The Project Gutenberg eBook of Mathilda, by Mary Wollstonecraft Shelley.

Mathilda is being published in paper as Extra Series #3 of Studies in Philology.

PREFACE

This volume prints for the first time the full text of Mary Shelley's novelette Mathilda together with the opening pages of its rough draft, The Fields of Fancy. They are transcribed from the microfilm of the notebooks belonging to Lord Abinger which is in the library of Duke University.

The text follows Mary Shelley's manuscript exactly except for the omission of mere corrections by the author, most of which are negligible; those that are significant are included and explained in the notes. Footnotes indicated by an asterisk are Mrs. Shelley's own notes. She was in general a fairly good speller, but certain words, especially those in which there was a question of doubling or not doubling a letter, gave her trouble: untill (though occasionally she deleted the final l or wrote the word correctly), agreable, occured, confering, buble, meaness, receeded, as well as hopless, lonly, seperate, extactic, sacrifise, desart, and words ending in -ance or -ence. These and other mispellings (even those of proper names) are reproduced without change or comment. The use of sic and of square brackets is reserved to indicate evident slips of the pen, obviously incorrect, unclear, or incomplete phrasing and punctuation, and my conjectures in emending them.

I am very grateful to the library of Duke University and to its librarian, Dr. Benjamin E. Powell, not only for permission to transcribe and publish this work by Mary Shelley but also for the many courtesies shown to me when they welcomed me as a visiting scholar in 1956. To Lord Abinger also my thanks are due for adding his approval of my undertaking, and to the Curators of the Bodleian Library for permiting me to use and to quote from the papers in the reserved Shelley Collection. Other libraries and individuals helped me while I was editing Mathilda: the Enoch Pratt Free Library of Baltimore, whose Literature and Reference Departments went to endless trouble for me; the Julia Rogers Library of Goucher College and its staff; the library of the University of Pennsylvania; Miss R. Glynn Grylls (Lady Mander); Professor Lewis Patton of Duke University; Professor Frederick L. Jones of the University of Pennsylvania; and many other persons who did me favors that seemed to them small but that to me were very great.

I owe much also to previous books by and about the Shelleys. Those to which I have referred more than once in the introduction and notes are here given with the abbreviated form which I have used:

Frederick L. Jones, ed. The Letters of Mary W. Shelley, 2 vols. Norman: University of Oklahoma Press, 1944 (Letters)

—— Mary Shelley's Journal. Norman: University of Oklahoma Press, 1947 (Journal)

Roger Ingpen and W.E. Peck, eds. The Complete Works of Percy Bysshe Shelley, Julian Edition, 10 vols. London, 1926-1930 (Julian Works)

Elizabeth Nitchie. Mary Shelley, Author of "Frankenstein." New Brunswick: Rutgers University Press, 1953 (Nitchie, Mary Shelley)

INTRODUCTION

Of all the novels and stories which Mary Wollstonecraft Shelley left in manuscript,^[i] only one novelette, Mathilda, is complete. It exists in both rough draft and final copy. In this story, as in all Mary Shelley's writing, there is much that is autobiographical: it would be hard to find a more self-revealing work. For an understanding of Mary's character, especially as she saw herself, and of her attitude toward Shelley and toward Godwin in 1819, this tale is an important document. Although the main narrative, that of the father's incestuous love for his daughter, his suicide, and Mathilda's consequent withdrawal from society to a lonely heath, is not in any real sense autobiographical, many elements in it are drawn from reality. The three main characters are clearly Mary herself, Godwin, and Shelley, and their relations can easily be reassorted to correspond with actuality.

Highly personal as the story was, Mary Shelley hoped that it would be published, evidently believing that the characters and the situations were sufficiently disguised. In May of 1820 she sent it to England by her friends, the Gisbornes, with a request that her father would arrange for its publication. But Mathilda, together with its rough draft entitled The Fields of Fancy, remained unpublished among the Shelley papers. Although Mary's references to it in her letters and journal aroused some curiosity among scholars, it also remained unexamined until comparatively recently.

This seeming neglect was due partly to the circumstances attending the distribution of the family papers after the deaths of Sir Percy and Lady Shelley. One part of them went to the Bodleian Library to become a reserved collection which, by the terms of Lady Shelley's will, was opened to scholars only under definite restrictions. Another part went to Lady Shelley's niece and, in turn, to her heirs, who for a time did not make the manuscripts available for study. A third part went to Sir John Shelley-Rolls, the poet's grand-nephew, who released much important Shelley material, but not all the scattered manuscripts. In this division, the two notebooks containing the finished draft of Mathilda and a portion of The Fields of Fancy went to Lord Abinger, the notebook containing the remainder of the rough draft to the Bodleian Library, and some loose sheets containing additions and revisions to Sir John Shelley-Rolls. Happily all the manuscripts are now accessible to scholars, and it is possible to publish the full text of Mathilda with such additions from The Fields of Fancy as are significant.^[ii]

The three notebooks are alike in format.^[iii] One of Lord Abinger's notebooks contains the first part of The Fields of Fancy, Chapter 1 through the beginning of Chapter 10, 116 pages. The concluding portion occupies the first fifty-four pages of the Bodleian notebook. There is then a blank page, followed by three and a half pages, scored out, of what seems to be a variant of the end of Chapter 1 and the beginning of Chapter 2. A revised and expanded version of the first part of Mathilda's narrative follows (Chapter 2 and the beginning of Chapter 3), with a break between the account of her girlhood in Scotland and the brief description of her father after his return. Finally there are four pages of a new opening, which was used in Mathilda. This is an extremely rough draft: punctuation is largely confined to the dash, and there are many corrections and alterations. The Shelley-Rolls fragments, twenty-five sheets or slips of paper, usually represent additions to or revisions of The Fields of Fancy: many of them are numbered, and some are keyed into the manuscript in Lord Abinger's notebook. Most of the changes were incorporated in Mathilda.

The second Abinger notebook contains the complete and final draft of Mathilda, 226 pages. It is for the most part a fair copy. The text is punctuated and there are relatively few corrections, most of them, apparently the result of a final rereading, made to avoid the repetition of words. A few additions are written in the margins. On several pages slips of paper containing evident revisions (quite possibly originally among the Shelley-Rolls fragments) have been pasted over the corresponding lines of the text. An occasional passage is scored out and some words and phrases are crossed out to make way for a revision. Following page 216, four sheets containing the conclusion of the story are cut out of the notebook. They appear, the pages numbered 217 to 223, among the Shelley-Rolls fragments. A revised version, pages 217 to 226, follows the cut.^[iv]

The mode of telling the story in the final draft differs radically from that in the rough draft. In The Fields of Fancy Mathilda's history is set in a fanciful framework. The author is transported by the fairy Fantasia to the Elysian Fields, where she listens to the discourse of Diotima and meets Mathilda. Mathilda tells her story, which closes with her death. In the final draft this unrealistic and largely irrelevant framework is discarded: Mathilda, whose death is approaching, writes out for her friend Woodville the full details of her tragic history which she had never had the courage to tell him in person.

The title of the rough draft, The Fields of Fancy, and the setting and framework undoubtedly stem from Mary Wollstonecraft's unfinished tale, The Cave of Fancy, in which one of the souls confined in the center of the earth to purify themselves from the dross of their earthly existence tells to Sagesta (who may be compared with Diotima) the story of her ill-fated love for a man whom she hopes to rejoin after her purgation is completed.^[v] Mary was completely familiar with her mother's works. This title was, of course, abandoned when the framework was abandoned, and the name of the heroine was substituted. Though it is worth noticing that Mary chose a name with the same initial letter as her own, it was probably taken from Dante. There are several references in the story to the cantos of the Purgatorio in which Mathilda appears. Mathilda's father is never named, nor is Mathilda's surname given. The name of the poet went through several changes: Welford, Lovel, Herbert, and finally Woodville.

The evidence for dating Mathilda in the late summer and autumn of 1819 comes partly from the manuscript, partly from Mary's journal. On the pages succeeding the portions of The Fields of Fancy in the Bodleian notebook are some of Shelley's drafts of verse and prose, including parts of Prometheus Unbound and of Epipsychidion, both in Italian, and of the preface to the latter in English, some prose fragments, and extended portions of the Defence of Poetry. Written from the other end of the book are the Ode to Naples and The Witch of Atlas. Since these all belong to the years 1819, 1820, and 1821, it is probable that Mary finished her rough draft some time in 1819, and that when she had copied her story, Shelley took over the notebook. Chapter 1 of Mathilda in Lord Abinger's notebook is headed, "Florence Nov. 9th. 1819." Since the whole of Mathilda's story takes place in England and Scotland, the date must be that of the manuscript. Mary was in Florence at that time.

These dates are supported by entries in Mary's journal which indicate that she began writing Mathilda, early in August, while the Shelleys were living in the Villa Valosano, near Leghorn. On August 4, 1819, after a gap of two months from the time of her little son's death, she resumed her diary. Almost every day thereafter for a month she recorded, "Write," and by September 4, she was saying, "Copy." On September 12 she wrote, "Finish copying my Tale." The next entry to indicate literary activity is the one word, "write," on November 8. On the 12th Percy Florence was born, and Mary did no more writing until March, when she was working on Valperga. It is probable, therefore, that Mary wrote and copied Mathilda between August 5 and September 12, 1819, that she did some revision on November 8 and finally dated the manuscript November 9.

The subsequent history of the manuscript is recorded in letters and journals. When the Gisbornes went to England on May 2, 1820, they took Mathilda with them; they read it on the journey and recorded their admiration of it in their journal.^[vi] They were to show it to Godwin and get his advice about publishing it. Although Medwin heard about the story when he was with the Shelleys in 1820 ^[vii] and Mary read it—perhaps from the rough draft—to Edward and Jane Williams in the summer of 1821,^[viii] this manuscript apparently stayed in Godwin's hands. He evidently did not share the Gisbornes' enthusiasm: his approval was qualified. He thought highly of certain parts of it, less highly of others; and he regarded the subject as "disgusting and detestable," saying that the story would need a preface to prevent readers "from being tormented by the apprehension ... of the fall of the heroine,"—that is, if it was ever published.^[ix] There is, however, no record of his having made any attempt to get it into print. From January 18 through June 2, 1822, Mary repeatedly asked Mrs. Gisborne to retrieve the manuscript and have it copied for her, and Mrs. Gisborne invariably reported her failure to do so. The last references to the story are after Shelley's death in an unpublished journal entry and two of Mary's letters. In her journal for October 27, 1822, she told of the solace for her misery she had once found in writing Mathilda. In one letter to Mrs. Gisborne she compared the journey of herself and Jane to Pisa and Leghorn to get news of Shelley and Williams to that of Mathilda in search of her father, "driving—(like Matilda), towards the sea to learn if we were to be for ever doomed to misery."^[x] And on May 6, 1823, she wrote, "Matilda foretells even many small circumstances most truly—and the whole of it is a monument of what now is."^[xi]

These facts not only date the manuscript but also show Mary's feeling of personal involvement in the story. In the events of 1818-1819 it is possible to find the basis for this morbid tale and consequently to assess its biographical significance.

