The Project Gutenberg eBook of The legend of the blemished king, and other poems

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The legend of the blemished king, and other poems

Author: James Henry Cousins

Illustrator: Louis H. Victory

Release date: August 16, 2019 [eBook #60108]
Most recently updated: January 24, 2021

Language: English

Credits: Produced by Chuck Greif, MWS, Bryan Ness and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)

*** START OF THE PROJECT GUTENBERG EBOOK THE LEGEND OF THE BLEMISHED KING, AND OTHER POEMS *** 









{5}


THE LEGEND


OF THE


BLEMISHED KING


AND OTHER POEMS.



{6}  




A FEW COPIES REMAINING.




The Little Library—Vol. I.


IDYLLS


By LAURA JEAN DOUGLAS.


MODERATOR says:—“Some of the most exquisite prose we have read for many
a day.”







IRISH NEWS (Belfast) says:—“In the ten ‘Idylls’ which Miss Douglas
contributes, we have a group of the sweetest prose poetry possible.... A
gallery of lovely pictures.... A thing of beauty and a joy for ever....
The turn-out of the book is equal to anything of the same kind produced
in London.”







MRS. ALICE A. PITMAN, author of “TALES FROM LONDON LIFE,” says:—“The
pictures are beautifully conceived, and elegantly portrayed.”







IRISH FIGARO says:—“I am grateful to all who essay in a sincere spirit
the difficult task of making Dublin a book-producing place. In ‘The
Little Library,’ author, editor, publisher, and draughtsman have
combined in an honest endeavour to attain that desirable end. The writer
of ‘Idylls’ gives us ten short prose-poems, of which I take the liberty
to give the first in its entirety as a specimen. It is entitled, ‘A Rose
Garden.’... This is a beautiful picture.”







JAMES H. COUSINS says:—“Beautiful prose fancies.”







IRISH DAILY INDEPENDENT says:—“The book is beautifully produced, and a
credit to Dublin.”







SCOTTISH SOCIETY says:—“The weirdly-covered little book with the
strange frontispiece which comes to us under the title of ‘Idylls,’ will
be read with great enjoyment by all whose sense of literary quality is
sufficiently educated to appreciate the extreme delicacy of
word-painting in water-colours, if it may be so expressed.... In every
sense of the word, they are perfect representations of the idyll in its
purest form,... impossible to criticise, and difficult properly to
praise.{7}”




THE LITTLE LIBRARY.—VOL. 2.



EDITED BY M. J. KEATS.



The Legend of the Blemished King And Other Poems.


BY

JAMES H. COUSINS.



WITH COVER DRAWN BY LOUIS H. VICTORY.



Dublin:

BERNARD DOYLE, FRANKLIN PRINTING WORKS,

9 Upper Ormond Quay.

——

1897.


{8}  


{9}  






AND



TO THE COMPANION OF MY WANDERINGS



AMONG MOST



OF THE SCENES HEREIN MENTIONED,



WHOSE PRESENCE



GILDED THE SUN THAT SHINES UPON,



AND PAINTED THE FLOWERS THAT BEDECK



THE



“FAIR HILLS OF HOLY IRELAND.”




{10}  


{11}  


 
CONTENTS.




The Legend of the Blemished King—PAGE


Prologue19


Canto I.23


Canto II.30


Canto III.37


Canto IV42


The Legend of Saint Mahee of Endrim49


A Song of Decadence65


The Railway Arch67


Schakhe70


In the Giant’s Ring, Belfast74


The Blind Father78


The Southern Cross85


On the Death of William Morris87


Copernicus89


To Algernon Charles Swinburne90


Heaven and Earth91


On Some Twentieth Century Forecasts92


Ireland93




{12}  


{13}  


 EDITOR’S NOTE.







Wordsworth, writing a sonnet, having for its subject the sonnet-form,
said:—





“To me,

In sundry moods, ’twas pastime to be bound

Within the sonnet’s scanty plot of ground;”






and all those who have essayed the task of composing in this particular
form will admit that Wordsworth’s definition—“scanty plot of
ground”—characterises the sonnet’s limitations precisely.


As will be observed in the following pages, Mr. Cousins not only excels
as a sonneteer; but in “The Legend of the Blemished King” he performs
the remarkable feat of producing a poem of classical character,
containing forty-eight stanzas, cast perfectly in the no less difficult
mould known as the Spenserian stanza—eight heroic lines, followed by an
Alexandrine, rhyming thus:—1, 3; 2, 4, 5, 7; 6, 8, 9.


The subject, however more than the technique, is remarkable. It will
have an especial attraction for all who are interested in the ancient
literature of Ireland; and, indeed it should be of universal interest,
because of the fact that this story of Fergus bears a strong resemblance
to the Scriptural narrative of Eden and the Fall of Man. It is a kind of
allegory common to all ancient races, containing in its heart an
unobtruded moral, wrapped in dramatic incident and decorated with
charming pictures of land and sea.


It is, in short, what Fiona M’Leod would call a “legendary morality.”


The other poems are equally admirable; and, indeed, however considered,
I think that this book should prove a valuable addition to the best
literary products of Ireland.



M. J. K.

{15}{14}





Deirdre.



Illan, what King was he dwelt here of yore?



Illan.



Fergus, the son of Leide Lithe-o’-limb,

Ere yet he reigned at Eman, did dwell here.



Deirdre.



What, Fergus Wry-mouth? I have heard of him,

And how he came by his ill-favoured name.

Methinks I see him when he rose again

From combat with the monster, and his face,

That had that blemish till love wiped it off,

Serene and ample-featured like a King.



Illan.



Not love but anger, made him fight the beast.



Deirdre.



No, no, I will not have it anger. Love

Prompts every deed heroic. ’Tis the fault

Of him who did compose the tale at first,

Not to have shown ’twas love unblemished him.

. . . . . .



Fergus.



All Erin, shore to shore, shall ring with it

And poets in the ages yet to come

Make tales of wonder of it for the world.



“Deirdre.”—Ferguson

{17}{16}





The Legend of the Blemished King.



{19}{18}



Prologue: At Scrabo, Co. Down.





The rugged rock against the sky

Heaves high a tower-topped crest,

Whence widens out beneath the eye

The realms of East and West.

Here lies a land but seldom sung,—

This crude, majestic crown,

And that white sea that moves among

The fertile fields of Down!



Unsung!—save when an alien lyre

A moment’s space was strung,

And Browning fanned a little fire,

And Helen’s Tower was sung.

Yet storied homes of sept and clan

Are here, and,—dim and vague,—

Anear and far, Ben Madighan,

And Keats-sung Ailsa Craig!{20}



Unsung!—and wherefore? lovely land!

Hast thou not ample store

For song, from yonder ocean strand,

To Strangford’s shining shore?

Hast thou not throbbed to foamy flanks,

And sound of Saxon steel,

To crash of Cromwell’s rattling ranks,

And Clansmen of O’Neill?



And yet, not all thy songful crown

Is strife of right with wrong;

Here, limpid lark-streams trickle down

A hundred peaks of song;

There, silent sheep and lambkins lie—

A white, uncertain thing—

Like lingering snow that fain would spy

The secret of the spring.



The roaming robber breezes catch,

And hither upward float,

A lusty lilt and vagrant snatch

From some far rustic throat;

And blustering bye, with strident shout,

From scenes of festive glee,

That libertine of flower and sprout,

The bacchanalian bee.{21}



All life is song:—and song is life

To souls with these akin,

Unfettered by yon city’s strife,

Unsullied by its sin!

