Shake.

"Rejoice, rejoice,
Rejoice, give thanks, and sing."

He sang it for her. The voices of the choir seemed suddenly to have traveled a long way off and the tones of the organ were hushed. He heard his own voice echoing in the silent church. The words seemed to come out all wrong. He felt a terrible sense of oppression in the region of his stomach, and he wondered if he were going to be ill. It was a relief to hear himself crying at the top of his lungs, and to have Nannie scolding him lovingly, and leading him out of the church. He drove home, sniffing but comforted, in his father's lap.

"He felt it," old Nannie said to Burns, as she lifted him out of the carriage. "The child understood, bless him!"

"There wasn't a dry eye come out 'f the church," said Burns, "except them two selves."

"I wonder where they've gone?" said Nannie, eyeing Burns jealously. "They must have took a train, I suppose?"

"That's telling," said the old man, whipping up the horses that were covered with foam.


III

Four days is a long, long time, Marjorie had said, for the hours that are breathlessly counted make long, long days; they are long as those of summer-childhood in passing. But ever, when it comes May, and the soft, chill breezes blow from the ocean across the sun-soaked sands, and the clouds run dazzling races with the sea gulls, Marjorie will feel herself running too, catching up breathless a few paces behind Leonard, as on that second afternoon on a wind-swept beach of the Kentish coast. Like mad things, their heads thrown back, hair flying, mouths open, the spray smiting their open eyes, with all the ecstasy of their new-found energy, they clambered over the slippery seaweed and leaped from rock to rock, swept along with the winds, daring the waves, shouting down the surf.

Marjorie, when those spring days come round again, will remember a little cove, sheltered from the wind, warmed by the fitful spring sunlight, where, panting, they threw themselves down on the sand, bodies glowing, faces to the sun.

"Hello, sun!" cried Marjorie.

"Hello, clouds!" cried Leonard.

"Hello, old sea gulls!" cried Marjorie, beginning to sneeze.

"God, but I feel fit; I feel glorious! Don't you, Marjie?"

"Don't I, though! I feel glorious. O God!" cried Marjorie, who did not know whether that was swearing or praying, and did not care.

Leonard ran his hands through the chill, warm sand, and watched a huge black spider promenading with bustling importance up his arm.

"The female spider eats the male as soon as he fertilizes the eggs, but he has to just the same," said Leonard, dreamily.

"Let's kill her," said Marjorie.

"No."

"Yes."

"Why?"

"She's a cannibal," said Marjorie.

"No, it's her instinct," said Leonard.

He opened an alleyway for the spider in the sand, and, with his head down close, watched it hustling away. "It's the same with us; we know we have every chance of being killed in this war, and we have to go, and we're glad to. It's not courage or sacrifice; it's instinct."

"You think so, Leonard?"

"It's not nice to lie alongside of a man you've killed and watch him die," said Leonard, inconsistently, eyes looking down into the sand, head pillowed on his arm.

"Did you have to, Len?"

"I didn't exactly mean to kill him. He was wounded," murmured Leonard, raising little white pools in the sand with his nostrils. "We had a rotten day and had taken a small position which didn't amount to anything when we got it. Wasn't I in a nasty sulk! Some of my green men had funked just at the crucial moment, and I had all but shot one. The ground was covered with wounded. Couldn't tell theirs from ours. Awful mess. I was coming back across the field over dead bodies, and cursing every one I stumbled across. I suppose I felt pretty sick. I saw a helmet gleaming in some burnt shrubbery. It was a nice shiny one, with an eagle crest. It occurred to me you'd written me to send you one, 'because all the girls had them'—remember?"

Leonard rolled over close beside her and his head went down into the sand again.

"I went to pick it up, but it seems I got something else with it. A great blonde fellow in gray, all powdered with dust and bleeding,—Jove! how he was bleeding!—came up with it. It surprised me and he managed to knife me, and over I went, on top of him. I had my pistol cocked, and I let him have it right in the chest. I must have fainted, because when I came to I was on my back and the moon was shining in my eyes. The man in gray was there alongside of me, supporting himself on one arm and looking at me.

