The Project Gutenberg eBook of Prince Zilah — Volume 2
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Prince Zilah — Volume 2

Author: Jules Claretie

Release date: April 1, 2003 [eBook #3928]
                Most recently updated: January 9, 2021

Language: English



*** START OF THE PROJECT GUTENBERG EBOOK PRINCE ZILAH — VOLUME 2 ***





This etext was produced by David Widger <widger@cecomet.net>





[NOTE: There is a short list of bookmarks, or pointers, at the end of the
file for those who may wish to sample the author's ideas before making an
entire meal of them.  D.W.]





PRINCE ZILAH

By JULES CLARETIE



BOOK 2.


CHAPTER XII

A DARK PAGE

As Marsa departed with Vogotzine in the carriage which had been waiting
for them on the bank, she waved her hand to Zilah with a passionate
gesture, implying an infinity of trouble, sadness, and love.  The Prince
then returned to his guests, and the boat, which Marsa watched through
the window of the carriage, departed, bearing away the dream, as she had
said to Andras.  During the drive home she did not say a word.  By her
side the General grumbled sleepily of the sun, which, the Tokay aiding,
had affected his head.  But, when Marsa was alone in her chamber, the cry
which was wrung from her breast was a cry of sorrow, of despairing anger:

"Ah, when I think--when I think that I am envied!"

She regretted having allowed Andras to depart without having told him on
the spot, the secret of her life.  She would not see him again until the
next day, and she felt as if she could never live through the long, dull
hours.  She stood at the window, wrapped in thought, gazing mechanically
before her, and still hearing the voice of Michel Menko hissing like a
snake in her ear.  What was it this man had said?  She did not dare to
believe it.  "I demand it!"  He had said: "I demand it!"  Perhaps some
one standing near had heard it.  "I demand it!"

Evening came.  Below the window the great masses of the chestnut-trees
and the lofty crests of the poplars waved in the breeze like forest
plumes, their peaks touched by the sun setting in a sky of tender blue,
while the shadowy twilight crept over the park where, through the
branches, patches of yellow light, like golden and copper vapors, still
gave evidence of the god of day.

Marsa, her heart full of a melancholy which the twilight increased,
repeated over and over again, with shudders of rage and disgust, those
three words which Michel Menko had hurled at her like a threat: "I demand
it!"  Suddenly she heard in the garden the baying of dogs, and she saw,
held in check by a domestic, Duna and Bundas, bounding through the masses
of flowers toward the gate, where a man appeared, whom Marsa, leaning
over the balcony, recognized at once.

"The wretch!"  she exclaimed between her clenched teeth.  It was Menko.

He must have debarked before reaching Paris, and have come to Maisons-
Lafitte in haste.

Marsa's only thought, in the first moment of anger, was to refuse to see
him.  "I can not," she thought, "I will not!"  Then suddenly her mind
changed.  It was braver and more worthy of her to meet the danger face to
face.  She rang, and said to the domestic who answered the bell: "Show
Count Menko into the little salon."

"We shall see what he will dare," muttered the Tzigana, glancing at the
mirror as if to see whether she appeared to tremble before danger and an
enemy.

The little salon into which the young Count was introduced was in the
left wing of the villa; and it was Marsa's favorite room, because it was
so quiet there.  She had furnished it with rare taste, in half Byzantine
and half Hindoo fashion--a long divan running along the wall, covered
with gray silk striped with garnet; Persian rugs cast here and there at
random; paintings by Petenkofen--Hungarian farms and battle-scenes,
sentinels lost in the snow; two consoles loaded with books, reviews, and
bric-a-brac; and a round table with Egyptian incrustations, covered with
an India shawl, upon which were fine bronzes of Lanceray, and little
jewelled daggers.

This salon communicated with a much larger one, where General Vogotzine
usually took his siesta, and which Marsa abandoned to him, preferring the
little room, the windows of which, framed in ivy, looked out upon the
garden, with the forest in the distance.

