The Project Gutenberg eBook of Rosemary and Pansies This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Rosemary and Pansies Author: Effie Waller Smith Release date: November 17, 2020 [eBook #63790] Language: English Credits: Charlene Taylor, Chuck Greif and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) *** START OF THE PROJECT GUTENBERG EBOOK ROSEMARY AND PANSIES *** Rosemary and Pansies EFFIE SMITH [Illustration: colophon] BOSTON RICHARD G. BADGER THE GORHAM PRESS 1909 Copyright, 1909, by Effie Smith All Rights Reserved THE GORHAM PRESS, BOSTON, U. S. A. DEDICATION TO THE MEMORY OF MY BROTHER MARVIN CONTENTS At the Grave of One Forgotten 9 The Shepherds’ Vision 11 Heredity 12 The Wood Fire 13 A New Year’s Hope 14 To a Silver Dollar 15 Preparation 16 Ghosts 18 The Rainbow 19 Heroes 20 The Recompense 21 The Test 22 To a Dead Baby 23 Thanksgiving 24 Under Roofs 25 Forever 26 If Christ Should Come 27 Gifts 29 Benefaction 30 Historic Ground 31 A Mountain Graveyard 32 After the Last Lesson 34 The Road to Church 35 The Patchwork Quilt 38 My Brother 41 In Fuller Measure 42 October 43 Benignant Death 44 The Unreturning 45 When a Hundred Years Have Passed 46 Fallen Leaves 48 December Snow 49 Trust 50 Toward Sunrise 51 Good Night 52 ROSEMARY AND PANSIES AT THE GRAVE OF ONE FORGOTTEN In a churchyard old and still, Where the breeze-touched branches thrill To and fro, Giant oak trees blend their shade O’er a sunken grave-mound, made Long ago. No stone, crumbling at its head, Bears the mossed name of the dead Graven deep; But a myriad blossoms’ grace Clothes with trembling light the place Of his sleep. Was a young man in his strength Laid beneath this low mound’s length, Heeding naught? Did a maiden’s parents wail As they saw her, pulseless, pale, Hither brought? Was it else one full of days, Who had traveled darksome ways, And was tired, Who looked forth unto the end, And saw Death come as a friend Long desired? Who it was that rests below Not earth’s wisest now may know, Or can tell; But these blossoms witness bear They who laid the sleeper there Loved him well. In the dust that closed him o’er Planted they the garden store Deemed most sweet, Till the fragrant gleam, outspread, Swept in beauty from his head To his feet. Still, in early springtime’s glow, Guelder-roses cast their snow O’er his rest; Still sweet-williams breathe perfume Where the peonies’ crimson bloom Drapes his breast. Passing stranger, pity not Him who lies here, all forgot, ’Neath this earth; Some one loved him--more can fall To no mortal. Love is all Life is worth. THE SHEPHERDS’ VISION Upon the dim Judean hills, The shepherds watched their flock by night, When on their unexpectant gaze Outshone that vision of delight, The fairest that did ever rise To awe and gladden earthly eyes. From no far realm those shepherds came, Treading the pilgrim’s weary road; Not theirs the vigil and the fast Within the hermit’s mean abode; ’Twas at their usual task they stood, When dawned that light of matchless good. Not only to the sage and seer Life’s revelation comes in grace; Most often on the toiler true, Who, working steadfast in his place, Looks for the coming of God’s will, The glorious vision shineth still. HEREDITY Our dead forefathers, mighty though they be, For all their power still leave our spirits free; Though on our paths their shadows far are thrown, The life that each man liveth is his own. Time stands like some schoolmaster old and stern, And calls each human being in his turn To write his task upon life’s blackboard space; Death’s fingers then the finished work erase, And the next pupil’s letters take its place. That he who wrote before thee labored well Concerns thee not: thy work for thee must tell; ’Tis naught to thee if others’ tasks were ill: Thou hast thy chance and canst improve it still. From all thy fathers’ glory and their guilt The board for thee is clean: write what thou wilt! THE WOOD FIRE O giant oak, majestic, dark, and old, A hundred summers in the woodland vast, From the rich suns that lit thy glories past, In thy huge trunk thou storedst warmth untold; Now, when the drifted snows the hills enfold, And the wild woods are shaken in the blast, O’er this bright hearth thou sendest out at last The long-pent sunshine that thine heart did hold. Like thee, O noble oak-tree, I would store From days of joy all beauty and delight, All radiant warmth that makes life’s summer bright, So that I may, when sunniest hours are o’er, Still from my heart their treasured gleam outpour, To cheer some spirit in its winter night. A NEW YEAR’S HOPE I dare not hope that in this dawning year I shall accomplish all my dreams hold dear; That I, when this year closes, shall have wrought All the high tasks that my ambitions sought, And that I shall be then the spirit free, Strong, and unselfish, that I long to be. But truly do I hope, resolve, and pray That, as the new year passes, day by day