"'I am dying,' he said in German.

"That didn't seem very interesting to me. So is everybody else, I thought; and I didn't answer. Presently he said it again, in English: 'I'm dying.'

"'Really?' said I.

"'Yes,' he answered.

"There was something impersonal in his tone, and he looked eery there in the moonlight, I can tell you, leaning on one arm and bleeding. Awfully good-looking chap. Built like a giant. He reminded me of a statue called the Dying Gaul, or something."

"Oh, yes; I know that statue!"

"Well, he looked like that—with all the fight going out of him. Suddenly he smiled at me.

"'Did you think you were playing your football when you came down on top of me that way, eh?'

"I say, I was a bit surprised. Football doesn't seem a very congenial subject for a dying man; but do you know, we sat there and talked for an hour at least about all kinds of sports and athletics. You should have seen the way he kept tossing the hair out of his eyes and saying, 'Fine, fine!' And then he'd boast, and tell me all about the things he'd done. I never saw a fellow built as he was. It seems that he was a champion in most everything. But after a while he seemed to get on to the fact that he was losing an awful lot of blood, and then he said again, 'Schade.' That was all. After two or three foolish tries I got up on my feet. The last I saw of him he was supporting himself on his arm, looking for all the world like that statue.

"They'd cleared off all the wounded, and only the dead were left. It was terribly still, and I could hear him choking, a long way off, as I came back across the lines. The next day I happened to stumble across him. It was bright sunshine, and he was like marble, and the ground all about was sticky. He was staring up in the sun with his head thrown back and his eyes open, and the strangest look! Well, anyway, it made me think of a chap I saw once make a rippingly clever catch at ball, with the sun shining straight in his eyes, while the crowds went wild, and he didn't know what had happened for a minute.—His helmet was still there beside him, keeping guard, sort of like a dog, and I took it back with me. I don't know why."

Leonard paused; then he said, suddenly, averting his eyes like a child caught in a wrong act, "That talk we had was so queer—I mean it was as if—don't you know?—as if we were—well, sort of the same at heart. I mean, of course, if he hadn't been German. War is queer," he continued, lamely, raising his cropped head and looking off at the horizon. "Awfully queer," he murmured, watching a dark cloud steal across the water, tarnishing all its bright surface.

Presently he spoke again.

"So many men have been killed—Englishmen I mean; almost all the men I went to school with." He started to count as if by rote: "Don and Robert, and Fred Sands, and Steve, and Philip and Sandy." His voice was muffled in the sand. "Benjamin Robb and Cyril and Eustis, Rupert and Ted and Fat—good old Fat!"

Lying close to Marjorie on the sand, his mighty young body still hot from the joyous contact of the noonday sun, his eyes, full of an uncomplaining and uncomprehending agony, sought hers; and Marjorie looked dumbly back with a feeling of desolation growing within her as vast and dreary as the gray expanse lapping beside them, for it seemed to her that Leonard was groping, pleading—oh, so silently—for an explanation, an inspiration deeper than anything he had known before—a something immense that would make it all right, this gigantic twentieth-century work of killing; square it with the ideals and ideas that this most enlightened century had given him.

Marjorie strangled a fierce tide of feeling that welled up within her, and her eyes, bent on Leonard, were fierce because she loved him most and she had nothing, nothing to give him. For he had to go back, oh, he had to go back to-morrow, and he hated it so—they all hated it—the best of them! How clearly she saw through the superb, pitiful bluff, that it was all sport, "wonderful"! Wonderful? She knew, but she would never dare let Leonard see that she knew.

And still Leonard counted, his head in his arms: "Arnold and Allen, and Rothwood, and Jim Douglas, and Jack and—Oh, Christ! I can't count them all!" His voice trailed away and was lost in the sand, and the big clouds, spreading out faster and faster, swept over them.