Michel Menko was well acquainted with this little salon, where he had
more than once seen Marsa seated at the piano playing her favorite airs.
He remembered it all so well, and, nervously twisting his moustache, he
longed for her to make her appearance.  He listened for the frou-frou of
Marsa's skirts on the other side of the lowered portiere which hung
between the two rooms; but he heard no sound.

The General had shaken hands with Michel, as he passed through the large
salon, saying, in his thick voice:

"Have you come to see Marsa?  You have had enough of that water-party,
then?  It was very pretty; but the sun was devilish hot.  My head is
burning now; but it serves me right for not remaining quiet at home."

Then he raised his heavy person from the armchair he had been sitting in,
and went out into the garden, saying: "I prefer to smoke in the open air;
it is stifling in here."  Marsa, who saw Vogotzine pass out, let him go,
only too willing to have him at a distance during her interview with
Michel Menko; and then she boldly entered the little salon, where the
Count, who had heard her approach, was standing erect as if expecting
some attack.

Marsa closed the door behind her; and, before speaking a word, the two
faced each other, as if measuring the degree of hardihood each possessed.
The Tzigana, opening fire first, said, bravely and without preamble:

"Well, you wished to see me.  Here I am!  What do you want of me?"

"To ask you frankly whether it is true, Marsa, that you are about to
marry Prince Zilah."

She tried to laugh; but her laugh broke nervously off.  She said,
however, ironically:

"Oh! is it for that that you are here?"

"Yes."

"It was perfectly useless, then, for you to take the trouble: you ask me
a thing which you know well, which all the world knows, which all the
world must have told you, since you had the audacity to be present at
that fete to-day."

"That is true," said Michel, coldly; "but I only learned it by chance.
I wished to hear it from your own lips."

"Do I owe you any account of my conduct?"  asked Marsa, with crushing
hauteur.

He was silent a moment, strode across the room, laid his hat down upon
the little table, and suddenly becoming humble, not in attitude, but in
voice, said:

"Listen, Marsa: you are a hundred times right to hate me.  I have
deceived you, lied to you.  I have conducted myself in a manner unworthy
of you, unworthy of myself.  But to atone for my fault--my crime, if you
will--I am ready to do anything you order, to be your miserable slave,
in order to obtain the pardon which I have come to ask of you, and which
I will ask on my knees, if you command me to do so."

The Tzigana frowned.

"I have nothing to pardon you, nothing to command you," she said with an
air more wearied than stern, humiliating, and disdainful.  "I only ask
you to leave me in peace, and never appear again in my life."

"So! I see that you do not understand me," said Michel, with sudden
brusqueness.

"No, I acknowledge it, not in the least."

"When I asked you whether you were to marry Prince Andras, didn't you
understand that I asked you also another thing: Will you marry me, me--
Michel Menko?"

"You!" cried the Tzigana.

And there was in this cry, in this "You!" ejaculated with a rapid
movement of recoil-amazement, fright, scorn, and anger.

"You!"  she said again.  And Michel Menko felt in this word a mass of
bitter rancor and stifled hatred which suddenly burst its bonds.

"Yes, me!"  he said, braving the insult of Marsa's cry and look.  "Me,
who love you, and whom you have loved!"

"Ah, don't dare to say that!"  she cried, drawing close to the little
table where the daggers rested amid the objects of art.  "Don't be vile
enough to speak to me of a past of which nothing remains to me but
disgust!  Let not one word which recalls it to me mount to your lips,
not one, you understand, or I will kill you like the coward you are!"

"Do so, Marsa!"  he cried with wild, mad passion.  "I should die by your
hand, and you would not marry that man!"