Some part of these fair fields and coast,

Some waft of phantom wings,

Will haunt my heart, a welcome ghost,

A hint of higher things.



Dear land of love and happy lot

Of merry maids and swains,

Worthy the martial muse of Scott,

Or Virgil’s pastoral strains;

Loved land, this tongue thy song would share

This votive soul is thine:

Thy lips are loud with praise and prayer,—

Pray God they kindle mine!

{22}





The Legend of the Blemished King.


[Note:—I am indebted to “The Ecclesiastical History of Down and
Connor,” by Rev. James O’Laverty, for the story of the “Blemished King.”
Believing it to be comparatively unknown, and desiring, as far as lay in
my power, to spread a knowledge of the interesting stories and legends
which abound in Irish History and Literature, I translated it into
verse. I learn, however, that a poem on the same subject has been
written by the late Sir Samuel Ferguson, under the title of “Fergus
Wry-mouth.” I can only plead justification for running the inevitable
gauntlet of comparison between a giant and a pigmy, on the ground that I
had already committed myself to the publication of the present version
of the legend before I became aware of the fact mentioned. I have not
read the poem by Sir Samuel Ferguson, and I shall not do so until after
this volume is in print; but I have written Lady Ferguson on the matter,
and she very kindly refuses to see any possible objection to the
publication of my rendering of the story, seeing that it contains almost
as many stanzas as there are lines in Sir Samuel’s.


The Loch of Rory (Word in Gaelic), the centre around which the
following story moves, is Dundrum Bay. That bay is still remarkable for
its roar, which has been frequently referred to by ancient writers. Even
a modern poet (S. K. Cowan, in “Sung by Six”) has written of the bay,
“where deep seas moan.” Other evidences point to the identity of Rory
and Dundrum, in opposition to the conjectures of some that the present
Belfast Lough was the scene of the incidents contained in the “Legend of
the Blemished King.”—The Author.]


{23}


CANTO I.


I.





Eastward in Eireann lay the Lough of Rory.

The Moon, like some pale huntress, landward led

Her white-toothed hounds betwixt the promontory

And its far twin. Thither King Fergus sped

Within his chariot. High his shaggy head

Clove thro’ the dusky clouds his chargers made;

And o’er his shoulders, far behind him, spread

Loose locks, and circling cloak, in which arrayed

He, with benignant arm, Ultonia’s sceptre swayed.






II.





Beside him stood his suremost charioteer,

(Muëna, faithful bondsman of his lord,

Favoured in form, and swift of eye and ear),

Urging with well-skilled hand and timely word

The flying steeds. The seaward-soaring bird

Seemed fixed in Heaven, so swift they sped: the day

Lumbered behind, as high the sand they stirred,

And echoes of their wheels that edged the spray

Rolled thro’ the silent hills like thunder far away!

{24}




III.





Onward they whirled. The billows on the beach

Drew backward in amaze, then, bolder grown,

Sprang forward to the chase, but far from reach

The phantom bounded on o’er sand and stone;

Till the low clouds that late-born winds had blown

About the hills, upon the chariot’s flight

Drew down their brows; or was it they had flown

Thro’ dalliant day into a former night

That now, with jealous hand, hid shore and sea from sight?






IV.





Then when the day had rallied all its forces,—

A splash of glory in a murky west,—

Obedient, where it pleased (like men), the horses

Slackened their speed, and paused, and stood at rest.

“Thus far, O King! fulfilled is thy behest,”

Muëna said. To whom the King: “To thee

And me ’twere Heaven in Night’s soft arms carest

To sleep.”—They slept.—Without, that smith, the sea,

On adamantine anvils shaped new shores to be.

{25}




V.





Who knoweth not the spell that lurks in twilight?—

When mystic murmurs float across the world

From strange, vague forms that hate the brazen highlight

Of day, and sleep in hidden corners curled

Till, westward, day has nigh his banner furled.

Then fare they forth: rich spoil, in sooth, they found

Where Fergus had his mighty figure hurled

Upon the chariot’s floor. They drew around,

Plucked from its sheath his sword, and bore him to the ground,






VI.





Thence to the verge of ocean. Fairy elves,

A thousand strong, the toilsome task essayed;

While twice a thousand, perched on rocky shelves,

A wierd accomp’niment of laughter made

(Timed to their phantom forms that swung and swayed).

So sweet the sound, ’twould seem the winds, at rest

For once from warring, ’mong the treetops played:

Till, lo, the King, so close they round him prest,

Woke, and a struggling trio clasped upon his breast.

{26}




VII.





“Life for thy life,” they cried: “have mercy, King!”

Swift to his feet he sprang. The fairy throng

Vanished like vapour, save where, in the ring

Of his tight-clasping arms, as swift along

The dim-seen beach he strode the stones among,

The wriggling remnant of the elvish crew

Craved mercy.—“Mercy doth to thee belong,

And ours in turn to render service due.”

Clasping them in his arms he toward his chariot drew.






VIII.





There lay Muëna, wrapt in peaceful sleep,

Nor woke the King his bondsman; but did say

To those he held his captives: “Through the deep,

And under, give me knowledge of the way,

Unfearful of the power of wave or spray.

This shall ye grant and live.” “O King, such boon,”

Thus said the elves, “sweeps not beyond our sway;

So shall be thine, ere swings another moon,

Skill meet to dare the depths of river and lagoon,

{27}




IX.





“Save Rory, whence thou camest; that shalt thou

Ne’er ruffle with thy foot: within its wide

Impassioned breast, from day’s first dawn till now,

And still from now till dawn’s last day, has plied,

And still shall ply, the spirit of the tide

His secret craft. Nor thou nor human kind

Shall scan his face and live. All else beside

Is thine when Earth ’s again to Day resigned,

Whose advent now is blown on trumpets of the wind.”






X.





So when the morn, like Virtue’s cheek red-blushing

For night’s black deeds, from couch of cloud arose,

Ere yet were heard hoarse caws and dark wings rushing

Athwart the sun, when trailing lines of crows

Hasten to haunts far off that no man knows,

Beside the sea stood King and charioteer

To take the waves’ great secret now from those

In promise bound, who stand apart, yet near,

Where wavelets lift and lay, as if some word to hear.

{28}




XI.





Then spake the first of fairies: “O great King,

Thy life was ours—we spared it; ours was thine

And thou didst spare us, yet encompassing

Thy deed with obligation, line on line,

And promise holding promise,—me and mine

To do, and thou to do not. Now the hour

Hath come—as ne’er before—when billow and brine

Yield to a mortal every whit of power—

Save one—how suns soe’er may shine or clouds may lower.”






XII.





Low bowed the Monarch his assenting head.

The elfin chieftain swiftly drew anear

Doffing his hood, long-trailing, ruby red.

Lo! on the King ’tis placed. In either ear

They plant sweet spices, herbs, anointing clear;

And weird enchantments drown the muffled roar

Of throbbing ocean. Then the charioteer

Beholds his master pass the waters o’er,

And stands, a lonely man upon a lonely shore.

. . . . . .

{29}




XIII.





Day brightened in the East, and o’er the waters

The round sun rose and threw across the wave

A lambent flame, blood-red, as though from slaughters

In Orient lands. The breaking surf did lave

Muëna’s feet: he, wrapt in wonderings grave,

Looked long and wistful, such as lovers do

To greet their love. At length the wondering slave

Saw on the deep a form that neared, and grew,

And stepped upon the beach—the King returned anew.