IV

They came up to London in a first-class compartment. Any one could have told they were on their honeymoon, for they wore perfectly new clothes, and on their knees between them they balanced a perfectly new tea-basket. They were making tea and sandwiches, and although it was all rather messy, it gave them the illusion of house-keeping. The lumbering local seemed to them to be racing, and the country sped by and vanished as quickly as the fleeting moments, for it was the afternoon of the fourth day. An old lady and gentleman, their only traveling companions, went tactfully to sleep. Leonard glanced warily at them, and turned his back on the flying landscape.

"Marjorie," he said, carefully peeling a hard-boiled egg; "Marjie."

"Yes, Len."

"Were you ever in love before this?"

Marjorie laughed. She was in the mood for laughter. She must be happy and light-hearted. Time enough later on to be serious.

"Sure," she replied gravely, mocking eyes on Leonard. "Weren't you?"

Leonard shook his head. "Just with actresses and things, when I was a kid. Never, really."

"I suppose," said Marjorie, pensively, "I ought to care if you've been bad or not, but I don't."

"But Marjie, darling,"—Leonard brought her back and went straight to his point,—"were you ever really in love with that German chap you spoke of when I gave you the helmet?"

"He was my first love," said Marjorie, with wicked demureness. "I was fifteen and he was eighteen."

"You were just a flapper," said Leonard; "you couldn't be in love."

"A woman is never too young to adore some man," said Marjorie, sagely. "I was a miserable homesick wretch, spending the winter in a German boarding-school."

"A German school! What for?"

Marjorie, her small face drawn with fatigue, but her eyes vivid with excitement, regarded him pertly.

"In order to learn German—and culture."

Leonard gave a grunt.

"Yes, Len, dear, it was dreadful. You never could have stood it, you're so particular," Marjorie said, settling her head against Leonard's arm. "The girls only bathed once a year!"

"Dirty beasts!" muttered Leonard. "But what's that got to do with the point?"

"I'm preparing you for that by degrees. Len, dear, it was dreadful. No one spoke a word of English, and I couldn't speak a word of German, and it was such a long winter, and all the flowers and grass were dead in the garden, and at night a huge walnut tree used to rattle against my window and scare me; and they don't open their windows at night, and I nearly died of suffocation! They think in Germany that the night air is poisonous."

"They don't use it instead of gas. How about the man? Hurry up!"

He looked at his watch, but Marjorie chose to ignore him.

"We've got eleven hours," she said, with tragic contentment; "I'm coming to the man. The girls used to sit about indoors and embroider—oh, everlastingly! Hideous things. I was, oh, so restless! You know how you are at that age."

"I was playing football," said Leonard; "so ought the man to have been, instead of casting sheep's eyes at you."

"He had nice eyes," said Marjorie, pensively, "and lived next door, and," she added, as Leonard puffed stolidly at his pipe, "he was terribly good-looking."

"He was?" said Leonard, raising his eyebrows.

"So tall for his age, and his head always looked as if he were racing against the wind. He was always rumpling his hair as if in a sort of frenzy of energy, and he was awkward and graceful at the same time, like a big puppy who is going to be awfully strong. He was like a big, very young dog. So energetic, it was almost as if he were hungry."

"He's hungry along with the rest of 'em now, I hope," murmured Leonard.

"His name was Carl von Ehnheim. He lived in a very grand house next door," continued Marjorie, "and he used to come over and make formal calls on the pension Müller. He never looked at me, and whenever I spoke he looked down or out of the window, and that's how I knew he liked me."

"Most abominable case of puppy love," said Leonard.

"Oh, it was so puppy!" cried Marjorie; "but of course it made the winter pass less drearily."

"How so—'of course'?"

"Because he would always happen to come down his steps when I came down mine. Or when I was in the garden walking on the frozen walk with huge German overshoes on, he would draw aside the curtain of his house and stand there pretending not to see me until I bowed, and then he would smile and pretend he had just noticed me. And then, when Christmas came, all the girls went home, and Frau Müller and I were asked over to his house to spend the day. Did you ever spend a Christmas in Germany, Len, dear?"

"No, but I hope to some day."