Afraid of herself, wresting her eyes from the glittering daggers, she
threw herself upon the divan, her hands clasped tightly in her lap, and
watched, with the look of a tigress, Michel, who said to her now, in a
voice which trembled with the tension of his feelings: "You must know
well, Marsa, that death is not the thing that can frighten a man like me!
What does frighten me is that, having lost you once, I may lose you
forever; to know that another will be your husband, will love you, will
receive your kisses.  The very idea that that is possible drives me
insane.  I feel myself capable of any deed of madness to prevent it.
Marsa!  Marsa!  You did love me once!"

"I love honor, truth, justice," said Marsa, sternly and implacably.
"I thought I loved you; but I never did."

"You did not love me?"  he said.

This cruel recalling of the past, which was the remorse of her life, was
like touching her flesh with a red-hot iron.

"No, no, no!  I did not love you!  I repeat, I thought I loved you.
What did I know of life when I met you?  I was suffering, ill; I thought
myself dying, and I never heard a word of pity fall from any other lips
than yours.  I thought you were a man of honor.  You were only a wretch.
You deceived me; you represented yourself to me as free--and you were
married.  Weakly--oh, I could kill myself at the very thought!--
I listened to you!  I took for love the trite phrases you had used to
dozens of other women; half by violence, half by ruse, you became my
lover.  I do not know when--I do not know how.  I try to forget that
horrible dream; and when, deluded by you, thinking that what I felt for
you was love, for I did think so, I imagined that I had given myself for
life to a man worthy of the deepest devotion, ready for all sacrifices
for me, as I felt myself to be for him; when you had taken me, body and
soul, I learn by what?  by a trifling conversation, by a chance, in a
crowded ballroom--that, this Michel Menko, whose name I was to bear, who
was to be my husband; this Count Menko, this man of honor, the one in
whom I believed blindly, was married!  Married at Vienna, and had already
given away the name on which he traded!  Oh, it is hideous!"  And the
Tzigana, whose whole body was shuddering with horror, recoiled
instinctively to the edge of the divan as at the approach of some
detested contact.

Michel, his face pale and convulsed, had listened to her with bowed head.

"All that you say is the truth, Marsa; but I will give my life, my whole
life, to expiate that lie!"

"There are infamies which are never effaced.  There is no pardon for him
who has no excuse."

"No excuse?  Yes, Marsa; I have one!  I have one: I loved you!"

"And because you loved me, was it necessary for you to betray me, lie to
me, ruin me?"

"What could I do?  I did not love the woman I had married; you dawned on
me like a beautiful vision; I wished, hoping I know not what impossible
future, to be near you, to make you love me, and I did not dare to
confess that I was not free.  If I lied to you, it was because I trembled
at not being able to surround you with my devotion; it was because I was
afraid to lose your love, knowing that the adoration I had for you would
never die till my heart was cold and dead!  Upon all that is most sacred,
I swear this to you!  I swear it!"

He then recalled to her, while she sat rigid and motionless with an
expression of contempt and disdain upon her beautiful, proud lips, their
first meetings; that evening at Lady Brolway's, in Pau, where he had met
her for the first time; their conversation; the ineffaceable impression
produced upon him by her beauty; that winter season; the walks they had
taken together beneath the trees, which not a breath of wind stirred;
their excursions in the purple and gold valleys, with the Pyrenees in the
distance crowned with eternal snow.  Did she not remember their long
talks upon the terrace, the evenings which felt like spring, and that day
when she had been nearly killed by a runaway horse, and he had seized the
animal by the bridle and saved her life?  Yes, he had loved her, loved
her well; and it was because, possessing her love, he feared, like a
second Adam, to see himself driven out of paradise, that he had hidden
from Marsa the truth.  If she had questioned one of the Hungarians or
Viennese, who were living at Pau, she could doubtless have known that
Count Menko, the first secretary of the embassy of Austria-Hungary at
Paris, had married the heiress of one of the richest families of Prague;
a pretty but unintelligent girl, not understanding at all the character
of her husband; detesting Vienna and Paris, and gradually exacting from
Menko that he should live at Prague, near her family, whose ancient ideas
and prejudices and inordinate love of money displeased the young
Hungarian.  He was left free to act as he pleased; his wife would
willingly give up a part of her dowry to regain her independence.  It was
only just, she said insolently, that, having been mistaken as to the
tastes of the man she had married for reasons of convenience rather than
of inclination, she should pay for her stupidity.  Pay!  The word made
the blood mount to Menko's face.  If he had not been rich, as he was, he
would have hewn stone to gain his daily bread rather than touch a penny
of her money.  He shook off the yoke the obstinate daughter of the
Bohemian gentleman would have imposed upon him, and departed, brusquely
breaking a union in which both husband and wife so terribly perceived
their error.