{30}




CANTO II.


XIV.





Thenceforth, King Fergus, strong in power new born,

Recked not a restful hour, but, passion-fired,

And strong in strength un’customed, night and morn

Probed to the farthest deeps his soul desired.

At such swift speed too soon his soul acquired

The sum of knowledge granted. “All below,”

So spake the King, “to which I have aspired

Is mine,—that earth or ocean can bestow,

Save one, whose secret fain my mind would grasp and know.”






XV.





So chafe Restriction’s fetters. So within

Dwelleth for ever ancient Adam’s will.

Sweet though the tasted fruit, the fruit unseen,

Or seen but yet forbid, is sweeter still.

Lord of the land, of river, vale, and hill,

King Fergus stood, and “Wherefore,” thus said he,

“This circumscription? What of greater ill

Dwelleth within the breast of mine own sea

Than those whose farthest caves have felt the foot of me?

{31}




XVI.





“I will descend to Rory: haply there

May dwell some secret whose resistless charms,

Bent to my kindred’s service, danger, care

Shall put apart, and shield from hurt or harm

In council grave or battle’s loud alarm.

What ho, Muëna. Haste my charioteer.

Who boasts that weak has grown my kingly arm

To sweep its path of all restriction clear?

Fergus is Fergus still—and Fergus knows no fear!”






XVII.





Muëna heard, and answered word by deed.

Soon rolled the chariot round the palace hall,

And Eastward toward the ocean; steed by steed

Stretched to the task his limbs; their hoofs did fall

Like rain on summer noons. The curlews’ call

Gave token of the near-approaching end,

And soon before their eyes the ocean wall

Shouldered the shock of waters that extend

To meet the sky. The King did to the marge descend.

{32}




XVIII.





Know you the Loch of Rory? Sages tell

How, when the sons of Adam felt the force

Of watery judgments, came a vagrant swell

And burst round shores of Eireann. Man and horse,

King, chief, and clansman, in the widening course

Of high, resistless billows, sank from sight

’Mong cries from throats in sudden anguish hoarse

That called, and called, and ceased when fell the night,—

And on a stranger shore soft broke the morning’s light.






XIX.





Across this shore Ultonia’s King now passed.

The waves that rattled up the pebbled strand

Rose in their ranks, then low before him cast

Themselves, and stood aside on either hand.

The King moved forward. Never magic wand

More swift compelled submission. Thro’ the spray,

As tho’ he trod upon the level land,

He took, ’twixt watery walls, a deepening way,

Till o’er his head the waves shut out the light of day.

{33}




XX.





Forward he fared. No swimmer’s opened eye

E’er scanned so sweet a sight. In glimmering green

Slow lightening upward to the watery sky

That arched the watery world, in softer sheen

Than mortals wot of, lay the fairy scene:—

Fantastic rocks, sea-flowers that rose and fell

As brushed by silent shapes that moved between

Him and the darkening distance, fairy cell,

And beds of ocean bloom more sweet than Asphodel.






XXI.





There sat the King adown to scan the world

Of more than wonder. Thither came to sue

For explanation things that swam, and curled,

Then circled round, and passed away from view.

Here stood as ’twere a camp, and there a few

Forms, not of ocean, human arms outspread.

King Fergus wept to make the sad review

Where those who faced the flood, now dumb and dead,

Slept out the tale of time upon the ocean’s bed.

{34}




XXII.





Short space he sat when, from athwart the deep,

There came a sound of horror! Far and near

A wild commotion rose, as things that creep,

Or climb, or swim, smitten with sudden fear,

Darkened the depths that erst had been so clear.

King Fergus started upward to his feet,

And saw, but dimly, toward him quickly steer

A dreadful shape that came like lightning fleet,

And chilled the monarch’s blood such fearful foe to meet.






XXIII.





It was the Muirdris!! Nought that men have known

Could match its awful visage: high upheld

On ogrish limbs, one moment ape-like grown,

It flew along, till, lo! it sank, and swelled

To size gigantic, while it yelped and yelled

In sound that spake of fury, fiendish ire.

In tremulous awe the King the beast beheld

Bent in its course on devastation dire,

While from its eyeballs streamed malignant lines of fire.

{35}




XXIV.





Round turned the King, and flew as ’twere from Death!

Swift sped the beast within his foamy track.

Wreathed round his form the King could feel its breath,

Nor dared he glance one smallest moment back.

Behind the twain, like tempest-driven rack,

Spread clouds of foam, pointing the path of each.

Above, white billows lashed the shore. His neck

Muëna, wondering, strained,—till on the beach

Swooned the swift-fleeing King beyond the monster’s reach.






XXV.





But tho’ Muëna wondered as he saw

His King, ’mid foamy spray, make sudden flight,

Far more he wondered as he scanned the flaw

Upon the King’s wan face, that made the sight

More dreadful than some horror-haunted night.

Lo! wide apart, and stretched from ear to ear,

In sudden aspect of tremendous fright,

Gaped, like a cave, his jaws: the eyes, once clear,

Stared as upon a sight of overmastering fear.

{36}




XXVI.





Muëna bore the King upon his breast

Into the chariot. There he laid him, dazed,

On ample couch, his fevered form to rest,

Soft shaded from the sun, that burned and blazed

High overhead,—then whipt the steeds, as crazed

From some pursuing phantom. Might and main

In lightning alternation high they raised

Sure-stepping foot, and over hill and plain

Toward far Emania’s walls their swiftest strength they strain.

{37}




CANTO III.


XXVII.





Not far the sun had fallen, when he drew

The chargers’ reins beside the circling sweep

Of Royal walls. The gathering clansmen knew

From foam and steam no slow and leisured creep

Had been their pace. Their thought took leap on leap

From sight to meaning. Then upon the floor

They spied the King recumbent as in sleep,

And as the form was borne within the door,

In others’ eyes they sought the secret o’er and o’er.






XXVIII.





Straightway into the council-room of chiefs

And sages was the limp-limbed body borne.

Then spake Muëna: “Lo! a grief of griefs,

Ultonia’s hearts are kingless and forlorn,

For know ye not how spake the wiseman, born

To wisdom?—‘Ne’er shall King with blemish marred

Reign’: and behold! alas! since this sad morn

King Fergus, from Ambition evil-starred,

Lies now before your eyes in visage sorely scarred.

{38}




XXIX.





“Choose ye a King, to reign within his stead.”

He ceased, but answer came not; rather, round

The silent throng flew questioning glance that said

Unstable vacillation. Not a sound

Broke cover till one bolder spirit wound

The trumpet-horn of speech; then left and right,

Leapt forth the hounds of thought, and roof and ground

Echoed impassioned tongues, and feet bedight

With thong and sandal, plied with each loud speaker’s might.






XXX.





Then spake the sons of wisdom, they who stood

Apart in silent conclave, while the din

Of ineffectual babblings drew no rood

More near conclusion: “Hear, Ultonian kin!

What arm so strong Ultonia’s wars to win,

Foster the strength of strong, inspire the weak?

Lives there a soul full fit to stand within

The Monarch’s room? What worthier do you seek

To guide the reins of peace, or would ye other? Speak!”

{39}




XXXI.





