The Project Gutenberg EBook of The Ontario Readers: The High School
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Title: The Ontario Readers: The High School Reader, 1886

Author: Ministry of Education

Release Date: November 27, 2006 [EBook #19923]

Language: English

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The selections in the High School Reader have been chosen with the belief that to pupils of such advancement as is required for entrance into High Schools and Collegiate Institutes, oral reading should be taught from the best literature, inasmuch as it not only affords a wide range of thought and sentiment, but it also demands for its appropriate vocal interpretation such powers of sympathy and appreciation as are developed only by culture; and it is to impart culture that these institutions of higher learning have been established.

Experience has shown that it is from their ordinary reading books that pupils obtain their chief practical acquaintance with literature, and the selections here presented have been made with this in remembrance. They have been taken from the writings of authors of acknowledged representative character; and they have been arranged for the most part chronologically, so that pupils may unconsciously obtain some little insight into the history of the development of the literary art. They have also been so chosen as to convey a somewhat fair idea of the relative value and productivity of authorship in the three great English-speaking communities of the world—the mother countries, our neighbours' country, and our own.

While a limited space, if nothing else, prevents the collection here made from being a complete anthology, yet it does pretend to represent the authors selected in characteristic moods, and (in so far as is possible in a school book, and a reading text-book) to present a somewhat fair perspective of the world of authorship. It may be said that, if this be so, some names are conspicuously absent: McGee, Canada's poet-orator; Parkman, who has given to our country a place in the portraiture of nations; William Morris, the chief of the modern school of romanticism; Tyndall, who of the literature of science has made an art; Lamb, daintiest of humorists; Collins, "whose range of flight," as Swinburne says, "was the highest of his generation." Either from lack of space, or from some inherent unsuitableness in such selections as might otherwise have been made, it was found impossible to represent these names worthily; but as they are all more or less adequately represented in the Fourth Reader, the teacher who may wish to correct the perspective here presented may refer his pupils to the pieces from these authors there given. It may be added, too, that the body of recent literature is so enormous, that no adequate representation of it (at any rate as regards quantity) is possible within the limits of one book.

The selections in poetry, with but three necessary exceptions, are complete wholes, and represent, as fairly as single pieces can, the respective merits and styles of their authors. The selections in prose cannot, of course, lay claim to this excellence; but they are all complete in themselves, or have been made so by short introductions; and it is hoped that they too are not unfairly representative of their authors. In many cases they are of somewhat unusual length; by this, however, they gain in interest and in representative character.

In some of the prose selections, passages have occasionally been omitted, either because they interfered with the main narrative, or because, as they added nothing to it, to omit them would be a gain of space. In most cases these omissions are indicated by small asterisks.

All the selections, both in prose and in verse, have been made with constant reference to their suitableness for the teaching of reading. They are fitted to exemplify every mode of expression, except, perhaps, that appropriate to a few of the stronger passions. It is not pretended that they are all simple and easy. Many of them will require much study and preparation before they can be read with that precision of expression which is necessary to perfect intelligibility. The chronological arrangement precludes grading; the teacher will decide in what order the selections are to be read.

The introductory chapter is mainly intended to assist the teacher in imparting to his pupils a somewhat scientific knowledge of the art of reading. Of course the teacher will choose for himself his mode of dealing with the chapter, but it has been written with the thought that he should use it as a convenient series of texts, which he might expand and illustrate in accordance with his opportunities and judgment. Examples for illustration are indispensable to the successful study of the principles described, and they should be sought for and obtained by the teacher and pupils together (whenever possible they should be taken from the Reader), and should be kept labeled for reference and practice. If the application of these principles be thus practically made by the pupils themselves, they will receive a much more lasting impression of their meaning and value than if the examples were given to them at no cost of thought or search on their part.

To the teacher it is recommended that he should not be contented with the short and necessarily imperfect exposition of the art of reading therein given. The more familiar he is with the scientific principles the more successfully will he be able to direct the studies and practices of his pupils. Works on elocution are numerous and accessible. Dr. Rush's Philosophy of the Voice is perhaps the foundation of all subsequent good work in the exposition of voice culture. Professor Murdoch's Analytic Elocution is an exhaustive and scholarly treatise based upon it, and to the plan of treatment therein fully developed the practical part of the introductory chapter has largely conformed.

The pleasing task remains of thanking those authors who have so kindly responded to requests for permission to use selections from their works: to President Wilson, for a sonnet from Spring Wild Roses, and for Our Ideal; to Mr. Charles Sangster, for two sonnets from Hesperus; to Mr. John Reade, for two poems from The Prophecy of Merlin; to Mr. Charles Mair, for the scenes from Tecumseh; and to Professor C. G. D. Roberts, for To Winter.

To Miss A. T. Jones, thanks are due for permission to use Abigail Becker, recently published in the Century Magazine. The heroic acts described in this poem seem so wonderful, so greatly superior to woman's strength, even to human strength and endurance, to accomplish, that were it possible to doubt its truthfulness, doubt one certainly would. Nevertheless the poem is not only strictly in accordance with the facts, it is even within and below them.

The ability to read well cannot be attained without much pains and study. For even a moderate proficiency in the art of reading two requirements are essential: (1) A cultivated mind quick to perceive the sequence of thoughts which the words to be read logically express, and equally quick in its power sympathetically to appreciate the sentiment with which the words are informed—the feeling, emotion, passion, which pervades them—but which they suggest rather than actually portray; and (2) a voice so perfected that its utterances fall upon the ear of the listener with pleasing effect, and so flexible that it can be managed skilfully to convey to him the full meaning and force of all the ideas and sentiments formally expressed by the words or latent in them. Of these two requirements the first is undeniably the more important; and that training in the art of reading in which the close, persistent, and liberal study of literature for its own sake has not proceeded pari passu with the requisite exercises for the development of the powers of the voice and with the study of the principles of vocal interpretation, has resulted in a meretricious accomplishment of very illusive value.

Nor will the special study and accurate mastery of a number of individual selections give that readiness of mental apprehension which is indispensable to a good reader. The ability quickly to recognize word-forms and to utter them with ease, to catch the drift of ideas, and to feel ready sympathy with change and flow in sentiment, is not to be had without a long course of wide and varied reading. No one can become a good reader by passing through, no matter how carefully, a set of reading text-books merely. Pupils should be encouraged to read for themselves. They should, of course, be guided in their selection of reading matter, and they should be helped to acquire a taste for that which is purest and most helpful in literature; but unless they form a habit of reading, and of reading thoughtfully and with precision, they can never become good readers.

In oral reading, readiness and accuracy depend largely upon the alertness and flexibility of the vocal organs, and to secure ease and excellence in the working of their delicate mechanism much practice is necessary. The pupil should persistently read aloud. A practice of this sort, watchfully pursued, with a reasonable degree of self-discipline in the correction or avoidance of errors, is helpful not alone in obtaining a mastery of the reading art, and in mental culture,—it is equally beneficial as a physical exercise. It will, however, be much more efficacious of good, both of mind and of body, if pursued in accordance with those principles of voice culture and of vocal interpretation, which experience and special study have established.

[xii]But only a small proportion of all the reading that is done, is oral reading. It is silent reading that is universally employed as an instrument of study, of business, of amusement. As a rule, however, very little provision is made for the acquirement of a facility in silent reading; this, it is thought, will result as a by-product of the regular training in oral reading. Almost the reverse of this is true. Ease and flexibility of articulation, quickness in catching the drift of ideas, and readiness in varying the tones of the voice in the utterance of words so as impressively to portray their latent sentiment,—all this is possible with those alone to whom difficult word-forms, complex sentence-structures, and the infinite variety and play of thought and emotion, are more or less familiar through such a wide range of reading as only the silent prosecution of it makes possible.

The art of oral reading, however, though not so generally needful as silent reading, is still of great importance to everyone in respect of its practical utility simply,—though few of those whose duty it is to read aloud in public, do so either with accuracy or grace; as an accomplishment which may be used to give pleasure to others, it is, when perfectly possessed, not excelled by any other; so that as an acquisition which puts one in a position of vantage either for benefitting one's self or for bestowing delight or benefit upon others, it is worth every necessary struggle for its attainment.

One of the most valuable results of oral reading when systematically pursued as a school study, is the effect which it has in improving the tones of the voice for ordinary conversation and discourse, and in securing some measure of orthoepy as a fixed habit of utterance. Conversational speech is notoriously slovenly. The sonority of our vowels is lost, and their distinguishing qualities are obscured; and with unnoticed frequency our consonants are either dropped or amalgamated with one another. Yet, while amendment in these matters is to be striven for, there is nothing that the teacher who wishes to establish habits of orthoepy has to be more watchful in guarding against, than bestowing upon his pupils an affected or mincing utterance, all the more ludicrous and objectionable, it may be, in that a certain set of words are pronounced with over-nicety, while almost all others are left in a state of neglected vulgarity.

Too frequently the study of oral reading is pursued with reference solely to the prospective public use of the art in the declamation of prepared passages; and the elocution-master's science has been brought into some discredit by wide discrepancies between the performances of his pupils in their well-drilled and often hackneyed selections and their ability to read unfamiliar pieces at sight. It is quite true that voice culture is greatly aided by the close study and frequent rendering of selections suitably chosen for the elocutionary difficulties which they present; but it should never be forgotten that good reading, the sort of reading which the schoolmaster should above all else endeavor to make his pupils proficient in, implies the ability so to read a plain account, a story, an oration, a play, or what not, at sight, with absolute correctness as to pronunciation, with such clearness of articulation and appropriateness of sentence utterance as will make it perfectly audible and intelligible to one's auditors, and with[xiii] such suitable and impressive intonations as will put them in full possession of those emotions which may be said to be the essence or spirit of the piece;—and, moreover, to do all this with pleasure to one's hearers and with ease to one's self. Now as comparatively few readers are ever required to read in public, and as in the home-circle everyone ought to read, it is plain that the first duty of the teacher of elocution is to develop in his pupils a mastery of such a style of reading as is appropriate to small audiences; and, then, if he have time and opportunity, to extend and amplify the practice of his art so as to fit such as are capable of fuller mastery of it to appear before greater audiences. For though all voices are capable of being much improved through cultivation, few only can be adapted to the requirements of a large auditorium; and the care and attention which should be devoted to the benefit of all should not be spent for the advantage merely of the few.

And moreover, those practices and studies which voice culture and the attainment of a knowledge of the principles of vocal interpretation demand, may be pursued by all in common. That alone which is necessary for the public reader or orator, is a more extended, and, perhaps, a more earnest and thoughtful practice.

Although practices for the improvement of the voice cannot proceed far without attention to the principles of vocal interpretation, and though the study of the latter necessarily includes the former, yet for the sake of clearness the elementary principles of voice culture may be discussed separately from their application in the interpretation of thought and sentiment.

With respect both to articulation and expression the generic properties of the voice are five, namely: Quality, Pitch, Force, Time, Abruptness. Of these properties there are, of course, many modes or degrees, but the voice must, in every tone that it utters, manifest itself in some mode or other of each; and it is the possibility of infinite choice in the ways of combining the modes that gives to vocal expression its infinite possibility of variety. The principles of voice culture will be best understood, however, if these properties be considered separately.

Quality has reference to the kind of the voice in respect of its smoothness or roughness, sonority or thinness, musicalness or harshness; also in respect of the completeness of its vocality.

Pitch has reference to the degree of elevation or depression in what is called in music the scale. It may be used specifically, in reference to single tones or syllables (either as to their opening, or as to their whole utterance), or generally, as descriptive of the prevailing tone or note which the voice assumes in reading a sentence or passage.

Force has reference to the power or intensity with which the sounds of the voice are uttered. When force is used in the utterance of single syllables, in whole or in part, it is spoken of as Stress.

Time is rate of utterance. It is used with reference both to single syllables, and to phrases, sentences, and passages. In regard to single syllables it is sometimes called Quantity. In the consideration of time may be included that of pauses and rhythms.

[xiv]Abruptness has reference to the relative suddenness with which syllables may be uttered. It may vary from the most delicate opening to a forcible explosion.

Vocality depends upon respiration. All exercises, therefore, which are effective in increasing the vigor, freedom, and elasticity of the breathing apparatus, may be taken as initiatory steps in voice culture; and, in moderation, they should be practised continually. Full, slow inspirations followed by slow, and, as far as possible, complete expirations; full, quick inspirations similarly followed; full inspirations followed by sudden and forcible expirations; full, deep inspirations, followed by slow, slightly but distinctly audible expirations, as in deep sighing; these and similar practices may be pursued. What is to be aimed at is to secure complete control of the breath, especially to the degree that, with perfect deliberateness, it can be equably and smoothly effused.

In all exercises where vocality is required it is best first to use the sound of ä, as in far, for in this sound the quality of the human voice is heard in most perfection, and in uttering it the vocal organs are most flexible and most easily adapt themselves to change. It may be preceded by the aspirate h, or by some consonant, as may be thought necessary.

In effective speaking or reading, with respect to the abruptness and rapidity of expiration there are three modes of utterance: the effusive, by which the voice is poured forth smoothly and equably, the expulsive and the explosive. Of these three modes the effusive is by far the most important, but the others, and especially the expulsive, have their uses also. These modes will be illustrated in the following exercise:

In the cultivation of the voice either one of two ends is generally kept in view—its improvement for speaking or its improvement for singing; but progress may be made towards both ends by the same study, and those exercises which benefit the singing voice benefit the speaking voice, and vice versa. The distinction between speaking tones and singing tones should be clearly understood. Musical tones are produced by isochronous (equal-timed) vibrations of the vocal organs continued for some length of time. Hence, a musical tone is a note, which may be prolonged at will without varying in pitch, either up or down. A speaking tone, on the contrary, is produced by vibrations which are not isochronous; it is not a note, properly so called, and can not be prolonged, without varying in pitch. Musical tones are discrete,—the voice passes from pitch to pitch through the intervals silently. In speaking, every tone, however short the time taken in uttering it, passes from one pitch to some other through[xv] an interval concretely, that is, with continuous vocality; though, with respect to one another, speech syllables, like notes in music, are discrete. This may be exemplified by uttering the words, "Where are you going?" In singing these words, they may be uttered on the same note, or on different notes, or, indeed, with different notes for the same word; but the voice skips from note to note through the intervals. In speaking the words, each is uttered with an inflection or intonation in which the voice varies in pitch, but passes through the interval concretely; the separate words, however, and the separate syllables (if there were any) being uttered discretely. Musical utterance might be graphically illustrated by a series of horizontal lines of less or greater length succeeding one another at different distances above or below a fixed horizontal line. In a similar notation for speech utterance the lines would all be curved, to represent the concrete passage through the various intervals. It is the concrete intonation of every syllable and monosyllabic word which gives to speech its distinctive character from music. Each syllable and monosyllabic word is called a concrete, and it is with the concrete in all its various possibilities of utterance that voice culture has mainly to do.

The intervals traversed by the voice in uttering the concrete are very variable. Using the musical scale for reference it may be said that in ordinary speech they are generally of but one, or, at most, two notes. In animated discourse or passionate utterance the intervals may be greater. For illustration, let the pronoun "I" be uttered in a tone of interrogative surprise; a concrete with a rising interval will be the result. The more the surprise is emphasized, especially if indignation be conjoined with it, the greater will be the interval that the voice passes through in uttering the concrete. If the word "lie" be given immediately after the pronoun with the same intensity of feeling, the voice discretely descends from the high pitch heard at the end of the utterance of the pronoun, and in uttering the next concrete, again ascends through an interval, of less or more extent according to the emphasis which is imparted to it.

Again, in speech of sorrow, murmuring, piteous complaint, and the like, concrete intervals of less extent than those used in ordinary discourse are often heard. Thus, if the sentence "Pity me, kind lady, I have no mother," be uttered with a plaintive expression, concretes with small intervals will be distinctly noticeable; but it will be also noticed that with respect to one another the syllables are discretely uttered, just as in the sentence where the concrete intervals were much greater.

Without intending a scientifically accurate and rigid statement, it may be said (again borrowing the terminology of music) that in ordinary speech the concretes are uttered with intervals of a second, or at most a third; that in very expressive or impassioned utterance intervals of a fifth or an octave are frequently used; and that the mode of progression from syllable to syllable is diatonic, that is, not concretely, but discretely from tone to tone; and further, that in plaintive language, the syllables are uttered concretely with intervals of a semitone only, but that the mode of progression from syllable to syllable is still discrete.

[xvi]Sometimes, but rarely, syllables are uttered tremulously, or with a tremor; that is, with constituent intervals of less than a semitone, uttered discretely in rapid succession, and passing, in the aggregate, through an interval of more or less width. An exaggerated form of this utterance may be heard in the neighing of a horse.

In the pronunciation of the letter ā, as in pate, two sounds are heard: the first is that of the name of the letter, which is uttered with some degree of fulness; the second is that of ē in mete, but, as it were, tapering and vanishing;—in the meantime the voice traverses a rising interval of one tone, that is, of a second. The utterance of these two sounds, although the sounds themselves are distinct, is completely continuous, from the full opening of the one to the vanishing close of the other, and it is impossible to say where the first ends and where the last begins. It is essential, however, to consider them separately. The first is called the radical movement, and the second the vanishing movement; and these together constitute the entire concrete.

All the vowels do not equally well exemplify in their utterance a distinction of sound in their radical and vanishing movements, because some vowel sounds are less diphthongal than others, and some, again, are pure monophthongs; but these two movements and the concrete variation of pitch, the result of one impulse of the voice, are the essential structure of every syllable, and are characteristic of speech-notes as contradistinguished from those of song.

When the radical and vanishing movements are effected smoothly, distinctly, and without intensity or emotion, commencing fully and with some abruptness, and terminating gently and almost inaudibly, the result is the equable concrete. This of course may be produced with intervals, either upward or downward, of any degree—tone, semitone, third, fifth, or octave. It must be said, however, that some syllables, and even some vowels, lend themselves more easily than others to that prolonged utterance which is essential to the production of wide intervals and the perfectness of the vanishing movement.

The equable concrete is the natural, simple mode of utterance; but under the influence of interest, excitement, passion, and so on, the utterance of the concrete may be greatly varied from this by means of stress, or force applied to some part or to all of its extent. The different variations may be described as follows:

(1) Radical Stress, where force is applied to the opening of the concrete. (It should be said that a slight degree of radical stress is given even in the equable concrete, producing its full, clear opening.)

(2) Loud Concrete, where force is applied throughout the whole concrete, the proportion of the radical to the vanish remaining unaltered.

(3) Median Stress, where force is applied to the middle of the concrete, producing a swell, or impressive fulness.

[xvii](4) Compound Stress, where force is applied in an unusual degree to each extremity of the concrete.

(5) Final Stress, where force is applied to the end of the concrete, the radical stress being somewhat diminished in fulness.

(6) Thorough Stress, where force is so applied that the concrete has the same fulness throughout.

Besides the forms of the simple rising and falling intervals in which the concrete is generally uttered, there is another form, called the wave, effected by a union of these modes. It is of two varieties: (1) where a rising movement is continued into a falling movement, called the direct wave; (2) where a falling movement is continued into a rising movement, called the inverted wave. Waves may pass through all varieties of intervals, and may be either (1) equal, where the voice in both members passes through the same interval; or (2) unequal, where in one flexion the interval traversed by the voice is greater than in the other.

The elementary sounds of speech are of three natural divisions; the tonics, the subtonics, and the atonics.

The Tonics are the simple vowels and diphthongs. They are of perfect vocality; they admit the concrete rise and fall through all the intervals of pitch; they may be uttered with more abruptness than the other elements; and being capable of indefinite prolongation they can receive the most perfect exemplification of the vanishing movement. They may be said to be: a̤, as in all; ä, as in arm; ȧ, as in ask; ă, as in an; ā, as in ate; â, as in air; ē, as in eve; ĕ, as in end; ë, as in err; ī, as in ice; ĭ, as in inn; ō, as in old; ő, as in or; ŏ, as in odd; ū, as in use; ŭ, as in up; ōō, as in ooze; ŏŏ, as in book; oi, as in oil; ou, as in out. (There are various ways of arranging and classifying these.)

The Subtonics possess the properties of vocality and prolongation in some degree, but much less perfectly than the tonics, and their vocality (known as the vocal murmur) is the same for all. They are as follows:—b, d, g, v, z, y, w (as in woe), th (as in then), zh (as z in azure), j (as in judge, by some considered not elementary), l, m, n, ng (as in sing), r (as in ran), and r (as in far). They can not, without great effort, be given an abrupt opening, and so are not capable of much radical fulness, but from their property of vocality they can receive, to a considerable degree, an exemplification of the vanishing movement.

The Atonics correspond with the first eleven of the subtonics as given above, from which they differ almost alone in having no vocality. They are p, t, k, f, s, h, wh (as in when), th (as in thin), sh, and ch (as in child, by some considered not elementary).

Note.—In all the exercises care should be taken that they be performed easily and naturally, with perfect deliberation and without undue force; else they will be harmful rather than useful.

Syllables vary greatly in their capacity for prolongation, and in this respect are classified into immutable, mutable, and indefinite.

[xix]Immutable Syllables are almost incapable of prolongation; they are those which end in one of the abrupt atonic elements, p, t, k; as tip, hit, kick; or in one of the abrupt subtonics, b, d, g; as tub, thud, pug. Some syllables that so end, by virtue of tonic or subtonic elements which they may contain, are capable of some prolongation; for example, warp, dart, block, grab, dread, grog. These are called Mutable Syllables.

Indefinite Syllables are capable of almost indefinite prolongation; they are those which terminate in a tonic, or any subtonic except one of the three abrupt subtonics, b, d, g; for example, awe, fudge, hail, arm.

Note.—It must be remembered that when for the sake of exercise or effect syllables are extended in time, they must be so uttered that their identity is not impaired,—that is, their enunciation must be free from mouthing.

As has been remarked before our pronunciation of vowels is notoriously careless; but by a little attention anyone can easily free himself from this reproach. Frequent practice in the accurate enunciation of the tonic elements as given above, and a habit of watchfulness established as to the orthoepy of those which are most easily obscured, in all words in which they occur, will soon secure, if not a resonant, sonorous utterance with respect to the tonic elements, at least a correct pronunciation. But the correct and distinct pronunciation of the subtonic, and especially of the atonic, elements, when they occur, as is so frequent in English words, in combination, is not so easily accomplished; and orthoepy, in this respect, as a habit, cannot be secured without great care and incessant practice. For example, the word months is habitually pronounced by almost everyone as if it were spelled munce. The following list for practice will afford material to begin with; other lists should be prepared by the teacher.

Plinth, blithe, sphere, shriek, quote, whether, tipt, depth, robed, hoofed, calved, width, hundredth, exhaust, whizzed, hushed, ached, wagged, etched, pledged, asked, dreamt, alms, adapts, depths, lefts, heav'ns, meddl'd, beasts, wasps, hosts, exhausts, gasped, desks, selects, facts, hints, healths, tenths, salts, builds, wilds, milked, mulcts, elms, prob'd'st, think'st, hold'st, attempt'st, want'st, heard'st, mask'st.

While, in reading, distinct enunciation is an excellence to be aimed at, yet the words of a sentence should not be uttered as if completely severed from one another. Every sentence falls naturally into groups, the several groups being composed of words related in sense; and for impressive reading the words of each group should be implicated, or tied together. For example, in the line, Once upon a midnight dreary, while I ponder'd, weak and weary, there are naturally three groups; in the line, The quality of mercy is not strain'd, there is but one. In these groups the terminal sound of each word is implicated with the initial sound of the succeeding word. If the terminal sound is a tonic, or a flowing subtonic, the implication consists of a gentle murmuring prolongation of the terminal element coalescing with the initial element of the next word; if[xx] the terminal element is a flowing atonic the prolongation will not be accompanied by a murmur; but in either case the vocal organs, while prolonging the sound of one word, prepare, as it were, to begin the next. If the terminal element be one of the abrupt subtonics the vocal murmur is difficult to produce, and in this case, and also when the terminal element is an abrupt atonic, there is a suspension of the voice for a time equal to that occupied by the murmuring prolongation in the other cases; but the organs keep the position which they have in finishing the one word until they relax to take position for the utterance, with renewed exertion, of the opening sound of the next.

It must be added that this implication is not confined to the component words of a group; for the sake of impressiveness the groups themselves are often implicated,—but by suspension of the voice and a maintenance of the vocal organs in their previous position, before they suddenly relax to form the opening sound of the first word in their next group, rather than by the murmuring prolongation above described.

The nicety with which implication should be effected depends, like exactness of articulation, upon the gravity, complexity, fervor, grace, beauty, or other distinguishing and elevated quality of the thoughts and sentiments contained in the words to be read. Common-place ideas are couched, as a rule, in common-place language, and require no nice discrimination of sounds, or other refinement of utterance, for their full rendering; but in true poetry and impassioned prose implication is no mean instrument of effectual interpretation.

The speaking voice, like the singing voice, is capable of utterance through a considerable range of pitch—in highly cultivated voices, of three octaves; in less highly cultivated voices, of one octave; but for all voices, not perverted by bad habit, there are three or four notes, of moderate height, upon which utterance is most easy and natural, and most capable of great and sustained effort. These notes should be selected as the normal pitch of discourse.

In speaking or reading, except in certain infrequent cases, the whole of the breath expired from the lungs should be utilized in producing pure vocality. Should any breath be spent in aspiration, or in hissing, or in guttural enunciation, the vocality is said to be impure. Impure vocality, it is true, has its own appropriate use, in the representation of certain emotional states of the mind. Pure vocality is heard naturally in the tones of children at play; but in adults, through carelessness or injudicious education, it is often wanting.

The mechanism of the voice is very complicated and not thoroughly understood. It is a matter of common experience, however, that in the utterance of tones of low pitch, whether speech tones or musical, the voice seems to come from the chest rather than from the head; and, in the utterance of tones of high pitch, on the other hand, it seems to come from the head rather than from[xxi] the chest; so that all tones are said to belong either to the lower or chest register, or to the higher or head register. As both chest tones and head tones may be obscured by impurities, and their resonance diminished or destroyed by defective enunciation, the pure, clear, ringing utterance of tones of both registers should be constantly striven for. The normal pitch of utterance, referred to above, should always be such that the tones comprised in it can be produced either from the head or from the chest, at will; but for sustained efforts, for the best effects both of reading and of oratory, the chest tones are much to be preferred, since, as compared with head tones, they are capable of being produced with greater resonance and penetrating power, and, for any considerable length of time, with greater ease to the speaker.

All tones of the human voice, whether speaking or musical, whether of the head or of the chest, are spoken of as having quality, or timbre, and the term is also used more generally in reference to the whole compass of utterance. The quality of the voice is its most distinguishing characteristic, and it is upon its cultivation and improvement that the greatest efforts of the student should be spent. Pure voice is usually spoken of as being manifested in two qualities, the natural and the orotund.