"It's so nice, it's like Christmas in a book. He used to come into the garden after that, and we'd play together. And we read German lesson-books in the summer-house. And then, sometimes, for no reason at all, we would run around the summer-house until we were all out of breath, and had messed up all the paths. One day he had to go away. It was time for him to go into the army to be made an officer, and I didn't see him for so long, and I forgot all about him, nearly. I would have if I hadn't been so lonely."

"Humph!" said Leonard; and Marjorie squeezed his fingers.

"Aren't you just a little bit jealous?" she pleaded.

"Jealous of a Hun?" answered Leonard, knocking the ashes from his pipe. "No." But he squeezed her hand somewhat viciously in return. "Not a bit. Stop wriggling! Not a bit. When did you see him again?"

"Not for a long time. One day I came home and on the hall table was a gold sword and a gold helmet with an eagle crest. Maybe I heard his voice in the parlor, maybe I didn't. Anyway, I put the helmet on my head and took the sword out of the scabbard. Oh, wasn't it shiny! I was admiring myself in the mirror when he came out.—Stop whistling, Leonard, or I won't go on.

"He was dressed all in blue and gold, and he wore a gray cape lined with red, and oh, he looked like a picture in a fairy book, I can tell you, and he just stood there and stared at me. And he said, in a very low voice, 'I didn't dare to kiss you under the mistletoe.' And I wanted to say something, but couldn't think of anything because he wouldn't take his eyes away; and then Frau Müller came out and said 'Good-bye' to him with great formality. And afterward she said it was very unziemlich to talk to a young officer alone in the hall, and, oh, I don't know—a whole lot of things I didn't listen to."

"And of course that only fanned your ardor and you continued to meet?" prompted Leonard.

He lighted a pipe and stuck it in the corner of his mouth, and never took his smiling eyes off Marjorie's thin little face, all animated in the dusk.

"Of course we met, but only on the avenue, when we girls were walking in a long line, dressed alike, two by two, guarded by dragons of teachers. But I'd lie awake every night and think of all kinds of things—his look, and the way his sword clanked against his boots. And twice I saw him at the opera, looking at me from one of the boxes filled with officers. You can't think how big I felt having him notice me—and you can't think how beautiful I thought he was. Little thrills ran up and down my spine every time I looked at him. Is that the way you felt when you looked at your silly actresses?"

"Maybe," said Leonard, grinning with the corner of his mouth unoccupied by the pipe, and staring out into the shadowy darkness. "Was that all?"

They were drawing near to London.

"Mostly," answered Marjorie, fingering the buttons on Leonard's sleeve. "Last time I saw him it was in the garden on the same bench in the sun. He came over the fence, and he told me that his regiment had been ordered to Berlin the next day."

"You knew more German then?" asked Leonard.

"Yes, I suppose so; but I didn't need to understand. It was all in the sun, and the air was all warm from the cut clovers, and his eyes were, oh, so blue! And—I don't know. He took off his helmet and put it on my head, and he took his sword out of the scabbard and he put it in my hand, and he said, oh, all kinds of things in German that I couldn't understand very well."

"He was probably asking you how much your dowry was."

"Maybe, but his eyes didn't ask me that. And that was all. I never saw him again, and I don't ever expect to."

"Should rather think not."

"Would you mind?"

"Certainly," said Leonard.

"They're horrible tyrants, English husbands," said Marjie, kissing his arm.

"Not so bad as German ones," he replied, putting his head down to hers.

The casements rattled. Into the little dark square of the compartment window peered a confusion of lights, the myriad eyes of a great city.

"Why, it's London!" cried Marjorie. "I'd lost all track of time. Hadn't you, Leonard?"

"No," he answered laconically, slamming down the lid of the tea-basket.

But Marjorie squeezed up against him and gave a little laugh. "Supposing it could be the same man, Leonard," she said.

"What man?" asked Leonard, snapping the lock.

"Why, the man of the Helmet—the Dying Gaul—and my man I've been telling you about."

Leonard looked at her, and for some reason his eyes flinched. "What difference would that make? He was German," was all he said.

