The Project Gutenberg EBook of Poems (Volume II.), by Jonathan Swift

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Title: Poems (Volume II.)

Author: Jonathan Swift

Release Date: October 5, 2004 [EBook #13621]

Language: English

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[Illustration]
Hester Vanhomrigh (Vanessa)
From a Picture in the possession G. Villiers Brinus Esq;


THE POEMS OF JONATHAN SWIFT, D.D.

EDITED BY WILLIAM ERNST BROWNING

BARRISTER, INNER TEMPLE
AUTHOR OF "THE LIFE OF LORD CHESTERFIELD"

VOL. II

LONDON
G. BELL AND SONS, LTD. 1910

CHISWICK PRESS: CHARLES WHITTINGHAM AND CO.
TOOKS COURT, CHANCERY LANE, LONDON.




CONTENTS OF VOLUME II

                     PAGE

Cadenus and Vanessa 1
To Love 23
A Rebus by Vanessa 24
The Dean's Answer 25
Stella's Birth-Day 26
Stella's Birth-Day 26
To Stella 28
To Stella 32
Stella to Dr. Swift 35
To Stella 37
On the Great Buried Bottle 37
Epitaph 38
Stella's Birth-Day 38
Stella at Wood-Park 40
A New Year's Gift for Bec 43
Dingley and Brent 44
To Stella 45
Verses by Stella 46
A Receipt to restore Stella's Youth 46
Stella's Birth-Day 48
Bec's Birth-Day 49
On the Collar of Tiger 51
Stella's Birth-Day 51
Death and Daphne 54
Daphne 57

RIDDLES

Pethox the Great 59
On a Pen 62
On Gold 63
On the Posteriors 64
On a Horn 65
On a Corkscrew 66
The Gulf of all Human Possessions 67
Louisa to Strephon 70
A Maypole 71
On the Moon 72
On a Circle 73
On Ink 73
On the Five Senses 74
Fontinella to Florinda 75
An Echo 76
On a Shadow in a Glass 77
On Time 78
On the Gallows 78
On the Vowels 79
On Snow 79
On a Cannon 80
On a Pair of Dice 80
On a Candle 80
To Lady Carteret by Delany 82
Answered by Dr. Swift 83
To Lady Carteret 83
Answered by Sheridan 84
A Riddle 84
Answer by Mr. F----r 84
A Letter to Dr. Helsham 85
Probatur aliter 87


POEMS COMPOSED AT MARKET HILL

On cutting down the Thorn 89
To Dean Swift 92
Dean Swift at Sir Arthur Acheson's 93
On a very old Glass at Market Hill 94
Answered extempore by Dr. Swift 95
Epitaph 95
My Lady's Lamentation 95
A Pastoral Dialogue 99
The Grand Question debated 101
Drapier's Hill 106
The Dean's Reasons 107
The Revolution at Market Hill 110
Robin and Harry 113
A Panegyric on the Dean 115
Twelve Articles 125


POLITICAL POETRY

Parody 127
Jack Frenchman's Lamentation 129
The Garden Plot 132
Sid Hamet's Rod 133
The Famous Speech-Maker 136
Parody on the Recorder's Speech 143
Ballad 144
Atlas; or the Minister of State 147
Lines on Harley's being stabbed 148
An Excellent New Song 148
The Windsor Prophecy 150
Corinna, a Ballad 152
The Fable of Midas 153
Toland's Invitation to Dismal 156
Peace and Dunkirk 157
Imitation of Horace, Epist. I, vii 159
The Author upon Himself 163
The Fagot 166
Imitation of Horace, Sat. VI, ii 167
Horace paraphrased, Odes II, i 171
Dennis' Invitation to Steele 175
In Sickness 180
The Fable of the Bitches 181
To the Earl of Oxford in the Tower 182
On the Church's Danger 183
A Poem on High Church 183
The Story of Phaethon 184
A Tale of a Nettle 186
A Satirical Elegy 187


POEMS CHIEFLY RELATING TO IRISH POLITICS

Parody on Pratt's Speech 189
An Excellent New Song 192
The Run upon the Bankers 193
Upon the Horrid Plot 196
Quibbling Elegy on Judge Boat 198
The Epitaph 199
Verses on Whitshed's Motto 200
Prometheus 201
Verses on the Order of the Bath 203
Epigram on Wood's Brass Money 203
A Simile 204
Wood an Insect 205
Wood the Ironmonger 206
Wood's Petition 207
A New Song on Wood's Halfpence 209
A Serious Poem 211
An Excellent New Song 215
Verses on the Judge who condemned the Drapier's Printer 217
On the Same 218
On the Same 218
Epigram 218
Horace paraphrased, Odes I, xiv 219
Verses on St. Patrick's Well 221
On reading Dr. Young's Satire 224
The Dog and Thief 226
Mad Mullinix and Timothy 226
Tim and the Fables 234
Tom and Dick 235
Dick, a Maggot 236
Clad all in Brown 237
Dick's Variety 238
Traulus. Part I 239
Traulus. Part II 242
A Fable of the Lion 244
On the Irish Bishops 246
Horace, Odes IV, ix 248
On Walpole and Pulteney 250
Brother Protestants 252
Bettesworth's Exultation 254
Epigram to Serjeant Kite 255
The Yahoo's Overthrow 256
On the Archbishop of Cashel and Bettesworth 259
On the Irish Club 259
On Noisy Tom 260
On Dr. Rundle 261
Epigram 263
The Legion Club 264
On a Printer's being sent to Newgate 272
Vindication of the Libel 272
A Friendly Apology 274
Ay and No 275
A Ballad 276
A Wicked Treasonable Libel 277
Epigrams against Carthy 278-283
Poetical Epistle to Sheridan 283
Lines written on a Window 284
Lines written underneath by Sheridan 285
The Upstart 285
On the Arms of the Town of Waterford 286
Translation 287
Verses on Blenheim 287
An Excellent New Song 288
An Excellent New Song upon the Archbishop of Dublin 289
To the Archbishop of Dublin 291
To the Citizens 292
Punch's Petition to the Ladies 294
Epigram 296
Epigram on Josiah Hort 297
Epigram 297


TRIFLES

George Rochfort's Verses 298
A Left-handed Letter 298
To the Dean of St. Patrick's 300
To Mr. Thomas Sheridan 301
Ad Amicum Eruditum Thomam Sheridan 302
To the Dean of St. Patrick's 305
To the Dean of St. Patrick's 306
An Answer by Delany 306
A Reply by Sheridan 307
Another Reply by Sheridan 308
To Thomas Sheridan 309
Swift to Sheridan 310
An Answer by Sheridan 310
To Dr. Sheridan 311
The Answer by Dr. Sheridan 312
Dr. Sheridan to Dr. Swift 313
The Dean's Answer 314
Dr. Sheridan's Reply to the Dean 314
To the Same by Dr. Sheridan 315
The Dean of St. Patrick's to Thomas Sheridan 316
To the Dean of St. Patrick's 317
The Dean to Thomas Sheridan 318
To Dr. Sheridan 320
   1 P.S. 321
   2 P.S. 321
   3 P.S. 321
Dr. Sheridan's Answer 322
Dr. Swift's Reply 322
A Copy of a Copy of Verses 323
George-Nim-Dan-Dean's Answer 324
George-Nim-Dan-Dean's Invitation 326
To George-Nim-Dan-Dean, Esq 328
To Mr. Thomas Sheridan 330
On Dr. Sheridan's Circular Verses 331
On Dan Jackson's Picture 332
On the Same Picture 332
On the Same 333
On the Same Picture 333
On the Same Picture 333
Dan Jackson's Defence 335
Mr. Rochfort's Reply 336
Dr. Delany's Reply 338
Sheridan's Reply 339
A Rejoinder 340
Another Rejoinder 342
Sheridan's Submission 343
The Pardon 344
The Last Speech and Dying Words of Daniel Jackson 345
To the Rev. Daniel Jackson 347
Sheridan to Swift 349
Sheridan to Swift 350
Swift to Sheridan 350
Mary the Cook Maid's Letter 351
A Portrait from the Life 352
On Stealing a Crown when the Dean was asleep 353
The Dean's Answer 353
A Prologue to a Play 354
The Epilogue 355
The Song 355
A New Year's Gift for the Dean of St. Patrick's 356
To Quilca 358
The Blessings of a Country Life 359
The Plagues of a Country Life 359
A Faithful Inventory 359
Palinodia 361
A Letter to the Dean 362
An Invitation to Dinner 364
On the Five Ladies at Sot's Hole 365
The Five Ladies' Answer to the Beau 367
The Beau's Reply 368
Dr. Sheridan's Ballad on Ballyspellin 368
Answer by Dr. Swift 371
An Epistle to two Friends 373
To Dr. Sheridan 374
Dr. Helsham's Answer 374
A True and Faithful Inventory 376
A New Simile for the Ladies 377
An Answer to a Scandalous Poem 381
Peg Radcliffe the Hostess's Invitation 386
Verses by Sheridan 387


VERSES ADDRESSED TO SWIFT AND TO HIS MEMORY

To Dr. Swift on his Birth-Day 390
On Dr. Swift 390
To the Rev. Dr. Swift, Dean of St. Patrick's,
   a Birth-Day Poem, Nov. 30, 1736 391
Epigrams occasioned by Dr. Swift's intended Hospital
   for Idiots and Lunatics 393
On the Dean of St. Patrick's Birth-Day 394
An Epistle to Robert Nugent, Esq. 396
On the Drapier, by Dr. Dunkin 399
Epitaph proposed for Dr. Swift 400
To the Memory of Dr. Swift 401
A Schoolboy's Theme 403
Verses on the Battle of the Books 404
On Dr. Swift's leaving his Estate to Idiots 404
On several Petty Pieces lately published against Dean Swift 405
On Faulkner's Edition of Swift 405
Epigram on Lord Orrery's Remarks 406
To Dr. Delany, on his Book entitled "Observations
   on Lord Orrery's Remarks" 406
Epigram on Faulkner 407
An Inscription 407
An Epigram occasioned by the above 407
Index 409