Natural Quality may be described as a head tone to which some degree of resonance is given by the chest; but the brilliancy of its resonance is produced by its reverberation against the bony arch of the mouth. It may, of course, vary in pitch, but tones of low pitch that are intended to be impressive are most suitably rendered in orotund quality. In its perfect manifestations, the natural quality should be clear, ringing, light, and sparkling,—if it be possible to describe its characteristics by such metaphorical words.

Orotund Quality is the result only of cultivation, but no speaker or reader can produce those finer effects which are the appropriate symbols of strong and deep emotion, whose voice cannot assume this mode at will. It differs from the natural mode in obtaining from the chest a greater supply of air, and a deeper and fuller resonance, and the reverberations seem to be against the walls of the pharynx, or posterior regions of the mouth, rather than against the palate, or upper part of the mouth. In fulness, strength, and ringing quality, it is superior to the natural mode, but not distinct from it; in clearness and smoothness it should be equal to it. As it befits a chest tone rather than a head tone, it is natural to utterances in medium and low pitch; but it must not be confounded with low pitch simply, nor must its characteristic fulness be taken for loudness simply. With the orotund, as well as with the natural quality, all the voice modes previously described may be conjoined.

Of the various qualities (as they are called) of impure voice, the Aspirate, the Sibilant, and the Guttural are defined with sufficient clearness, by their names. Though these modes can be appropriately used only occasionally, nevertheless they are of great value to the reader, and the voice should be trained to assume them whenever necessary. Great care must be exercised, however, that impurities shall never be present as characteristics of normal utterance; this, whether from the head or chest, should be distinct, sonorous, and smooth, and should exhaust every particle of air expired.

Another impure quality is the Pectoral, which is an aspiration produced, as it were, from the lowest cavities of the chest; and still another is the Falsetto, an unnatural voice, that seems to be produced entirely in the upper cavities of the head. The employment of the Falsetto at any time, either in speaking or reading, is of doubtful taste.

So far, what has been said has had reference mainly to the cultivation and improvement of the voice, by the analogies and description of the various effective modes in which it can be manifested, and by the suggestion of suitable exercises for increasing its endurance, strength, flexibility, and resonance. It remains now to discuss shortly some of the principles of vocal interpretation,—that is, to discuss what modes of voice-action are appropriate to the representation of the various emotions which the wide range of literature presents to the reader.

It must be said in respect of principles that only broad and easily verifiable ones are of use, and even these may be abused by a too rigorous adherence to them. The best rule that can be given, as indeed it is founded on a principle of widest application, is that laid down in the Fourth Reader:—To give a faithful sympathetic attention to the full meaning and sentiment of what is read, and to manage the voice so as effectively to express this meaning and sentiment; since this will always ensure a certain measure of appropriateness, if not the full per[xxiii]fection of it. And it cannot be too much emphasized that even the fullest knowledge and most patient study can establish for the reading of any selection, or passage, or sentence, none but general directions, since the same words may very frequently be rendered in several ways, with differences of pitch, time, stress, quality, implication, and so on, but with equal effectiveness and equal appropriateness. And, on the other hand, any whole selection, even the simplest, is far too complex in its thought and sentiment to be disposed of in one general analysis, which shall predetermine the pitch, tone, and stress, and the prevailing width of the intervals, and the direction of the inflections; all these will vary from paragraph to paragraph, and from sentence to sentence, even from word to word. To sum up, it may be said that good reading demands as indispensable, quick-witted intelligence, ready sympathy, and a voice so trained as to be flexible and resonant; if the reader have this much endowment his reading will always be effective, and, moreover, appropriate and impressive.

All diction may be roughly described as exhibiting one of three states of feeling: (1) that in which feeling, as it is generally understood, is almost wanting; (2) that in which it is present in some considerable degree; (3) that in which the feeling is present in an extreme degree, dominating the ideas which the several sentences logically express. To the first division, which may be called the diction of discourse, belongs all language indicative of a quiet state of mind—formal statement, narrative, description, simple argument or reasoning: it is the language of all ordinary writing. To the second division, which may be called the diction of sentiment or feeling, belongs all language which indicates that the mind of the speaker, real or supposed, is in a state of moderate excitement; that he is interested in the relation of himself to others, and, consequently, in the effect of his utterances upon them; or that, subjectively, he is interested in himself: it is the language of admiration, reverence, awe, sincerity, dignity, of pathos, supplication, penitence. To the third division, which may be called the diction of passion, belongs all language expressive of deeper excitement and more vehement interest than that described as animating the diction of feeling: it is the language of earnest or anxious interrogation, of passionate ejaculation, of powerful appeal, strong accusation, and fierce denunciation; also, of contempt, derision, scorn, loathing, anger, hate, and so on.

Voice, as we have seen, possesses five generic properties, pitch, force, quality, time, and abruptness; and, in every spoken word, it must assume some mode of each of these properties, manifesting them in co-existence. This conjoint mode, or vocal sign, as it is called, should be the appropriate expression of the thought and feeling of which the word, in its place in the sentence, is the graphical sign. Hence, as each word in a sentence may be said to have its appropriate vocal sign, so each variety of diction may be said to have its appropriate vocal expression,—a latitude of choice in the constituent modes, and a consequent indeterminateness in the resulting expression, being, of course, always conceded.

The appropriate vocal expression for the diction of discourse may be said to consist of the following modes:—normal pitch, simple intonations, and waves[xxiv] of a second, moderate force, the equable concrete varied by slight radical stress, in quality the natural mode, in abruptness sufficient sharpness of opening to effect clear articulation, and in time a moderate rate with effusive utterance.

As the diction rises above this plain unimpassioned character, and becomes more and more informed with feeling and sentiment, the constituent vocal signs, and hence the whole vocal expression, become more and more expressive. In pitch there is frequent variation: in expressions of joy, astonishment, or for command, the voice assumes naturally a somewhat higher elevation; and with equal naturalness it descends below its normal level to utter the language of grave, solemn, and reverential feeling. Again, inasmuch as the interval of the second is the plainest and simplest within the command of the voice, in such diction as we are now considering, intervals of a third, a fifth, or even an octave, may be heard, both in simple intonations and in waves. Force, too, will not be unvaryingly applied, but will be greater or less according as energy or passion may demand. In stress the equable concrete will give place to the radical or to the final, to express energetic resolve; or, in the language of pathos, exaltation, reverence, supplication, and so on, to the median—the most effective of all modes for the expression of such deep feeling as is compatible with slow utterance. In time the rate of utterance will vary with the syllabic quantities, these being short and crisp in the language of vivacious conversation, but extended, and with distinct, attenuated vanishes, in grave and important monologue. In quality, whenever the diction, departing from its simple character, becomes pervaded by some deep emotion, the natural mode will give place to the orotund. And while effusive utterance is always the prevalent mode, it will give place to the expulsive mode or to the explosive, when energy of thought or force of passion requires it so.

Thus, as the diction rises from plain discourse to the language of feeling, the appropriate vocal expression gathers intensity and becomes more varied, assumes, as may be said, brighter colors and displays greater contrasts; and so, in the third class of diction, the diction of passion, it displays its intensest and most vivid modes—its brightest colors, its deepest contrasts.

As it is in a general sense only, that diction can be understood to be referrible to three classes, so also, in a general sense only, can it be understood that any particular sentence or passage has its appropriate vocal expression. All that is intended is simply this: an analysis of the sentence, or passage, or selection, gives to the careful student a certain conception of the quality and intensity of the feeling or passion that pervades it; this is to be interpreted, as well as may be, by the most appropriate vocal signs possible—the whole constituting the vocal expression suitable to the piece. In respect to its pervading emotion, the selection will have what is called a drift, or general tendency, towards one of those states described as characteristic of the diction of discourse, the diction of feeling, and the diction of passion, respectively; and it is the business of the reader to watch for this drift, which of course may vary from passage to passage, from sentence to sentence, and sometimes from word to word, and to interpret it as best he may.

[xxv]To indicate what modes of voice utterance are naturally most appropriate to the expression of these various emotional states and drifts, it will be best to take up, one by one, the different properties of the voice, and the several modes in which they are manifested, and to state briefly, and in general terms, the emotional state or drift of which it is an appropriate expression. (With respect to quality and abruptness this will be sufficiently done indirectly.) The student then must for himself, if he wishes to apply these results to the reading of any selected passage, first by analysis ascertain what are the emotional states which it involves, what are its prevailing drifts, then in respect to each property of the voice choose the suitable mode for the interpretation of these several states or drifts, conjoin the selected modes into appropriate vocal signs, and with these form the vocal expression that suitably interprets the whole passage. The teacher, or the teacher and student together, should select from the Reader, or elsewhere, sentences or passages that fitly exemplify the different modes; these should be written upon a black-board, or in some other way preserved, and be referred to frequently for practice both in voice culture and in vocal interpretation.

I. Pitch. Pitch must be considered under three heads: first, as referring to the prevailing elevation of tone assumed by the voice in the reading of a whole sentence, passage, or selection, called general or sentential pitch; second, as referring to the degree of elevation assumed by the voice in the utterance of the opening, or radical, of any syllable, called initial or radical pitch; third, as referring to the tone-width of the intervals in the utterance of the syllable concrete.

Sentential Pitch in its various modes is descriptive of the general position in the scale taken by the tones of the voice in uttering a sentence or passage. It may be spoken of as medium, high, and low. Medium Pitch should correspond with the normal pitch of discourse previously described. It is natural to the expression of all unimpassioned thought, and also of all emotions, except the livelier, and the deeper and more intense. High Pitch and Low Pitch are only relative terms. They do not represent fixed and definite modes of utterance; and all that can be said is, that for the interpretation of what may be called the lighter feelings and emotions, such as cheerfulness, joy, exultation, interest, and so on, also for the expression of raillery, facetiousness, humorous conversation, laughter, and the like, sentential pitch of a degree somewhat higher than normal pitch is appropriate; and, on the other hand, for the interpretation of what may be called the graver and deeper feelings, such as awe, reverence, humility, grief, and melancholy, and the more impassioned emotions, as disgust, loathing, horror, rage, despair, as well as for the expression of all very serious and impressive thought, sentential pitch of a degree somewhat lower than normal pitch is appropriate. The degree of elevation and depression must be determined by the judgment and good taste of the reader; but it must be borne in mind that this degree may vary from passage to passage, and from sentence to sentence, and even from phrase to phrase.

In every style of diction, no matter how unimpassioned it may be, there will[xxvi] be frequent changes in the train of thought, and frequent changes in the intensity of feeling; to represent these changes there should be corresponding variations, or transitions in sentential pitch. These transitions also serve another purpose, namely, to indicate an interpolated or parenthetical idea. In making transitions the voice follows the general law of all vocal interpretation; strong contrasts in thought and feeling are marked by transitions of wide intervals, and lesser contrasts by lesser intervals.

Transitions in pitch are naturally accompanied by corresponding changes in force, rate of utterance, and phrasing; and, like all other modes of expression, these receive their color from the intensity of thought and feeling of which they are the symbols. For example, in the rendering of a parenthetical clause (since, as a rule, the thought expressed in the parenthesis is of less gravity than the thought in the main sentence), the voice will manifest itself in lighter force and generally in quicker movement, that is, in lighter, less contrasting colors; but whether the pitch be raised or lowered depends upon the sentential pitch appropriate to the main sentence,—it should be in contrast with that. And it may be remarked in passing, that the reading of the parenthesis should end with a phrase melody similar to that appropriate to the words immediately before the parenthesis, so that the ear may naturally be carried back to the proper place in the main clause for the continuation of the expression of the principal thought.

Radical Pitch, that is the pitch with which the opening of a syllable is uttered, is, in respect of appropriate employment, the most important element of reading or speaking; but all that can be done here, is to call attention to this, and leave the student to exercise his taste and judgment in regard to its use. The importance of appropriately varying radical pitch so as to impart melody to continued utterance will be seen at once if a simple sentence (for example, "Tom and Jim sat on a log") be read, first in that monotonous voice (that is, with unvarying radical pitch) so often heard in the labored reading of improperly taught young children, and then with those appropriate intonations heard in animated colloquy. When properly rendered, even if read with but little animation, each syllable, or concrete, passes through an interval of a second, and the several syllables are discretely uttered; but the radical pitch varies from syllable to syllable, forming a diatonic melody. For the rendering of any given sentence in appropriate diatonic melody, positive direction as to the order of succession in respect of radical pitch cannot be given; the same words may be uttered with equal appropriateness in many varieties of melody. The ignoring of this fact has led to the most absurd pretensions.

A group of two or three syllabic concretes is called a phrase of melody; and as phrases vary with respect to pitch, in the order of succession of the radicals of their constituent syllables, they receive different names: such as the monotone, in which the radicals are all on the same pitch; and the ditone and the tritone, groups of two tones and three tones respectively, with radicals of different pitch; and, again, the concretes in these phrases may have upward or downward intonations: but fixed rules cannot be laid down for their use. The reader must bear in mind, however, that it is upon the tasteful use of phrases[xxvii] and cadences, that is, upon the tasteful employment of variation in radical pitch, that the melody of uttered language depends; and that if it be devoid of this melody, it is both wearisome and unimpressive to the hearer.

The intonations of the voice must necessarily be through either rising intervals or falling intervals, and there is a generic difference in the meaning of these. The rising interval is heard naturally at the end of a direct question; that is, one to which "yes" or "no" is an expected answer, as "Are you going home?" The suspensive tone which the voice assumes at the end of the interrogation is indicative of incompleteness of thought; and indication of incompleteness is the characteristic function of all rising intervals.

The falling interval is heard naturally at the close of a complete statement, as "I am here"; and hence, words indicating completeness, positiveness, resolution, are appropriately uttered with downward intervals. In effecting a downward intonation the voice operates in one of two ways: either the weaker mode, in which it descends from a radical pitch at or near the current tone to a lower pitch; or the stronger mode, in which it assumes discretely a radical pitch as much above the current tone as the emphasis requires, and descends concretely either to the current tone or below it.

As every sentence is more or less incomplete until the end is reached, rising intervals are the rule in intonation, and falling intervals the exception, and it is this infrequency of use which gives to the falling movement its value as a mode of emphasis. But where the emphasis is that of doubt, uncertainty, surprise, or interrogation, the suspensiveness of these emotional states is appropriately expressed by rising intonations; and hence, too, in all sentences in which the interrogative element is strongly present, the rising interval should characterize every syllable in it, and the sentences be uttered with interrogative intonations throughout. If in any such sentence, a particular word is to be especially emphasized, this is effected by giving to the word a low radical pitch and retaining the rising interval indicative of interrogation.

The width of the interval depends, as is natural, upon the intensity of the thought or emotion of which the concrete is intended to be an expression. For example, suppose the statement, "You are the culprit," be answered by the surprised and indignant interrogation, "I?" The emphatic words here used may be appropriately uttered with intervals of a tone, a third, a fifth, or an octave, according to the emphasis supposed necessary.

The Semitone, as has been said before, is an interval sometimes heard in language of distress, complaint, grief, sorrow, tenderness, compassion, pity. Occasionally it is introduced in diatonic melody as an appropriate emphatic mode of uttering a single word; as, for example, "Other friends have flown before; on the morrow he will leave me." At times diction may assume what may be called a pathetic drift, and for the suitable interpretation of this drift semitonic intervals may be used, and the mode of progression cease for a space to be diatonic and become semitonic, or chromatic, as it is called.

The Wave is one of the most impressive of the elements of expression; but its proper use demands great flexibility in the vocal organs and a high degree of[xxviii] taste in the reader. Like all other unusual modes, its employment lends color and contrast to utterance; that is, it makes it more effective for the purposes of emphasis or distinction. The wave, as has been described, is a concrete with an upward and a downward movement united; but its last constituent is that which most affects the ear and leaves upon it the stronger impression, and hence, especially if it be given with a wide interval, its dominant characteristic will be that of the second movement; for example, if the second movement be upward, the wave may express interrogation mingled with surprise or scorn; if the second movement be downward, the wave may express astonishment mingled with indignation. The intervals which are given to the wave depend upon the diction to which it is applied. To express great surprise or vehement indignation it may sweep through a fifth or a whole octave. In these extreme modes the wave frequently is given a wider interval in the second movement than in the first, and its effect intensified by the appropriate use of stress, and (for the expression of such emotions as scorn, contempt, irony, ridicule, and so on) of the impure qualities of voice. When used with intervals of the second, the characteristics of direct and inverted forms lose some of their distinctness; but in this degree the wave is effectively used to put into relief occasional words, or, with median stress and long quantities, to give to the otherwise short and tripping character of the second a dignified and impressive effect suited to the rendering of all serious and important diction that is not impassioned.

The Wave of the Semitone is generally employed when time, or syllabic quantity, is needed as an element in the expression of the language of complaint or pathos. The effect is much the same whether it be direct or indirect.

The Tremor may be used to express grief, supplication, tenderness, in which the interval through which it ranges may be wide, or, for a more plaintive effect, be limited to the semitone. With constituent intervals other than the semitone (that is, of a tone or otherwise), and ranging through an aggregate interval of less or greater width, it may be used to express laughter; as, for example, in the utterance of the syllables "ha, ha, ha, ha, ha," which, when rapidly effected, resembles one syllable uttered with discrete intervals. Combined with stress, aspiration, and guttural vibration, in suitable modifications, this laughing tone may be made to express scorn, derision, exultation, triumph, and so on.

II. Force. Force must be considered under two aspects: first, as to the degree of its intensity in the utterance of syllables, words, phrases, and sentences; and second, as to the form of its application in the utterance of the concrete. When the term is used without qualification, the first of these considerations is intended; when the second is intended, force is generally spoken of as stress.

Force must be contradistinguished from loudness. In mere loudness the vocal organs are comparatively relaxed—the intensity of sound being produced by the violent discharge of a great volume of air from the lungs. In forceful utterance the vocal organs are compressed and tense, and though the volume of air effused be small, the resulting sound-vibrations are strong, and distinct, and of penetrating power.

In respect of intensity, force may be manifested in infinite variation, but the[xxix] degrees usually spoken of are very light, light, moderate, strong, and very strong. As with all other modes, these degrees will vary from word to word, and from sentence to sentence; and great judgment and taste must be exercised in employing them, so that they appropriately represent the intensity of the thought and feeling of which they are to be the expression.

Moderate Force is the natural expression of tranquillity, and, therefore, of all unimpassioned diction. As the diction becomes pervaded by the more positive emotions, the tones of the voice naturally become stronger. Certainty requires strong force with pure quality. So all the passions, the lighter as well as the more vehement, require the degree of force to be heightened: cheerfulness, joy, ecstacy, requiring force moderately strong; and anger, hate, terror, revenge, being suitably rendered by very strong force. Again, doubt, uncertainty, secrecy, as well as the gentler and more plaintive emotions, are most suitably represented by the lighter shades of force.

As the voice assumes the intenser modes of force, the vocal organs become more and more compressed, and utterance is more and more labored; the breath forced out cannot all be vocalized; the voice becomes less and less pure, and manifests itself in the aspirate and guttural qualities. Hence, strongly suppressed utterance in impure vocality, rather than mere loudness in pure vocality, is the appropriate expression for all the intenser passions.

III. Stress. Stress is force considered with respect of the form of its application to the concrete. Since the equable concrete is the natural colorless expression of unimpassioned thought, force applied to any part of it changes its character, and gives it a more or less significant emphasis. The three most usual forms of stress are the radical, the median, and the final; these may be effected in any of the degrees of force. Compound stress and thorough stress admit of but little variation.

Radical Stress, to some extent an essential, but not an expressive element in the equable concrete, is, in a somewhat stronger form, an element in all utterance that is intended to be vivid and energetic, emphasizing these characteristics by its own incisive clearness. The more animated and energetic the diction the clearer and more determined should be the opening of the concrete, that is, the more distinct and forcible should be its radical stress; while in graver language the radical stress is less pronounced. In its emphatic degree it ought at no time to be allowed to become a current mode, imparting its peculiar incisive character to every syllable; though, for especial emphasis, it may be appropriately used in this way in the utterance of the several words of a phrase.

Final Stress differs from radical stress principally in this, that while it equally indicates energy and positiveness, it does so as in accordance with predetermination and reflection. Radical stress denotes, as it were, an involuntary state of energy; final stress, the energy or fixedness of resolve. Hence, final stress is appropriate to the expression of resolution, of obstinacy, of earnest conviction, of passionate resolve. It emphasizes the characteristics of wide intervals, giving to rising intonations a more decidedly interrogatory character, and making falling intonations more vehemently and passionately positive.

[xxx]Median Stress, as it can be effectively applied to none but indefinite or mutable syllables, is compatible only with such a rate of utterance as will permit of these receiving long quantities. It may receive any degree of force, from that gentle swell which indicates a tranquil flow of emotion, to that firm and swelling energy which is the appropriate expression of the language of elevated feeling. With the wider intervals it should be used only for occasional emphasis; but in its lighter forms it may prevail as a drift of dignified expression. Median stress, being always necessarily associated with long quantity in syllables, is not an appropriate mode in the language of colloquy, or in vivacious discourse of any kind. It is, however, the fit interpreter of that fervid and lofty imagination which clothes itself in forms of grace and grandeur; and hence, with intonations and waves of the lesser intervals, with medium or low sentential pitch, a moderate degree of force, and the pure or orotund quality, it is the appropriate expression of all exalted prose and poetry, not strongly dramatic.

Thorough Stress is effected by continuing the force and fulness of the radical stress throughout the whole concrete. Used as a current mode, which should be but rarely, it is expressive of bluntness, arrogance, bravado; and, with short quantities, of ignorant coarseness. Occasionally it may be used instead of final stress to give emphasis to a syllable whose vanishing movement is but little capable of receiving an increase of force.

Compound Stress combines the qualities of both radical and final stress; it is therefore of extreme character, and can be only occasionally used. With wide intervals, in its stronger modes, it is expressive of the utmost intensity of feeling; in its lighter modes it is the natural expression of strong surprise.

The Loud Concrete is simply the equable concrete uttered with greater fulness of breath and loudness of tone. It is used to break a current of light force for the sake of emphasizing some word or phrase; and, in impassioned discourse, it may be used as a current mode, individual words or phrases being then put in relief by receiving the forcible radical, or thorough, or compound stress.

In reference to stress it must be remembered that, as with all other varieties of emphatic utterance, no one form should prevail as an exclusive mode. Even a prevalent drift of thought or feeling will be most effectively rendered by vocal signs which change in color and intensity from word to word. It must also be borne in mind in reference both to force and stress, and to pitch and time as well, that the modes which are employed must sustain a suitable relation to the situation and surroundings of the speaker. Where considerable space has to be filled and distance overcome, the energy of utterance should be correspondingly intense; but for great distances, what is called level speaking is the only effectual mode,—that is, speaking exclusively in those tones of normal pitch in which the voice has most penetrating power, with force of almost constant intensity, and in a somewhat slow movement with long syllabic quantities, but of course with as much needful variation of expression as is possible within these limits.

IV. Time. Time is rate of utterance. It comprehends quantity, or rate considered in reference to the duration of individual syllables; and movement, or rate considered in reference to the utterance of syllables and words in succession.[xxxi] With it may be considered pauses, or cessations of the voice, helpful in the expression of thought and feeling, and necessary to the working of the vocal mechanism.

Quantity, as defined above, is an arbitrary thing, dependent almost entirely upon the will of the speaker. But many words and syllables are more expressive of their meaning when, in uttering them, the voice is somewhat prolonged,—hence quantity is an element of expression. Again, many words and syllables can receive this prolongation of utterance more readily than others,—hence quantity is a natural element of spoken language. As indefinite syllables are much more capable of prolongation than mutable or immutable syllables, they are said to possess long quantity, or, more shortly, "to possess quantity"; mutable syllables possess quantity in a less degree, and immutable syllables are naturally deficient in quantity.

As an element of expression, quantity (that is, long quantity) lends dignity and grace to the movement of the voice, and affords ground for the display of those expressive modes of vocal action which are incompatible with the rapid or ejaculatory utterance of the concrete; and hence, with median stress, the wave, moderate intervals, medium or low sentential pitch, it is used as naturally interpretative of solemnity, reverence, awe, deep pathos, ardent admiration, and all elevated emotion. Colloquial tones, excited argument, wit, raillery, and all the lighter emotions, require for their expression, brilliancy rather than grace, and so are more fittingly interpreted by short quantities and radical stress.

The discerning reader, in his work of vocal interpretation, will not fail to take advantage of the inherent character of syllables with respect to quantity. Our language abounds in indefinite syllables to which he may impart whatever quantity he may desire. On the other hand, immutable syllables, while not admitting the wave and the median stress, are eminently fitted to receive the more forcible forms of radical stress; and mutable syllables, with their abrupt closes, permit of perfect exemplifications of thorough and final stress.

Movement, though it depends for its slower and more expressive forms upon the capacities of syllables for the reception of long quantities, is, in its more rapid forms, quite independent of syllabic structure, and dependent only on the will of the speaker; hence it may be spoken of as being altogether under his control. A medium rate of utterance is, with respect to time, the natural expression of an equable flow of thought. The livelier emotions should be indicated by quicker rates, and hence, cheerfulness, joy, vivacious dialogue, animated narration, naturally find their expression in movements more or less brisk, with short quantities, varied intonations, and pitch higher than the normal; the more vehement emotions, eagerness, anger, excited anxiety, demand simply heightened forms of these modes. Contrariwise, thought of grave and meditative character, admiration, reverence, and all the deeper and calmer feelings, require a deliberative, slow-timed utterance, with long quantities for accented syllables, and extended time for even unaccented syllables. As these serious emotions become stronger and deeper, the syllabic quantities become proportionately longer, and with impressive median swells, orotund quality, low pitch,[xxxii] waves and simple intonations of the second, frequent phrases in monotone, and an occasional tremor, constitute the most impressive utterance of adoration.

Occasionally an abrupt change in quantity, or movement, may be employed as a mode of emphasis, either positive or negative; for example, in a current of rapid movement, a word may be put into strong relief by being uttered with quantity much extended; contrariwise, a parenthetical or explanatory phrase is usually touched upon lightly and with a more rapid movement than that of the current in which it is found.

Pause may be used as an element in the expression of thought simply, that is, as a help to the interpretation of the mere sense of the words read; or, more emphatically, as an element in the expression of feeling and emotion. As interpretative of thought, pauses should correspond mainly with the graphical marks of punctuation. Two things, however, must be borne in mind: first, the use of punctuation marks in writing and in printing is always more or less an arbitrary matter, scarcely any two authors agreeing in their employment of them; and therefore the reader's own good sense must be to him his principal authority as to the closeness with which he follows them: and second, pauses are to an auditor what punctuation marks are intended to be to a reader; but, whereas the eye may constantly keep within its vision the relation of each word uttered, both to those which preceded it and to those which are to follow, the ear hears the words that are read only ictus by ictus, stroke by stroke, and therefore can not aid the mind to grasp this relation—the memory alone helping to do that; and hence, in reading, pauses should be more frequent, and perhaps more prolonged, than the punctuation marks might seem to necessitate. The reader should also bear in mind that even the plainest and simplest diction, or that requiring the most rapid utterance, may be so marked by appropriate pauses that those stoppages of the voice necessarily required for inspiration, shall never occur except when they assist to interpret the sense,—they must not interrupt it.