“None! none!” the multitudinous answer rang

Unanimous. (King Fergus, with a sigh,

Turned in his sleep. Perchance he dreamed there sang

Some bard of deeds their fathers did.) The cry

Thrilled through the chamber’s walls, and far and nigh

Found answer in a thousand throats, that gave

Their yet unmeaning plaudits to the sky;

And as, in sound like shoreward-shrieking wave

They shout, the secret they in others’ faces crave.






XXXII.





Without, the crowd swayed back and forth, with din

Low-muffled, as the sea doth surge and sway

In silken swell, from storm gone past. Within

Was calm, and brows determined sought a way

Through that old law to write emphatic “Nay!”

Then quoth the wisemen’s chief: “Our path is plain.

Our hearts upon our tongues have said their say,

And Fergus o’er Ultonia’s host shall reign,

If but to meet our thoughts your constant strength ye strain.

{40}




XXXIII.





“Let fools and babblers take their journey far,

And silent sit as sent’nel to your speech.

What wots the King of that which him doth mar

If but the knowledge in the breast of each

Be locked beyond a thought’s long-arméd reach

Till forced forgetfulness doth rust the key

Or haply lose it. E’en your art let teach

The water to forget his form to see

Or give it back, when to ablution cometh he.”






XXXIV.





Approval shone within their eyes. Their tongues

In loud assent gave forth: “Fergus is King!”

And once again without, untutored lungs

Caught up the cry, nor knew what meant the thing,

’Till, like a mighty bird, on fresh-plumed wing,

The Royal chariot once again did shake

Rampart and roof, as champing steeds did fling

Their heads on high, and sped by mount and brake

To scenes of less surprise when Fergus should awake.



. . . . . .






{41}


XXXV.





What need to sing of deeds within the scope

Of thrice a dozen moons? What need to tell

How fared the King when, by the sanded slope

Where twice a day the sea-waves fret and swell,

He woke? Or devious deeds that oft befell

Clansman and chief in those high-sounding days

Of war-girt peace—a Heaven ringed round with Hell—

Or battle’s loud-lunged shout, or conquest’s blaze,

Or how the blemished King ne’er on his fault did gaze.

{42}




CANTO IV.


XXXVI.





’Twas thus—and thus, when thrice a year had sped

King Fergus of his blemish happed to know:—

“I go to mine ablutions (so he said

Unto his bond-maid), girl, the task you know

Of preparation. Haste you, for I go

On mighty mission!” P’r’aps ’twas Fate’s decree

The maiden’s arm in service seemed full slow,

And Fergus, strained of nerve, was swift to see

In microscopic faults, some slight of majesty.






XXXVII.





Howbeit,—the fire to firelike will give blaze,

And progeny of one small word or deed

Count thousand-thousand. Half in wide amaze,

And half in wild vexation that slow heed

The maiden gave to that his will decreed,

He strode into her presence: then on high

He raised the stinging lash his stout-skinned steed

Oft felt, and flinched, and, drawing swiftly nigh,

Its serpent hiss was drowned in the smit’ maiden’s cry.

{43}




XXXVIII.





“A curse upon your laggard form!” he hissed.

The smitten girl swift raised her flashing eyes

In scarlet indignation, nor was missed

The blemish on the Monarch’s face. She cries:

“King Fergus, heartless coward! I loathe, despise

Your craven hand, nor e’en a word would deign,

But that I deem your spirit’s shape and size

Must match your brute-like visage.” Purpling plain

With rage, he drew his sword and cut the maid in twain.






XXXIX.





A maddened moment’s deed! And when the storm

Was past, the King in calm the wreck surveyed

Of his own making. Towering o’er the form

Prostrate and purple, holding still the blade

Wet with her life, he stood as sore dismayed,

Muttering: “Visage! Visage!” still the word

Beat inward on his ’wildered brain, nor stayed

Till that grim truth, long hid, to sight restored,

Burst on his mind. He turned, still clasping tight the sword.

{44}




XL.





Three steps beyond the portal of the room

Where lay the maid, he stopped and cast a look

Backward,—a look portentous of dark doom

To all beneath its ban. Aloft he shook

The bleeding blade; then cried, till every nook,

E’en to the farthest of the farthest halls,

Trembled; and, as he called, his way he took

Down corridors that held his foot’s swift falls

Till cry and footfall blent without the castle walls.






XLI.





The cry was: “Visage! Visage! Death and blood

To what has wrought the ruin of yon maid,—

That hideous habitant of Rory’s flood

Who plies—mayhap not long—his secret trade;

And mine ambition that such depths essayed

As strained the strength of me. Yet, not for nought

The fiend was found, tho’ fled I sore dismayed:

Some lesson yet is there, tho’ anguish-taught;

Some profit yet remains, tho’ it in blood be bought.

{45}




XLII.





One falleth—that foul spirit: then is past

Temptation of ambition; but, perchance

Mine arm may fail: sobeit, then is cast

Away the secret.” On did he advance.

And one who saw his eyeballs’ lightning glance,

And marked his mood and manner, thro’ the crowd

Spread rumouring words, keen, swift as strong-threwn lance,

That drew them forth, a multitude, all browed

With wonderment that grew with each swift stride, till, loud






XLIII.





And deep before them, Rory swells and swings.

Behold! the King nor pauses, nor aside

Turns in his track.—Not mine to tell of things

Run riot in those minds that edged the tide,

Where late the billows did King Fergus hide,

Nor gave of him a token, save the swell

Of giant strivings in the waters wide,

And one wild wave that, as from heart of Hell,

Leaped for the shore and ’mong the wondering warriors fell.

{46}




XLIV.





And thereupon arose confusion, such

As ne’er was seen before, and ne’er again

Shall e’er be seen. With tops that seemed to touch

The heights of Heaven arose the strenuous main

In wild tumultuous strivings, till the brain

Of those beholders whirled, and they that spake

In terror seemed all voiceless, for in vain

Speech called at its own ears. All heaven did make

Sound at whose dreadful voice all earth did seem to shake.






XLV.





And far across the world a tempest bore

Sounds of a conflict such as never yet

Man’s eyes beheld,—e’en to the cloudy shore

Of distant Britain: there did they beget

Vague words of wonder. Ere the sun had set

Within a stormy west nor man nor maid

Of all Ultonia but with spray was wet

As, lo! from each far hill, each distant glade

Long thousands shoreward drew with wide-eyed wonder swayed.

{47}




XLVI.





And when it seemed as if the heavens swam

In wild bewilderment,—each starry sphere

Would topple earthward, straightway fell a calm

That laid a hush upon the heart of fear,

And soothed both sea and sky, till softest tear

Would drop with sound of cataracts in the glen.

And thus they waited what should next appear,

Uncounted thousands of full-armëd men,

Bards, chieftans, clansmen, women, maids, youths, children:—then






XLVII.





As if the sea had stolen half the glow

Of the sunk sun, the quiet Loch flushed red,

And lengthened day, e’en tho’ the day did go

To other lands. “Some portent this,” they said,

“Of the fight’s finish: one hath joined the dead—

Which, shall appear full soon.”—Lo! on the sea

What form is yon that waves a hideous head

Within its hand? They gaze, they shout: “’Tis he,

Fergus, Ultonia’s King. Fergus hath victory!”

{48}




XLVIII.





Then that red glory brightened, and they scanned

The King’s marred visage—marred?—nay, pure and bright

As erst in youth! He called: “With this right hand

Nerved with the fury of revengeful might,

I fought—and won! I’ve lived my day; now night

Doth wrap its blackness round me: I but pay

The price of mine own deed.” And from their sight

He sank beneath the waters of the bay

Which rolled in waves of blood for many a devious day!

