Wordsworth's Poetical Works, Volume 2: Poems on the Naming of Places



Edited by William Knight

1896



Table of Contents






Poems on the Naming of Places

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By Persons resident in the country and attached to rural objects, many places will be found unnamed or of unknown names, where little Incidents will have occurred, or feelings been experienced, which will have given to such places a private and peculiar interest. From a wish to give some sort of record to such Incidents or renew the gratification of such Feelings, Names have been given to Places by the Author and some of his Friends, and the following Poems written in consequenceA.—W. W. 1800.





Footnote A:   It should be explained that owing to the chronological plan adopted in this edition (see the preface to vol. i.), two of the poems which were placed by Wordsworth in his series of "Poems on the Naming of Places," but which belong to later years, are printed in subsequent volumes.—Ed.
return to footnote mark


Contents: Poems on the Naming of Places
Main Contents




"It was an April morning: fresh and clear"

Composed 1800.—Published 1800

[Written at Grasmere. This poem was suggested on the banks of the brook that runs through Easdale, which is, in some parts of its course, as wild and beautiful as brook can be. I have composed thousands of verses by the side of it.—I. F.]





The Poem


text variant footnote line number
It was an April morning: fresh and clear
The Rivulet, delighting in its strength,
Ran with a young man's speed; and yet the voice
Of waters which the winter had supplied
Was softened down into a vernal tone.
The spirit of enjoyment and desire,
And hopes and wishes, from all living things
Went circling, like a multitude of sounds.
The budding groves seemed eager to urge on
The steps of June; as if their various hues
Were only hindrances that stood between
Them and their object: but, meanwhile, prevailed
Such an entire contentment in the air
That every naked ash, and tardy tree
Yet leafless, showed as if the countenance
With which it looked on this delightful day
Were native to the summer.—Up the brook
I roamed in the confusion of my heart,
Alive to all things and forgetting all.
At length I to a sudden turning came
In this continuous glen, where down a rock
The Stream, so ardent in its course before,
Sent forth such sallies of glad sound, that all
Which I till then had heard, appeared the voice
Of common pleasure: beast and bird, the lamb,
The shepherd's dog, the linnet and the thrush
Vied with this waterfall, and made a song,
Which, while I listened, seemed like the wild growth
Or like some natural produce of the air,
That could not cease to be. Green leaves were here;
But 'twas the foliage of the rocks—the birch,
The yew, the holly, and the bright green thorn,
With hanging islands of resplendent furze:
And, on a summit, distant a short space,
By any who should look beyond the dell,
A single mountain-cottage might be seen.
I gazed and gazed, and to myself I said,
"Our thoughts at least are ours; and this wild nook,
My Emma, I will dedicate to thee."
—Soon did the spot become my other home,
My dwelling, and my out-of-doors abode.
And, of the Shepherds who have seen me there,
To whom I sometimes in our idle talk
Have told this fancy, two or three, perhaps,
Years after we are gone and in our graves,
When they have cause to speak of this wild place,
May call it by the name of Emma's Dell.



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Variant 1:  
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The budding groves appear'd as if in haste
To spur the steps of June; as if their shades
Of various green were hindrances that stood
Between them and their object: yet, meanwhile,
There was such deep contentment in the air




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Variant 2:  
1845
... seem'd as though ...
1800
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Note:   The text of the "Poems on the Naming of Places" underwent comparatively little alteration in successive editions. Both the changes in the first poem were made in 1845. From the Fenwick note, it is evident that "the Rivulet" was Easdale beck. But where was "Emma's Dell"? In the autumn of 1877, Dr. Cradock, the Principal of Brasenose College, Oxford, took me to a place, of which he afterwards wrote,
"I have a fancy for a spot just beyond Goody Bridge to the left, where the brook makes a curve, and returns to the road two hundred yards farther on. But I have not discovered a trace of authority in favour of the idea farther than that the wooded bend of the brook with the stepping stones across it, connected with a field-path recently stopped, was a very favourite haunt of Wordsworth's. At the upper part of this bend, near to the place where the brook returns to the road, is a deep pool at the foot of a rush of water. In this pool, a man named Wilson was drowned many years ago. He lived at a house on the hill called Score Crag, which, if my conjecture as to Emma's Dell is right, is the 'single mountain cottage' on a 'summit, distant a short space.' Wordsworth, happening to be walking at no great distance, heard a loud shriek. It was that of Mr. Wilson, the father, who had just discovered his son's body in the beck."
In the "Reminiscences" of the poet, by the Hon. Mr. Justice Coleridge, which were contributed to the Memoirs of Wordsworth, written by his nephew (vol. ii. pp. 300-315), there is a record of a walk they took up Easdale to this place, entering the field just at the spot which Dr. Cradock supposes to be "Emma's Dell."
"He turned aside at a little farm-house, and took us into a swelling field to look down on the tumbling stream which bounded it, and which we saw precipitated at a distance, in a broad white sheet, from the mountain." (This refers to Easdale Force.) "Then, as he mused for an instant, he said,
'I have often thought what a solemn thing it would be could we have brought to our mind at once all the scenes of distress and misery which any spot, however beautiful and calm before us, has been witness to since the beginning. That water break, with the glassy quiet pool beneath it, that looks so lovely, and presents no images to the mind but of peace—there, I remember, the only son of his father, a poor man who lived yonder, was drowned.'"
This walk and conversation took place in October 1836. If any one is surprised that Wordsworth, supposing him to have been then looking into the very dell on which he wrote the above poem in 1800, did not name it to Mr. Coleridge, he must remember that he was not in the habit of speaking of the places he had memorialised in verse, and that in 1836 his "Sister Emmeline" had for a year been a confirmed invalid at Rydal. I have repeatedly followed Easdale beck all the way up from its junction with the Rothay to the Tarn, and found no spot corresponding so closely to the realistic detail of this poem as the one suggested by Dr. Cradock. There are two places further up the dale where the "sallies of glad sound" such as are referred to in the poem, are even more distinctly audible; but they are not at "a sudden turning," as is the spot above Goody Bridge. If one leaves the Easdale road at this bridge, and keeps to the side of the beck for a few hundred yards, till he reaches the turning, —especially if it be a bright April morning, such as that described in the poem,—and remembers that this path by the brook was a favourite resort of Wordsworth and his sister, the probability of Dr. Cradock's suggestion will be apparent. Lady Richardson, who knew the place, and appreciated the poem as thoroughly as any of Wordsworth's friends, told me that she concurred in this identification of the "dell."—Ed.


Contents: Poems on the Naming of Places
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To Joanna

Composed 1800.—Published 1800

[Written at Grasmere. The effect of her laugh is an extravagance, though the effect of the reverberation of voices in some parts of the mountains is very striking. There is, in The Excursion, an allusion to the bleat of a lamb thus re-echoed, and described without any exaggeration, as I heard it, on the side of Stickle Tarn, from the precipice that stretches on to Langdale Pikes.—I. F.]





The Poem


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Amid the smoke of cities did you pass
The time of early youth; and there you learned,
From years of quiet industry, to love
The living Beings by your own fire-side,
With such a strong devotion, that your heart
Is slow to meet the sympathies of them
Who look upon the hills with tenderness,
And make dear friendships with the streams and groves.
Yet we, who are transgressors in this kind,
Dwelling retired in our simplicity
Among the woods and fields, we love you well,
Joanna! and I guess, since you have been
So distant from us now for two long years,
That you will gladly listen to discourse,
However trivial, if you thence be taught
That they, with whom you once were happy, talk
Familiarly of you and of old times.