POEMS OF JONATHAN SWIFT

POEMS ADDRESSED TO VANESSA AND STELLA

CADENUS AND VANESSA[1]
1713


The shepherds and the nymphs were seen
Pleading before the Cyprian queen.
The counsel for the fair began,
Accusing the false creature Man.
The brief with weighty crimes was charged
On which the pleader much enlarged;
That Cupid now has lost his art,
Or blunts the point of every dart;--
His altar now no longer smokes,
His mother's aid no youth invokes:
This tempts freethinkers to refine,
And bring in doubt their powers divine;
Now love is dwindled to intrigue,
And marriage grown a money league;
Which crimes aforesaid (with her leave)
Were (as he humbly did conceive)
Against our sovereign lady's peace,
Against the statute in that case,
Against her dignity and crown:
Then pray'd an answer, and sat down.
  The nymphs with scorn beheld their foes;
When the defendant's counsel rose,
And, what no lawyer ever lack'd,
With impudence own'd all the fact;
But, what the gentlest heart would vex,
Laid all the fault on t'other sex.
That modern love is no such thing
As what those ancient poets sing:
A fire celestial, chaste, refined,
Conceived and kindled in the mind;
Which, having found an equal flame,
Unites, and both become the same,
In different breasts together burn,
Together both to ashes turn.
But women now feel no such fire,
And only know the gross desire.
Their passions move in lower spheres,
Where'er caprice or folly steers,
A dog, a parrot, or an ape,
Or some worse brute in human shape,
Engross the fancies of the fair,
The few soft moments they can spare,
From visits to receive and pay,
From scandal, politics, and play;
From fans, and flounces, and brocades,
From equipage and park parades,
From all the thousand female toys,
From every trifle that employs
The out or inside of their heads,
Between their toilets and their beds.
  In a dull stream, which moving slow,
You hardly see the current flow;
If a small breeze obstruct the course,
It whirls about, for want of force,
And in its narrow circle gathers
Nothing but chaff, and straws, and feathers.
The current of a female mind
Stops thus, and turns with every wind:
Thus whirling round together draws
Fools, fops, and rakes, for chaff and straws.
Hence we conclude, no women's hearts
Are won by virtue, wit, and parts:
Nor are the men of sense to blame,
For breasts incapable of flame;
The faults must on the nymphs be placed
Grown so corrupted in their taste.
  The pleader having spoke his best,
Had witness ready to attest,
Who fairly could on oath depose,
When questions on the fact arose,
That every article was true;
Nor further those deponents knew:
Therefore he humbly would insist,
The bill might be with costs dismiss'd.
The cause appear'd of so much weight,
That Venus, from her judgment seat,
Desired them not to talk so loud,
Else she must interpose a cloud:
For if the heavenly folks should know
These pleadings in the courts below,
That mortals here disdain to love,
She ne'er could show her face above;
For gods, their betters, are too wise
To value that which men despise.
And then, said she, my son and I
Must stroll in air, 'twixt land and sky;
Or else, shut out from heaven and earth,
Fly to the sea, my place of birth:
There live with daggled mermaids pent,
And keep on fish perpetual Lent.
  But since the case appear'd so nice,
She thought it best to take advice.
The Muses, by the king's permission,
Though foes to love, attend the session,
And on the right hand took their places
In order; on the left, the Graces:
To whom she might her doubts propose
On all emergencies that rose.
The Muses oft were seen to frown;
The Graces half ashamed look'd down;
And 'twas observed, there were but few
Of either sex among the crew,
Whom she or her assessors knew.
The goddess soon began to see,
Things were not ripe for a decree;
And said, she must consult her books,
The lovers' Fletas, Bractons, Cokes.
First to a dapper clerk she beckon'd
To turn to Ovid, book the second:
She then referr'd them to a place
In Virgil, _vide_ Dido's case:
As for Tibullus's reports,
They never pass'd for law in courts:
For Cowley's briefs, and pleas of Waller,
Still their authority was smaller.
  There was on both sides much to say:
She'd hear the cause another day;
And so she did; and then a third;
She heard it--there she kept her word:
But, with rejoinders or replies,
Long bills, and answers stuff'd with lies,
Demur, imparlance, and essoign,
The parties ne'er could issue join:
For sixteen years the cause was spun,
And then stood where it first begun.
  Now, gentle Clio, sing, or say
What Venus meant by this delay?
The goddess much perplex'd in mind
To see her empire thus declined,
When first this grand debate arose,
Above her wisdom to compose,
Conceived a project in her head
To work her ends; which, if it sped,
Would show the merits of the cause
Far better than consulting laws.
  In a glad hour Lucina's aid
Produced on earth a wondrous maid,
On whom the Queen of Love was bent
To try a new experiment.
She threw her law-books on the shelf,
And thus debated with herself.
  Since men allege, they ne'er can find
Those beauties in a female mind,
Which raise a flame that will endure
For ever uncorrupt and pure;
If 'tis with reason they complain,
This infant shall restore my reign.
I'll search where every virtue dwells,
From courts inclusive down to cells:
What preachers talk, or sages write;
These will I gather and unite,
And represent them to mankind
Collected in that infant's mind.
  This said, she plucks in Heaven's high bowers
A sprig of amaranthine flowers.
In nectar thrice infuses bays,
Three times refined in Titan's rays;
Then calls the Graces to her aid,
And sprinkles thrice the newborn maid:
From whence the tender skin assumes
A sweetness above all perfumes:
From whence a cleanliness remains,
Incapable of outward stains:
From whence that decency of mind,
So lovely in the female kind,
Where not one careless thought intrudes;
Less modest than the speech of prudes;
Where never blush was call'd in aid,
That spurious virtue in a maid,
A virtue but at second-hand;
They blush because they understand.
  The Graces next would act their part,
And show'd but little of their art;
Their work was half already done,
The child with native beauty shone;
The outward form no help required:
Each, breathing on her thrice, inspired
That gentle, soft, engaging air,
Which in old times adorn'd the fair:
And said, "Vanessa be the name
By which thou shall be known to fame:
Vanessa, by the gods enroll'd:
Her name on earth shall not be told."
  But still the work was not complete;
When Venus thought on a deceit.
Drawn by her doves, away she flies,
And finds out Pallas in the skies.
Dear Pallas, I have been this morn
To see a lovely infant born:
A boy in yonder isle below,
So like my own without his bow,
By beauty could your heart be won,
You'd swear it is Apollo's son;
But it shall ne'er be said, a child
So hopeful, has by me been spoil'd:
I have enough besides to spare,
And give him wholly to your care.
  Wisdom's above suspecting wiles;
The Queen of Learning gravely smiles,
Down from Olympus comes with joy,
Mistakes Vanessa for a boy;
Then sows within her tender mind
Seeds long unknown to womankind:
For manly bosoms chiefly fit,
The seeds of knowledge, judgment, wit.
Her soul was suddenly endued
With justice, truth, and fortitude;
With honour, which no breath can stain,
Which malice must attack in vain;
With open heart and bounteous hand.
But Pallas here was at a stand;
She knew, in our degenerate days,
Bare virtue could not live on praise;
That meat must be with money bought:
She therefore, upon second thought,
Infused, yet as it were by stealth,
Some small regard for state and wealth;
Of which, as she grew up, there staid
A tincture in the prudent maid:
She managed her estate with care,
Yet liked three footmen to her chair.
But, lest he should neglect his studies
Like a young heir, the thrifty goddess
(For fear young master should be spoil'd)
Would use him like a younger child;
And, after long computing, found
'Twould come to just five thousand pound.
  The Queen of Love was pleased, and proud,
To see Vanessa thus endow'd:
She doubted not but such a dame
Through every breast would dart a flame,
That every rich and lordly swain
With pride would drag about her chain;
That scholars would forsake their books,
To study bright Vanessa's looks;
As she advanced, that womankind
Would by her model form their mind,
And all their conduct would be tried
By her, as an unerring guide;
Offending daughters oft would hear
Vanessa's praise rung in their ear:
Miss Betty, when she does a fault,
Lets fall her knife, or spills the salt,
Will thus be by her mother chid,
"’Tis what Vanessa never did!"
Thus by the nymphs and swains adored,
My power shall be again restored,
And happy lovers bless my reign--
So Venus hoped, but hoped in vain.
  For when in time the Martial Maid
Found out the trick that Venus play'd,
She shakes her helm, she knits her brows,
And, fired with indignation, vows,
To-morrow, ere the setting sun,
She'd all undo that she had done.
  But in the poets we may find
A wholesome law, time out of mind,
Had been confirm'd by Fate's decree,
That gods, of whatsoe'er degree,
Resume not what themselves have given,
Or any brother god in Heaven:
Which keeps the peace among the gods,
Or they must always be at odds:
And Pallas, if she broke the laws,
Must yield her foe the stronger cause;
A shame to one so much adored
For wisdom at Jove's council-board.
Besides, she fear'd the Queen of Love
Would meet with better friends above.
And though she must with grief reflect,
To see a mortal virgin deck'd
With graces hitherto unknown
To female breasts, except her own:
Yet she would act as best became
A goddess of unspotted fame.
She knew, by augury divine,
Venus would fail in her design:
She studied well the point, and found
Her foe's conclusions were not sound,
From premises erroneous brought,
And therefore the deduction's naught,
And must have contrary effects,
To what her treacherous foe expects.
  In proper season Pallas meets
The Queen of Love, whom thus she greets,
(For gods, we are by Homer told,
Can in celestial language scold:)--
Perfidious goddess! but in vain
You form'd this project in your brain;
A project for your talents fit,
With much deceit and little wit.
Thou hast, as thou shall quickly see,
Deceived thyself, instead of me;
For how can heavenly wisdom prove
An instrument to earthly love?
Know'st thou not yet, that men commence
Thy votaries for want of sense?
Nor shall Vanessa be the theme
To manage thy abortive scheme:
She'll prove the greatest of thy foes;
And yet I scorn to interpose,
But, using neither skill nor force,
Leave all things to their natural course.
  The goddess thus pronounced her doom:
When, lo! Vanessa in her bloom
Advanced, like Atalanta's star,
But rarely seen, and seen from far:
In a new world with caution slept,
Watch'd all the company she kept,
Well knowing, from the books she read,
What dangerous paths young virgins tread:
Would seldom at the Park appear,
Nor saw the play-house twice a year;
Yet, not incurious, was inclined
To know the converse of mankind.
  First issued from perfumers' shops,
A crowd of fashionable fops:
They ask'd her how she liked the play;
Then told the tattle of the day;
A duel fought last night at two,
About a lady--you know who;
Mention'd a new Italian, come
Either from Muscovy or Rome;
Gave hints of who and who's together;
Then fell to talking of the weather;
Last night was so extremely fine,
The ladies walk'd till after nine:
Then, in soft voice and speech absurd,
With nonsense every second word,
With fustian from exploded plays,
They celebrate her beauty's praise;
Run o'er their cant of stupid lies,
And tell the murders of her eyes.
  With silent scorn Vanessa sat,
Scarce listening to their idle chat;
Farther than sometimes by a frown,
When they grew pert, to pull them down.
At last she spitefully was bent
To try their wisdom's full extent;
And said, she valued nothing less
Than titles, figure, shape, and dress;
That merit should be chiefly placed
In judgment, knowledge, wit, and taste;
And these, she offer'd to dispute,
Alone distinguish'd man from brute:
That present times have no pretence
To virtue, in the noble sense
By Greeks and Romans understood,
To perish for our country's good.
She named the ancient heroes round,
Explain'd for what they were renown'd;
Then spoke with censure or applause
Of foreign customs, rites, and laws;
Through nature and through art she ranged
And gracefully her subject changed;
In vain! her hearers had no share
In all she spoke, except to stare.
Their judgment was, upon the whole,
--That lady is the dullest soul!--
Then tapt their forehead in a jeer,
As who should say--She wants it here!
She may be handsome, young, and rich,
But none will burn her for a witch!
  A party next of glittering dames,
From round the purlieus of St. James,
Came early, out of pure good will,
To see the girl in dishabille.
Their clamour, 'lighting from their chairs
Grew louder all the way up stairs;
At entrance loudest, where they found
The room with volumes litter'd round.
Vanessa held Montaigne, and read,
While Mrs. Susan comb'd her head.
They call'd for tea and chocolate,
And fell into their usual chat,
Discoursing with important face,
On ribbons, fans, and gloves, and lace;
Show'd patterns just from India brought,
And gravely ask'd her what she thought,
Whether the red or green were best,
And what they cost? Vanessa guess'd
As came into her fancy first;
Named half the rates, and liked the worst.
To scandal next--What awkward thing
Was that last Sunday in the ring?
I'm sorry Mopsa breaks so fast:
I said her face would never last.
Corinna, with that youthful air,
Is thirty, and a bit to spare:
Her fondness for a certain earl
Began when I was but a girl!
Phillis, who but a month ago
Was married to the Tunbridge beau,
I saw coquetting t'other night
In public with that odious knight!
  They rallied next Vanessa's dress:
That gown was made for old Queen Bess.
Dear madam, let me see your head:
Don't you intend to put on red?
A petticoat without a hoop!
Sure, you are not ashamed to stoop!
With handsome garters at your knees,
No matter what a fellow sees.
  Filled with disdain, with rage inflamed
Both of herself and sex ashamed,
The nymph stood silent out of spite,
Nor would vouchsafe to set them right.
Away the fair detractors went,
And gave by turns their censures vent.
She's not so handsome in my eyes:
For wit, I wonder where it lies!
She's fair and clean, and that's the most:
But why proclaim her for a toast?
A baby face; no life, no airs,
But what she learn'd at country fairs;
Scarce knows what difference is between
Rich Flanders lace and Colberteen. [2]
I'll undertake, my little Nancy
In flounces has a better fancy;
With all her wit, I would not ask
Her judgment how to buy a mask.
We begg'd her but to patch her face,
She never hit one proper place;
Which every girl at five years old
Can do as soon as she is told.
I own, that out-of-fashion stuff
Becomes the creature well enough.
The girl might pass, if we could get her
To know the world a little better.
(To know the world! a modern phrase
For visits, ombre, balls, and plays.)
  Thus, to the world's perpetual shame,
The Queen of Beauty lost her aim;
Too late with grief she understood
Pallas had done more harm than good;
For great examples are but vain,
Where ignorance begets disdain.
Both sexes, arm'd with guilt and spite,
Against Vanessa's power unite:
To copy her few nymphs aspired;
Her virtues fewer swains admired.
So stars, beyond a certain height,
Give mortals neither heat nor light.
Yet some of either sex, endow'd
With gifts superior to the crowd,
With virtue, knowledge, taste, and wit
She condescended to admit:
With pleasing arts she could reduce
Men's talents to their proper use;
And with address each genius held
To that wherein it most excell'd;
Thus, making others' wisdom known,
Could please them, and improve her own.
A modest youth said something new;
She placed it in the strongest view.
All humble worth she strove to raise,
Would not be praised, yet loved to praise.
The learned met with free approach,
Although they came not in a coach:
Some clergy too she would allow,
Nor quarrell'd at their awkward bow;
But this was for Cadenus' sake,
A gownman of a different make;
Whom Pallas once, Vanessa's tutor,
Had fix'd on for her coadjutor.
  But Cupid, full of mischief, longs
To vindicate his mother's wrongs.
On Pallas all attempts are vain:
One way he knows to give her pain;
Vows on Vanessa's heart to take
Due vengeance, for her patron's sake;
Those early seeds by Venus sown,
In spite of Pallas now were grown;
And Cupid hoped they would improve
By time, and ripen into love.
The boy made use of all his craft,
In vain discharging many a shaft,
Pointed at colonels, lords, and beaux:
Cadenus warded off the blows;
For, placing still some book betwixt,
The darts were in the cover fix'd,
Or, often blunted and recoil'd,
On Plutarch's Moral struck, were spoil'd.
  The Queen of Wisdom could foresee,
But not prevent, the Fates' decree:
And human caution tries in vain
To break that adamantine chain.
Vanessa, though by Pallas taught,
By Love invulnerable thought,
Searching in books for wisdom's aid,
Was, in the very search, betray'd.
  Cupid, though all his darts were lost,
Yet still resolved to spare no cost:
He could not answer to his fame
The triumphs of that stubborn dame,
A nymph so hard to be subdued,
Who neither was coquette nor prude.
I find, said he, she wants a doctor,
Both to adore her, and instruct her:
I'll give her what she most admires
Among those venerable sires.
Cadenus is a subject fit,
Grown old in politics and wit,
Caress'd by ministers of state,
Of half mankind the dread and hate.
Whate'er vexations love attend,
She needs no rivals apprehend.
Her sex, with universal voice,
Must laugh at her capricious choice.
  Cadenus many things had writ:
Vanessa much esteem'd his wit,
And call'd for his poetic works:
Meantime the boy in secret lurks;
And, while the book was in her hand,
The urchin from his private stand
Took aim, and shot with all his strength
A dart of such prodigious length,
It pierced the feeble volume through,
And deep transfix'd her bosom too.
Some lines, more moving than the rest,
Stuck to the point that pierced her breast,
And, borne directly to the heart,
With pains unknown increased her smart.
  Vanessa, not in years a score,
Dreams of a gown of forty-four;
Imaginary charms can find
In eyes with reading almost blind:
Cadenus now no more appears
Declined in health, advanced in years.
She fancies music in his tongue;
Nor farther looks, but thinks him young.
What mariner is not afraid
To venture in a ship decay'd?
What planter will attempt to yoke
A sapling with a falling oak?
As years increase, she brighter shines;
Cadenus with each day declines:
And he must fall a prey to time,
While she continues in her prime.
Cadenus, common forms apart,
In every scene had kept his heart;
Had sigh'd and languish'd, vow'd and writ,
For pastime, or to show his wit,
But books, and time, and state affairs,
Had spoil'd his fashionable airs:
He now could praise, esteem, approve,
But understood not what was love.
His conduct might have made him styled
A father, and the nymph his child.
That innocent delight he took
To see the virgin mind her book,
Was but the master's secret joy
In school to hear the finest boy.
Her knowledge with her fancy grew;
She hourly press'd for something new;
Ideas came into her mind
So fast, his lessons lagg'd behind;
She reason'd, without plodding long,
Nor ever gave her judgment wrong.
But now a sudden change was wrought;
She minds no longer what he taught.
Cadenus was amazed to find
Such marks of a distracted mind:
For, though she seem'd to listen more
To all he spoke, than e'er before,
He found her thoughts would absent range,
Yet guess'd not whence could spring the change.
And first he modestly conjectures
His pupil might be tired with lectures;
Which help'd to mortify his pride,
Yet gave him not the heart to chide:
But, in a mild dejected strain,
At last he ventured to complain:
Said, she should be no longer teazed,
Might have her freedom when she pleased;
Was now convinced he acted wrong
To hide her from the world so long,
And in dull studies to engage
One of her tender sex and age;
That every nymph with envy own'd,
How she might shine in the _grand monde_:
And every shepherd was undone
To see her cloister'd like a nun.
This was a visionary scheme:
He waked, and found it but a dream;
A project far above his skill:
For nature must be nature still.
If he were bolder than became
A scholar to a courtly dame,
She might excuse a man of letters;
Thus tutors often treat their better;
And, since his talk offensive grew,
He came to take his last adieu.
  Vanessa, fill'd with just disdain,
Would still her dignity maintain,
Instructed from her early years
To scorn the art of female tears.
  Had he employ'd his time so long
To teach her what was right and wrong;
Yet could such notions entertain
That all his lectures were in vain?
She own'd the wandering of her thoughts;
But he must answer for her faults.
She well remember'd to her cost,
That all his lessons were not lost.
Two maxims she could still produce,
And sad experience taught their use;
That virtue, pleased by being shown,
Knows nothing which it dares not own;
Can make us without fear disclose
Our inmost secrets to our foes;
That common forms were not design'd
Directors to a noble mind.
Now, said the nymph, to let you see
My actions with your rules agree;
That I can vulgar forms despise,
And have no secrets to disguise;
I knew, by what you said and writ,
How dangerous things were men of wit;
You caution'd me against their charms,
But never gave me equal arms;
Your lessons found the weakest part,
Aim'd at the head, but reach'd the heart.
  Cadenus felt within him rise
Shame, disappointment, guilt, surprise.
He knew not how to reconcile
Such language with her usual style:
And yet her words were so exprest,
He could not hope she spoke in jest.
His thoughts had wholly been confined
To form and cultivate her mind.
He hardly knew, till he was told,
Whether the nymph were young or old;
Had met her in a public place,
Without distinguishing her face;
Much less could his declining age
Vanessa's earliest thoughts engage;
And, if her youth indifference met,
His person must contempt beget;
Or grant her passion be sincere,
How shall his innocence be clear?
[3]Appearances were all so strong,
The world must think him in the wrong;
Would say, he made a treacherous use
Of wit, to flatter and seduce;
The town would swear, he had betray'd
By magic spells the harmless maid:
And every beau would have his joke,
That scholars were like other folk;
And, when Platonic flights were over,
The tutor turn'd a mortal lover!
So tender of the young and fair!
It show'd a true paternal care--
Five thousand guineas in her purse!
The doctor might have fancied worse.--
  Hardly at length he silence broke,
And falter'd every word he spoke;
Interpreting her complaisance,
Just as a man _sans_ consequence.
She rallied well, he always knew:
Her manner now was something new;
And what she spoke was in an air
As serious as a tragic player.
But those who aim at ridicule
Should fix upon some certain rule,
Which fairly hints they are in jest,
Else he must enter his protest:
For let a man be ne'er so wise,
He may be caught with sober lies;
A science which he never taught,
And, to be free, was dearly bought;
For, take it in its proper light,
'Tis just what coxcombs call a bite.
  But, not to dwell on things minute,
Vanessa finish'd the dispute;
Brought weighty arguments to prove
That reason was her guide in love.
She thought he had himself described,
His doctrines when she first imbibed;
What he had planted, now was grown;
His virtues she might call her own;
As he approves, as he dislikes,
Love or contempt her fancy strikes.
Self-love, in nature rooted fast,
Attends us first, and leaves us last;
Why she likes him, admire not at her;
She loves herself, and that's the matter.
How was her tutor wont to praise
The geniuses of ancient days!
(Those authors he so oft had named,
For learning, wit, and wisdom, famed;)
Was struck with love, esteem, and awe,
For persons whom he never saw.
Suppose Cadenus flourish'd then,
He must adore such godlike men.
If one short volume could comprise
All that was witty, learn'd, and wise,
How would it be esteem'd and read,
Although the writer long were dead!
If such an author were alive,
How all would for his friendship strive,
And come in crowds to see his face!
And this she takes to be her case.
Cadenus answers every end,
The book, the author, and the friend;
The utmost her desires will reach,
Is but to learn what he can teach:
His converse is a system fit
Alone to fill up all her wit;
While every passion of her mind
In him is centred and confined.
  Love can with speech inspire a mute,
And taught Vanessa to dispute.
This topic, never touch'd before,
Display'd her eloquence the more:
Her knowledge, with such pains acquired,
By this new passion grew inspired;
Through this she made all objects pass,
Which gave a tincture o'er the mass;
As rivers, though they bend and twine,
Still to the sea their course incline:
Or, as philosophers, who find
Some favourite system to their mind;
In every point to make it fit,
Will force all nature to submit.
  Cadenus, who could ne'er suspect
His lessons would have such effect,
Or be so artfully applied,
Insensibly came on her side.
It was an unforeseen event;
Things took a turn he never meant.
Whoe'er excels in what we prize,
Appears a hero in our eyes;
Each girl, when pleased with what is taught,
Will have the teacher in her thought.
When miss delights in her spinet,
A fiddler may a fortune get;
A blockhead, with melodious voice,
In boarding-schools may have his choice:
And oft the dancing-master's art
Climbs from the toe to touch the heart.
In learning let a nymph delight,
The pedant gets a mistress by't.
Cadenus, to his grief and shame,
Could scarce oppose Vanessa's flame;
And, though her arguments were strong,
At least could hardly wish them wrong.
Howe'er it came, he could not tell,
But sure she never talk'd so well.
His pride began to interpose;
Preferr'd before a crowd of beaux!
So bright a nymph to come unsought!
Such wonder by his merit wrought!
'Tis merit must with her prevail!
He never knew her judgment fail!
She noted all she ever read!
And had a most discerning head!
  'Tis an old maxim in the schools,
That flattery's the food of fools;
Yet now and then your men of wit
Will condescend to take a bit.
  So when Cadenus could not hide,
He chose to justify his pride;
Construing the passion she had shown,
Much to her praise, more to his own.
Nature in him had merit placed,
In her a most judicious taste.
Love, hitherto a transient guest,
Ne'er held possession of his breast;
So long attending at the gate,
Disdain'd to enter in so late.
Love why do we one passion call,
When 'tis a compound of them all?
Where hot and cold, where sharp and sweet,
In all their equipages meet;
Where pleasures mix'd with pains appear,
Sorrow with joy, and hope with fear;
Wherein his dignity and age
Forbid Cadenus to engage.
But friendship, in its greatest height,
A constant, rational delight,
On virtue's basis fix'd to last,
When love allurements long are past,
Which gently warms, but cannot burn,
He gladly offers in return;
His want of passion will redeem
With gratitude, respect, esteem:
With what devotion we bestow,
When goddesses appear below.
  While thus Cadenus entertains
Vanessa in exalted strains,
The nymph in sober words entreats
A truce with all sublime conceits;
For why such raptures, flights, and fancies,
To her who durst not read romances?
In lofty style to make replies,
Which he had taught her to despise?
But when her tutor will affect
Devotion, duty, and respect,
He fairly abdicates the throne:
The government is now her own;
He has a forfeiture incurr'd;
She vows to take him at his word,
And hopes he will not think it strange
If both should now their stations change,
The nymph will have her turn to be
The tutor; and the pupil, he;
Though she already can discern
Her scholar is not apt to learn;
Or wants capacity to reach
The science she designs to teach;
Wherein his genius was below
The skill of every common beau,
Who, though he cannot spell, is wise
Enough to read a lady's eyes,
And will each accidental glance
Interpret for a kind advance.
  But what success Vanessa met,
Is to the world a secret yet.
Whether the nymph, to please her swain,
Talks in a high romantic strain;
Or whether he at last descends
To act with less seraphic ends;
Or to compound the business, whether
They temper love and books together;
Must never to mankind be told,
Nor shall the conscious Muse unfold.
  Meantime the mournful Queen of Love
Led but a weary life above.
She ventures now to leave the skies,
Grown by Vanessa's conduct wise:
For though by one perverse event
Pallas had cross'd her first intent;
Though her design was not obtain'd:
Yet had she much experience gain'd,
And, by the project vainly tried,
Could better now the cause decide.
She gave due notice, that both parties,
_Coram Regina, prox' die Martis,_
Should at their peril, without fail,
Come and appear, and save their bail.
All met; and, silence thrice proclaimed,
One lawyer to each side was named.
The judge discover'd in her face
Resentments for her late disgrace;
And full of anger, shame, and grief,
Directed them to mind their brief;
Nor spend their time to show their reading:
She'd have a summary proceeding.
She gather'd under every head
The sum of what each lawyer said,
Gave her own reasons last, and then
Decreed the cause against the men.
  But in a weighty case like this,
To show she did not judge amiss,
Which evil tongues might else report,
She made a speech in open court;
Wherein she grievously complains,
"How she was cheated by the swains;
On whose petition (humbly showing,
That women were not worth the wooing,
And that, unless the sex would mend,
The race of lovers soon must end)--
She was at Lord knows what expense
To form a nymph of wit and sense,
A model for her sex design'd,
Who never could one lover find.
She saw her favour was misplaced;
The fellows had a wretched taste;
She needs must tell them to their face,
They were a stupid, senseless race;
And, were she to begin again,
She'd study to reform the men;
Or add some grains of folly more
To women, than they had before,
To put them on an equal foot;
And this, or nothing else, would do't.
This might their mutual fancy strike;
Since every being loves its like.
  "But now, repenting what was done,
She left all business to her son;
She put the world in his possession,
And let him use it at discretion."
  The crier was order'd to dismiss
The court, who made his last "O yes!"
The goddess would no longer wait;
But, rising from her chair of state,
Left all below at six and seven,
Harness'd her doves, and flew to Heaven.