It was a sultry evening. Flowers were being sold in profusion on street corners. Hurdy-gurdies played war tunes in the gutter. The streets were filled with soldiers in khaki and florid civilians in their summer clothes. Suddenly she remembered a passage in the Bible that always seemed beautiful to her, but now it seemed to have been specially written for her:—

"Where thou goest, I will go, And where thou lodgest, I will lodge. Thy people shall be my people, And thy God, my God."

She walked as close to Leonard as she dared: "Thy people shall be my people, And thy God, my God."

The passers-by smiled at her and turned and stared after. "Awfully hard on a girl," they thought, touched by the rapt look on the young face.

"Oh, Len," she whispered, pulling at his arm, "I love all these people; I love England."

He smiled indulgently.

"They're all right," he assented; "I don't mind strangers, but I hate the thought of all the relatives we've got to face when we get back. There'll be Aunt Hortense and Uncle Charles. Mater'll have all the uncles and the cousins and the aunts in to bid me a tender farewell. Think of spending my last evening with you answering questions about how deep the mud is in the trenches, and what we get to eat, and what the names of all the officers in my mess are."

"And then they'll spend the rest of our precious time connecting them up to people of the same name in England," said Marjorie.

"Exactly," agreed Leonard. "Aren't grown-up relations beastly?"

"Horrible," said Marjorie, "but they've been awfully decent about letting me have you all of these four days."

To put off the evil moment of arrival they stopped at every shop-window and stared in, their faces pressed close to the glass.

All the way home, with eyes that neither saw nor cared where they were going, they talked to each other of their childhood. The most trivial incidents became magnified and significant when exchanged.

"That's just the way I used to feel, that's just the way I used to feel," they kept repeating, over and over again. The sweet, misty memories of their happy, happy lives, came gliding back into consciousness. The thoughts and yearnings, the smells, the sights and sounds, all the serenity of the immaculate, long childhood days. Walking side by side in the reverent dimness, intensely conscious of each other, they had that mysterious sensation of having done this before, of living a second time. The world was transfigured; they were aware of measureless rapture brooding close about them in the twilight of which they were a part—a rapture, a sense of enchantment, that people are only conscious of as children or when they are in love or in dreams.

Finally, deliciously weary, and full of the languor of the summer night, they retraced their steps and took the two-penny tube.

They arrived home late. The family were at dinner.

"We've missed two courses," said Leonard gleefully; "the aunts must be raging."

"Shall I dress up?" said Marjorie.

"Good God!" answered Leonard, "I go to-morrow at five. Don't wear anything that will make them think we're going to sit round and converse with Aunt Hortense all the evening. I'm going up to say good-bye to the boy."

Marjorie found him there, stretched out on Herbert's little cot, completely covering the little mound under the pink coverlet.

"Don't you come near, Marjorie; I've got Leonard all to myself," cried Herbert, who, like all the others, was jealous of Marjorie, but did not scruple to show it.

"Ha-ha! Who's jealous now?" said Leonard, putting his head down on Herbert's. Marjorie lay down on the quilt at the foot of the bed. Her restless eyes watched a light from the driveway scurry across the bed and zig-zag over the faces of the two brothers. Like a sudden flame struck from a match it lit a metal object on the shelf over the bed. Ah, it looked grim and incongruous in that peaceful English nursery! Once it had been one among a golden sea of helmets, sweeping across a great plain like a river. The sun smote upon gleaming bayonets, passing with the eternal regularity of waves. Last autumn the world had shaken under the tread of the feet marching toward Paris.

The light clung to the glittering object, and then scudded away. Marjorie's eyes kept closing. Suddenly, and oh, so vividly, there came the memory of another garden; the cold, brooding stillness of the winter air, and the sun sifting through the diamond windows of the summer-house, and shining on the dancing letters of the lesson-book and on his yellow hair. Then she heard Leonard's laughter and was back again in the present. How could he laugh like that! It was because he was so young. They were all so young!

"Good night, old man," said Leonard, pulling himself up from Herbert's bed; "don't forget me."

Three times Herbert called him back, and when Leonard returned and stood beside him, the little boy wriggled apologetically.