As interpretative of emotion pauses do not necessarily correspond to grammatical structure; but, as with all the modes of expression previously considered, their frequency and length—their only modifications—must harmonize with the feeling which they are to assist in interpreting. In length, for example, they should correspond with the movement of which they may be said to form a part; when the movement is slow, as in the expression of awe, reverence, and the like, they are naturally long; in the brisk movement required to interpret the livelier emotions, they should be short. As a mode of emphasis pause serves to fix the attention of the hearer,—either backward upon a word or phrase, that the mind may dwell upon it, or forward to awaken curiosity and expectation: it is evident then that a frequent use of it for this purpose would destroy its value.

Pauses may be used in reading to simulate an appropriate labor of utterance, as when the mind is supposed to be overcome by sorrow, or disturbed by anger. At such times also, they serve as fit rests for the voice in its efforts to express the disturbed condition of the mind, and as appropriate avenues for the escape of emotion otherwise than by vocality, as by sibling. Pauses should be used also to indicate sudden transitions from one state of caution to another.

Then Solomon assembled the elders of Israel, and all the heads of the tribes, the princes of the fathers' houses of the children of Israel, unto king Solomon in Jerusalem, to bring up the ark of the covenant of the Lord out of the city of David, which is Zion. And all the men of Israel assembled themselves unto king Solomon at the feast, in the month Ethanim, which is the seventh month. And all the elders of Israel came, and the priests took up the ark. And they brought up the ark of the Lord, and the tent of meeting, and all the holy vessels that were in the Tent; even these did the priests and the Levites bring up. And king Solomon and all the congregation of Israel, that were assembled unto him, were with him before the ark, sacrificing sheep and oxen, that could not be told nor numbered for multitude. And the priests brought in the ark of the covenant of the Lord unto its place, into the oracle of the house, to the most holy place, even under the wings of the cherubim. For the cherubim spread forth their wings over the place of the ark, and the cherubim covered the[34] ark and the staves thereof above. There was nothing in the ark save the two tables of stone which Moses put there at Horeb, when the Lord made a covenant with the children of Israel, when they came out of the land of Egypt. And it came to pass, when the priests were come out of the holy place, that the cloud filled the house of the Lord, so that the priests could not stand to minister by reason of the cloud: for the glory of the Lord filled the house of the Lord.

Then spake Solomon, The Lord hath said that he would dwell in the thick darkness. I have surely built thee an house of habitation, a place for thee to dwell in for ever. And the king turned his face about, and blessed all the congregation of Israel: and all the congregation of Israel stood. And he said, Blessed be the Lord, the God of Israel, which spake with his mouth unto David my father, and hath with his hand fulfilled it, saying, Since the day that I brought forth my people Israel out of Egypt, I chose no city out of all the tribes of Israel to build an house, that my name might be there; but I chose David to be over my people Israel. Now it was in the heart of David my father to build an house for the name of the Lord, the God of Israel. But the Lord said unto David my father, Whereas it was in thine heart to build an house for my name, thou didst well that it was in thine heart: nevertheless thou shalt not build the house; but thy son that shall come forth out of thy loins, he shall build the house for my name. And the Lord hath established his word that he spake; for I am risen up in the room of David my father, and sit on the throne of Israel, as the Lord promised, and have built the house for the name of the Lord, the God of Israel. And there have[35] I set a place for the ark, wherein is the covenant of the Lord, which he made with our fathers, when he brought them out of the land of Egypt.

And Solomon stood before the altar of the Lord in the presence of all the congregation of Israel, and spread forth his hands toward heaven: and he said, O Lord, the God of Israel, there is no God like thee, in heaven above, or on earth beneath; who keepest covenant and mercy with thy servants, that walk before thee with all their heart: who hast kept with thy servant David my father that which thou didst promise him: yea, thou spakest with thy mouth, and hast fulfilled it with thine hand, as it is this day. Now therefore, O Lord, the God of Israel, keep with thy servant David my father that which thou hast promised him, saying, There shall not fail thee a man in my sight to sit on the throne of Israel; if only thy children take heed to their way, to walk before me as thou hast walked before me. Now therefore, O God of Israel, let thy word, I pray thee, be verified, which thou spakest unto thy servant David my father. But will God in very deed dwell on the earth? behold, heaven and the heaven of heavens cannot contain thee; how much less this house that I have builded! Yet have thou respect unto the prayer of thy servant, and to his supplication, O Lord my God, to hearken unto the cry and to the prayer which thy servant prayeth before thee this day: that thine eyes may be open toward this house night and day, even toward the place whereof thou hast said, My name shall be there: to hearken unto the prayer which thy servant shall pray toward this place. And hearken thou to the supplication of thy servant, and of thy people Israel, when they shall pray toward this place: yea, hear thou in heaven thy dwelling[36] place: and when thou hearest, forgive. If a man sin against his neighbour, and an oath be laid upon him to cause him to swear, and he come and swear before thine altar in this house: then hear thou in heaven, and do, and judge thy servants, condemning the wicked, to bring his way upon his own head; and justifying the righteous, to give him according to his righteousness. When thy people Israel be smitten down before the enemy, because they have sinned against thee; if they turn again to thee, and confess thy name, and pray and make supplication unto thee in this house: then hear thou in heaven, and forgive the sin of thy people Israel, and bring them again unto the land which thou gavest unto their fathers. When heaven is shut up, and there is no rain, because they have sinned against thee; if they pray toward this place, and confess thy name, and turn from their sin, when thou dost afflict them: then hear thou in heaven, and forgive the sin of thy servants, and of thy people Israel, when thou teachest them the good way wherein they should walk; and send rain upon thy land, which thou hast given to thy people for an inheritance. If there be in the land famine, if there be pestilence, if there be blasting or mildew, locust or caterpiller; if their enemy besiege them in the land of their cities; whatsoever plague, whatsoever sickness there be; what prayer and supplication soever be made by any man, or by all thy people Israel, which shall know every man the plague of his own heart, and spread forth his hands toward this house: then hear thou in heaven thy dwelling place, and forgive, and do, and render unto every man according to all his ways, whose heart thou knowest; (for thou, even thou only, knowest the hearts of all the children of men;) that they may fear thee all the days[37] that they live in the land which thou gavest unto our fathers. Moreover concerning the stranger, that is not of thy people Israel, when he shall come out of a far country for thy name's sake; (for they shall hear of thy great name, and of thy mighty hand, and of thy stretched out arm:) when he shall come and pray toward this house; hear thou in heaven thy dwelling place, and do according to all that the stranger calleth to thee for; that all the peoples of the earth may know thy name, to fear thee, as doth thy people Israel, and that they may know that this house which I have built is called by thy name. If thy people go out to battle against their enemy, by whatsoever way thou shalt send them, and they pray unto the Lord toward the city which thou hast chosen, and toward the house which I have built for thy name: then hear thou in heaven their prayer and their supplication, and maintain their cause. If they sin against thee, (for there is no man that sinneth not,) and thou be angry with them, and deliver them to the enemy, so that they carry them away captive unto the land of the enemy, far off or near; yet if they shall bethink themselves in the land whither they are carried captive, and turn again, and make supplication unto thee in the land of them that carried them captive, saying, We have sinned, and have done perversely, we have dealt wickedly; if they return unto thee with all their heart and with all their soul in the land of their enemies, which carried them captive, and pray unto thee toward their land, which thou gavest unto their fathers, the city which thou hast chosen, and the house which I have built for thy name: then hear thou their prayer and their supplication in heaven thy dwelling place, and maintain their cause; and forgive thy people which have sinned against thee,[38] and all their transgressions wherein they have transgressed against thee; and give them compassion before those who carried them captive, that they may have compassion on them: for they be thy people, and thine inheritance, which thou broughtest forth out of Egypt, from the midst of the furnace of iron: that thine eyes may be open unto the supplication of thy servant, and unto the supplication of thy people Israel, to hearken unto them whensoever they cry unto thee. For thou didst separate them from among all the peoples of the earth, to be thine inheritance, as thou spakest by the hand of Moses thy servant, when thou broughtest our fathers out of Egypt, O Lord God.

And it was so, that when Solomon had made an end of praying all this prayer and supplication unto the Lord, he arose from before the altar of the Lord, from kneeling on his knees with his hands spread forth toward heaven. And he stood, and blessed all the congregation of Israel with a loud voice, saying, Blessed be the Lord, that hath given rest unto his people Israel, according to all that he promised: there hath not failed one word of all his good promise, which he promised by the hand of Moses his servant. The Lord our God be with us, as he was with our fathers: let him not leave us, nor forsake us: that he may incline our hearts unto him, to walk in all his ways, and to keep his commandments, and his statutes, and his judgments, which he commanded our fathers. And let these my words, wherewith I have made supplication before the Lord, be nigh unto the Lord our God day and night, that he maintain the cause of his servant, and the cause of his people Israel, as every day shall require: that all the peoples of the earth may know that the Lord, he is God; there is none else.[39] Let your heart therefore be perfect with the Lord our God, to walk in his statutes, and to keep his commandments, as at this day. And the king, and all Israel with him, offered sacrifice before the Lord.

Ho, every one that thirsteth, come ye to the waters, and he that hath no money; come ye, buy, and eat; yea, come, buy wine and milk without money and without price. Wherefore do ye spend money for that which is not bread? and your labour for that which satisfieth not? hearken diligently unto me, and eat ye that which is good, and let your soul delight itself in fatness. Incline your ear, and come unto me; hear and your soul shall live: and I will make an everlasting covenant with you, even the sure mercies of David....

Seek ye the Lord while he may be found, call ye upon him while he is near: let the wicked forsake his way, and the unrighteous man his thoughts: and let him return unto the Lord, and he will have mercy upon him; and to our God, for he will abundantly pardon. For my thoughts are not your thoughts, neither are your ways my ways, saith the Lord. For as the heavens are higher than the earth, so are my ways higher than your ways, and my thoughts than your thoughts. For as the rain cometh down and the snow from heaven, and returneth not thither, but watereth the earth, and maketh it bring[40] forth and bud, and giveth seed to the sower and bread to the eater; so shall my word be that goeth forth out of my mouth: it shall not return unto me void, but it shall accomplish that which I please, and it shall prosper in the thing whereto I sent it. For ye shall go out with joy, and be led forth with peace: the mountains and the hills shall break forth before you into singing, and all the trees of the field shall clap their hands. Instead of the thorn shall come up the fir tree, and instead of the brier shall come up the myrtle tree: and it shall be to the Lord for a name, for an everlasting sign that shall not be cut off.

Scene—A Court of Justice. Present—The Duke, the Magnificoes, Antonio, Bassanio, Gratiano, Solanio, and others.

[Clerk reads.] Your grace shall understand, that, at the receipt of your letter, I am very sick: but, in the instant that your messenger came, in loving visitation was with me a young doctor of Rome; his name is Balthazar. I acquainted him with the cause in controversy between the Jew and Antonio the merchant: we turned o'er many books together: he is furnished with my opinion: which, bettered with his own learning, the greatness whereof I cannot enough commend, comes with him, at my importunity, to fill up your grace's request in my stead. I beseech you, let his lack of years be no impediment to let him lack a reverend estimation; for I never knew so young a body with so old a head. I leave him to your gracious acceptance, whose trial shall better publish his commendation.

It is a trivial grammar-school text, but yet worthy a wise man's consideration: question was asked of Demosthenes, what was the chief part of an orator? He answered, action: what next? action: what next again? action. He said it that knew it best, and had by nature himself no advantage in that he commended. A strange thing, that that part of an orator which is but superficial, and rather the virtue of a player, should be placed so high above those other noble parts, of invention, elocution, and the rest; nay, almost alone, as if it were all in all. But the reason is plain. There is in human nature generally more of the fool than of the wise; and therefore those faculties by which the foolish part of men's minds is taken, are most potent. Wonderful like is the case of boldness in civil business; what first? boldness: what second and third? boldness. And yet boldness is a child of ignorance and baseness, far inferior to other parts: but, nevertheless, it doth fascinate, and bind hand and foot those that are either shallow in judgment or weak in courage, which are the greatest part; yea, and prevaileth with wise men at weak times; therefore we see it hath done wonders in popular states, but with senates and princes less; and more, ever upon the first entrance of bold persons into action, than soon after; for boldness is an ill keeper of promise. Surely, as there are mountebanks for the natural body, so are there mountebanks for the politic body—men that undertake great cures, and perhaps have been lucky in two or three experiments, but[54] want the grounds of science, and therefore cannot hold out. Nay, you shall see a bold fellow many times do Mahomet's miracle. Mahomet made the people believe that he would call a hill to him, and from the top of it offer up his prayers for the observers of his law. The people assembled: Mahomet called the hill to come to him again and again; and when the hill stood still, he was never a whit abashed, but said, "If the hill will not come to Mahomet, Mahomet will go to the hill." So these men, when they have promised great matters, and failed most shamefully, yet, if they have the perfection of boldness, they will but slight it over, and make a turn, and no more ado. Certainly, to men of great judgment, bold persons are sport to behold; nay, and to the vulgar also boldness hath somewhat of the ridiculous: for, if absurdity be the subject of laughter, doubt you not but great boldness is seldom without some absurdity; especially it is a sport to see when a bold fellow is out of countenance, for that puts his face into a most shrunken and wooden posture, as needs it must—for in bashfulness the spirits do a little go and come—but with bold men, upon like occasion, they stand at a stay; like a stale at chess, where it is no mate, but yet the game cannot stir: but this last were fitter for a satire than for a serious observation. This is well to be weighed, that boldness is ever blind, for it seeth not dangers and inconveniences: therefore it is ill in counsel, good in execution; so that the right use of bold persons is, that they never command in chief, but be seconds, and under the direction of others; for in counsel it is good to see dangers, and in execution not to see them, except they be very great.

Virtues and discourses are, like friends, necessary in all fortunes; but those are the best, which are friends in our sadnesses, and support us in our sorrows and sad accidents: and in this sense, no man that is virtuous can be friendless; nor hath any man reason to complain of the Divine Providence, or accuse the public disorder of things, or in his own infelicity, since God hath appointed one remedy for all the evils in the world, and that is a contented spirit: for this alone makes a man pass through fire, and not be scorched; through seas, and not be drowned; through hunger and nakedness, and want nothing. For since all the evil in the world consists in the disagreeing between the object and the appetite, as when a man hath what he desires not, or desires what he hath not, or desires amiss; he that composes his spirit to the present accident, hath variety of instances for his virtue, but none to trouble him, because his desires enlarge not beyond his present fortune: and a wise man is placed in the variety of chances, like the nave or centre of a wheel, in the midst of all the circumvolutions and changes of posture, without violence or change, save that it turns gently in compliance with its changed parts, and is indifferent which part is up, and which is down; for there is some virtue or other to be exercised, whatever happens, either patience or thanksgiving, love or fear, moderation or humility, charity or contentedness, and they are every one of them equally in order to his great[57] end and immortal felicity: and beauty is not made by white or red, by black eyes and a round face, by a straight body and a smooth skin; but by a proportion to the fancy. No rules can make amiability; our minds and apprehensions make that: and so is our felicity; and we may be reconciled to poverty and a low fortune, if we suffer contentedness and the grace of God to make the proportions. For no man is poor that does not think himself so: but if, in a full fortune, with impatience he desires more, he proclaims his wants and his beggarly condition. But because this grace of contentedness was the sum of all the old moral philosophy, and a great duty in Christianity, and of most universal use in the whole course of our lives, and the only instrument to ease the burdens of the world and the enmities of sad chances, it will not be amiss to press it by the proper arguments by which God hath bound it upon our spirits; it being fastened by reason and religion, by duty and interest, by necessity and conveniency, by example, and by the proposition of excellent rewards, no less than peace and felicity.

Contentedness in all estates is a duty of religion; it is the great reasonableness of complying with the Divine Providence, which governs all the world, and hath so ordered us in the administration of his great family. He were a strange fool that should be angry because dogs and sheep need no shoes, and yet himself is full of care to get some. God hath supplied those needs to them by natural provisions, and to thee by an artificial: for he hath given thee reason to learn a trade, or some means to make or buy them, so that it only differs in the manner of our provision: and which had you rather want, shoes or reason? and my patron, that hath given me a farm, is freer to me than if he gives a loaf ready baked. But,[58] however, all these gifts come from him, and therefore it is fit he should dispense them as he pleases; and if we murmur here, we may, at the next melancholy, be troubled that God did not make us to be angels or stars. For if that which we are or have do not content us, we may be troubled for every thing in the world which is beside our being or our possessions.

God is the master of the scenes; we must not choose which part we shall act; it concerns us only to be careful that we do it well, always saying, "If this please God, let it be as it is:" and we, who pray that God's will may be done in earth as it is in heaven, must remember that the angels do whatsoever is commanded them, and go wherever they are sent, and refuse no circumstances; and if their employment be crossed by a higher decree, they sit down in peace, and rejoice in the event; and when the angel of Judea could not prevail in behalf of the people committed to his charge, because the angel of Persia opposed it, he only told the story at the command of God, and was as content, and worshipped with as great an ecstasy in his proportion, as the prevailing spirit. Do thou so likewise: keep the station where God hath placed you, and you shall never long for things without, but sit at home, feasting upon the Divine Providence and thy own reason, by which we are taught that it is necessary and reasonable to submit to God.

For is not all the world God's family? Are not we his creatures? Are we not as clay in the hand of the potter? Do we not live upon his meat, and move by his strength, and do our work by his light? Are we any thing but what we are from him? And shall there be a mutiny among the flocks and herds, because their lord or their shepherd chooses their pastures, and suffers[59] them not to wander into deserts and unknown ways? If we choose, we do it so foolishly that we cannot like it long, and most commonly not at all: but God, who can do what he pleases, is wise to choose safely for us, affectionate to comply with our needs, and powerful to execute all his wise decrees. Here, therefore, is the wisdom of the contented man, to let God choose for him; for when we have given up our wills to him, and stand in that station of the battle where our great General hath placed us, our spirits must needs rest while our conditions have for their security the power, the wisdom, and the charity of God.

Contentedness in all accidents brings great peace of spirit, and is the great and only instrument of temporal felicity. It removes the sting from the accident, and makes a man not to depend upon chance and the uncertain dispositions of men for his well-being, but only on God and his own spirit. We ourselves make our fortunes good or bad; and when God lets loose a tyrant upon us, or a sickness, or scorn, or a lessened fortune, if we fear to die, or know not to be patient, or are proud or covetous, then the calamity sits heavy on us. But if we know how to manage a noble principle, and fear not death so much as a dishonest action, and think impatience a worse evil than a fever, and pride to be the biggest disgrace, and poverty to be infinitely desirable before the torments of covetousness; then we who now think vice to be so easy, and make it so familiar, and think the cure so impossible, shall quickly be of another mind, and reckon these accidents amongst things eligible.

But no man can be happy that hath great hopes and great fears of things without, and events depending upon other men, or upon the chances of fortune. The rewards[60] of virtue are certain, and our provisions for our natural support are certain; or if we want meat till we die, then we die of that disease—and there are many worse than to die with an atrophy or consumption, or unapt and coarser nourishment. But he that suffers a transporting passion concerning things within the power of others, is free from sorrow and amazement no longer than his enemy shall give him leave; and it is ten to one but he shall be smitten then and there where it shall most trouble him; for so the adder teaches us where to strike, by her curious and fearful defending of her head. The old Stoics, when you told them of a sad story, would still answer, "What is that to me?" Yes, for the tyrant hath sentenced you also to prison. Well, what is that? He will put a chain upon my leg; but he cannot bind my soul. No; but he will kill you. Then I will die. If presently, let me go, that I may presently be freer than himself: but if not till anon, or to-morrow, I will dine first, or sleep, or do what reason or nature calls for, as at other times. This, in Gentile philosophy, is the same with the discourse of St. Paul, "I have learned, in whatsoever state I am, therewith to be content. I know both how to be abased, and I know how to abound: every where and in all things I am instructed, both to be full and to be hungry; both to abound and suffer need."

We are in the world like men playing at tables; the chance is not in our power, but to play it is; and when it is fallen we must manage it as we can: and let nothing trouble us, but when we do a base action, or speak like a fool, or think wickedly,—these things God hath put into our powers; but concerning those things which are wholly in the choice of another, they cannot fall under our deliberation, and therefore neither are they fit for[61] our passions. My fear may make me miserable, but it cannot prevent what another hath in his power and purpose; and prosperities can only be enjoyed by them who fear not at all to lose them; since the amazement and passion concerning the future takes off all the pleasure of the present possession. Therefore, if thou hast lost thy land, do not also lose thy constancy; and if thou must die a little sooner, yet do not die impatiently. For no chance is evil to him that is content: and to a man nothing is miserable unless it be unreasonable. No man can make another man to be his slave unless he hath first enslaved himself to life and death, to pleasure or pain, to hope or fear: command these passions, and you are freer than the Parthian kings.

Venator.—O my good master, this morning walk has been spent to my great pleasure and wonder; but I pray, when shall I have your direction how to make artificial flies, like to those that the trout loves best, and also how to use them?

Piscator.—My honest scholar, it is now past five of the clock; we will fish till nine, and then go to breakfast. Go you to yon sycamore-tree, and hide your bottle of drink under the hollow root of it; for about that time, and in that place, we will make a brave breakfast with a piece of powdered beef, and a radish or two, that I have in my fish-bag: we shall, I warrant you, make a good, honest, wholesome, hungry breakfast, and I will then give you direction for the making and using of your flies; and in the meantime, there is your rod and line, and my advice is, that you fish as you see me do, and let's try which can catch the first fish.

Venator.—I thank you, master; I will observe and practise your direction as far as I am able.

Piscator.—Look you, scholar, you see I have hold of a good fish: I now see it is a trout. I pray put that net under him, and touch not my line, for if you do, then we break all. Well done, scholar! I thank you.

Now for another. Trust me, I have another bite: come, scholar, come, lay down your rod, and help me to land this as you did the other. So now we shall be sure to have a good dish for supper.

[63]Venator.—I am glad of that; but I have no fortune: sure, master, yours is a better rod and better tackling.

Piscator.—Nay, then, take mine; and I will fish with yours. Look you, scholar, I have another. Come, do as you did before. And now I have a bite at another. Oh me! he has broke all: there's half a line and a good hook lost.

Venator.—Ay, and a good trout too.

Piscator.—Nay, the trout is not lost; for pray take notice, no man can lose what he never had.

Venator.—Master, I can neither catch with the first nor second angle: I have no fortune.

Piscator.—Look you, scholar, I have yet another. And now, having caught two brace of trouts, I will tell you a short tale as we walk towards our breakfast. A scholar, a preacher I should say, that was to preach to procure the approbation of a parish that he might be their lecturer, had got from his fellow-pupil the copy of a sermon that was first preached with great commendation by him that composed it; and though the borrower of it preached it, word for word, as it was at first, yet it was utterly disliked as it was preached by the second to his congregation; which the sermon borrower complained of to the lender of it; and thus was answered: "I lent you, indeed, my fiddle, but not my fiddle-stick; for you are to know, that every one cannot make music with my words, which are fitted to my own mouth." And so, my scholar, you are to know, that as the ill pronunciation or ill accenting of words in a sermon spoils it, so the ill carriage of your line, or not fishing even to a foot in a right place, makes you lose your labor; and you are to know, that though you have my fiddle, that is, my very rod and tacklings with which you see I catch fish, yet you[64] have not my fiddle-stick, that is, you yet have not skill to know how to carry your hand and line, nor how to guide it to a right place; and this must be taught you; for you are to remember, I told you angling is an art, either by practice or a long observation, or both. But take this for a rule: when you fish for a trout with a worm, let your line have so much and not more lead than will fit the stream in which you fish; that is to say, more in a great troublesome stream than in a smaller that is quieter; as near as may be, so much as will sink the bait to the bottom, and keep it still in motion, and not more.

But now let's say grace and fall to breakfast. What say you, scholar, to the providence of an old angler? does not this meat taste well? and was not this place well chosen to eat it? for this sycamore-tree will shade us from the sun's heat.

Venator.—All excellent good, and my stomach excellent good too. And now I remember and find that true which devout Lessius says: "That poor men, and those that fast often, have much more pleasure in eating than rich men and gluttons, that always feed before their stomachs are empty of their last meal, and call for more; for by that means they rob themselves of that pleasure that hunger brings to poor men." And I do seriously approve of that saying of yours, "that you would rather be a civil, well-governed, well-grounded, temperate, poor angler, than a drunken lord." But I hope there is none such: however, I am certain of this, that I have been at many very costly dinners that have not afforded me half the content that this has done, for which I thank God and you.

And now, good master, proceed to your promised direction for making and ordering my artificial fly.

[65]Piscator.—My honest scholar, I will do it; for it is a debt due unto you by my promise....

... Look how it begins to rain!—and by the clouds, if I mistake not, we shall presently have a smoking shower, and therefore sit close: this sycamore-tree will shelter us; and I will tell you, as they shall come into my mind, more observations of fly-fishing for a trout....

... And now, scholar, my direction for fly-fishing is ended with this shower, for it has done raining: and now look about you, and see how pleasantly that meadow looks; nay, and the earth smells as sweetly too. Come, let me tell you what holy Mr. Herbert says of such days and flowers as these; and then we will thank God that we enjoy them, and walk to the river and sit down quietly, and try to catch the other brace of trouts.

[66]Venator.—I thank you, good master, for your good direction for fly-fishing, and for the sweet enjoyment of the pleasant day, which is so far spent without offence to God or man; and I thank you for the sweet close of your discourse with Mr. Herbert's verses, who, I have heard, loved angling; and I do the rather believe it, because he had a spirit suitable to anglers, and to those primitive Christians that you love and have so much commended.

Piscator.—Well, my loving scholar, and I am pleased to know that you are so well pleased with my direction and discourse.... And now, I think it will be time to repair to our angle-rods, which we left in the water to fish for themselves: and you shall choose which shall be yours; and it is an even lay, one of them catches.

And, let me tell you, this kind of fishing with a dead rod, and laying night-hooks, are like putting money to use; for they both work for the owners, when they do nothing but sleep, or eat, or rejoice; as you know we have done this last hour, and sat as quietly, and as free from cares under this sycamore, as Virgil's Tityrus and his Melibœus did, under their broad beech tree. No life, my honest scholar, no life so happy and so pleasant, as the life of a well-governed angler; for when the lawyer is swallowed up with business, and the statesman is preventing or contriving plots, then we sit on cowslip banks, hear the birds sing, and possess ourselves in as much quietness as these silent silver streams, which we now see glide so quietly by us. Indeed, my good scholar, we may say of angling as Dr. Boteler said of strawberries, "Doubtless, God could have made a better berry, but doubtless, God never did;" and so, if I might be judge, "God never did make a more calm, quiet, innocent recreation than angling."