[Footnote 1: Hester, elder daughter of Bartholomew Vanhomrigh, a Dutch
merchant in Dublin, where he acquired a fortune of some £16,000. Upon
his death, his widow and two daughters settled in London, about 1710-11,
where Swift became intimate with the family. See "Prose Works,"
especially Journal to Stella. After Swift became Dean of St. Patrick's,
Vanessa and her sister, on their mother's death, returned to Ireland. The
younger sister died about 1720, and Vanessa died at Marlay Abbey in
May, 1723.]

[Footnote 2: A lace so called after the celebrated French Minister,
Colbert. Planché's "British Costume," 395._W. E. B._]

[Footnote 3: See the verses "On Censure," vol. i, p.160.--_W. E. B._]




TO LOVE[1]


In all I wish, how happy should I be,
Thou grand Deluder, were it not for thee!
So weak thou art, that fools thy power despise;
And yet so strong, thou triumph'st o'er the wise.
Thy traps are laid with such peculiar art,
They catch the cautious, let the rash depart.
Most nets are fill'd by want of thought and care
But too much thinking brings us to thy snare;
Where, held by thee, in slavery we stay,
And throw the pleasing part of life away.
But, what does most my indignation move,
Discretion! thou wert ne'er a friend to Love:
Thy chief delight is to defeat those arts,
By which he kindles mutual flames in hearts;
While the blind loitering God is at his play,
Thou steal'st his golden pointed darts away:
Those darts which never fail; and in their stead
Convey'st malignant arrows tipt with lead:
The heedless God, suspecting no deceits,
Shoots on, and thinks he has done wondrous feats;
But the poor nymph, who feels her vitals burn,
And from her shepherd can find no return,
Laments, and rages at the power divine,
When, curst Discretion! all the fault was thine:
Cupid and Hymen thou hast set at odds,
And bred such feuds between those kindred gods,
That Venus cannot reconcile her sons;
When one appears, away the other runs.
The former scales, wherein he used to poise
Love against love, and equal joys with joys,
Are now fill'd up with avarice and pride,
Where titles, power, and riches, still subside.
Then, gentle Venus, to thy father run,
And tell him, how thy children are undone:
Prepare his bolts to give one fatal blow,
And strike Discretion to the shades below.


[Footnote 1: Found in Miss Vanhomrigh's desk, after her death, in the
handwriting of Dr. Swift.--_H._]




A REBUS. BY VANESSA

Cut the name of the man [1] who his mistress denied,
And let the first of it be only applied
To join with the prophet[2] who David did chide;
Then say what a horse is that runs very fast;[3]
And that which deserves to be first put the last;
Spell all then, and put them together, to find
The name and the virtues of him I design'd.
Like the patriarch in Egypt, he's versed in the state;
Like the prophet in Jewry, he's free with the great;
Like a racer he flies, to succour with speed,
When his friends want his aid, or desert is in need.

[Footnote 1: Jo-seph.]

[Footnote 2: Nathan.]

[Footnote 3: Swift.]




THE DEAN'S ANSWER


The nymph who wrote this in an amorous fit,
I cannot but envy the pride of her wit,
Which thus she will venture profusely to throw
On so mean a design, and a subject so low.
For mean's her design, and her subject as mean,
The first but a rebus, the last but a dean.
A dean's but a parson: and what is a rebus?
A thing never known to the Muses or Phoebus.
The corruption of verse; for, when all is done,
It is but a paraphrase made on a pun.
But a genius like hers no subject can stifle,
It shows and discovers itself through a trifle.
By reading this trifle, I quickly began
To find her a great wit, but the dean a small man.
Rich ladies will furnish their garrets with stuff,
Which others for mantuas would think fine enough:
So the wit that is lavishly thrown away here,
Might furnish a second-rate poet a year.
Thus much for the verse, we proceed to the next,
Where the nymph has entirely forsaken her text:
Her fine panegyrics are quite out of season:
And what she describes to be merit, is treason:
The changes which faction has made in the state,
Have put the dean's politics quite out of date:
Now no one regards what he utters with freedom,
And, should he write pamphlets, no great man would read 'em;
And, should want or desert stand in need of his aid,
This racer would prove but a dull founder'd jade.




STELLA'S BIRTH-DAY MARCH 13, 1718-19


Stella this day is thirty-four,
(We shan't dispute a year or more:)
However, Stella, be not troubled,
Although thy size and years are doubled
Since first I saw thee at sixteen,
The brightest virgin on the green;
So little is thy form declined;
Made up so largely in thy mind.
  O, would it please the gods to split
Thy beauty, size, and years, and wit!
No age could furnish out a pair
Of nymphs so graceful, wise, and fair;
With half the lustre of your eyes,
With half your wit, your years, and size.
And then, before it grew too late,
How should I beg of gentle fate,
(That either nymph might have her swain,)
To split my worship too in twain.




STELLA'S BIRTH-DAY.[1] 1719-20

WRITTEN A.D. 1720-21.--_Stella_.


All travellers at first incline
Where'er they see the fairest sign
And if they find the chambers neat,
And like the liquor and the meat,
Will call again, and recommend
The Angel Inn to every friend.
And though the painting grows decay'd,
The house will never lose its trade:
Nay, though the treach'rous tapster,[2] Thomas,
Hangs a new Angel two doors from us,
As fine as daubers' hands can make it,
In hopes that strangers may mistake it,
We[3] think it both a shame and sin
To quit the true old Angel Inn.
  Now this is Stella's case in fact,
An angel's face a little crack'd.
(Could poets or could painters fix
How angels look at thirty-six:)
This drew us in at first to find
In such a form an angel's mind;
And every virtue now supplies
The fainting rays of Stella's eyes.
See, at her levee crowding swains,
Whom Stella freely entertains
With breeding, humour, wit, and sense,
And puts them to so small expense;
Their minds so plentifully fills,
And makes such reasonable bills,
So little gets for what she gives,
We really wonder how she lives!
And had her stock been less, no doubt
She must have long ago run out.
  Then, who can think we'll quit the place,
When Doll hangs out a newer face?
Nail'd to her window full in sight
All Christian people to invite.
Or stop and light at Chloe's head,
With scraps and leavings to be fed?
  Then, Chloe, still go on to prate
Of thirty-six and thirty-eight;
Pursue your trade of scandal-picking,
Your hints that Stella is no chicken;
Your innuendoes, when you tell us,
That Stella loves to talk with fellows:
But let me warn you to believe
A truth, for which your soul should grieve;
That should you live to see the day,
When Stella's locks must all be gray,
When age must print a furrow'd trace
On every feature of her face;
Though you, and all your senseless tribe,
Could Art, or Time, or Nature bribe,
To make you look like Beauty's Queen,
And hold for ever at fifteen;
No bloom of youth can ever blind
The cracks and wrinkles of your mind:
All men of sense will pass your door,
And crowd to Stella's at four-score.


[Footnote 1: Collated with Stella's own copy transcribed in her
volume.--_Forster_.]

[Footnote 2: Rascal.--_Stella_.]

[Footnote 3: They.--_Stella_.]