While I was seated, now some ten days past,
Beneath those lofty firs, that overtop
Their ancient neighbour, the old steeple-tower,
The Vicar from his gloomy house hard by
Came forth to greet me; and when he had asked,
"How fares Joanna, that wild-hearted Maid!
And when will she return to us?" he paused;
And, after short exchange of village news,
He with grave looks demanded, for what cause,
Reviving obsolete idolatry,
I, like a Runic Priest, in characters
Of formidable size had chiselled out
Some uncouth name upon the native rock,
Above the Rotha, by the forest-side.
—Now, by those dear immunities of heart
Engendered between malice and true love,
I was not loth to be so catechised,
And this was my reply:—"As it befel,
One summer morning we had walked abroad
At break of day, Joanna and myself.
—'Twas that delightful season when the broom,
Full-flowered, and visible on every steep,
Along the copses runs in veins of gold.
Our pathway led us on to Rotha's banks;
And when we came in front of that tall rock
That eastward looks, I there stopped short—and stood
Tracing the lofty barrier with my eye
From base to summit; such delight I found
To note in shrub and tree, in stone and flower
That intermixture of delicious hues,
Along so vast a surface, all at once,
In one impression, by connecting force
Of their own beauty, imaged in the heart.
—When I had gazed perhaps two minutes' space,
Joanna, looking in my eyes, beheld
That ravishment of mine, and laughed aloud.
The Rock, like something starting from a sleep,
Took up the Lady's voice, and laughed again;
That ancient Woman seated on Helm-crag
Was ready with her cavern; Hammar-scar,
And the tall Steep of Silver-how, sent forth
A noise of laughter; southern Loughrigg heard,
And Fairfield answered with a mountain tone;
Helvellyn far into the clear blue sky
Carried the Lady's voice,—old Skiddaw blew
His speaking-trumpet;—back out of the clouds
Of Glaramara southward came the voice;
And Kirkstone tossed it from his misty head.
—Now whether (said I to our cordial Friend,
Who in the hey-day of astonishment
Smiled in my face) this were in simple truth
A work accomplished by the brotherhood
Of ancient mountains, or my ear was touched
With dreams and visionary impulses
To me alone imparted, sure I am
That there was a loud uproar in the hills.
And, while we both were listening, to my side
The fair Joanna drew, as if she wished
To shelter from some object of her fear.
—And hence, long afterwards, when eighteen moons
Were wasted, as I chanced to walk alone
Beneath this rock, at sunrise, on a calm
And silent morning, I sat down, and there,
In memory of affections old and true,
I chiselled out in those rude characters
Joanna's name deep in the living stone:—
And I, and all who dwell by my fireside,
Have called the lovely rock, Joanna's Rock."



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Variant 1:  
1827
Your time ...
1800
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Variant 2:  
1836
Is slow towards...
1800
... toward....
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Variant 3:  
1836
... are taught...
1800
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Variant 4:  
1836
... betwixt ...
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Variant 5:  
1836
Which looks towards the East, I there stopp'd short,
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... toward ...
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And trac'd ...
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Variant 7:  
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Is not for me to tell; but sure I am
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Variant 8:  
1845
Joanna's name upon the living stone.
1800
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Footnote A:   The Rectory at Grasmere, where Wordsworth lived from 1811 to 1813, and where two of his children died.—Ed.
return to footnote mark





Note:   In Cumberland and Westmoreland are several Inscriptions upon the native rock which from the wasting of Time and the rudeness of the Workmanship had been mistaken for Runic. They are without doubt Roman.

The Rotha, mentioned in this poem, is the River which flowing through the Lakes of Grasmere and Rydale falls into Wyndermere. On Helm-Crag, that impressive single Mountain at the head of the Vale of Grasmere, is a Rock which from most points of view bears a striking resemblance to an Old Woman cowering. Close by this rock is one of those Fissures or Caverns, which in the language of the Country are called Dungeons. The other Mountains either immediately surround the Vale of Grasmere, or belong to the same Cluster.—W. W. 1800.

Most of the Mountains here mentioned immediately surround the vale of Grasmere; of the others, some are at a considerable distance, but they belong to the same cluster.— W. W. 1802.

The majority of the changes introduced into the text of this poem were made in the year 1836.

The place where the echo of the bleat of the lamb was heard —referred to in the Fenwick note—may be easily found. The "precipice" is Pavy Ark. "The 'lofty firs, that overtop their ancient neighbour, the old steeple-tower,' stood by the roadside, scarcely twenty yards north-west from the steeple of Grasmere church. Their site is now included in the road, which has been widened at that point. They were Scotch firs of unusual size, and might justly be said to 'overtop their neighbour' the tower. Mr. Fleming Green, who well remembers the trees, gave me this information, which is confirmed by other inhabitants.
"When the road was enlarged, not many years ago, the roots of the trees were found by the workmen."
(Dr. Cradock to the editor.) The
'tall rock
That eastward looks'
by the banks of the Rotha, presenting a "lofty barrier" "from base to summit," is manifestly a portion of Helmcrag. It is impossible to know whether Wordsworth carved Joanna Hutchinson's name anywhere on Helmcrag, and it is useless to enquire. If he did so, the discovery of the place would not help any one to understand or appreciate the poem. It is obvious that he did not intend to be literally exact in details, as the poem was written in 1800, and addressed to Joanna Hutchinson,—who is spoken of as having been absent from Grasmere "for two long years;" and Wordsworth says that he carved the Runic characters in memoriam eighteen months after that summer morning when he heard the echo of her laugh. But the family took up residence at Grasmere only in December 1799, and the "Poems on the Naming of Places" were published before the close of 1800. The effect of these lines to Joanna, however, is certainly not impaired—it may even be enhanced—by our inability to localise them. Only one in the list of places referred to can occasion any perplexity, viz., Hammar-scar, since it is a name now disused in the district. It used to be applied to some rocks on the flank of Silver-how, to the wood around them, and also to the gorge between Silver-how and Loughrigg. Hammar, from the old Norse hamar, signifies a steep broken rock.

The imaginative description of the echo of the lady's laugh suggests a parallel passage from Michael Drayton's Polyolbion, which Wordsworth must doubtless have read. (See his sister's reference to Drayton in her Recollections of a Tour made in Scotland, in 1803: in the note to the poem, At the grave of Burns, p. 382 of this volume.)
Which Copland scarce had spoke, but quickly every Hill
Upon her verge that stands, the neighbouring valleys fill;
Helvillon from his height, it through the mountains threw,
From whence as soon again, the sound Dunbalrase drew,
From whose stone-trophèd head, it on the Wendrosse went,
Which tow'rds the sea again, resounded it to Dent,
That Brodwater therewith within her banks astound,
In sailing to the sea, told it to Egremound,
Whose buildings, walks, and streets, with echoes loud and long,
Did mightily commend old Copland for her song.
Polyolbion, The Thirtieth Song, ll. 155-164. Any one who compares this passage with Wordsworth's Joanna will see the difference between the elaborate fancy of a topographical narrator, and the vivid imagination of a poetical idealist. A somewhat similar instance of indebtedness—in which the debt is repaid by additional insight—is seen when we compare a passage from Sir John Davies's Orchestra, or a poem on Dancing (stanza 49), with one from The Ancient Mariner, Part VI. stanzas 2 and 3—although there was more of the true imaginative light in Davies than in Drayton.
For lo, the sea that fleets about the land,
And like a girdle clips her solid waist,
Music and measure both doth understand;
For his great crystal eye is always cast
Up to the moon, and on her fixed fast:
And as she danceth in her palid sphere
So danceth he about his centre here.
Davies.
Still as a slave before his lord,
The ocean hath no blast;
His great bright eye most silently
Up to the moon is cast—

If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him.
Coleridge.


