A jet bomber and four fighters had appeared low over Bald Ridge, out of the east. They'd curved up as one to clear Lawson's Hill, their stubby wings almost brushing the treetops, their hiss and thunder rolling back and forth between the valley walls like a giant's derision; they'd dipped into the valley proper, obviously informed that Smoky Creek, Tennessee (population 123) had no anti-aircraft installations, and circled the town at about five hundred feet. They circled and looked down—broad slavic faces with curious expressions, seen through plexiglass, as if thinking: So this is an American small town.

Then they took altitude and got to work. The first bomb was aimed at the big concrete railway bridge spanning the upper end of the valley; that was the main objective of the attack. The bomb exploded four hundred yards north of the bridge, at about six hundred feet altitude—the ideal point from which to flatten Smoky Creek. Low altitude bombing can be tricky, of course, especially in mountain country. A-bombs were cheap though, turned out by the carload; not like 20 years before, when they were first developed. So it was likely the bombardier tripped a bomb over the town just for the hell of it.

The next bomb got the bridge. The next tore up a quarter mile of track. The next tore up a quarter mile of road. That was the mission. The bomber circled, while the fighters strafed Smoky Creek for good measure; and then they roared away past Lawson's Hill, over Bald Ridge, into the east toward their invasion-coast base.

Everybody died. The bombs were midget A's, designed for tactical use; so Smoky Creek wasn't reduced to dust—just to sticks. There wasn't much heat from the bomb and there was hardly any residual radiation. But everybody in town died. Concussion. Smoky Creek had been comprised of one main street and three cross streets, and that's not much area—the wave had thumped down from right above, like a giant fist.

Everybody died, except twenty-one old men and women who had been off in the woods at the far end of the valley, on their annual Grandfolk's Picnic. They didn't die, except inside.

Three months later, an enemy jet came out of the sky and over the valley. A scoop arrangement under its belly was sniffing Tennessee and Alabama air for radioactive particles. It sniffed low over the town, and then again—a ruined town might hide an underground lab and converter—and then it barrel-rolled and crashed. Nine rifle bullets had hit the motor; straight back through the jet intake, into the blades.

A year after that another jet came low over the town, and it crashed too. Only three bullets this time; but a jet motor's like a turbine—you get a blade or two, and it goes crazy.

Two years after that, Ben Bates (no longer Mayor Ben, because a mayor has to have a town; but still the man in charge) knocked off playing horseshoes in what had been the Town Hall. Now the building served as a recreation hall; there were horseshoe pits at one end of the long room, there were tables for checkers and cards, and a short tenpin alley along one wall. Three years ago the alley had been twice as long as it was now; but then there were young men around who could peg the length of it without tiring every time. Overhead the roof sagged, and in one place you could see quite a piece of sky—but under the hole the old men had rigged a slanted board watershed that led to a drainage ditch; and scattered through the room were a lot of supporting posts and timber braces. Actually the building was about as safe as it had ever been.

There were other buildings like it; buildings that the bomb hadn't pounded flat or made too risky. They were propped up and nailed together and buttressed and practically glued so they'd stay up. From outside you'd think they were going to crumble any minute—walls slanted all cockeyed, boards peeled off and hanging, and roofs buckling in. But they were safe. Fixed up every which way—from the inside. All from the inside; not an inch of repair on the outside. It had to be that way, because the town had to look like a dead town.

After the men had finished propping, the women had come along with all the furniture and things they'd salvaged, and they swept and scrubbed and did a hundred jobs the men never would have thought of; and so the old people ended up with half a dozen buildings to live in, secretly and comfortably, in the town that had to look dead.

"Arthritis is bad," Ben Bates told his teammates and opponents. "Hell, I'm just giving away points. Maybe next week. I'll rest up, and kick you all around next week."

He lit a cigar, a big grey man with long legs and a good-humored mouth, and he watched Dan Paray throw one short; then he strolled over to kibitz at the checker game between Fat Sam Hogan and Windy Harris, at one of the tables near the door. Late morning sunlight slanted in through the window by the table and struck light off Windy's glasses as he leaned across the board, thumped a checker three times and said triumphantly, "King me, Sam. You're getting blind, I swear. Or dumber."

Behind his back Ben Bates heard a shoe ring against the stake; then he heard it spin off, and he grinned at Owen Urey's bullfrog cussing.

Tom Pace was saying urgently, "Look—look, Jim, damn it, you didn't no more shoot down that plane singlehanded than I did. We was all shooting. Godamighty—where you get off claiming you brung it down?"