Marsa might have known of all this if she had, for a moment, doubted
Menko's word.  But how was she to suspect that the young Count was
capable of a lie or of concealing such a secret?  Besides, she knew
hardly any one at Pau, as her physicians had forbidden her any
excitement; at the foot of the Pyrenees, she lived, as at Maisons-
Lafitte, an almost solitary life; and Michel Menko had been during that
winter, which he now recalled to Marsa, speaking of it as of a lost Eden,
her sole companion, the only guest of the house she inhabited with
Vogotzine in the neighborhood of the castle.

Poor Marsa, enthusiastic, inexperienced, her heart enamored with
chivalrous audacity, intrepid courage, all the many virtues which were
those of Hungary herself; Marsa, her mind imbued from her infancy with
the almost fantastic recitals of the war of independence, and later, with
her readings and reflections; Marsa, full of the stories of the heroic
past-must necessarily have been the dupe of the first being who, coming
into her life, was the personal representative of the bravery and charm
of her race.  So, when she encountered one day Michel Menko, she was
invincibly attracted toward him by something proud, brave, and
chivalrous, which was characteristic of the manly beauty of the young
Hungarian.  She was then twenty, very ignorant of life, her great
Oriental eyes seeing nothing of stern reality; but, with all her
gentleness, there was a species of Muscovite firmness which was betrayed
in the contour of her red lips.  It was in vain that sorrow had early
made her a woman; Marsa remained ignorant of the world, without any other
guide than Vogotzine; suffering and languid, she was fatally at the mercy
of the first lie which should caress her ear and stir her heart.  From
the first, therefore, she had loved Michel; she had, as she herself said,
believed that she loved him with a love which would never end, a very
ingenuous love, having neither the silliness of a girl who has just left
the convent, nor the knowledge of a Parisienne whom the theatre and the
newspapers have instructed in all things.  Michel, then, could give to
this virgin and pliable mind whatever bent he chose; and Marsa, pure as
the snow and brave as her own favorite heroes, became his without
resistance, being incapable of divining a treachery or fearing a lie.
Michel Menko, moreover, loved her madly; and he thought only of winning
and keeping the love of this incomparable maiden, exquisite in her
combined gentleness and pride.  The folly of love mounted to his brain
like intoxication, and communicated itself to the poor girl who believed
in him as if he were the living faith; and, in the madness of his
passion, Michel, without being a coward, committed a cowardly action.

No: a coward he certainly was not.  He was one of those nervous natures,
as prompt to hope as to despair, going to all extremes, at times
foolishly gay, and at others as grave and melancholy as Hamlet.  There
were days when Menko did not value his life at a penny, and when he asked
himself seriously if suicide were not the simplest means to reach the
end; and again, at the least ray of sunshine, he became sanguine and
hopeful to excess.  Of undoubted courage, he would have faced the muzzle
of a loaded cannon out of mere bravado, at the same time wondering, with
a sarcastic smile upon his lips, 'Cui bono'?

He sometimes called heroism a trick; and yet, in everyday life, he had
not much regard for tricksters.  Excessively fond of movement, activity,
and excitement, he yet counted among his happiest days those spent in
long meditations and inactive dreams.  He was a strange combination of
faults and good qualities, without egregious vices, but all his virtues
capable of being annihilated by passion, anger, jealousy, or grief.  With
such a nature, everything was possible: the sublimity of devotion, or a
fall into the lowest infamy.  He often said, in self-analysis: "I am
afraid of myself."  In short, his strength was like a house built upon
sand; all, in a day, might crumble.

