The Project Gutenberg eBook of Mission This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Mission Author: John Hollis Mason Release date: March 21, 2024 [eBook #73217] Language: English Original publication: New York, NY: Columbia Publications, Inc, 1942 Credits: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK MISSION *** MISSION By John Hollis Mason It would be so easy to conquer these primitive creatures.... [Transcriber's Note: This etext was produced from Science Fiction Quarterly Spring 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The cylinder stood on the edge of a grassy plain. It was enveloped in a shimmering nimbus of golden brilliance. Lying grotesquely crumpled before the cylinder was a strange, alien figure--unmoving.... A little distance away was another figure, also crumpled and still, but more human-like in appearance. Fifty yards beyond began a deep forest. Aside from the occasional murmuring breeze that rustled the grass there was no sound or movement to disturb the tableau. And the stillness made it all the more mysterious. * * * * * Krai landed on the edge of the forest. His search for intelligent life had been unfruitful up to now. But as he passed over the forest he had seen what he was looking for. A village of tree-dwellers. Equipping himself with a portable pressure projector, Krai let himself out through the air-lock and stepped for the first time to the surface of earth. The air-lock's outer seal--a cumbrous affair over three feet thick--swung automatically back into place behind him and, as it did, a shimmering nimbus of brilliant golden light enveloped the space ship. Krai experienced some difficulty in accustoming himself to the heavier gravitational pull of the new planet at first. But this was short-lived. As he moved over the plain toward the forest, Krai cut a strange figure. He was small and squat, barely four feet high; his body triangular-shaped and tapering to a truncated point at the top. Three thin tentacular legs supported the trunk and provided locomotion. Four equally thin and powerful appendages were attached to the upper part of the trunk, two on the chest and one on each side of the hardly visible head. Each of Krai's two large eyes was embedded in the end of a foot-long stalk, giving him highly maneuverable and easily concentrated vision in all directions. Several spiracles dotted the lower part of the head, on each side of which was a huge ear--nature's answer to the problem of his own world's thin atmosphere. In the denser air of the earth these latter proved very useful, if a trifle disconcerting with their powers of magnification. He could distinguish the slightest sounds at tremendous distances. The patter of an animal's feet deep in the forest; the noise of a falling branch. In places the forest was quite thick and the going sometimes difficult, but for the most part the journey was uneventful. Presently he began to catch the sounds of movement and voices. Krai approached warily. He realized that these people were still very primitive, had not even begun to walk on the ground. Up to now he had exercised overmuch caution because he hadn't known what to expect, but now he knew there was nothing to fear. Detaching his pressure projector from the equipment secured to his back, Krai advanced on the alert. His job was by no means an easy one, despite the fact that everything seemed to be working in with his plans. If he were discovered, disaster could still wreck those selfsame plans. He paused. Through the concealing foliage he looked out upon a small clearing. In the trees surrounding this were the houses of the arboreal community and, singly and in groups, chattering gibberish to each other, its inhabitants. * * * * * They were outlandish-looking beings to Krai, just as he would have been to them. Nearly twice as tall as he and powerful with the strength of the brute. Few of them wore any covering, but the plentiful hair on their bodies seemed to be ample covering of itself. Communication was carried on with a combination of grunts and gestures and as far as Krai could make out the articulate part was very limited in meaning; almost incomprehensible to an intelligent mind. So far they hadn't detected the presence of another, but the alien knew he must not tarry. Moving into the shelter of two thick tree boles, Krai brought his pressure projector into play. The large communal house suddenly appeared to smash in upon itself, as though crushed by a giant hand. Screams of agony issued from the splintered walls as it crashed to earth. The tree-dwellers stopped everything they were doing to gaze in stupefaction at this prodigy. But before they could voice their amazement, another structure shattered under the emanation from the pressure projector. As the ray was invisible, it appeared to the thunder-struck denizens as though some angry unseen demon were venting his displeasure upon the