In this unhappy battle [of Newbury] was slain the Lord Viscount Falkland; a person of such prodigious parts of learning and knowledge, of that inimitable sweetness and delight in conversation, of so flowing and obliging a humanity and goodness to mankind, and of that primitive simplicity and integrity of life, that if there were no other brand upon this odious and accursed civil war, than that single loss, it must be most infamous, and execrable to all posterity.

Before this parliament, his condition of life was so happy that it was hardly capable of improvement. Before he came to be twenty years of age, he was master of a noble fortune, which descended to him by the gift of a grandfather, without passing through his father or mother, who were then both alive, and not well enough contented to find themselves passed by in the descent. His education for some years had been in Ireland, where his father was lord-deputy; so that, when he returned into England, to the possession of his fortune, he was unentangled with any acquaintance or friends, which[77] usually grow up by the custom of conversation; and therefore was to make a pure election of his company; which he chose by other rules than were prescribed to the young nobility of that time. And it cannot be denied, though he admitted some few to his friendship for the agreeableness of their natures, and their undoubted affection to him, that his familiarity and friendship, for the most part, was with men of the most eminent and sublime parts, and of untouched reputation in point of integrity; and such men had a title to his bosom.

He was a great cherisher of wit, and fancy, and good parts in any man; and, if he found them clouded with poverty or want, a most liberal and bountiful patron towards them, even above his fortune; of which, in those administrations, he was such a dispenser, as, if he had been trusted with it to such uses, and if there had been the least of vice in his expense, he might have been thought too prodigal. He was constant and pertinacious in whatsoever he resolved to do, and not to be wearied by any pains that were necessary to that end. And, therefore, having once resolved not to see London, which he loved above all places, till he had perfectly learned the Greek tongue, he went to his own house in the country, and pursued it with that indefatigable industry, that it will not be believed in how short a time he was master of it, and accurately read all the Greek historians.

In this time, his house being within little more than ten miles of Oxford, he contracted familiarity and friendship with the most polite and accurate men of that university; who found such an immenseness of wit, and such a solidity of judgment in him, so infinite a fancy, bound in by a most logical ratiocination, such a vast knowledge, that he was not ignorant in anything, yet[78] such an excessive humility, as if he had known nothing, that they frequently resorted and dwelt with him, as in a college situated in a purer air; so that his house was a university in a less volume; whither they came not so much for repose as study; and to examine and refine those grosser propositions, which laziness and consent made current in vulgar conversation....

He was superior to all those passions and affections which attend vulgar minds, and was guilty of no other ambition than of knowledge, and to be reputed a lover of all good men; and that made him too much a contemner of those arts, which must be indulged in the transactions of human affairs....

He had a courage of the most clear and keen temper, and so far from fear, that he seemed not without some appetite of danger; and therefore, upon any occasion of action, he always engaged his person in those troops which he thought, by the forwardness of the commanders, to be most like to be farthest engaged; and in all such encounters, he had about him an extraordinary cheerfulness, without at all affecting the execution that usually attended them; in which he took no delight, but took pains to prevent it, where it was not by resistance made necessary: insomuch that at Edge-hill, when the enemy was routed, he was like to have incurred great peril, by interposing to save those who had thrown away their arms, and against whom, it may be, others were more fierce for their having thrown them away: so that a man might think he came into the field chiefly out of curiosity to see the face of danger, and charity to prevent the shedding of blood. Yet, in his natural inclination, he acknowledged he was addicted to the profession of a soldier; and shortly after he came to his fortune, before[79] he was of age, he went into the Low Countries, with a resolution of procuring command, and to give himself up to it; from which he was diverted by the complete inactivity of that summer; so he returned into England, and shortly after entered upon that vehement course of study we mentioned before, till the first alarm from the north; then again he made ready for the field, and though he received some repulse in the command of a troop of horse, of which he had a promise, he went a volunteer with the earl of Essex.

From the entrance into this unnatural war, his natural cheerfulness and vivacity grew clouded, and a kind of sadness and dejection of spirit stole upon him, which he had never been used to; yet being one of those who believed that one battle would end all differences, and that there would be so great a victory on one side, that the other would be compelled to submit to any conditions from the victor—which supposition and conclusion generally sunk into the minds of most men, and prevented the looking after many advantages that might then have been laid hold of—he resisted those indispositions. But after the king's return from Brentford, and the furious resolution of the two Houses not to admit any treaty for peace, those indispositions, which had before touched him, grew into a perfect habit of uncheerfulness; and he, who had been so exactly unreserved and affable to all men, that his face and countenance was always present, and vacant, to his company, and held any cloudiness, and less pleasantness of the visage, a kind of rudeness or incivility, became, on a sudden, less communicable; and thence, very sad, pale, and exceedingly affected with the spleen. In his clothes and habit, which he had minded before always with more neatness,[80] and industry, and expense, than is usual to so great a soul, he was not now only incurious, but too negligent; and in his reception of suitors, and the necessary or casual addresses to his place, so quick, and sharp, and severe, that there wanted not some men—strangers to his nature and disposition—who believed him proud and imperious; from which no mortal man was ever more free....

When there was any overture or hope of peace, he would be more erect and vigorous, and exceedingly solicitous to press anything which he thought might promote it; and sitting among his friends, often, after a deep silence, and frequent sighs, would, with a shrill and sad accent, ingeminate the word Peace, Peace; and would passionately profess, "that the very agony of the war, and the view of the calamities and desolation the kingdom did and must endure, took his sleep from him, and would shortly break his heart." This made some think, or pretend to think, "that he was so much enamoured of peace, that he would have been glad the king should have bought it at any price;" which was a most unreasonable calumny. As if a man, that was himself the most punctual and precise in every circumstance that might reflect upon conscience or honor, could have wished the king to have committed a trespass against either....

In the morning before the battle, as always upon action, he was very cheerful, and put himself into the first rank of the Lord Byron's regiment, then advancing upon the enemy, who had lined the hedges on both sides with musketeers; from whence he was shot with a musket in the lower part of the belly, and in the instant falling from his horse, his body was not found[81] till the next morning; till when, there was some hope he might have been a prisoner; though his nearest friends, who knew his temper, received small comfort from that imagination. Thus fell that incomparable young man, in the four-and-thirtieth year of his age, having so much despatched the true business of life, that the oldest rarely attain to that immense knowledge, and the youngest enter not into the world with more innocency: whosoever leads such a life, needs be the less anxious upon how short warning it is taken from him.

When men look into their own bosoms, and consider the generous seeds which are there planted, that might, if rightly cultivated, ennoble their lives, and make their virtue venerable to futurity; how can they, without tears, reflect on the universal degeneracy from that public spirit, which ought to be the first and principal motive of all their actions? In the Grecian and Roman nations, they were wise enough to keep up this great incentive,[84] and it was impossible to be in the fashion without being a patriot. All gallantry had its first source from hence; and to want a warmth for the public welfare, was a defect so scandalous, that he who was guilty of it had no pretence to honor or manhood. What makes the depravity among us, in this behalf, the more vexatious and irksome to reflect upon, is, that the contempt of life is carried as far amongst us, as it could be in those memorable people; and we want only a proper application of the qualities which are frequent among us, to be as worthy as they. There is hardly a man to be found who will not fight upon any occasion, which he thinks may taint his own honor. Were this motive as strong in everything that regards the public, as it is in this our private case, no man would pass his life away without having distinguished himself by some gallant instance of his zeal towards it in the respective incidents of his life and profession. But it is so far otherwise, that there cannot at present be a more ridiculous animal, than one who seems to regard the good of others. He, in civil life, whose thoughts turn upon schemes which may be of general benefit, without further reflection, is called a projector; and the man whose mind seems intent upon glorious achievements, a knight-errant. The ridicule among us runs strong against laudable actions; nay, in the ordinary course of things, and the common regards of life, negligence of the public is an epidemic vice. The brewer in his excise, the merchant in his customs, and, for aught we know, the soldier in his muster-rolls, think never the worse of themselves for being guilty of their respective frauds towards the public. This evil is come to such a fantastical height, that he is a man of a public spirit, and heroically affected to his[85] country, who can go so far as even to turn usurer with all he has in her funds. There is not a citizen in whose imagination such a one does not appear in the same light of glory, as Codrus, Scævola, or any other great name in old Rome. Were it not for the heroes of so much per cent. as have regard enough for themselves and their nation to trade with her with their wealth, the very notion of public love would long ere now have vanished from among us. But however general custom may hurry us away in the stream of a common error, there is no evil, no crime, so great as that of being cold in matters relating to the common good. This is in nothing more conspicuous than in a certain willingness to receive anything that tends to the diminution of such as have been conspicuous instruments in our service. Such inclinations proceed from the most low and vile corruption, of which the soul of man is capable. This effaces not only the practice, but the very approbation of honor and virtue; and has had such an effect, that, to speak freely, the very sense of public good has no longer a part even in our conversations. Can then the most generous motive of life, the good of others, be so easily banished the breast of man? Is it possible to draw all our passions inward? Shall the boiling heat of youth be sunk in pleasures, the ambition of manhood in selfish intrigues? Shall all that is glorious, all that is worth the pursuit of great minds, be so easily rooted out? When the universal bent of a people seems diverted from the sense of their common good, and common glory, it looks like a fatality, and crisis of impending misfortune.

The generous nations we just now mentioned understood this so very well, that there was hardly an oration[86] ever made, which did not turn upon this general sense, "That the love of their country was the first and most essential quality in an honest mind." Demosthenes, in a cause wherein his fame, reputation, and fortune, were embarked, puts his all upon this issue; "Let the Athenians," says he, "be benevolent to me, as they think I have been zealous for them." This great and discerning orator knew, there was nothing else in nature could bear him up against his adversaries, but this one quality of having shown himself willing or able to serve his country. This certainly is the test of merit; and the first foundation for deserving good-will is, having it yourself. The adversary of this orator at that time was Æschines, a man of wily arts and skill in the world, who could, as occasion served, fall in with a national start of passion, or sullenness of humor, which a whole nation is sometimes taken with as well as a private man; and by that means divert them from their common sense, into an aversion for receiving anything in its true light. But when Demosthenes had awakened his audience with that one hint of judging by the general tenor of his life towards them, his services bore down his opponent before him, who fled to the covert of his mean arts, until some more favorable opportunity should offer against the superior merit of Demosthenes.

It were to be wished, that love of their country were the first principle of action in men of business, even for their own sakes; for when the world begins to examine into their conduct, the generality, who have no share in, or hopes of any part in power or riches, but what is the effect of their own labor or prosperity, will judge of them by no other method, than that of how profitable their administration has been to the whole. They who are[87] out of the influence of men's fortune or favor, will let them stand or fall by this one only rule; and men who can bear being tried by it, are always popular in their fall. Those, who cannot suffer such a scrutiny, are contemptible in their advancement.

But I am here running into shreds of maxims from reading Tacitus this morning, which has driven me from my recommendation of public spirit, which was the intended purpose of this lucubration. There is not a more glorious instance of it, than in the character of Regulus. This same Regulus was taken prisoner by the Carthaginians, and was sent by them to Rome, in order to demand some Punic noblemen, who were prisoners, in exchange for himself; and was bound by an oath that he would return to Carthage, if he failed in his commission. He proposes this to the senate, who were in suspense upon it, which Regulus observing, without having the least notion of putting the care of his own life in competition with the public good, desired them to consider that he was old, and almost useless; that those demanded in exchange were men of daring tempers, and great merit in military affairs; and wondered they would make any doubt of permitting him to go back to the short tortures prepared for him at Carthage, where he should have the advantage of ending a long life both gloriously and usefully. This generous advice was consented to; and he took his leave of his country and his weeping friends, to go to certain death, with that cheerful composure, as a man, after the fatigue of business in a court or a city, retires to the next village for the air.

I was lately entertaining myself with comparing Homer's balance, in which Jupiter is represented as weighing the fates of Hector and Achilles, with a passage of Virgil, wherein that deity is introduced as weighing the fates of Turnus and Æneas. I then considered how the same way of thinking prevailed in the eastern parts of the world, as in those noble passages of Scripture, where we are told, that the great king of Babylon, the day before his death, had been weighed in the balance, and been found wanting. In other places of the holy writings the Almighty is described as weighing the mountains in scales, making the weight for the winds, knowing the balancings of the clouds; and, in others, as weighing the actions of men, and laying their calamities together in a balance. Milton, as I have observed in a former paper, had an eye to several of these foregoing instances, in that beautiful description wherein he represents the archangel and the evil spirit as addressing themselves for the combat, but parted by the balance which appeared in the heavens, and weighed the consequences of such a battle.

These several amusing thoughts having taken possession of my mind some time before I went to sleep, and mingling themselves with my ordinary ideas, raised in my imagination a very odd kind of vision. I was, methought, replaced in my study, and seated in my elbow-chair, where I had indulged the foregoing speculations, with my lamp burning by me, as usual. Whilst I was here meditating on several subjects of morality, and considering the nature of many virtues and vices, as materials for those discourses with which I daily entertain the public; I saw, methought, a pair of golden scales hanging by a chain in the same metal over the table that stood before me; when, on a sudden, there were great heaps of weights thrown down on each side of them. I found upon examining these weights, they showed the value of everything that is in esteem among men. I made an essay of them, by putting the weight of wisdom in one scale, and that of riches in another, upon which the latter, to show its comparative lightness, immediately "flew up and kicked the beam."

[90]But, before I proceed, I must inform my reader, that these weights did not exert their natural gravity, till they were laid in the golden balance, insomuch that I could not guess which was light or heavy, whilst I held them in my hand. This I found by several instances, for upon my laying a weight in one of the scales, which was inscribed by the word Eternity; though I threw in that of time, prosperity, affliction, wealth, poverty, interest, success, with many other weights, which in my hand seemed very ponderous, they were not able to stir the opposite balance, nor could they have prevailed, though assisted with the weight of the sun, the stars, and the earth.

Upon emptying the scales, I laid several titles and honors, with pomps, triumphs, and many weights of the like nature, in one of them, and seeing a little glittering weight lie by me, I threw it accidentally into the other scale, when, to my great surprise, it proved so exact a counterpoise, that it kept the balance in an equilibrium. This little glittering weight was inscribed upon the edges of it with the word Vanity. I found there were several other weights which were equally heavy, and exact counterpoises to one another; a few of them I tried, as avarice and poverty, riches and content, with some others.

There were likewise several weights that were of the same figure, and seemed to correspond with each other, but were entirely different when thrown into the scales, as religion and hypocrisy, pedantry and learning, wit and vivacity, superstition and devotion, gravity and wisdom, with many others.

I observed one particular weight lettered on both sides, and upon applying myself to the reading of it, I found[91] on one side written "In the dialect of men," and underneath it, "calamities;" on the other side was written, "In the language of the gods," and underneath, "blessings." I found the intrinsic value of this weight to be much greater than I imagined, for it overpowered health, wealth, good-fortune, and many other weights, which were much more ponderous in my hand than the other.

There is a saying among the Scotch, that "an ounce of mother is worth a pound of clergy;" I was sensible of the truth of this saying, when I saw the difference between the weight of natural parts and that of learning. The observation which I made upon these two weights opened to me a new field of discoveries, for notwithstanding the weight of natural parts was much heavier than that of learning, I observed that it weighed an hundred times heavier than it did before, when I put learning into the same scale with it. I made the same observation upon faith and morality; for notwithstanding the latter outweighed the former separately, it received a thousand times more additional weight from its conjunction with the former, than what it had by itself. This odd phenomenon showed itself in other particulars, as in wit and judgment, philosophy and religion, justice and humanity, zeal and charity, depth of sense and perspicuity of style, with innumerable other particulars, too long to be mentioned in this paper.

As a dream seldom fails of dashing seriousness with impertinence, mirth with gravity, methought I made several other experiments of a more ludicrous nature, by one of which I found that an English octavo was very often heavier than a French folio; and by another, that an old Greek or Latin author weighed down a whole library of moderns. Seeing one of my Spectators lying[92] by me, I laid it into one of the scales, and flung a twopenny piece in the other. The reader will not inquire into the event, if he remembers the first trial which I have recorded in this paper. I afterwards threw both the sexes into the balance; but as it is not for my interest to disoblige either of them, I shall desire to be excused from telling the result of this experiment. Having an opportunity of this nature in my hands, I could not forbear throwing into one scale the principles of a Tory, and in the other those of a Whig; but as I have all along declared this to be a neutral paper, I shall likewise desire to be silent under this head also, though upon examining one of the weights, I saw the word TEKEL engraven on it in capital letters.

I made many other experiments, and though I have not room for them all in this day's speculation, I may perhaps reserve them for another. I shall only add, that upon my awaking I was sorry to find my golden scales vanished, but resolved for the future to learn this lesson from them, not to despise or value any things for their appearances, but to regulate my esteem and passions towards them according to their real and intrinsic value.

Those inferior duties of life which the French call les petites morales, or the smaller morals, are with us distinguished by the name of good manners or breeding. This I look upon, in the general notion of it, to be a sort of artificial good sense, adapted to the meanest capacities, and introduced to make mankind easy in their commerce with each other. Low and little understandings, without some rules of this kind, would be perpetually wandering into a thousand indecencies and irregularities in behavior; and in their ordinary conversation, fall into the same boisterous familiarities that one observeth amongst them when a debauch hath quite taken away the use of their reason. In other instances, it is odd to consider, that for want of common discretion, the very end of good breeding is wholly perverted; and civility, intended to make us easy, is employed in laying chains and fetters upon us, in debarring us of our wishes, and in crossing our most reasonable desires and inclinations. This abuse reigneth chiefly in the country, as I found to my vexation, when I was last there, in a visit I made to a neighbor about two miles from my cousin. As soon as I entered the parlor, they put me into the great chair that stood close by a huge fire, and kept me there by force, until I was almost stifled. Then a boy came in great hurry to pull off my boots, which I in vain opposed, urging that I must return soon after[94] dinner. In the meantime, the good lady whispered her eldest daughter, and slipped a key into her hand. The girl returned instantly with a beer-glass half full of aqua mirabilis and syrup of gillyflowers. I took as much as I had a mind for; but madam avowed I should drink it off—for she was sure it would do me good, after coming out of the cold air—and I was forced to obey; which absolutely took away my stomach. When dinner came in, I had a mind to sit at a distance from the fire; but they told me it was as much as my life was worth, and set me with my back just against it. Although my appetite was quite gone, I resolved to force down as much as I could; and desired the leg of a pullet. "Indeed, Mr. Bickerstaff," says the lady, "you must eat a wing, to oblige me;" and so put a couple upon my plate. I was persecuted at this rate during the whole meal. As often as I called for small-beer, the master tipped the wink, and the servant brought me a brimmer of October. Some time after dinner, I ordered my cousin's man, who came with me, to get ready the horses; but it was resolved I should not stir that night; and when I seemed pretty much bent upon going, they ordered the stable door to be locked; and the children hid my cloak and boots. The next question was, what I would have for supper. I said I never ate anything at night; but was at last, in my own defence, obliged to name the first thing that came into my head. After three hours spent chiefly in apologies for my entertainment, insinuating to me, "that this was the worst time of the year for provisions; that they were at a great distance from any market; that they were afraid I should be starved; and that they knew they kept me to my loss," the lady went, and left me to her husband—for they took special care I should[95] never be alone. As soon as her back was turned, the little misses ran backward and forward every moment; and constantly as they came in, or went out, made a courtesy directly at me, which, in good manners, I was forced to return with a bow, and, "Your humble servant, pretty miss." Exactly at eight the mother came up, and discovered by the redness of her face that supper was not far off. It was twice as large as the dinner, and my persecution doubled in proportion. I desired, at my usual hour, to go to my repose, and was conducted to my chamber by the gentleman, his lady, and the whole train of children. They importuned me to drink something before I went to bed; and upon my refusing, at last left a bottle of stingo, as they called it, for fear I should wake and be thirsty in the night. I was forced in the morning to rise and dress myself in the dark, because they would not suffer my kinsman's servant to disturb me at the hour I desired to be called. I was now resolved to break through all measures to get away; and after sitting down to a monstrous breakfast of cold beef, mutton, neats' tongues, venison-pasty, and stale-beer, took leave of the family. But the gentleman would needs see me part of my way, and carry me a short-cut through his own grounds, which he told me would save half a mile's riding. This last piece of civility had like to have cost me dear, being once or twice in danger of my neck, by leaping over his ditches, and at last forced to alight in the dirt; when my horse, having slipped his bridle, ran away, and took us up more than an hour to recover him again. It is evident that none of the absurdities I met with in this visit proceeded from an ill intention, but from a wrong judgment of complaisance, and a misapplication in the rules of it.

After Mahomet had, by means of his pretended revelations, united the dispersed Arabians under one head, they issued forth from their deserts in great multitudes; and being animated with zeal for their new religion, and supported by the vigor of their new government, they made deep impression on the eastern empire, which was far in the decline, with regard both to military discipline and to civil policy. Jerusalem, by its situation, became one of their most early conquests; and the Christians had the mortification to see the holy sepulchre, and the other places, consecrated by the presence of their religious founder, fallen into the possession of infidels. But the Arabians or Saracens were so[103] employed in military enterprises, by which they spread their empire in a few years from the banks of the Ganges to the Straits of Gibraltar, that they had no leisure for theological controversy: and though the Alcoran, the original monument of their faith, seems to contain some violent precepts, they were much less infected with the spirit of bigotry and persecution than the indolent and speculative Greeks, who were continually refining on the several articles of their religious system. They gave little disturbance to those zealous pilgrims, who daily flocked to Jerusalem; and they allowed every man, after paying a moderate tribute, to visit the holy sepulchre, to perform his religious duties, and to return in peace. But the Turcomans or Turks, a tribe of Tartars, who had embraced Mahometanism, having wrested Syria from the Saracens, and having, in the year 1065, made themselves masters of Jerusalem, rendered the pilgrimage much more difficult and dangerous to the Christians. The barbarity of their manners, and the confusions attending their unsettled government, exposed the pilgrims to many insults, robberies, and extortions: and these zealots, returning from their meritorious fatigues and sufferings, filled all Christendom with indignation against the infidels, who profaned the holy city by their presence, and derided the sacred mysteries in the very place of their completion. Gregory VII., among the other vast ideas which he entertained, had formed the design of uniting all the Western Christians against the Mahometans; but the egregious and violent invasions of that pontiff on the civil power of princes, had created him so many enemies, and had rendered his schemes so suspicious, that he was not able to make great progress in this[104] undertaking. The work was reserved for a meaner instrument, whose low condition in life exposed him to no jealousy, and whose folly was well calculated to coincide with the prevailing principles of the times.

Peter, commonly called the Hermit, a native of Amiens in Picardy, had made the pilgrimage to Jerusalem. Being deeply affected with the dangers to which that act of piety now exposed the pilgrims, as well as with the instances of oppression under which the Eastern Christians labored, he entertained the bold, and, in all appearance, impracticable project of leading into Asia, from the farthest extremities of the West, armies sufficient to subdue those potent and warlike nations which now held the holy city in subjection. He proposed his views to Martin II., who filled the papal chair, and who, though sensible of the advantages which the head of the Christian religion must reap from a religious war, and though he esteemed the blind zeal of Peter a proper means for effecting the purpose, resolved not to interpose his authority, till he saw a greater probability of success. He summoned a council at Placentia, which consisted of four thousand ecclesiastics, and thirty thousand seculars; and which was so numerous that no hall could contain the multitude, and it was necessary to hold the assembly in a plain. The harangues of the Pope, and of Peter himself, representing the dismal situation of their brethren in the East, and the indignity suffered by the Christian name, in allowing the holy city to remain in the hands of infidels, here found the minds of men so well prepared, that the whole multitude suddenly and violently declared for the war, and solemnly devoted themselves to perform this service, so meritorious, as they believed it, to God and religion.[105]

But though Italy seemed thus to have zealously embraced the enterprise, Martin knew, that, in order to insure success, it was necessary to enlist the greater and more warlike nations in the same engagement; and having previously exhorted Peter to visit the chief cities and sovereigns of Christendom, he summoned another council at Clermont in Auvergne. The fame of this great and pious design being now universally diffused, procured the attendance of the greatest prelates, nobles, and princes; and when the Pope and the Hermit renewed their pathetic exhortations, the whole assembly, as if impelled by an immediate inspiration, not moved by their preceding impressions, exclaimed with one voice, It is the will of God, It is the will of God!—words deemed so memorable, and so much the result of a divine influence, that they were employed as the signal of rendezvous and battle in all the future exploits of those adventurers. Men of all ranks flew to arms with the utmost ardor; and an exterior symbol, too, a circumstance of chief moment, was here chosen by the devoted combatants. The sign of the cross, which had been hitherto so much revered among Christians, and which, the more it was an object of reproach among the Pagan world, was the more passionately cherished by them, became the badge of union, and was affixed to their right shoulder, by all who enlisted themselves in this sacred warfare.

Europe was at this time sunk into profound ignorance and superstition. The ecclesiastics had acquired the greatest ascendant over the human mind: the people, who, being little restrained by honor, and less by law, abandoned themselves to the worst crimes and disorders, knew of no other expiation than the observances imposed on them by their spiritual pastors: and it was easy to[106] represent the holy war as an equivalent for all penances, and an atonement for every violation of justice and humanity. But amidst the abject superstition which now prevailed, the military spirit also had universally diffused itself; and though not supported by art or discipline, was become the general passion of the nations governed by the feudal law. All the great lords possessed the right of peace and war: they were engaged in perpetual hostilities with each other: the open country was become a scene of outrage and disorder: the cities, still mean and poor, were neither guarded by walls nor protected by privileges, and were exposed to every insult: individuals were obliged to depend for safety on their own force, or their private alliances: and valor was the only excellence which was held in esteem, or gave one man the pre-eminence above another. When all the particular superstitions, therefore, were here united in one great object, the ardor for military enterprises took the same direction; and Europe, impelled by its two ruling passions, was loosened, as it were, from its foundations, and seemed to precipitate itself in one united body upon the East.