"Play with me," he said, plaintively.

"Play with you! I'll stand you on your head instead," said Leonard, and put his arm around Marjorie.

But Herbert continued to call to the emptiness.

Leonard and Marjorie paused on the landing, and he reached up and spread his hand over the face of the clock.

"Stop moving!" he said.

"You're just about three years old to-night," said Marjorie.

"I know—I know," he said. Suddenly, with an impulse and gesture of childlike and terrible longing, he put both his arms about Marjorie. His face wore an expression that she could never forget. Looking up at him with wide, tearless eyes, she felt in that one uncontrolled moment that she knew him better than she ever would again. She felt wonderfully old, immeasurably older than Leonard, older than the whole world. With a love almost impersonal in its unconscious motherliness, she yearned with the mighty power of her woman's body and soul to protect this immature and inarticulate being who was faring forth to the peninsula of the "Dead English" to make his silent sacrifice. The great house seemed to be listening, hushed, to the sober ticking of the clock on the landing. Suddenly, with a preliminary shudder, its melodious voice rang out nine times. The two stole downstairs to the dining-room.

"Nine o'clock. We've missed three courses," whispered Leonard to Marjorie.

All through dinner he sulked. He could not forgive his Aunt Hortense for her very considerable bulk, which was situated between him and Marjorie. He squeezed his mother's hand under the table, till her rings cut into her flesh, and she had to smile; but toward all the flattering advances of his aunt, and her effort to ascertain his opinion on every aspect of the war, he remained dumb with the maddening, imperturbability of a sulky boy, who refuses to be "pumped."

After dinner he was claimed by his father and remained in the smoking-room, detained by a certain wistfulness in his father's manner.

"We've missed you these four days, old boy," his father said. "But I hardly expect you missed us. Can't we have a talk now?"

"Yes, sir; of course," Leonard answered. He felt suddenly contrite. He noticed for the first time in his life that his father looked old and little, almost wizened, and there was something deferential in his manner toward his big son that smote Leonard. It was as if he were saying, apologetically, "You're the bone and sinew of this country now. I admire you inordinately, my son. See, I defer to you; but do not treat me too much like a back number." It was apparent even in the way he handed Leonard the cigars.

Desperately conscious of the hands on the clock's face, which kept moving forward, Leonard sat and conversed on the recent drive in France, the Dardanelles campaign, home politics, held simply by the pathos of his father's new manner. At every pause in the conversation he listened for Marjorie's voice in the drawing-room.

And Marjorie, in the drawing-room, was wondering desperately if he knew how the time was flying as he sat there quietly smoking and holding forth endlessly about transports and supplies and appropriations, and all the things which meant nothing to her. More wily than Leonard, she had escaped from Aunt Hortense, who, in true English fashion, had not appeared to be aware of her presence until well on toward the middle of the evening, after the men had left; then she turned to Marjorie suddenly, raising her lorgnette.

"Leonard's letters must have been very interesting to your friends in America."

"Oh, yes," stammered Marjorie; "but he never said very much about the war." She blushed.

"Ah," said the older woman; "I observed he was very silent on the subject. It's a code or custom among his set in the army, you may be sure of that. So many young officers' letters have been published," she continued, turning to Mrs. Leeds. "Lady Alice Fryzel was telling me the other day that she was putting all her son's letters into book form."

Marjorie had an inward vision of Leonard's letters published in book form! She knew them by heart, written from the trenches in pencil on lined paper—"servant paper," Leonard called it. They came in open envelopes unstamped, except with the grim password "war zone." Long, tired letters; short, tired letters, corrected by the censor's red ink, and full of only "our own business," as Leonard said. Sometimes at the end there would be a postscript hastily inserted: "I was in my first real battle to-day. Can't say I enjoyed it." Or, "Ronald Lambert, who was my chum at Eton, never turned up to-night. I feel pretty sick about it." She remembered the postscript of his first letter from the front; not a word about the thunder of the distant cannonading or the long line of returning ambulances that greeted the incoming soldier. It gave the first realistic smack of the filthy business of war. "I've had my head shaved," Leonard wrote. "P.P.S. Caught One." Marjorie wondered how that would look to Aunt Hortense, published in book form.