village. Instinctively, a large crowd banded together for mutual protection. This was what Krai had been waiting for. They were annihilated. Those who still lived fled. But Krai's implacable destruction sought them out and none got far before they were caught. When the alien emerged from his place of concealment, all that remained of the village was a few heaps of shattered pulp. He had done his job well. * * * * * As Krai retraced his steps through the forest, his thoughts were far away. They reached back across the millions of miles of emptiness he had traversed to come here, back to his own people. They had been doomed; extinction facing them from over-population and lack of water. Mars was nearing the end, and its mighty race seemed about to share the fate of their planet, when a ray of hope came to them. The long-forgotten secret of inter-planetary travel had been rediscovered. It was as a straw to the dying man. And Mars clutched at it. A small space rocket was built with all speed. Earth, long eyed with anticipation by believers in the practicality of flight between the worlds, was chosen as the objective. Krai, an acknowledged expert in atmospheric travel and the problems confronting a space traveler, found himself selected to make the voyage. His job was to discover whether the Earth was suitable for Martian settlement, or if it could be made so. Astronomical observation had made this fairly certain, however, and that part of his task was merely one of confirmation. But he was also to ascertain whether there was any intelligent life upon the world. If this proved to be the case and the opportunity presented itself, he was to wipe it out. It was ruthless, of course, but the Martians were facing death themselves and had to be ruthless. They couldn't take a chance on being attacked by Earth's inhabitants before they were accustomed to the new conditions and could fight back without being at a disadvantage. The Martian felt a deep satisfaction as he made his way back to his space ship. There might still remain much to be done, but there was no doubt in his mind about the future now--a bright future and long, new life for Mars.... But Krai might have felt very differently had he seen the hate-filled eyes that pursued his retreating figure. One of the brute-men of the arboreal community had been absent on a private hunting expedition when the Martian began hostilities, only returning in time to see the demon (as Krai appeared to the savage mind) leaving the scene of destruction. The tree-dweller's first thought was of his mate. But prudence dictated that he remain concealed till the retreating form of the demon disappeared among the trees. Then he searched frantically for his mate. Eventually he found her--crushed among the splinters of their tree-house. A terrible, burning hate took hold of the savage. An all-consuming hate overcame his instinctive fear of the demon-thing he had seen. Thoughts of revenge crowded all else from his mind. Then, with quick resolve, the tree-man took to the trees in pursuit of the demon. His hyper-sharp sense of smell soon enabled him to pick up the trail of his quarry. Presently the forest began to thin out, giving way to open plain. Nearing the edge of the trees, the eagle eyes detected movement, then the grotesquely alien figure of the demon-thing came into view. Krai was in the open now. With a spurt of speed, accelerated by white-hot hate, the pursuer reached the edge of the forest--too late. * * * * * The Martian was nearly to his ship. Another moment and he would be safe. The brute-man hated the ground and feared the incredible powers of the demon-thing too much to risk physical combat. There was only one chance. Whipping a huge, jagged-edged stone from his girdle, the tree-dweller hurled it with all the energy of his tremendous thews. With deadly accuracy the stone shot through the air. Krai never knew what hit him; his brain-case was shattered like an egg-shell. He dropped in his tracks. His desire for revenge satisfied, the tree-dweller began to comprehend the magnitude of his feat. Single-handed, he had killed the demon-thing that destroyed his people! For a moment he was a little dizzy with the enormity of it. Then, attracted by the golden glow of the big cylinder, the brute-man forgot all else to investigate this new miracle. He was confident in his ability to deal with anything that arose now and the shimmering beauty of the golden emanation intrigued him. He reached out tentatively. As the hirsute hand passed through the nimbus a look of startled surprise appeared on the face of the tree-dweller. Then he collapsed. As the limp hand broke contact with the brilliance surrounding the space ship there was an almost perceptible crackle of energy. And for a moment the acrid pungence of ozone hung in the air. *** END OF THE PROJECT GUTENBERG EBOOK MISSION *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.