On September 24, 1818, the Shelleys' daughter, Clara Everina, barely a year old, died at Venice. Mary and her children had gone from Bagni di Lucca to Este to join Shelley at Byron's villa. Clara was not well when they started, and she grew worse on the journey. From Este Shelley and Mary took her to Venice to consult a physician, a trip which was beset with delays and difficulties. She died almost as soon as they arrived. According to Newman Ivey White,^[xii] Mary, in the unreasoning agony of her grief, blamed Shelley for the child's death and for a time felt toward him an extreme physical antagonism which subsided into apathy and spiritual alienation. Mary's black moods made her difficult to live with, and Shelley himself fell into deep dejection. He expressed his sense of their estrangement in some of the lyrics of 1818—"all my saddest poems." In one fragment of verse, for example, he lamented that Mary had left him "in this dreary world alone."

Professor White believed that Shelley recorded this estrangement only "in veiled terms" in Julian and Maddalo or in poems that he did not show to Mary, and that Mary acknowledged it only after Shelley's death, in her poem "The Choice" and in her editorial notes on his poems of that year. But this unpublished story, written after the death of their other child William, certainly contains, though also in veiled terms, Mary's immediate recognition and remorse. Mary well knew, I believe, what she was doing to Shelley. In an effort to purge her own emotions and to acknowledge her fault, she poured out on the pages of Mathilda the suffering and the loneliness, the bitterness and the self-recrimination of the past months.

The biographical elements are clear: Mathilda is certainly Mary herself; Mathilda's father is Godwin; Woodville is an idealized Shelley.

Like Mathilda Mary was a woman of strong passions and affections which she often hid from the world under a placid appearance. Like Mathilda's, Mary's mother had died a few days after giving her birth. Like Mathilda she spent part of her girlhood in Scotland. Like Mathilda she met and loved a poet of "exceeding beauty," and—also like Mathilda—in that sad year she had treated him ill, having become "captious and unreasonable" in her sorrow. Mathilda's loneliness, grief, and remorse can be paralleled in Mary's later journal and in "The Choice." This story was the outlet for her emotions in 1819.

Woodville, the poet, is virtually perfect, "glorious from his youth," like "an angel with winged feet"—all beauty, all goodness, all gentleness. He is also successful as a poet, his poem written at the age of twenty-three having been universally acclaimed. Making allowance for Mary's exaggeration and wishful thinking, we easily recognize Shelley: Woodville has his poetic ideals, the charm of his conversation, his high moral qualities, his sense of dedication and responsibility to those he loved and to all humanity. He is Mary's earliest portrait of her husband, drawn in a year when she was slowly returning to him from "the hearth of pale despair."

The early circumstances and education of Godwin and of Mathilda's father were different. But they produced similar men, each extravagant, generous, vain, dogmatic. There is more of Godwin in this tale than the account of a great man ruined by character and circumstance. The relationship between father and daughter, before it was destroyed by the father's unnatural passion, is like that between Godwin and Mary. She herself called her love for him "excessive and romantic."^[xiii] She may well have been recording, in Mathilda's sorrow over her alienation from her father and her loss of him by death, her own grief at a spiritual separation from Godwin through what could only seem to her his cruel lack of sympathy. He had accused her of being cowardly and insincere in her grief over Clara's death ^[xiv] and later he belittled her loss of William.^[xv] He had also called Shelley "a disgraceful and flagrant person" because of Shelley's refusal to send him more money.^[xvi] No wonder if Mary felt that, like Mathilda, she had lost a beloved but cruel father.

Thus Mary took all the blame for the rift with Shelley upon herself and transferred the physical alienation to the break in sympathy with Godwin. That she turned these facts into a story of incest is undoubtedly due to the interest which she and Shelley felt in the subject at this time. They regarded it as a dramatic and effective theme. In August of 1819 Shelley completed The Cenci. During its progress he had talked over with Mary the arrangement of scenes; he had even suggested at the outset that she write the tragedy herself. And about a year earlier he had been urging upon her a translation of Alfieri's Myrrha. Thomas Medwin, indeed, thought that the story which she was writing in 1819 was specifically based on Myrrha. That she was thinking of that tragedy while writing Mathilda is evident from her effective use of it at one of the crises in the tale. And perhaps she was remembering her own handling of the theme when she wrote the biographical sketch of Alfieri for Lardner's Cabinet Cyclopaedia nearly twenty years later. She then spoke of the difficulties inherent in such a subject, "inequality of age adding to the unnatural incest. To shed any interest over such an attachment, the dramatist ought to adorn the father with such youthful attributes as would be by no means contrary to probability."^[xvii] This she endeavored to do in Mathilda (aided indeed by the fact that the situation was the reverse of that in Myrrha). Mathilda's father was young: he married before he was twenty. When he returned to Mathilda, he still showed "the ardour and freshness of feeling incident to youth." He lived in the past and saw his dead wife reincarnated in his daughter. Thus Mary attempts to validate the situation and make it "by no means contrary to probability."

Mathilda offers a good example of Mary Shelley's methods of revision. A study of the manuscript shows that she was a careful workman, and that in polishing this bizarre story she strove consistently for greater credibility and realism, more dramatic (if sometimes melodramatic) presentation of events, better motivation, conciseness, and exclusion of purple passages. In the revision and rewriting, many additions were made, so that Mathilda is appreciably longer than The Fields of Fancy. But the additions are usually improvements: a much fuller account of Mathilda's father and mother and of their marriage, which makes of them something more than lay figures and to a great extent explains the tragedy; development of the character of the Steward, at first merely the servant who accompanies Mathilda in her search for her father, into the sympathetic confidant whose responses help to dramatise the situation; an added word or short phrase that marks Mary Shelley's penetration into the motives and actions of both Mathilda and her father. Therefore Mathilda does not impress the reader as being longer than The Fields of Fancy because it better sustains his interest. And with all the additions there are also effective omissions of the obvious, of the tautological, of the artificially elaborate.^[xviii]

The finished draft, Mathilda, still shows Mary Shelley's faults as a writer: verbosity, loose plotting, somewhat stereotyped and extravagant characterization. The reader must be tolerant of its heroine's overwhelming lamentations. But she is, after all, in the great tradition of romantic heroines: she compares her own weeping to that of Boccaccio's Ghismonda over the heart of Guiscardo. If the reader can accept Mathilda on her own terms, he will find not only biographical interest in her story but also intrinsic merits: a feeling for character and situation and phrasing that is often vigorous and precise.

MATHILDA ^[1]

CHAP. I

It is only four o'clock; but it is winter and the sun has already set: there are no clouds in the clear, frosty sky to reflect its slant beams, but the air itself is tinged with a slight roseate colour which is again reflected on the snow that covers the ground. I live in a lone cottage on a solitary, wide heath: no voice of life reaches me. I see the desolate plain covered with white, save a few black patches that the noonday sun has made at the top of those sharp pointed hillocks from which the snow, sliding as it fell, lay thinner than on the plain ground: a few birds are pecking at the hard ice that covers the pools—for the frost has been of long continuance.^[2]

I am in a strange state of mind.^[3] I am alone—quite alone—in the world—the blight of misfortune has passed over me and withered me; I know that I am about to die and I feel happy—joyous.—I feel my pulse; it beats fast: I place my thin hand on my cheek; it burns: there is a slight, quick spirit within me which is now emitting its last sparks. I shall never see the snows of another winter—I do believe that I shall never again feel the vivifying warmth of another summer sun; and it is in this persuasion that I begin to write my tragic history. Perhaps a history such as mine had better die with me, but a feeling that I cannot define leads me on and I am too weak both in body and mind to resist the slightest impulse. While life was strong within me I thought indeed that there was a sacred horror in my tale that rendered it unfit for utterance, and now about to die I pollute its mystic terrors. It is as the wood of the Eumenides none but the dying may enter; and Oedipus is about to die.^[4]

What am I writing?—I must collect my thoughts. I do not know that any will peruse these pages except you, my friend, who will receive them at my death. I do not address them to you alone because it will give me pleasure to dwell upon our friendship in a way that would be needless if you alone read what I shall write. I shall relate my tale therefore as if I wrote for strangers. You have often asked me the cause of my solitary life; my tears; and above all of my impenetrable and unkind silence. In life I dared not; in death I unveil the mystery. Others will toss these pages lightly over: to you, Woodville, kind, affectionate friend, they will be dear—the precious memorials of a heart-broken girl who, dying, is still warmed by gratitude towards you:^[5] your tears will fall on the words that record my misfortunes; I know they will—and while I have life I thank you for your sympathy.

But enough of this. I will begin my tale: it is my last task, and I hope I have strength sufficient to fulfill it. I record no crimes; my faults may easily be pardoned; for they proceeded not from evil motive but from want of judgement; and I believe few would say that they could, by a different conduct and superior wisdom, have avoided the misfortunes to which I am the victim. My fate has been governed by necessity, a hideous necessity. It required hands stronger than mine; stronger I do believe than any human force to break the thick, adamantine chain that has bound me, once breathing nothing but joy, ever possessed by a warm love & delight in goodness,—to misery only to be ended, and now about to be ended, in death. But I forget myself, my tale is yet untold. I will pause a few moments, wipe my dim eyes, and endeavour to lose the present obscure but heavy feeling of unhappiness in the more acute emotions of the past.^[6]

I was born in England. My father was a man of rank:^[7] he had lost his father early, and was educated by a weak mother with all the indulgence she thought due to a nobleman of wealth. He was sent to Eton and afterwards to college; & allowed from childhood the free use of large sums of money; thus enjoying from his earliest youth the independance which a boy with these advantages, always acquires at a public school.

Under the influence of these circumstances his passions found a deep soil wherein they might strike their roots and flourish either as flowers or weeds as was their nature. By being always allowed to act for himself his character became strongly and early marked and exhibited a various surface on which a quick sighted observer might see the seeds of virtues and of misfortunes. His careless extravagance, which made him squander immense sums of money to satisfy passing whims, which from their apparent energy he dignified with the name of passions, often displayed itself in unbounded generosity. Yet while he earnestly occupied himself about the wants of others his own desires were gratified to their fullest extent. He gave his money, but none of his own wishes were sacrifised to his gifts; he gave his time, which he did not value, and his affections which he was happy in any manner to have called into action.

I do not say that if his own desires had been put in competition with those of others that he would have displayed undue selfishness, but this trial was never made. He was nurtured in prosperity and attended by all its advantages; every one loved him and wished to gratify him. He was ever employed in promoting the pleasures of his companions—but their pleasures were his; and if he bestowed more attention upon the feelings of others than is usual with schoolboys it was because his social temper could never enjoy itself if every brow was not as free from care as his own.