TO STELLA, WHO COLLECTED AND TRANSCRIBED HIS POEMS
1720


As, when a lofty pile is raised,
We never hear the workmen praised,
Who bring the lime, or place the stones.
But all admire Inigo Jones:
So, if this pile of scatter'd rhymes
Should be approved in aftertimes;
If it both pleases and endures,
The merit and the praise are yours.
  Thou, Stella, wert no longer young,
When first for thee my harp was strung,
Without one word of Cupid's darts,
Of killing eyes, or bleeding hearts;
With friendship and esteem possest,
I ne'er admitted Love a guest.
  In all the habitudes of life,
The friend, the mistress, and the wife,
Variety we still pursue,
In pleasure seek for something new;
Or else, comparing with the rest,
Take comfort that our own is best;
The best we value by the worst,
As tradesmen show their trash at first;
But his pursuits are at an end,
Whom Stella chooses for a friend.
A poet starving in a garret,
Conning all topics like a parrot,
Invokes his mistress and his Muse,
And stays at home for want of shoes:
Should but his Muse descending drop
A slice of bread and mutton-chop;
Or kindly, when his credit's out,
Surprise him with a pint of stout;
Or patch his broken stocking soles;
Or send him in a peck of coals;
Exalted in his mighty mind,
He flies and leaves the stars behind;
Counts all his labours amply paid,
Adores her for the timely aid.
  Or, should a porter make inquiries
For Chloe, Sylvia, Phillis, Iris;
Be told the lodging, lane, and sign,
The bowers that hold those nymphs divine;
Fair Chloe would perhaps be found
With footmen tippling under ground;
The charming Sylvia beating flax,
Her shoulders mark'd with bloody tracks;[1]
Bright Phillis mending ragged smocks:
And radiant Iris in the pox.
These are the goddesses enroll'd
In Curll's collection, new and old,
Whose scoundrel fathers would not know 'em,
If they should meet them in a poem.
  True poets can depress and raise,
Are lords of infamy and praise;
They are not scurrilous in satire,
Nor will in panegyric flatter.
Unjustly poets we asperse;
Truth shines the brighter clad in verse,
And all the fictions they pursue
Do but insinuate what is true.
  Now, should my praises owe their truth
To beauty, dress, or paint, or youth,
What stoics call without our power,
They could not be ensured an hour;
'Twere grafting on an annual stock,
That must our expectation mock,
And, making one luxuriant shoot,
Die the next year for want of root:
Before I could my verses bring,
Perhaps you're quite another thing.
  So Mævius, when he drain'd his skull
To celebrate some suburb trull,
His similes in order set,
And every crambo[2] he could get;
Had gone through all the common-places
Worn out by wits, who rhyme on faces;
Before he could his poem close,
The lovely nymph had lost her nose.
  Your virtues safely I commend;
They on no accidents depend:
Let malice look with all her eyes,
She dares not say the poet lies.
  Stella, when you these lines transcribe,
Lest you should take them for a bribe,
Resolved to mortify your pride,
I'll here expose your weaker side.
  Your spirits kindle to a flame,
Moved by the lightest touch of blame;
And when a friend in kindness tries
To show you where your error lies,
Conviction does but more incense;
Perverseness is your whole defence;
Truth, judgment, wit, give place to spite,
Regardless both of wrong and right;
Your virtues all suspended wait,
Till time has open'd reason's gate;
And, what is worse, your passion bends
Its force against your nearest friends,
Which manners, decency, and pride,
Have taught from you the world to hide;
In vain; for see, your friend has brought
To public light your only fault;
And yet a fault we often find
Mix'd in a noble, generous mind:
And may compare to Ætna's fire,
Which, though with trembling, all admire;
The heat that makes the summit glow,
Enriching all the vales below.
Those who, in warmer climes, complain
From Phoebus' rays they suffer pain,
Must own that pain is largely paid
By generous wines beneath a shade.
  Yet, when I find your passions rise,
And anger sparkling in your eyes,
I grieve those spirits should be spent,
For nobler ends by nature meant.
One passion, with a different turn,
Makes wit inflame, or anger burn:
So the sun's heat, with different powers,
Ripens the grape, the liquor sours:
Thus Ajax, when with rage possest,
By Pallas breathed into his breast,
His valour would no more employ,
Which might alone have conquer'd Troy;
But, blinded by resentment, seeks
For vengeance on his friends the Greeks.
  You think this turbulence of blood
From stagnating preserves the flood,
Which, thus fermenting by degrees,
Exalts the spirits, sinks the lees.
Stella, for once you reason wrong;
For, should this ferment last too long,
By time subsiding, you may find
Nothing but acid left behind;
From passion you may then be freed,
When peevishness and spleen succeed.
Say, Stella, when you copy next,
Will you keep strictly to the text?
Dare you let these reproaches stand,
And to your failing set your hand?
Or, if these lines your anger fire,
Shall they in baser flames expire?
Whene'er they burn, if burn they must,
They'll prove my accusation just.


[Footnote 1: At Bridewell; see vol. i, "A Beautiful Young Nymph," at
p. 201.--_W. E. B_.]

[Footnote 3: A cant word for a rhyme.--_W. E. B._]



TO STELLA VISITING ME IN MY SICKNESS
1720


Pallas, observing Stella's wit
Was more than for her sex was fit,
And that her beauty, soon or late,
Might breed confusion in the state,
In high concern for human kind,
Fix'd honour in her infant mind.
  But (not in wrangling to engage
With such a stupid, vicious age)
If honour I would here define,
It answers faith in things divine.
As natural life the body warms,
And, scholars teach, the soul informs,
So honour animates the whole,
And is the spirit of the soul.
  Those numerous virtues which the tribe
Of tedious moralists describe,
And by such various titles call,
True honour comprehends them all.
Let melancholy rule supreme,
Choler preside, or blood, or phlegm,
It makes no difference in the case,
Nor is complexion honour's place.
  But, lest we should for honour take
The drunken quarrels of a rake:
Or think it seated in a scar,
Or on a proud triumphal car;
Or in the payment of a debt
We lose with sharpers at piquet;
Or when a whore, in her vocation,
Keeps punctual to an assignation;
Or that on which his lordship swears,
When vulgar knaves would lose their ears;
Let Stella's fair example preach
A lesson she alone can teach.
  In points of honour to be tried,
All passions must be laid aside:
Ask no advice, but think alone;
Suppose the question not your own.
How shall I act, is not the case;
But how would Brutus in my place?
In such a case would Cato bleed?
And how would Socrates proceed?
  Drive all objections from your mind,
Else you relapse to human kind:
Ambition, avarice, and lust,
A factious rage, and breach of trust,
And flattery tipt with nauseous fleer,
And guilty shame, and servile fear,
Envy, and cruelty, and pride,
Will in your tainted heart preside.
  Heroes and heroines of old,
By honour only were enroll'd
Among their brethren in the skies,
To which (though late) shall Stella rise.
Ten thousand oaths upon record
Are not so sacred as her word:
The world shall in its atoms end,
Ere Stella can deceive a friend.
By honour seated in her breast
She still determines what is best:
What indignation in her mind
Against enslavers of mankind!
Base kings, and ministers of state,
Eternal objects of her hate!
She thinks that nature ne'er design'd
Courage to man alone confined.
Can cowardice her sex adorn,
Which most exposes ours to scorn?
She wonders where the charm appears
In Florimel's affected fears;
For Stella never learn'd the art
At proper times to scream and start;
Nor calls up all the house at night,
And swears she saw a thing in white.
Doll never flies to cut her lace,
Or throw cold water in her face,
Because she heard a sudden drum,
Or found an earwig in a plum.
  Her hearers are amazed from whence
Proceeds that fund of wit and sense;
Which, though her modesty would shroud,
Breaks like the sun behind a cloud;
While gracefulness its art conceals,
And yet through every motion steals.
  Say, Stella, was Prometheus blind,
And, forming you, mistook your kind?
No; 'twas for you alone he stole
The fire that forms a manly soul;
Then, to complete it every way,
He moulded it with female clay:
To that you owe the nobler flame,
To this the beauty of your frame.
  How would Ingratitude delight,
And how would Censure glut her spite,
If I should Stella's kindness hide
In silence, or forget with pride!
When on my sickly couch I lay,
Impatient both of night and day,
Lamenting in unmanly strains,
Call'd every power to ease my pains;
Then Stella ran to my relief,
With cheerful face and inward grief;
And, though by Heaven's severe decree
She suffers hourly more than me,
No cruel master could require,
From slaves employ'd for daily hire,
What Stella, by her friendship warm'd
With vigour and delight perform'd:
My sinking spirits now supplies
With cordials in her hands and eyes:
Now with a soft and silent tread
Unheard she moves about my bed.
I see her taste each nauseous draught,
And so obligingly am caught;
I bless the hand from whence they came,
Nor dare distort my face for shame.
  Best pattern of true friends! beware;
You pay too dearly for your care,
If, while your tenderness secures
My life, it must endanger yours;
For such a fool was never found,
Who pull'd a palace to the ground,
Only to have the ruins made
Materials for a house decay'd.




STELLA TO DR. SWIFT ON HIS BIRTH-DAY, NOV. 30, 1721


St. Patrick's Dean, your country's pride,
My early and my only guide,
Let me among the rest attend,
Your pupil and your humble friend,
To celebrate in female strains
The day that paid your mother's pains;
Descend to take that tribute due
In gratitude alone to you.
  When men began to call me fair,
You interposed your timely care:
You early taught me to despise
The ogling of a coxcomb's eyes;
Show'd where my judgment was misplaced;
Refined my fancy and my taste.
  Behold that beauty just decay'd,
Invoking art to nature's aid:
Forsook by her admiring train,
She spreads her tatter'd nets in vain;
Short was her part upon the stage;
Went smoothly on for half a page;
Her bloom was gone, she wanted art,
As the scene changed, to change her part;
She, whom no lover could resist,
Before the second act was hiss'd.
Such is the fate of female race
With no endowments but a face;
Before the thirtieth year of life,
A maid forlorn, or hated wife.
  Stella to you, her tutor, owes
That she has ne'er resembled those:
Nor was a burden to mankind
With half her course of years behind.
You taught how I might youth prolong,
By knowing what was right and wrong;
How from my heart to bring supplies
Of lustre to my fading eyes;
How soon a beauteous mind repairs
The loss of changed or falling hairs;
How wit and virtue from within
Send out a smoothness o'er the skin:
Your lectures could my fancy fix,
And I can please at thirty-six.
The sight of Chloe at fifteen,
Coquetting, gives not me the spleen;
The idol now of every fool
Till time shall make their passions cool;
Then tumbling down Time's steepy hill,
While Stella holds her station still.
O! turn your precepts into laws,
Redeem the women's ruin'd cause,
Retrieve lost empire to our sex,
That men may bow their rebel necks.
  Long be the day that gave you birth
Sacred to friendship, wit, and mirth;
Late dying may you cast a shred
Of your rich mantle o'er my head;
To bear with dignity my sorrow,
One day alone, then die to-morrow.




TO STELLA ON HER BIRTH-DAY, 1721-2


While, Stella, to your lasting praise
The Muse her annual tribute pays,
While I assign myself a task
Which you expect, but scorn to ask;
If I perform this task with pain,
Let me of partial fate complain;
You every year the debt enlarge,
I grow less equal to the charge:
In you each virtue brighter shines,
But my poetic vein declines;
My harp will soon in vain be strung,
And all your virtues left unsung.
For none among the upstart race
Of poets dare assume my place;
Your worth will be to them unknown,
They must have Stellas of their own;
And thus, my stock of wit decay'd,
I dying leave the debt unpaid,
Unless Delany, as my heir,
Will answer for the whole arrear.




ON THE GREAT BURIED BOTTLE
BY DR. DELANY

Amphora, quae moestum linquis, laetumque revises
  Arentem dominum, sit tibi terra levis.
Tu quoque depositum serves, neve opprime, marmor;
  Amphora non meruit tam pretiosa mori.




EPITAPH
BY THE SAME

Hoc tumulata jacet proles Lenaea sepulchro,
Immortale genus, nee peritura jacet;
Quin oritura iterum, matris concreditur alvo:
Bis natum referunt te quoque, Bacche Pater.




STELLA'S BIRTH-DAY:
A GREAT BOTTLE OF WINE, LONG BURIED, BEING THAT DAY DUG UP. 1722-3


Resolv'd my annual verse to pay,
By duty bound, on Stella's day,
Furnish'd with paper, pens, and ink,
I gravely sat me down to think:
I bit my nails, and scratch'd my head,
But found my wit and fancy fled:
Or if, with more than usual pain,
A thought came slowly from my brain,
It cost me Lord knows how much time
To shape it into sense and rhyme:
And, what was yet a greater curse,
Long thinking made my fancy worse.
  Forsaken by th'inspiring Nine,
I waited at Apollo's shrine:
I told him what the world would say,
If Stella were unsung to-day:
How I should hide my head for shame,
When both the Jacks and Robin came;
How Ford would frown, how Jim would leer,
How Sheridan the rogue would sneer,
And swear it does not always follow,
That _semel'n anno ridet Apollo_.
I have assur'd them twenty times,
That Phoebus help'd me in my rhymes;
Phoebus inspired me from above,
And he and I were hand and glove.
But, finding me so dull and dry since,
They'll call it all poetic license;
And when I brag of aid divine,
Think Eusden's[1] right as good as mine.
  Nor do I ask for Stella's sake;
'Tis my own credit lies at stake:
And Stella will be sung, while I
Can only be a stander by.
  Apollo, having thought a little,
Return'd this answer to a tittle.
  Though you should live like old Methusalem,
I furnish hints and you shall use all 'em,
You yearly sing as she grows old,
You'd leave her virtues half untold.
But, to say truth, such dulness reigns,
Through the whole set of Irish deans,
I'm daily stunn'd with such a medley,
Dean White, Dean Daniel, and Dean Smedley,
That, let what dean soever come,
My orders are, I'm not at home;
And if your voice had not been loud,
You must have pass'd among the crowd.
  But now, your danger to prevent,
You must apply to Mrs. Brent;[2]
For she, as priestess, knows the rites
Wherein the god of earth delights.
First, nine ways looking,[3] let her stand
With an old poker in her hand;
Let her describe a circle round
In Saunders'[4] cellar on the ground:
A spade let prudent Archy[5] hold,
And with discretion dig the mould.
Let Stella look with watchful eye,
Rebecca,[6] Ford, and Grattans by.
  Behold the bottle, where it lies
With neck elated toward the skies!
The god of winds and god of fire
Did to its wondrous birth conspire;
And Bacchus for the poet's use
Pour'd in a strong inspiring juice.
See! as you raise it from its tomb,
It drags behind a spacious womb,
And in the spacious womb contains
A sov'reign med'cine for the brains.
  You'll find it soon, if fate consents;
If not, a thousand Mrs. Brents,
Ten thousand Archys, arm'd with spades,
May dig in vain to Pluto's shades.
  From thence a plenteous draught infuse,
And boldly then invoke the Muse;
But first let Robert[7] on his knees
With caution drain it from the lees;
The Muse will at your call appear,
With Stella's praise to crown the year.


[Footnote 1: The Poet Laureate.]

[Footnote 2: "Mrs. Brent, my housekeeper, famous in print for digging out
the great bottle." "I dine _tête a tête_ five days a week with my old
presbyterian housekeeper whom I call Sir Robert." Swift to Pope. Pope's
"Works," edit. Elwin and Courthope, vii, pp. 145, 212.--_W. E. B._]

[Footnote 3: She had a cast in her eyes.--_Swift._]

[Footnote 4: The butler.]

[Footnote 5: The footman.]

[Footnote 6: Mrs. Dingley.]

[Footnote 7: The valet.]