"Aren't the men a long while?" said Mrs. Leeds, for the fifth time; and Marjorie could endure it no longer. She could not bear to sit there and look at Mrs. Leeds's face. The fierce resignation of the mother's eyes seemed dumbly to accuse Marjorie, whose whole youth and passionate being protested: "I won't let her have Leonard this evening—I won't—I can't—it's his last! Why don't old people, like Aunt Hortense, fight wars, if they're so crazy about it?"

She crept unnoticed to the dark alcove, and slipped through the curtains of the French window. But the older woman's shrewd glance followed her; and all the while she was listening with apparent composure and concern to Hortense, she was saying to herself, with bitter impatience,—

"Fool! Why did she have to come this evening!" And then, "O Leonard, is it possible that little young thing can love you as I do!" And, "O Leonard—O Leonard!"

Marjorie, in the garden, skirted the shrubs and stole between the flower-beds to the library window. Vividly she could see Leonard, stretched out in a chair, his cigarette in one hand, gesticulating, talking.

"He's happy; he's forgotten all about me," she thought; and swept by an absurd emotion of self-pity, she kissed her own arms in the darkness to comfort herself, till her eyes, which never left his face, saw him turn warily and desperately to the clock.

"Leonard," she whispered, pressing close to the glass.

Suddenly he saw her revealed in the pale halo of light cast by the window into the darkness. He looked at her for moments without moving. Then she saw him get up and say good night to his father, putting his hand awkwardly and self-consciously on his sleeve. Minutes passed, and she knew he had gone to say good night to his mother, and then she saw the light of his cigarette coming toward her across the lawn. She waited without moving for him to touch her. So many times she would feel him coming toward her in the moonlight, the outline of his dear form lost in the dusk, and when he put out his hand it would be only empty shadows.

"Marjorie, where are you?"

"Here, Len."

Some one came to the front door and called out,—

"Are you there, Leonard and Marjorie? Lock the door when you come in, Leonard."

From the darkness they saw his mother's form silhouetted against the light inside. She started as if to come toward them, and then suddenly shut the door and left them alone together in the white night.


V

A thick yellow fog lay over London; at five o'clock in the Victoria Station the dawn had not penetrated, and the great globes of electricity in the murky ceiling shed an uncertain light. Through the usual somber and preoccupied din of the early morning traffic, came the steady, rhythmic tread of marching feet. Lost in the smoke and fog, a band was playing "Rule Britannia."

Marjorie and Leonard were standing in the very centre of the vast dingy shed. Heavy-eyed, they looked about them with an unseeing, bewildered gaze, that kept reverting to each other. Marjorie had both her hands about one of Leonard's, and was holding it convulsively in the pocket of his great-coat. Many times she had pictured this last scene to herself, anticipating every detail. Even in these nightmares, she had always seen herself, with a sick heart, bearing up bravely for Leonard's sake, making it easier for him.

A hunchback, dodging under the elbows of the crowd, stared at her, and smiled queerly and whispered to himself. Marjie shivered, then forgot him as a spasmodic gasp ran through the crowd; a sound suddenly seemed to envelop her like a wave, breaking, gathering itself, then breaking again—just two words:—"Good-bye—Good-bye—Good-bye."

She looked into Leonard's face, and saw that the moment had arrived; he was going. She was gripped with a sense of suffocation and panic. It was the same feeling that she had experienced as a child when she had gone in wading and had slipped into the water over her head. She clung to Leonard now just as she had clung to her rescuer then.

"Don't go! Don't go! I can't bear it! O Leonard!"

His hand, disengaging itself from her fingers, increased her panic. He put his arm about her.