While at school, emulation and his own natural abilities made him hold a conspicuous rank in the forms among his equals; at college he discarded books; he believed that he had other lessons to learn than those which they could teach him. He was now to enter into life and he was still young enough to consider study as a school-boy shackle, employed merely to keep the unruly out of mischief but as having no real connexion with life—whose wisdom of riding—gaming &c. he considered with far deeper interest—So he quickly entered into all college follies although his heart was too well moulded to be contaminated by them—it might be light but it was never cold. He was a sincere and sympathizing friend—but he had met with none who superior or equal to himself could aid him in unfolding his mind, or make him seek for fresh stores of thought by exhausting the old ones. He felt himself superior in quickness of judgement to those around him: his talents, his rank and wealth made him the chief of his party, and in that station he rested not only contented but glorying, conceiving it to be the only ambition worthy for him to aim at in the world.

By a strange narrowness of ideas he viewed all the world in connexion only as it was or was not related to his little society. He considered queer and out of fashion all opinions that were exploded by his circle of intimates, and he became at the same time dogmatic and yet fearful of not coinciding with the only sentiments he could consider orthodox. To the generality of spectators he appeared careless of censure, and with high disdain to throw aside all dependance on public prejudices; but at the same time that he strode with a triumphant stride over the rest of the world, he cowered, with self disguised lowliness, to his own party, and although its [chi]ef never dared express an opinion or a feeling until he was assured that it would meet with the approbation of his companions.

Yet he had one secret hidden from these dear friends; a secret he had nurtured from his earliest years, and although he loved his fellow collegiates he would not trust it to the delicacy or sympathy of any one among them. He loved. He feared that the intensity of his passion might become the subject of their ridicule; and he could not bear that they should blaspheme it by considering that trivial and transitory which he felt was the life of his life.

There was a gentleman of small fortune who lived near his family mansion who had three lovely daughters. The eldest was far the most beautiful, but her beauty was only an addition to her other qualities—her understanding was clear & strong and her disposition angelically gentle. She and my father had been playmates from infancy: Diana, even in her childhood had been a favourite with his mother; this partiality encreased with the years of this beautiful and lively girl and thus during his school & college vacations ^[8] they were perpetually together. Novels and all the various methods by which youth in civilized life are led to a knowledge of the existence of passions before they really feel them, had produced a strong effect on him who was so peculiarly susceptible of every impression. At eleven years of age Diana was his favourite playmate but he already talked the language of love. Although she was elder than he by nearly two years the nature of her education made her more childish at least in the knowledge and expression of feeling; she received his warm protestations with innocence, and returned them unknowing of what they meant. She had read no novels and associated only with her younger sisters, what could she know of the difference between love and friendship? And when the development of her understanding disclosed the true nature of this intercourse to her, her affections were already engaged to her friend, and all she feared was lest other attractions and fickleness might make him break his infant vows.

But they became every day more ardent and tender. It was a passion that had grown with his growth; it had become entwined with every faculty and every sentiment and only to be lost with life. None knew of their love except their own two hearts; yet although in all things else, and even in this he dreaded the censure of his companions, for thus truly loving one inferior to him in fortune, nothing was ever able for a moment to shake his purpose of uniting himself to her as soon as he could muster courage sufficient to meet those difficulties he was determined to surmount.

Diana was fully worthy of his deepest affection. There were few who could boast of so pure a heart, and so much real humbleness of soul joined to a firm reliance on her own integrity and a belief in that of others. She had from her birth lived a retired life. She had lost her mother when very young, but her father had devoted himself to the care of her education—He had many peculiar ideas which influenced the system he had adopted with regard to her—She was well acquainted with the heroes of Greece and Rome or with those of England who had lived some hundred years ago, while she was nearly ignorant of the passing events of the day: she had read few authors who had written during at least the last fifty years but her reading with this exception was very extensive. Thus although she appeared to be less initiated in the mysteries of life and society than he her knowledge was of a deeper kind and laid on firmer foundations; and if even her beauty and sweetness had not fascinated him her understanding would ever have held his in thrall. He looked up to her as his guide, and such was his adoration that he delighted to augment to his own mind the sense of inferiority with which she sometimes impressed him.^[9]

When he was nineteen his mother died. He left college on this event and shaking off for a while his old friends he retired to the neighbourhood of his Diana and received all his consolation from her sweet voice and dearer caresses. This short seperation from his companions gave him courage to assert his independance. He had a feeling that however they might express ridicule of his intended marriage they would not dare display it when it had taken place; therefore seeking the consent of his guardian which with some difficulty he obtained, and of the father of his mistress which was more easily given, without acquainting any one else of his intention, by the time he had attained his twentieth birthday he had become the husband of Diana.

He loved her with passion and her tenderness had a charm for him that would not permit him to think of aught but her. He invited some of his college friends to see him but their frivolity disgusted him. Diana had torn the veil which had before kept him in his boyhood: he was become a man and he was surprised how he could ever have joined in the cant words and ideas of his fellow collegiates or how for a moment he had feared the censure of such as these. He discarded his old friendships not from fickleness but because they were indeed unworthy of him. Diana filled up all his heart: he felt as if by his union with her he had received a new and better soul. She was his monitress as he learned what were the true ends of life. It was through her beloved lessons that he cast off his old pursuits and gradually formed himself to become one among his fellow men; a distinguished member of society, a Patriot; and an enlightened lover of truth and virtue.—He loved her for her beauty and for her amiable disposition but he seemed to love her more for what he considered her superior wisdom. They studied, they rode together; they were never seperate and seldom admitted a third to their society.

Thus my father, born in affluence, and always prosperous, clombe without the difficulty and various disappointments that all human beings seem destined to encounter, to the very topmost pinacle of happiness: Around him was sunshine, and clouds whose shapes of beauty made the prospect divine concealed from him the barren reality which lay hidden below them. From this dizzy point he was dashed at once as he unawares congratulated himself on his felicity. Fifteen months after their marriage I was born, and my mother died a few days after my birth.

A sister of my father was with him at this period. She was nearly fifteen years older than he, and was the offspring of a former marriage of his father. When the latter died this sister was taken by her maternal relations: they had seldom seen one another, and were quite unlike in disposition. This aunt, to whose care I was afterwards consigned, has often related to me the effect that this catastrophe had on my father's strong and susceptible character. From the moment of my mother's death untill his departure she never heard him utter a single word: buried in the deepest melancholy he took no notice of any one; often for hours his eyes streamed tears or a more fearful gloom overpowered him. All outward things seemed to have lost their existence relatively to him and only one circumstance could in any degree recall him from his motionless and mute despair: he would never see me. He seemed insensible to the presence of any one else, but if, as a trial to awaken his sensibility, my aunt brought me into the room he would instantly rush out with every symptom of fury and distraction. At the end of a month he suddenly quitted his house and, unatteneded [sic] by any servant, departed from that part of the country without by word or writing informing any one of his intentions. My aunt was only relieved of her anxiety concerning his fate by a letter from him dated Hamburgh.

How often have I wept over that letter which untill I was sixteen was the only relick I had to remind me of my parents. "Pardon me," it said, "for the uneasiness I have unavoidably given you: but while in that unhappy island, where every thing breathes her spirit whom I have lost for ever, a spell held me. It is broken: I have quitted England for many years, perhaps for ever. But to convince you that selfish feeling does not entirely engross me I shall remain in this town untill you have made by letter every arrangement that you judge necessary. When I leave this place do not expect to hear from me: I must break all ties that at present exist. I shall become a wanderer, a miserable outcast—alone! alone!"—In another part of the letter he mentioned me—"As for that unhappy little being whom I could not see, and hardly dare mention, I leave her under your protection. Take care of her and cherish her: one day I may claim her at your hands; but futurity is dark, make the present happy to her."

My father remained three months at Hamburgh; when he quitted it he changed his name, my aunt could never discover that which he adopted and only by faint hints, could conjecture that he had taken the road of Germany and Hungary to Turkey.^[10]

Thus this towering spirit who had excited interest and high expectation in all who knew and could value him became at once, as it were, extinct. He existed from this moment for himself only. His friends remembered him as a brilliant vision which would never again return to them. The memory of what he had been faded away as years passed; and he who before had been as a part of themselves and of their hopes was now no longer counted among the living.

CHAPTER II

I now come to my own story. During the early part of my life there is little to relate, and I will be brief; but I must be allowed to dwell a little on the years of my childhood that it may be apparent how when one hope failed all life was to be a blank; and how when the only affection I was permitted to cherish was blasted my existence was extinguished with it.

I have said that my aunt was very unlike my father. I believe that without the slightest tinge of a bad heart she had the coldest that ever filled a human breast: it was totally incapable of any affection. She took me under her protection because she considered it her duty; but she had too long lived alone and undisturbed by the noise and prattle of children to allow that I should disturb her quiet. She had never been married; and for the last five years had lived perfectly alone on an estate, that had descended to her through her mother, on the shores of Loch Lomond in Scotland. My father had expressed a wish in his letters that she should reside with me at his family mansion which was situated in a beautiful country near Richmond in Yorkshire. She would not consent to this proposition, but as soon as she had arranged the affairs which her brother's departure had caused to fall to her care, she quitted England and took me with her to her scotch estate.

The care of me while a baby, and afterwards untill I had reached my eighth year devolved on a servant of my mother's, who had accompanied us in our retirement for that purpose. I was placed in a remote part of the house, and only saw my aunt at stated hours. These occurred twice a day; once about noon she came to my nursery, and once after her dinner I was taken to her. She never caressed me, and seemed all the time I staid in the room to fear that I should annoy her by some childish freak. My good nurse always schooled me with the greatest care before she ventured into the parlour—and the awe my aunt's cold looks and few constrained words inspired was so great that I seldom disgraced her lessons or was betrayed from the exemplary stillness which I was taught to observe during these short visits.^[11]

Under my good nurse's care I ran wild about our park and the neighbouring fields. The offspring of the deepest love I displayed from my earliest years the greatest sensibility of disposition. I cannot say with what passion I loved every thing even the inanimate objects that surrounded me. I believe that I bore an individual attachment to every tree in our park; every animal that inhabited it knew me and I loved them. Their occasional deaths filled my infant heart with anguish. I cannot number the birds that I have saved during the long and severe winters of that climate; or the hares and rabbits that I have defended from the attacks of our dogs, or have nursed when accidentally wounded.

When I was seven years of age my nurse left me. I now forget the cause of her departure if indeed I ever knew it. She returned to England, and the bitter tears she shed at parting were the last I saw flow for love of me for many years. My grief was terrible: I had no friend but her in the whole world. By degrees I became reconciled to solitude but no one supplied her place in my affections. I lived in a desolate country where

It is true that I now saw a little more of my aunt, but she was in every way an unsocial being; and to a timid child she was as a plant beneath a thick covering of ice; I should cut my hands in endeavouring to get at it. So I was entirely thrown upon my own resourses. The neighbouring minister was engaged to give me lessons in reading, writing and french, but he was without family and his manners even to me were always perfectly characteristic of the profession in the exercise of whose functions he chiefly shone, that of a schoolmaster. I sometimes strove to form friendships with the most attractive of the girls who inhabited the neighbouring village; but I believe I should never have succeeded [even] had not my aunt interposed her authority to prevent all intercourse between me and the peasantry; for she was fearful lest I should acquire the scotch accent and dialect; a little of it I had, although great pains was taken that my tongue should not disgrace my English origin.