STELLA AT WOOD PARK,
A HOUSE OF CHARLES FORD, ESQ., NEAR DUBLIN
1723

  --cuicumque nocere volebat,
Vestimenta dabat pretiosa.[1]


Don Carlos, in a merry spight,
Did Stella to his house invite:
He entertain'd her half a year
With generous wines and costly cheer.
Don Carlos made her chief director,
That she might o'er the servants hector.
In half a week the dame grew nice,
Got all things at the highest price:
Now at the table head she sits,
Presented with the nicest bits:
She look'd on partridges with scorn,
Except they tasted of the corn:
A haunch of ven'son made her sweat,
Unless it had the right _fumette_.
Don Carlos earnestly would beg,
"Dear Madam, try this pigeon's leg;"
Was happy, when he could prevail
To make her only touch a quail.
Through candle-light she view'd the wine,
To see that ev'ry glass was fine.
At last, grown prouder than the devil
With feeding high, and treatment civil,
Don Carlos now began to find
His malice work as he design'd.
The winter sky began to frown:
Poor Stella must pack off to town;
From purling streams and fountains bubbling,
To Liffey's stinking tide in Dublin:
From wholesome exercise and air
To sossing in an easy-chair:
From stomach sharp, and hearty feeding,
To piddle[2] like a lady breeding:
From ruling there the household singly.
To be directed here by Dingley:[3]
From every day a lordly banquet,
To half a joint, and God be thank it:
From every meal Pontac in plenty,
To half a pint one day in twenty:
From Ford attending at her call,
To visits of Archdeacon Wall:
From Ford, who thinks of nothing mean,
To the poor doings of the Dean:
From growing richer with good cheer,
To running out by starving here.
  But now arrives the dismal day;
She must return to Ormond Quay.[4]
The coachman stopt; she look'd, and swore
The rascal had mistook the door:
At coming in, you saw her stoop;
The entry brush'd against her hoop:
Each moment rising in her airs,
She curst the narrow winding stairs:
Began a thousand faults to spy;
The ceiling hardly six feet high;
The smutty wainscot full of cracks:
And half the chairs with broken backs:
Her quarter's out at Lady-day;
She vows she will no longer stay
In lodgings like a poor Grisette,
While there are houses to be let.
  Howe'er, to keep her spirits up,
She sent for company to sup:
When all the while you might remark,
She strove in vain to ape Wood Park.
Two bottles call'd for, (half her store,
The cupboard could contain but four:)
A supper worthy of herself,
Five nothings in five plates of delf.
  Thus for a week the farce went on;
When, all her country savings gone,
She fell into her former scene,
Small beer, a herring, and the Dean.
  Thus far in jest: though now, I fear,
You think my jesting too severe;
But poets, when a hint is new,
Regard not whether false or true:
Yet raillery gives no offence,
Where truth has not the least pretence;
Nor can be more securely placed
Than on a nymph of Stella's taste.
I must confess your wine and vittle
I was too hard upon a little:
Your table neat, your linen fine;
And, though in miniature, you shine:
Yet, when you sigh to leave Wood Park,
The scene, the welcome, and the spark,
To languish in this odious town,
And pull your haughty stomach down,
We think you quite mistake the case,
The virtue lies not in the place:
For though my raillery were true,
A cottage is Wood Park with you.


[Footnote 1: Horat., "Epist.," i, 18, 31.--_W. E. B._]

[Footnote 2: In its proper sense--to pick at table, to feed squeamishly.
  "With entremets to piddle with at hand."
BYRON, _Don Juan.--W. E. B._]

[Footnote 3: The constant companion of Stella.]

[Footnote 4: Where the two ladies lodged.]




A NEW YEAR'S GIFT FOR BEC [1]
1723-4


Returning Janus[2] now prepares,
For Bec, a new supply of cares,
Sent in a bag to Dr. Swift,
Who thus displays the new-year's gift.
  First, this large parcel brings you tidings
Of our good Dean's eternal chidings;
Of Nelly's pertness, Robin's leasings,
And Sheridan's perpetual teazings.
This box is cramm'd on every side
With Stella's magisterial pride.
Behold a cage with sparrows fill'd,
First to be fondled, then be kill'd.
Now to this hamper I invite you,
With six imagined cares to fright you.
Here in this bundle Janus sends
Concerns by thousands for your friends.
And here's a pair of leathern pokes,
To hold your cares for other folks.
Here from this barrel you may broach
A peck of troubles for a coach.
This ball of wax your ears will darken,
Still to be curious, never hearken.
Lest you the town may have less trouble in
Bring all your Quilca's [3] cares to Dublin,
For which he sends this empty sack;
And so take all upon your back.


[Footnote 1: Mrs. Rebecca Dingley, Stella's friend and companion.]

[Footnote 2: The sun god represented with two faces, one in front, and
one behind, to whom the new year was sacred.--_W. E. B_.]

[Footnote 3: Country-house of Dr. Sheridan.]




DINGLEY AND BRENT[1]
A SONG

To the tune of "Ye Commons and Peers."

      Dingley and Brent,
      Wherever they went,
Ne'er minded a word that was spoken;
      Whatever was said,
      They ne'er troubled their head,
But laugh'd at their own silly joking.

      Should Solomon wise
      In majesty rise,
And show them his wit and his learning;
      They never would hear,
      But turn the deaf ear,
As a matter they had no concern in.

      You tell a good jest,
      And please all the rest;
Comes Dingley, and asks you, what was it?
      And, curious to know,
      Away she will go
To seek an old rag in the closet.

[Footnote 1: Dr. Swift's housekeeper.]




TO STELLA

WRITTEN ON THE DAY OF HER BIRTH, MARCH 13, 1723-4,
BUT NOT ON THE SUBJECT, WHEN I WAS SICK IN BED

Tormented with incessant pains,
Can I devise poetic strains?
Time was, when I could yearly pay
My verse to Stella's native day:
But now unable grown to write,
I grieve she ever saw the light.
Ungrateful! since to her I owe
That I these pains can undergo.
She tends me like an humble slave;
And, when indecently I rave,
When out my brutish passions break,
With gall in every word I speak,
She with soft speech my anguish cheers,
Or melts my passions down with tears;
Although 'tis easy to descry
She wants assistance more than I;
Yet seems to feel my pains alone,
And is a stoic in her own.
When, among scholars, can we find
So soft and yet so firm a mind?
All accidents of life conspire
To raise up Stella's virtue higher;
Or else to introduce the rest
Which had been latent in her breast.
Her firmness who could e'er have known,
Had she not evils of her own?
Her kindness who could ever guess,
Had not her friends been in distress?
Whatever base returns you find
From me, dear Stella, still be kind.
In your own heart you'll reap the fruit,
Though I continue still a brute.
But, when I once am out of pain,
I promise to be good again;
Meantime, your other juster friends
Shall for my follies make amends;
So may we long continue thus,
Admiring you, you pitying us.




VERSES BY STELLA

If it be true, celestial powers,
That you have form'd me fair,
And yet, in all my vainest hours,
My mind has been my care:
Then, in return, I beg this grace,
As you were ever kind,
What envious Time takes from my face
Bestow upon my mind!




A RECEIPT TO RESTORE STELLA'S YOUTH. 1724-5


The Scottish hinds, too poor to house
In frosty nights their starving cows,
While not a blade of grass or hay
Appears from Michaelmas to May,
Must let their cattle range in vain
For food along the barren plain:
Meagre and lank with fasting grown,
And nothing left but skin and bone;
Exposed to want, and wind, and weather,
They just keep life and soul together,
Till summer showers and evening's dew
Again the verdant glebe renew;
And, as the vegetables rise,
The famish'd cow her want supplies;
Without an ounce of last year's flesh;
Whate'er she gains is young and fresh;
Grows plump and round, and full of mettle,
As rising from Medea's [1] kettle.
With youth and beauty to enchant
Europa's[2] counterfeit gallant.
  Why, Stella, should you knit your brow,
If I compare you to a cow?
'Tis just the case; for you have fasted
So long, till all your flesh is wasted;
And must against the warmer days
Be sent to Quilca down to graze;
Where mirth, and exercise, and air,
Will soon your appetite repair:
The nutriment will from within,
Round all your body, plump your skin;
Will agitate the lazy flood,
And fill your veins with sprightly blood.
Nor flesh nor blood will be the same
Nor aught of Stella but the name:
For what was ever understood,
By human kind, but flesh and blood?
And if your flesh and blood be new,
You'll be no more the former you;
But for a blooming nymph will pass,
Just fifteen, coming summer's grass,
Your jetty locks with garlands crown'd:
While all the squires for nine miles round,
Attended by a brace of curs,
With jockey boots and silver spurs,
No less than justices o' quorum,
Their cow-boys bearing cloaks before 'em,
Shall leave deciding broken pates,
To kiss your steps at Quilca gates.
But, lest you should my skill disgrace,
Come back before you're out of case;
For if to Michaelmas you stay,
The new-born flesh will melt away;
The 'squires in scorn will fly the house
For better game, and look for grouse;
But here, before the frost can mar it,
We'll make it firm with beef and claret.


[Footnote 1: The celebrated sorceress, daughter of Æetes, King of
Colchis, who assisted Jason in obtaining possession of the Golden
Fleece.--_W. E. B_.]

[Footnote 2: Carried off by Jupiter under the form of a bull. Ovid,
"Met." ii, 836.]



STELLA'S BIRTH-DAY. 1724-5


As when a beauteous nymph decays,
We say she's past her dancing days;
So poets lose their feet by time,
And can no longer dance in rhyme.
Your annual bard had rather chose
To celebrate your birth in prose:
Yet merry folks, who want by chance
A pair to make a country dance,
Call the old housekeeper, and get her
To fill a place for want of better:
While Sheridan is off the hooks,
And friend Delany at his books,
That Stella may avoid disgrace,
Once more the Dean supplies their place.
  Beauty and wit, too sad a truth!
Have always been confined to youth;
The god of wit and beauty's queen,
He twenty-one and she fifteen,
No poet ever sweetly sung,
Unless he were, like Phoebus, young;
Nor ever nymph inspired to rhyme,
Unless, like Venus, in her prime.
At fifty-six, if this be true,
Am I a poet fit for you?
Or, at the age of forty-three,
Are you a subject fit for me?
Adieu! bright wit, and radiant eyes!
You must be grave and I be wise.
Our fate in vain we would oppose:
But I'll be still your friend in prose:
Esteem and friendship to express,
Will not require poetic dress;
And if the Muse deny her aid
To have them sung, they may be said.
  But, Stella, say, what evil tongue
Reports you are no longer young;
That Time sits with his scythe to mow
Where erst sat Cupid with his bow;
That half your locks are turn'd to gray?
I'll ne'er believe a word they say.
'Tis true, but let it not be known,
My eyes are somewhat dimmish grown;
For nature, always in the right,
To your decays adapts my sight;
And wrinkles undistinguished pass,
For I'm ashamed to use a glass:
And till I see them with these eyes,
Whoever says you have them, lies.
  No length of time can make you quit
Honour and virtue, sense and wit;
Thus you may still be young to me,
While I can better hear than see.
O ne'er may Fortune show her spite,
To make me deaf, and mend my sight![1]

[Footnote 1: Now deaf, 1740.--_Swift_. This pathetic note was in Swift's
writing in his own copy of the "Miscellanies," edit.
1727-32.--_W. E. B._]




BEC'S[1] BIRTH-DAY
NOV. 8, 1726


This day, dear Bec, is thy nativity;
Had Fate a luckier one, she'd give it ye.
She chose a thread of greatest length,
And doubly twisted it for strength:
Nor will be able with her shears
To cut it off these forty years.
Then who says care will kill a cat?
Rebecca shows they're out in that.
For she, though overrun with care,
Continues healthy, fat, and fair.
  As, if the gout should seize the head,
Doctors pronounce the patient dead;
But, if they can, by all their arts,
Eject it to the extremest parts,
They give the sick man joy, and praise
The gout that will prolong his days.
Rebecca thus I gladly greet,
Who drives her cares to hands and feet:
For, though philosophers maintain
The limbs are guided by the brain,
Quite contrary Rebecca's led;
Her hands and feet conduct her head;
By arbitrary power convey her,
She ne'er considers why or where:
Her hands may meddle, feet may wander,
Her head is but a mere by-stander:
And all her bustling but supplies
The part of wholesome exercise.
Thus nature has resolved to pay her
The cat's nine lives, and eke the care.
  Long may she live, and help her friends
Whene'er it suits her private ends;
Domestic business never mind
Till coffee has her stomach lined;
But, when her breakfast gives her courage,
Then think on Stella's chicken porridge:
I mean when Tiger[2]has been served,
Or else poor Stella may be starved.
  May Bec have many an evening nap,
With Tiger slabbering in her lap;
But always take a special care
She does not overset the chair;
Still be she curious, never hearken
To any speech but Tiger's barking!
  And when she's in another scene,
Stella long dead, but first the Dean,
May fortune and her coffee get her
Companions that will please her better!
Whole afternoons will sit beside her,
Nor for neglects or blunders chide her.
A goodly set as can be found
Of hearty gossips prating round;
Fresh from a wedding or a christening,
To teach her ears the art of listening,
And please her more to hear them tattle,
Than the Dean storm, or Stella rattle.
  Late be her death, one gentle nod,
When Hermes,[3] waiting with his rod,
Shall to Elysian fields invite her,
Where there will be no cares to fright her!


[Footnote 1: Mrs. Rebecca Dingley.]

[Footnote 2: Mrs. Dingley's favourite lap-dog. See next
page.--_W. E. B._]

[Footnote 3: Mercury.--Virg., "Aeneid," iv.]



ON THE COLLAR OF TIGER,

MRS. DINGLEY'S LAP-DOG

Pray steal me not; I'm Mrs. Dingley's,
Whose heart in this four-footed thing lies.



STELLA'S BIRTH-DAY

MARCH 13, 1726-7


This day, whate'er the Fates decree,
Shall still be kept with joy by me:
This day then let us not be told,
That you are sick, and I grown old;
Nor think on our approaching ills,
And talk of spectacles and pills;
To-morrow will be time enough
To hear such mortifying stuff.
Yet, since from reason may be brought
A better and more pleasing thought,
Which can, in spite of all decays,
Support a few remaining days;
From not the gravest of divines
Accept for once some serious lines.
  Although we now can form no more
Long schemes of life, as heretofore;
Yet you, while time is running fast,
Can look with joy on what is past.
  Were future happiness and pain
A mere contrivance of the brain;
As atheists argue, to entice
And fit their proselytes for vice;
(The only comfort they propose,
To have companions in their woes;)
Grant this the case; yet sure 'tis hard
That virtue, styled its own reward,
And by all sages understood
To be the chief of human good,
Should acting die; nor leave behind
Some lasting pleasure in the mind,
Which, by remembrance, will assuage
Grief, sickness, poverty, and age;
And strongly shoot a radiant dart
To shine through life's declining part.
  Say, Stella, feel you no content,
Reflecting on a life well spent?
Your skilful hand employ'd to save
Despairing wretches from the grave;
And then supporting with your store
Those whom you dragg'd from death before?
So Providence on mortals waits,
Preserving what it first creates.
Your generous boldness to defend
An innocent and absent friend;
That courage which can make you just
To merit humbled in the dust;
The detestation you express
For vice in all its glittering dress;
That patience under torturing pain,
Where stubborn stoics would complain:
Must these like empty shadows pass,
Or forms reflected from a glass?
Or mere chimeras in the mind,
That fly, and leave no marks behind?
Does not the body thrive and grow
By food of twenty years ago?
And, had it not been still supplied,
It must a thousand times have died.
Then who with reason can maintain
That no effects of food remain?
And is not virtue in mankind
The nutriment that feeds the mind;
Upheld by each good action past,
And still continued by the last?
Then, who with reason can pretend
That all effects of virtue end?
  Believe me, Stella, when you show
That true contempt for things below,
Nor prize your life for other ends,
Than merely to oblige your friends;
Your former actions claim their part,
And join to fortify your heart.
For Virtue, in her daily race,
Like Janus, bears a double face;
Looks back with joy where she has gone
And therefore goes with courage on:
She at your sickly couch will wait,
And guide you to a better state.
  O then, whatever Heaven intends,
Take pity on your pitying friends!
Nor let your ills affect your mind,
To fancy they can be unkind.
Me, surely me, you ought to spare,
Who gladly would your suffering share;
Or give my scrap of life to you,
And think it far beneath your due;
You, to whose care so oft I owe
That I'm alive to tell you so.