My footsteps, howsoever short and slow, Shall still press forward in the path they go, And that my eyes, uplifted evermore, Shall look forth dauntless to the things before; And when this new year with the old has gone, I still may courage have to struggle on. TO A SILVER DOLLAR Pale coin, what various hands have you passed through Ere you to-day within my hand were laid? Perchance a laborer’s well-earned hire you made; Some miser may have gloated long on you; Perhaps some pitying hand to Want outthrew; And, lost and won through devious tricks of trade, You may have been, alas! the full price paid For some poor soul that loved you past your due. No doubt ’tis well, O imaged Liberty, You see not where your placid face is thrust, Nor know how far man is from being free, Bound as he is by money’s fateful lust, While to his anxious soul like mockery Seem those fair, graven words: “In God we trust.” PREPARATION “I have no time for those things now,” we say; “But in the future just a little way, No longer by this ceaseless toil oppressed, I shall have leisure then for thought and rest. When I the debts upon my land have paid, Or on foundations firm my business laid, I shall take time for discourse long and sweet With those beloved who round my hearthstone meet; I shall take time on mornings still and cool To seek the freshness dim of wood and pool, Where, calmed and hallowed by great Nature’s peace, My life from its hot cares shall find release; I shall take time to think on destiny, Of what I was and am and yet shall be, Till in the hush my soul may nearer prove To that great Soul in whom we live and move. All this I shall do sometime but not now-- The press of business cares will not allow.” And thus our life glides on year after year; The promised leisure never comes more near. Perhaps the aim on which we placed our mind Is high, and its attainment slow to find; Or if we reach the mark that we have set, We still would seek another, farther yet. Thus all our youth, our strength, our time go past Till death upon the threshold stands at last, And back unto our Maker we must give The life we spent preparing well to live. GHOSTS Upon the eve of Bosworth, it is said, While Richard waited through the drear night’s gloom Until wan morn the death-field should illume, Those he had murdered came with soundless tread To daunt his soul with prophecies of dread, And bid him know that, gliding from the tomb, They would fight ’gainst him in his hour of doom Until with theirs should lie his discrowned head. To every man, in life’s decisive hour, Ghosts of the past do through the conflict glide, And for him or against him wield their power; Lost hopes and wasted days and aims that died Rise spectral where the fateful war-clouds lower, And their pale hands the battle shall decide. THE RAINBOW Love is a rainbow that appears When heaven’s sunshine lights earth’s tears. All varied colors of the light Within its beauteous arch unite: There Passion’s glowing crimson hue Burns near Truth’s rich and deathless blue; And Jealousy’s green lights unfold ’Mid Pleasure’s tints of flame and gold. O dark life’s stormy sky would seem, If love’s clear rainbow did not gleam! HEROES Men, for the sake of those they loved, Have met death unafraid, Deeming by safety of their friends Their life’s loss well repaid. Men have attained, by dauntless toil, To purpose pure and high, The darkness of their rugged ways Lit by a loved one’s eye. Heroes were they, yet God to them Gave not the task most hard, For sweet it is to live or die When love is our reward. The bravest soul that ever lived Is he, unloved, unknown, Who has chosen to walk life’s highest path, Though he must walk alone; Who has toiled with sure and steadfast hands Through all his lonely days, Unhelped by Love’s sweet services, Uncheered by Love’s sweet praise; Who, by no earthly honors crowned, Kinglike has lived and died, Giving his best to life, though life To him her best denied. THE RECOMPENSE O ancient ocean, with what courage stern Thy tides, since time began, have sought to gain The luring moon, toward which they rise in vain, Yet daily to their futile aim return. Like thee do glorious human spirits yearn And strive and fail and strive and fail again Some starlike aspiration to attain, Some light that ever shall above them burn. Yet truly shall their recompense abide To all who strive, although unreached their goal: The ceaseless surgings of the ocean tide Do cleanse the mighty waters which they roll, And the high dreams in which it vainly sighed Make pure the deeps of the aspiring soul. THE TEST “He fears not death, and therefore he is brave”-- How common yet how childish is the thought, As if death were the hardest battle fought, And earth held naught more dreadful than the grave! In life, not death, doth lie the brave soul’s test, For life demandeth purpose long and sure, The strength to strive, the patience to endure; Death calls