{49}





The Legend of St. Mahee of Endrim.


{50}  


{51}  


 The Legend of Saint Mahee of Endrim.


To J. A. Gregg.
——



[Note.—Saint Mahee
(Word in Gaelic) was born about 420 A.D.,
founded the Abbey of Endrim (Word in Gaelic—the single ridge),
on the beautiful island bearing that name, about 450, and died in the
year 496 or 497. For several centuries the Abbey, in which education and
religion were combined, occupied a prominent position, and turned out a
number of subsequent founders of similar institutions. Between 974 and
1178 history is silent in regard to it, but it is certain that, from its
position on Cuan (Word in Gaelic—a lough, now Strangford),
which was infested by Danish marauders, it came in for a large share of
their devastating attentions. From the date of its affiliation with an
English educational establishment, 1178, it seems to have fallen on evil
days, and in 1450 it is simply noted as a Parish Church in the charge of
the Bishop of Down.




The Island of Endrim—or, as it is now called, in memory of its Patron
Saint, Mahee—is situated most picturesquely on Strangford Lough, about
seven miles from Comber, Co. Down, and is approachable on foot or car by
a modern causeway-road, which crosses an intervening island. On the
shoreward end of the island may be seen many remnants of the stone
buildings which superseded the original wooden structures. These
remnants include the stump of a round tower; traces of extensive
foundations once laid bare by the late Bishop Reeves, but now almost
entirely hidden from view; the site of the harbour where anchored “ships
from Britain;” evidences of a hallowed God’s-acre, and a fairly complete
castle of a later period. The circuit of the island can be made on foot
leisurely in a couple of hours, and the walk affords a view of the
extensive waters of the once Dane-infested lough, the distant hoary
walls of Greyabbey, the haunts of Saint Patrick, the reputed scene of
the death{52}
of Ollav Fola
(Word in Gaelic, the lawgiver of Erin),
and the martial deeds of De Courcey.


Ballydrain, about half-way between Comber and Mahee Island, is so-called
from
Word in Gaelic, a townland, and
Word in Gaelic, a
blackthorn tree; and the reader will observe the connection between this
place and the Island of Mahee. No trace of a church has yet been
discovered at Ballydrain.


The idea contained in the Legend has been variously rendered by several
eminent authors. The incident in which it is here embodied may, however,
be fairly claimed as the oldest version—the original, in fact.—The
Author.]





Lo! right and left, in calm repose,

Are spread unnumbered isles,

Between whose shores the bluff breeze blows,

And sungilt Strangford smiles.

The shoreward way our feet have left

Below, still winds along

Where strenuous waves, in eddy and cleft,

Croon low their iterant song.






II.





Bright in the passionate, tremulous rays

From cloudy towers of day,

Yon crumbling castle seems to gaze

At castles far away,

Like parted friends of other years

Who meet, nor waste a word,

But wondering stand, and smile thro’ tears

From depths unfathomed stirred.

{53}




III.





Here may we rest, and make our seat

On this high rock-strewn mound,

“Put off our shoes from off our feet”—

We tread on holy ground

The haunts where many a sandalled sole

Trod out life’s lust and woe,

And, stedfast set to one high goal,

Went down in dust below.






IV.





No stone is theirs engraven large

With record born of strife,

No gilded scroll, no carven marge,

No legend loud with life.

Far other deeds than men applaud

Their holy hands essayed,

In life viceregent here of God,

In death still undismayed.






V.





No fluctuant favours—servile spouse

Of princes’ transient smile—

Did e’er bedeck their sacred brows,

Their saintly souls defile:

No life-warm lips their own had kissed

(Earth’s hope-inspiring dove)—

Their life was one long Eucharist

Eternalised in love.

{54}




VI.





The workers went; the works remain.

Time here small kingship owns.

Thro’ ’whelming winds, thro’ sun and rain,

Have lived these lichened stones,

And that brief tower upreared by those

Whose dread was from the deep,—

In strife their strength, in peace repose,

Their guardian now in sleep.






VII.





Thine eyes, old tower, have scanned the scroll

And palimpsest of Earth,

And fain would we thy thoughts unroll

Thro’ years of bliss or dearth,

For thou from thy calm height dost look

With sage, dispassionate eye,

To where the star of day-dawn shook

Within a youthful sky.






VIII.





We deem thee old; but age is not

A toll of hours and days,—

Mean measure of our little lot

And arbitrary ways.

We run our little round of change

Thro’ years of less or more,

But Time to thee holds nought of strange,

Unheard, unseen before.

{55}




IX.





Down paths of night no starrier balls

No new Milanion throws;

Thro’ no transfigured day’s high halls

Th’ itinerant breeze still blows;

Belligerent ever, baffled still,

Th’ importunate surges swing;

Still dear as dawn th’ ecstatic thrill

And prophet power of Spring.






X.





Wrapt in a dream of ancient days

Thou stand’st aloof from ours,

Yet nought hast thou of battle’s blaze

Or blighting iron showers;

For well-beloved art thou of moon,

And sun, and winds, and stars,

Forever in thy heart attune

To every statelier bars






XI.





Than aught my highest hope could know

In this inspiring breath

Where wilding blossoms bloom and blow,

As life blooms out of death;

Yet fain, withal, my lips would wed

To song, for modern ears,

This chord from lyric days long dead,

This dream from epic years:

{56}




 The Legend.





Quoth good Saint Mahee of Endrim,

“I shall build for Christ my master

Here a church, and here defend him

And His cause from all disaster.”

Seven score youths cut beam and wattle,

Seven score hands unseared in battle

Their unstinted aid did lend him,

Fast and ever faster.



But tho’ arm, and voice loud-ringing,

To a test of toil defied him,

Right and left the wattles flinging,

Not a tongue could dare deride him

For, before them all, he stood

Finished, waiting. Not a rood

From the spot a bird was singing

In a thorn beside him.



Sang no bird in ancient story

Half so sweet or loud a strain:

Seaward to the Lough of Rory,

Landward then, and back again,

Swelled the song, and trilled and trembled

O’er the toiling youths assembled,

Rang around ’mid Summer glory

There at Ballydrain.{57}



Far more beautiful the bird was

Than the bright-plumed Bird of Bliss

And the Abbot’s feeling stirred was

To its deepest depths, I wis;

’Till, as from the fiery splendour

Moses saw, in accents tender

Spake the bird, and lo, the word was:

“Goodly work is this!”



“True,” quoth Saint Mahee of Endrim,

“’Tis required by Christ my master

Here to build, and here defend Him

And His cause from all disaster;

But my blood mounts high with weening

Of this goodly word the meaning?”

Nearer then the bird did tend him,

Fast and even faster.



“I shall answer. I descended

From mine angel-soul’s compeers,

From my home serene and splendid

To this haunt of toil and tears;

Came to cheer thee with a note

From an angel’s silvern throat.”

Then he sang three songs: each, ended,

Made a hundred years.{58}



There, thro’ days that dawned and darkened,

With his wattles by his side,

Stood the island Saint and hearkened

To that silvery-flowing tide

Stood entranced, and ever wondr’éd,

Till had circled thrice a hundred

Years o’er fields, life-lade or stark, and

Strangford’s waters wide.



Then when came the final number,

Ceased the angel-bird its strain,

And, unheld by ills that cumber

Mortals, sought the heavenly plain.

