The Project Gutenberg EBook of Poems Teachers Ask For, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Poems Teachers Ask For Author: Various Release Date: July 26, 2006 [EBook #18909] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK POEMS TEACHERS ASK FOR *** Produced by Charles Aldarondo and the Online Distributed Proofreading Team at http://www.pgdp.net
Seldom does a book of poems appear that is definitely a response to demand and a reflection of readers' preferences. Of this collection that can properly be claimed. For a decade Normal instructor-primary plans has carried monthly a page entitled "Poems Our Readers Have Asked For." The interest in this page has been, and is, phenomenal. Occasionally space considerations or copyright restrictions have prevented compliance with requests, but so far as practicable poems asked for have been printed. Because it has become impossible to furnish many of the earlier issues of the magazine, the publishers decided to select the poems most often requested and, carefully revising these for possible errors, to include them in the present collection. In some cases the desired poems are old favorite dramatic recitations, but many of them are poems that are required or recommended for memorizing in state courses of study. This latter feature will of itself make the book extremely valuable to teachers throughout the country. We are glad to offer here certain poems, often requested, but too long for insertion on our magazine Poetry Page. We are pleased also to be able to include a number of popular copyright poems. Special permission to use these has been granted through arrangement with the authorized publishers, whose courtesy is acknowledged below in detail:
The Bobbs-Merrill Company—The Raggedy Man, from "The Biographical Edition of the Complete Works of James Whitcomb Riley," copyright 1918.
Charles Scribner's Sons—Seein' Things and Little Boy Blue, by Eugene Field; Gradatim and Give Us Men, from "The Poetical Works of J.G. Holland"; and You and You, by Edith Wharton, copyright 1919.
Harper and Brothers—Over the Hill to the Poor-House, The Ride of Jennie M'Neal, The Little Black-Eyed Rebel, and The First Settler's Story, by Will Carleton.
The Dodge Publishing Company—The Moo Cow Moo and The Young Man Waited, by Edmund Vance Cooke.
Lothrop, Lee and Shepard Company—The House by the Side of the Road and The Calf Path, by Sam Walter Foss.
Little, Brown and Company—October's Bright Blue Weather, by Helen Hunt Jackson.
Houghton Mifflin Company—Poems by John G. Whittier, Alice Cary, Phoebe Cary, James T. Fields, and Lucy Larcom.
THE PUBLISHERS.
| O Captain! My Captain! our fearful trip is done, |
| The ship has weathered every rack, the prize we sought is won; |
| The port is near, the bells I hear, the people all exulting, |
| While follow eyes the steady keel, the vessel grim and daring; |
| But, O heart! heart! heart! |
| O the bleeding drops of red, |
| Where on the deck my Captain lies, |
| Fallen, cold and dead. |
| O Captain! My Captain! rise up and hear the bells; |
| Rise up—for you the flag is flung—for you the bugle trills, |
| For you bouquets and ribboned wreaths—for you the shores a-crowding, |
| For you they call, the swaying mass, their eager faces turning; |
| Here Captain! dear father! |
| This arm beneath your head! |
| It is some dream that on the deck |
| You've fallen cold and dead. |
| My Captain does not answer, his lips are pale and still; |
| My father does not feel my arm, he has no pulse or will; |
| The ship is anchored safe and sound, its voyage closed and done; |
| From fearful trip the victor ship comes in with object won; |
| Exult, O shores! and ring, O bells! |
| But I, with mournful tread, |
| Walk the deck my Captain lies, |
| Fallen, cold and dead. |
| Walt Whitman. |
| For I dipt into the future, far as human eye could see, |
| Saw the Vision of the world, and all the wonder that would be; |
| Saw the heavens fill with commerce, argosies of magic sails, |
| Pilots of the purple twilight, dropping down with costly bales; |
| Heard the heavens fill with shouting, and there rained a ghastly dew |
| From the nations' airy navies grappling in the central blue; |
| Far along the world-wide whisper of the south-wind rushing warm, |
| With the standards of the peoples plunging through the thunderstorm; |
| Till the war-drum throbb'd no longer, and the battleflags were furl'd |
| In the Parliament of man, the Federation of the world. |
| There the common sense of most shall hold a fretful realm in awe, |
| And the kindly earth shall slumber, lapt in universal law. |
| Tennyson, "Locksley Hall," 1842. |
| The breaking waves dashed high |
| On a stern and rock-bound coast, |
| And the woods against a stormy sky |
| Their giant branches tossed; |
| And the heavy night hung dark |
| The hills and waters o'er, |