As I grew older my liberty encreased with my desires, and my wanderings extended from our park to the neighbouring country. Our house was situated on the shores of the lake and the lawn came down to the water's edge. I rambled amidst the wild scenery of this lovely country and became a complete mountaineer: I passed hours on the steep brow of a mountain that overhung a waterfall or rowed myself in a little skiff to some one of the islands. I wandered for ever about these lovely solitudes, gathering flower after flower

singing as I might the wild melodies of the country, or occupied by pleasant day dreams. My greatest pleasure was the enjoyment of a serene sky amidst these verdant woods: yet I loved all the changes of Nature; and rain, and storm, and the beautiful clouds of heaven brought their delights with them. When rocked by the waves of the lake my spirits rose in triumph as a horseman feels with pride the motions of his high fed steed.

But my pleasures arose from the contemplation of nature alone, I had no companion: my warm affections finding no return from any other human heart were forced to run waste on inanimate objects.^[12] Sometimes indeed I wept when my aunt received my caresses with repulsive coldness, and when I looked round and found none to love; but I quickly dried my tears. As I grew older books in some degree supplied the place of human intercourse: the library of my aunt was very small; Shakespear, Milton, Pope and Cowper were the strangley [sic] assorted poets of her collection; and among the prose authors a translation of Livy and Rollin's ancient history were my chief favourites although as I emerged from childhood I found others highly interesting which I had before neglected as dull.

When I was twelve years old it occurred to my aunt that I ought to learn music; she herself played upon the harp. It was with great hesitation that she persuaded herself to undertake my instruction; yet believing this accomplishment a necessary part of my education, and balancing the evils of this measure or of having some one in the house to instruct me she submitted to the inconvenience. A harp was sent for that my playing might not interfere with hers, and I began: she found me a docile and when I had conquered the first rudiments a very apt scholar. I had acquired in my harp a companion in rainy days; a sweet soother of my feelings when any untoward accident ruffled them: I often addressed it as my only friend; I could pour forth to it my hopes and loves, and I fancied that its sweet accents answered me. I have now mentioned all my studies.

I was a solitary being, and from my infant years, ever since my dear nurse left me, I had been a dreamer. I brought Rosalind and Miranda and the lady of Comus to life to be my companions, or on my isle acted over their parts imagining myself to be in their situations. Then I wandered from the fancies of others and formed affections and intimacies with the aerial creations of my own brain—but still clinging to reality I gave a name to these conceptions and nursed them in the hope of realization. I clung to the memory of my parents; my mother I should never see, she was dead: but the idea of [my] unhappy, wandering father was the idol of my imagination. I bestowed on him all my affections; there was a miniature of him that I gazed on continually; I copied his last letter and read it again and again. Sometimes it made me weep; and at other [times] I repeated with transport those words,—"One day I may claim her at your hands." I was to be his consoler, his companion in after years. My favourite vision was that when I grew up I would leave my aunt, whose coldness lulled my conscience, and disguised like a boy I would seek my father through the world. My imagination hung upon the scene of recognition; his miniature, which I should continually wear exposed on my breast, would be the means and I imaged the moment to my mind a thousand and a thousand times, perpetually varying the circumstances. Sometimes it would be in a desart; in a populous city; at a ball; we should perhaps meet in a vessel; and his first words constantly were, "My daughter, I love thee"! What extactic moments have I passed in these dreams! How many tears I have shed; how often have I laughed aloud.^[13]

This was my life for sixteen years. At fourteen and fifteen I often thought that the time was come when I should commence my pilgrimage, which I had cheated my own mind into believing was my imperious duty: but a reluctance to quit my Aunt; a remorse for the grief which, I could not conceal from myself, I should occasion her for ever withheld me. Sometimes when I had planned the next morning for my escape a word of more than usual affection from her lips made me postpone my resolution. I reproached myself bitterly for what I called a culpable weakness; but this weakness returned upon me whenever the critical moment approached, and I never found courage to depart.^[14]

CHAPTER III

It was on my sixteenth birthday that my aunt received a letter from my father. I cannot describe the tumult of emotions that arose within me as I read it. It was dated from London; he had returned!^[15] I could only relieve my transports by tears, tears of unmingled joy. He had returned, and he wrote to know whether my aunt would come to London or whether he should visit her in Scotland. How delicious to me were the words of his letter that concerned me: "I cannot tell you," it said, "how ardently I desire to see my Mathilda. I look on her as the creature who will form the happiness of my future life: she is all that exists on earth that interests me. I can hardly prevent myself from hastening immediately to you but I am necessarily detained a week and I write because if you come here I may see you somewhat sooner." I read these words with devouring eyes; I kissed them, wept over them and exclaimed, "He will love me!"—

My aunt would not undertake so long a journey, and in a fortnight we had another letter from my father, it was dated Edinburgh: he wrote that he should be with us in three days. "As he approached his desire of seeing me," he said, "became more and more ardent, and he felt that the moment when he should first clasp me in his arms would be the happiest of his life."

How irksome were these three days to me! All sleep and appetite fled from me; I could only read and re-read his letter, and in the solitude of the woods imagine the moment of our meeting. On the eve of the third day I retired early to my room; I could not sleep but paced all night about my chamber and, as you may in Scotland at midsummer, watched the crimson track of the sun as it almost skirted the northern horizon. At day break I hastened to the woods; the hours past on while I indulged in wild dreams that gave wings to the slothful steps of time, and beguiled my eager impatience. My father was expected at noon but when I wished to return to me[e]t him I found that I had lost my way: it seemed that in every attempt to find it I only became more involved in the intracacies of the woods, and the trees hid all trace by which I might be guided.^[16] I grew impatient, I wept; [sic] and wrung my hands but still I could not discover my path.

It was past two o'clock when by a sudden turn I found myself close to the lake near a cove where a little skiff was moored—It was not far from our house and I saw my father and aunt walking on the lawn. I jumped into the boat, and well accustomed to such feats, I pushed it from shore, and exerted all my strength to row swiftly across. As I came, dressed in white, covered only by my tartan rachan, my hair streaming on my shoulders, and shooting across with greater speed that it could be supposed I could give to my boat, my father has often told me that I looked more like a spirit than a human maid. I approached the shore, my father held the boat, I leapt lightly out, and in a moment was in his arms.

And now I began to live. All around me was changed from a dull uniformity to the brightest scene of joy and delight. The happiness I enjoyed in the company of my father far exceeded my sanguine expectations. We were for ever together; and the subjects of our conversations were inexhaustible. He had passed the sixteen years of absence among nations nearly unknown to Europe; he had wandered through Persia, Arabia and the north of India and had penetrated among the habitations of the natives with a freedom permitted to few Europeans. His relations of their manners, his anecdotes and descriptions of scenery whiled away delicious hours, when we were tired of talking of our own plans of future life.

The voice of affection was so new to me that I hung with delight upon his words when he told me what he had felt concerning me during these long years of apparent forgetfulness. "At first"—said he, "I could not bear to think of my poor little girl; but afterwards as grief wore off and hope again revisited me I could only turn to her, and amidst cities and desarts her little fairy form, such as I imagined it, for ever flitted before me. The northern breeze as it refreshed me was sweeter and more balmy for it seemed to carry some of your spirit along with it. I often thought that I would instantly return and take you along with me to some fertile island where we should live at peace for ever. As I returned my fervent hopes were dashed by so many fears; my impatience became in the highest degree painful. I dared not think that the sun should shine and the moon rise not on your living form but on your grave. But, no, it is not so; I have my Mathilda, my consolation, and my hope."—

My father was very little changed from what he described himself to be before his misfortunes. It is intercourse with civilized society; it is the disappointment of cherished hopes, the falsehood of friends, or the perpetual clash of mean passions that changes the heart and damps the ardour of youthful feelings; lonly wanderings in a wild country among people of simple or savage manners may inure the body but will not tame the soul, or extinguish the ardour and freshness of feeling incident to youth. The burning sun of India, and the freedom from all restraint had rather encreased the energy of his character: before he bowed under, now he was impatient of any censure except that of his own mind. He had seen so many customs and witnessed so great a variety of moral creeds that he had been obliged to form an independant one for himself which had no relation to the peculiar notions of any one country: his early prejudices of course influenced his judgement in the formation of his principles, and some raw colledge ideas were strangely mingled with the deepest deductions of his penetrating mind.

The vacuity his heart endured of any deep interest in life during his long absence from his native country had had a singular effect upon his ideas. There was a curious feeling of unreality attached by him to his foreign life in comparison with the years of his youth. All the time he had passed out of England was as a dream, and all the interest of his soul[,] all his affections belonged to events which had happened and persons who had existed sixteen years before. It was strange when you heard him talk to see how he passed over this lapse of time as a night of visions; while the remembrances of his youth standing seperate as they did from his after life had lost none of their vigour. He talked of my Mother as if she had lived but a few weeks before; not that he expressed poignant grief, but his discription of her person, and his relation of all anecdotes connected with her was thus fervent and vivid.

In all this there was a strangeness that attracted and enchanted me. He was, as it were, now awakened from his long, visionary sleep, and he felt some what like one of the seven sleepers, or like Nourjahad,^[17] in that sweet imitation of an eastern tale: Diana was gone; his friends were changed or dead, and now on his awakening I was all that he had to love on earth.

How dear to me were the waters, and mountains, and woods of Loch Lomond now that I had so beloved a companion for my rambles. I visited with my father every delightful spot, either on the islands, or by the side of the tree-sheltered waterfalls; every shady path, or dingle entangled with underwood and fern. My ideas were enlarged by his conversation. I felt as if I were recreated and had about me all the freshness and life of a new being: I was, as it were, transported since his arrival from a narrow spot of earth into a universe boundless to the imagination and the understanding. My life had been before as a pleasing country rill, never destined to leave its native fields, but when its task was fulfilled quietly to be absorbed, and leave no trace. Now it seemed to me to be as a various river flowing through a fertile and lovely lanscape, ever changing and ever beautiful. Alas! I knew not the desart it was about to reach; the rocks that would tear its waters, and the hideous scene that would be reflected in a more distorted manner in its waves. Life was then brilliant; I began to learn to hope and what brings a more bitter despair to the heart than hope destroyed?

Is it not strange ^[18] that grief should quickly follow so divine a happiness? I drank of an enchanted cup but gall was at the bottom of its long drawn sweetness. My heart was full of deep affection, but it was calm from its very depth and fulness. I had no idea that misery could arise from love, and this lesson that all at last must learn was taught me in a manner few are obliged to receive it. I lament now, I must ever lament, those few short months of Paradisaical bliss; I disobeyed no command, I ate no apple, and yet I was ruthlessly driven from it. Alas! my companion did, and I was precipitated in his fall.^[19] But I wander from my relation—let woe come at its appointed time; I may at this stage of my story still talk of happiness.