All orders of men, deeming the Crusades the only road to heaven, enlisted themselves under these sacred banners, and were impatient to open the way with their sword to the holy city. Nobles, artisans, peasants, even priests, enrolled their names; and to decline this meritorious service was branded with the reproach of impiety, or, what perhaps was esteemed still more disgraceful, of cowardice and pusillanimity. The infirm and aged contributed to the expedition by presents and money; and many of them, not satisfied with the merit of this atonement, attended it in person, and were determined, if[107] possible, to breathe their last in sight of that city where their Saviour had died for them. Women themselves, concealing their sex under the disguise of armor, attended the camp. The greatest criminals were forward in a service, which they regarded as a propitiation for all crimes; and the most enormous disorders were, during the course of those expeditions, committed by men enured to wickedness, encouraged by example, and impelled by necessity. The multitude of the adventurers soon became so great, that their more sagacious leaders, Hugh count of Vermandois, brother to the French king, Raymond count of Toulouse, Godfrey of Bouillon, prince of Brabant, and Stephen count of Blois, became apprehensive lest the greatness itself of the armament should disappoint its purpose; and they permitted an undisciplined multitude, computed at 300,000 men, to go before them, under the command of Peter the Hermit and Walter the Moneyless. These men took the road towards Constantinople through Hungary and Bulgaria; and trusting that Heaven, by supernatural assistance, would supply all their necessities, they made no provision for subsistance on their march. They soon found themselves obliged to obtain by plunder, what they had vainly expected from miracles; and the enraged inhabitants of the countries through which they passed, gathering together in arms, attacked the disorderly multitude and put them to slaughter without resistance. The more disciplined armies followed after; and passing the straights at Constantinople, they were mustered in the plains of Asia, and amounted in the whole to the number of 700,000 combatants....

After the adventurers in the holy war were assembled on the banks of the Bosphorus, opposite to Constant[108]inople, they proceeded on their enterprise; but immediately experienced those difficulties which their zeal had hitherto concealed from them, and for which, even if they had foreseen them, it would have been almost impossible to provide a remedy. The Greek emperor, Alexis Comnenus, who had applied to the Western Christians for succor against the Turks, entertained hopes, and those but feeble ones, of obtaining such a moderate supply, as, acting under his command, might enable him to repulse the enemy: but he was extremely astonished to see his dominions overwhelmed, on a sudden, by such an inundation of licentious barbarians, who, though they pretended friendship, despised his subjects as unwarlike, and detested them as heretical. By all the arts of policy, in which he excelled, he endeavored to divert the torrent; but while he employed professions, caresses, civilities, and seeming services towards the leaders of the crusade, he secretly regarded those imperious allies as more dangerous than the open enemies by whom his empire had been formerly invaded. Having effected that difficult point of disembarking them safely in Asia, he entered into a private correspondence with Soliman, emperor of the Turks; and practised every insidious art, which his genius, his power, or his situation, enabled him to employ, for disappointing the enterprise, and discouraging the Latins from making thenceforward any such prodigious migrations. His dangerous policy was seconded by the disorders inseparable from so vast a multitude, who were not united under one head, and were conducted by leaders of the most independent intractable spirit, unacquainted with military discipline, and determined enemies to civil authority and submission. The scarcity of provisions, the excesses of[109] fatigue, the influence of unknown climates, joined to the want of concert in their operations, and to the sword of a warlike enemy, destroyed the adventurers by thousands, and would have abated the ardor of men impelled to war by less powerful motives. Their zeal, however, their bravery, and their irresistible force, still carried them forward, and continually advanced them to the great end of their enterprise. After an obstinate siege they took Nice, the seat of the Turkish empire; they defeated Soliman in two great battles; they made themselves masters of Antioch; and entirely broke the force of the Turks, who had so long retained those countries in subjection. The soldan of Egypt, whose alliance they had hitherto courted, recovered, on the fall of the Turkish power, his former authority in Jerusalem; and he informed them by his ambassadors, that if they came disarmed to that city, they might now perform their religious vows, and that all Christian pilgrims, who should thenceforth visit the holy sepulchre, might expect the same good treatment which they had ever received from his predecessors. The offer was rejected; the soldan was required to yield up the city to the Christians; and on his refusal, the champions of the cross advanced to the siege of Jerusalem, which they regarded as the consummation of their labors. By the detachments which they had made, and the disasters which they had undergone, they were diminished to the number of twenty thousand foot, and fifteen hundred horse; but these were still formidable, from their valor, their experience, and the obedience which, from past calamities, they had learned to pay to their leaders. After a siege of five weeks, they took Jerusalem by assault; and, impelled by a mixture of military and religious rage, they put the[110] numerous garrison and inhabitants to the sword without distinction.

Neither arms defended the valiant, nor submission the timorous: no age or sex was spared: infants on the breast were pierced by the same blow with their mothers, who implored for mercy: even a multitude to the number of ten thousand persons, who had surrendered themselves prisoners, and were promised quarter, were butchered in cold blood by those ferocious conquerors. The streets of Jerusalem were covered with dead bodies; and the triumphant warriors, after every enemy was subdued and slaughtered, immediately turned themselves, with the sentiments of humiliation and contrition, towards the holy sepulchre. They threw aside their arms, still streaming with blood: they advanced with reclined bodies, and naked feet and heads, to that sacred monument: they sang anthems to their Saviour, who had there purchased their salvation by his death and agony: and their devotion, enlivened by the presence of the place where he had suffered, so overcame their fury, that they dissolved in tears, and bore the appearance of every soft and tender sentiment. So inconsistent is human nature with itself! and so easily does the most effeminate superstition ally, both with the most heroic courage and with the fiercest barbarity!

This great event happened on the fifth of July in the last year of the eleventh century. The Christian princes and nobles, after choosing Godfrey of Bouillon king of Jerusalem, began to settle themselves in their new conquests; while some of them returned to Europe, in order to enjoy at home that glory, which their valor had acquired them in this popular and meritorious enterprise.

I rise, my Lords, to declare my sentiments on this most solemn and serious subject. It has imposed a load upon my mind, which, I fear, nothing can remove, but which impels me to endeavor its alleviation, by a free and unreserved communication of my sentiments.

In the first part of the address, I have the honor of heartily concurring with the noble Earl who moved it. No man feels sincerer joy than I do; none can offer more genuine congratulations on every accession of strength to the Protestant succession. I therefore join in every congratulation on the birth of another princess, and the happy recovery of her Majesty.

But I must stop here. My courtly complaisance will carry me no farther. I will not join in congratulation on misfortune and disgrace. I cannot concur in a blind and servile address, which approves and endeavors to sanctify the monstrous measures which have heaped disgrace and misfortune upon us. This, my Lords, is a perilous and tremendous moment! It is not a time for adulation. The smoothness of flattery cannot now avail—cannot save us in this rugged and awful crisis. It is now necessary to instruct the Throne in the language of truth. We must dispel the illusion and the darkness which envelop it, and display, in its full danger and true colors, the ruin that is brought to our doors.

This, my Lords, is our duty. It is the proper function of this noble assembly, sitting, as we do, upon our honors[117] in this House, the hereditary council of the Crown. Who is the minister—where is the minister, that has dared to suggest to the Throne the contrary, unconstitutional language this day delivered from it? The accustomed language from the Throne has been application to Parliament for advice, and a reliance on its constitutional advice and assistance. As it is the right of Parliament to give, so it is the duty of the Crown to ask it. But on this day, and in this extreme momentous exigency, no reliance is reposed on our constitutional counsels! no advice is asked from the sober and enlightened care of Parliament! but the Crown, from itself and by itself, declares an unalterable determination to pursue measures—and what measures, my Lords? The measures that have produced the imminent perils that threaten us; the measures that have brought ruin to our doors.

Can the minister of the day now presume to expect a continuance of support in this ruinous infatuation? Can Parliament be so dead to its dignity and its duty as to be thus deluded into the loss of the one and the violation of the other? To give an unlimited credit and support for the steady perseverance in measures not proposed for our parliamentary advice, but dictated and forced upon us—in measures, I say, my Lords, which have reduced this late flourishing empire to ruin and contempt! "But yesterday, and England might have stood against the world: now none so poor to do her reverence." I use the words of a poet; but, though it be poetry, it is no fiction. It is a shameful truth, that not only the power and strength of this country are wasting away and expiring, but her well-earned glories, her true honor, and substantial dignity are sacrificed.[118]

France, my Lords, has insulted you; she has encouraged and sustained America; and, whether America be wrong or right, the dignity of this country ought to spurn at the officious insult of French interference. The ministers and ambassadors of those who are called rebels and enemies are in Paris; in Paris they transact the reciprocal interests of America and France. Can there be a more mortifying insult? Can even our ministers sustain a more humiliating disgrace? Do they dare to resent it? Do they presume even to hint a vindication of their honor, and the dignity of the State, by requiring the dismission of the plenipotentiaries of America? Such is the degradation to which they have reduced the glories of England! The people whom they affect to call contemptible rebels, but whose growing power has at last obtained the name of enemies; the people with whom they have engaged this country in war, and against whom they now command our implicit support in every measure of desperate hostility—this people, despised as rebels, or acknowledged as enemies, are abetted against you, supplied with every military store, their interests consulted, and their ambassadors entertained, by your inveterate enemy! and our ministers dare not interpose with dignity or effect. Is this the honor of a great kingdom? Is this the indignant spirit of England, who "but yesterday" gave law to the house of Bourbon? My Lords, the dignity of nations demands a decisive conduct in a situation like this....

My Lords, this ruinous and ignominious situation, where we can not act with success, nor suffer with honor, calls upon us to remonstrate in the strongest and loudest language of truth, to rescue the ear of majesty from the delusions which surround it. The desperate state of our[119] arms abroad is in part known. No man thinks more highly of them than I do. I love and honor the English troops. I know their virtues and their valor. I know they can achieve anything except impossibilities; and I know that the conquest of English America is an impossibility. You cannot, I venture to say it, you cannot conquer America. Your armies in the last war effected everything that could be effected; and what was it? It cost a numerous army, under the command of a most able general [Lord Amherst], now a noble Lord in this House, a long and laborious campaign, to expel five thousand Frenchmen from French America. My Lords, you cannot conquer America. What is your present situation there? We do not know the worst; but we know that in three campaigns we have done nothing and suffered much. Besides the sufferings, perhaps total loss of the Northern force, the best appointed army that ever took the field, commanded by Sir William Howe, has retired from the American lines. He was obliged to relinquish his attempt, and with great delay and danger to adopt a new and distant plan of operations. We shall soon know, and in any event have reason to lament, what may have happened since. As to conquest, therefore, my Lords, I repeat, it is impossible. You may swell every expense and every effort still more extravagantly; pile and accumulate every assistance you can buy or borrow; traffic and barter with every little pitiful German prince that sells and sends his subjects to the shambles of a foreign prince; your efforts are forever vain and impotent—doubly so from this mercenary aid on which you rely; for it irritates, to an incurable resentment, the minds of your enemies, to overrun them with the mercenary sons of rapine and plunder, devoting[120] them and their possessions to the rapacity of hireling cruelty! If I were an American, as I am an Englishman, while a foreign troop was landed in my country, I never would lay down my arms—never—never—never.

But, my Lords, who is the man, that, in addition to these disgraces and mischiefs of our army, has dared to authorize and associate to our arms the tomahawk and scalping-knife of the savage? to call into civilized alliance the wild and inhuman savage of the woods; to delegate to the merciless Indian the defence of disputed rights, and to wage the horrors of his barbarous war against our brethren? My Lords, these enormities cry aloud for redress and punishment. Unless thoroughly done away, it will be a stain on the national character. It is a violation of the Constitution. I believe it is against law. It is not the least of our national misfortunes that the strength and character of our army are thus impaired. Infected with the mercenary spirit of robbery and rapine, familiarized to the horrid scenes of savage cruelty, it can no longer boast of the noble and generous principles which dignify a soldier, no longer sympathize with the dignity of the royal banner, nor feel the pride, pomp, and circumstance of glorious war, "that make ambition virtue!" What makes ambition virtue?—the sense of honor. But is the sense of honor consistent with a spirit of plunder, or the practice of murder? Can it flow from mercenary motives, or can it prompt to cruel deeds?

The independent views of America have been stated and asserted as the foundation of this address. My Lords, no man wishes for the due dependence of America on this country more than I do. To preserve it, and not confirm that state of independence into which your measures hitherto have driven them, is the object which[121] we ought to unite in attaining. The Americans, contending for their rights against arbitrary exactions, I love and admire. It is the struggle of free and virtuous patriots. But, contending for independency and total disconnection from England, as an Englishman, I cannot wish them success; for in a due constitutional dependency, including the ancient supremacy of this country in regulating their commerce and navigation, consists the mutual happiness and prosperity both of England and America. She derived assistance and protection from us; and we reaped from her the most important advantages. She was, indeed, the fountain of our wealth, the nerve of our strength, the nursery and basis of our naval power. It is our duty, therefore, my Lords, if we wish to save our country, most seriously to endeavor the recovery of these most beneficial subjects; and in this perilous crisis, perhaps the present moment may be the only one in which we can hope for success. For in their negotiations with France, they have, or think they have, reason to complain; though it be notorious that they have received from that power important supplies and assistance of various kinds, yet it is certain they expected it in a more decisive and immediate degree. America is in ill humor with France; on some points they have not entirely answered her expectations. Let us wisely take advantage of every possible moment of reconciliation. Besides, the natural disposition of America herself still leans toward England; to the old habits of connection and mutual interest that united both countries. This was the established sentiment of all the continent; and still, my Lords, in the great and principal part, the sound part of America, this wise and affectionate disposition prevails. And there is a very considerable part of[122] America yet sound—the middle and the southern provinces. Some parts may be factious and blind to their true interests; but if we express a wise and benevolent disposition to communicate with them those immutable rights of nature and those constitutional liberties to which they are equally entitled with ourselves, by a conduct so just and humane we shall confirm the favorable and conciliate the adverse. I say, my Lords, the rights and liberties to which they are equally entitled with ourselves, but no more. I would participate to them every enjoyment and freedom which the colonizing subjects of a free state can possess, or wish to possess; and I do not see why they should not enjoy every fundamental right in their property, and every original substantial liberty, which Devonshire, or Surrey, or the county I live in, or any other county in England, can claim; reserving always, as the sacred right of the mother country, the due constitutional dependency of the colonies. The inherent supremacy of the state in regulating and protecting the navigation and commerce of all her subjects, is necessary for the mutual benefit and preservation of every part, to constitute and preserve the prosperous arrangement of the whole empire.

The sound parts of America, of which I have spoken, must be sensible of these great truths and of their real interests. America is not in that state of desperate and contemptible rebellion which this country has been deluded to believe. It is not a wild and lawless banditti, who, having nothing to lose, might hope to snatch something from public convulsions. Many of their leaders and great men have a great stake in this great contest. The gentleman who conducts their armies, I am told, has an estate of four or five thousand pounds a year; and[123] when I consider these things, I cannot but lament the inconsiderate violence of our penal acts, our declaration of treason and rebellion, with all the fatal effects of attainder and confiscation.

As to the disposition of foreign powers which is asserted [in the King's speech] to be pacific and friendly, let us judge, my Lords, rather by their actions and the nature of things than by interested assertions. The uniform assistance supplied to America by France suggests a different conclusion. The most important interests of France in aggrandizing and enriching herself with what she most wants, supplies of every naval store from America, must inspire her with different sentiments. The extraordinary preparations of the House of Bourbon, by land and by sea, from Dunkirk to the Straits, equally ready and willing to overwhelm these defenceless islands, should rouse us to a sense of their real disposition and our own danger. Not five thousand troops in England! hardly three thousand in Ireland! What can we oppose to the combined force of our enemies? Scarcely twenty ships of the line so fully or sufficiently manned, that any admiral's reputation would permit him to take the command of. The river of Lisbon in the possession of our enemies! The seas swept by American privateers! Our Channel trade torn to pieces by them! In this complicated crisis of danger, weakness at home, and calamity abroad, terrified and insulted by the neighboring powers, unable to act in America, or acting only to be destroyed, where is the man with the forehead to promise or hope for success in such a situation, or from perseverance in the measures that have driven us to it? Who has the forehead to do so? Where is that man? I should be glad to see his face.[124]

You cannot conciliate America by your present measures. You cannot subdue her by your present or by any measures. What, then, can you do? You cannot conquer; you cannot gain; but you can address; you can lull the fears and anxieties of the moment into an ignorance of the danger that should produce them. But, my Lords, the time demands the language of truth. We must not now apply the flattering unction of servile compliance or blind complaisance. In a just and necessary war, to maintain the rights or honor of my country, I would strip the shirt from my back to support it. But in such a war as this, unjust in its principle, impracticable in its means, and ruinous in its consequences, I would not contribute a single effort nor a single shilling. I do not call for vengeance on the heads of those who have been guilty; I only recommend to them to make their retreat. Let them walk off; and let them make haste, or they may be assured that speedy and condign punishment will overtake them.

My Lords, I have submitted to you, with the freedom and truth which I think my duty, my sentiments on your present awful situation. I have laid before you the ruin of your power, the disgrace of your reputation, the pollution of your discipline, the contamination of your morals, the complication of calamities, foreign and domestic, that overwhelm your sinking country. Your dearest interests, your own liberties, the Constitution itself totters to the foundation. All this disgraceful danger, this multitude of misery, is the monstrous offspring of this unnatural war. We have been deceived and deluded too long. Let us now stop short. This is the crisis—the only crisis of time and situation, to give us a possibility of escape from the fatal effects of our[125] delusions. But if, in an obstinate and infatuated perseverance in folly, we slavishly echo the peremptory words this day presented to us, nothing can save this devoted country from complete and final ruin. We madly rush into multiplied miseries, and "confusion worse confounded."

Is it possible, can it be believed, that ministers are yet blind to this impending destruction? I did hope, that instead of this false and empty vanity, this overweening pride, engendering high conceits and presumptuous imaginations, ministers would have humbled themselves in their errors, would have confessed and retracted them, and by an active, though a late, repentance, have endeavored to redeem them. But, my Lords, since they had neither sagacity to foresee, nor justice nor humanity to shun these oppressive calamities—since not even severe experience can make them feel, nor the imminent ruin of their country awaken them from their stupefaction, the guardian care of Parliament must interpose. I shall, therefore, my Lords, propose to you an amendment of the address to his Majesty, to be inserted immediately after the two first paragraphs of congratulation on the birth of a princess, to recommend an immediate cessation of hostilities, and the commencement of a treaty to restore peace and liberty to America, strength and happiness to England, security and permanent prosperity to both countries. This, my Lords, is yet in our power; and let not the wisdom and justice of your Lordships neglect the happy, and, perhaps, the only opportunity. By the establishment of irrevocable law, founded on mutual rights, and ascertained by treaty, these glorious enjoyments may be firmly perpetuated. And let me repeat to your Lordships, that the strong bias of[126] America, at least of the wise and sounder parts of it, naturally inclines to this happy and constitutional reconnection with you. Notwithstanding the temporary intrigues with France, we may still be assured of their ancient and confirmed partiality to us. America and France cannot be congenial.

My Lords, to encourage and confirm that innate inclination to this country, founded on every principle of affection, as well as consideration of interest; to restore that favorable disposition into a permanent and powerful reunion with this country; to revive the mutual strength of the empire; again to awe the House of Bourbon, instead of meanly truckling, as our present calamities compel us, to every insult of French caprice and Spanish punctilio; to re-establish our commerce; to reassert our rights and our honor; to confirm our interests, and renew our glories forever—a consummation most devoutly to be endeavored! and which, I trust, may yet arise from reconciliation with America—I have the honor of submitting to you the following amendment, which I move to be inserted after the two first paragraphs of the address:

Whatever might have been Sophia's sensations, the rest of the family was easily consoled for Mr. Burchell's absence by the company of our landlord, whose visits now became more frequent and longer. Though he had been disappointed in procuring my daughters the amusements of the town, as he designed, he took every opportunity of supplying them with those little recreations which our retirement would admit of. He usually came in the morning, and while my son and I followed our occupations abroad, he sat with the family at home, and amused them by describing the town, with every part of which he was particularly acquainted. He could repeat all the observations that were retailed in the atmosphere of the play-houses, and had all the good things of the high wits by rote long before they made their way into the jest-books. The intervals between conversation were employed in teaching my daughters piquet, or sometimes in setting my two little ones to box to make them sharp,[128] as he called it; but the hopes of having him for a son-in-law, in some measure blinded us to all his imperfections. It must be owned that my wife laid a thousand schemes to entrap him; or, to speak it more tenderly, used every art to magnify the merit of her daughter. If the cakes at tea ate short and crisp, they were made by Olivia: if the gooseberry wine was well knit, the gooseberries were of her gathering: it was her fingers that gave the pickles their peculiar green; and in the composition of a pudding, it was her judgment that mixed the ingredients. Then the poor woman would sometimes tell the 'squire, that she thought him and Olivia extremely of a size, and would bid both stand up to see which was tallest. These instances of cunning, which she thought impenetrable, yet which everybody saw through, were very pleasing to our benefactor, who gave every day some new proofs of his passion, which, though they had not risen to proposals of marriage, yet we thought fell but little short of it; and his slowness was attributed sometimes to native bashfulness, and sometimes to his fear of offending his uncle. An occurrence, however, which happened soon after, put it beyond a doubt that he designed to become one of our family; my wife even regarded it as an absolute promise.

My wife and daughters happening to return a visit to neighbor Flamborough's, found that family had lately got their pictures drawn by a limner, who travelled the country, and took likenesses for fifteen shillings a head. As this family and ours had long a sort of rivalry in point of taste, our spirit took the alarm at this stolen march upon us, and notwithstanding all I could say, and I said much, it was resolved that we should have our pictures done too. Having, therefore, engaged the[129] limner, for what could I do? our next deliberation was to shew the superiority of our taste in the attitudes. As for our neighbor's family, there were seven of them, and they were drawn with seven oranges, a thing quite out of taste, no variety in life, no composition in the world. We desired to have something in a brighter style, and after many debates, at length came to an unanimous resolution of being drawn together in one large historical family piece. This would be cheaper, since one frame would serve for all, and it would be infinitely more genteel; for all families of any taste were now drawn in the same manner. As we did not immediately recollect an historical subject to hit us, we were contented each with being drawn as independent historical figures. My wife desired to be represented as Venus, and the painter was desired not to be too frugal of his diamonds in her stomacher and hair. Her two little ones were to be as Cupids by her side, while I, with my gown and band, was to present her with my books on the Whistonian controversy. Olivia would be drawn as an Amazon, sitting upon a bank of flowers, dressed in a green Joseph richly laced with gold, and a whip in her hand. Sophia was to be a shepherdess, with as many sheep as the painter could put in for nothing; and Moses was to be dressed out with an hat and white feather. Our taste so much pleased the 'squire, that he insisted on being put in as one of the family, in the character of Alexander the Great, at Olivia's feet. This was considered by us all as an indication of his desire to be introduced into the family, nor could we refuse his request. The painter was therefore set to work, and as he wrought with assiduity and expedition, in less than four days the whole was completed. The piece was large, and it must[130] be owned he did not spare his colors; for which my wife gave him great encomiums. We were all perfectly satisfied with his performance; but an unfortunate circumstance had not occurred till the picture was finished, which now struck us with dismay. It was so very large that we had no place in the house to fix it. How we all came to disregard so material a point is inconceivable; but certain it is, we had been all greatly remiss. The picture, therefore, instead of gratifying our vanity, as we hoped, leaned, in a most mortifying manner, against the kitchen wall, where the canvas was stretched and painted, much too large to be got through any of the doors, and the jest of all our neighbors. One compared it to Robinson Crusoe's long-boat, too large to be removed; another thought it more resembled a reel in a bottle; some wondered how it could be got out, but still more were amazed how it ever got in.

But though it excited the ridicule of some, it effectually raised more malicious suggestions in many. The 'squire's portrait being found united with ours, was an honor too great to escape envy. Scandalous whispers began to circulate at our expense, and our tranquillity was continually disturbed by persons who came as friends to tell us what was said of us by enemies. These reports we always resented with becoming spirit; but scandal ever improves by opposition.

We once again therefore entered into a consultation upon obviating the malice of our enemies, and at last came to a resolution which had too much cunning to give me entire satisfaction. It was this: as our principal object was to discover the honor of Mr. Thornhill's addresses, my wife undertook to sound him by pretending to ask his advice in the choice of an husband for her[131] eldest daughter. If this was not found sufficient to induce him to a declaration, it was then resolved to terrify him with a rival. To this last step, however, I would by no means give my consent, till Olivia gave me the most solemn assurances that she would marry the person provided to rival him upon this occasion, if he did not prevent it, by taking her himself. Such was the scheme laid, which, though I did not strenuously oppose, I did not entirely approve.

The next time, therefore, that Mr. Thornhill came to see us, my girls took care to be out of the way, in order to give their mamma an opportunity of putting her scheme in execution; but they only retired to the next room, whence they could overhear the whole conversation: my wife artfully introduced it, by observing, that one of the Miss Flamboroughs was like to have a very good match of it in Mr. Spanker. To this the 'squire assenting, she proceeded to remark, that they who had warm fortunes were always sure of getting good husbands: "But heaven help," continued she, "the girls that have none. What signifies beauty, Mr. Thornhill? or what signifies all the virtue, and all the qualifications in the world, in this age of self-interest? It is not, what is she? but, what has she? is all the cry."

"Madam," returned he, "I highly approve the justice, as well as the novelty, of your remarks, and if I were a king, it should be otherwise. It should then, indeed, be fine times for the girls without fortunes: our two young ladies should be the first for whom I would provide."

"Ah, sir," returned my wife, "you are pleased to be facetious: but I wish I were a queen, and then I know where my eldest daughter should look for an husband. But now that you have put it into my head, seriously,[132] Mr. Thornhill, can't you recommend me a proper husband for her? She is now nineteen years old, well grown and well educated, and, in my humble opinion, does not want for parts."

"Madam," replied he, "if I were to choose, I would find out a person possessed of every accomplishment that can make an angel happy. One with prudence, fortune, taste, and sincerity; such, madam, would be, in my opinion, the proper husband." "Ay, sir," said she, "but do you know of any such person?"—"No, Madam," returned he, "it is impossible to know any person that deserves to be her husband: she's too great a treasure for one man's possession: she's a goddess. Upon my soul, I speak what I think, she's an angel"—"Ah, Mr. Thornhill, you only flatter my poor girl: but we have been thinking of marrying her to one of your tenants, whose mother is lately dead, and who wants a manager; you know whom I mean, farmer Williams; a warm man, Mr. Thornhill, able to give her good bread; and who has several times made her proposals:" (which was actually the case) "but, sir," concluded she, "I should be glad to have your approbation of our choice."—"How, Madam," replied he, "my approbation! My approbation of such a choice! Never. What! Sacrifice so much beauty and sense, and goodness, to a creature insensible of the blessing! Excuse me, I can never approve of such a piece of injustice! And I have my reasons!"—"Indeed, sir," cried Deborah, "If you have your reasons, that's another affair; but I should be glad to know those reasons."—"Excuse me, madam," returned he, "they lie too deep for discovery;" (laying his hand upon his bosom) "they remain buried, rivetted here."

After he was gone, upon general consultation, we[133] could not tell what to make of these fine sentiments. Olivia considered them as instances of the most exalted passion; but I was not quite so sanguine: yet, whatever they might portend, it was resolved to prosecute the scheme of farmer Williams, who, from my daughter's first appearance in the country, had paid her his addresses.