DEATH AND DAPHNE

TO AN AGREEABLE YOUNG LADY, BUT EXTREMELY LEAN. 1730

Lord Orrery gives us the following curious anecdote respecting this
poem:

"I have just now cast my eye over a poem called 'Death and Daphne,’ which
makes me recollect an odd incident, relating to that nymph. Swift, soon
after our acquaintance, introduced me to her as to one of his female
favourites. I had scarce been half an hour in her company, before she
asked me if I had seen the Dean's poem upon 'Death and Daphne.' As I
told her I had not, she immediately unlocked a cabinet, and, bringing out
the manuscript, read it to me with a seeming satisfaction, of which, at
that time, I doubted the sincerity. While she was reading, the Dean was
perpetually correcting her for bad pronunciation, and for placing a wrong
emphasis upon particular words. As soon as she had gone through the
composition, she assured me, smilingly, that the portrait of Daphne was
drawn for herself. I begged to be excused from believing it; and
protested that I could not see one feature that had the least
resemblance; but the Dean immediately burst into a fit of laughter. 'You
fancy,' says he, 'that you are very polite, but you are much mistaken.
That lady had rather be a Daphne drawn by me, than a Sacharissa by any
other pencil.' She confirmed what he had said with great earnestness, so
that I had no other method of retrieving my error, than by whispering in
her ear, as I was conducting her down stairs to dinner, that indeed I
found
  'Her hand as dry and cold as lead!'"
--_Remarks on the Life of Swift_, Lond., 1752, p. 126.


Death went upon a solemn day
At Pluto's hall his court to pay;
The phantom having humbly kiss'd
His grisly monarch's sooty fist,
Presented him the weekly bills
Of doctors, fevers, plagues, and pills.
Pluto, observing since the peace
The burial article decrease,
And vex'd to see affairs miscarry,
Declared in council Death must marry;
Vow'd he no longer could support
Old bachelors about his court;
The interest of his realm had need
That Death should get a numerous breed;
Young deathlings, who, by practice made
Proficient in their father's trade,
With colonies might stock around
His large dominions under ground.
  A consult of coquettes below
Was call'd, to rig him out a beau;
From her own head Megaera[1] takes
A periwig of twisted snakes:
Which in the nicest fashion curl'd,
(Like toupees[2] of this upper world)
With flower of sulphur powder'd well,
That graceful on his shoulders fell;
An adder of the sable kind
In line direct hung down behind:
The owl, the raven, and the bat,
Clubb'd for a feather to his hat:
His coat, a usurer's velvet pall,
Bequeath'd to Pluto, corpse and all.
But, loath his person to expose
Bare, like a carcass pick'd by crows,
A lawyer, o'er his hands and face
Stuck artfully a parchment case.
No new flux'd rake show'd fairer skin;
Nor Phyllis after lying in.
With snuff was fill'd his ebon box,
Of shin-bones rotted by the pox.
Nine spirits of blaspheming fops,
With aconite anoint his chops;
And give him words of dreadful sounds,
G--d d--n his blood! and b--d and w--ds!'
  Thus furnish'd out, he sent his train
To take a house in Warwick-lane:[3]
The faculty, his humble friends,
A complimental message sends:
Their president in scarlet gown
Harangued, and welcomed him to town.
  But Death had business to dispatch;
His mind was running on his match.
And hearing much of Daphne's fame,
His majesty of terrors came,
Fine as a colonel of the guards,
To visit where she sat at cards;
She, as he came into the room,
Thought him Adonis in his bloom.
And now her heart with pleasure jumps,
She scarce remembers what is trumps;
For such a shape of skin and bone
Was never seen except her own.
Charm'd with his eyes, and chin, and snout,
Her pocket-glass drew slily out;
And grew enamour'd with her phiz,
As just the counterpart of his.
She darted many a private glance,
And freely made the first advance;
Was of her beauty grown so vain,
She doubted not to win the swain;
Nothing she thought could sooner gain him,
Than with her wit to entertain him.
She ask'd about her friends below;
This meagre fop, that batter'd beau;
Whether some late departed toasts
Had got gallants among the ghosts?
If Chloe were a sharper still
As great as ever at quadrille?
(The ladies there must needs be rooks,
For cards, we know, are Pluto's books.)
If Florimel had found her love,
For whom she hang'd herself above?
How oft a-week was kept a ball
By Proserpine at Pluto's hall?
She fancied those Elysian shades
The sweetest place for masquerades;
How pleasant on the banks of Styx,
To troll it in a coach and six!
  What pride a female heart inflames?
How endless are ambition's aims:
Cease, haughty nymph; the Fates decree
Death must not be a spouse for thee;
For, when by chance the meagre shade
Upon thy hand his finger laid,
Thy hand as dry and cold as lead,
His matrimonial spirit fled;
He felt about his heart a damp,
That quite extinguished Cupid's lamp:
Away the frighted spectre scuds,
And leaves my lady in the suds.


[Footnote 1: Megaera, one of three Furies, beautifully described by
Virgil, "Aeneid," xii, 846.--. _W. E. B._]

[Footnote 2: Periwigs with long tails.]

[Footnote 3: Where the College of Physicians was situated at that time.
See Cunningham's "Handbook of London."--_W. E. B._]




DAPHNE


Daphne knows, with equal ease,
How to vex, and how to please;
But the folly of her sex
Makes her sole delight to vex.
Never woman more devised
Surer ways to be despised;
Paradoxes weakly wielding,
Always conquer'd, never yielding.
To dispute, her chief delight,
Without one opinion right:
Thick her arguments she lays on,
And with cavils combats reason;
Answers in decisive way,
Never hears what you can say;
Still her odd perverseness shows
Chiefly where she nothing knows;
And, where she is most familiar,
Always peevisher and sillier;
All her spirits in a flame
When she knows she's most to blame.
  Send me hence ten thousand miles,
From a face that always smiles:
None could ever act that part,
But a fury in her heart.
Ye who hate such inconsistence,
To be easy, keep your distance:
Or in folly still befriend her,
But have no concern to mend her;
Lose not time to contradict her,
Nor endeavour to convict her.
Never take it in your thought,
That she'll own, or cure a fault.
Into contradiction warm her,
Then, perhaps, you may reform her:
Only take this rule along,
Always to advise her wrong;
And reprove her when she's right;
She may then grow wise for spight.
  No--that scheme will ne'er succeed,
She has better learnt her creed;
She's too cunning and too skilful,
When to yield, and when be wilful.
Nature holds her forth two mirrors,
One for truth, and one for errors:
That looks hideous, fierce, and frightful;
This is flattering and delightful:
That she throws away as foul;
Sits by this to dress her soul.
  Thus you have the case in view,
Daphne, 'twixt the Dean and you:
Heaven forbid he should despise thee,
But he'll never more advise thee.




RIDDLES BY DR. SWIFT AND HIS FRIENDS.
WRITTEN IN OR ABOUT THE YEAR 1724

The following notice is subjoined to some of these riddles, in the Dublin
edition: "About nine or ten years ago, (_i.e._ about 1724,) some
ingenious gentlemen, friends to the author, used to entertain themselves
with writing riddles, and send them to him and their other acquaintance;
copies of which ran about, and some of them were printed, both here and
in England. The author, at his leisure hours, fell into the same
amusement; although it be said that he thought them of no great merit,
entertainment, or use. However, by the advice of some persons, for whom
the author hath a great esteem, and who were pleased to send us the
copies, we have ventured to print the few following, as we have done two
or three before, and which are allowed to be genuine; because we are
informed that several good judges have a taste for such kind of
compositions."



PETHOX THE GREAT. 1723

FROM Venus born, thy beauty shows;
But who thy father, no man knows:
Nor can the skilful herald trace
The founder of thy ancient race;
Whether thy temper, full of fire,
Discovers Vulcan for thy sire,
The god who made Scamander boil,
And round his margin singed the soil:
(From whence, philosophers agree,
An equal power descends to thee;)
Whether from dreadful Mars you claim
The high descent from whence you came,
And, as a proof, show numerous scars
By fierce encounters made in wars,
Those honourable wounds you bore
From head to foot, and all before,
And still the bloody field frequent,
Familiar in each leader's tent;
Or whether, as the learn'd contend,
You from the neighbouring Gaul descend;
Or from Parthenope[1] the proud,
Where numberless thy votaries crowd;
Whether thy great forefathers came
From realms that bear Vespuccio's name,[2]
For so conjectures would obtrude;
And from thy painted skin conclude;
Whether, as Epicurus[3] shows,
The world from justling seeds arose,
Which, mingling with prolific strife
In chaos, kindled into life:
So your production was the same,
And from contending atoms came.
  Thy fair indulgent mother crown'd
Thy head with sparkling rubies round:
Beneath thy decent steps the road
Is all with precious jewels strew'd,
The bird of Pallas,[4] knows his post,
Thee to attend, where'er thou goest.
  Byzantians boast, that on the clod
Where once their Sultan's horse hath trod,
Grows neither grass, nor shrub, nor tree:
The same thy subjects boast of thee.
  The greatest lord, when you appear,
Will deign your livery to wear,
In all the various colours seen
Of red and yellow, blue and green.
  With half a word when you require,
The man of business must retire.
  The haughty minister of state,
With trembling must thy leisure wait;
And, while his fate is in thy hands,
The business of the nation stands.
  Thou darest the greatest prince attack,
Canst hourly set him on the rack;
And, as an instance of thy power,
Enclose him in a wooden tower,
With pungent pains on every side:
So Regulus[5] in torments died.
  From thee our youth all virtues learn,
Dangers with prudence to discern;
And well thy scholars are endued
With temperance and with fortitude,
With patience, which all ills supports,
And secrecy, the art of courts.
  The glittering beau could hardly tell,
Without your aid, to read or spell;
But, having long conversed with you,
Knows how to scroll a billet-doux.
  With what delight, methinks, I trace
Your blood in every noble race!
In whom thy features, shape, and mien,
Are to the life distinctly seen!
The Britons, once a savage kind,
By you were brighten'd and refined,
Descendants to the barbarous Huns,
With limbs robust, and voice that stuns:
But you have moulded them afresh,
Removed the tough superfluous flesh,
Taught them to modulate their tongues,
And speak without the help of lungs.
  Proteus on you bestow'd the boon
To change your visage like the moon;
You sometimes half a face produce,
Keep t'other half for private use.
  How famed thy conduct in the fight
With Hermes, son of Pleias bright!
Outnumber'd, half encompass'd round,
You strove for every inch of ground;
Then, by a soldierly retreat,
Retired to your imperial seat.
The victor, when your steps he traced,
Found all the realms before him waste:
You, o'er the high triumphal arch
Pontific, made your glorious march:
The wondrous arch behind you fell,
And left a chasm profound as hell:
You, in your capitol secured,
A siege as long as Troy endured.


[Footnote 1: Naples, anciently called Parthenope, from the name of the
siren who threw herself into the sea for grief at the departure of
Ulysses, and was cast up and buried there.--Ovid, "Met.," xiv,
101.--_W. E. B._]

[Footnote 2: Americus Vespuccius, the discoverer of America in 1497. See
Hakluyts "Navigations, Voyages, etc.," vii, 161; viii, 449.--_W. E. B._]

[Footnote 3: See Lucretius, "De Rer. Nat.," lib. i.--_W. E. B._]

[Footnote 4: Bubo, the owl.--_Dublin Edition_.]

[Footnote 5: Taken prisoner by the Carthaginians in the first Punic war,
and ultimately tortured to death. See the story in Cicero, "De Officiis,"
i, 13; Hor., "Carm.," iii, 5.--_W. E. B._]




ON A PEN. 1724

In youth exalted high in air,
Or bathing in the waters fair,
Nature to form me took delight,
And clad my body all in white.
My person tall, and slender waist,
On either side with fringes graced;
Till me that tyrant man espied,
And dragg'd me from my mother's side:
No wonder now I look so thin;
The tyrant stript me to the skin:
My skin he flay'd, my hair he cropt:
At head and foot my body lopt:
And then, with heart more hard than stone,
He pick'd my marrow from the bone.
To vex me more, he took a freak
To slit my tongue and make me speak:
But, that which wonderful appears,
I speak to eyes, and not to ears.
He oft employs me in disguise,
And makes me tell a thousand lies:
To me he chiefly gives in trust
To please his malice or his lust.
From me no secret he can hide;
I see his vanity and pride:
And my delight is to expose
His follies to his greatest foes.
All languages I can command,
Yet not a word I understand.
Without my aid, the best divine
In learning would not know a line:
The lawyer must forget his pleading;
The scholar could not show his reading.
  Nay; man my master is my slave;
I give command to kill or save,
Can grant ten thousand pounds a-year,
And make a beggar's brat a peer.
  But, while I thus my life relate,
I only hasten on my fate.
My tongue is black, my mouth is furr'd,
I hardly now can force a word.
I die unpitied and forgot,
And on some dunghill left to rot.




ON GOLD

All-ruling tyrant of the earth,
To vilest slaves I owe my birth,
How is the greatest monarch blest,
When in my gaudy livery drest!
No haughty nymph has power to run
From me; or my embraces shun.
Stabb'd to the heart, condemn'd to flame,
My constancy is still the same.
The favourite messenger of Jove,
And Lemnian god, consulting strove
To make me glorious to the sight
Of mortals, and the gods' delight.
Soon would their altar's flame expire
If I refused to lend them fire.

  By fate exalted high in place,
  Lo, here I stand with double face:
  Superior none on earth I find;
  But see below me all mankind
  Yet, as it oft attends the great,
  I almost sink with my own weight.

At every motion undertook,
The vulgar all consult my look.
I sometimes give advice in writing,
But never of my own inditing.
  I am a courtier in my way;
For those who raised me, I betray;
And some give out that I entice
To lust, to luxury, and dice.
Who punishments on me inflict,
Because they find their pockets pickt.
  By riding post, I lose my health,
And only to get others wealth.




ON THE POSTERIORS

Because I am by nature blind,
I wisely choose to walk behind;
However, to avoid disgrace,
I let no creature see my face.
My words are few, but spoke with sense;
And yet my speaking gives offence:
Or, if to whisper I presume,
The company will fly the room.
By all the world I am opprest:
And my oppression gives them rest.
  Through me, though sore against my will,
Instructors every art instil.
By thousands I am sold and bought,
Who neither get nor lose a groat;
For none, alas! by me can gain,
But those who give me greatest pain.
Shall man presume to be my master,
Who's but my caterer and taster?
Yet, though I always have my will,
I'm but a mere depender still:
An humble hanger-on at best;
Of whom all people make a jest.
  In me detractors seek to find
Two vices of a different kind;
I'm too profuse, some censurers cry,
And all I get, I let it fly;
While others give me many a curse,
Because too close I hold my purse.
But this I know, in either case,
They dare not charge me to my face.
'Tis true, indeed, sometimes I save,
Sometimes run out of all I have;
But, when the year is at an end,
Computing what I get and spend,
My goings-out, and comings-in,
I cannot find I lose or win;
And therefore all that know me say,
I justly keep the middle way.
I'm always by my betters led;
I last get up, and first a-bed;
Though, if I rise before my time,
The learn'd in sciences sublime
Consult the stars, and thence foretell
Good luck to those with whom I dwell.




