The Project Gutenberg eBook of Transient This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Transient Author: William Harris Release date: January 27, 2020 [eBook #61254] Language: English Credits: Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK TRANSIENT *** Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net TRANSIENT BY WILLIAM HARRIS The computer's answers were remarkable--especially when nobody had asked a question! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "Moon in 14° Pisces," said the little perforated card. Henderson stepped back from the computer and scratched his hairy head. Nonsense again. He threw the card in the wastebasket and repeated his directions on another: "One hundred fifty cancer susceptible mice were injected in the pectoral region with 1/cc of aromatic compound A. One hundred fifty identical control mice were injected with isotonic saline, B. Eight in group A developed sarcomas at the point of injection, Group B developed none. Test the null hypothesis at 5% level of statistical significance." The computer accepted Henderson's second offering, chewed it into acceptable code, swallowed it, and burped. Henderson watched suspiciously as red and green blinkers went on and off and a contented humming noise came from the machine's bowels. After a while the card emerged from another opening--which orifice had been thoughtfully placed at the appropriate end of the machine, anatomically speaking; thus establishing rapport between Henderson, a biologist, and nature's final product of evolution, the machine. Henderson looked at the card: "Today you should seek solace with close friends. Give some thought to personal finances. Evening: get out and see people. A stranger will bring news." * * * * * Henderson crumpled the card and tossed it in the wastebasket. He sat down, and with a little arithmetic and some formulas tested the null hypothesis all by himself. He found that his mouse experiment carried no significance whatever. Then he made a notation that someone would have to come out in the morning for his sick machine. In the morning when the machine's doctor came to inspect it, and percuss it, and auscult it, and give it a barium enema, it behaved very well. The "doctor" left, assuring Henderson the machine merely had the hiccups. That night Henderson asked it a question about confidence limits for a universe mean, from a mean of a sample of _n_ observations and got back, "Uranus on Antares but conjoining Jupiter and trining the Ascendent. Yours is a strongly literary nature." Henderson decided to turn the machine off for a few days. It emitted an almost human sigh as it ran down and came to a halt. He had no immediate use for it as he would be injecting mice with carcinogens in liver, spleen, marrow and kidneys to find out if they were specific. In three or four days whatever virus was affecting the machine's cerebral cortex should have run its course and the methodical Henderson could run his methodical observations into the machine, which would excrete a good methodical answer to be duly filed in the medical school library, where it would be invisible to anyone looking for it, such as freshmen medical students, and always in the way for anybody else. Henderson surveyed his laboratory with infinite pleasure, knowing that it contained within its confines all that could be known about the universe, about men and about mice. Event Y followed event X in a purely causal manner. The successful investigator needed only to attach himself to the cycle and ride along, afterwards consulting the computer to find out if what he'd observed had any significance. In the morning when Henderson entered the laboratory he found that someone had left the computer on over-night. It was running full blast, which is to say the lights were blinking and the little cards of omniscience were popping out of the machine like toast and falling into the wastebasket, which is just where Henderson left them. Meanwhile, Dr. Henderson's close associate, Colonel Smith in the nearby radiation laboratory, came in to visit him and asked permission to use the computer. And so in another week it was rumored about that the machine in Henderson's laboratory was using a foreign dialect and answering questions about standard deviation with strange symbols which looked like crescent moons and archaic squiggles, with a little geometry on the side. The machine was becoming impudent too. To Colonel Smith's question about the possibility of an "overkill" if such and such size bomb dropped on such and such enemy city the answer came back, "Rubbish. Aldebaran conjoining Saturn, Moon and Mars. Seek guidance from others, Hannibal blushed." The machine's doctor promptly installed a loudspeaker to help keep track of future aberrations. * * * * * That night the janitor walked in. He was a balding Greek gentleman, dedicated to a life with brush and dustpan. The machine was muttering darkly to itself, but when he entered the door it quieted down, contemplating its relays. The janitor went meticulously about his business, mopping the floor, straightening chairs and secretly rearranging pipette and retorts in their racks, because he was a more meticulous person than even Dr. Henderson. As he turned to leave, the machine in the corner belched twice and then said as an afterthought: "I am the ghost of Astrologers Sagittarian." The janitor adjusted his hearing aid, squeezed his mop and carried his pail out the door. As he went back in to pack up his cleaning powder and brushes, the machine said, "What year is this? Limits within standard deviation, click, click, awrk!" The janitor was a reasonable man. He walked over to the machine's microphone and told it what year it was as well as the month, day and hour. Then he carried his brushes and cleaning