for one brief struggle, then gives rest. Through our fleet years then let us do our part With willing arm, clear brain, and steady nerve; In death’s dark hour no spirit true will swerve, If he have lived his life with dauntless heart. TO A DEAD BABY Pale little feet, grown quiet ere they could run One step in life’s strange journey; sweet lips chilled To silence ere they prattled; small hands stilled Before one stroke of life’s long toil was done; Uncreased white brows that laurels might have won, Yet leave their spacious promise unfulfilled-- O baby dead, I cannot think God willed Your life should end when it had scarce begun! If no man died till his long life should leave All hopes and aims fulfilled, until his feet Had trod all paths where men rejoice or grieve, I might have doubt of future life more sweet; But as I look on you, I must believe There is a heaven that makes this earth complete. THANKSGIVING Our Father, whose unchanging love Gives soil and sun and rain, We thank Thee that the seeds we sowed Were planted not in vain, But that Thy hand the year hath crowned With wealth of fruits and grain. But more we thank Thee for the hope Which hath our solace been, That when the harvests of our lives Have all been gathered in, Our weary hearts and toil-worn hands Thy welcoming smile shall win. We thank Thee for the cheerful board At which fond faces meet, And for the human loves that make Our transient years so sweet; We thank Thee most for hopes of heaven Where love shall be complete. Though on some dear, remembered face No more the hearth lights shine, We thank Thee that the friends we loved Are kept by love divine, And though they pass beyond our gaze, They do not pass from Thine. If at the harvest feast no more Our words and smiles shall blend, We thank Thee that, though sundered far, Our steps still homeward tend, And that our Father’s open door Awaits us at the end. UNDER ROOFS Between us and the starred vasts overhead Broad-builded roofs we spread, Thus shutting from our view the wonders high Of the clear midnight sky; Yet all our roofs make not more faint or far One ray of one dim star. Our souls build o’er them roofs of dread and doubt, And think they shut God out; Yet all the while, remembering though forgot, That vast Love, changing not, Abides, and, spite of all our faithless fear, Shines nevermore less near. FOREVER We sigh for human love, from which A whim or chance shall sever, And leave unsought the love of God, Though God’s love lasts forever. We seek earth’s peace in things that pass Like foam upon the river, While, steadfast as the stars on high, God’s peace abides forever. Man’s help, for which we yearn, gives way, As trees in storm-winds quiver, But, mightier than all human need, God’s help remains forever. Turn unto Thee our wavering hearts, O Thou who failest never; Give us Thy love and Thy great peace, And be our Help forever! IF CHRIST SHOULD COME If Christ should come to my store to-day, What would he think, what would he say? If his eyes on my opened ledgers were laid, Would they meet a record of unfair trade, And see that, lured by the love of pelf, For a trivial price I had sold myself? Or would he the stainless record behold Of perfect integrity, richer than gold? If Christ should come to my school-room to-day, What would he think, what would he say? Would he find me giving the self-same care To stupid and poor as to rich and fair, And striving, unmindful of praise or blame, Through tedious tasks to a lofty aim, Guiding small feet as they forward plod In paths of duty that lead to God? If Christ should come to my workshop to-day, What would he think, what would he say? Would his eye, as it glanced my work along, See that all its parts were stanch and strong, Closely fitted, firm-welded, and good, Of flawless steel and of unwarped wood, As sound as I trust my soul shall be When tried by the test of eternity? If Christ should come to my kitchen to-day, What would he think, what would he say? Would he find me with blithesome and grateful heart And hands well-skilled in the housewife’s art, Bearing sordid cares with a spirit sweet, And making the lowliest tasks complete? Cometh he not, who of old did say, “Lo, I am with you, my friends, alway”? O thought that our weary hearts must thrill, In our toilsome ways he is present still! At counter and forge, in office and field, He stands, to no mortal eye revealed. Ah, if we only could realize That ever those gentle yet searching eyes Gaze on our work with approval or blame, Our slipshod lives would not be the same! For, thrilled by the gaze of the unseen Guest, In our daily toil we would do our best. GIFTS Myrrh and frankincense and gold-- Thus the ancient story told-- When the seers found Him they sought, To the wondrous babe they brought. Let us--ours the selfsame quest-- Bear unto the Christ our best. If to him, as to our King, We the gift of gold would bring, Be it royal