Three months passed away in this delightful intercourse, when my aunt fell ill. I passed a whole month in her chamber nursing her, but her disease was mortal and she died, leaving me for some time inconsolable, Death is so dreadful to the living;^[20] the chains of habit are so strong even when affection does not link them that the heart must be agonized when they break. But my father was beside me to console me and to drive away bitter memories by bright hopes: methought that it was sweet to grieve that he might dry my tears.

Then again he distracted my thoughts from my sorrow by comparing it with his despair when he lost my mother. Even at that time I shuddered at the picture he drew of his passions: he had the imagination of a poet, and when he described the whirlwind that then tore his feelings he gave his words the impress of life so vividly that I believed while I trembled. I wondered how he could ever again have entered into the offices of life after his wild thoughts seemed to have given him affinity with the unearthly; while he spoke so tremendous were the ideas which he conveyed that it appeared as if the human heart were far too bounded for their conception. His feelings seemed better fitted for a spirit whose habitation is the earthquake and the volcano than for one confined to a mortal body and human lineaments. But these were merely memories; he was changed since then. He was now all love, all softness; and when I raised my eyes in wonder at him as he spoke the smile on his lips told me that his heart was possessed by the gentlest passions.

Two months after my aunt's death we removed to London where I was led by my father to attend to deeper studies than had before occupied me. My improvement was his delight; he was with me during all my studies and assisted or joined with me in every lesson. We saw a great deal of society, and no day passed that my father did not endeavour to embellish by some new enjoyment. The tender attachment that he bore me, and the love and veneration with which I returned it cast a charm over every moment. The hours were slow for each minute was employed; we lived more in one week than many do in the course of several months and the variety and novelty of our pleasures gave zest to each.

We perpetually made excursions together. And whether it were to visit beautiful scenery, or to see fine pictures, or sometimes for no object but to seek amusement as it might chance to arise, I was always happy when near my father. It was a subject of regret to me whenever we were joined by a third person, yet if I turned with a disturbed look towards my father, his eyes fixed on me and beaming with tenderness instantly restored joy to my heart. O, hours of intense delight! Short as ye were ye are made as long to me as a whole life when looked back upon through the mist of grief that rose immediately after as if to shut ye from my view. Alas! ye were the last of happiness that I ever enjoyed; a few, a very few weeks and all was destroyed. Like Psyche ^[21] I lived for awhile in an enchanted palace, amidst odours, and music, and every luxurious delight; when suddenly I was left on a barren rock; a wide ocean of despair rolled around me: above all was black, and my eyes closed while I still inhabited a universal death. Still I would not hurry on; I would pause for ever on the recollections of these happy weeks; I would repeat every word, and how many do I remember, record every enchantment of the faery habitation. But, no, my tale must not pause; it must be as rapid as was my fate,—I can only describe in short although strong expressions my precipitate and irremediable change from happiness to despair.^[22]

CHAPTER IV

Among our most assiduous visitors was a young man of rank, well informed, and agreable in his person. After we had spent a few weeks in London his attentions towards me became marked and his visits more frequent. I was too much taken up by my own occupations and feelings to attend much to this, and then indeed I hardly noticed more than the bare surface of events as they passed around me; but I now remember that my father was restless and uneasy whenever this person visited us, and when we talked together watched us with the greatest apparent anxiety although he himself maintained a profound silence. At length these obnoxious visits suddenly ceased altogether, but from that moment I must date the change of my father: a change that to remember makes me shudder and then filled me with the deepest grief. There were no degrees which could break my fall from happiness to misery; it was as the stroke of lightning—sudden and entire.^[23] Alas! I now met frowns where before I had been welcomed only with smiles: he, my beloved father, shunned me, and either treated me with harshness or a more heart-breaking coldness. We took no more sweet counsel together; and when I tried to win him again to me, his anger, and the terrible emotions that he exhibited drove me to silence and tears.

And this was sudden. The day before we had passed alone together in the country; I remember we had talked of future travels that we should undertake together—. There was an eager delight in our tones and gestures that could only spring from deep & mutual love joined to the most unrestrained confidence[;] and now the next day, the next hour, I saw his brows contracted, his eyes fixed in sullen fierceness on the ground, and his voice so gentle and so dear made me shiver when he addressed me. Often, when my wandering fancy brought by its various images now consolation and now aggravation of grief to my heart,^[24] I have compared myself to Proserpine who was gaily and heedlessly gathering flowers on the sweet plain of Enna, when the King of Hell snatched her away to the abodes of death and misery. Alas! I who so lately knew of nought but the joy of life; who had slept only to dream sweet dreams and awoke to incomparable happiness, I now passed my days and nights in tears. I who sought and had found joy in the love-breathing countenance of my father now when I dared fix on him a supplicating look it was ever answered by an angry frown. I dared not speak to him; and when sometimes I had worked up courage to meet him and to ask an explanation one glance at his face where a chaos of mighty passion seemed for ever struggling made me tremble and shrink to silence. I was dashed down from heaven to earth as a silly sparrow when pounced on by a hawk; my eyes swam and my head was bewildered by the sudden apparition of grief. Day after day ^[25] passed marked only by my complaints and my tears; often I lifted my soul in vain prayer for a softer descent from joy to woe, or if that were denied me that I might be allowed to die, and fade for ever under the cruel blast that swept over me,

Sometimes I said to myself, this is an enchantment, and I must strive against it. My father is blinded by some malignant vision which I must remove. And then, like David, I would try music to win the evil spirit from him; and once while singing I lifted my eyes towards him and saw his fixed on me and filled with tears; all his muscles seemed relaxed to softness. I sprung towards him with a cry of joy and would have thrown myself into his arms, but he pushed me roughly from him and left me. And even from this slight incident he contracted fresh gloom and an additional severity of manner.

There are many incidents that I might relate which shewed the diseased yet incomprehensible state of his mind; but I will mention one that occurred while we were in company with several other persons. On this occasion I chanced to say that I thought Myrrha the best of Alfieri's tragedies; as I said this I chanced to cast my eyes on my father and met his: for the first time the expression of those beloved eyes displeased me, and I saw with affright that his whole frame shook with some concealed emotion that in spite of his efforts half conquered him: as this tempest faded from his soul he became melancholy and silent. Every day some new scene occured and displayed in him a mind working as [it] were with an unknown horror that now he could master but which at times threatened to overturn his reason, and to throw the bright seat of his intelligence into a perpetual chaos.

I will not dwell longer than I need on these disastrous circumstances.^[26] I might waste days in describing how anxiously I watched every change of fleeting circumstance that promised better days, and with what despair I found that each effort of mine aggravated his seeming madness. To tell all my grief I might as well attempt to count the tears that have fallen from these eyes, or every sign that has torn my heart. I will be brief for there is in all this a horror that will not bear many words, and I sink almost a second time to death while I recall these sad scenes to my memory. Oh, my beloved father! Indeed you made me miserable beyond all words, but how truly did I even then forgive you, and how entirely did you possess my whole heart while I endeavoured, as a rainbow gleams upon a cataract,^[D]^[27] to soften thy tremendous sorrows.

Thus did this change come about. I seem perhaps to have dashed too suddenly into the description, but thus suddenly did it happen. In one sentence I have passed from the idea of unspeakable happiness to that of unspeakable grief but they were thus closely linked together. We had remained five months in London three of joy and two of sorrow. My father and I were now seldom alone or if we were he generally kept silence with his eyes fixed on the ground—the dark full orbs in which before I delighted to read all sweet and gentle feeling shadowed from my sight by their lids and the long lashes that fringed them. When we were in company he affected gaiety but I wept to hear his hollow laugh—begun by an empty smile and often ending in a bitter sneer such as never before this fatal period had wrinkled his lips. When others were there he often spoke to me and his eyes perpetually followed my slightest motion. His accents whenever he addressed me were cold and constrained although his voice would tremble when he perceived that my full heart choked the answer to words proffered with a mien yet new to me.

But days of peaceful melancholy were of rare occurence[:] they were often broken in upon by gusts of passion that drove me as a weak boat on a stormy sea to seek a cove for shelter; but the winds blew from my native harbour and I was cast far, far out untill shattered I perished when the tempest had passed and the sea was apparently calm. I do not know that I can describe his emotions: sometimes he only betrayed them by a word or gesture, and then retired to his chamber and I crept as near it as I dared and listened with fear to every sound, yet still more dreading a sudden silence—dreading I knew not what, but ever full of fear.

It was after one tremendous day when his eyes had glared on me like lightning—and his voice sharp and broken seemed unable to express the extent of his emotion that in the evening when I was alone he joined me with a calm countenance, and not noticing my tears which I quickly dried when he approached, told me that in three days that [sic] he intended to remove with me to his estate in Yorkshire, and bidding me prepare left me hastily as if afraid of being questioned.

This determination on his part indeed surprised me. This estate was that which he had inhabited in childhood and near which my mother resided while a girl; this was the scene of their youthful loves and where they had lived after their marriage; in happier days my father had often told me that however he might appear weaned from his widow sorrow, and free from bitter recollections elsewhere, yet he would never dare visit the spot where he had enjoyed her society or trust himself to see the rooms that so many years ago they had inhabited together; her favourite walks and the gardens the flowers of which she had delighted to cultivate. And now while he suffered intense misery he determined to plunge into still more intense, and strove for greater emotion than that which already tore him. I was perplexed, and most anxious to know what this portended; ah, what could it po[r]tend but ruin!

I saw little of my father during this interval, but he appeared calmer although not less unhappy than before. On the morning of the third day he informed me that he had determined to go to Yorkshire first alone, and that I should follow him in a fortnight unless I heard any thing from him in the mean time that should contradict this command. He departed the same day, and four days afterwards I received a letter from his steward telling me in his name to join him with as little delay as possible. After travelling day and night I arrived with an anxious, yet a hoping heart, for why should he send for me if it were only to avoid me and to treat me with the apparent aversion that he had in London. I met him at the distance of thirty miles from our mansion. His demeanour was sad; for a moment he appeared glad to see me and then he checked himself as if unwilling to betray his feelings. He was silent during our ride, yet his manner was kinder than before and I thought I beheld a softness in his eyes that gave me hope.

When we arrived, after a little rest, he led me over the house and pointed out to me the rooms which my mother had inhabited. Although more than sixteen years had passed since her death nothing had been changed; her work box, her writing desk were still there and in her room a book lay open on the table as she had left it. My father pointed out these circumstances with a serious and unaltered mien, only now and then fixing his deep and liquid eyes upon me; there was something strange and awful in his look that overcame me, and in spite of myself I wept, nor did he attempt to console me, but I saw his lips quiver and the muscles of his countenance seemed convulsed.

We walked together in the gardens and in the evening when I would have retired he asked me to stay and read to him; and first said, "When I was last here your mother read Dante to me; you shall go on where she left off." And then in a moment he said, "No, that must not be; you must not read Dante. Do you choose a book." I took up Spencer and read the descent of Sir Guyon to the halls of Avarice;^[28] while he listened his eyes fixed on me in sad profound silence.