Then the Saint, in mute amaze,

Round him turned an anxious gaze,

And from that far land of slumber

Came to Earth again.



Low his load, mid weed and flower,

Lay beside him all unbroken,

Till, with thrice augmented power,

From his holy dream awoken,

Up he bore it to his shoulder—

Broad and not a hand’s breath older.

Scarce, thought he, had passed an hour

Since the bird had spoken.{59}



Toward his island church he bore it.

Lo, an oratory gleaming,

And “To Saint Mahee,” writ o’er it!

“Now,” quoth he, “in faith I’m dreaming!

Say, good monk, at whose consistory

Shall I solve this mighty mystery,

And to form of fact restore it

From this shadowy seeming?”



Thus he spake to one who faced him

With a look of mild surprise,

One who swiftly brought and placed him

’Neath the Abbot’s searching eyes.—

Leave him there: not mine to rhyme of

Deeds that filled the latter time of

Him who, fain tho’ years would waste him,

Ages not, nor dies.



. . . . . .



Such the wondrous old-time story

Of the bird’s long, lethal strain

Sung thro’ Summers hot and hoary,

Winters white on mount and main

And the monks, to mark the mission

Of the bird,—so tells tradition,—

Built a church to God’s great glory

There at Ballydrain.

{60}




XII.





The song has ceased, the dream is done,

Lo, nought but shattered shrine

And weed-clad walls greet now the sun

That sparkles in the brine;

Yet these no remnant are of dead

Insalutary days,

Vicarious blood of morning, shed

For more than Memphian haze.






XIII.





The fires of worship, and of war,

De Courcey’s marshalled hosts,

The rude sea-rovers from afar

Have vanished from our coasts;

And out of these an ampler field

Found Freedom, mind and hand,

Toward unattempted ends to wield

A world-enchanting wand.






XIV.





What tho’ in oft ignoble cause

The wave of war still rolls,

The hate of sects, the clutching claws,

The strife of armoured souls;

What tho’ the thousands, born to fail,

In darkness come and go,

Be ours no pessimistic wail

Of fear for larger woe;

{61}




XV.





For even now the dawn doth give

Some promissory gleams,

Tho’ most ’tis ours in night to live,

Participant in dreams

Of some broad-beamed and brighter morn,

Some elemental balm,

Some purer peace, of battle born,

Some tempest-cradled calm!











{62}







{63}


{64}
{65}



Miscellaneous Poems.



Song of Decadence.





I wonder if there still remain

Some echoes from the songs of old;

Or what the measure of the strain

The future shall unfold?



The voice that breathed across the years,

And came, and went, and passed the bar,

And sang the battle song of tears,

Sounds small, and faint, and far;



And men have found another chord,

An offspring, not of heart, but head;

And gold is God, and lust is Lord,

And Love lies stricken dead!



Ah, me! the race goes blindly on

And leaves the old familiar ways;

And still, earth-weighted, flowers the dawn

To still ignoble days;



And men, as sheep within their folds,

Grope round their world with great sad eyes;

And hate the hand that still withholds

The secret of the skies;{66}

Or, deeming God an idle tale

Withdrawn from lore of ancient shelves,

Themselves would reckon by the scale

And measure of themselves!



How mean the stature of the song

Of our inglorious—glorious time,

Attenuating, as along

It moves from that great prime



When Milton, in the midnight hours,

Lay waiting for the mystic breath

Of God to touch his soul to flowers

Of song that smile at Death.



O singers of the years to come!

Be yours the large and liberal scope:

Sing sweetly—or for aye be dumb—

Of God, and Love, and Hope,



Encircled by no little line

Of gain or loss, of time or sense,

Nor, bent at Mammon’s soulless shrine,

Your birth-right part for pence;



But bend an arm across the past,

And finger all the vibrant years,

Till sunlight, on our shadows cast,

Makes rainbows of our tears.

{67}





The Railway Arch.





There it stands, as it has stood—

Theme for bards, and theme for seers—

Mute to sun and tempests rude,

To the swift express of years;



Stretched across from bank to bank

Where the rabbits flash and go,

Where the fir-trees, rank by rank,

Gaze upon the track below



As the train, at man’s behest,

In the calm or tempest’s teeth,

Speeds with lightning in its breast,

And the thunder underneath.



There in many a rift and rent,

Many a bird finds friendly cover;

And the toiler, homeward bent,

Whistles as he passes over;



And the children from the town

Climb its parapets and strain

Half a hundred throats to drown

With a cheer the passing train.{68}



Yet how many children, toilers,

List’ to what that arch would say

To the thousands of earth’s moilers?—

Dull of ear and listless they!



Ah! adown the track of time,

In the world’s great sidings lying,

Many a theme for many a rhyme

Is unmarked by thousands, flying



After all the fen-fires, darting

In the damps and swamps of life;

Fires of meeting and of parting,

Hate and love, and strain and strife!



There it stands—O! how I love it;

For it speaks of weal, and woe,

For the thousands pass above it;

For the thousands rush below;



And, attune to whirr and clatter,

Wide and wider does it span,

High o’er time and sense and matter,

High o’er life and death and man,



Stretched from age to age unborn;

And above it in a stream

Pass, unceasing, night and morn,

Shapes like those in Jacob’s dream{69}



All the souls of all the ages,

All the ghosts of all the years,

Priests and prophets, saints and sages,

Sweet-breathed bards and broad-browed seers,



Who from many a cloudy station

List’ the whirring of the wheels

Bounding on without cessation,

Dragging progress at their heels;



Who, as children from the town,

Throng the parapets, and strain

Form and voice in flashing down

Warning signals to the train



Speeding on, at man’s behest,

In the calm, or tempest’s teeth,

With the lightning in its breast,

And the thunder underneath!

{70}





Schakhe.


(A Ballad of Armenia.)





They had fought, they had failed, those women and now, in a wild-eyed throng,

They fled from the red destroyer, and they cried: “O Lord, how long?—

How long, O Lord, till the ending of the ghastly sounds and sights,

Till the dripping days be finished, and the thrice red-running nights,—

Till the last cold corpse falls, severed from the last Armenian head,

Till the last maid be dishonoured, and the last hot tear be shed?”



They had fled from the red destroyer, but he hastens around their track,

Till the fate they had flown is before them, and they turn in their pathway back.

But, Northward and Southward and Eastward and Westward, and round and round,

Come the gleam of the steely lightning, and the wild, soul-harrowing sound,{71}

As mother and sister and daughter, and the child at its mother’s breast

Go down in the surge of slaughter and the wreck of the great Opprest.

And now they are huddled together, as the death-cries rise and swell,

Where the rock runs up to Heaven, and the gulf goes down to Hell,—

On the edge of a beetling hillock; when, lo! from the ’wildered crowd,

On a peak of the rock steps Schakhe, and calls to her sisters, loud:—



“O sisters in nameless sorrow, baptised in a life of tears;

Before you two paths lie open: behind you a thousand years

Fade far in the dusky distance, one long, broad stream of blood,

That flows by the wreck and ruin of sword and fire and flood!

Before you two paths lie open: one leads where dangers lurk,

And the pain and the dumb dishonour from the merciless hand of the Turk.{72}



Choose ye! Will ye thread that pathway, prove false to the men ye love;

Prove false to the children ye bore them; prove false to the God above?

Will ye sell yourselves to the spoilers of father and mother and child,

Who butchered and then, like devils, at their cries for mercy smiled?