These extracts show how both Wordsworth and Coleridge assimilated past literary products, and how they glorified them by reproduction. There was little, however, in the poetic imagery of previous centuries that Wordsworth reproduced. His imagination worked in a sphere of its own, free from the trammels of precedent; and he was more original than any other nineteenth century poet in his use of symbol and metaphor. The poem To Joanna was probably composed on August 22, 1800, as the following occurs in Dorothy Wordsworth's Journal under that date:
"William was composing all the morning ... W. read us the poem of Joanna, beside the Rothay, by the roadside."
Charles Lamb wrote to Wordsworth in January 1801, of
"these continuous echoes in the story of 'Joanna's laugh,' when the mountains and all the scenery seem absolutely alive."
Ed.


Contents: Poems on the Naming of Places
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"There is an Eminence,—of these our hills"

Composed 1800.—Published 1800

[It is not accurate that the Eminence here alluded to could be seen from our orchard-seat. It rises above the road by the side of Grasmere Lake towards Keswick, and its name is Stone-Arthur.—I. F.]





The Poem


text variant footnote line number
There is an Eminence,—of these our hills
The last that parleys with the setting sun;
We can behold it from our orchard-seat;
And, when at evening we pursue our walk
Along the public way, this Peak, so high
Above us, and so distant in its height,
Is visible; and often seems to send
Its own deep quiet to restore our hearts.
The meteors make of it a favourite haunt:
The star of Jove, so beautiful and large
In the mid heavens, is never half so fair
As when he shines above it. 'Tis in truth
The loneliest place we have among the clouds.
And She who dwells with me, whom I have loved
With such communion, that no place on earth
Can ever be a solitude to me,
Hath to this lonely Summit given my Name.



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... this Cliff, ...
1800
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1815
Hath said, this lonesome Peak shall bear my Name.
1800
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Note:   Stone-Arthur is the name of the hill, on the east side of the Vale of Grasmere, opposite Helm Crag, and between Green Head Ghyll and Tongue Ghyll.—Ed.


Contents: Poems on the Naming of Places
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"A narrow girdle of rough stones and crags"

Composed 1800.—Published 1800

[The character of the eastern shore of Grasmere Lake is quite changed since these verses were written, by the public road being carried along its side. The friends spoken of were Coleridge and my Sister, and the facts occurred strictly as recorded.—I. F.]





The Poem


text variant footnote line number
A narrow girdle of rough stones and crags,
A rude and natural causeway, interposed
Between the water and a winding slope
Of copse and thicket, leaves the eastern shore
Of Grasmere safe in its own privacy:
And there myself and two belovèd Friends,
One calm September morning, ere the mist
Had altogether yielded to the sun,
Sauntered on this retired and difficult way.
—Ill suits the road with one in haste; but we
Played with our time; and, as we strolled along,
It was our occupation to observe
Such objects as the waves had tossed ashore—
Feather, or leaf, or weed, or withered bough,
Each on the other heaped, along the line
Of the dry wreck. And, in our vacant mood,
Not seldom did we stop to watch some tuft
Of dandelion seed or thistle's beard,
That skimmed the surface of the dead calm lake,
Suddenly halting now—a lifeless stand!
And starting off again with freak as sudden;
In all its sportive wanderings, all the while,
Making report of an invisible breeze
That was its wings, its chariot, and its horse,
Its playmate, rather say, its moving soul.
—And often, trifling with a privilege
Alike indulged to all, we paused, one now,
And now the other, to point out, perchance
To pluck, some flower or water-weed, too fair
Either to be divided from the place
On which it grew, or to be left alone
To its own beauty. Many such there are,
Fair ferns and flowers, and chiefly that tall fern,
So stately, of the queen Osmunda named;
Plant lovelier, in its own retired abode
On Grasmere's beach, than Naiad by the side
Of Grecian brook, or Lady of the Mere,
Sole-sitting by the shores of old romance.
—So fared we that bright morning: from the fields,
Meanwhile, a noise was heard, the busy mirth
Of reapers, men and women, boys and girls.
Delighted much to listen to those sounds,
And feeding thus our fancies, we advanced
Along the indented shore; when suddenly,
Through a thin veil of glittering haze was seen
Before us, on a point of jutting land,
The tall and upright figure of a Man
Attired in peasant's garb, who stood alone,
Angling beside the margin of the lake.
"Improvident and reckless," we exclaimed,
"The Man must be, who thus can lose a day
Of the mid harvest, when the labourer's hire
Is ample, and some little might be stored
Wherewith to cheer him in the winter time."
Thus talking of that Peasant, we approached
Close to the spot where with his rod and line
He stood alone; whereat he turned his head
To greet us—and we saw a Man worn down
By sickness, gaunt and lean, with sunken cheeks
And wasted limbs, his legs so long and lean
That for my single self I looked at them,
Forgetful of the body they sustained.—
Too weak to labour in the harvest field,
The Man was using his best skill to gain
A pittance from the dead unfeeling lake
That knew not of his wants. I will not say
What thoughts immediately were ours, nor how
The happy idleness of that sweet morn,
With all its lovely images, was changed
To serious musing and to self-reproach.
Nor did we fail to see within ourselves
What need there is to be reserved in speech,
And temper all our thoughts with charity.
—Therefore, unwilling to forget that day,
My Friend, Myself, and She who then received
The same admonishment, have called the place
By a memorial name, uncouth indeed
As e'er by mariner was given to bay
Or foreland, on a new-discovered coast;
And Point Rash-Judgment is the name it bears.



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Variant 1:  
1815. (Compressing five lines into three.)
... thistle's beard,
Which, seeming lifeless half, and half impell'd
By some internal feeling, skimm'd along
Close to the surface of the lake that lay
Asleep in a dead calm, ran closely on
Along the dead calm lake, now here, now there,





1800
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Variant 2:  
1820
Its very playmate, and its moving soul.
1800
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Variant 3:  
1802
... tall plant ...
1800
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1827
... sweet ...
1800
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1800
... with listening ...
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And in the fashion which I have describ'd,
Feeding unthinking fancies, we advanc'd

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Variant 7:  
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... we saw
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Variant 8:  
1800
... a lake.
1802
The text of 1815 returns to that of 1800.
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Variant 9:  
1827
... the margin of the lake.
That way we turn'd our steps; nor was it long,
Ere making ready comments on the sight
Which then we saw, with one and the same voice
We all cried out, that he must be indeed
An idle man, who thus could lose a day





1800
Did all cry out, that he must be indeed
An Idler, he who thus ...

1815
return





Footnote A:   A new road has destroyed this retirement. (MS. footnote in Lord Coleridge's copy of the edition of 1836.)—Ed.
return to footnote mark





Note:   The text of this poem reached its final state in the edition of 1827. The same is true of the poem which follows, To M. H., with the exception of a single change.

In Wordsworth's early days at Grasmere, a wild woodland path of quiet beauty led from Dove Cottage along the margin of the lake to the "Point" referred to in this poem, leaving the eastern shore truly "safe in its own privacy"—a "retired and difficult way"; the high-way road for carriages being at that time over White Moss Common. The late Dr. Arnold, of Rugby and Foxhowe, used to name the three roads from Rydal to Grasmere thus: the highest, "Old Corruption"; the intermediate, "Bit by bit Reform"; the lowest and most level, "Radical Reform." Wordsworth was never quite reconciled to the radical reform effected on a road that used to be so delightfully wild and picturesque. The spot which the three friends rather infelicitously named "Point Rash-Judgment" is easily identified; although, as Wordsworth remarks, the character of the shore is changed by the public road being carried along its side. The friends were quite aware that the "memorial name" they gave it was "uncouth." In spite of its awkwardness, however, it will probably survive; if not for Browning's reason
The better the uncouther;
Do roses stick like burrs?
at least because of the incident which gave rise to the poem. The date of composition is fixed by Dorothy Wordsworth's Journal,
"10th Oct. 1800, Wm. sat up after me, writing Point Rash-Judgment."
Ed.


Contents: Poems on the Naming of Places
Main Contents




To M. H.

Composed 1800.—Published 1800

[To Mary Hutchinson, two years before our marriage. The pool alluded to is in Rydal Upper Park.—I. F.]