Ben turned and sat down at the table next to the checker game, and stretched his legs in the sunlight. He raised thick brows like clumps of steel-wool at Tom and at old Jim Liddel, who sat in his pillowed armchair like a thin, scowling, bald, mansized spider.

"You keep talking so high and mighty," Tom said, "we'll carry you out o' here and take you and dump you in the creek. You can tell the fish about who got the plane."

"Still arguing over who planted the shot, huh," Ben grinned. "Regular feud, you two."

"Well, hell, Ben," Tom said, and bit down on his gums so his whiskers almost hid the end of his nose. "I just get filled up on this old windbag hollering how he—"

"You go call me a windbag once more, Tom Pace," Jim Liddel said, and he stirred his all but helpless body in the armchair, "you're gonna have a sore eye, you seventy year old whippersnapper. I brung it down."

"In a hog's behind, you brung it down, Mister Dan'l Boone!"

"It 'us just after I let loose it started smoking," old Jim snarled, "and nobody else was shooting right then! You're gonna get a sore eye, I swear—tobacco in it. I can spit to where you sit, and I can spit faster'n you can move, I bet, unless you're faster'n a fly, and you ain't. You just ask anybody who was there ... it 'us just after I shot it started—"

Tom Pace thumped the table. "I was there, you old ... now, now, Jim, don't spit, for Godsake! Hold on. What I mean, I was there too, and maybe somebody's shot from a second or two before was what done the trick. Maybe even my shot! Takes a plane a while to know it's hurt, don't it? Ever think o' that?"

"Maybe," Ben Bates said. "Maybe, maybe. And maybe. Let it go, you two. It ain't important who done it; we oughta just be grateful we got it."

"Grateful I got it," Jim Liddel grunted.

Tom Pace said, "Now, looky here, Jim—" Ben Bates nudged Tom's leg under the table; and then slowly, fingering his jaw he said, "Well, now, Jim ... I figure maybe you did, at that. Like you say, it smoked and crashed right after you shot, so I always kind o' figured it was you brought it down. But that's a hard thing to prove."

Jim snorted. "Can't prove it! But I got it, all right. A man knows when he sunk a shot."

"In a varmint, maybe," Tom Pace objected, "or a man. But you claiming to know where to hit a plane the worst?"

"We was all shooting at the front, up where they put the motor," Jim said nastily. "Don't know about planes, but I know my aim. I got it square-on."

"Well," Ben said, "why don't you just let it lay, eh, Tom? Jim's got a lot on his side." He looked sidewise at old Jim, and saw that Jim was still scowling at Tom. Old Jim was ninety eight, and some set in his notions.

"Mm. Hell," Tom said reluctantly, after a second, "I ain't saying you didn't, Jim. That ain't my intent. I just get burned when you yell you did, like no man dared say you was wrong. Sure, maybe you're right. But ain't you willing to admit you might be wrong too?"

"No," Jim Liddel yelled, and from the checker table came Windy Harris's encouraging, "You tell 'em who got that plane, Jim!"

Ben Bates scraped an inch of ash off his cigar against the table-edge, sighed and got up. He looked down at the glowering pair and said, "Well, come the next plane, if there is one, we'll shove a rifle in your hand, Jim, and see how good your eye is. You too, Tom. Till that time, reckon this is no place for a reasoning man."

"Sit down, Ben Bates," old Jim snarled. "If you're a reasoning man, sit down. Be glad to talk to one, after Tom here goes away."

"You go to hell. I ain't going no place," Tom said, and he picked up the cards and started shuffling them in his stiff hands.

Ben sat down and stretched out his legs again.

After a second, old Jim said wistfully, "You know, I wish I could still handle a rifle, Ben. Or do anything but sit. No way for a man to live, to have dead legs and dying arms." He shifted in his cushions. "You know, I reckon when I start to really die—die all over—I'm gonna get up out o' this chair. I'll stand up, somehow, even if it kills me faster. A man oughta fall when he dies, like a tree, so they know he stood up in his time. A man oughtn'ta die sitting down."

"Sure, Jim," Ben said. "You're right about that."

"Never had a sick day in my life, until they dropped that bomb. Why, I could outpitch and outchop and outshoot any of you whippersnappers, until they ..." Old Jim walloped the chair arm. "Damn, I made up for it, though! Didn't I? They put me in a chair, I sat in it and I got me an airyplane, and that's more'n they could do to me, by golly, they couldn't kill me!"

"Sure, Jim," Ben said.

"And when my time comes, I'll be up and out o' this chair. Man oughta fall and make a noise when he dies."

"Sure, Jim," Ben said. "But that's a long ways off, ain't it?"

Jim closed his eyes, and his face looked like a skull. "You squirts always think a man lives forever."