I am now to record a very curious incident in Dr. Johnson's life, which fell under my own observation; of which pars magna fui, and which I am persuaded will, with the liberal-minded, be much to his credit.

My desire of being acquainted with celebrated men of every description had made me, much about the same time, obtain an introduction to Dr. Samuel Johnson and to John Wilkes, Esq. Two men more different could not perhaps be selected out of all mankind. They had even attacked one another with some asperity in their writings; yet I lived in habits of friendship with both. I could fully relish the excellence of each; for I have ever delighted in that intellectual chemistry, which can separate good qualities from evil in the same person.

Sir John Pringle, "mine own friend and my father's friend," between whom and Dr. Johnson I in vain wished to establish an acquaintance, as I respected and lived in[134] intimacy with both of them, observed to me once, very ingeniously, "It is not in friendship as in mathematics, where two things, each equal to a third, are equal between themselves. You agree with Johnson as a middle quality, and you agree with me as a middle quality; but Johnson and I should not agree." Sir John was not sufficiently flexible; so I desisted; knowing, indeed, that the repulsion was equally strong on the part of Johnson; who, I know not from what cause, unless his being a Scotchman, had formed a very erroneous opinion of Sir John. But I conceived an irresistible wish, if possible, to bring Dr. Johnson and Mr. Wilkes together. How to manage it, was a nice and difficult matter.[E]

My worthy booksellers and friends, Messieurs Dilly in the Poultry, at whose hospitable and well-covered table I have seen a greater number of literary men than at any other, except that of Sir Joshua Reynolds, had invited me to meet Mr. Wilkes and some more gentlemen on Wednesday, May 15th. "Pray," said I, "let us have Dr. Johnson." "What, with Mr. Wilkes? not for the[135] world," said Mr. Edward Dilly: "Dr. Johnson would never forgive me." "Come," said I, "if you'll let me negotiate for you, I will be answerable that all shall go well." Dilly. "Nay, if you will take it upon you, I am sure I shall be very happy to see them both here."

Notwithstanding the high veneration which I entertained for Dr. Johnson, I was sensible that he was sometimes a little actuated by the spirit of contradiction, and by means of that I hoped I should gain my point. I was persuaded that if I had come upon him with a direct proposal, "Sir, will you dine in company with Jack Wilkes?" he would have flown into a passion, and would probably have answered, "Dine with Jack Wilkes, Sir! I'd as soon dine with Jack Ketch." I, therefore, while we were sitting quietly by ourselves at his house in an evening, took occasion to open my plan thus: "Mr. Dilly, Sir, sends his respectful compliments to you, and would be happy if you would do him the honor to dine with him on Wednesday next along with me, as I must soon go to Scotland." Johnson. "Sir, I am obliged to Mr. Dilly. I will wait upon him." Boswell. "Provided, Sir, I suppose, that the company which he is to have is agreeable to you?" Johnson. "What do you mean, Sir? What do you take me for? Do you think I am so ignorant of the world as to imagine that I am to prescribe to a gentleman what company he is to have at his table?" Boswell. "I beg your pardon, Sir, for wishing to prevent you from meeting people whom you might not like. Perhaps he may have some of what he calls his patriotic friends with him." Johnson. "Well, Sir, and what then? What care I for his patriotic friends? Poh!" Boswell. "I should not be surprised to find Jack Wilkes there." Johnson. "And if Jack[136] Wilkes should be there, what is that to me, Sir? My dear friend, let us have no more of this. I am sorry to be angry with you; but really it is treating me strangely to talk to me as if I could not meet any company whatever, occasionally." Boswell. "Pray forgive me, Sir, I meant well. But you shall meet whoever comes, for me." Thus I secured him, and told Dilly that he would find him very well pleased to be one of his guests on the day appointed.

Upon the much expected Wednesday, I called on him about half an hour before dinner, as I often did when we were to dine out together, to see that he was ready in time, and to accompany him. I found him buffeting his books, as upon a former occasion, covered with dust, and making no preparation for going abroad. "How is this, Sir?" said I. "Don't you recollect that you are to dine at Mr. Dilly's?" Johnson. "Sir, I did not think of going to Dilly's; it went out of my head. I have ordered dinner at home with Mrs. Williams." Boswell. "But, my dear Sir, you know you were engaged to Mr. Dilly, and I told him so. He will expect you, and will be much disappointed if you don't come." Johnson. "You must talk to Mrs Williams about this."

Here was a sad dilemma. I feared that what I was so confident I had secured would yet be frustrated. He had accustomed himself to show Mrs. Williams such a degree of humane attention, as frequently imposed some restraint upon him; and I knew that if she should be obstinate, he would not stir. I hastened down stairs to the blind lady's room, and told her I was in great uneasiness, for Dr. Johnson had engaged to me to dine this day at Mr. Dilly's, but that he had told me he had forgotten his engagement, and had ordered dinner at home.[137] "Yes, Sir," said she, pretty peevishly, "Dr. Johnson is to dine at home." "Madam," said I, "his respect for you is such, that I know he will not leave you, unless you absolutely desire it. But as you have so much of his company, I hope you will be good enough to forego it for a day, as Mr. Dilly is a very worthy man, has frequently had agreeable parties at his house for Dr. Johnson, and will be vexed if the Doctor neglects him to-day. And then, Madam, be pleased to consider my situation; I carried the message, and I assured Mr. Dilly that Dr. Johnson was to come; and no doubt he has made a dinner, and invited a company, and boasted of the honor he expected to have. I shall be quite disgraced if the Doctor is not there." She gradually softened to my solicitations, which were certainly as earnest as most entreaties to ladies upon any occasion, and was graciously pleased to empower me to tell Dr. Johnson, "That all things considered, she thought he should certainly go." I flew back to him, still in dust, and careless of what should be the event, "indifferent in his choice to go or stay"; but as soon as I had announced to him Mrs. Williams's consent, he roared, "Frank, a clean shirt," and was very soon dressed. When I had him fairly seated in a hackney-coach with me, I exulted as much as a fortune-hunter who has got an heiress into a post-chaise with him to set out for Gretna Green.

When we entered Mr. Dilly's drawing room, he found himself in the midst of a company he did not know. I kept myself snug and silent, watching how he would conduct himself. I observed him whispering to Mr. Dilly, "Who is that gentleman, Sir?"—"Mr. Arthur Lee." Johnson. "Too, too, too" (under his breath), which was one of his habitual mutterings. Mr. Arthur Lee could[138] not but be very obnoxious to Johnson, for he was not only a patriot, but an American. He was afterwards minister from the United States at the court of Madrid. "And who is the gentleman in lace?"—"Mr. Wilkes, Sir." This information confounded him still more; he had some difficulty to restrain himself, and, taking up a book, sat down upon a window-seat and read, or at least kept his eye upon it intently for some time, till he composed himself. His feelings, I dare say, were awkward enough. But he had no doubt recollected his having rated me for supposing that he could be at all disconcerted by any company, and he, therefore, resolutely set himself to behave quite as an easy man of the world, who could adapt himself at once to the disposition and manners of those whom he might chance to meet.

The cheering sound of "Dinner is upon the table," dissolved his reverie, and we all sat down without any symptoms of ill humor.... Mr. Wilkes placed himself next to Dr. Johnson, and behaved to him with so much attention and politeness, that he gained upon him insensibly. No man ate more heartily than Johnson, or loved better what was nice and delicate. Mr. Wilkes was very assiduous in helping him to some fine veal. "Pray give me leave, Sir—It is better here—A little of the brown—Some fat, Sir—A little of the stuffing—Some gravy—Let me have the pleasure of giving you some butter—Allow me to recommend a squeeze of this orange; or the lemon, perhaps may have more zest"—"Sir; sir, I am obliged to you, Sir," cried Johnson, bowing, and turning his head to him with a look for some time of "surly virtue," but, in a short while of complacency.

Foote being mentioned, Johnson said, "He is not a[139] good mimic." One of the company added, "A merry-andrew, a buffoon." Johnson. "But he has wit too, and is not deficient in ideas, or in fertility and variety of imagery, and not empty of reading; he has knowledge enough to fill up his part. One species of wit he has in an eminent degree, that of escape. You drive him into a corner with both hands; but he is gone, Sir, when you think you have got him—like an animal that jumps over your head. Then he has a great range for wit; he never lets truth stand between him and the jest, and he is sometimes mighty coarse. Garrick is under many restraints from which Foote is free." Wilkes. "Garrick's wit is more like Lord Chesterfield's." Johnson. "The first time I was in company with Foote was at Fitzherbert's. Having no good opinion of the fellow, I was resolved not to be pleased; and it is very difficult to please a man against his will. I went on eating my dinner pretty sullenly, affecting not to mind him. But the dog was so very comical, that I was obliged to lay down my knife and fork, throw myself back in my chair, and fairly laugh it out. No, Sir, he was irresistible. He upon one occasion experienced, in an extraordinary degree, the efficacy of his powers of entertaining. Amongst the many and various modes which he tried of getting money, he became a partner with a small-beer brewer, and he was to have a share of the profits for procuring customers amongst his numerous acquaintance. Fitzherbert was one who took his small-beer, but it was so bad that the servants resolved not to drink it. They were at some loss how to notify their resolution, being afraid of offending their master, who, they knew, liked Foote much as a companion. At last they fixed upon a little black boy, who was rather a favorite, to be[140] their deputy, and deliver their remonstrance; and, having invested him with the sole authority of the kitchen, he was to inform Mr. Fitzherbert, in all their names, upon a certain day, that they would drink Foote's small-beer no longer. On that day Foote happened to dine at Fitzherbert's, and this boy served at table; he was so delighted with Foote's stories, and merriment, and grimace, that when he went down stairs, he told them, 'This is the finest man I have ever seen. I will not deliver your message. I will drink his small-beer.'"

... Mr. Wilkes remarked, that "among all the bold flights of Shakespeare's imagination, the boldest was making Birnam-wood march to Dunsinane; creating a wood where there never was a shrub; a wood in Scotland! ha! ha! ha!" And he also observed, that "the clannish slavery of the Highlands of Scotland was the single exception to Milton's remark of 'the mountain nymph, sweet Liberty,' being worshipped in all hilly countries." "When I was at Inverary," said he, "on a visit to my old friend Archibald, Duke of Argyle, his dependents congratulated me on being such a favorite of his Grace. I said, 'It is, then, gentlemen, truly lucky for me; for if I had displeased the Duke, and he had wished it, there is not a Campbell among you but would have been ready to bring John Wilkes's head to him in a charger. It would have been only

"'Off with his head! so much for Aylesbury.'

"I was then member for Aylesbury."

... Mr. Arthur Lee mentioned some Scotch who had taken possession of a barren part of America, and wondered why they should choose it. Johnson. "Why, Sir, all barrenness is comparative. The Scotch would not[141] know it to be barren." Boswell. "Come, come, he is flattering the English. You have now been in Scotland, Sir, and say if you did not see meat and drink enough there." Johnson. "Why, yes, Sir; meat and drink enough to give the inhabitants sufficient strength to run away from home." All these quick and lively sallies were said sportively, quite in jest, and with a smile, which showed that he meant only wit. Upon this topic he and Mr. Wilkes could perfectly assimilate; here was a bond of union between them, and I was conscious that as both of them had visited Caledonia, both were fully satisfied of the strange narrow ignorance of those who imagine that it is a land of famine. But they amused themselves with persevering in the old jokes. When I claimed a superiority for Scotland over England in one respect, that no man can be arrested there for a debt merely because another swears it against him; but there must first be the judgment of a court of law ascertaining its justice; and that a seizure of the person, before judgment is obtained, can take place only if his creditor should swear that he is about to fly from the country, or, as it is technically expressed, is in meditatione fugæ;—Wilkes. "That, I should think, may be safely sworn of all the Scotch nation." Johnson (to Mr. Wilkes). "You must know, Sir, I lately took my friend Boswell, and showed him genuine civilized life in an English provincial town. I turned him loose at Lichfield, my native city, that he might see for once real civility; for you know he lives among savages in Scotland and among rakes in London." Wilkes. "Except when he is with grave, sober, decent people, like you and me." Johnson (smiling). "And we ashamed of him."

... This record, though by no means so perfect as I[142] could wish, will serve to give a notion of a very curious interview, which was not only pleasing at the time, but had the agreeable and benignant effect of reconciling any animosity, and sweetening any acidity, which, in the various bustle of political contest, had been produced in the minds of two men, who, though widely different, had so many things in common—classical learning, modern literature, wit and humor, and ready repartee—that it would have been much to be regretted if they had been forever at a distance from each other.

Mr. Burke gave me much credit for this successful negotiation; and pleasantly said, "that there was nothing equal to it in the whole history of the corps diplomatique."

I attended Dr. Johnson home, and had the satisfaction to hear him tell Mrs. Williams how much he had been pleased with Mr. Wilkes's company, and what an agreeable day he had passed.

In the second century of the Christian era, the empire of Rome comprehended the fairest part of the earth, and the most civilized portion of mankind. The frontiers of that extensive monarchy were guarded by ancient renown and disciplined valor. The gentle but powerful influence of laws and manners had gradually cemented the union of the provinces. Their peaceful inhabitants[143] enjoyed and abused the advantages of wealth and luxury. The image of a free constitution was preserved with decent reverence: the Roman senate appeared to possess the sovereign authority, and devolved on the emperors all the executive powers of government. During a happy period of more than fourscore years, the public administration was conducted by the virtue and abilities of Nerva, Trajan, Hadrian, and the two Antonines.

The principal conquests of the Romans were achieved under the republic; and the emperors, for the most part, were satisfied with preserving those dominions which had been acquired by the policy of the senate, the active emulation of the consuls, and the martial enthusiasm of the people. The seven first centuries were filled with a rapid succession of triumphs; but it was reserved for Augustus to relinquish the ambitious design of subduing the whole earth, and to introduce a spirit of moderation into the public councils. Inclined to peace by his temper and situation, it was easy for him to discover that Rome, in her present exalted situation, had much less to hope than to fear from the chance of arms; and that, in the prosecution of remote wars, the undertaking became every day more difficult, the event more doubtful, and the possession more precarious and less beneficial. The experience of Augustus added weight to these salutary reflections, and effectually convinced him that, by the prudent vigor of his counsels, it would be easy to secure every concession which the safety or the dignity of Rome might require from the most formidable barbarians. Instead of exposing his person and his legions to the arrows of the Parthians, he obtained, by an honorable treaty, the restitution of the standards and prisoners which had been taken in the defeat of Crassus.[144]

His generals, in the early part of his reign, attempted the reduction of Æthiopia and Arabia Felix. They marched near a thousand miles to the south of the tropic; but the heat of the climate soon repelled the invaders, and protected the unwarlike natives of those sequestered regions. The northern countries of Europe scarcely deserved the expense and labor of conquest. The forests and morasses of Germany were filled with a hardy race of barbarians, who despised life when it was separated from freedom; and though, on the first attack, they seemed to yield to the weight of the Roman power, they soon, by a signal act of despair, regained their independence, and reminded Augustus of the vicissitude of fortune. On the death of that emperor, his testament was publicly read in the senate. He bequeathed, as a valuable legacy to his successors, the advice of confining the empire within those limits which nature seemed to have placed as its permanent bulwarks and boundaries: on the west the Atlantic Ocean; the Rhine and Danube on the north; the Euphrates on the east; and towards the south, the sandy deserts of Arabia and Africa.

Happily for the repose of mankind, the moderate system recommended by the wisdom of Augustus was adopted by the fears and vices of his immediate successors. Engaged in the pursuit of pleasure, or in the exercise of tyranny, the first Cæsars seldom showed themselves to the armies or to the provinces; nor were they disposed to suffer that those triumphs which their indolence neglected should be usurped by the conduct and valor of their lieutenants. The military fame of a subject was considered as an insolent invasion of the imperial prerogative; and it became the duty, as well as interest, of every Roman general to guard the frontiers intrusted[145] to his care, without aspiring to conquests which might have proved no less fatal to himself than to the vanquished barbarians.

The only accession which the Roman empire received during the first century of the Christian era was the province of Britain. In this single instance the successors of Cæsar and Augustus were persuaded to follow the example of the former, rather than the precept of the latter. The proximity of its situation to the coast of Gaul seemed to invite their arms; the pleasing, though doubtful, intelligence of a pearl-fishery attracted their avarice; and as Britain was viewed in the light of a distinct and insulated world, the conquest scarcely formed any exception to the general system of continental measures. After a war of about forty years, undertaken by the most stupid, maintained by the most dissolute, and terminated by the most timid of all the emperors, the far greater part of the island submitted to the Roman yoke. The various tribes of Britons possessed valor without conduct, and the love of freedom without the spirit of union. They took up arms with savage fierceness; they laid them down, or turned them against each other, with wild inconstancy; and while they fought singly, they were successively subdued. Neither the fortitude of Caractacus, nor the despair of Boadicea, nor the fanaticism of the Druids, could avert the slavery of their country, or resist the steady progress of the imperial generals, who maintained the national glory, when the throne was disgraced by the weakest or the most vicious of mankind. At the very time when Domitian, confined to his palace, felt the terrors which he inspired, his legions, under the command of the virtuous Agricola, defeated the collected force of the Cale[146]donians at the foot of the Grampian hills; and his fleets, venturing to explore an unknown and dangerous navigation, displayed the Roman arms round every part of the island. The conquest of Britain was considered as already achieved; and it was the design of Agricola to complete and insure his success by the easy reduction of Ireland, for which, in his opinion, one legion and a few auxiliaries were sufficient. The western isle might be improved into a valuable possession, and the Britons would wear their chains with the less reluctance, if the prospect and example of freedom was on every side removed from before their eyes.

But the superior merit of Agricola soon occasioned his removal from the government of Britain; and forever disappointed this rational, though extensive, scheme of conquest. Before his departure the prudent general had provided for security as well as for dominion. He had observed that the island is almost divided into two unequal parts by the opposite gulfs, or, as they are now called, the Friths of Scotland. Across the narrow interval of about forty miles he had drawn a line of military stations, which was afterwards fortified, in the reign of Antoninus Pius, by a turf rampart, erected on foundations of stone. This wall of Antoninus, at a small distance beyond the modern cities of Edinburgh and Glasgow, was fixed as the limit of the Roman province. The native Caledonians preserved, in the northern extremity of the island, their wild independence, for which they were not less indebted to their poverty than to their valor. Their incursions were frequently repelled and chastised, but their country was never subdued. The masters of the fairest and most wealthy climates of the globe turned with contempt from gloomy hills assailed by the winter[147] tempest, from lakes concealed in a blue mist, and from cold and lonely heaths, over which the deer of the forest were chased by a troop of naked barbarians.

Such was the state of the Roman frontiers, and such the maxims of imperial policy, from the death of Augustus to the accession of Trajan.

In one thing I can excuse the Duke of Bedford for his attack upon me and my mortuary pension: He cannot readily comprehend the transaction he condemns. What I have obtained was the fruit of no bargain, the production of no intrigue, the result of no compromise, the effect of no solicitation. The first suggestion of it never came from me, mediately or immediately, to his Majesty or any of his ministers. It was long known that the instant my engagements would permit it, and before the heaviest of all calamities had forever condemned me to obscurity and sorrow, I had resolved on a total retreat. I had executed that design. I was entirely out of the way of serving or of hurting any statesman or any party, when the ministers so generously and so nobly carried into effect the spontaneous bounty of the crown. Both descriptions have acted as became them. When I[148] could no longer serve them, the ministers have considered my situation. When I could no longer hurt them, the revolutionists have trampled on my infirmity. My gratitude, I trust, is equal to the manner in which the benefit was conferred. It came to me, indeed, at a time of life, and in a state of mind and body, in which no circumstance of fortune could afford me any real pleasure. But this was no fault in the royal donor, or in his ministers, who were pleased, in acknowledging the merits of an invalid servant of the public, to assuage the sorrows of a desolate old man....

I was not like his Grace of Bedford, swaddled, and rocked, and dandled into a legislator: "Nitor in adversum" is the motto for a man like me. I possessed not one of the qualities, nor cultivated one of the arts, that recommend men to the favor and protection of the great. I was not made for a minion or a tool. As little did I follow the trade of winning the hearts by imposing on the understandings of the people. At every step of my progress in life—for in every step was I traversed and opposed—and at every turnpike I met, I was obliged to shew my passport, and again and again to prove my sole title to the honor of being useful to my country, by a proof that I was not wholly unacquainted with its laws, and the whole system of its interests both abroad and at home. Otherwise, no rank, no toleration even, for me. I had no arts but manly arts. On them I have stood, and, please God, in spite of the Duke of Bedford and the Earl of Lauderdale, to the last gasp will I stand....

The Duke of Bedford conceives that he is obliged to call the attention of the House of Peers to his Majesty's grant to me, which he considers as excessive and out of all bounds.[149]

I know not how it has happened, but it really seems, that, whilst his Grace was meditating his well-considered censure upon me, he fell into a sort of sleep. Homer nods, and the Duke of Bedford may dream; and as dreams—even his golden dreams—are apt to be ill-pieced and incongruously put together, his Grace preserved his idea of reproach to me, but took the subject-matter from the crown grants to his own family. This is "the stuff of which his dreams are made." In that way of putting things together, his Grace is perfectly in the right. The grants to the house of Russell were so enormous, as not only to outrage economy, but even to stagger credibility. The Duke of Bedford is the leviathan among all the creatures of the crown. He tumbles about his unwieldy bulk; he plays and frolics in the ocean of the royal bounty. Huge as he is, and whilst "he lies floating many a rood," he is still a creature. His ribs, his fins, his whalebone, his blubber, the very spiracles through which he spouts a torrent of brine against his origin, and covers me all over with the spray—everything of him and about him is from the throne. Is it for him to question the dispensation of the royal favor?

I really am at a loss to draw any sort of parallel between the public merits of his Grace, by which he justifies the grants he holds, and these services of mine, on the favorable construction of which I have obtained what his Grace so much disapproves. In private life I have not at all the honor of acquaintance with the noble Duke; but I ought to presume, and it costs me nothing to do so, that he abundantly deserves the esteem and love of all who live with him. But as to public service, why, truly, it would not be more ridiculous for me to compare myself, in rank, in fortune, in splendid descent,[150] in youth, strength, or figure, with the Duke of Bedford, than to make a parallel between his services and my attempts to be useful to my country. It would not be gross adulation, but uncivil irony, to say that he has any public merit of his own to keep alive the idea of the services by which his vast landed pensions were obtained. My merits, whatever they are, are original and personal: his are derivative. It is his ancestor, the original pensioner, that has laid up this inexhaustible fund of merit, which makes his Grace so very delicate and exceptious about the merit of all other grantees of the crown. Had he permitted me to remain in quiet, I should have said: "'Tis his estate; that's enough. It is his by law; what have I to do with it or its history?" He would naturally have said on his side: "'Tis this man's fortune. He is as good now as my ancestor was two hundred and fifty years ago. I am a young man with very old pensions: he is an old man with very young pensions—that's all."

Why will his Grace, by attacking me, force me reluctantly to compare my little merit with that which obtained from the crown those prodigies of profuse donation by which he tramples on the mediocrity of humble and laborious individuals?... Since the new grantees have war made on them by the old, and that the word of the sovereign is not to be taken, let us turn our eyes to history, in which great men have always a pleasure in contemplating the heroic origin of their house.

The first peer of the name, the first purchaser of the grants, was a Mr. Russell, a person of an ancient gentleman's family, raised by being a minion of Henry the Eighth. As there generally is some resemblance of[151] character to create these relations, the favorite was in all likelihood much such another as his master. The first of those immoderate grants was not taken from the ancient demesne of the crown, but from the recent confiscation of the ancient nobility of the land. The lion, having sucked the blood of his prey, threw the offal carcass to the jackal in waiting. Having tasted once the food of confiscation, the favorites became fierce and ravenous. This worthy favorite's first grant was from the lay nobility. The second, infinitely improving on the enormity of the first, was from the plunder of the church. In truth, his Grace is somewhat excusable for his dislike to a grant like mine, not only in its quantity, but in its kind, so different from his own.

Mine was from a mild and benevolent sovereign: his, from Henry the Eighth. Mine had not its fund in the murder of any innocent person of illustrious rank, or in the pillage of any body of unoffending men: his grants were from the aggregate and consolidated funds of judgments iniquitously legal, and from possessions voluntarily surrendered by the lawful proprietors with the gibbet at their door.

The merit of the grantee whom he derives from, was that of being a prompt and greedy instrument of a levelling tyrant, who oppressed all descriptions of his people, but who fell with particular fury on everything that was great and noble. Mine has been in endeavoring to screen every man, in every class, from oppression, and particularly in defending the high and eminent, who, in the bad times of confiscating princes, confiscating chief-governors, or confiscating demagogues, are the most exposed to jealousy, avarice, and envy.

The merit of the original grantee of his Grace's pen[152]sions was in giving his hand to the work, and partaking the spoil with a prince who plundered a part of the national church of his time and country. Mine was in defending the whole of the national church of my own time and my own country, and the whole of the national churches of all countries, from the principles and the examples which lead to ecclesiastical pillage, thence to a contempt of all prescriptive titles, thence to the pillage of all property, and thence to universal desolation.

The merit of the origin of his Grace's fortune was in being a favorite and chief adviser to a prince who left no liberty to his native country. My endeavor was to obtain liberty for the municipal country in which I was born, and for all descriptions and denominations in it. Mine was to support, with unrelaxing vigilance, every right, every privilege, every franchise, in this my adopted, my dearer, and more comprehensive country; and not only to preserve those rights in this chief seat of empire, but in every nation, in every land, in every climate, language, and religion, in the vast domain that still is under the protection, and the larger that was once under the protection, of the British crown.

His founder's merits were, by arts in which he served his master and made his fortune, to bring poverty, wretchedness, and depopulation on his country. Mine were under a benevolent prince, in promoting the commerce, manufactures, and agriculture of his kingdom.

His founder's merit was the merit of a gentleman raised by the arts of a court and the protection of a Wolsey to the eminence of a great and potent lord. His merit in that eminence was, by instigating a tyrant to injustice, to provoke a people to rebellion. My merit was, to awaken the sober part of the country, that they[153] might put themselves on their guard against any one potent lord, or any greater number of potent lords, or any combination of great leading men of any sort, if ever they should attempt to proceed in the same courses, but in the reverse order,—that is, by instigating a corrupted populace to rebellion, and, through that rebellion, introducing a tyranny yet worse than the tyranny which his Grace's ancestor supported, and of which he profited in the manner we behold in the despotism of Henry the Eighth.