The Poem


text variant footnote line number
Our walk was far among the ancient trees:
There was no road, nor any woodman's path;
But a thick umbrage—checking the wild growth
Of weed and sapling, along soft green turf
Beneath the branches—of itself had made
A track, that brought us to a slip of lawn,
And a small bed of water in the woods.
All round this pool both flocks and herds might drink
On its firm margin, even as from a well,
Or some stone-basin which the herdsman's hand
Had shaped for their refreshment; nor did sun,
Or wind from any quarter, ever come,
But as a blessing to this calm recess,
This glade of water and this one green field.
The spot was made by Nature for herself;
The travellers know it not, and 'twill remain
Unknown to them; but it is beautiful;
And if a man should plant his cottage near,
Should sleep beneath the shelter of its trees,
And blend its waters with his daily meal,
He would so love it, that in his death-hour
Its image would survive among his thoughts:
And therefore, my sweet Mary, this still Nook,
With all its beeches, we have named from You!



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But the ...
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... on the soft green turf
1800
... smooth dry ground
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1827
... which ...
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1800
... for You.
1802
The text of 1815 returns to that of 1800.
return





Note:   To find the pool referred to in the Fenwick note, I have carefully examined the course of Rydal beck, all the way up to the foot of the Fell. There is a pool beyond the enclosures of the Hall property, about five hundred feet above Rydal Mount, which partly corresponds to the description in the poem, but there is no wood around it now; and the trees which skirt its margin are birch, ash, oak, and hazel, but there are no beeches. It is a short way below some fine specimens of ice-worn rocks, which are to the right of the stream as you ascend it, and above these rocks is a well-marked moraine. It is a deep crystal pool, and has a "firm margin" of (artificially placed) stones. This may be the spot described in the poem; or another, within the grounds of the Hall, may be the place referred to. It is a sequestered nook, beside the third waterfall as you ascend the beck—this third cascade being itself a treble fall. Seen two or three days after rain, when the stream is full enough to break over the whole face of the rock in showers of snowy brightness, yet low enough to shew the rock behind its transparent veil, it is specially beautiful. Trees change so much in eighty years that the absence of "beeches" now would not make this site impossible. In a MS. copy of the poem (of date Dec. 28, 1800), the last line is
'With all its poplars, we have named from you.'
Of the circular pool beneath this fall it may be said, as Wordsworth describes it, that
'... both flocks and herds might drink
On its firm margin, even as from a well;'
and a "small slip of lawn" might easily have existed there in his time. We cannot, however, be confident as to the locality, and I add the opinion of several, whose judgment may be deferred to. Dr. Cradock writes:
"As to Mary Hutchinson's pool, I think that it was not on the beck anywhere, but some detached little pool, far up the hill, to the eastwards of the Hall, in 'the woods.' The description does not well suit any part of Rydal beck; and no spot thereon could long 'remain unknown,' as the brook was until lately much haunted by anglers."
My difficulty as to a site "far up the hill" is, that it must have been a pool of some size, if "both flocks and herds might drink" all round it; and there is no stream, scarce even a rill that joins Rydal beck on the right, all the way up from its junction with the Rothay. The late Mr. Hull of Rydal Cottage, wrote:
"Although closely acquainted with every nook about Rydal Park, I have never been able to discover any spot corresponding to that described in Wordsworth's lines to M. H. It is possible, however, that the 'small bed of water' may have been a temporary rain pool, such as sometimes lodges in the hollows on the mountain-slope after heavy rain."
Mr. F. M. Jones, the agent of the Rydal property, writes:
"I do not know of any pool of water in the Upper Rydal Park. There are some pools up the river, 'Mirror Pool' among them; but I hardly think there can ever have been 'beech-trees' growing near them."
There are many difficulties, and the place cannot now be identified. Wordsworth's own wish will doubtless be realised,
'The travellers know it not, and 'twill remain
Unknown to them.'
Ed.


Contents: Poems on the Naming of Places
Main Contents




The Waterfall and the Eglantine

Composed 1800.—Published 1800

[Suggested nearer to Grasmere, in the same mountain track as that referred to in the following note. The Eglantine remained many years afterwards, but is now gone.—I. F.]

Included among the "Poems of the Fancy."—Ed.





The Poem


stanza text variant footnote line number
I "Begone, thou fond presumptuous Elf,"
Exclaimed an angry Voice,
"Nor dare to thrust thy foolish self
Between me and my choice!"
A small Cascade fresh swoln with snows
Thus threatened a poor Briar-rose,
That, all bespattered with his foam,
And dancing high and dancing low,
Was living, as a child might know,
In an unhappy home.

1



2







5




10
II "Dost thou presume my course to block?
Off, off! or, puny Thing!
I'll hurl thee headlong with the rock
To which thy fibres cling."
The Flood was tyrannous and strong;
The patient Briar suffered long,
Nor did he utter groan or sigh,
Hoping the danger would be past;
But, seeing no relief, at last,
He ventured to reply.




A








15




20
III "Ah!" said the Briar, "blame me not;
Why should we dwell in strife?
We who in this sequestered spot
Once lived a happy life!
You stirred me on my rocky bed—
What pleasure through my veins you spread
The summer long, from day to day,
My leaves you freshened and bedewed;
Nor was it common gratitude
That did your cares repay.


3










25




30
IV "When spring came on with bud and bell,
Among these rocks did I
Before you hang my wreaths to tell
That gentle days were nigh!
And in the sultry summer hours,
I sheltered you with leaves and flowers;
And in my leaves—now shed and gone,
The linnet lodged, and for us two
Chanted his pretty songs, when you
Had little voice or none.


4






B












35




40
V "But now proud thoughts are in your breast—
What grief is mine you see,
Ah! would you think, even yet how blest
Together we might be!
Though of both leaf and flower bereft,
Some ornaments to me are left—
Rich store of scarlet hips is mine,
With which I, in my humble way,
Would deck you many a winter day,
A happy Eglantine!"








5




45




50
VI What more he said I cannot tell,
The Torrent down the rocky dell
Came thundering loud and fast;
I listened, nor aught else could hear;
The Briar quaked—and much I fear
Those accents were his last.



Note
Contents


6






55






Variant 1:  
1836
... a thundering Voice,
1800
return


Variant 2:  
1820
A falling Water swoln with snows
Thus spake to a poor Briar-rose,

1800
return


Variant 3:  
1820
... in this, our natal spot,
1800
return


Variant 4:  
1815
... wreath ...
1800
return


Variant 5:  
1836
... Winter's day,
1800
return


Variant 6:  
1840
The stream came thundering down the dell
And gallop'd loud and fast;

1800
The Torrent thundered down the dell
With unabating haste;

1815
With aggravated haste;
1827
The Stream came thundering down the dell
1836
return





Footnote A:  Compare The Ancient Mariner (part I. stanza II.):
And now the Storm-blast came, and he
Was tyrannous and strong.
Ed.
return to footnote mark


Footnote B:   Compare A Farewell, p. 325, l. 17.—Ed.
return





Note:   The spot referred to in this poem can be identified with perfect accuracy. The Eglantine grew on the little brook that runs past two cottages (close to the path under Nab Scar), which have been built since the poet's time, and are marked Brockstone on the Ordnance Map.
"The plant itself of course has long disappeared: but in following up the rill through the copse, above the cottages, I found an unusually large Eglantine, growing by the side of the stream."
(Dr Cradock to the editor, in 1877.) It still grows luxuriantly there.