From outside came the late morning sounds: the murmuring of Smoky Creek at the edge of town, under its cool tunnel of willows; the twittering of a flock of robins circling above; the constant soft rustle of the trees that crowded the green hills around. From the warehouse down by the tracks came the faint sounds of livestock—and the voices of the men whose job it was to look after them this week: to feed them, turn them out into the big pens for an hour's sunlight, then drive them back into the warehouse again.

Lucky the warehouse had stood the bomb—it was perfect for the use.

"Wonder how the war's going," Tom Pace said. He dropped some cards and bent painfully to retrieve them; his voice was muffled: "I just wonder how it's going, you know? Wonder who's killing more than who today.

"Maybe," Tom continued, coming up, "it's all over. Ain't seen no planes for couple years now. Maybe somebody won."

Ben shrugged. "Who knows. Don't matter none to us. We're ready as we can be if another plane comes around. Other than that, it ain't our concern."

"Darn tootin'," Tom said, and pushed the cards together and started shuffling again.

Jim Liddel said, "War!" and looked like he'd bit into spoiled meat. "Never settled nothing ... just makes the biggest dog top-dog for a while, so he can get his way. Man, I wish I could still lift a rifle, if an airyplane come around! I'd love to get me another one." He put his thin back against the cushions and pushed at the edge of the table with his hands. Jim's fingers didn't move so well any more; some were curled and some were straight out, and the joints were different sizes, and now they were trembling a little. "Sometimes when I think o' Johnny and Helen and all the kids—when I think o' that day, and those damn bombs, and that white tower o' smoke up over the town, I ... oh, godamighty, I'd love to see another airyplane! I'd shout and yell and pray; I'd pray almighty God for you to get it!"

Ben pulled on his cigar with stiff lips, and said slowly, "Well, we might, Jim. We just might. Two out o' seven ain't bad." He puffed out smoke. "We been running in luck, so far, what with nobody ever coming back loaded for bear. Reckon that means the other five didn't see us, low as they was; probably didn't even know they was being shot at."

"They musta found bulletholes, though," Tom Pace said. "Afterwards. Not a chance we'd all miss—" he bobbed his beard at old Jim—"'specially with Dan'l Boone here plugging away. They'd know they was shot at, all right. Might even find rifle bullets."

"Maybe they did," Ben said. "Nobody ever come snooping back, though."

"Wouldn't know where to, would they?" Windy Harris said. He and Fat Sam Hogan had stopped playing checkers, and had been listening. "Smoky Creek looks dead as Sodom. Buildings all down, and stuff knee-deep in the streets. Bridge down, and the road out. And the valley is way the hell out o' the way ... no call for them to suspect it more'n anyplace else. Less, even. They'd likely figure somebody took a potshot from a hill ... and there's a pack o' hills between here'n outside.

"Looks like," Ben said. "We just got to keep it that way. We got a good plan: if the plane's up high, we just freeze under cover; if it comes down low a time or two, we figure we're likely spotted and start shooting. We shoot, and maybe it shoots too, and we pray."

"It's a good plan," Jim Liddel said, looking out the window. "We got two."

Windy Harris got up and stretched out his arms.

"Two ain't enough," old Jim said bitterly.

"Well," Windy said, "I hope we keep on getting 'em—them as sees us, anyway. Hope nobody ever knows we're here. It's peaceful here. Way off by ourselves, nothing to do but get up and go to bed, and do what we want in between." He sent tobacco juice into the cuspidor by the door. "Right now, me, I guess I'll go fishing down by the creek—promised Maude I'd bring home a cat or two for supper. Anybody come along?"

Tom Pace shook his head, and old Jim looked like he'd like to go, if he only could—and Ben said, "Maybe I'll be down a little while later, Windy. Keep to the trees."

Windy left, and Tom Pace shuffled the cards and looked over at Jim Liddel. "You going to play with Ben and me, you old windbag, or you going to keep bragging so loud a man can't stand your company?"

"Why, you whippersnapper," Jim growled, "you just go ahead and run 'em. Reckon a reasoning man and a nitwit's about the best I can do right now."

Tom dealt out two cards, and said, "War!" without dealing out the rest. He looked at Ben, his eyes cloudy. "Got a cigar, Ben?"

Ben handed one over and held a match, and Tom got it going, puffing longer than he had to, like he didn't want to talk yet.

Then he said, "It didn't have to happen." He worked the cigar over to the corner of his mouth and settled it in the nest of stained whiskers there. "None of it had to happen—what happened here, and whatever happened outside the valley. It just didn't have to happen."

"'Course it didn't," Ben said. "Never has to. It just always does. Some people got reasons to let it happen, and some ain't got the sense not to."