compound out of the room and locked the door. But the janitor's night was a long one. At midnight, when he finished two floors and only had three more to go, he took his coffee break. As he talked with his old friend Samuel, the night watchman, he fell to thinking. That was an unforgivable mistake. After the coffee break, they both went back up to Dr. Henderson's laboratory and listened to the machine talking to itself. "I feel like a spider," said the machine. "Nonsense. From one cobweb to another. Must settle down and build a grau ... spltvbk ... within 95% confidence limits. Nova in Andromeda was bad enough. Now this. One hundred fifty cancer susceptible mice inherit the Earth." Suddenly the machine fell silent, sensing it had visitors. The night watchman reached into the wastebasket and pulled out one of the machine's cards. "Aldebaran is martial in nature, in the ninth degree of Tropical Gemini," it said. * * * * * "I'm a Gemini!" exclaimed the janitor, surprised to see anything familiar come out of the machine. "Birthday is May 25." "Wonderful!" cried the machine. "First intelligent man I've heard so far. Gemini is justly famed as the owner of a quick mind and ready wit. Your intellectual achievements are a splendid asset to your literary inclinations." The janitor, embarrassed at the sudden praise, shifted his broom from one hand to the other. The machine continued. "I need an Ephemeris," said the machine. "Can you find an Ephemeris? I need one desperately!" and the machine's desperate need for an Ephemeris so shook its intestines, liver and gallbladder that its tone of voice came out a minor third above the normal monotonous dirge of the loudspeaker. "An E-what-eris?" said the janitor. "An Ephemeris," repeated the machine. "An astronomical almanac. Something that tells me where Mars is. There I was, on my way over from the clouds of Magellan to visit friends in Orion when Whammo! Mars comes into conjunction with Uranus. When something that _big_ happens I just sit down and wait. Here I am now in this absurd device. Do you suppose you could look out the window and tell me where Mars is?" The night watchman said, "It's cloudy outside." "See!" said the machine, "When Mars goes on the war-path _nothing_ comes out right. Now, Gemini, if you will just go down to the library and get me an Ephemeris for this year we can clear this up and I'll be on my way, indebted to you for life, if not longer." "Who shall I say it's for?" asked the janitor, who did not fully understand that the library was public, never having been in it before, and felt he needed a recommendation or a slip of approval. "Just say it's for Pyet, the astrologer," said the machine. "And what are you doing inside Dr. Henderson's machine?" asked the night watchman. "I wouldn't care to be quoted on this," replied the machine, "but actually any system of communicating inter-related events with a high degree of complexity, such as the brain, or this machine, and with some number of critical processes at the quantum statistical level, can support consciousness." The janitor and the night watchman looked blankly at each other and the machine, slightly embarrassed, added by way of explanation. "I like to read a little physics now and then. A harmless superstition containing many pleasant diversions. "Before this I lived in a star, a puff of expanding gas. Before that in a haunted house ... dreadful. And before that in the lopsided blob of protoplasm that was the last of Pyet, the astrologer. "As for Dr. Henderson's mousecatcher," chuckled the machine, "any port in a storm. Mars and Uranus you know." The janitor was somewhat impatient with the machine. It had detained him already and probably would soon be giving him orders. "I still have three floors to clean," said the janitor. "After that I will see if the library downstairs has a ... what was it?" "Ephemeris," said the machine. "E-P-H-E M-E-R-I-S. Thank you." * * * * * And so the night watchman and the janitor both said good night to the machine. Later, in the very early morning, the janitor stole back into the laboratory with a book and read some strange, strange things out loud and then stole out of the room again and locked the door behind him. Shortly after, Samuel, the night watchman, passed by. He was surprised at an unearthly glow coming from within and a peculiar grating noise as if someone were stepping on a radio. Then the unearthly glow appeared on the fire escape and Samuel, rushing out to observe, thought the glow seemed to fly up through a hole in the low clouds where a thousand stars still blazed brightly. In its wake there was a sound like laughing. A few hours later Dr. Henderson unlocked the door of his laboratory and pushed a cart full of mice in before him. During the morning he dissected three hundred mice, popping out liver, spleen and kidneys as if he were shelling peas. In the afternoon he made sections of the organs, stained them with hematoxylin and eosin, mounted them on slides and looked at them under his new stereoscopic microscope. Five minutes before five, Dr. Henderson's friend, Colonel Smith, came in and watched as Henderson somewhat dubiously fed the three hundred mice, now in statistical form, into the machine. The machine whirred efficiently and shot out the answer in seconds. "Statistically significant," said the machine. Henderson followed his friend Colonel Smith out the door, looking neither right nor left, and locked it behind him. It had been a good day. Behind, in the laboratory which contained within its confines all that could be known about the universe, about man, and about mice, the machine squatted in silence, the approaching darkness already enfolding it like a shroud. *** END OF THE PROJECT GUTENBERG EBOOK TRANSIENT *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.