ON A HORN

The joy of man, the pride of brutes,
Domestic subject for disputes,
Of plenty thou the emblem fair,
Adorn'd by nymphs with all their care!
I saw thee raised to high renown,
Supporting half the British crown;
And often have I seen thee grace
The chaste Diana's infant face;
And whensoe'er you please to shine,
Less useful is her light than thine:
Thy numerous fingers know their way,
And oft in Celia's tresses play.
  To place thee in another view,
I'll show the world strange things and true;
What lords and dames of high degree
May justly claim their birth from thee!
The soul of man with spleen you vex;
Of spleen you cure the female sex.
Thee for a gift the courtier sends
With pleasure to his special friends:
He gives, and with a generous pride,
Contrives all means the gift to hide:
Nor oft can the receiver know,
Whether he has the gift or no.
On airy wings you take your flight,
And fly unseen both day and night;
Conceal your form with various tricks;
And few know how or where you fix:
Yet some, who ne'er bestow'd thee, boast
That they to others give thee most.
Meantime, the wise a question start,
If thou a real being art;
Or but a creature of the brain,
That gives imaginary pain?
But the sly giver better knows thee;
Who feels true joys when he bestows thee.




ON A CORKSCREW

Though I, alas! a prisoner be,
My trade is prisoners to set free.
No slave his lord's commands obeys
With such insinuating ways.
My genius piercing, sharp, and bright,
Wherein the men of wit delight.
The clergy keep me for their ease,
And turn and wind me as they please.
A new and wondrous art I show
Of raising spirits from below;
In scarlet some, and some in white;
They rise, walk round, yet never fright.
In at each mouth the spirits pass,
Distinctly seen as through a glass:
O'er head and body make a rout,
And drive at last all secrets out;
And still, the more I show my art,
The more they open every heart.
  A greater chemist none than I
Who, from materials hard and dry,
Have taught men to extract with skill
More precious juice than from a still.
  Although I'm often out of case,
I'm not ashamed to show my face.
Though at the tables of the great
I near the sideboard take my seat;
Yet the plain 'squire, when dinner's done,
Is never pleased till I make one;
He kindly bids me near him stand,
And often takes me by the hand.
  I twice a-day a-hunting go;
Nor ever fail to seize my foe;
And when I have him by the poll,
I drag him upwards from his hole;
Though some are of so stubborn kind,
I'm forced to leave a limb behind.
  I hourly wait some fatal end;
For I can break, but scorn to bend.




THE GULF OF ALL HUMAN POSSESSIONS 1724


Come hither, and behold the fruits,
Vain man! of all thy vain pursuits.
Take wise advice, and look behind,
Bring all past actions to thy mind.
Here you may see, as in a glass,
How soon all human pleasures pass;
How will it mortify thy pride,
To turn the true impartial side!
How will your eyes contain their tears,
When all the sad reverse appears!
  This cave within its womb confines
The last result of all designs:
Here lie deposited the spoils
Of busy mortals' endless toils:
Here, with an easy search, we find
The foul corruptions of mankind.
The wretched purchase here behold
Of traitors, who their country sold.
  This gulf insatiate imbibes
The lawyer's fees, the statesman's bribes.
Here, in their proper shape and mien,
Fraud, perjury, and guilt are seen.
Necessity, the tyrant's law,
All human race must hither draw;
All prompted by the same desire,
The vigorous youth and aged sire.
Behold the coward and the brave,
The haughty prince, the humble slave,
Physician, lawyer, and divine,
All make oblations at this shrine.
Some enter boldly, some by stealth,
And leave behind their fruitless wealth.
For, while the bashful sylvan maid,
As half-ashamed and half-afraid,
Approaching finds it hard to part
With that which dwelt so near her heart;
The courtly dame, unmoved by fear,
Profusely pours her offering here.
  A treasure here of learning lurks,
Huge heaps of never-dying works;
Labours of many an ancient sage,
And millions of the present age.
  In at this gulf all offerings pass
And lie an undistinguish'd mass.
Deucalion,[1] to restore mankind,
Was bid to throw the stones behind;
So those who here their gifts convey
Are forced to look another way;
For few, a chosen few, must know
The mysteries that lie below.
  Sad charnel-house! a dismal dome,
For which all mortals leave their home!
The young, the beautiful, and brave,
Here buried in one common grave!
Where each supply of dead renews
Unwholesome damps, offensive dews:
And lo! the writing on the walls
Points out where each new victim falls;
The food of worms and beasts obscene,
Who round the vault luxuriant reign.
  See where those mangled corpses lie,
Condemn'd by female hands to die;
A comely dame once clad in white,
Lies there consign'd to endless night;
By cruel hands her blood was spilt,
And yet her wealth was all her guilt.
  And here six virgins in a tomb,
All-beauteous offspring of one womb,
Oft in the train of Venus seen,
As fair and lovely as their queen;
In royal garments each was drest,
Each with a gold and purple vest;
I saw them of their garments stript,
Their throats were cut, their bellies ript,
Twice were they buried, twice were born,
Twice from their sepulchres were torn;
But now dismember'd here are cast,
And find a resting-place at last.
  Here oft the curious traveller finds
The combat of opposing winds;
And seeks to learn the secret cause,
Which alien seems from nature's laws;
Why at this cave's tremendous mouth,
He feels at once both north and south;
Whether the winds, in caverns pent,
Through clefts oppugnant force a vent;
Or whether, opening all his stores,
Fierce Æolus in tempest roars.
  Yet, from this mingled mass of things,
In time a new creation springs.
These crude materials once shall rise
To fill the earth, and air, and skies;
In various forms appear again,
Of vegetables, brutes, and men.
So Jove pronounced among the gods,
Olympus trembling as he nods.


[Footnote 1: Ovid, "Metam.," i, 383.]




LOUISA[1] TO STREPHON. 1724


Ah! Strephon, how can you despise
Her, who without thy pity dies!
To Strephon I have still been true,
And of as noble blood as you;
Fair issue of the genial bed,
A virgin in thy bosom bred:
Embraced thee closer than a wife;
When thee I leave, I leave my life.
Why should my shepherd take amiss,
That oft I wake thee with a kiss?
Yet you of every kiss complain;
Ah! is not love a pleasing pain?
A pain which every happy night
You cure with ease and with delight;
With pleasure, as the poet sings,
Too great for mortals less than kings.
  Chloe, when on thy breast I lie,
Observes me with revengeful eye:
If Chloe o'er thy heart prevails,
She'll tear me with her desperate nails;
And with relentless hands destroy
The tender pledges of our joy.
Nor have I bred a spurious race;
They all were born from thy embrace.
  Consider, Strephon, what you do;
For, should I die for love of you,
I'll haunt thy dreams, a bloodless ghost;
And all my kin, (a numerous host,)
Who down direct our lineage bring
From victors o'er the Memphian king;
Renown'd in sieges and campaigns,
Who never fled the bloody plains:
Who in tempestuous seas can sport,
And scorn the pleasures of a court;
From whom great Sylla[2] found his doom,
Who scourged to death that scourge of Rome,
Shall on thee take a vengeance dire;
Thou like Alcides[3] shalt expire,
When his envenom'd shirt he wore,
And skin and flesh in pieces tore.
Nor less that shirt, my rival's gift,
Cut from the piece that made her shift,
Shall in thy dearest blood be dyed,
And make thee tear thy tainted hide.

[Footnote 1: The solution is, _phtheirhiasis_ morbus pedicularis. With
this piece may be read Peter Pindar's epic, "The Lousiad."--W. E. B_.]

[Footnote 2: Plutarch tells how Sylla's body was so corrupted with these
vermin, that they streamed from him into every place: _pasan esthêta kai
loutron kai aponimma kai sition anapimplasthai tou reumatos ekeinon kai
tes phthoras. tosouton exenthei._ "Vita Syllae," xxxvi.--_W. E. B._]


[Footnote 3: Hercules, who died from wearing the shirt (given him by his
wife as a charm against his infidelities) stained with the blood of
Nessus, the centaur, whom Hercules had slain with a poisoned arrow. Ovid,
"Epist. Heroid. Deianira Herculi," and "Metam.," lib. ix,
101.--_W. E. B._]




A MAYPOLE. 1725

Deprived of root, and branch and rind,
Yet flowers I bear of every kind:
And such is my prolific power,
They bloom in less than half an hour;
Yet standers-by may plainly see
They get no nourishment from me.
My head with giddiness goes round,
And yet I firmly stand my ground:
All over naked I am seen,
And painted like an Indian queen.
No couple-beggar in the land
E'er join'd such numbers hand in hand.
I join'd them fairly with a ring;
Nor can our parson blame the thing.
And though no marriage words are spoke,
They part not till the ring is broke;
Yet hypocrite fanatics cry,
I'm but an idol raised on high;
And once a weaver in our town,
A damn'd Cromwellian, knock'd me down.
I lay a prisoner twenty years,
And then the jovial cavaliers
To their old post restored all three--
I mean the church, the king, and me.


ON THE MOON

I with borrow'd silver shine
What you see is none of mine.
First I show you but a quarter,
Like the bow that guards the Tartar:
Then the half, and then the whole,
Ever dancing round the pole.

What will raise your admiration,
I am not one of God's creation,
But sprung, (and I this truth maintain,)
Like Pallas, from my father's brain.
And after all, I chiefly owe
My beauty to the shades below.
Most wondrous forms you see me wear,
A man, a woman, lion, bear,
A fish, a fowl, a cloud, a field,
All figures Heaven or earth can yield;
Like Daphne sometimes in a tree;
Yet am not one of all you see.




ON A CIRCLE

I'm up and down, and round about,
Yet all the world can't find me out;
Though hundreds have employ'd their leisure,
They never yet could find my measure.
I'm found almost in every garden,
Nay, in the compass of a farthing.
There's neither chariot, coach, nor mill,
Can move an inch except I will.




ON INK

I am jet black, as you may see,
  The son of pitch and gloomy night:
Yet all that know me will agree,
  I'm dead except I live in light.

Sometimes in panegyric high,
  Like lofty Pindar, I can soar;
And raise a virgin to the sky,
  Or sink her to a pocky whore.

My blood this day is very sweet,
  To-morrow of a bitter juice;
Like milk, 'tis cried about the street,
  And so applied to different use.

Most wondrous is my magic power:
  For with one colour I can paint;
I'll make the devil a saint this hour,
  Next make a devil of a saint.

Through distant regions I can fly,
  Provide me but with paper wings;
And fairly show a reason why
  There should be quarrels among kings:

And, after all, you'll think it odd,
  When learned doctors will dispute,
That I should point the word of God,
  And show where they can best confute.

Let lawyers bawl and strain their throats:
  'Tis I that must the lands convey,
And strip their clients to their coats;
  Nay, give their very souls away.




ON THE FIVE SENSES

All of us in one you'll find, Brethren of a wondrous kind;
Yet among us all no brother
Knows one tittle of the other;
We in frequent councils are,
And our marks of things declare,
Where, to us unknown, a clerk
Sits, and takes them in the dark.
He's the register of all
In our ken, both great and small;
By us forms his laws and rules,
He's our master, we his tools;
Yet we can with greatest ease
Turn and wind him where we please.
  One of us alone can sleep,
Yet no watch the rest will keep,
But the moment that he closes,
Every brother else reposes.
If wine's brought or victuals drest,
One enjoys them for the rest.
  Pierce us all with wounding steel,
One for all of us will feel.
  Though ten thousand cannons roar,
Add to them ten thousand more,
Yet but one of us is found
Who regards the dreadful sound.
  Do what is not fit to tell,
There's but one of us can smell.




FONTINELLA[1] TO FLORINDA

When on my bosom thy bright eyes,
  Florinda, dart their heavenly beams,
I feel not the least love surprise,
  Yet endless tears flow down in streams;
There's nought so beautiful in thee,
  But you may find the same in me.

The lilies of thy skin compare;
  In me you see them full as white:
The roses of your cheeks, I dare
  Affirm, can't glow to more delight.
Then, since I show as fine a face,
  Can you refuse a soft embrace?

Ah! lovely nymph, thou'rt in thy prime!
  And so am I, while thou art here;
But soon will come the fatal time,
  When all we see shall disappear.
'Tis mine to make a just reflection,
  And yours to follow my direction.

Then catch admirers while you may;
  Treat not your lovers with disdain;
For time with beauty flies away,
  And there is no return again.
To you the sad account I bring,
  Life's autumn has no second spring.

[Footnote 1: A fountain.]




AN ECHO

Never sleeping, still awake,
Pleasing most when most I speak;
The delight of old and young,
Though I speak without a tongue.
Nought but one thing can confound me,
Many voices joining round me;
Then I fret, and rave, and gabble,
Like the labourers of Babel.
Now I am a dog, or cow,
I can bark, or I can low;
I can bleat, or I can sing,
Like the warblers of the spring.
Let the lovesick bard complain,
And I mourn the cruel pain;
Let the happy swain rejoice,
And I join my helping voice:
Both are welcome, grief or joy,
I with either sport and toy.
Though a lady, I am stout,
Drums and trumpets bring me out:
Then I clash, and roar, and rattle,
Join in all the din of battle.
Jove, with all his loudest thunder,
When I'm vext, can't keep me under;
Yet so tender is my ear,
That the lowest voice I fear;
Much I dread the courtier's fate,
When his merit's out of date,
For I hate a silent breath,
And a whisper is my death.




ON A SHADOW IN A GLASS;

By something form'd, I nothing am,
Yet everything that you can name;
In no place have I ever been,
Yet everywhere I may be seen;
In all things false, yet always true,
I'm still the same--but ever new.
Lifeless, life's perfect form I wear,
Can show a nose, eye, tongue, or ear,
Yet neither smell, see, taste, or hear.
All shapes and features I can boast,
No flesh, no bones, no blood--no ghost:
All colours, without paint, put on,
And change like the cameleon.
Swiftly I come, and enter there,
Where not a chink lets in the air;
Like thought, I'm in a moment gone,
Nor can I ever be alone:
All things on earth I imitate
Faster than nature can create;
Sometimes imperial robes I wear,
Anon in beggar's rags appear;
A giant now, and straight an elf,
I'm every one, but ne'er myself;
Ne'er sad I mourn, ne'er glad rejoice,
I move my lips, but want a voice;
I ne'er was born, nor e'er can die,
Then, pr'ythee, tell me what am I?

Most things by me do rise and fall,
And, as I please, they're great and small;
Invading foes without resistance,
With ease I make to keep their distance:
Again, as I'm disposed, the foe
Will come, though not a foot they go.
Both mountains, woods, and hills, and rocks
And gamesome goats, and fleecy flocks,
And lowing herds, and piping swains,
Come dancing to me o'er the plains.
The greatest whale that swims the sea
Does instantly my power obey.
In vain from me the sailor flies,
The quickest ship I can surprise,
And turn it as I have a mind,
And move it against tide and wind.
Nay, bring me here the tallest man,
I'll squeeze him to a little span;
Or bring a tender child, and pliant,
You'll see me stretch him to a giant:
Nor shall they in the least complain,
Because my magic gives no pain.