Do ye think of the thousands rotting, flung down in a ghastly heap

Unblessed; whose dust commingles in their last unhallowed sleep?

Do ye think of the blood, the sorrow, the wild, sky-rending cries,

As the scarce-born babe was mangled to feast their fiendish eyes?

Do you think of the brute defilement when, full in the flare of day,

Ye were robbed of your dear-prized honour, and made the Moslem’s prey?

Will ye choose that path, O sisters? ’Tis a path ye have often trod;

Or throw yourselves on the mercy of the great, all-powerful God?{73}



What though He is veiled in silence, and behind our clouds grown dim;

If He come not down to help us, then we will go to Him.

See! there is the other pathway, down, down to the home of Night.

Jump! long ere the body be broken, the soul will have taken flight.

He will give His charge to His angels: in their hands they will bear thee up,

As ye tread the Saviour’s pathway, and drink the Saviour’s cup.

There,—lean on my breast, sweet infant, and good-bye to Earth and woe.

Now, sisters, the way lies open: I am weary and long to go!”



They had fought: they had failed; and they followed brave Schakhe, a martyr throng;—

And soft o’er the corpse-strewn valley the winds sigh: “Lord, how long?”

{74}





In the Giant’s Ring, Belfast.





No Shakespeare girdle this, whose girth

Would compass with its arms

The sounding seas and snows of earth,

The fruitful fields and farms.[A]

Here priestly power has thrown around

A circuit wide and high,

A bar where waves of human sound

Beat vainly, drop, and die.



“Who dreams of war in such a scene

Of undisturbed repose?

Who babbles here of spite and spleen?

Who rhymes of human woes?

Nought here is heard of mingling cries,

Of life’s unlovely jars

Nought here is seen but yonder skies,

And circling suns and stars!”



O wise in wisdom of the fool!

O warped in sight and soul!

O Arctic spirit, icy cool

As passions of the Pole!{75}



Is ’t but a dream of babe or bard

That conjures grief and groans?

Or is thy shrunken heart more hard

Than those three standing stones?



I dreamed a dream when last I stood

Within their sombre shade:

Time took my hand full many a rood

Beyond the tides of trade,

Beyond the sacerdotal rite,

And soul-absorbing creeds,

Beyond the narrow skirts of sight

And despicable deeds.



I soared above the brimming Earth;

I peered beneath its breast;

I saw the founts of joy and mirth,

And seats of life’s unrest.

But in the ocean of its thought

One current swelled and grew

And on to seas with blessing fraught

A thousand others drew.



’Twas Love: and Time stood by, and said:

“Behold! a thousand spires

Speak gilded words from hearts as dead

As those old Druid fires.{76}



But love lives on and leavens all

In Earth’s expanding range,

The height and depth, the rise and fall,

The first and last of Change.



“Kings pale and perish, dogmas die,

The world goes slowly on

To greet an all-unclouded sky,

To kiss a purer dawn.

Stript of the garb of mimic worth,

Freed from his brothers’ ban

And circumscribing creeds, steps forth

A newer, nobler man.



“’Twas thus God’s chosen race was bent

Beneath a tyrant yoke:

’Twas thus the hated chains were rent,

The conqueror’s sceptre broke.

Thus Babylon to Persia bowed,

Thus Persia bent to Greece,

Thus Greece gave place to Rome the proud,

The Goth broke Roman peace.”



These mighty stones, this giant ring

Give token of a day

That died, as dies a dreamt-of thing,

And passed in dust away,{77}

Save these, for you—dear heart—and me

To gaze on, muse, and rhyme:

“Time conquers all, both bond and free,

But Love shall conquer Time!”











{78}



The Blind Father.


I.





So, my son, you came this morning at the blinking of the day,

“King, and heir for Uther,” riding swiftly shoreward on the spray

That, within my face, comes blowing from a stranger sea and sky,—

Felt, not seen—upon whose margin here, a sightless Merlin, I

Stand, and turn my head and harken to the whisper of the wind

Borne from seaward on to leeward,—dark before and dark behind.






II.





And they say you’re like your father?—How can I know, for I look

With a dead eye into darkness; yet I’ve felt upon a book

Something tell me: “In His form and with His likeness made He man:”

{79}So you’re like your father, and he looks like God—but, ah! the ban,

A Damocles-blade, keeps hanging, as o’er ancient Adam’s head,

O’er last moment’s latest Adam, just arisen from the dead.






III.





Ban! Who banned you? Is it God, or is it man suspends the knife?

God decreed you’d toil for bread, but man decrees you’ll die for life!






IV.





“From the dead.”—You like the phrase not, wife; yet not from death he’s come,

But from life, of all the ages past the product and the sum.

Thine and mine,—yet neither mine nor thine, but heir of every hour,

Drawing through thee from the world’s breast,—we the stem and he the flower.

Ours, and yet not ours; the acorn from its parent will be broke,

Drop to earth, from earth to heaven stretch the fingers of the oak.

Acorn—oak, and back to acorn, hedging all the hills of time,

On and on forever, housing birds of every wing and clime.{80}

Thus we die,—and thus we die not; mortal, yet immortal we;

Closely clasping crumbling fingers round the hand of the To Be;

Flingling out along the ages tendrils that will grip, and twine

In a slow attenuation down the long posterior line.






V.





Thus the generations, marching to an universal strain,

Start, and stop; and in the starting from Da Capo sing again.






VI.





Ah! not ours: yet ours the moulding of a future near or far;

Ours to set a sun in heaven,—hurl in space a red-eyed star.—

For I’m told, beyond my curtain there revolveth day and night,

And among the stars there standeth one that winketh red with fight;

And you say the glow that lights upon my cheek is from the sun

Guiding lightning-footed planets as they in their orbits run;{81}

And I’ve heard that all have sprung from atoms crowding God’s abyss,—

Mars, the evil-eyed and warlike; Sol, the pivot-point of bliss.






VII.





Yes, a weakness, sprung from weakness, weaker waxes, and a strength

On from strength to strength goes marching, grasping God’s right hand at length;

For the mickle at the shoulder means the muckle at the hand,

And the hair’s breadth on the compass means the ship upon the land.






VIII.





Aye, wife; now I know the reason why you sighed so since we wed:

You have seen the world hang on you. Don’t you mind, dear, what you read

Out of Cowper?—where he speaks of how the arrow on the wing

Falls at last far out of line though small the error at the string.






IX.





There he’s: take him! You can rhyme of chubby cheeks, and laughy eyes

That have housed far down within them little patches of the skies;{82}

You can paint your glowing pictures, that a tear may wash away

When a future Vandal stumbles through your dream some after day.

Mine are coloured from th’ eternal, set by Love in Fancy’s mould,

Knowing nought of life’s mutations, Summer’s heat or Winter’s cold.






X.





So you’ve only come this morning, courier dove with pinions white?

What’s the news from God, what message from the hidden heart of Night?











{83}


Sundry Songs and Sonnets.



{84}  


{85}  



The Southern Cross.





Afar from his wife and his sons and his daughters,

The fisherman grapples for gain or loss;

Beneath him the silent midnight waters;

Above him the blaze of the Southern Cross:

And ever his thoughts on the breeze hie homeward,

As he calls to the watcher again and again,—

“O what of the night: is it dark or bright?”

And ever there cometh the old refrain,—

“The skies are clearing, the dawn is nearing,

The midnight shadows fly.

The Cross is bending, the night is ending,

The day is drawing nigh.”