The political merit of the first pensioner of his Grace's house was that of being concerned as a counsellor of state in advising, and in his person executing, the conditions of a dishonorable peace with France,—the surrendering of the fortress of Boulogne, then our outguard on the Continent. By that surrender, Calais, the key of France, and the bridle in the mouth of that power, was not many years afterwards finally lost. My merit has been in resisting the power and pride of France, under any form of its rule; but in opposing it with the greatest zeal and earnestness, when that rule appeared in the worst form it could assume,—the worst, indeed, which the prime cause and principle of all evil could possibly give it. It was my endeavor by every means to excite a spirit in the House, where I had the honor of a seat, for carrying on with early vigor and decision the most clearly just and necessary war that this or any nation ever carried on, in order to save my country from the iron yoke of its power, and from the more dreadful contagion of its principles,—to preserve, while they can be preserved, pure and untainted, the ancient, inbred integrity, piety, good-nature, and good-humor of the people of England, from the dreadful pestilence which,[154] beginning in France, threatens to lay waste the whole moral and in a great degree the whole physical world, having done both in the focus of its most intense malignity.

The labors of his Grace's founder merited the "curses, not loud, but deep," of the Commons of England, on whom he and his master had effected a complete Parliamentary Reform, by making them, in their slavery and humiliation, the true and adequate representatives of a debased, degraded, and undone people. My merits were in having had an active, though not always an ostentatious share, in every one act, without exception, of undisputed constitutional utility in my time, and in having supported, on all occasions, the authority, the efficiency, and the privileges of the Commons of Great Britain. I ended my services by a recorded and fully reasoned assertion on their own journals of their constitutional rights, and a vindication of their constitutional conduct. I labored in all things to merit their inward approbation, and (along with the assistants of the largest, the greatest, and best of my endeavors) I received their free, unbiased, public, and solemn thanks.

Thus stands the account of the comparative merits of the crown grants which compose the Duke of Bedford's fortune, as balanced against mine.

Nov. 17th, 1783.

... Since our conflagration here, we have sent two women and a boy to the justice, for depredation; S. R. for stealing a piece of beef, which, in her excuse, she said she intended to take care of. This lady, whom you well remember, escaped for want of evidence; not that evidence was wanting, but our men of Gotham judged it unnecessary to send it. With her went the woman I mentioned before, who, it seems, has made some sort of profession, but upon this occasion allowed herself a latitude of conduct rather inconsistent with it, having filled her apron with wearing-apparel, which she likewise intended to take care of. She would have gone to the county gaol, had William Raban, the baker's son, who prosecuted, insisted upon it; but he, good-naturedly, though I think weakly, interposed in her favor, and begged her off. The young gentleman who accompanied these fair ones is the junior son of Molly Boswell. He had stolen some iron-work, the property of Griggs the butcher. Being convicted, he was ordered to be whipped, which operation he underwent at the cart's tail, from the stone-house to the high arch, and back again. He seemed to show great fortitude, but it was all an imposition upon the public. The beadle, who performed it, had filled his left hand with yellow ochre, through which, after every stroke, he drew the lash of his whip, leaving the appearance of a wound upon the skin, but in reality not hurting him at all.[156] This being perceived by Mr. Constable H., who followed the beadle, he applied his cane, without any such management or precaution, to the shoulders of the too merciful executioner. The scene immediately became more interesting. The beadle could by no means be prevailed upon to strike hard, which provoked the constable to strike harder; and this double flogging continued, till a lass of Silver-End, pitying the pitiful beadle thus suffering under the hands of the pitiless constable, joined the procession, and placing herself immediately behind the latter, seized him by his capillary club, and pulling him backwards by the same, slapped his face with a most Amazon fury. This concatenation of events has taken up more of my paper than I intended it should, but I could not forbear to inform you how the beadle thrashed the thief, the constable the beadle, and the lady the constable, and how the thief was the only person concerned who suffered nothing.

---

March 29th, 1784.

It being his Majesty's pleasure, that I should yet have another opportunity to write before he dissolves the Parliament, I avail myself of it with all possible alacrity. I thank you for your last, which was not the less welcome for coming, like an extraordinary gazette, at a time when it was not expected.

As when the sea is uncommonly agitated, the water finds its way into creeks and holes of rocks, which in its calmer state it never reaches, in like manner the effect of these turbulent times is felt even at Orchard Side, where in general we live as undisturbed by the political element as shrimps or cockles that have been accidentally deposited in some hollow beyond the water-mark, by the[157] usual dashing of the waves. We were sitting yesterday after dinner, the two ladies and myself, very composedly, and without the least apprehension of any such intrusion in our snug parlor, one lady knitting, the other netting, and the gentleman winding worsted, when to our unspeakable surprise a mob appeared before the window; a smart rap was heard at the door, the boys bellowed, and the maid announced Mr. Grenville. Puss was unfortunately let out of her box, so that the candidate, with all his good friends at his heels, was refused admittance at the grand entry, and referred to the back door, as the only possible way of approach.

Candidates are creatures not very susceptible of affronts, and would rather, I suppose, climb in at the window, than be absolutely excluded. In a minute, the yard, the kitchen, and the parlor were filled. Mr. Grenville, advancing toward me, shook me by the hand with a degree of cordiality that was extremely seducing. As soon as he, and as many more as could find chairs, were seated, he began to open the intent of his visit. I told him I had no vote, for which he readily gave me credit. I assured him I had no influence, which he was not equally inclined to believe, and the less, no doubt, because Mr. Ashburner, the draper, addressing himself to me at this moment, informed me that I had a great deal. Supposing that I could not be possessed of such a treasure without knowing it, I ventured to affirm my first assertion, by saying, that if I had any I was utterly at a loss to imagine where it could be, or wherein it consisted. Thus ended the conference. Mr. Grenville squeezed me by the hand again, kissed the ladies, and withdrew. He kissed likewise the maid in the kitchen, and seemed upon the whole a most loving, kissing, kind-hearted[158] gentleman. He is very young, genteel, and handsome. He has a pair of very good eyes in his head, which not being sufficient, as it should seem, for the many nice and difficult purposes of a senator, he has a third also, which he suspended from his buttonhole. The boys halloo'd, the dogs barked, puss scampered, the hero, with his long train of obsequious followers, withdrew. We made ourselves very merry with the adventure, and in a short time settled into our former tranquillity, never probably to be thus interrupted more. I thought myself, however, happy in being able to affirm truly that I had not that influence for which he sued; and which, had I been possessed of it, with my present views of the dispute between the Crown and the Commons, I must have refused him, for he is on the side of the former. It is comfortable to be of no consequence in a world where one cannot exercise any without disobliging somebody. The town, however, seems to be much at his service, and if he be equally successful throughout the country, he will undoubtedly gain his election. Mr. Ashburner, perhaps, was a little mortified, because it was evident I owed the honor of this visit to his misrepresentation of my importance. But had he thought proper to assure Mr. Grenville that I had three heads, I should not, I suppose, have been bound to produce them....

Scene.—A Room in Sir Peter Teazle's House.

Enter Sir Peter Teazle.

Sir Pet. When an old bachelor marries a young wife, what is he to expect? 'Tis now six months since Lady Teazle made me the happiest of men—and I have been the most miserable dog ever since. We tiffed a little going to church, and fairly quarrelled before the bells had done ringing. I was more than once nearly choked with gall during the honeymoon, and had lost all comfort in life before my friends had done wishing me joy. Yet I chose with caution—a girl bred wholly in the country, who never knew luxury beyond one silk gown, nor dissipation above the annual gala of a race ball. Yet she now plays her part in all the extravagant fopperies of fashion and the town with as ready a grace as if she never had seen a bush or a grass-plot out of Grosvenor Square! I am sneered at by all my acquaintance, and paragraphed in the newspapers. She dissipates my fortune, and contradicts all my humors; yet the worst of it is, I doubt I love her, or I should never bear all this. However, I'll never be weak enough to own it. But I meet with nothing but crosses and vexations—and the fault is entirely hers. I am, myself, the sweetest-tempered man alive, and hate a teasing temper; and so I tell her a hundred times a day.—Ay! and what is very[160] extraordinary, in all our disputes she is always in the wrong. But Lady Sneerwell, and the set she meets at her house, encourage the perverseness of her disposition. Then, to complete my vexation, Maria, my ward, whom I ought to have the power of a father over, is determined to turn rebel too, and absolutely refuses the man whom I have long resolved on for her husband—

Enter Lady Teazle.

Lady Teazle, Lady Teazle, I'll not bear it!

Lady Teaz. Sir Peter, Sir Peter, you may bear it or not, as you please; but I ought to have my own way in everything, and, what's more, I will too. What! though I was educated in the country, I know very well that women of fashion in London are accountable to nobody after they are married.

Sir Pet. Very well, ma'am, very well; so a husband is to have no influence, no authority?

Lady Teaz. Authority! No, to be sure. If you wanted authority over me, you should have adopted me, and not married me: I am sure you were old enough.

Sir Pet. Old enough!—ay, there it is. Well, well, Lady Teazle, though my life may be made unhappy by your temper, I'll not be ruined by your extravagance!

Lady Teaz. My extravagance! I'm sure I'm not more extravagant than a woman of fashion ought to be.

Sir Pet. No, no, madam, you shall throw away no more sums on such unmeaning luxury. Such wastefulness! to spend as much to furnish your dressing-room with flowers in winter as would suffice to turn the Pantheon into a greenhouse, and give a fête champêtre at Christmas.

Lady Teaz. And am I to blame, Sir Peter, because[161] flowers are dear in cold weather? You should find fault with the climate, and not with me. For my part, I'm sure I wish it was spring all the year round, and that roses grew under our feet.

Sir Pet. Oons! madam—if you had been born to this, I shouldn't wonder at your talking thus; but you forget what your situation was when I married you.

Lady Teaz. No, no, I don't; 'twas a very disagreeable one, or I should never have married you.

Sir Pet. Yes, yes, madam, you were then in somewhat a humbler style—the daughter of a plain country squire. Recollect, Lady Teazle, when I saw you first sitting at your tambour, in a pretty figured linen gown, with a bunch of keys at your side, your hair combed smooth over a roll, and your apartment hung round with fruits in worsted, of your own working.

Lady Teaz. Oh, yes! I remember it very well, and a curious life I led. My daily occupation—to inspect the dairy, superintend the poultry, make extracts from the family receipt-book, and comb my aunt Deborah's lap-dog.

Sir Pet. Yes, yes, ma'am, 'twas so indeed.

Lady Teaz. And then you know my evening amusements! To draw patterns for ruffles, which I had not materials to make up; to play Pope Joan with the curate; to read a sermon to my aunt; or to be stuck down to an old spinet to strum my father to sleep after a fox-chase.

Sir Pet. I am glad you have so good a memory. Yes, madam, these were the recreations I took you from; but now you must have your coach—vis-à-vis—and three powdered footmen before your chair; and, in the summer, a pair of white cats to draw you to Kensington Gardens.[162] No recollection, I suppose, when you were content to ride double, behind the butler, on a docked coach-horse.

Lady Teaz. No—I vow I never did that: I deny the butler and the coach-horse.

Sir Pet. This, madam, was your situation; and what have I done for you? I have made you a woman of fashion, of fortune, of rank—in short, I have made you my wife.

Lady Teaz. Well, then, and there is but one thing more you can make me to add to the obligation, that is——

Sir Pet. My widow, I suppose?

Lady Teaz. Hem! hem!

Sir Pet. I thank you, madam—but don't flatter yourself; for, though your ill conduct may disturb my peace of mind, it shall never break my heart, I promise you: however, I am equally obliged to you for the hint.

Lady Teaz. Then why will you endeavor to make yourself so disagreeable to me, and thwart me in every little elegant expense?

Sir Pet. Madam, I say, had you any of these little elegant expenses when you married me?

Lady Teaz. Sir Peter! would you have me be out of the fashion?

Sir Pet. The fashion, indeed! what had you to do with the fashion before you married me?

Lady Teaz. For my part, I should think you would like to have your wife thought a woman of taste.

Sir Pet. Ay—there again—taste! Zounds! madam, you had no taste when you married me!

Lady Teaz. That's very true, indeed, Sir Peter! and after having married you, I should never pretend to taste again, I allow. But now, Sir Peter, since we have[163] finished our daily jangle, I presume I may go to my engagement at Lady Sneerwell's.

Sir Pet. Ay, there's another precious circumstance—a charming set of acquaintances you have made there!

Lady Teaz. Nay, Sir Peter, they are all people of rank and fortune, and remarkably tenacious of reputation.

Sir Pet. Yes, they are tenacious of reputation with a vengeance; for they don't choose anybody should have a character but themselves! Such a crew! Ah! many a wretch has rid on a hurdle who has done less mischief than these utterers of forged tales; coiners of scandal, and clippers of reputation.

Lady Teaz. What, would you restrain the freedom of speech?

Sir Pet. Ah! they have made you just as bad as any one of the society.

Lady Teaz. Why, I believe I do bear a part with a tolerable grace.

Sir Pet. Grace, indeed!

Lady Teaz. But I vow I bear no malice against the people I abuse; when I say an ill-natured thing, 'tis out of pure good humor; and I take it for granted they deal exactly in the same manner with me. But, Sir Peter, you know you promised to come to Lady Sneerwell's too.

Sir Pet. Well, well, I'll call in, just to look after my own character.

Lady Teaz. Then, indeed, you must make haste after me, or you'll be too late. So good-bye to ye.
[Exit.

Sir Pet. So—I have gained much by my intended expostulation! Yet with what a charming air she contradicts everything I say; and how pleasantly she shows her contempt for my authority! Well, though I can't make her love me; there is great satisfaction in quarrel[164]ling with her; and I think she never appears to such advantage as when she is doing everything in her power to plague me.
[Exit.

Scene.—A room in Lady Sneerwell's House.

Lady Sneerwell, Mrs. Candour, Crabtree, Sir Benjamin Backbite, and Joseph Surface, discovered.

Enter Lady Teazle and Maria.

Lady Sneer. Lady Teazle, I hope we shall see Sir Peter?

Lady Teaz. I believe he'll wait on your ladyship presently.

Lady Sneer. Maria, my love, you look grave. Come, you shall sit down to piquet with Mr. Surface.

Mar. I take very little pleasure in cards—however, I'll do as your ladyship pleases.

Mrs. Can. Now I'll die; but you are so scandalous, I'll forswear your society.

Lady Teaz. What's the matter, Mrs. Candour?

Mrs. Can. They'll not allow our friend Miss Vermillion to be handsome.

Lady Sneer. Oh, surely she is a pretty woman.

Crab. I am very glad you think so, ma'am.

Mrs. Can. She has a charming fresh color.

Lady Teaz. Yes, when it is fresh put on.

Mrs. Can. Oh, fie! Her color is natural: I have seen it come and go!

Lady Teaz. I dare say you have, ma'am: it goes off at night, and comes again in the morning.

Sir Ben. True, ma'am, it not only comes and goes; but, what's more, her maid can fetch and carry it!

[165]Mrs. Can. Ha! ha! ha! how I hate to hear you talk so! But surely now, her sister is, or was, very handsome.

Crab. Who? Mrs. Evergreen? Oh! she's six-and-fifty if she's an hour!

Mrs. Can. Now positively you wrong her; fifty-two or fifty-three is the utmost—and I don't think she looks more.

Sir Ben. Ah! there's no judging by her looks, unless one could see her face.

Lady Sneer. Well, well, if Mrs. Evergreen does take some pains to repair the ravages of time, you must allow she effects it with great ingenuity; and surely that's better than the careless manner in which the widow Ochre caulks her wrinkles.

Sir Ben. Nay, now, Lady Sneerwell, you are severe upon the widow. Come, come, 'tis not that she paints so ill—but, when she has finished her face, she joins it on so badly to her neck, that she looks like a mended statue, in which the connoisseur may see at once that the head is modern, though the trunk's antique.

Crab. Ha! ha! ha! Well said, nephew!

Mrs. Can. Ha! ha! ha! Well, you make me laugh; but I vow I hate you for it. What do you think of Miss Simper?

Sir Ben. Why, she has very pretty teeth.

Lady Teaz. Yes, and on that account, when she is neither speaking nor laughing (which very seldom happens), she never absolutely shuts her mouth, but leaves it always on a-jar, as it were—thus.
[Shows her teeth.

Mrs. Can. How can you be so ill-natured?

Lady Teaz. Nay, I allow even that's better than the pains Mrs. Prim takes to conceal her losses in front.[166] She draws her mouth till it positively resembles the aperture of a poor's-box, and all her words appear to slide out edgewise as it were—thus: How do you do, madam? Yes, madam.
[Mimics.

Lady Sneer. Very well, Lady Teazle; I see you can be a little severe.

Lady Teaz. In defence of a friend it is but justice. But here comes Sir Peter to spoil our pleasantry.

Enter Sir Peter Teazle.

Sir Pet. Ladies, your most obedient.—[Aside,] Mercy on me, here is the whole set! a character dead at every word, I suppose.

Mrs. Can. I am rejoiced you are come, Sir Peter. They have been so censorious—and Lady Teazle as bad as any one.

Sir Pet. That must be very distressing to you, indeed, Mrs. Candour.

Mrs. Can. Oh, they will allow good qualities to nobody: not even good nature to our friend Mrs. Pursy.

Lady Teaz. What, the fat dowager who was at Mrs. Quadrille's last night?

Mrs. Can. Nay, her bulk is her misfortune; and, when she takes so much pains to get rid of it, you ought not to reflect on her.

Lady Sneer. That's very true, indeed.

Lady Teaz. Yes, I know she almost lives on acids and small whey; laces herself by pulleys; and often, in the hottest noon in summer, you may see her on a little squat pony, with her hair plaited up behind like a drummer's, and puffing round the ring on a full trot.

Mrs. Can. I thank you, Lady Teazle, for defending her.

Sir Pet. Yes, a good defence, truly.[167]

Mrs. Can. Truly, Lady Teazle is as censorious as Miss Sallow.

Crab. Yes, and she is a curious being to pretend to be censorious—an awkward thing, without any one good point under the sun.

Mrs. Can. Positively you shall not be so very severe. Miss Sallow is a near relation of mine by marriage, and, as for her person, great allowance is to be made; for, let me tell you, a woman labors under many disadvantages who tries to pass for a girl of six-and-thirty.

Lady Sneer. Though, surely, she is handsome still—and for the weakness in her eyes, considering how much she reads by candlelight, it is not to be wondered at.

Mrs. Can. True, and then as to her manner; upon my word I think it is particularly graceful, considering she never had the least education; for you know her mother was a Welsh milliner, and her father a sugar-baker at Bristol.

Sir Ben. Ah! you are both of you too good-natured!

Sir Pet. Yes, distressingly good-natured! This their own relation! Mercy on me!
[Aside.

Mrs. Can. For my part, I own I cannot bear to hear a friend ill-spoken of.

Sir Pet. No, to be sure!

Sir Ben. Oh! you are of a moral turn. Mrs. Candour and I can sit for an hour and hear Lady Stucco talk sentiment.

Lady Teas. Nay, I vow Lady Stucco is very well with the dessert after dinner; for she's just like the French fruit one cracks for mottoes—made up of paint and proverb.

Mrs. Can. Well, I will never join in ridiculing a friend; and so I constantly tell my cousin Ogle, and you all know what pretensions she has to be critical on beauty.[168]

Crab. Oh, to be sure! she has herself the oddest countenance that ever was seen; 'tis a collection of features from all the different countries of the globe.

Sir Ben. So she has, indeed—an Irish front——

Crab. Caledonian locks——

Sir Ben. Dutch nose——

Crab. Austrian lips——

Sir Ben. Complexion of a Spaniard——

Crab. And teeth à la Chinoise.

Sir Ben. In short, her face resembles a table d'hôte at Spa—where no two guests are of a nation——

Crab. Or a congress at the close of a general war—wherein all the members, even to her eyes, appear to have a different interest, and her nose and chin are the only parties likely to join issue.

Mrs. Can. Ha! ha! ha!

Sir Pet. Mercy on my life!—a person they dine with twice a week!
[Aside.

Mrs. Can. Nay, but I vow you shall not carry the laugh off so—for give me leave to say that Mrs. Ogle——

Sir Pet. Madam, madam, I beg your pardon—there's no stopping these good gentlemen's tongues. But when I tell you, Mrs. Candour, that the lady they are abusing is a particular friend of mine, I hope you'll not take her part.

Lady Sneer. Ha! ha! ha! well said, Sir Peter! but you are a cruel creature—too phlegmatic yourself for a jest, and too peevish to allow wit in others.

Sir Pet. Ah, madam, true wit is more nearly allied to good nature than your ladyship is aware of.

Lady Teas. True, Sir Peter; I believe they are so near akin that they can never be united.

Sir Ben. Or rather, suppose them man and wife, because one seldom sees them together.

[169]Lady Teaz. But Sir Peter is such an enemy to scandal, I believe he would have it put down by parliament.

Sir Pet. Positively, madam, if they were to consider the sporting with reputation of as much importance as poaching on manors, and pass an act for the preservation of fame, as well as game, I believe many would thank them for the bill.

Lady Sneer. Why! Sir Peter; would you deprive us of our privileges?

Sir Pet. Ay, madam; and then no person should be permitted to kill characters and run down reputations but qualified old maids and disappointed widows.

Lady Sneer. Go, you monster!

Mrs. Can. But, surely, you would not be quite so severe on those who only report what they hear?

Sir Pet. Yes, madam, I would have law merchant for them too; and in all cases of slander currency, whenever the drawer of the lie was not to be found, the injured parties should have a right to come on any of the indorsers.

Crab. Well, for my part, I believe there never was a scandalous tale without some foundation.

Lady Sneer. Come, ladies, shall we sit down to cards in the next room?

Enter Servant, who whispers Sir Peter.

Sir Pet. I'll be with them directly.—[Exit Servant.] I'll get away unperceived.
[Aside.

Lady Sneer. Sir Peter, you are not going to leave us?

Sir Pet. Your ladyship must excuse me; I'm called away by particular business. But I leave my character behind me.
[Exit.

[170]Sir Ben. Well—certainly, Lady Teazle, that lord of yours is a strange being: I could tell you some stories of him would make you laugh heartily if he were not your husband.

Lady Teaz. Oh, pray, don't mind that; come, do let's hear them.

[Exeunt all but Joseph Surface and Maria.

Jos. Surf. Maria, I see you have no satisfaction in this society.

Mar. How is it possible I should? If to raise malicious smiles at the infirmities or misfortunes of those who have never injured us be the province of wit or humor, Heaven grant me a double portion of dulness!

Jos. Surf. Yet they appear more ill-natured than they are; they have no malice at heart.

Mar. Then is their conduct still more contemptible; for, in my opinion, nothing could excuse the intemperance of their tongues but a natural and uncontrollable bitterness of mind.

It had been agreed, on account of the heat of the climate, that the judicial combat, which was the cause of the present assemblage of various nations at the Diamond of the Desert, should take place at one hour after sunrise. The wide lists, which had been constructed under the inspection of the Knight of the Leopard, enclosed a space of hard sand, which was one hundred and twenty yards long by forty in width. They extended in length from north to south, so as to give both parties the equal advantage of the rising sun. Saladin's royal seat was erected on the western side of the enclosure, just in the centre, where the combatants were expected to meet in[180] mid encounter. Opposed to this was a gallery with closed casements, so contrived, that the ladies, for whose accommodation it was erected, might see the fight without being themselves exposed to view. At either extremity of the lists was a barrier, which could be opened or shut at pleasure. Thrones had been also erected, but the Archduke, perceiving that his was lower than King Richard's, refused to occupy it; and Cœur de Lion, who would have submitted to much ere any formality should have interfered with the combat, readily agreed that the sponsors, as they were called, should remain on horseback during the fight. At one extremity of the lists were placed the followers of Richard, and opposed to them were those who accompanied the defender, Conrade. Around the throne destined for the Soldan were ranged his splendid Georgian Guards, and the rest of the enclosure was occupied by Christian and Mohammedan spectators.

[181]Long before daybreak, the lists were surrounded by even a larger number of Saracens than Richard had seen on the preceding evening. When the first ray of the sun's glorious orb arose above the desert, the sonorous call, "To prayer, to prayer!" was poured forth by the Soldan himself, and answered by others, whose rank and zeal entitled them to act as muezzins. It was a striking spectacle to see them all sink to earth, for the purpose of repeating their devotions, with their faces turned to Mecca. But when they arose from the ground, the sun's rays, now strengthening fast, seemed to confirm the Lord of Gilsland's conjecture of the night before. They were flashed back from many a spear-head, for the pointless lances of the preceding day were certainly no longer such. De Vaux pointed it out to his master, who answered with impatience, that he had perfect confidence in the good faith of the Soldan; but if De Vaux was afraid of his bulky body, he might retire.

Soon after this the noise of timbrels was heard, at the sound of which the whole Saracen cavaliers threw themselves from their horses, and prostrated themselves, as if for a second morning prayer. This was to give an opportunity to the Queen, with Edith and her attendants, to pass from the pavilion to the gallery intended for them. Fifty guards of Saladin's seraglio escorted them, with naked sabres, whose orders were, to cut to pieces whomsoever, were he prince or peasant, should venture to gaze on the ladies as they passed, or even presume to raise his head until the cessation of the music should make all men aware that they were lodged in their gallery, not to be gazed on by the curious eye.

This superstitious observance of Oriental reverence to the fair sex called forth from Queen Berengaria some[182] criticisms very unfavorable to Saladin and his country. But their den, as the royal fair called it, being securely closed and guarded by their sable attendants, she was under the necessity of contenting herself with seeing, and laying aside for the present the still more exquisite pleasure of being seen.

Meantime the sponsors of both champions went, as was their duty, to see that they were duly armed, and prepared for combat. The Archduke of Austria was in no hurry to perform this part of the ceremony, having had rather an unusually severe debauch upon wine of Schiraz the preceding evening. But the Grand Master of the Temple, more deeply concerned in the event of the combat, was early before the tent of Conrade of Montserrat. To his great surprise, the attendants refused him admittance.

"Do you not know me, ye knaves?" said the Grand Master in great anger.

"We do, most valiant and reverend," answered Conrade's squire; "but even you may not at present enter—the Marquis is about to confess himself."

"Confess himself!" exclaimed the Templar, in a tone where alarm mingled with surprise and scorn—"and to whom I pray thee?"

"My master bid me be secret," said the squire; on which the Grand Master pushed past him, and entered the tent almost by force.

The Marquis of Montserrat was kneeling at the feet of the Hermit of Engaddi, and in the act of beginning his confession.

"What means this, Marquis?" said the Grand Master, "up, for shame—or, if you must needs confess, am not I here?"

[183]"I have confessed to you too often already," replied Conrade, with a pale cheek and a faltering voice. "For God's sake, Grand Master, begone, and let me unfold my conscience to this holy man."

"In what is he holier than I am?" said the Grand Master.—"Hermit, prophet, madman—say, if thou darest, in what thou excellest me?"

"Bold and bad man," replied the Hermit, "know that I am like the latticed window, and the divine light passes through to avail others, though alas! it helpeth not me. Thou art like the iron stanchions, which neither receive light themselves, nor communicate it to any one."