Fat Sam Hogan said, "I don't figure there's anything in the world a man can't sit down and talk out, instead o' reaching for a gun. Don't know why that oughtn'ta hold for countries."

Ben Bates looked at one of the two cards Tom Pace had dealt—his hole card. It was a four, and he lost interest. "Yup," he said, "it holds all right ... they'll just both reach half the time anyway. One war on top of another. Even one right after this one, ten years or so, if this one's over. I just bet. Every country wants a piece out o' the next one's hide—or his poke—and they won't give an inch except in talk; they won't really buckle down to stop a war. Never. Not if they can't get what they want by talk." He looked at the card again, just in case—a four, sure enough. "Only time there's never a war is when everybody has what they want, or figure they can get it without killing somebody. But the second they see that's the only way, then it's war. War, war, war. It's a rotten way to run a world, killing to decide who's right or wrong ... 'specially killing people who got damn little say about it. But I seen three-four wars now, and they don't look to stop soon, judging." He shook his head wonderingly. "Put half the money they spend on killing toward curing, instead, and helping them that wants, and finding out all about diseases and such ... why, shucks, it'd be a brand-new world."

"I seen five," Jim Liddel said. "I seen wars come and go. I fought in one. Afterwards, every time, they say everything's fine. The war to save this or that's over, and things are fine. Then somebody wants something somebody else has, and they're at it again, like two bulls trying to hump the same heifer. Bulls don't have enough sense to know there's enough cows to go around; but people ought. It's a big enough world." He worked those hands of his together until they were clasped, and he pushed them that way against the table-edge until the overgrown knuckles looked like chalk. "When I think o' that noise, and that cloud, ... how we come running and screaming back here into all the dust and mess, and all them bodies ... I ... Ben, I...."

"You lost heavy, Jim," Ben said. He let smoke out of his lungs, and it curled off into the broad beam of sunlight that came through the window, and it looked like the smoke that had shadowed a murdered town. "Heavy. You lost heavier'n any of us."

"You can't count it," old Jim said, and the chalk was whiter. "We all lost the same; I just had more of it. Our kids and their kids—and their kids ... lost heavy? What can a man lose more'n his life?... And if you're as old as us, what's your life except the family you made out o' your own flesh? What else's a man got when he's eighty or a hundred?"

Tom Pace said, "Ruth and Dave and their kids. I remember little Davey. He called me Tom Peach. I bought him a toy plane for his birthday. That was a couple days before the real planes come. I buried it with him ... I think. I think it was him I put it with. It mighta been Joey ... they looked alike."

"A man ain't nothing, when he's as old as us," Jim Liddel said, his skull sockets closed, "except what he done. He ain't much any more, himself; he's mostly what he done with his life, whatever he done and left around that he can point to and say, 'I did that', that's all. And what's he got left if they take that away? We can't make it again. We made Smoky Creek; built it; wasn't a thing here that didn't come out o' us or ours. We made the valley, after God give it to us; wasn't a thing here we didn't let live or help live or make live. We made our families, and watched 'em fit into the town and the valley, like the valley fits into the world, and we watched 'em go on doing what we done before them: building and working and planting and raising families—going on, like people got to go on. That's the way it was. That's what we had. Until they dropped the bomb and killed it—killed all we done that made us men." Tears were squeezing out of the skull sockets, and Ben Bates caught Tom Pace's eye and looked away, out the window, at the green walls of the valley that was a coffin.

"I just wish an airyplane would come around again," old Jim said. "I—just—wish. You know, Ben?"

Ben tried to talk and had to clear his throat; he put out his cigar in the ashtray, as if that was what was wrong with his throat, and said, "I know, Jim. Sure. And maybe you'll get your wish." He pushed back his chair and tried to grin, but it came out sour. "Maybe you will, you old fire-eater—and what if one comes and we get spotted and it shoots us up or goes back and tells everybody we're here? That's one wish we don't want the good Lord to grant, ain't it? Ain't it, now?"

Jim didn't say anything.

Ben got up and said, "'Bout noon. Guess I'll go home for a bite and then go down and fish with Windy."

Jim said, thinly, "I meant, I wish one would come and we'd get it."

"Well, maybe one will," Ben said, turning toward the door. "They built a slew o' them. And maybe we will, if it does."

He stopped by the door of the Town Hall to listen carefully, his sharp old eyes half-shut. Behind him, at the far end of the room, somebody made a ringer, and Dave Mason said, "Nice, Owen," in his reedy voice. Ben listened and didn't hear what he was listening for. He stepped past the rifle that leaned beside the door and made his way to the end of the porch, walking close to the wall. The summer sun stood at noon, and the porch was in shadow; beyond, the street was a jumble of boards and broken glass, its canyon walls of leaning building-fronts and sagging porches, its caverns of empty windows and doorways shimmering in the heat. You couldn't see much dirt along the way; where the debris didn't come to your knees, it reached over your head.