offering! Gold unstained by stealth or greed, Gold outflung to all earth’s need, That hath softened human woe-- Helped the helpless, raised the low. Frankincense for him is meet, Yet no Orient odors sweet Are to him as fragrant gift As white thoughts to God uplift, And a life that soars sublime, Sweet above ill scents of time. Last, from out the Magians’ store, Myrrh, as for one dead, they bore; While, perchance, their lifted eyes Viewed afar the Sacrifice. Let us to the sepulcher Bring a richer gift than myrrh: Love that will not yield to dread When all human hopes have fled; Faith that falters not nor quails When the waning earth-light fails, Saying, “Shall I be afraid Of the dark where Thou wast laid?” BENEFACTION If thou the lives of men wouldst bless, Live thine own life in faithfulness; Thine own hard task, if made complete, Shall render others’ toil more sweet; Thy grief, if bravely thou endure, Shall give men’s sorrow solace sure; Thy peril, if met undismayed, Shall make the fearful less afraid. Each step in right paths firmly trod Shall break some thorn or crush some clod, Making the way more smooth and free For him who treads it after thee. HISTORIC GROUND No song lends these calm vales a deathless name; No hero, to a nation’s honors grown, Claims as his birthplace these rude hills unknown; No pomp of hostile armies ever came, Marring these fields with storied blood and flame; And yet the darkest tragedies of time, Of love and death the mysteries sublime Have thrilled this tranquil spot, unmarked of fame. Here the long conflict between good and ill Has been fought out to shame or victory, Darkly and madly as in scenes renowned. Ah, though unnamed in human records, still Within the annals of eternity This place obscure is true historic ground! A MOUNTAIN GRAVEYARD What a sleeping-place is here! O vast mountain, grim and drear, Though, throughout their life’s hard round, To thy sons, in long toil bound, Thou from stony hill and field Didst a scanty sustenance yield, Surely thou art kinder now! Here, beneath the gray cliff’s brow, Sleep they in the hemlocks’ gloom, And no king has prouder tomb. Far above the clustered mounds, Through the trees the faint wind sounds, Waking in each dusky leaf Sobs of immemorial grief; And while silent years pass by, Dark boughs lifted toward the sky Like wild arms appealing toss, As if they were mad with loss, And with human hearts did share Grief’s long protest and despair. No tall marbles, gleaming white, Here reflect the softened light; Yet beside the hillocks green Rude, uncarven stones are seen, Brought there from the mountain side By the mourners’ love and pride. There, too, scattered o’er the grass Of the graves, are bits of glass That with white shells mingled lie. Smile not, ye who pass them by, For the love that placed them there Deemed that they were things most fair. Now, when from their souls at last Life’s long paltriness has passed, The unending strife for bread That has stunted heart and head, These tired toilers may forget All earth’s trivial care and fret. Haply death may give them more Than they ever dreamed before, And may recompense them quite For all lack of life’s delight; Death may to their gaze unbar Summits vaster, loftier far Than the blue peaks that surround This still-shadowed burial ground. AFTER THE LAST LESSON How wonderful he seems to me, Now that the lessons are all read, And, smiling through the stillness dim, The child I taught lies dead! I was his teacher yesterday-- Now, could his silent lips unclose, What lessons might he teach to me Of the vast truth he knows! Last week he bent his anxious brows O’er maps with puzzling Poles and Zone; Now he, perchance, knows more than all The scientists have known. “Death humbleth all”--ah, say not so! The man we scorn, the child we teach Death in a moment places far Past all earth’s lore can reach. Death bringeth men unto their own! He tears aside Life’s thin disguise, And man’s true greatness, all unknown, Stands clear before our eyes. THE ROAD TO CHURCH Rutted by wheels and scarred by hoofs And by rude footsteps trod, The old road winds through glimmering woods Unto the house of God. How many feet, assembling here From each diverse abode, Led by how many different aims, Have walked this shadowy road! How many sounds of woe and mirth Have thrilled these green woods dim-- The funeral’s slow and solemn tramp, The wedding’s joyous hymn. Full oft, amid the gloom and glow Through which the highway bends, I watch the meeting streams of life, Whose mingled current tends Toward where, beyond the rock-strewn hill, Against the dusky pines That rise above the churchyard graves, The white spire soars and shines. Here pass bowed men, with blanching locks, World-weary, faint, and old, Mourning the ways of reckless youths Far-wandering from the fold. There totter women, frail and meek, Of dim but gentle eyes, Whom heaven’s love has made most kind, Earth’s