I heard the next morning from the steward that upon his arrival he had been in a most terrible state of mind: he had passed the first night in the garden lying on the damp grass; he did not sleep but groaned perpetually. "Alas!" said the old man[,] who gave me this account with tears in his eyes, "it wrings my heart to see my lord in this state: when I heard that he was coming down here with you, my young lady, I thought we should have the happy days over again that we enjoyed during the short life of my lady your mother—But that would be too much happiness for us poor creatures born to tears—and that was why she was taken from us so soon; [s]he was too beautiful and good for us[.] It was a happy day as we all thought it when my lord married her: I knew her when she was a child and many a good turn has she done for me in my old lady's time—You are like her although there is more of my lord in you—But has he been thus ever since his return? All my joy turned to sorrow when I first beheld him with that melancholy countenance enter these doors as it were the day after my lady's funeral—He seemed to recover himself a little after he had bidden me write to you—but still it is a woful thing to see him so unhappy."^[29] These were the feelings of an old, faithful servant: what must be those of an affectionate daughter. Alas! Even then my heart was almost broken.

We spent two months together in this house. My father spent the greater part of his time with me; he accompanied me in my walks, listened to my music, and leant over me as I read or painted. When he conversed with me his manner was cold and constrained; his eyes only seemed to speak, and as he turned their black, full lustre towards me they expressed a living sadness. There was somthing in those dark deep orbs so liquid, and intense that even in happiness I could never meet their full gaze that mine did not overflow. Yet it was with sweet tears; now there was a depth of affliction in their gentle appeal that rent my heart with sympathy; they seemed to desire peace for me; for himself a heart patient to suffer; a craving for sympathy, yet a perpetual self denial. It was only when he was absent from me that his passion subdued him,—that he clinched his hands—knit his brows—and with haggard looks called for death to his despair, raving wildly, untill exhausted he sank down nor was revived untill I joined him.

While we were in London there was a harshness and sulleness in his sorrow which had now entirely disappeared. There I shrunk and fled from him, now I only wished to be with him that I might soothe him to peace. When he was silent I tried to divert him, and when sometimes I stole to him during the energy of his passion I wept but did not desire to leave him. Yet he suffered fearful agony; during the day he was more calm, but at night when I could not be with him he seemed to give the reins to his grief: he often passed his nights either on the floor in my mother's room, or in the garden; and when in the morning he saw me view with poignant grief his exhausted frame, and his person languid almost to death with watching he wept; but during all this time he spoke no word by which I might guess the cause of his unhappiness[.] If I ventured to enquire he would either leave me or press his finger on his lips, and with a deprecating look that I could not resist, turn away. If I wept he would gaze on me in silence but he was no longer harsh and although he repulsed every caress yet it was with gentleness.

He seemed to cherish a mild grief and softer emotions although sad as a relief from despair—He contrived in many ways to nurse his melancholy as an antidote to wilder passion[.] He perpetually frequented the walks that had been favourites with him when he and my mother wandered together talking of love and happiness; he collected every relick that remained of her and always sat opposite her picture which hung in the room fixing on it a look of sad despair—and all this was done in a mystic and awful silence. If his passion subdued him he locked himself in his room; and at night when he wandered restlessly about the house, it was when every other creature slept.

It may easily be imagined that I wearied myself with conjecture to guess the cause of his sorrow. The solution that seemed to me the most probable was that during his residence in London he had fallen in love with some unworthy person, and that his passion mastered him although he would not gratify it: he loved me too well to sacrifise me to this inclination, and that he had now visited this house that by reviving the memory of my mother whom he so passionately adored he might weaken the present impression. This was possible; but it was a mere conjecture unfounded on any fact. Could there be guilt in it? He was too upright and noble to do aught that his conscience would not approve; I did not yet know of the crime there may be in involuntary feeling and therefore ascribed his tumultuous starts and gloomy looks wholly to the struggles of his mind and not any as they were partly due to the worst fiend of all—Remorse.^[30]

But still do I flatter myself that this would have passed away. His paroxisms of passion were terrific but his soul bore him through them triumphant, though almost destroyed by victory; but the day would finally have been won had not I, foolish and presumtuous wretch! hurried him on untill there was no recall, no hope. My rashness gave the victory in this dreadful fight to the enemy who triumphed over him as he lay fallen and vanquished. I! I alone was the cause of his defeat and justly did I pay the fearful penalty. I said to myself, let him receive sympathy and these struggles will cease. Let him confide his misery to another heart and half the weight of it will be lightened. I will win him to me; he shall not deny his grief to me and when I know his secret then will I pour a balm into his soul and again I shall enjoy the ravishing delight of beholding his smile, and of again seeing his eyes beam if not with pleasure at least with gentle love and thankfulness. This will I do, I said. Half I accomplished; I gained his secret and we were both lost for ever.

CHAPTER V

Nearly a year had past since my father's return, and the seasons had almost finished their round—It was now the end of May; the woods were clothed in their freshest verdure, and the sweet smell of the new mown grass was in the fields. I thought that the balmy air and the lovely face of Nature might aid me in inspiring him with mild sensations, and give him gentle feelings of peace and love preparatory to the confidence I determined to win from him.

I chose therefore the evening of one of these days for my attempt. I invited him to walk with me, and led him to a neighbouring wood of beech trees whose light shade shielded us from the slant and dazzling beams of the descending sun—After walking for some time in silence I seated my self with him on a mossy hillock—It is strange but even now I seem to see the spot—the slim and smooth trunks were many of them wound round by ivy whose shining leaves of the darkest green contrasted with the white bark and the light leaves of the young sprouts of beech that grew from their parent trunks—the short grass was mingled with moss and was partly covered by the dead leaves of the last autumn that driven by the winds had here and there collected in little hillocks—there were a few moss grown stumps about—The leaves were gently moved by the breeze and through their green canopy you could see the bright blue sky—As evening came on the distant trunks were reddened by the sun and the wind died entirely away while a few birds flew past us to their evening rest.

Well it was here we sat together, and when you hear all that past—all that of terrible tore our souls even in this placid spot, which but for strange passions might have been a paradise to us, you will not wonder that I remember it as I looked on it that its calm might give me calm, and inspire me not only with courage but with persuasive words. I saw all these things and in a vacant manner noted them in my mind ^[31] while I endeavoured to arrange my thoughts in fitting order for my attempt. My heart beat fast as I worked myself up to speak to him, for I was determined not to be repulsed but I trembled to imagine what effect my words might have on him; at length, with much hesitation I began:^[32]

"Your kindness to me, my dearest father, and the affection—the excessive affection—that you had for me when you first returned will I hope excuse me in your eyes that I dare speak to you, although with the tender affection of a daughter, yet also with the freedom of a friend and equal. But pardon me, I entreat you and listen to me: do not turn away from me; do not be impatient; you may easily intimidate me into silence, but my heart is bursting, nor can I willingly consent to endure for one moment longer the agony of uncertitude which for the last four months has been my portion.

"Listen to me, dearest friend, and permit me to gain your confidence. Are the happy days of mutual love which have passed to be to me as a dream never to return? Alas! You have a secret grief that destroys us both: but you must permit me to win this secret from you. Tell me, can I do nothing? You well know that on the whole earth there is no sacrifise that I would not make, no labour that I would not undergo with the mere hope that I might bring you ease. But if no endeavour on my part can contribute to your happiness, let me at least know your sorrow, and surely my earnest love and deep sympathy must soothe your despair.

"I fear that I speak in a constrained manner: my heart is overflowing with the ardent desire I have of bringing calm once more to your thoughts and looks; but I fear to aggravate your grief, or to raise that in you which is death to me, anger and distaste. Do not then continue to fix your eyes on the earth; raise them on me for I can read your soul in them: speak to me to me [sic], and pardon my presumption. Alas! I am a most unhappy creature!"

I was breathless with emotion, and I paused fixing my earnest eyes on my father, after I had dashed away the intrusive tears that dimmed them. He did not raise his, but after a short silence he replied to me in a low voice: "You are indeed presumptuous, Mathilda, presumptuous and very rash. In the heart of one like me there are secret thoughts working, and secret tortures which you ought not to seek to discover. I cannot tell you how it adds to my grief to know that I am the cause of uneasiness to you; but this will pass away, and I hope that soon we shall be as we were a few months ago. Restrain your impatience or you may mar what you attempt to alleviate. Do not again speak to me in this strain; but wait in submissive patience the event of what is passing around you."

"Oh, yes!" I passionately replied, "I will be very patient; I will not be rash or presumptuous: I will see the agonies, and tears, and despair of my father, my only friend, my hope, my shelter, I will see it all with folded arms and downcast eyes. You do not treat me with candour; it is not true what you say; this will not soon pass away, it will last forever if you deign not to speak to me; to admit my consolations.

"Dearest, dearest father, pity me and pardon me: I entreat you do not drive me to despair; indeed I must not be repulsed; there is one thing that which [sic] although it may torture me to know, yet that you must tell me. I demand, and most solemnly I demand if in any way I am the cause of your unhappiness. Do you not see my tears which I in vain strive against—You hear unmoved my voice broken by sobs—Feel how my hand trembles: my whole heart is in the words I speak and you must not endeavour to silence me by mere words barren of meaning: the agony of my doubt hurries me on, and you must reply. I beseech you; by your former love for me now lost, I adjure you to answer that one question. Am I the cause of your grief?"

He raised his eyes from the ground, but still turning them away from me, said: "Besought by that plea I will answer your rash question. Yes, you are the sole, the agonizing cause of all I suffer, of all I must suffer untill I die. Now, beware! Be silent! Do not urge me to your destruction. I am struck by the storm, rooted up, laid waste: but you can stand against it; you are young and your passions are at peace. One word I might speak and then you would be implicated in my destruction; yet that word is hovering on my lips. Oh! There is a fearful chasm; but I adjure you to beware!"

"Ah, dearest friend!" I cried, "do not fear! Speak that word; it will bring peace, not death. If there is a chasm our mutual love will give us wings to pass it, and we shall find flowers, and verdure, and delight on the other side." I threw myself at his feet, and took his hand, "Yes, speak, and we shall be happy; there will no longer be doubt, no dreadful uncertainty; trust me, my affection will soothe your sorrow; speak that word and all danger will be past, and we shall love each other as before, and for ever."

He snatched his hand from me, and rose in violent disorder: "What do you mean? You know not what you mean. Why do you bring me out, and torture me, and tempt me, and kill me—Much happier would [it] be for you and for me if in your frantic curiosity you tore my heart from my breast and tried to read its secrets in it as its life's blood was dropping from it. Thus you may console me by reducing me to nothing—but your words I cannot bear; soon they will make me mad, quite mad, and then I shall utter strange words, and you will believe them, and we shall be both lost for ever. I tell you I am on the very verge of insanity; why, cruel girl, do you drive me on: you will repent and I shall die."