At the end of the porch Ben stopped and listened again; heard nothing. He stepped down and walked as fast as he could—damn arthritis again—to the porch of the next building.

This had been Fat Sam Hogan's Hardware Store, and about all that was left of it was the porch; the rest was a twisted mess of wood that slumped away to the ground at the rear. The porch had been down too, right after the bombing—but the old men, working at night, had raised it and braced it up. Something to walk under.

A Springfield stood, oiled and waiting, against the wall. Ben paused and touched the barrel—it was his own. Or rather it had once been his own; now it was the town's, strictly speaking, to be used by whoever was nearest it when the time came. It was a good gun, a straight-shooter, one of the best—which was why it was here instead of at his house. A man could get a better shot from here.

He went on, hugging the wall.

He passed a rifle wedged up between the fender and hood of Norm Henley's old Model A, and he remembered how the bomb had flipped the car right over on its top, and how the car must have protected Norm from the blast—just a little. Enough so they found him two blocks up the street, in front of his mashed house, trailing blood from every hole in him, to get to his family before he died.

Ben passed rifles leaned against walls and chairs on porches, rifles standing behind trees, leaned in the cracks between what buildings still stood to provide cracks, even old Jim's carbine lying under the ledge of the pump-trough in front of Mason's General Store. All of them in places where they were protected from rain or snow, but where they were easy to get at.

He passed sixteen rifles—walking, as everybody walked when they were out of doors, as close to the walls of the buildings as possible. When you had to cross open spaces you ran as fast as your seventy or eighty year old legs would take you—and if you couldn't run, you walked real fast. And always you listened while you walked; particularly you listened before you went out. For planes. So you wouldn't be spotted from the air.

At the end of the porch of the last building on the street, Ben paused in the shade and looked out across the creek to where the first plane they'd shot down had crashed—the one Jim claimed to have got by his lonesome. They'd buried what they found of the pilot, and cleared away every last bolt and nut and scrap of aluminum, but the long scar in the ground remained. Ben looked at it, all broken up by rocks and flowers and bushes the old people had transplanted so it wouldn't show from the air; and he looked at the cemetery a hundred feet beyond at which the scar pointed like an arrow—the cemetery that wasn't a cemetery, because it didn't have headstones; just bodies. A town that was dead shouldn't have a lot of new graves—the dead don't bury themselves. A pilot might see a hundred graves he hadn't seen before and wonder—and strafe.

So Ben looked at the flat ground where those hundred bodies lay, with only small rocks the size of a man's fist with names scratched on them to mark who lay beneath; and he thought of his daughter May, and Owen Urey's son George who'd married May, and their three kids, and he remembered burying them there; he remembered their faces. The blood from eyes, nose, ears, mouth—his blood it was, part of it.

Then Ben looked up. "We ain't looking for trouble," he said to the empty blue bowl of sky. "But if you do come, we're ready. Every day we're ready. If you stay up high, we'll hide. But if you come down low, we'll try to get you, you crazy murderers."

His house was only a few yards farther on; he got there by sticking under the trees, walking quickly from one to the next, his ears cocked for the jetsound that would flatten him against a trunk. Way off to his left, across a long flat of sunflowers and goldenrod, he saw Windy Harris down on the creekbank, by the bridge. He yelled, "They biting?"—and Windy's faint "Got two!" reminded him of all old Jim had said, and he shook his head. He left the trees and walked fast up his front path.

His house was in pretty good shape. All four houses on the outskirts had come off standing—his and Windy's and Jim's and Owen Urey's. They'd needed just a little bracing here and there, and they were fine—except Owen's. Owen had stomped around in his, and listened to the sounds of it, and said he didn't trust it—and sure enough, the first big storm it had gone down.

Now Ben and his wife Susan lived downstairs in his house; Joe Kincaid and his wife Anna lived on the second floor; and Tom Pace lived in the attic, claiming that climbing the stairs was good for his innards.

Anna Kincaid was sitting on the porch-swing, peeling potatoes. Ben said, "Afternoon, Anna," and saw her pale bright eyes flicker up at him, and that scared smile touched her mouth for just a second; then she hunched her shoulders and kept on with the potatoes, like he wasn't even there.

Ben thought, It must be lonely to be that way—and he attracted her attention again, his voice a little louder: "Hope you're feeling fine, Anna."