The following extract from Dorothy Wordsworth's Journal illustrates both this and the next poem:
"Friday, 23rd April 1802.—It being a beautiful morning, we set off at eleven o'clock, intending to stay out of doors all the morning. We went towards Rydal, under Nab Scar. The sun shone and we were lazy. Coleridge pitched upon several places to sit down upon; but we could not be all of one mind respecting sun and shade, so we pushed on to the foot of the Scar. It was very grand when we looked up, very stony; here and there a budding tree. William observed that the umbrella Yew-tree that breasts the wind had lost its character as a tree, and had become like solid wood. Coleridge and I pushed on before. We left William sitting on the stones, feasting with silence, and I sat down upon a rocky seat, a couch it might be, under the Bower of William's 'Eglantine,' 'Andrew's Broom.' He was below us, and we could see him. He came to us, and repeated his Poems, while we sat beside him. We lingered long, looking into the vales; Ambleside Vale, with the copses, the village under the hill, and the green fields; Rydale, with a lake all alive and glittering, yet but little stirred by breezes; and our own dear Grasmere, making a little round lake of Nature's own, with never a house, never a green field, but the copses and the bare hills enclosing it, and the river flowing out of it. Above rose the Coniston Fells, in their own shape and colour, ... the sky, and the clouds, and a few wild creatures. Coleridge went to search for something new. We saw him climbing up towards a rock. He called us, and we found him in a bower,—the sweetest that was ever seen. The rock on one side is very high, and all covered with ivy, which hung loosely about, and bore bunches of brown berries. On the other side, it was higher than my head. We looked down on the Ambleside vale, that seemed to wind away from us, the village lying under the hill. The fir tree island was reflected beautifully.... About this bower there is mountain-ash, common ash, yew tree, ivy, holly, hawthorn, roses, flowers, and a carpet of moss. Above at the top of the rock there is another spot. It is scarce a bower, a little parlour, not enclosed by walls, but shaped out for a resting-place by the rocks, and the ground rising about it. It had a sweet moss carpet. We resolved to go and plant flowers, in both these places to-morrow."
This extract is taken from the "Journal" as originally transcribed by me in 1889. When it appears in this edition it will be greatly enlarged.—Ed.


Contents: Poems on the Naming of Places
Main Contents




The Oak and the Broom

A Pastoral

Composed 1800.—Published 1800

The Poem

[Suggested upon the mountain pathway that leads from Upper Rydal to Grasmere. The ponderous block of stone, which is mentioned in the poem, remains, I believe, to this day, a good way up Nab-Scar. Broom grows under it, and in many places on the side of the precipice.—I. F.]

One of the "Poems of the Fancy."—Ed.





The Poem


stanza text variant footnote line number
I His simple truths did Andrew glean
Beside the babbling rills;
A careful student he had been
Among the woods and hills.
One winter's night, when through the trees
The wind was roaring, on his knees
His youngest born did Andrew hold:
And while the rest, a ruddy quire,
Were seated round their blazing fire,
This Tale the Shepherd told.





1







5




10
II "I saw a crag, a lofty stone
As ever tempest beat!
Out of its head an Oak had grown,
A Broom out of its feet.
The time was March, a cheerful noon—
The thaw wind, with the breath of June,
Breathed gently from the warm south-west:
When, in a voice sedate with age,
This Oak, a giant and a sage,
His neighbour thus addressed:—








2




15




20
III "'Eight weary weeks, through rock and clay,
Along this mountain's edge,
The Frost hath wrought both night and day,
Wedge driving after wedge.
Look up! and think, above your head
What trouble, surely, will be bred;
Last night I heard a crash—'tis true,
The splinters took another road—
I see them yonder—what a load
For such a Thing as you!




25




30
IV "'You are preparing as before
To deck your slender shape;
And yet, just three years back—no more—
You had a strange escape:
Down from yon cliff a fragment broke;
It thundered down, with fire and smoke,
And hitherward pursued its way;
This ponderous block was caught by me,
And o'er your head, as you may see,
'Tis hanging to this day!






3






35




40
V "'If breeze or bird to this rough steep
Your kind's first seed did bear;
The breeze had better been asleep,
The bird caught in a snare:
For you and your green twigs decoy
The little witless shepherd-boy
To come and slumber in your bower;
And, trust me, on some sultry noon,
Both you and he, Heaven knows how soon!
Will perish in one hour.



4









45




50
VI "'From me this friendly warning take'—
The Broom began to doze,
And thus, to keep herself awake,
Did gently interpose:
'My thanks for your discourse are due;
That more than what you say is true,
I know, and I have known it long;
Frail is the bond by which we hold
Our being, whether young or old,
Wise, foolish, weak, or strong.





5


6




55




60
VII "'Disasters, do the best we can,
Will reach both great and small;
And he is oft the wisest man,
Who is not wise at all.
For me, why should I wish to roam?
This spot is my paternal home,
It is my pleasant heritage;
My father many a happy year,
Spread here his careless blossoms, here
Attained a good old age.








7




65




70
VIII "'Even such as his may be my lot.
What cause have I to haunt
My heart with terrors? Am I not
In truth a favoured plant!
On me such bounty Summer pours,
That I am covered o'er with flowers;
And, when the Frost is in the sky,
My branches are so fresh and gay
That you might look at me and say,
This Plant can never die.





8


9




75




80
IX "'The butterfly, all green and gold,
To me hath often flown,
Here in my blossoms to behold
Wings lovely as his own.
When grass is chill with rain or dew,
Beneath my shade, the mother-ewe
Lies with her infant lamb; I see
The love they to each other make,
And the sweet joy which they partake,
It is a joy to me.'




85




90
X "Her voice was blithe, her heart was light;
The Broom might have pursued
Her speech, until the stars of night
Their journey had renewed;
But in the branches of the oak
Two ravens now began to croak
Their nuptial song, a gladsome air;
And to her own green bower the breeze
That instant brought two stripling bees
To rest, or murmur there.









10




95




100
XI "One night, my Children! from the north
There came a furious blast;
At break of day I ventured forth,
And near the cliff I passed.
The storm had fallen upon the Oak,
And struck him with a mighty stroke,
And whirled, and whirled him far away;
And, in one hospitable cleft,
The little careless Broom was left
To live for many a day."



Note
Contents

11











105




110






Variant 1:  
1820
... thundering, ...
1800
return


Variant 2:  
1815
... half giant and half sage,
1800
return


Variant 3:  
1820
It came, you know, with fire and smoke
And hither did it bend its way.

1800
And hitherward it bent its way.
1802
return


Variant 4:  
1836
The Thing had better been asleep,
Whatever thing it were,
Or Breeze, or Bird, or fleece of Sheep,
That first did plant you there.



1800
Or Breeze, or Bird, or Dog, or Sheep,
1802
return


Variant 5:  
1820
That it is true, and more than true,
1800
return


Variant 6:  
1827
... be we young or old,
1800
return


Variant 7:  
1836
Here spread ...
1800
return


Variant 8:  
1815
The Spring for me a garland weaves
Of yellow flowers and verdant leaves,

1800
return


Variant 9:  
1802
... on me ...
1800
return


Variant 10:  
1827
To feed and ...
1800
To rest and ...
1815
return


Variant 11:  
1815
One night the Wind came from the North
And blew a furious blast,

1800
return





Note:   The spot is fixed within narrow limits by the Fenwick note. It is, beyond doubt, on the wooded part of Nab-Scar, through which the upper path from Grasmere to Rydal passes. There is one huge block of stone high above the path, which answers well to the description in the second stanza. Crabb Robinson wrote in his Diary (Sept. 11, 1816):
"The poem of The Oak and the Broom proceeded from his" (Wordsworth) "beholding a tree in just such a situation as he described the broom to be in."
Ed.


Contents: Poems on the Naming of Places
Main Contents




"'Tis said, that some have died for love"

Composed 1800.—Published 1800

One of the "Poems founded on the Affections."—Ed.