"If I had to choose the man I should prefer to be," he said once, "I
would be Prince Andras Zilah, because he knows neither my useless
discouragements, apropos of everything and nothing, nor my childish
delights, nor my hesitations, nor my confidence, which at times
approaches folly as my misanthropy approaches injustice; and because,
in my opinion, the supreme virtue in a man is firmness."

The Zilahs were connected by blood with the Menkos, and Prince Andras was
very fond of this young man, who promised to Hungary one of those
diplomats capable of wielding at once the pen and the sword, and who in
case of war, before drawing up a protocol, would have dictated its terms,
sabre in hand.  Michel indeed stood high with his chief in the embassy,
and he was very much sought after in society.  Before the day he met
Marsa, he had, to tell the truth, only experienced the most trivial love-
affairs.

He did not speak of his wife at Pau any more than he did on the
boulevards.  She lived far away, in the old city of Prague, and troubled
Michel no more than if she had never existed.  Perhaps he had forgotten,
really forgotten, with that faculty of forgetfulness which belongs to the
imaginative, that he was married, when he encountered Marsa, the candid,
pure-hearted girl, who did not reflect nor calculate, but simply believed
that she had met a man of honor.

So, what sudden revolt, humiliation, and hatred did the poor child feel
when she learned that the man in whom she had believed as in a god had
deceived her, lied to her!  He was married.  He had treated her as the
lowest of women; perhaps he had never even loved her!  The very thought
made her long to kill herself, or him, or both.  She, unhappy, miserable
woman, was ruined, ruined forever!

She had certainly never stopped to think where the love she had for
Michel would lead her.  She thought of nothing except that Michel was
hers, and she was his, and she believed that their love would last
forever.  She did not think that she had long to live, and her existence
seemed to her only a breath which any moment might cease.  Why had she
not died before she knew that Menko had lied?

All deception seemed hideous to Marsa Laszlo, and this hideousness she
had discovered in the man to whom she had given herself, believing in the
eternity as well as in the loyalty of his love.

It was at a ball, at the English embassy, after her return from Pau,
that, while smiling and happy, she overheard between two Viennese,
strangers to her, this short dialogue, every word of which was like a
knife in her heart: "What a charming fellow that Menko is!"  "Yes; is his
wife ugly or a humpback?  or is he jealous as Othello?  She is never
seen."  "His wife!  Is he married?"  "Yes: he married a Blavka, the
daughter of Angel Blavka, of Prague.  Didn't you know it?"

Married!

Marsa felt her head reel, and the sudden glance she cast at the speakers
silenced, almost terrified them.  Half insane, she reached home, she
never knew how.  The next day Michel Menko presented himself at her
apartments in the hotel where she was living; she ordered him out of her
presence, not allowing him to offer any excuse or explanation.

"You are married, and you are a coward!"

He threw himself at her knees, and implored her to listen to him.

"Go!  Go!"

"But our love, Marsa?  For I love you, and you love me."

"I hate and scorn you.  My love is dead.  You have killed it.  All is
over.  Go!  And let me never know that there exists a Michel Menko in the
world!  Never!  Never!  Never!"

He felt his own cowardice and shame, and he disappeared, not daring again
to see the woman whose love haunted him, and who shut herself away from
the world more obstinately than ever.  She left Paris, and in the
solitude of Maisons-Lafitte lived the life of a recluse, while Michel
tried in vain to forget the bitterness of his loss.  The Tzigana hoped
that she was going to die, and bear away with her forever the secret of
her betrayal.  But no; science had been mistaken; the poor girl was
destined to live.  In spite of her sorrow and anguish, her beauty
blossomed in the shade, and she seemed each day to grow more lovely,
while her heart became more sad, and her despair more poignant.