"Prate not to me, but depart from this tent," said the Grand Master; "the Marquis shall not confess this morning, unless it be to me, for I part not from his side."

"Is this your pleasure?" said the Hermit to Conrade; "for think not I will obey that proud man, if you continue to desire my assistance."

"Alas!" said Conrade irresolutely, "what would you have me say? Farewell for a while—we will speak anon."

"O, procrastination!" exclaimed the Hermit, "thou art a soul-murderer!—Unhappy man, farewell; not for a while, but until we both shall meet—no matter where.—And for thee," he added, turning to the Grand Master, "tremble!"

"Tremble!" replied the Templar contemptuously, "I cannot if I would."

The Hermit heard not his answer, having left the tent.

"Come! to this gear hastily," said the Grand Master, "since thou wilt needs go through the foolery.—Hark thee—I think I know most of thy frailties by heart, so we may omit the detail, which may be somewhat a long[184] one, and begin with the absolution. What signifies counting the spots of dirt that we are about to wash from our hands?"

"Knowing what thou art thyself," said Conrade, "it is blasphemous to speak of pardoning another."

"That is not according to the canon, Lord Marquis," said the Templar; "thou art more scrupulous than orthodox. The absolution of the wicked priest is as effectual as if he were himself a saint; otherwise,—God help the poor penitent! What wounded man inquires whether the surgeon that tents his gashes have clean hands or not?—Come, shall we to this toy?"

"No," said Conrade, "I will rather die unconfessed than mock the sacrament."

"Come, noble Marquis," said the Templar, "rouse up your courage, and speak not thus. In an hour's time thou shalt stand victorious in the lists, or confess thee in thy helmet, like a valiant knight."

"Alas, Grand Master!" answered Conrade, "all augurs ill for this affair. The strange discovery by the instinct of a dog, the revival of this Scottish knight, who comes into the lists like a spectre,—all betokens evil."

"Pshaw!" said the Templar, "I have seen thee bend thy lance boldly against him in sport, and with equal chance of success. Think thou art but in a tournament, and who bears him better in the tilt-yard than thou?—Come, squires and armorers, your master must be accoutred for the field."

The attendants entered accordingly, and began to arm the Marquis.

"What morning is without?" said Conrade.

"The sun rises dimly," answered a squire.

"Thou seest, Grand Master," said Conrade, "naught smiles on us."

[185]"Thou wilt fight the more coolly, my son," answered the Templar. "Thank Heaven that hath tempered the sun of Palestine to suit thine occasion."

Thus jested the Grand Master; but his jests had lost their influence on the harassed mind of the Marquis, and, notwithstanding his attempts to seem gay, his gloom communicated itself to the Templar.

"This craven," he thought, "will lose the day in pure faintness and cowardice of heart, which he calls tender conscience. I, whom visions and auguries shake not—who am firm in my purpose as the living rock—I should have fought the combat myself.—Would to God the Scot may strike him dead on the spot; it were next best to his winning the victory. But, come what will, he must have no other confessor than myself. Our sins are too much in common, and he might confess my share with his own."

While these thoughts passed through his mind, he continued to assist the Marquis in arming, but it was in silence.

The hour at length arrived, the trumpets sounded, the knights rode into the lists armed at all points, and mounted like men who were to do battle for a kingdom's honor. They wore their visors up, and, riding around the lists three times, showed themselves to the spectators. Both were goodly persons, and both had noble countenances. But there was an air of manly confidence on the brow of the Scot, a radiancy of hope, which amounted even to cheerfulness, while, although pride and effort had recalled much of Conrade's natural courage, there lowered still on his brow a cloud of ominous despondence. Even his steed seemed to tread less lightly and blithely to the trumpet-sound than the noble Arab which was[186] bestrode by Sir Kenneth; and the spruch-sprecher shook his head while he observed, that while the challenger rode around the lists in the course of the sun—that is, from right to left—the defender made the same circuit widder-sins—that is, from left to right—which is in most countries held ominous.

A temporary altar was erected just beneath the gallery occupied by the Queen, and beside it stood the Hermit in the dress of his order, as a Carmelite friar. Other churchmen were also present. To this altar the challenger and defender were successively brought forward, conducted by their respective sponsors. Dismounting before it, each knight avouched the justice of his cause by a solemn oath on the Evangelists, and prayed that his success might be according to the truth or falsehood of what he then swore. They also made oath, that they came to do battle in knightly guise, and with the usual weapons, disclaiming the use of spells, charms, or magical devices, to incline victory to their side. The challenger pronounced his vow with a firm and manly voice, and a bold and cheerful countenance. When the ceremony was finished, the Scottish Knight looked at the gallery, and bent his head to the earth, as if in honor of those invisible beauties which were enclosed within; then, loaded with armor as he was, sprung to the saddle without the use of the stirrup, and made his courser carry him in a succession of caracoles to his station at the eastern extremity of the lists. Conrade also presented himself before the altar with boldness enough; but his voice, as he took the oath, sounded hollow, as if drowned in his helmet. The lips with which he appealed to Heaven to adjudge victory to the just quarrel, grew white as they uttered the impious mockery. As he[187] turned to remount his horse, the Grand Master approached him closer, as if to rectify something about the sitting of his gorget, and whispered, "Coward and fool! recall thy senses, and do me this battle bravely; else, by Heaven, shouldst thou escape him, thou escapest not me!"

The savage tone in which this was whispered, perhaps completed the confusion of the Marquis's nerves, for he stumbled as he made to horse; and though he recovered his feet, sprung to the saddle with his usual agility, and displayed his address in horsemanship as he assumed his position opposite to the challenger's, yet the accident did not escape those who were on the watch for omens, which might predict the fate of the day.

The priests, after a solemn prayer that God would show the rightful quarrel, departed from the lists. The trumpets of the challenger then rung a flourish, and the herald-at-arms proclaimed at the eastern end of the lists,—"Here stands a good knight, Sir Kenneth of Scotland, champion for the royal King Richard of England, who accuseth Conrade, Marquis of Montserrat, of foul treason and dishonor done to the said King."

When the words Kenneth of Scotland announced the name and character of the champion, hitherto scarce generally known, a loud and cheerful acclaim burst from the followers of King Richard, and hardly, notwithstanding repeated commands of silence, suffered the reply of the defendant to be heard. He, of course, avouched his innocence, and offered his body for battle. The esquires of the combatants now approached, and delivered to each his shield and lance, assisting to hang the former around his neck, that his two hands might remain free, one for the management of the bridle, the other to direct the lance.

[188]The shield of the Scot displayed his old bearing, the leopard, but with the addition of a collar and broken chain, in allusion to his late captivity. The shield of the Marquis bore, in reference to his title, a serrated and rocky mountain. Each shook his lance aloft, as if to ascertain the weight and toughness of the unwieldy weapon, and then laid it in the rest. The sponsors, heralds, and squires, now retired to the barriers, and the combatants sat opposite to each other, face to face, with couched lance and closed visor, the human form so completely enclosed, that they looked more like statues of molten iron than beings of flesh and blood. The silence of suspense was now general—men breathed thicker, and their very souls seemed seated in their eyes, while not a sound was to be heard save the snorting and pawing of the good steeds, who, sensible of what was about to happen, were impatient to dash into career. They stood thus for perhaps three minutes, when at a signal given by the Soldan, an hundred instruments rent the air with their brazen clamors, and each champion striking his horse with the spurs, and slacking the rein, the horses started into full gallop, and the knights met in mid space with a shock like a thunderbolt. The victory was not in doubt—no, not one moment. Conrade, indeed, showed himself a practised warrior; for he struck his antagonist knightly in the midst of his shield, bearing his lance so straight and true, that it shivered into splinters from the steel spear-head up to the very gauntlet. The horse of Sir Kenneth recoiled two or three yards and fell on his haunches, but the rider easily raised him with hand and rein. But for Conrade there was no recovery. Sir Kenneth's lance had pierced through the shield, through a plated corselet of Milan steel, through a secret, or coat[189] of linked mail, worn beneath the corselet, had wounded him deep in the bosom, and borne him from his saddle, leaving the truncheon of the lance fixed in his wound. The sponsors, heralds, and Saladin himself, descending from his throne, crowded around the wounded man; while Sir Kenneth, who had drawn his sword ere yet he discovered his antagonist was totally helpless, now commanded him to avow his guilt. The helmet was hastily unclosed, and the wounded man, gazing wildly on the skies, replied, "What would you more? God hath decided justly. I am guilty—but there are worse traitors in the camp than I.—In pity to my soul, let me have a confessor!"

He revived as he uttered these words.

"The talisman—the powerful remedy, royal brother," said King Richard to Saladin.

"The traitor," answered the Soldan, "is more fit to be dragged from the lists to the gallows by the heels, than to profit by its virtues: and some such fate is in his look," he added, after gazing fixedly upon the wounded man; "for though his wound may be cured, yet Azrael's seal is on the wretch's brow."

"Nevertheless," said Richard, "I pray you do for him what you may, that he may at least have time for confession. Slay not soul and body! To him one half-hour of time may be worth more, by ten thousand fold, than the life of the oldest patriarch."

"My royal brother's wish shall be obeyed," said Saladin.—"Slaves, bear this wounded man to our tent."

"Do not so," said the Templar, who had hitherto stood gloomily looking on in silence. "The royal Duke of Austria and myself will not permit this unhappy Christian prince to be delivered over to the Saracens,[190] that they may try their spells upon him. We are his sponsors, and demand that he be assigned to our care."

"That is, you refuse the certain means offered to recover him?" said Richard.

"Not so," said the Grand Master, recollecting himself. "If the Soldan useth lawful medicines, he may attend the patient in my tent."

"Do so, I pray thee, good brother," said Richard to Saladin, "though the permission be ungraciously yielded.—But now to a more glorious work. Sound, trumpets—shout, England, in honor of England's champion!"

Drum, clarion, trumpet, and cymbal, rung forth at once, and the deep and regular shout, which for ages has been the English acclamation, sounded amidst the shrill and irregular yells of the Arabs, like the diapason of the organ amid the howling of a storm. There was silence at length.

"Brave Knight of the Leopard," resumed Cœur de Lion, "thou hast shown that the Ethiopian may change his skin and the Leopard his spots, though clerks quote Scripture for the impossibility. Yet I have more to say to you when I have conducted you to the presence of the ladies, the best judges, and best rewarders, of deeds of chivalry."

The Knight of the Leopard bowed assent.

"And thou, princely Saladin, wilt also attend them. I promise thee our Queen will not think herself welcome, if she lacks the opportunity to thank her royal host for her most princely reception."

Saladin bent his head gracefully, but declined the invitation.

"I must attend the wounded man," he said. "The leech leaves not his patient more than the champion the[191] lists, even if he be summoned to a bower like those of Paradise.... At noon," said the Soldan, as he departed, "I trust ye will all accept a collation under the black camel-skin tent of a chief of Curdistan."

The same invitation was circulated among the Christians, comprehending all those of sufficient importance to be admitted to sit at a feast made for princes.

"Hark!" said Richard, "the timbrels announce that our Queen and her attendants are leaving their gallery; and see, the turbans sink on the ground, as if struck down by a destroying angel. All lie prostrate, as if the glance of an Arab's eye could sully the lustre of a lady's cheek! Come, we will to the pavillion, and lead our conqueror thither in triumph. How I pity that noble Soldan, who knows but of love as it is known to those of inferior nature!"

Blondel tuned his harp to its boldest measure, to welcome the introduction of the victor into the pavilion of Queen Berengaria. He entered, supported on either side by his sponsors, Richard and William Longsword, and knelt gracefully down before the Queen, though more than half the homage was silently rendered to Edith, who sat on her right hand.

"Unarm him, my mistresses," said the King, whose delight was in the execution of such chivalrous usages; "let Beauty honor Chivalry! Undo his spurs, Berengaria; Queen though thou be, thou owest him what marks of favor thou canst give.—Unlace his helmet, Edith; by this hand, thou shalt, wert thou the proudest Plantagenet of the line, and he the poorest knight on earth!"

Both ladies obeyed the royal commands,—Berengaria with bustling assiduity, as anxious to gratify her hus[192]band's humor, and Edith blushing and growing pale alternately, as slowly and awkwardly she undid, with Longsword's assistance, the fastenings which secured the helmet to the gorget.

"And what expect you from beneath this iron shell?" said Richard, as the removal of the casque gave to view the noble countenance of Sir Kenneth, his face glowing with recent exertion, and not less so with present emotion. "What think ye of him, gallants and beauties?" said Richard. "Doth he resemble an Ethiopian slave, or doth he present the face of an obscure and nameless adventurer? No, by my good sword! Here terminate his various disguises. He hath knelt down before you, unknown save by his worth; he arises, equally distinguished by birth and by fortune. The adventurous knight, Kenneth, arises David, Earl of Huntingdon, Prince Royal of Scotland!"

There was a general exclamation of surprise, and Edith dropped from her hand the helmet which she had just received....

"May we know of your grace by what strange and happy chance this riddle has been read?" said the Queen Berengaria.

"Letters were brought to us from England," said the King, "in which we learned, among other unpleasant news, that the King of Scotland had seized upon three of our nobles, when on a pilgrimage to Saint Ninian, and alleged as a cause, that his heir being supposed to be fighting in the ranks of the Teutonic Knights, against the heathen of Borussia, was, in fact, in our camp and in our power; and, therefore, William proposed to hold these nobles as hostages for his safety. This gave me the first light on the real rank of the Knight of the[193] Leopard, and my suspicions were confirmed by De Vaux, who, on his return from Ascalon, brought back with him the Earl of Huntingdon's sole attendant, a thick-skulled slave, who had gone thirty miles to unfold to De Vaux a secret he should have told to me."

"Old Strauchan must be excused," said the Lord of Gilsland. "He knew from experience that my heart is somewhat softer than if I wrote myself Plantagenet."

"Thy heart soft? thou commodity of old iron, and Cumberland flint that thou art!" exclaimed the King. "It is we Plantagenets who boast soft and feeling hearts, Edith," he continued, turning to his cousin, with an expression which called the blood into her cheek.—"Give me thy hand, my fair cousin, and, Prince of Scotland, thine."...

It is needless to follow into further particulars the conferences at the royal tent, or to enquire whether David, Earl of Huntingdon, was as mute in the presence of Edith Plantagenet, as when he was bound to act under the character of an obscure and nameless adventurer. It may be well believed that he there expressed, with suitable earnestness, the passion to which he had so often before found it difficult to give words.

The hour of noon now approached, and Saladin waited to receive the Princes of Christendom in a tent, which, but for its large size, differed little from that of the ordinary shelter of the common Curdman, or Arab; yet, beneath its ample and sable covering, was prepared a banquet after the most gorgeous fashion of the East, extended upon carpets of the richest stuffs, with cushions laid for the guests. But we cannot stop to describe the cloth of gold and silver, the superb embroidery in Arabesque, the shawls of Cashmere, and the muslins of India,[194] which were here unfolded in all their splendor; far less to tell the different sweetmeats, ragouts edged with rice colored in various manners, with all the other niceties of Eastern cookery. Lambs roasted whole, and game and poultry dressed in pilaus, were piled in vessels of gold, and silver, and porcelain, and intermixed with large mazers of sherbet, cooled in snow and ice from the caverns of Mount Lebanon. A magnificent pile of cushions at the head of the banquet, seemed prepared for the master of the feast, and such dignitaries as he might call to share that place of distinction, while from the roof of the tent in all quarters, but over this seat of eminence in particular, waved many a banner and pennon, the trophies of battles won, and kingdoms overthrown. But amongst and above them all, a long lance displayed a shroud, the banner of Death, with this impressive inscription, "Saladin, King of Kings—Saladin, Victor of Victors—Saladin must die." Amid these preparations, the slaves who had arranged the refreshments stood with drooped heads and folded arms, mute and motionless as monumental statuary, or as automata, which waited the touch of the artist to put them in motion.

Expecting the approach of his princely guests, the Soldan, imbued, as most were, with the superstitions of his time, paused over a horoscope and corresponding scroll, which had been sent to him by the Hermit of Engaddi when he departed from the camp.

"Strange and mysterious science," he muttered to himself, "which, pretending to draw the curtain of futurity, misleads those whom it seems to guide, and darkens the scene which it pretends to illuminate! Who would not have said that I was that enemy most danger[195]ous to Richard, whose enmity was to be ended by marriage with his kinswoman? Yet it now appears that a union betwixt this gallant Earl and the lady will bring about friendship betwixt Richard and Scotland, an enemy more dangerous than I, as a wild cat in a chamber is more to be dreaded than a lion in a distant desert.—But then,...—How now, what means this intrusion?"

He spoke to the dwarf Nectabanus, who rushed into the tent fearfully agitated, with each strange and disproportioned feature wrenched by horror into still more extravagant ugliness,—his mouth open, his eyes staring, his hands, with their shrivelled and deformed fingers, wildly expanded.

"What now?" said the Soldan, sternly.

"Accipe hoc!" groaned out the dwarf.

"Ha! say'st thou?" answered Saladin.

"Accipe hoc!" replied the panic-struck creature, unconscious, perhaps, that he repeated the same words as before.

"Hence! I am in no vein for foolery," said the Emperor.

"Nor am I further fool," said the dwarf, "than to make my folly help out my wits to earn my bread, poor helpless wretch!—Hear, hear me, great Soldan!"

"Nay, if thou hast actual wrong to complain of," said Saladin, "fool or wise, thou art entitled to the ear of a King.—Retire hither with me;" and he led him into the inner tent.

Whatever their conference related to, it was soon broken off by the fanfare of the trumpets, announcing the arrival of the various Christian princes, whom Saladin welcomed to his tent with a royal courtesy well becoming their rank and his own; but chiefly he saluted the young[196] Earl of Huntingdon, and generously congratulated him upon prospects, which seemed to have interfered with and overclouded those which he had himself entertained.

"But think not," said the Soldan, "thou noble youth, that the Prince of Scotland is more welcome to Saladin, than was Kenneth to the solitary Ilderim when they met in the desert, or the distressed Ethiop to the Hakim Adonbec. A brave and generous disposition like thine hath a value independent of condition and birth, as the cool draught which I here proffer thee, is as delicious from an earthen vessel as from a goblet of gold."

The Earl of Huntingdon made a suitable reply, gratefully acknowledging the various important services he had received from the generous Soldan; but when he had pledged Saladin in the bowl of sherbet which the Soldan had proffered to him, he could not help remarking with a smile, "The brave cavalier, Ilderim, knew not of the formation of ice, but the munificent Soldan cools his sherbet with snow."

"Wouldst thou have an Arab or a Curdman as wise as a Hakim?" said the Soldan. "He who does on a disguise must make the sentiments of his heart and the learning of his head accord with the dress which he assumes. I desired to see how a brave and single-hearted cavalier of Frangistan would conduct himself in debate with such a chief as I then seemed; and I questioned the truth of a well-known fact, to know by what arguments thou wouldst support thy assertion."

While they were speaking, the Archduke of Austria, who stood a little apart, was struck with the mention of iced sherbet, and took with pleasure and some bluntness the deep goblet, as the Earl of Huntingdon was about to replace it.

[197]"Most delicious!" he exclaimed, after a deep draught, which the heat of the weather, and the feverishness following the debauch of the preceding day, had rendered doubly acceptable. He sighed as he handed the cup to the Grand Master of the Templars. Saladin made a sign to the dwarf, who advanced and pronounced, with a harsh voice, the words, Accipe hoc! The Templar started, like a steed who sees a lion under a bush, beside the pathway; yet instantly recovered, and to hide, perhaps, his confusion, raised the goblet to his lips;—but those lips never touched that goblet's rim. The sabre of Saladin left its sheath as lightning leaves the cloud. It was waved in the air,—and the head of the Grand Master rolled to the extremity of the tent, while the trunk remained, for a second, standing, with the goblet still clenched in its grasp, then fell, the liquor mingling with the blood that spurted from the veins.

There was a general exclamation of treason, and Austria, nearest to whom Saladin stood with the bloody sabre in his hand, started back as if apprehensive that his turn was to come next. Richard and others laid hand on their swords.

"Fear nothing, noble Austria," said Saladin, as composedly as if nothing had happened, "nor you, royal England, be wroth at what you have seen. Not for his manifold treasons;—not for the attempt which, as may be vouched by his own squire, he instigated against King Richard's life;—not that he pursued the Prince of Scotland and myself in the desert, reducing us to save our lives by the speed of our horses;—not that he had stirred up the Maronites to attack us upon this very occasion, had I not brought up unexpectedly so many Arabs as rendered the scheme abortive;—not for any or[198] all of these crimes does he now lie there, although each were deserving such a doom;—but because, scarce half-an-hour ere he polluted our presence, as the simoom empoisons the atmosphere, he poniarded his comrade and accomplice, Conrade of Montserrat, lest he should confess the infamous plots in which they had both been engaged."

"How! Conrade murdered?—And by the Grand Master, his sponsor and most intimate friend!" exclaimed Richard. "Noble Soldan, I would not doubt thee; yet this must be proved; otherwise"——

"There stands the evidence," said Saladin, pointing to the terrified dwarf. "Allah, who sends the fire-fly to illuminate the night-season, can discover secret crimes by the most contemptible means."

The Soldan proceeded to tell the dwarf's story, which amounted to this.—In his foolish curiosity, or as he partly confessed, with some thoughts of pilfering, Nectabanus had strayed into the tent of Conrade, which had been deserted by his attendants, some of whom had left the encampment to carry the news of his defeat to his brother, and others were availing themselves of the means which Saladin had supplied for revelling. The wounded man slept under the influence of Saladin's wonderful talisman, so that the dwarf had opportunity to pry about at pleasure, until he was frightened into concealment by the sound of a heavy step. He skulked behind a curtain, yet could see the motions, and hear the words of the Grand Master, who entered, and carefully secured the covering of the pavillion behind him. His victim started from sleep, and it would appear that he instantly suspected the purpose of his old associate, for it was in a tone of alarm that he demanded wherefore he disturbed him.

[199]"I come to confess and absolve thee," answered the Grand Master.

Of their further speech the terrified dwarf remembered little, save that Conrade implored the Grand Master not to break a wounded reed, and that the Templar struck him to the heart with a Turkish dagger, with the words Accipe hoc,—words which long afterward haunted the terrified imagination of the concealed witness.

"I verified the tale," said Saladin, "by causing the body to be examined; and I made this unhappy being, whom Allah hath made the discoverer of the crime, repeat in your own presence the words which the murderer spoke, and you yourselves saw the effect which they produced upon his conscience."

The Soldan paused, and the King of England broke silence:—

"If this be true, as I doubt not, we have witnessed a great act of justice, though it bore a different aspect. But wherefore in this presence? wherefore with thine own hand?"

"I had designed otherwise," said Saladin, "but had I not hastened his doom, it had been altogether averted, since, if I had permitted him to taste of my cup, as he was about to do, how could I, without incurring the brand of inhospitality, have done him to death as he deserved? Had he murdered my father, and afterward partaken of my food and my bowl, not a hair of his head could have been injured by me. But enough of him; let his carcass and his memory be removed from amongst us."

The body was carried away, and the marks of the slaughter obliterated or concealed with such ready dexterity, as showed that the case was not altogether so[200] uncommon, as to paralyze the assistants and officers of Saladin's household.

But the Christian princes felt that the scene which they had beheld weighed heavily on their spirits, and although, at the courteous invitation of the Soldan, they assumed their seats at the banquet, yet it was with the silence of doubt and amazement. The spirits of Richard alone surmounted all cause for suspicion or embarrassment. Yet he, too, seemed to ruminate on some proposition, as if he were desirous of making it in the most insinuating and acceptable manner which was possible. At length he drank off a large bowl of wine, and addressing the Soldan, desired to know whether it was not true that he had honored the Earl of Huntingdon with a personal encounter.

Saladin answered with a smile, that he had proved his horse and his weapons with the heir of Scotland, as cavaliers are wont to do with each other when they meet in the desert; and modestly added that, though the combat was not entirely decisive, he had not, on his part, much reason to pride himself on the event. The Scot, on the other hand, disclaimed the attributed superiority, and wished to assign it to the Soldan.

"Enough of honor thou hast had in the encounter," said Richard, "and I envy thee more for that, than for the smiles of Edith Plantagenet, though one of them might reward a bloody day's work.—But what say you, noble princes; is it fitting that such a royal ring of chivalry should break up without something being done for future times to speak of? What is the overthrow and death of a traitor, to such a fair garland of honor as is here assembled, and which ought not to part without witnessing something more worthy of their regard?[201] How say you, princely Soldan; what if we two should now, and before this fair company, decide the long-contended question for this land of Palestine, and end at once these tedious wars? Yonder are the lists ready, nor can Paynimrie ever hope a better champion than thou. I, unless worthier offers, will lay down my gauntlet in behalf of Christendom, and, in all love and honor, we will do mortal battle for the possession of Jerusalem."

There was a deep pause for the Soldan's answer. His cheek and brow colored highly, and it was the opinion of many present that he hesitated whether he should accept the challenge. At length he said: "Fighting for the Holy City against those whom we regard as idolaters, and worshippers of stocks and stones, and graven images, I might confide that Allah would strengthen my arm; or if I fell beneath the sword of the Melech Ric, I could not pass to Paradise by a more glorious death. But Allah has already given Jerusalem to the true believers, and it were a tempting the God of the Prophet to peril, upon my own personal strength and skill, that which I hold securely by the superiority of my forces."

"If not for Jerusalem, then," said Richard, in the tone of one who would entreat a favor of an intimate friend, "yet, for the love of honor, let us run at least three courses with grinded lances."

"Even this," said Saladin, half smiling at Cœur de Lion's affectionate earnestness for the combat, "even this I may not lawfully do. The Master places the shepherd over the flock, not for the shepherd's own sake, but for the sake of the sheep. Had I a son to hold the sceptre when I fell, I might have had the liberty, as I have the will, to brave this bold encounter; but your own Scripture sayeth, that when the herdsman is smitten, the sheep are scattered."

[202]"Thou hast had all the fortune," said Richard, turning to the Earl of Huntingdon with a sigh. "I would have given the best year of my life for that one half-hour beside the Diamond of the Desert!"

The chivalrous extravagance of Richard awakened the spirits of the assembly, and when at length they arose to depart, Saladin advanced and took Cœur de Lion by the hand.

"Noble King of England," he said, "we now part, never to meet again. That your league is dissolved, no more to be reunited, and that your native forces are far too few to enable you to prosecute your enterprise, is as well known to me as to yourself. I may not yield you up that Jerusalem which you so much desire to hold. It is to us, as to you, a Holy City. But whatever other terms Richard demands of Saladin, shall be as willingly yielded as yonder fountain yields its waters. Ay, and the same should be as frankly afforded by Saladin, if Richard stood in the desert with but two archers in his train!"