The Poem


text variant footnote line number
'Tis said, that some have died for love:
And here and there a church-yard grave is found
In the cold north's unhallowed ground,
Because the wretched man himself had slain,
His love was such a grievous pain.
And there is one whom I five years have known;
He dwells alone
Upon Helvellyn's side:
He loved—the pretty Barbara died;
And thus he makes his moan:
Three years had Barbara in her grave been laid
When thus his moan he made:

"Oh, move, thou Cottage, from behind that oak!
Or let the aged tree uprooted lie,
That in some other way yon smoke
May mount into the sky!
The clouds pass on; they from the heavens depart:
I look—the sky is empty space;
I know not what I trace;
But when I cease to look, my hand is on my heart.

"O! what a weight is in these shades! Ye leaves,
That murmur once so dear, when will it cease?
Your sound my heart of rest bereaves,
It robs my heart of peace.
Thou Thrush, that singest loud—and loud and free,
Into yon row of willows flit,
Upon that alder sit;
Or sing another song, or choose another tree.

"Roll back, sweet Rill! back to thy mountain-bounds,
And there for ever be thy waters chained!
For thou dost haunt the air with sounds
That cannot be sustained;
If still beneath that pine-tree's ragged bough
Headlong yon waterfall must come,
Oh let it then be dumb!
Be anything, sweet Rill, but that which thou art now.

"Thou Eglantine, so bright with sunny showers,
Proud as a rainbow spanning half the vale,
Thou one fair shrub, oh! shed thy flowers,
And stir not in the gale.
For thus to see thee nodding in the air,
To see thy arch thus stretch and bend,
Thus rise and thus descend,—
Disturbs me till the sight is more than I can bear."

The Man who makes this feverish complaint
Is one of giant stature, who could dance
Equipped from head to foot in iron mail.
Ah gentle Love! if ever thought was thine
To store up kindred hours for me, thy face
Turn from me, gentle Love! nor let me walk
Within the sound of Emma's voice, nor know
Such happiness as I have known to-day.



Note
Contents

























1









2





3













4




5




10





15




20





25





30




35





40





45




50







Variant 1:  
1836
... Ye leaves,
When will that dying murmur be suppress'd?
Your sound my heart of peace bereaves,
It robs my heart of rest.



1800
return


Variant 2:  
1800
... yon ...
MS.
return


Variant 3:  
1836
Thou Eglantine whose arch so proudly towers
(Even like a rainbow ...

1800
... the rainbow ...
1802
The text of 1815 returns to that of 1800.
return


Variant 4:  
1836
... or ...
1800
return





Note:   If the second, third, and fourth stanzas of this poem had been published without the first, the fifth, and the last, it would have been deemed an exquisite fragment by those who object to the explanatory preamble, and to the moralising sequel. The intermediate stanzas suggest Burns's
'Ye banks and braes o' bonnie Doon,
How can ye bloom sae fresh and fair!
How can ye chant, ye little birds,
An' I sae weary, fu' o' care!'
and Browning's May and Death:
'I wish that when you died last May,
Charles, there had died along with you
Three parts of spring's delightful things;
Ay, and, for me, the fourth part too.'
This mood of mind Wordsworth appreciated as fully as the opposite, or complementary one, which finds expression in the great Ode, Intimations of Immortality (vol. viii.), l. 26.
'No more shall grief of mine the season wrong,'
and which Browning expresses in other verses of his lyric, and repeatedly elsewhere. The allusion in the last stanza of this poem is to Wordsworth's sister Dorothy.—Ed.


Contents: Poems on the Naming of Places
Main Contents




The Childless Father

Composed 1800.-Published 1800A

The Poem

[Written at Town-end, Grasmere. When I was a child at Cockermouth, no funeral took place without a basin filled with sprigs of boxwood being placed upon a table covered with a white cloth in front of the house. The huntings on foot, in which the old man is supposed to join as here described, were of common, almost habitual, occurrence in our vales when I was a boy, and the people took much delight in them. They are now less frequent.—I. F.]

One of the "Poems founded on the Affections."—Ed.





The Poem


text variant footnote line number
"Up, Timothy, up with your staff and away!
Not a soul in the village this morning will stay;
The hare has just started from Hamilton's grounds,
And Skiddaw is glad with the cry of the hounds."

—Of coats and of jackets grey, scarlet, and green,
On the slopes of the pastures all colours were seen;
With their comely blue aprons, and caps white as snow,
The girls on the hills made a holiday show.

Fresh sprigs of green box-wood, not six months before,
Filled the funeral basin at Timothy's door;
A coffin through Timothy's threshold had past;
One Child did it bear, and that Child was his last.

Now fast up the dell came the noise and the fray,
The horse and the horn, and the hark! hark away!
Old Timothy took up his staff, and he shut
With a leisurely motion the door of his hut.

Perhaps to himself at that moment he said;
"The key I must take, for my Ellen is dead."
But of this in my ears not a word did he speak;
And he went to the chase with a tear on his cheek.



Contents: Poems on the Naming of Places
Main Contents











1












B

C







5





10





15





20






Variant 1:  
1827
The basin of box-wood, just six months before,
Had stood on the table at Timothy's door,

1800
The basin had offered, just six months before,
Fresh sprigs of green box-wood at Timothy's door;

1820
return





Footnote A:  Also in The Morning Post, Jan. 30, 1801.—Ed.
return to footnote mark


Footnote B:   In several parts of the North of England, when a funeral takes place, a basin full of Sprigs of Box-wood is placed at the door of the house from which the Coffin is taken up, and each person who attends the funeral ordinarily takes a Sprig of this Box-wood, and throws it into the grave of the deceased.—W. W. 1800.
return


Footnote C:  In the list of errata, in the edition of 1820 "one child" is corrected, and made "a child"; but the text remained "one child" in all subsequent editions.—Ed.
return


Contents: Poems on the Naming of Places
Main Contents




Song for the Wandering Jew

Composed 1800.—Published 1800

Included among the "Poems of the Fancy."—Ed.





The Poem


text variant footnote line number
Though the torrents from their fountains
Roar down many a craggy steep,
Yet they find among the mountains
Resting-places calm and deep.

Clouds that love through air to hasten,
Ere the storm its fury stills,
Helmet-like themselves will fasten
On the heads of towering hills.

What, if through the frozen centre
Of the Alps the Chamois bound,
Yet he has a home to enter
In some nook of chosen ground:

And the Sea-horse, though the ocean
Yield him no domestic cave,
Slumbers without sense of motion,
Couched upon the rocking wave.

If on windy days the Raven
Gambol like a dancing skiff,
Not the less she loves her haven
In the bosom of the cliff.

The fleet Ostrich, till day closes,
Vagrant over desert sands,
Brooding on her eggs reposes
When chill night that care demands.

Day and night my toils redouble,
Never nearer to the goal;
Night and day, I feel the trouble
Of the Wanderer in my soul.



Contents: Poems on the Naming of Places
Main Contents








1




2




3



4
5




6




7























A














5





10





15





20






25








Variant 1:  
This stanza was added in the edition of 1827.
return


Variant 2:  
1827
Though almost with eagle pinion
O'er the rocks the Chamois roam,
Yet he has some small dominion
Which no doubt he calls his home.



1800
Though, as if with eagle pinion
O'er the rocks the Chamois roam,
Yet he has some small dominion
Where he feels himself at home.



1815
return


Variant 3:  
1836
Though the Sea-horse in the ocean
Own no dear domestic cave;
Yet he slumbers without motion
On the calm and silent wave.



1800
Yet he slumbers—by the motion
Rocked of many a gentle wave.

1827
return


Variant 4:  
1827
... he loves his haven
1800
return


Variant 5:  
1815
On ...
1800
return


Variant 6:  
This stanza was added in 1827.
return


Variant 7:  
1800
Never—never does the trouble
Of the Wanderer leave my soul.