When I repeat his words I wonder at my pertinacious folly; I hardly know what feelings resis[t]lessly impelled me. I believe it was that coming out with a determination not to be repulsed I went right forward to my object without well weighing his replies: I was led by passion and drew him with frantic heedlessness into the abyss that he so fearfully avoided—I replied to his terrific words: "You fill me with affright it is true, dearest father, but you only confirm my resolution to put an end to this state of doubt. I will not be put off thus: do you think that I can live thus fearfully from day to day—the sword in my bosom yet kept from its mortal wound by a hair—a word!—I demand that dreadful word; though it be as a flash of lightning to destroy me, speak it.

"Alas! Alas! What am I become? But a few months have elapsed since I believed that I was all the world to you; and that there was no happiness or grief for you on earth unshared by your Mathilda—your child: that happy time is no longer, and what I most dreaded in this world is come upon me. In the despair of my heart I see what you cannot conceal: you no longer love me. I adjure you, my father, has not an unnatural passion seized upon your heart? Am I not the most miserable worm that crawls? Do I not embrace your knees, and you most cruelly repulse me? I know it—I see it—you hate me!"

I was transported by violent emotion, and rising from his feet, at which I had thrown myself, I leant against a tree, wildly raising my eyes to heaven. He began to answer with violence: "Yes, yes, I hate you! You are my bane, my poison, my disgust! Oh! No[!]" And then his manner changed, and fixing his eyes on me with an expression that convulsed every nerve and member of my frame—"you are none of all these; you are my light, my only one, my life.—My daughter, I love you!" The last words died away in a hoarse whisper, but I heard them and sunk on the ground, covering my face and almost dead with excess of sickness and fear: a cold perspiration covered my forehead and I shivered in every limb—But he continued, clasping his hands with a frantic gesture:

"Now I have dashed from the top of the rock to the bottom! Now I have precipitated myself down the fearful chasm! The danger is over; she is alive! Oh, Mathilda, lift up those dear eyes in the light of which I live. Let me hear the sweet tones of your beloved voice in peace and calm. Monster as I am, you are still, as you ever were, lovely, beautiful beyond expression. What I have become since this last moment I know not; perhaps I am changed in mien as the fallen archangel. I do believe I am for I have surely a new soul within me, and my blood riots through my veins: I am burnt up with fever. But these are precious moments; devil as I am become, yet that is my Mathilda before me whom I love as one was never before loved: and she knows it now; she listens to these words which I thought, fool as I was, would blast her to death. Come, come, the worst is past: no more grief, tears or despair; were not those the words you uttered?—We have leapt the chasm I told you of, and now, mark me, Mathilda, we are to find flowers, and verdure and delight, or is it hell, and fire, and tortures? Oh! Beloved One, I am borne away; I can no longer sustain myself; surely this is death that is coming. Let me lay my head near your heart; let me die in your arms!"—He sunk to the earth fainting, while I, nearly as lifeless, gazed on him in despair.

Yes it was despair I felt; for the first time that phantom seized me; the first and only time for it has never since left me—After the first moments of speechless agony I felt her fangs on my heart: I tore my hair; I raved aloud; at one moment in pity for his sufferings I would have clasped my father in my arms; and then starting back with horror I spurned him with my foot; I felt as if stung by a serpent, as if scourged by a whip of scorpions which drove me—Ah! Whither—Whither?

Well, this could not last. One idea rushed on my mind; never, never may I speak to him again. As this terrible conviction came upon him [me?] it melted my soul to tenderness and love—I gazed on him as to take my last farewell—he lay insensible—his eyes closed as [and?] his cheeks deathly pale. Above, the leaves of the beech wood cast a flickering shadow on his face, and waved in mournful melody over him—I saw all these things and said, "Aye, this is his grave!" And then I wept aloud, and raised my eyes to heaven to entreat for a respite to my despair and an alleviation for his unnatural suffering—the tears that gushed in a warm & healing stream from my eyes relieved the burthen that oppressed my heart almost to madness. I wept for a long time untill I saw him about to revive, when horror and misery again recurred, and the tide of my sensations rolled back to their former channel: with a terror I could not restrain—I sprung up and fled, with winged speed, along the paths of the wood and across the fields untill nearly dead I reached our house and just ordering the servants to seek my father at the spot I indicated, I shut myself up in my own room[.]^[33]

CHAPTER VI

My chamber was in a retired part of the house, and looked upon the garden so that no sound of the other inhabitants could reach it; and here in perfect solitude I wept for several hours. When a servant came to ask me if I would take food I learnt from him that my father had returned, and was apparently well and this relieved me from a load of anxiety, yet I did not cease to weep bitterly. As [At] first, as the memory of former happiness contrasted to my present despair came across me, I gave relief to the oppression of heart that I felt by words, and groans, and heart rending sighs: but nature became wearied, and this more violent grief gave place to a passionate but mute flood of tears: my whole soul seemed to dissolve [in] them. I did not wring my hands, or tear my hair, or utter wild exclamations, but as Boccacio describes the intense and quiet grief [of] Sigismunda over the heart of Guiscardo,^[34] I sat with my hands folded, silently letting fall a perpetual stream from my eyes. Such was the depth of my emotion that I had no feeling of what caused my distress, my thoughts even wandered to many indifferent objects; but still neither moving limb or feature my tears fell untill, as if the fountains were exhausted, they gradually subsided, and I awoke to life as from a dream.

When I had ceased to weep reason and memory returned upon me, and I began to reflect with greater calmness on what had happened, and how it became me to act—A few hours only had passed but a mighty revolution had taken place with regard to me—the natural work of years had been transacted since the morning: my father was as dead to me, and I felt for a moment as if he with white hairs were laid in his coffin and I—youth vanished in approaching age, were weeping at his timely dissolution. But it was not so, I was yet young, Oh! far too young, nor was he dead to others; but I, most miserable, must never see or speak to him again. I must fly from him with more earnestness than from my greatest enemy: in solitude or in cities I must never more behold him. That consideration made me breathless with anguish, and impressing itself on my imagination I was unable for a time to follow up any train of ideas. Ever after this, I thought, I would live in the most dreary seclusion. I would retire to the Continent and become a nun; not for religion's sake, for I was not a Catholic, but that I might be for ever shut out from the world. I should there find solitude where I might weep, and the voices of life might never reach me.

But my father; my beloved and most wretched father? Would he die? Would he never overcome the fierce passion that now held pityless dominion over him? Might he not many, many years hence, when age had quenched the burning sensations that he now experienced, might he not then be again a father to me? This reflection unwrinkled my brow, and I could feel (and I wept to feel it) a half melancholy smile draw from my lips their expression of suffering: I dared indulge better hopes for my future life; years must pass but they would speed lightly away winged by hope, or if they passed heavily, still they would pass and I had not lost my father for ever. Let him spend another sixteen years of desolate wandering: let him once more utter his wild complaints to the vast woods and the tremendous cataracts of another clime: let him again undergo fearful danger and soul-quelling hardships: let the hot sun of the south again burn his passion worn cheeks and the cold night rains fall on him and chill his blood.

To this life, miserable father, I devote thee!—Go!—Be thy days passed with savages, and thy nights under the cope of heaven! Be thy limbs worn and thy heart chilled, and all youth be dead within thee! Let thy hairs be as snow; thy walk trembling and thy voice have lost its mellow tones! Let the liquid lustre of thine eyes be quenched; and then return to me, return to thy Mathilda, thy child, who may then be clasped in thy loved arms, while thy heart beats with sinless emotion. Go, Devoted One, and return thus!—This is my curse, a daughter's curse: go, and return pure to thy child, who will never love aught but thee.

These were my thoughts; and with trembling hands I prepared to begin a letter to my unhappy parent. I had now spent many hours in tears and mournful meditation; it was past twelve o'clock; all was at peace in the house, and the gentle air that stole in at my window did not rustle the leaves of the twining plants that shadowed it. I felt the entire tranquillity of the hour when my own breath and involuntary sobs were all the sounds that struck upon the air. On a sudden I heard a gentle step ascending the stairs; I paused breathless, and as it approached glided into an obscure corner of the room; the steps paused at my door, but after a few moments they again receeded[,] descended the stairs and I heard no more.

This slight incident gave rise in me to the most painful reflections; nor do I now dare express the emotions I felt. That he should be restless I understood; that he should wander as an unlaid ghost and find no quiet from the burning hell that consumed his heart. But why approach my chamber? Was not that sacred? I felt almost ready to faint while he had stood there, but I had not betrayed my wakefulness by the slightest motion, although I had heard my own heart beat with violent fear. He had withdrawn. Oh, never, never, may I see him again! Tomorrow night the same roof may not cover us; he or I must depart. The mutual link of our destinies is broken; we must be divided by seas—by land. The stars and the sun must not rise at the same period to us: he must not say, looking at the setting crescent of the moon, "Mathilda now watches its fall."—No, all must be changed. Be it light with him when it is darkness with me! Let him feel the sun of summer while I am chilled by the snows of winter! Let there be the distance of the antipodes between us!

At length the east began to brighten, and the comfortable light of morning streamed into my room. I was weary with watching and for some time I had combated with the heavy sleep that weighed down my eyelids: but now, no longer fearful, I threw myself on my bed. I sought for repose although I did not hope for forgetfulness; I knew I should be pursued by dreams, but did not dread the frightful one that I really had. I thought that I had risen and went to seek my father to inform him of my determination to seperate myself from him. I sought him in the house, in the park, and then in the fields and the woods, but I could not find him. At length I saw him at some distance, seated under a tree, and when he perceived me he waved his hand several times, beckoning me to approach; there was something unearthly in his mien that awed and chilled me, but I drew near. When at [a] short distance from him I saw that he was deadlily [sic] pale, and clothed in flowing garments of white. Suddenly he started up and fled from me; I pursued him: we sped over the fields, and by the skirts of woods, and on the banks of rivers; he flew fast and I followed. We came at last, methought, to the brow of a huge cliff that over hung the sea which, troubled by the winds, dashed against its base at a distance. I heard the roar of the waters: he held his course right on towards the brink and I became breathless with fear lest he should plunge down the dreadful precipice; I tried to augment my speed, but my knees failed beneath me, yet I had just reached him; just caught a part of his flowing robe, when he leapt down and I awoke with a violent scream. I was trembling and my pillow was wet with my tears; for a few moments my heart beat hard, but the bright beams of the sun and the chirping of the birds quickly restored me to myself, and I rose with a languid spirit, yet wondering what events the day would bring forth. Some time passed before I summoned courage to ring the bell for my servant, and when she came I still dared not utter my father's name. I ordered her to bring my breakfast to my room, and was again left alone—yet still I could make no resolve, but only thought that I might write a note to my father to beg his permission to pay a visit to a relation who lived about thirty miles off, and who had before invited me to her house, but I had refused for then I could not quit my suffering father. When the servant came back she gave me a letter.

"Your father left it, madam, with his servant, to be given to you when you should rise."