| When a band of exiles moored their bark |
| On the wild New England shore. |
| Not as the conqueror comes, |
| They, the true-hearted, came,— |
| Not with the roll of the stirring drums, |
| And the trumpet that sings of fame; |
| Not as the flying come, |
| In silence and in fear; |
| They shook the depths of the desert's gloom |
| With their hymns of lofty cheer. |
| Amidst the storms they sang; |
| And the stars heard, and the sea; |
| And the sounding aisles of the dim woods rang |
| To the anthem of the free. |
| The ocean eagle soared |
| From his nest by the white wave's foam; |
| And the rocking pines of the forest roared— |
| This was their welcome home! |
| There were men with hoary hair |
| Amidst that pilgrim band: |
| Why had they come to wither there |
| Away from their childhood's land? |
| There was woman's fearless eye, |
| Lit by her deep love's truth; |
| There was manhood's brow serenely high, |
| And the fiery heart of youth. |
| What sought they thus afar? |
| Bright jewels of the mine? |
| The wealth of seas, the spoils of war?— |
| They sought a faith's pure shrine. |
| Ay, call it holy ground,— |
| The soil where first they trod! |
| They have left unstained what there they found— |
| Freedom to worship God! |
| Felicia Hemans. |
| Once there was a little boy |
| Whose name was Robert Reese, |
| And every Friday afternoon |
| He had to speak a piece. |
| So many poems thus he learned |
| That soon he had a store |
| Of recitations in his head |
| And still kept learning more. |
| Now this it is what happened: |
| He was called upon one week |
| And totally forgot the piece |
| He was about to speak. |
| His brain he vainly cudgeled |
| But no word was in his head, |
| And so he spoke at random, |
| And this is what he said; |
| My beautiful, my beautiful, |
| Who standest proudly by, |
| It was the schooner Hesperus |
| The breaking waves dashed high. |
| Why is the Forum crowded? |
| What means this stir in Rome? |
| Under a spreading chestnut tree |
| There is no place like home. |
| When Freedom from her mountain height |
| Cried, "Twinkle, little star," |
| Shoot if you must this old gray head, |
| King Henry of Navarre. |
| If you're waking, call me early |
| To be or not to be, |
| Curfew must not ring to-night, |
| Oh, woodman, spare that tree. |
| Charge, Chester, Charge! On, Stanley, on! |
| And let who will be clever, |
| The boy stood on the burning deck |
| But I go on for ever. |
| The Kid has gone to the Colors |
| And we don't know what to say; |
| The Kid we have loved and cuddled |
| Stepped out for the Flag to-day. |
| We thought him a child, a baby |
| With never a care at all, |
| But his country called him man-size |
| And the Kid has heard the call. |
| He paused to watch the recruiting, |
| Where, fired by the fife and drum, |
| He bowed his head to Old Glory |
| And thought that it whispered: "Come!" |
| The Kid, not being a slacker, |
| Stood forth with patriot-joy |
| To add his name to the roster— |
| And God, we're proud of the boy! |
| The Kid has gone to the Colors; |
| It seems but a little while |
| Since he drilled a schoolboy army |
| In a truly martial style, |
| But now he's a man, a soldier, |
| And we lend him a listening ear, |
| For his heart is a heart all loyal, |
| Unscourged by the curse of fear. |
| His dad, when he told him, shuddered, |
| His mother—God bless her!—cried; |
| Yet, blest with a mother-nature, |
| She wept with a mother-pride, |
| But he whose old shoulders straightened |
| Was Granddad—for memory ran |
| To years when he, too, a youngster, |
| Was changed by the Flag to a man! |
| W.M. Herschell. |
| It's noon when Thirty-five is due, |
| An' she comes on time like a flash of light, |
| An' you hear her whistle "Too-tee-too!" |
| Long 'fore the pilot swings in sight. |
| Bill Madden's drivin' her in to-day, |
| An' he's calling his sweetheart far away— |
| Gertrude Hurd lives down by the mill; |
| You might see her blushin'; she knows it's Bill. |
| "Tudie, tudie! Toot-ee! Tudie, tudie! Tu!" |
| Six-five, A.M. there's a local comes, |
| Makes up at Bristol, runnin' east; |
| An' the way her whistle sings and hums |
| Is a livin' caution to man and beast. |
| Every one knows who Jack White calls,— |
| Little Lou Woodbury, down by the falls; |
| Summer or Winter, always the same, |
| She hears her lover callin' her name— |
| "Lou-ie! Lou-ie! Lou-iee!" |
| But at one fifty-one, old Sixty-four— |
| Boston express, runs east, clear through— |
| Drowns her rattle and rumble and roar |
| With the softest whistle that ever blew. |
| An' away on the furthest edge of town |
| Sweet Sue Winthrop's eyes of brown |
| Shine like the starlight, bright and clear, |
| When she hears the whistle of Abel Gear, |
| "You-oo! Su-u-u-u-u-e!" |
| Along at midnight a freight comes in, |
| Leaves Berlin sometime—I don't know when; |