Again the flicker of eyes. "Just fine, Ben, thanks," she said, almost in a whisper. "Peeling spuds."

"I see."

Her knife sped over a potato, removing a spiral of skin. She popped out an eye with a twist of the point. "Think Keith'll be back from the war today, Ben? It's been so long ... I hate to think o' my boy fighting out there so long. Will they let him come home soon, Ben?"

"They will, Anna. I think they will, real soon. Maybe tomorrow."

"Will they?"

"Sure."

Keith Kincaid was under one of those fist-sized rocks, out in the cemetery that wasn't a cemetery—next to his wife, June Hogan, and their four kids. But Anna Kincaid didn't know that. Since the bomb, Anna hadn't known much of anything except what the old people told her, and they told her only things that would make her as happy as she could be: that Keith was in the Army, and June was off with the kids having a nice time in Knoxville; and that they'd all be back home in a day or so.

Anna never wondered about that "day or so"—she didn't remember much from day to day. Joe Kincaid sometimes said that helped a little, as much as anything could. He could tell her the same nice things every day, and her eyes would light up all over again. He spent a lot of time with her, doing that. He was pretty good at it, too ... Joe Kincaid had been Doctor Joe before the bomb. He still doctored some, when he could, but he was almost out of supplies; and what with his patients being so old, he mostly just prayed for them.

In the kitchen, Susan had lunch ready and waiting—some chicken from last night, green beans, boiled potatoes and a salad from the tiny gardens the women tended off in the weedy ground and around the bases of trees where they wouldn't be seen.

On the way in Ben had noticed that the woodbox was about empty—he'd have to bring home another bag of charcoal from the "general store"—which was Windy's barn, all braced up. Into it the old people had taken every bit of clothing, canned food, hardware, anything at all they could use in the way of housekeeping and everyday living, and there it all stood; when somebody needed something, they went and took it. Only the canned foods and tobacco and liquor were rationed. Every week or so, around midnight, Fat Sam Hogan and Dan Paray went into the big cave in Lawson's Hill, right near where the second plane had crashed, and set up a lot of small fires, back where the light wouldn't be seen; they made charcoal, and when it cooled they brought it down to the "store," for cooking and such—a charcoal fire doesn't give off much smoke.

Over coffee, Ben said, "Reckon I'll fish some this afternoon, honey. How's a cat or two for supper sound?"

"Why, goodness, Ben, not for tonight," Susan smiled. "You know tonight's the Social; me and Anna are fixing a big dinner—steaks and all the trimmings."

"Mm," Ben said, draining his cup. "Forgot today was Sunday."

"We're going to have some music, and Owen Urey's going to read Shakespeare."

Ben pursed his lips, tasting the coffee. It was rationed to two cups a day; he always took his with his lunch, and sometimes he'd have sold a leg to dive into a full pot. "Well ... I might as well fish anyway; take in some fun. Fish'll keep till tomorrow, won't it?"

"You can have it for breakfast." She sat down across the table and picked up the knitting she'd been on when Ben came home; he had a hunch it was something for his birthday, so he tried not to look interested; too early to tell what it was, anyway. "Ben," she said, "before you go—the curtain pole in the bay window come down when I was fixing the blankets over it for tonight. The socket's loose. You better fix it before you go. You'll maybe get home after Anna and me want to light the lamps, and we can't do it till it's fixed."

Ben said, "Sure, hon." He got the hammer and some nails from the toolbox and went into the parlor, and dragged the piano bench over in front of the bay window. The iron rod was leaning by the phonograph. He took it up with him on the chair and fitted the other end of it into the far socket, then fitted the near end into the loose socket, and drove nails around the base of the socket until the thing was solid as a rock. Then he got the blanket from the couch and hung it down double over the rod, and fitted the buttonholes sewn all along its edge over the nails driven around the window casing, and patted it here and there until not a speck of light would escape when the lamps were lit.

He inspected the blankets draped over the other windows; they were all right. The parlor was pretty dark now, so he struck a match to the oil lamp on the mantle, just so Susan and Anna could see to set the table. When the others arrived, they'd light the other lamps; but not until; oil was precious. The only time anybody in town ever lit a lamp was on Social night: then the old people stayed up till around midnight for eats and entertainment; otherwise everybody got to bed at eight or so, and climbed out with the dawn.

He went back into the kitchen and put away the hammer, and said, "My second cup still hot, honey?"

She started to put down her knitting and get up, and he said, "Just asking," and pressed her shoulder till she sat again. He went around her and filled his cup at the stove.

"Ben," she said, when he sat down again, "I wish you'd take a look at the phonograph too. Last time the turntable made an awful lot of noise.... I wish it could sound better for tonight."