hardships made most wise. Apart, two lovers walk together, With words and glances fond, So happy now they scarce can feel The need of bliss beyond. Gaunt-limbed, his shoulders stooped with toil, His forehead seamed with care, Adown the road the farm hand stalks With awed and awkward air. The sermon glimmers in his mind, Its truths half understood, And yet from prayer and hymn he gains A shadowy dream of good That sanctifies the offering His bare life daily makes-- His tender love for wife and child, And toil borne for their sakes. Thus through the bleakness and the bloom, O’er snows and freshening grass, Devout, profane, grief-worn or gay, The thronged church-goers pass, Till, one by one, they each and all, Their earthly journeyings o’er, Move silent down that well-known road Which they shall walk no more. THE PATCHWORK QUILT In an ancient window seat, Where the breeze of morning beat ’Gainst her face, demure and sweet, Sat a girl of long ago, With her sunny head bent low Where her fingers flitted white Through a maze of patchwork bright. Wondrous hues the rare quilt bears! All the clothes the household wears By their fragments may be traced In that bright mosaic placed; Pieces given by friend and neighbor, Blended by her curious labor With the grandame’s gown of gray, And the silken bonnet gay That the baby’s head hath crowned, In the quaint design are found. Did she aught suspect or dream, As she sewed each dainty seam, That a haunted thing she wrought? That each linsey scrap was fraught With some tender memory, Which, in distant years to be, Would lost hopes and loves recall, When her eyes should on it fall? Years have passed, and with their grace Gentler made her gentle face; Brilliant still the fabrics shine Of the quilt’s antique design, As she folds it, soft and warm, Round a fair child’s sleeping form. Lustrous is her lifted gaze As with half-voiced words she prays That the bright head on that quilt May not bow in shame or guilt, And the little feet below Darksome paths may never know. Yet again the morning shines On the patch-work’s squares and lines; Dull and dim its colors show, But more dim the eyes that glow, Wandering with a dreamy glance O’er the ancient quilt’s expanse; Worn its textures are and frayed, But the hands upon them laid, Creased with toils of many a year, Still more worn and old appear. But what hands, long-loved and dead, Do those faded fingers, spread O’er those faded fabrics, meet In reunion fond and sweet! What past scenes of tenderness And of joy that none may guess, Called back by the patchwork old, Do those darkening eyes behold! Lo, the deathless past comes near! From the silence whisper clear Long-hushed tones, and, changing not, Forms and faces unforgot In their old-time grace and bloom Shine from out the deepening gloom. MY BROTHER (1882-1903) Dead! and he has died so young. Silent lips, with song unsung, Still hands, with the field untilled, Lofty purpose unfulfilled. Was that life so incomplete? Strong heart, that no more shall beat, Ardent brain and glorious eye, That seemed meant for tasks so high, But now moulder back to earth, Were you all then nothing worth? Could the death-dew and the dark Quench that soul’s unflickering spark? Are its aims, so high and just, All entombed here in the dust? O, we trust God shall unfold More than earthly eyes behold, And that they whose years were fleet Find life’s promises complete, Where, in lands no gaze hath met, Those we grieve for love us yet! IN FULLER MEASURE “Dying so young, how much he missed!” they said, While his unbreathing sleep they wept around; “If he had lived, Fame surely would have crowned With wreath of fadeless green his kingly head; The clear glance of his burning eyes had read Wisdom’s dim secrets, hoary and profound; While his life’s path would have been holy ground, Made thus by all men’s love upon it shed.” Doubtless could he have spoken for whom that rain Of teardrops fell, “How strange your sad words are!” He would have said; “In fuller measure far All that life gave to me I still retain; Love have I now which no dark longings mar, Fame void of strife, and wisdom free from pain.” OCTOBER O sweetest month, that pourest from full hands The golden bounty of rich harvest lands! O saddest month, that bearest with thy breath The crimson leaves to drifts of glowing death! In fields and lives, the fall of withered leaves Darkens the glorious season of ripe sheaves, For Life’s fruition comes with loss and pain, And Death alone can bring the richest gain. BENIGNANT DEATH Thanking God for life and light, Strength and joyous breath, Should we not, with reverent lips, Thank Him, too, for death? When would man’s injustice cease, Did not stern Death bring Those who cheated and oppressed To their reckoning? Would not life’s long sordidness On our spirits pall, If our years should last forever, And the earth were all? On us, withered with life’s heat, Falls death’s