1815
The text of 1827 returns to that of 1800.
return





Footnote A:   In the editions of 1800 to 1832 stanzas 4 and 5 were transposed. Their present order was adjusted in the edition of 1836.—Ed.
return to footnote mark


Contents: Poems on the Naming of Places
Main Contents




The BrothersA

Composed 1800.B—Published 1800

The Poem

[This poem was composed in a grove at the north-eastern end of Grasmere lake, which grove was in a great measure destroyed by turning the high road along the side of the water. The few trees that are left were spared at my intercession. The poem arose out of the fact, mentioned to me at Ennerdale, that a shepherd had fallen asleep upon the top of the rock called the Pillar, and perished as here described, his staff being left midway on the rock.—I. F.]

One of the "Poems founded on the Affections."—Ed.





The Poem


speaker text variant footnote line number
These Tourists, heaven preserve us! needs must live
A profitable life: some glance along,
Rapid and gay, as if the earth were air,
And they were butterflies to wheel about
Long as the summer lasted: some, as wise,
Perched on the forehead of a jutting crag,
Pencil in hand and book upon the knee,
Will look and scribble, scribble on and look,
Until a man might travel twelve stout miles,
Or reap an acre of his neighbour's corn.
But, for that moping Son of Idleness,
Why can he tarry yonder?—In our church-yard
Is neither epitaph nor monument,
Tombstone nor name—only the turf we tread
And a few natural graves."

        To Jane, his wife,
Thus spake the homely Priest of Ennerdale.
It was a July evening; and he sate
Upon the long stone-seat beneath the eaves
Of his old cottage,—as it chanced, that day,
Employed in winter's work. Upon the stone
His wife sate near him, teasing matted wool,
While, from the twin cards toothed with glittering wire,
He fed the spindle of his youngest child,
Who, in the open air, with due accord
Of busy hands and back-and-forward steps,
Her large round wheel was turning. Towards the field
In which the Parish Chapel stood alone,
Girt round with a bare ring of mossy wall,
While half an hour went by, the Priest had sent
Many a long look of wonder: and at last,
Risen from his seat, beside the snow white ridge
Of carded wool which the old man had piled
He laid his implements with gentle care,
Each in the other locked; and, down the path
That from his cottage to the church-yard led,
He took his way, impatient to accost
The Stranger, whom he saw still lingering there.

'Twas one well known to him in former days,
A Shepherd-lad; who ere his sixteenth year
Had left that calling, tempted to entrust
His expectations to the fickle winds
And perilous waters; with the mariners
A fellow-mariner;—and so had fared
Through twenty seasons; but he had been reared
Among the mountains, and he in his heart
Was half a shepherd on the stormy seas.
Oft in the piping shrouds had Leonard heard
The tones of waterfalls, and inland sounds
Of caves and trees:—and, when the regular wind
Between the tropics filled the steady sail,
And blew with the same breath through days and weeks,
Lengthening invisibly its weary line
Along the cloudless Main, he, in those hours
Of tiresome indolence, would often hang
Over the vessel's side, and gaze and gaze;
And, while the broad blue wave and sparkling foam
Flashed round him images and hues that wrought
In union with the employment of his heart,
He, thus by feverish passion overcome,
Even with the organs of his bodily eye,
Below him, in the bosom of the deep,
Saw mountains; saw the forms of sheep that grazed
On verdant hills—with dwellings among trees,
And shepherds clad in the same country grey
Which he himself had worn.

        And now, at last,
From perils manifold, with some small wealth
Acquired by traffic 'mid the Indian Isles,
To his paternal home he is returned,
With a determined purpose to resume
The life he had lived there; both for the sake
Of many darling pleasures, and the love
Which to an only brother he has borne
In all his hardships, since that happy time
When, whether it blew foul or fair, they two
Were brother-shepherds on their native hills.
—They were the last of all their race: and now,
When Leonard had approached his home, his heart
Failed in him; and, not venturing to enquire
Tidings of one so long and dearly loved,
He to the solitary church-yard turned;
That, as he knew in what particular spot
His family were laid, he thence might learn
If still his Brother lived, or to the file
Another grave was added.—He had found
Another grave,—near which a full half-hour
He had remained; but, as he gazed, there grew
Such a confusion in his memory,
That he began to doubt; and even to hope
That he had seen this heap of turf before,—
That it was not another grave; but one
He had forgotten. He had lost his path,
As up the vale, that afternoon, he walked
Through fields which once had been well known to him:
And oh what joy this recollection now
Sent to his heart! he lifted up his eyes,
And, looking round, imagined that he saw
Strange alteration wrought on every side
Among the woods and fields, and that the rocks,
And everlasting hills themselves were changed.

By this the Priest, who down the field had come,
Unseen by Leonard, at the church-yard gate
Stopped short,—and thence, at leisure, limb by limb
Perused him with a gay complacency.
Ay, thought the Vicar, smiling to himself,
'Tis one of those who needs must leave the path
Of the world's business to go wild alone:
His arms have a perpetual holiday;
The happy man will creep about the fields,
Following his fancies by the hour, to bring
Tears down his cheek, or solitary smiles
Into his face, until the setting sun
Write fool upon his forehead.—Planted thus
Beneath a shed that over-arched the gate
Of this rude church-yard, till the stars appeared
The good Man might have communed with himself,
But that the Stranger, who had left the grave,
Approached; he recognised the Priest at once,
And, after greetings interchanged, and given
By Leonard to the Vicar as to one
Unknown to him, this dialogue ensued.




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Leonard You live, Sir, in these dales, a quiet life:
Your years make up one peaceful family;
And who would grieve and fret, if, welcome come
And welcome gone, they are so like each other,
They cannot be remembered? Scarce a funeral
Comes to this church-yard once in eighteen months;
And yet, some changes must take place among you:
And you, who dwell here, even among these rocks,
Can trace the finger of mortality,
And see, that with our threescore years and ten
We are not all that perish.—I remember,
(For many years ago I passed this road)
There was a foot-way all along the fields
By the brook-side—'tis gone—and that dark cleft!
To me it does not seem to wear the face
Which then it had!


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Priest Nay, Sir, for aught I know,
That chasm is much the same—
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Leonard But, surely, yonder—
Priest Ay, there, indeed, your memory is a friend
That does not play you false.—On that tall pike
(It is the loneliest place of all these hills)
There were two springs which bubbled side by side,
As if they had been made that they might be
Companions for each other: the huge crag
Was rent with lightning—one hath disappeared;
The other, left behind, is flowing still,
For accidents and changes such as these,
We want not store of them;—a water-spout
Will bring down half a mountain; what a feast
For folks that wander up and down like you,
To see an acre's breadth of that wide cliff
One roaring cataract! a sharp May-storm
Will come with loads of January snow,
And in one night send twenty score of sheep
To feed the ravens; or a shepherd dies
By some untoward death among the rocks:
The ice breaks up and sweeps away a bridge;
A wood is felled:—and then for our own homes!
A child is born or christened, a field ploughed,
A daughter sent to service, a web spun,
The old house-clock is decked with a new face;
And hence, so far from wanting facts or dates
To chronicle the time, we all have here
A pair of diaries,—one serving, Sir,
For the whole dale, and one for each fire-side—
Yours was a stranger's judgment: for historians,
Commend me to these valleys!






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Leonard Yet your Church-yard
Seems, if such freedom may be used with you,
To say that you are heedless of the past:
An orphan could not find his mother's grave:
Here's neither head nor foot-stone, plate of brass,
Cross-bones nor skull,—type of our earthly state
Nor emblem of our hopes: the dead man's home
Is but a fellow to that pasture-field.






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Priest Why, there, Sir, is a thought that's new to me!
The stone-cutters, 'tis true, might beg their bread
If every English church-yard were like ours;
Yet your conclusion wanders from the truth:
We have no need of names and epitaphs;
We talk about the dead by our fire-sides.
And then, for our immortal part! we want
No symbols, Sir, to tell us that plain tale:
The thought of death sits easy on the man
Who has been born and dies among the mountains.