"Marjie," he said, in a steady voice, which yet sounded unreal, not like his own, "I'm going. Good-bye. I love you with my whole soul; I always will. I shan't be able to hear from you, but I'll write you as often as I can. Don't worry if there are long intervals between letters. And, Marjie, don't believe too easily that I'm dead. If you hear I'm missing, there is still a good chance; even if I'm on the lists, keep on hoping. I'm coming back. Good-bye." He kissed her, then paused, and put his dark head close to hers. "Marjie, if we should have one,—if it's a boy,—I want it brought up in England; and in case we should—promise me to take the best care of yourself—promise! That's right. Now stop trembling."

Marjorie nodded, with white lips, but continued to tremble. Leonard's face became equally white. He set his quivering mouth and turned away, but Marjorie clutched wildly at his sleeve.

"I'm coming with you as far as the boat, Leonard, just as far as the boat. See, those women are going. Oh, let me, Leonard!"

He hesitated, and in that empty moment a voice behind them said, "The average life of an officer in the Dardanelles is eleven days."

Leonard frowned; then glared at the hunchback, who was still peering at them.

"O Leonard, please, please!"

"You couldn't come back with them," he said painfully, averting his eyes from hers.

"Eleven days!" repeated an incredulous voice.

"I will come—I will come!" gasped Marjorie, trying to squeeze past Leonard through the gates.

He pushed her back peremptorily. His boyish face was pitiful in its determination.

"You go back," he said. He beckoned to a young officer who was standing in the crowd. "Stuart," he said, "will you see my wife to her carriage? She doesn't feel well. I'm going."

The soldier advanced. Marjorie glared at him with the eyes of an animal who sees her young taken away from her, and he drew back, his face full of pity. She threw one last despairing look at Leonard as he turned down the platform, and in that last glimpse of his strangely numb face she saw how he was suffering. She had a revulsion of feeling; a sense of desolate shame swept over her which, for a moment, surmounted her terror.

She had failed him! Behaved like a coward. Made it terrible for him at the very last. Oh, if he would only look at her again! The whole force of her despair went into that wish—and Leonard turned. A few yards farther down the platform he swung suddenly about, and finding her face among the crowd, he tilted his chin and flashed his white smile at her while his eyes lighted and his lips framed the word "Smile."

The band, which had been gathering impetus for the last moment, pealed forth "Rule Britannia." Marjorie smiled, smiled as she never had before, and kissed her hand. He waved his cap. It was among a forest of caps. The whistle shrieked. The guards slammed the doors. Through the fog the train was moving.

"Rule, Britannia! Britannia rules the waves!
Britons never shall be slaves."

The crowds cheered. There came an acrid rush of smoke, which swallowed up the moving train with its cargo of khaki-clad boys. Above the cheering the hunchback, still dodging under the elbows of the crowd, was calling loudly,

"I came that they might have Life—Life—Life!"

The people stared down at the little sardonic face.

"Crazy?" they muttered.

The cripple shouted with laughter.

"Life—Life—Life!" he said.

When the smoke had cleared again, the tracks were empty, stretching away into blackness.

 

 


***END OF THE PROJECT GUTENBERG EBOOK FOUR DAYS***

******* This file should be named 20070-h.txt or 20070-h.zip *******

This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/0/0/7/20070

Updated editions will replace the previous one--the old editions will be renamed.

Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.

*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://www.gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://www.gutenberg.org/about/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://www.gutenberg.org/fundraising/pglaf

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://www.gutenberg.org/fundraising/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.

Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number.  The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.

Most people start at our Web site which has the main PG search facility:

http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date.  If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.

http://www.gutenberg.org/dirs/etext06/

    (Or /etext 05, 04, 03, 02, 01, 00, 99,
     98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)

EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way.  The year of a release date is no longer part
of the directory path.  The path is based on the etext number (which is
identical to the filename).  The path to the file is made up of single
digits corresponding to all but the last digit in the filename.  For
example an eBook of filename 10234 would be found at:

http://www.gutenberg.org/dirs/1/0/2/3/10234

or filename 24689 would be found at:
http://www.gutenberg.org/dirs/2/4/6/8/24689

An alternative method of locating eBooks:
http://www.gutenberg.org/dirs/GUTINDEX.ALL

*** END: FULL LICENSE ***