Her relation was short. He had gone in the carriage to the nearest town where he took a post chaise and horses with orders for the London road. He dismissed his servants there, only telling them that he had a sudden call of business and that they were to obey me as their mistress untill his return.

CHAPTER VII

With a beating heart and fearful, I knew not why, I dismissed the servant and locking my door, sat down to read my father's letter. These are the words that it contained.

"My dear Child

"I have betrayed your confidence; I have endeavoured to pollute your mind, and have made your innocent heart acquainted with the looks and language of unlawful and monstrous passion. I must expiate these crimes, and must endeavour in some degree to proportionate my punishment to my guilt. You are I doubt not prepared for what I am about to announce; we must seperate and be divided for ever.

"I deprive you of your parent and only friend. You are cast out shelterless on the world: your hopes are blasted; the peace and security of your pure mind destroyed; memory will bring to you frightful images of guilt, and the anguish of innocent love betrayed. Yet I who draw down all this misery upon you; I who cast you forth and remorselessly have set the seal of distrust and agony on the heart and brow of my own child, who with devilish levity have endeavoured to steal away her loveliness to place in its stead the foul deformity of sin; I, in the overflowing anguish of my heart, supplicate you to forgive me.

"I do not ask your pity; you must and do abhor me: but pardon me, Mathilda, and let not your thoughts follow me in my banishment with unrelenting anger. I must never more behold you; never more hear your voice; but the soft whisperings of your forgiveness will reach me and cool the burning of my disordered brain and heart; I am sure I should feel it even in my grave. And I dare enforce this request by relating how miserably I was betrayed into this net of fiery anguish and all my struggles to release myself: indeed if your soul were less pure and bright I would not attempt to exculpate myself to you; I should fear that if I led you to regard me with less abhorrence you might hate vice less: but in addressing you I feel as if I appealed to an angelic judge. I cannot depart without your forgiveness and I must endeavour to gain it, or I must despair.^[35] I conjure you therefore to listen to my words, and if with the good guilt may be in any degree extenuated by sharp agony, and remorse that rends the brain as madness perhaps you may think, though I dare not, that I have some claim to your compassion.

"I entreat you to call to your remembrance our first happy life on the shores of Loch Lomond. I had arrived from a weary wandering of sixteen years, during which, although I had gone through many dangers and misfortunes, my affections had been an entire blank. If I grieved it was for your mother, if I loved it was your image; these sole emotions filled my heart in quietness. The human creatures around me excited in me no sympathy and I thought that the mighty change that the death of your mother had wrought within me had rendered me callous to any future impression. I saw the lovely and I did not love, I imagined therefore that all warmth was extinguished in my heart except that which led me ever to dwell on your then infantine image.

"It is a strange link in my fate that without having seen you I should passionately love you. During my wanderings I never slept without first calling down gentle dreams on your head. If I saw a lovely woman, I thought, does my Mathilda resemble her? All delightful things, sublime scenery, soft breezes, exquisite music seemed to me associated with you and only through you to be pleasant to me. At length I saw you. You appeared as the deity of a lovely region, the ministering Angel of a Paradise to which of all human kind you admitted only me. I dared hardly consider you as my daughter; your beauty, artlessness and untaught wisdom seemed to belong to a higher order of beings; your voice breathed forth only words of love: if there was aught of earthly in you it was only what you derived from the beauty of the world; you seemed to have gained a grace from the mountain breezes—the waterfalls and the lake; and this was all of earthly except your affections that you had; there was no dross, no bad feeling in the composition. You yet even have not seen enough ^[36] of the world to know the stupendous difference that exists between the women we meet in dayly life and a nymph of the woods such as you were, in whose eyes alone mankind may study for centuries & grow wiser & purer. Those divine lights which shone on me as did those of Beatrice upon Dante, and well might I say with him yet with what different feelings

E quasi mi perdei gli occhi chini.

Can you wonder, Mathilda, that I dwelt on your looks, your words, your motions, & drank in unmixed delight?

["]But I am afraid that I wander from my purpose. I must be more brief for night draws on apace and all my hours in this house are counted. Well, we removed to London, and still I felt only the peace of sinless passion. You were ever with me, and I desired no more than to gaze on your countenance, and to know that I was all the world to you; I was lapped in a fool's paradise of enjoyment and security. Was my love blamable? If it was I was ignorant of it; I desired only that which I possessed, and if I enjoyed from your looks, and words, and most innocent caresses a rapture usually excluded from the feelings of a parent towards his child, yet no uneasiness, no wish, no casual idea awoke me to a sense of guilt. I loved you as a human father might be supposed to love a daughter borne to him by a heavenly mother; as Anchises might have regarded the child of Venus if the sex had been changed; love mingled with respect and adoration. Perhaps also my passion was lulled to content by the deep and exclusive affection you felt for me.

"But when I saw you become the object of another's love; when I imagined that you might be loved otherwise than as a sacred type and image of loveliness and excellence; or that you might love another with a more ardent affection than that which you bore to me, then the fiend awoke within me; I dismissed your lover; and from that moment I have known no peace. I have sought in vain for sleep and rest; my lids refused to close, and my blood was for ever in a tumult. I awoke to a new life as one who dies in hope might wake in Hell. I will not sully your imagination by recounting my combats, my self-anger and my despair. Let a veil be drawn over the unimaginable sensations of a guilty father; the secrets of so agonized a heart may not be made vulgar. All was uproar, crime, remorse and hate, yet still the tenderest love; and what first awoke me to the firm resolve of conquering my passion and of restoring her father to my child was the sight of your bitter and sympathizing sorrows. It was this that led me here: I thought that if I could again awaken in my heart the grief I had felt at the loss of your mother, and the many associations with her memory which had been laid to sleep for seventeen years, that all love for her child would become extinct. In a fit of heroism I determined to go alone; to quit you, the life of my life, and not to see you again untill I might guiltlessly. But it would not do: I rated my fortitude too high, or my love too low. I should certainly have died if you had not hastened to me. Would that I had been indeed extinguished!

"And now, Mathilda I must make you my last confession. I have been miserably mistaken in imagining that I could conquer my love for you; I never can. The sight of this house, these fields and woods which my first love inhabited seems to have encreased it: in my madness I dared say to myself—Diana died to give her birth; her mother's spirit was transferred into her frame, and she ought to be as Diana to me.^[37] With every effort to cast it off, this love clings closer, this guilty love more unnatural than hate, that withers your hopes and destroys me for ever.

Better have loved despair, & safer kissed her.

No time or space can tear from my soul that which makes a part of it. Since my arrival here I have not for a moment ceased to feel the hell of passion which has been implanted in me to burn untill all be cold, and stiff, and dead. Yet I will not die; alas! how dare I go where I may meet Diana, when I have disobeyed her last request; her last words said in a faint voice when all feeling but love, which survives all things else was already dead, she then bade me make her child happy: that thought alone gives a double sting to death. I will wander away from you, away from all life—in the solitude I shall seek I alone shall breathe of human kind. I must endure life; and as it is my duty so I shall untill the grave dreaded yet desired, receive me free from pain: for while I feel it will be pain that must make up the whole sum of my sensations. Is not this a fearful curse that I labour under? Do I not look forward to a miserable future? My child, if after this life I am permitted to see you again, if pain can purify the heart, mine will be pure: if remorse may expiate guilt, I shall be guiltless.

["]I have been at the door of your chamber: every thing is silent. You sleep. Do you indeed sleep, Mathilda? Spirits of Good, behold the tears of my earnest prayer! Bless my child! Protect her from the selfish among her fellow creatures: protect her from the agonies of passion, and the despair of disappointment! Peace, Hope and Love be thy guardians, oh, thou soul of my soul: thou in whom I breathe!

["]I dare not read my letter over for I have no time to write another, and yet I fear that some expressions in it might displease me. Since I last saw you I have been constantly employed in writing letters, and have several more to write; for I do not intend that any one shall hear of me after I depart. I need not conjure you to look upon me as one of whom all links that once existed between us are broken. Your own delicacy will not allow you, I am convinced, to attempt to trace me. It is far better for your peace that you should be ignorant of my destination. You will not follow me, for when I bannish myself would you nourish guilt by obtruding yourself upon me? You will not do this, I know you will not. You must forget me and all the evil that I have taught you. Cast off the only gift that I have bestowed upon you, your grief, and rise from under my blighting influence as no flower so sweet ever did rise from beneath so much evil.

"You will never hear from me again: receive these then as the last words of mine that will ever reach you; and although I have forfeited your filial love, yet regard them I conjure you as a father's command. Resolutely shake of[f] the wretchedness that this first misfortune in early life must occasion you. Bear boldly up against the storm: continue wise and mild, but believe it, and indeed it is, your duty to be happy. You are very young; let not this check for more than a moment retard your glorious course; hold on, beloved one. The sun of youth is not set for you; it will restore vigour and life to you; do not resist with obstinate grief its beneficent influence, oh, my child! bless me with the hope that I have not utterly destroyed you.

"Farewell, Mathilda. I go with the belief that I have your pardon. Your gentle nature would not permit you to hate your greatest enemy and though I be he, although I have rent happiness from your grasp;^[38] though I have passed over your young love and hopes as the angel of destruction, finding beauty and joy, and leaving blight and despair, yet you will forgive me, and with eyes overflowing with tears I thank you; my beloved one, I accept your pardon with a gratitude that will never die, and that will, indeed it will, outlive guilt and remorse.

"Farewell for ever!"

The moment I finished this letter I ordered the carriage and prepared to follow my father. The words of his letter by which he had dissuaded me from this step were those that determined me. Why did he write them? He must know that if I believed that his intention was merely to absent himself from me that instead of opposing him it would be that which I should myself require—or if he thought that any lurking feeling, yet he could not think that, should lead me to him would he endeavour to overthrow the only hope he could have of ever seeing me again; a lover, there was madness in the thought, yet he was my lover, would not act thus. No, he had determined to die, and he wished to spare me the misery of knowing it. The few ineffectual words he had said concerning his duty were to me a further proof—and the more I studied the letter the more did I perceive a thousand slight expressions that could only indicate a knowledge that life was now over for him. He was about to die! My blood froze at the thought: a sickening feeling of horror came over me that allowed not of tears. As I waited for the carriage I walked up and down with a quick pace; then kneeling and passionately clasping my han

MATHILDA

By MARY WOLLSTONECRAFT SHELLEY

Edited by ELIZABETH NITCHIE

THE UNIVERSITY OF NORTH CAROLINA PRESS
CHAPEL HILL

PREFACE

CONTENTS

INTRODUCTION

MATHILDA ^[1]

CHAP. I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER VII

MATHILDA

By MARY WOLLSTONECRAFT SHELLEY

Edited by ELIZABETH NITCHIE

THE UNIVERSITY OF NORTH CAROLINA PRESS CHAPEL HILL

PREFACE

CONTENTS

INTRODUCTION

MATHILDA[1]

CHAP. I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER VII

THE UNIVERSITY OF NORTH CAROLINA PRESS
CHAPEL HILL

MATHILDA ^[1]