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Leonard Your Dalesmen, then, do in each other's thoughts
Possess a kind of second life: no doubt
You, Sir, could help me to the history
Of half these graves?

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Priest For eight-score winters past,
With what I've witnessed, and with what I've heard,
Perhaps I might; and, on a winter-evening, [23]
If you were seated at my chimney's nook,
By turning o'er these hillocks one by one,
We two could travel, Sir, through a strange round;
Yet all in the broad highway of the world.
Now there's a grave—your foot is half upon it,—
It looks just like the rest; and yet that man
Died broken-hearted.


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Leonard 'Tis a common case.
We'll take another: who is he that lies
Beneath yon ridge, the last of those three graves?
It touches on that piece of native rock
Left in the church-yard wall.


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Priest That's Walter Ewbank.
He had as white a head and fresh a cheek
As ever were produced by youth and age
Engendering in the blood of hale fourscore.
Through five long generations had the heart
Of Walter's forefathers o'erflowed the bounds
Of their inheritance, that single cottage—
You see it yonder! and those few green fields.
They toiled and wrought, and still, from sire to son,
Each struggled, and each yielded as before
A little—yet a little,—and old Walter,
They left to him the family heart, and land
With other burthens than the crop it bore.
Year after year the old man still kept up
A cheerful mind,—and buffeted with bond,
Interest, and mortgages; at last he sank,
And went into his grave before his time.
Poor Walter! whether it was care that spurred him
God only knows, but to the very last
He had the lightest foot in Ennerdale:
His pace was never that of an old man:
I almost see him tripping down the path
With his two grandsons after him:—but you,
Unless our Landlord be your host to-night,
Have far to travel,—and on these rough paths
Even in the longest day of midsummer—




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Leonard But those two Orphans! 27
Priest Orphans!—Such they were—
Yet not while Walter lived:—for, though their parents
Lay buried side by side as now they lie,
The old man was a father to the boys,
Two fathers in one father: and if tears,
Shed when he talked of them where they were not,
And hauntings from the infirmity of love,
Are aught of what makes up a mother's heart,
This old Man, in the day of his old age,
Was half a mother to them.—If you weep, Sir,
To hear a stranger talking about strangers,
Heaven bless you when you are among your kindred!
Ay—you may turn that way—it is a grave
Which will bear looking at.
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Leonard These boys—I hope
They loved this good old Man?—

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Priest They did—and truly:
But that was what we almost overlooked,
They were such darlings of each other. Yes,
Though from the cradle they had lived with Walter,
The only kinsman near them, and though he
Inclined to both by reason of his age,
With a more fond, familiar, tenderness;
They, notwithstanding, had much love to spare,
And it all went into each other's hearts.
Leonard, the elder by just eighteen months,
Was two years taller: 'twas a joy to see,
To hear, to meet them!—From their house the school
Is distant three short miles, and in the time
Of storm and thaw, when every water-course
And unbridged stream, such as you may have noticed
Crossing our roads at every hundred steps,
Was swoln into a noisy rivulet
Would Leonard then, when elder boys remained
At home, go staggering through the slippery fords,
Bearing his brother on his back. I have seen him,
On windy days, in one of those stray brooks,
Ay, more than once I have seen him, mid-leg deep,
Their two books lying both on a dry stone,
Upon the hither side: and once I said,
As I remember, looking round these rocks
And hills on which we all of us were born,
That God who made the great book of the world
Would bless such piety—







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Leonard It may be then—
Priest Never did worthier lads break English bread;
The very brightest Sunday Autumn saw
With all its mealy clusters of ripe nuts,
Could never keep those boys away from church,
Or tempt them to an hour of sabbath breach.
Leonard and James! I warrant, every corner
Among these rocks, and every hollow place
That venturous foot could reach, to one or both
Was known as well as to the flowers that grow there.
Like roe-bucks they went bounding o'er the hills;
They played like two young ravens on the crags:
Then they could write, ay and speak too, as well
As many of their betters—and for Leonard!
The very night before he went away,
In my own house I put into his hand
A bible, and I'd wager house and field
That, if he be alive, he has it yet.

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Leonard It seems, these Brothers have not lived to be
A comfort to each other—
Priest That they might
Live to such end is what both old and young
In this our valley all of us have wished,
And what, for my part, I have often prayed:
But Leonard—

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Leonard Then James still is left among you!
Priest Tis of the elder brother I am speaking:
They had an uncle;—he was at that time
A thriving man, and trafficked on the seas:
And, but for that same uncle, to this hour
Leonard had never handled rope or shroud:
For the boy loved the life which we lead here;
And though of unripe years, a stripling only,
His soul was knit to this his native soil.
But, as I said, old Walter was too weak
To strive with such a torrent; when he died,
The estate and house were sold; and all their sheep,
A pretty flock, and which, for aught I know,
Had clothed the Ewbanks for a thousand years:—
Well—all was gone, and they were destitute,
And Leonard, chiefly for his Brother's sake,
Resolved to try his fortune on the seas.
Twelve years are past since we had tidings from him.
If there were one among us who had heard
That Leonard Ewbank was come home again,
From the Great Gavel, down by Leeza's banks,
And down the Enna, far as Egremont.
The day would be a joyous festival;
And those two bells of ours, which there you see—
Hanging in the open air—but, O good Sir!
This is sad talk—they'll never sound for him—
Living or dead.—When last we heard of him,
He was in slavery among the Moors
Upon the Barbary coast.—'Twas not a little
That would bring down his spirit; and no doubt,
Before it ended in his death, the Youth
Was sadly crossed.—Poor Leonard! when we parted,
He took me by the hand, and said to me,
If e'er he should grow rich, he would return,
To live in peace upon his father's land,
And lay his bones among us.



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Leonard If that day
Should come, 'twould needs be a glad day for him;
He would himself, no doubt, be happy then
As any that should meet him—
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Priest Happy! Sir—
Leonard You said his kindred all were in their graves,
And that he had one Brother—
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Priest That is but
A fellow-tale of sorrow. From his youth
James, though not sickly, yet was delicate;
And Leonard being always by his side
Had done so many offices about him,
That, though he was not of a timid nature,
Yet still the spirit of a mountain-boy
In him was somewhat checked; and, when his Brother
Was gone to sea, and he was left alone,
The little colour that he had was soon
Stolen from his cheek; he drooped, and pined, and pined—



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Leonard But these are all the graves of full-grown men!
Priest Ay, Sir, that passed away: we took him to us;
He was the child of all the dale—he lived
Three months with one, and six months with another;
And wanted neither food, nor clothes, nor love:
And many, many happy days were his.
But, whether blithe or sad, 'tis my belief
His absent Brother still was at his heart.
And, when he dwelt beneath our roof, we found
(A practice till this time unknown to him)
That often, rising from his bed at night,
He in his sleep would walk about, and sleeping
He sought his brother Leonard.—You are moved!
Forgive me, Sir: before I spoke to you,
I judged you most unkindly.







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Leonard But this Youth,
How did he die at last?
Priest One sweet May-morning,
(It will be twelve years since when Spring returns)
He had gone forth among the new-dropped lambs,
With two or three companions, whom their course
Of occupation led from height to height
Under a cloudless sun—till he, at length,
Through weariness, or, haply, to indulge
The humour of the moment, lagged behind.
You see yon precipice;—it wears the shape
Of a vast building made of many crags;
And in the midst is one particular rock
That rises like a column from the vale,
Whence by our shepherds it is called, The Pillar.
Upon its aëry summit crowned with heath,
The loiterer, not unnoticed by his comrades,
Lay stretched at ease; but, passing by the place
On their return, they found that he was gone.
No ill was feared; till one of them by chance
Entering, when evening was far spent, the house
Which at that time was James's home, there learned
That nobody had seen him all that day:
The morning came, and still he was unheard of:
The neighbours were alarme