Again, on the storm-swept winter waters,

He battles the billows that tumble and toss;

And he thinks of the weeping of wives and daughters,

As the clouds fly over the Southern Cross.{86}

Ah, then in the hour of his heart’s despairing,

When sheets are rending and cables strain,

How sweet to his ear come the words of cheer,

And the sound of the watcher’s old refrain,—

“The skies are clearing, the dawn is nearing,

The midnight shadows fly.

The Cross is bending, the night is ending,

The day is drawing nigh.”



. . . . . .



Far out, far out on Life’s wild waters,

Where storms are howling, where breakers toss,

How many of earth’s fair sons and daughters

Are drifting and dragging to gain or loss!

But ever the Stars of Hope are shining,

Through calm and tempest, through wind and rain;

And soft through the night, be it dark or bright,

The heart still echoes the old refrain,—

“The skies are clearing, the dawn is nearing,

The midnight shadows fly.

The Cross is bending, the night is ending.

The day is drawing nigh.”

{87}





On the Death of William Morris.


I.





Mine eyes beheld thee—but not nigh: mine ear,

Close to thy page, could feel the beat, beat, beat,

That told thy great, good heart: now strangers’ feet

Have borne thee out. Thee? Nay, I have thee here

Forever young; nor less that eye, so clear,

Beams brotherhood, nor can the years that fleet

Leave me more lonely. No hot tear—full meet

From widowed Friendship—drop I on thy bier.

Some earth-stained page mars oft fair Friendships’s book;

And happier I, who saw thro’ Fancy’s light

Kin only of the sacred singing race,

Blameless of all that mars familiar sight!—

Then wherefore should I weep, who skyward look,

And mark a god move Godward to his place?

{88}




II.





Perfume of eld, more sweet than all the scent

Of late-blown roses squandered on the air,

Sweetens the tawny forest of thy hair,

And there shall dwell till all the years be spent.

To thee war’s call with hint of song is blent,

And time sits easy on the brows of care;

Love lifts a white affirming hand to swear

Thee hero of thy heroes,—thou, who went

To the frore Past. Lo! in its eyes did dance

Reflection of a day within the wake

Of some unrisen, kindlier star; and thou

Didst cry: “Behold, with goodlier days the Now

Is great, as forests wave in seeds to break,

And countless thousands pulse in Love’s first glance!”











{89}



Copernicus.





They deemed, self-centred souls! that those great eyes

Which star the night, in amorous orbit turned

And, ever boldly bashful, sighed and burned

For one earth kiss, and stood within the skies

Eternally expectant. O most wise

In your great selves! that rude iconoclast

His stones of Truth among your dreamings cast,

And robbed your wisdom of its dear disguise.

He stood, a Sampson of Titanic force,

’Twixt men and God, and swiftly grasped and hurled

His bolts at callow thoughts of centuries,

And pivoted th’ unreckoned universe,

And marked the rhythmic orbit of a world,

And changed chaotic chords to harmonies!

{90}





To Algernon Charles Swinburne.


(To remind him that the Genius of Ireland, nigh twenty centuries
ago, taught the dull ears of the world the subtleties and charms of
the rhyme of which he is now acknowledged master.)





Moulder of mighty measures and sublime;

Whose flower of song—how dead soe’er the ground—

Blossoms: whose feet, from no great depth profound,

By cloudy slopes to cloudier summits climb!

What though thou art, in this thy world-broad prime,

Great King of Song, sceptred and robed and crowned;

Be it not thine to scorn the narrow round

Whence broadened out the bounds of later time.

Not all the message of that far-off chime

The strident strains of this our day have drowned:

“Forget not, Singer, whence hath sprung thy rhyme,

Or whence thy tongue its lofty power hath found;

Nor squander all thy store in mocking mime,

Niggard of sense and prodigal of sound.”

{91}





Heaven and Earth.


In the beginning the Heaven and the Earth were wedded together, and
then was the golden age of joy and beauty. But something occurred which
destroyed the union, and the Heaven and the Earth were parted amid the
tears of Nature, which men call the dew.—Legend Of South Sea Islands.





Truth in untruth; wisdom on Folly’s tongue,

And substance in a shadow!—Hear ye this:

Erewhile, ’mid transports of primeval bliss,

In starry ears a bridal song was sung,

And Heav’n and Earth, in mutual rapture, strung

Ethereal harps, and took one reeling kiss,

’Till, seated with much joy, Earth grew remiss:

But, love was rife, and, ah! the Earth was young.



O trembling tears of dawn in Nature’s eyes!

Forget your sadness. Lo! methinks the hour

When recreant Love turns loveward, thrills the dome;

Earth lifts mute praying hands in tree and flower,

And Heav’n, in all the windows of the skies,

Hangs nightly lamps to light the wand’rer home!

{92}





On Some Twentieth Century forecasts.





O imperturable and silent years,

That reck not all the riot of our time

Whose fevered feet, with inharmonious rhyme,

Royster around thy high phantasmal tiers!

How mean our mockings of the silent seers

To read the riddle of th’ Eternal Soul!

We list’ the thundering life within thy bole,

And count the hidden harvest that anears,

And dream our dreams, and smile to see them wrecked!

Oh, vain insurgence on the unrevealed:

Enough to map the paths our fathers tracked

Not, mother-like, kiss yet the face concealed.

Age ages not the elemental law,

And we are thou in hope, thou we anew,

And still beneath are depths whence Shakspere drew,

And still above are stars that Milton saw!

{93}





Ireland.





Somewhat of Autumn’s splendour round her lies;

Yet deem not thou ’tis preface of her death,

For there is that within her heart which saith

This word that buds and blossoms in her eyes:—

“Reck not the portent of the season’s skies,

Nor deem yon darkling clouds aught but a breath

Sundrawn from half a world that offereth

Its votive incense to the year that flies.”

The hand that bevels down the shortening day

Is one with that which quickens leaf and wing,

So prophecy of pregnance in decay

Thou hast, and in thine Autumn germs of Spring;

To vindicate these lips, that late have said:

“They dreamed a lie who deemed thee wholly dead!”

{94}





  THE LITTLE LIBRARY.  THE FOLLOWING VOLUMES WILL APPEAR IN DUE COURSE:—  1.  The King’s Oak and Other Stories,  By ROBERT CROMIE,  Author of “The Crack of Doom,” “A Plunge into Space,” &c.  These Stories are amongst the best things from the pen of this brilliant and popular Irish Author.  2.  [Immediately.  SOCIALISM: ITS STRUCTURAL STUPIDITIES,  By IGNOTUS.  A pungent criticism and confutation of Fabian fallacies.  3.  The Eve of the World’s Tragedy;  Or, The Thoughts of a Worm,  By LOUIS H. VICTORY,  Author of “Lady Rosalind,” “Collected Verses,” “Poems,” “The Higher Teaching of Shakespeare,” &c., &c.  4.  A VOLUME OF POEMS  By the world-renowned  SAMUEL K. COWAN, M.A., T.C.D.,  Author of “Poems,” “Roses and Rue,” “Idylls of Ireland,” “Play,” “Laurel Leaves,” &c., &c.  5.  A BOOK OF PROSE  By one of the greatest Irish Writers of his time,  W. B. YEATS,  Author of “The Countess Kathleen,” “Celtic Twilight,” “The Secret Rose,” &c., &c.  OTHERS TO FOLLOW.



FOOTNOTE:


[A]






...Put a Girdle round the earth

In forty minutes.