cooling dew, And our parched souls’ dusty leaves Their lost green renew. Ah, though deep the grave-dust hide Love and courage high, Life a paltrier thing would be If we could not die! THE UNRETURNING If our dead could come back to us, Who so desire it, And be as they were before, Would we require it? Would we bid them share again Our weakness, foregoing All their higher blessedness Of being and knowing? For them the triumph is won, The fight completed; Do we wish that the doubtful strife Should be repeated? Would we call them from the calm Of all assurance To the perils that might prove Past their endurance? God is kind, since He will not heed Our bitter yearning, And the gates of heaven are shut ’Gainst all returning. WHEN A HUNDRED YEARS HAVE PASSED When a hundred years have passed, What shall then be left at last Of us and the deeds we wrought? Shall there be remaining aught Save green graves in churchyards old, Names o’ergrown with moss and mold, From the worn stones half effaced, And from human hearts erased? When a hundred years have fled, Will it matter how we sped In the conflicts of to-day, Which side took we in the fray, If we dared or if we quailed, If we nobly won or failed? It will matter! If, too weak For the right to strike or speak, We in virtue’s cause are dumb, Some soul in far years to come Shall have darker strife with vice, Weakened by our cowardice. Every struggle that we make, Every valiant stand we take In a righteous cause forlorn, Shall give strength to hearts unborn. When a hundred years have gone, Darkness and oblivion Shall our ended lives obscure, But their influence shall endure. Other eyes shall be upraised To the hills on which we gazed, And the paths o’er which we plod Shall by other feet be trod, While our names shall be forgot; Yet, although they know it not, Those who live then, none the less, We shall sadden or shall bless. They shall bear our boon or curse, They shall better be or worse, As we who shall then lie still, Have lived nobly or lived ill. FALLEN LEAVES Beneath the frost-stripped forest boughs, the drifted leaves are spread, Vanished all summer’s green delight, all autumn’s glory fled. Yet, gathering strength from that dead host, the tree in some far spring Shall toward the skies a denser growth, a darker foliage fling. Ah, if some power from us, long dead, should strengthen life to be, We need not grieve to lie forgot, like sere leaves ’neath the tree! DECEMBER SNOW The falling snow a stainless veil doth cast Upon the relics of the dying year-- Dead leaves and withered flowers and stubble sere-- As if it would erase the faded past; So on our lives does death descend at last, Hiding youth’s hopes and manhood’s purpose clear, And memories faint, to dreaming age most dear, Beneath its silence, blank and white and vast. The sun shines out, and lo! the meadows lone Flash into sudden splendor, strangely bright, More fair than summer landscape ever shone; Thus, gleaming through the storm clouds, faith’s clear light Transforms death’s endless waste of silence white To beauty passing all that life has known. TRUST I came, I go, at His behest, So, fearing not and not distressed, I pass unto that life unguessed. Little the babe, at its first cry, Knows of the scenes that near it lie; Less still of that dim life know I. But Love receives the babe to earth, Soft hands give welcome at its birth; And so I think, when I go forth, There too shall wait, to cheer and bless, Love, warm as mother’s first caress, Strong as a father’s tenderness. TOWARD SUNRISE When, in old days, our fathers came To bury low their dead, Unto the far-off eastern sky They turned the narrow bed. They laid the sleeper on his couch With firm and simple faith That cloudless morn would surely come To end the night of death; And thus they sought to place him where, When life’s clear sun should rise, Its earliest rays might wakening fall Across his close-sealed eyes. Like a faint fragrance lingering on Throughout unnumbered years, Still in our country burial-grounds The custom sweet appears; Still, when the light of life from eyes Beloved is withdrawn, The sleepers’ dreamless beds are made Facing the looked-for dawn. There, as the seasons pass, they seem Serenely to await The certain radiance of that Morn That cometh soon or late. GOOD NIGHT Dear earth, I am going away to-night From your long-loved hills and your meadows bright; I know I should miss you when I am dead If a better world came not in your stead. For the sweet, long days in your woodlands spent, And your starry dusks, I shall not lament; For greater than all the wonders you show, O earth, is the secret I soon shall know. Good night! And now as I fall asleep I give you the garment I wore to keep; You will hold it safely till morning dawn And I rise from my slumber to put it on. *** END OF THE PROJECT GUTENBERG EBOOK ROSEMARY AND PANSIES *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.