| But it rumbles along with a fearful din |
| Till it reaches the Y-switch there and then |
| The clearest notes of the softest bell |
| That out of a brazen goblet fell |
| Wake Nellie Minton out of her dreams; |
| To her like a wedding-bell it seems— |
| "Nell, Nell, Nell! Nell, Nell, Nell!" |
| Tom Willson rides on the right-hand side, |
| Givin' her steam at every stride; |
| An' he touches the whistle, low an' clear, |
| For Lulu Gray on the hill, to hear— |
| "Lu-Lu! Loo-Loo! Loo-oo!" |
| So it goes all day an' all night |
| Till the old folks have voted the thing a bore; |
| Old maids and bachelors say it ain't right |
| For folks to do courtin' with such a roar. |
| But the engineers their kisses will blow |
| From a whistle valve to the girls they know, |
| An' stokers the name of their sweethearts tell; |
| With the "Too-too-too" and the swinging bell. |
| R.J. Burdette. |
| She stood at the bar of justice, |
| A creature wan and wild, |
| In form too small for a woman, |
| In features too old for a child; |
| For a look so worn and pathetic |
| Was stamped on her pale young face, |
| It seemed long years of suffering |
| Must have left that silent trace. |
| "Your name?" said the judge, as he eyed her |
| With kindly look yet keen,— |
| "Is Mary McGuire, if you please, sir." |
| And your age?"—"I am turned fifteen." |
| "Well, Mary," and then from a paper |
| He slowly and gravely read, |
| "You are charged here—I'm sorry to say it— |
| With stealing three loaves of bread. |
| "You look not like an offender, |
| And I hope that you can show |
| The charge to be false. Now, tell me, |
| Are you guilty of this, or no?" |
| A passionate burst of weeping |
| Was at first her sole reply. |
| But she dried her eyes in a moment, |
| And looked in the judge's eye. |
| "I will tell you just how it was, sir: |
| My father and mother are dead, |
| And my little brothers and sisters |
| Were hungry and asked me for bread. |
| At first I earned it for them |
| By working hard all day, |
| But somehow, times were bad, sir, |
| And the work all fell away. |
| "I could get no more employment. |
| The weather was bitter cold, |
| The young ones cried and shivered— |
| (Little Johnny's but four years old)— |
| So what was I to do, sir? |
| I am guilty, but do not condemn. |
| I took—oh, was it stealing?— |
| The bread to give to them." |
| Every man in the court-room— |
| Gray-beard and thoughtless youth— |
| Knew, as he looked upon her, |
| That the prisoner spake the truth; |
| Out from their pockets came kerchiefs, |
| Out from their eyes sprung tears, |
| And out from their old faded wallets |
| Treasures hoarded for years. |
| The judge's face was a study, |
| The strangest you ever saw, |
| As he cleared his throat and murmured |
| Something about the law; |
| For one so learned in such matters, |
| So wise in dealing with men, |
| He seemed, on a simple question, |
| Sorely puzzled, just then. |
| But no one blamed him or wondered, |
| When at last these words he heard, |
| "The sentence of this young prisoner |
| Is, for the present, deferred." |
| And no one blamed him or wondered |
| When he went to her and smiled |
| And tenderly led from the court-room, |
| Himself, the "guilty" child. |
| The sea! the sea! the open sea! |
| The blue, the fresh, the ever free! |
| Without a mark, without a bound, |
| It runneth the earth's wide regions round; |
| It plays with the clouds; it mocks the skies, |
| Or like a cradled creature lies. |
| I'm on the sea! I'm on the sea! |
| I am where I would ever be; |
| With the blue above and the blue below, |
| And silence wheresoe'er I go. |
| If a storm should come and awake the deep |
| What matter? I shall ride and sleep. |
| I love, oh, how I love to ride |
| On the fierce, foaming, bursting tide, |
| When every mad wave drowns the moon, |
| Or whistles aloud his tempest tune, |
| And tells how goeth the world below, |
| And why the southwest blasts do blow. |
| I never was on the dull, tame shore, |
| But I loved the great sea more and more, |
| And back I flew to her billowy breast, |
| Like a bird that seeketh its mother's nest; |
| And a mother she was, and is, to me, |
| For I was born on the open sea! |
| I've lived, since then, in calm and strife, |
| Full fifty summers a sailor's life, |
| With wealth to spend and a power to range, |
| But never have sought nor sighed for change; |
| And Death, whenever he comes to me, |
| Shall come on the wild, unbounded sea. |
| Barry Cornwall. |
| "I'm after axin', Biddy dear—" |
| And here he paused a while |
| To fringe his words the merest mite |
| With something of a smile— |
| A smile that found its image |
| In a face of beauteous mold, |
| Whose liquid eyes were peeping |
| From a broidery of gold. |
| "I've come to ax ye, Biddy dear, |
| If—" then he stopped again, |
| As if his heart had bubbled o'er |