ON TIME

Ever eating, never cloying,
All-devouring, all-destroying,
Never finding full repast,
Till I eat the world at last.


ON THE GALLOWS

There is a gate, we know full well,
That stands 'twixt Heaven, and Earth, and Hell,
Where many for a passage venture,
Yet very few are fond to enter:
Although 'tis open night and day,
They for that reason shun this way:
Both dukes and lords abhor its wood,
They can't come near it for their blood.
What other way they take to go,
Another time I'll let you know.
Yet commoners with greatest ease
Can find an entrance when they please.
The poorest hither march in state
(Or they can never pass the gate)
Like Roman generals triumphant,
And then they take a turn and jump on't,
If gravest parsons here advance,
They cannot pass before they dance;
There's not a soul that does resort here,
But strips himself to pay the porter.




ON THE VOWELS

We are little airy creatures,
All of different voice and features;
One of us in glass is set,
One of us you'll find in jet.
T'other you may see in tin,
And the fourth a box within.
If the fifth you should pursue,
It can never fly from you.




ON SNOW

From Heaven I fall, though from earth I begin,
No lady alive can show such a skin.
I'm bright as an angel, and light as a feather,
But heavy and dark, when you squeeze me together.
Though candour and truth in my aspect I bear,
Yet many poor creatures I help to ensnare.
Though so much of Heaven appears in my make,
The foulest impressions I easily take.
My parent and I produce one another,
The mother the daughter, the daughter the mother.




ON A CANNON

Begotten, and born, and dying with noise,
The terror of women, and pleasure of boys,
Like the fiction of poets concerning the wind,
I'm chiefly unruly when strongest confined.
For silver and gold I don't trouble my head,
But all I delight in is pieces of lead;
Except when I trade with a ship or a town,
Why then I make pieces of iron go down.
One property more I would have you remark,
No lady was ever more fond of a spark;
The moment I get one, my soul's all a-fire,
And I roar out my joy, and in transport expire.




ON A PAIR OF DICE

We are little brethren twain,
Arbiters of loss and gain,
Many to our counters run,
Some are made, and some undone:
But men find it to their cost,
Few are made, but numbers lost.
Though we play them tricks for ever,
Yet they always hope our favour.




ON A CANDLE

TO LADY CARTERET

Of all inhabitants on earth,
To man alone I owe my birth,
And yet the cow, the sheep, the bee,
Are all my parents more than he:
I, a virtue, strange and rare,
Make the fairest look more fair,
And myself, which yet is rarer,
Growing old, grow still the fairer.
Like sots, alone I'm dull enough,
When dosed with smoke, and smear'd with snuff;
But, in the midst of mirth and wine,
I with double lustre shine.
Emblem of the Fair am I,
Polish'd neck, and radiant eye;
In my eye my greatest grace,
Emblem of the Cyclops' race;
Metals I like them subdue,
Slave like them to Vulcan too;
Emblem of a monarch old,
Wise, and glorious to behold;
Wasted he appears, and pale,
Watching for the public weal:
Emblem of the bashful dame,
That in secret feeds her flame,
Often aiding to impart
All the secrets of her heart;
Various is my bulk and hue,
Big like Bess, and small like Sue:
Now brown and burnish'd like a nut,
At other times a very slut;
Often fair, and soft, and tender,
Taper, tall, and smooth, and slender:
Like Flora, deck'd with various flowers,
Like Phoebus, guardian of the hours:
But whatever be my dress,
Greater be my size or less,
Swelling be my shape or small,
Like thyself I shine in all.
Clouded if my face is seen,
My complexion wan and green,
Languid like a love-sick maid,
Steel affords me present aid.
Soon or late, my date is done,
As my thread of life is spun;
Yet to cut the fatal thread
Oft revives my drooping head;
Yet I perish in my prime,
Seldom by the death of time;
Die like lovers as they gaze,
Die for those I live to please;
Pine unpitied to my urn,
Nor warm the fair for whom I burn:
Unpitied, unlamented too,
Die like all that look on you.




TO LADY CARTERET

BY DR. DELANY

I reach all things near me, and far off to boot,
Without stretching a finger, or stirring a foot;
I take them all in too, to add to your wonder,
Though many and various, and large and asunder,
Without jostling or crowding they pass side by side,
Through a wonderful wicket, not half an inch wide;
Then I lodge them at ease in a very large store,
Of no breadth or length, with a thousand things more.
All this I can do without witchcraft or charm,
Though sometimes they say, I bewitch and do harm;
Though cold, I inflame; and though quiet, invade:
And nothing can shield from my spell but a shade.
A thief that has robb'd you, or done you disgrace,
In magical mirror, I'll show you his face:
Nay, if you'll believe what the poets have said,
They'll tell you I kill, and can call back the dead.
Like conjurers safe in my circle I dwell;
I love to look black too, it heightens my spell;
Though my magic is mighty in every hue,
Who see all my power must see it in you.




ANSWERED BY DR. SWIFT

WITH half an eye your riddle I spy,
I observe your wicket hemm'd in by a thicket,
And whatever passes is strain'd through glasses.
You say it is quiet: I flatly deny it.
It wanders about, without stirring out;
No passion so weak but gives it a tweak;
Love, joy, and devotion, set it always in motion.
And as for trie tragic effects of its magic,
Which you say it can kill, or revive at its will,
The dead are all sound, and they live above ground:
After all you have writ, it cannot be wit;
Which plainly does follow, since it flies from Apollo.
Its cowardice such it cries at a touch;
'Tis a perfect milksop, grows drunk with a drop,
Another great fault, it cannot bear salt:
And a hair can disarm it of every charm.




TO LADY CARTERET

BY DR. SWIFT

FROM India's burning clime I'm brought,
With cooling gales like zephyrs fraught.
Not Iris, when she paints the sky,
Can show more different hues than I;
Nor can she change her form so fast,
I'm now a sail, and now a mast.
I here am red, and there am green,
A beggar there, and here a queen.
I sometimes live in house of hair,
And oft in hand of lady fair.
I please the young, I grace the old,
And am at once both hot and cold.
Say what I am then, if you can,
And find the rhyme, and you're the man.




ANSWERED BY DR. SHERIDAN

Your house of hair, and lady's hand,
At first did put me to a stand.
I have it now--'tis plain enough--
Your hairy business is a muff.
Your engine fraught with cooling gales,
At once so like your masts and sails;
Your thing of various shape and hue
Must be some painted toy, I knew;
And for the rhyme to you're the man,
What fits it better than a fan?




A RIDDLE

I'm wealthy and poor,
I'm empty and full,
I'm humble and proud,
I'm witty and dull.
I'm foul and yet fair:
I'm old, and yet young;
I lie with Moll Kerr,
And toast Mrs. Long.




ANSWER, BY MR. F----R

In rigging he's rich, though in pocket he's poor,
He cringes to courtiers, and cocks to the cits;
Like twenty he dresses, but looks like threescore;
He's a wit to the fools, and a fool to the wits.
Of wisdom he's empty, but full of conceit;
He paints and perfumes while he rots with the scab;
'Tis a beau you may swear by his sense and his gait;
He boasts of a beauty and lies with a drab.




A LETTER TO DR. HELSHAM

SIR,
  Pray discruciate what follows.

The dullest beast, and gentleman's liquor,
When young is often due to the vicar,[1]

The dullest of beasts, and swine's delight,
Make up a bird very swift of flight.[2]

The dullest beast, when high in stature,
And another of royal nature,
For breeding is a useful creature.[3]

The dullest beast, and a party distress'd,
When too long, is bad at best.[4]

The dullest beast, and the saddle it wears,
Is good for partridge, not for hares.[5]

The dullest beast, and kind voice of a cat,
Will make a horse go, though he be not fat.[6]

The dullest of beasts and of birds in the air,
Is that by which all Irishmen swear.[7]

The dullest beast, and famed college for Teagues,
Is a person very unfit for intrigues.[8]

The dullest beast, and a cobbler's tool,
With a boy that is only fit for school,
In summer is very pleasant and cool.[9]

The dullest beast, and that which you kiss,
May break a limb of master or miss.[10]

Of serpent kind, and what at distance kills,
Poor mistress Dingley oft hath felt its bills.[11]

The dullest beast, and eggs unsound,
Without it I rather would walk on the ground.[12]

The dullest beast, and what covers a house,
Without it a writer is not worth a louse.[13]

The dullest beast, and scandalous vermin,
Of roast or boil'd, to the hungry is charming.[14]

The dullest beast, and what's cover'd with crust,
There's nobody but a fool that would trust.[15]

The dullest beast, and mending highways,
Is to a horse an evil disease.[16]

The dullest beast, and a hole in the ground,
Will dress a dinner worth five pound.[17]

The dullest beast, and what doctors pretend,
The cook-maid often has by the end.[18]

The dullest beast, and fish for lent,
May give you a blow you'll for ever repent.[19]

The dullest beast, and a shameful jeer,
Without it a lady should never appear.[20]

_Wednesday Night_.

I writ all these before I went to bed. Pray explain them for me, because
I cannot do it.


[Footnote 1: A swine.]
[Footnote 2: A swallow.]
[Footnote 3: A stallion.]
[Footnote 4: A sail.]
[Footnote 5: A spaniel.]
[Footnote 6: A spur.]
[Footnote 7: A soul.]
[Footnote 8: A sloven.]
[Footnote 9: A sallad.]
[Footnote 10: A slip.]
[Footnote 11: A sparrow.]
[Footnote 12: A saddle.]
[Footnote 13: A style.]
[Footnote 14: A slice.]
[Footnote 15: A spy.]
[Footnote 16: A spavin.]
[Footnote 17: A spit.]
[Footnote 18: A skewer.]
[Footnote 19: Assault.]
[Footnote 20: A smock.]




PROBATUR ALITER

A long-ear'd beast, and a field-house for cattle,
Among the coals doth often rattle.[1]

A long-ear'd beast, a bird that prates,
The bridegrooms' first gift to their mates,
Is by all pious Christians thought,
In clergymen the greatest fault.[2]

A long-ear'd beast, and woman of Endor,
If your wife be a scold, that will mend her.[3]

With a long-ear'd beast, and medicine's use,
Cooks make their fowl look tight and spruce.[4]

A long-ear'd beast, and holy fable,
Strengthens the shoes of half the rabble.[5]

A long-ear'd beast, and Rhenish wine,
Lies in the lap of ladies fine.[6]

A long-ear'd beast, and Flanders College,
Is Dr. T----l, to my knowledge.[7]

A long-ear'd beast, and building knight,
Censorious people do in spite.[8]

A long-ear'd beast, and bird of night,
We sinners art too apt to slight.[9]

A long-ear'd beast, and shameful vermin,
A judge will eat, though clad in ermine.[10]

A long-ear'd beast, and Irish cart,
Can leave a mark, and give a smart.[11]

A long-ear'd beast, in mud to lie,
No bird in air so swift can fly.[12]

A long-ear'd beast, and a sputt'ring old Whig,
I wish he were in it, and dancing a jig.[13]

A long-ear'd beast, and liquor to write,
Is a damnable smell both morning and night.[14]

A long-ear'd beast, and the child of a sheep,
At Whist they will make a desperate sweep.[15]

A beast long-ear'd, and till midnight you stay,
Will cover a house much better than clay.[16]

A long-ear'd beast, and the drink you love best,
You call him a sloven in earnest for jest.[17]

A long-ear'd beast, and the sixteenth letter,
I'd not look at all unless I look'd better.[18]

A long-ear'd beast give me, and eggs unsound,
Or else I will not ride one inch of ground.[19]

A long-ear'd beast, another name for jeer,
To ladies' skins there nothing comes so near.[20]

A long-ear'd beast, and kind noise of a cat,
Is useful in journeys, take notice of that.[21]

A long-ear'd beast, and what seasons your beef,
On such an occasion the law gives relief.[22]

A long-ear'd beast, a thing that force must drive in,
Bears up his house, that's of his own contriving.[23]

[Footnote 1: A shovel.]
[Footnote 2: Aspiring.]
[Footnote 3: A switch.]
[Footnote 4: A skewer.]
[Footnote 5: A sparable; a small nail in a shoe.]
[Footnote 6: A shock.]
[Footnote 7: A sloven.]
[Footnote 8: Asperse. (Pearce was an architect, who built the
Parliament-House, Dublin.)]
[Footnote 9: A soul.]
[Footnote 10: A slice.]
[Footnote 11: A scar.]
[Footnote 12: A swallow.]
[Footnote 13: A sty.]
[Footnote 14: A sink.]
[Footnote 15: A slam.]
[Footnote 16: A slate.]
[Footnote 17: A swine.]
[Footnote 18: Askew.]
[Footnote 19: A saddle.]
[Footnote 20: A smock.]
[Footnote 21: A spur.]
[Footnote 22: Assault.]
[Footnote 23: A snail.]




POEMS COMPOSED AT MARKET HILL


ON CUTTING DOWN THE THORN AT MARKET-HILL.[1] 1727


At Market-Hill, as well appears
  By chronicle of ancient date,
There stood for many hundred years
  A spacious thorn before the gate.

Hither came every village maid,
  And on the boughs her garland hung,
And here, beneath the spreading shade,
  Secure from satyrs sat and sung.

Sir Archibald,[2] that valorous knight.
  The lord of all the fruitful plain,
Would come to listen with delight,
  For he was fond of rural strain.

(Sir Archibald, whose favourite name
  Shall stand for ages on record,
By Scottish bards of highest fame,
  Wise Hawthornden and Stirling's lord.[3])

But time with iron teeth, I ween,
  Has canker'd all its branches round;
No fruit or blossom to be seen,
  Its head reclining toward the ground.

This aged, sickly, sapless thorn,
  Which must, alas! no longer stand,
Behold the cruel Dean in scorn
  Cuts down with sacrilegious hand.

Dame Nature, when she saw the blow,
  Astonish'd gave a dreadful shriek;
And mother Tellus trembled so,
  She scarce recover'd in a week.

The Sylvan powers, with fear perplex'd,
  In prudence and compassion sent
(For none could tell whose turn was next)
  Sad omens of the dire event.

The magpie, lighting on the stock,
  Stood chattering with incessant din:
And with her beak gave many a knock,
  To rouse and warn the nymph within.

The owl foresaw, in pensive mood,
  The ruin of her ancient seat;
And fled in haste, with all her brood,
  To seek a more secure retreat.

Last trotted forth the gentle swine,
  To ease her itch against the stump,
And dismally was heard to whine,
  All as she scrubb'd her meazly rump.

The nymph who dwells in every tree,
  (If all be true that poets chant,)
Condemn'd by Fate's supreme decree,
  Must die with her expiring plant.

Thus, when the gentle Spina found
  The thorn committed to her care,
Received its last and deadly wound,
  She fled, and vanish'd into air.

But from the root a dismal groan
  First issuing struck the murderer's ears:
And, in a shrill revengeful tone,
  This prophecy he trembling hears:

"Thou chief contriver of my fall,
  Relentless Dean, to mischief born;
My kindred oft thine hide shall gall,
  Thy gown and cassock oft be torn.

"And thy confeder