"I know, honey," Ben sighed. "That motor's going. There ain't much I can do about it, though. It's too old. I'm scared to take it apart; might not get it back together right. When it really quits, then I guess I'll fool around and see what I can do. Heck, it didn't sound too bad."

"It rattled during the soft parts of the music."

Ben shook his head. "If I try, I might ruin it for good." He smiled a little. "It's like us, Suse—too old to really fix up much; just got to keep cranking it, and let it go downhill at its own pace."

Susan folded her knitting and got up. She came around the table, and he put an arm around her waist and pulled her into the chair beside him.

"It'll go soon, won't it, Ben?" she said softly. "Then we won't have any music. It's a shame ... we all like to listen so much. It's peaceful."

"I know." He moved his arm up and squeezed her thin shoulders. She put her head on his shoulder, and her grey hair tickled his cheek; he closed his eyes, and her hair was black and shining again, and he put his lips against it and thought he smelled a perfume they didn't even make any more.

After a moment he said, "We got so much else, though, Suse ... we got peaceful music you can't play on a machine. Real peace. A funny kind of peace. In a funny-looking town, this one—a rag town. But it's ours, and it's quiet, and there's nothing to bother us—and just pray God we can keep it that way. Outside, the war's going on someplace, probably. People fighting each other over God knows what—if even He knows. Here, it's peaceful."

She moved her head on his shoulder. "Ben—will it ever come here, what's going on outside? Even the war, if it's still going on?"

"Well, we were talking about that this morning down at the hall, Suse. I guess it won't. If rifles can stop it, it won't. If they see us from the air, we'll shoot at 'em; and if we get 'em we'll clean up the mess so if anybody comes looking for a missing plane, they won't give Smoky Creek a second look. That's the only way anything can come, honey—if they see us from the air. Nobody's going to come hiking over these mountains. There's noplace they'd want to get to, and it's sure no country for fighting."

"If the war is over, they'll likely be around to fix up the bridge and the road. Won't they?"

"Maybe so. Sooner or later."

"Oh, I hope they leave us alone."

"Don't worry, hon."

"Ben—about the phonograph—"

"Suse ..." He turned his head to look at her eyes. "It's good for longer'n we are. That motor. So's the bridge, the way it is, and the road ... we'll be gone first. Before they get around to fix 'em. Before the phonograph gives out. What we want is going to last us—and what we don't want will come too late to hurt us. Nothing's going to hurt our peace. I know that somehow. We got it, and it'll be like this for as long as we're here to enjoy it ... I know."

"Ben—"

"If I want to go fishing," Ben said, and pressed her head against his shoulder again, "I go. If I want to relax with the men, I do it. If I want to just walk and breathe deep, I do it—keeping to the trees, o' course. If I want to just be with you, I do it. It's quiet. It's real quiet in our rag town. It's a world for old people. It's just the way we want it, to live like we want to live. We got enough gardens and livestock, and all the canned stuff in the store, to last us for a ... for as long as we got. And no worries. About who's fighting who over what. About who won. About how the international mess is getting worse again, and we better make more bombs for the next one. About who's winning here and losing there and running neck-and-neck someplace else. We don't know any things like that, and we don't want to know. It don't matter none to us ... we're too old, and we seen too much of it, and it's hurt us too bad, and we know it just don't matter at all."

"Ben ... I got to crying today. About May and George and the children. I was crying, and thinking about that day...."

"So did I think. None of us ever forgets for a minute. For a second." His lips thinned. "That's part of why we do what we do. Rest is, we just want to be left alone."

They sat in silence for a moment, his arm around her shoulders, his other hand holding hers. Then he released her hand and thumped his own on the table, grinned at her and said, "Life goes on, now! Reckon I'll go down and get that cat—or go walking—or just go soak in some sun. What time are the folks showing up for—"

Jetsound slammed across the peaceful valley.

Ben got up and walked as fast as he could to the door, picked up the rifle leaning there, cocked it. Looking toward town he saw that Tom Pace had been on his way home, and the sound had caught him between trees. Tom hesitated, then turned and dived toward the tree he'd just left—because a rifle was there.

Ben saw men pour out of the doorways of the two habitable buildings on Main Street; they stuck close to the walls, under the porches, and they picked up rifles.

Motionless, hidden, in shadows, under trees, in doorways, behind knotholes, they waited. To see if the plane would buzz the town again.

It did.

It came down low over Main Street while the thunders of its first pass still echoed and rolled. Frightening birds out of trees, driving a hare frantically along the creekbank, blotting out the murmur of the creek and the tree-sounds, driving away peace.

They saw the pilot peering through the plexiglass, down at the buildings ... he was past the town in four winks; but in two they knew that he was curious, and would probably come back for a third look.

He circled wide off over the end of the valley, a vertical bank that brought a blinding flash of sunlight from one wing, and he came back.

Ben leveled his rifle and centered the nose of the plane in his sights. For some reason—probably because the valley walls crowded the town on both sides—the planes always lined up with Main Street when they flew low over the town.

The plane grew at startling speed in Ben's sights—it loomed, and the oval jet intake was a growling mouth—and he waited till it was about two seconds and a thousand feet from him; then he sent his bullet up into that mouth: a bullet aimed by a man who'd handled a rifle for sixty years, who could pop the head off a squirrel at a hundred feet. A running squirrel.

That was the signal, Ben's shot.

From under the tree Tom Pace's rifle spoke.

The jet was past town then, and he wheeled to follow it with his eyes; its whining thunder lashed down and pressed his ears, lowering suddenly in pitch as it receded; and though he couldn't hear them for the thunder, he knew that nineteen rifles had roared before it completed its turn, each aimed head-on at the plane. Aimed by men and women who could shoot with Ben, and even outshoot him.

The plane coughed. Lurched. It had time to emit a fuzzy thread of black smoke before it nosed down and melted into the ground and became a long ugly smear of mounds and shreds and tatters of flame.

The sounds of the crash died. Ben heard men shouting; loudest of all was old Jim Liddel's, "Got him ... by God, I prayed, and we got him!"

Behind him Susan was crying.

Ben saw men and women head for the crash-site; immediately they'd start to carry away what debris wasn't too hot to handle. Then they'd wait, and as soon as anything was cool enough it would be carried off and hidden.

And there'd be a burial tonight.

Ben saw that some of the men had carried old Jim's chair out onto the porch of the Town Hall; and he saw that Jim was half-standing out of his cushions, propped up on his fists and still shouting; and Ben wondered if the Maker wasn't on the porch there with Jim, waiting for Jim to fall and make his noise.

He turned away—at seventy you don't want to see a man die—and went inside and put his rifle on the kitchen table. He crossed to the cabinet under the sink to get his reamer and oiling rag. Every rifle was taken care of that way. Right now Tom Pace and Dan Paray were hurrying around gathering rifles to clean them, load them. No rifle must miss fire, or throw a bullet an inch off aim—because that might be the rifle whose aim was right.

"Lucky we got that one," he said. "I think he saw us, Suse ... he come in low and sudden, and I think he saw us."

"Was—was it one of theirs, Ben ... or one of ours?"

"Don't know. I didn't even look. I can't tell 'em apart. Owen'll be around to tell me when they find out ... but I reckon it was one of ours. If he saw us and didn't shoot, then I reckon it was one of ours. Like the last one."

"Oh, Ben," Susan said. "Ben, ain't it against God?"

Ben stood looking out the window over the sink; watching a cloud of yellow dust settle over the wreckage of the plane, and a cloud of black smoke rising from the wreckage to darken the yellow. He knew some of the men would be passing buckets from the well, and spading dirt on the flames where they weren't too hot to get to.

"That's the way it is," he said. "That's how we decided. God didn't stop the bomb dropping, Suse ... for whatever reasons He had. It don't seem He'd deny us the right to shoot rifles, for the reasons we got. If we get turned away at the Gates, we'll know we was wrong. But I don't think so."

Quiet was returning to the valley; the birds had already started singing again. You could hear the trees. From the direction of the creek came Windy Harris, running, and he broke the quiet with a shout as he saw Ben by the window: "Got it, huh, Ben?"

"Sure did," Ben said, and Windy ran on.

Ben looked toward the porch of the Town Hall. Old Jim had sunk back into his pillowed chair, and he was shaking his fist, and Ben could hear him yelling, "Got it ... got it, we did!"

He'll be around for a while yet, old Jim, Ben thought, and turned back to the table. He sat down and listened to the sounds of the valley, and his eyes were the eyes of the valley—they'd seen a lot, and understood enough of it.

"It don't matter whose it was," he said. "All of a cloth." He slid the reamer into the barrel of the rifle, and worked it. "The hell with the war. Even if it's over, the hell with it. With any war. Nothing's ever going to give us back what we lost. Let 'em stay away, all them that's to blame. Them and their planes and wars and bombs ... they're crazy!" His lips curled as he worked the reamer. "Let 'em stay out o' what they left us for lives. Don't want to hear what they're doing, or how, or why, or who ... don't want to hear about it. It'd be crazy. The hell with 'em. All o' them. The hell with the whole Twentieth Century."