Then death, which would not take Marsa, came to another, and gave Menko
an opportunity to repair and efface all.  He learned that his wife had
died suddenly at Prague, of a malady of the heart.  This death, which
freed him, produced a strange effect upon him, not unmingled with
remorse.  Poor woman!  She had worthily borne his name, after all.
Unintelligent, cold, and wrapped up in her money, she had never
understood him; but, perhaps, if he had been more patient, things might
have gone better between them.

But no; Marsa was his one, his never-to-be-forgotten love.  As soon as he
heard of his freedom, he wrote her a letter, telling her that he was able
now to dispose of his future as he would, imploring her to pardon him,
offering her not his love, since she repelled it, but his name, which was
her right--a debt of honor which he wished her to acquit with the
devotion of his life.  Marsa answered simply with these words: "I will
never bear the name of a man I despise."

The wound made in her heart by Menko's lie was incurable; the Tzigana
would never forgive.  He tried to see her again, confident that, if he
should be face to face with her, he could find words to awaken the past
and make it live again; but she obstinately refused to see him, and, as
she did not go into society, he never met her.  Then he cast himself,
with a sort of frenzy, into the dissipation of Paris, trying to forget,
to forget at any cost: failing in this, he resigned his position at the
embassy, and went away to seek adventure, going to fight in the Balkans
against the Russians, only to return weary and bored as he had departed,
always invincibly and eternally haunted by the image of Marsa, an image
sad as a lost love, and grave as remorse.




CHAPTER XIII

"MY LETTERS OR MYSELF"

It was that past, that terrible past, which Michel Menko had dared to
come and speak of to the Tzigana.  At first, she had grown crimson with
anger, as if at an insult; now, by a sudden opposite sentiment, as she
listened to him recalling those days, she felt an impression of deadly
pain as if an old wound had been reopened.  Was it true that all this had
ever existed?  Was it possible, even?

The man who had been her lover was speaking to her; he was speaking to
her of his love; and, if the terrible agony of memory had not burned in
her heart, she would have wondered whether this man before her, this sort
of stranger, had ever even touched her hand.

She waited, with the idle curiosity of a spectator who had no share in
the drama, for the end of Menko's odious argument: "I lied because I
loved you!"

He returned again and again, in the belief that women easily forgive the
ill-doing of which they are the cause, to that specious plea, and Marsa
asked herself, in amazement, what aberration had possession of this man
that he should even pretend to excuse his infamy thus.

"And is that," she said at last, "all that you have to say to me?
According to you, the thief has only to cry 'What could I do?  I loved
that money, and so I stole it.'  Ah," rising abruptly, "this interview
has lasted too long!  Good-evening!"

She walked steadily toward the door; but Michel, hastening round the
other side of the table, barred her exit, speaking in a suppliant tone,
in which, however, there was a hidden threat:

"Marsa!  Marsa, I implore you, do not marry Prince Andras!  Do not marry
him if you do not wish some horrible tragedy to happen to you and me!"

"Really?"  she retorted.  "Do I understand that it is you who now
threaten to kill me?"

"I do not threaten; I entreat, Marsa.  But you know all that there is in
me at times of madness and folly.  I am almost insane: you know it well.
Have pity upon me!  I love you as no woman was ever loved before; I live
only in you; and, if you should give yourself to another--"

"Ah!" she said, interrupting him with a haughty gesture, "you speak to me
as if you had a right to dictate my actions.  I have given you my
forgetfulness after giving you my love.  That is enough, I think.
Leave me!"

"Marsa!"

"I have hoped for a long time that I was forever delivered from your
presence.  I commanded you to disappear.  Why have you returned?"

"Because, after I saw you one evening at Baroness Dinati's (do you
remember?  you spoke to the Prince for the first time that evening), I
learned, in London, of this marriage.  If I have consented to live away
from you previously, it was because, although you were no longer mine,
you at least were no one else's; but I will not--pardon me, I can not--
endure the thought that your beauty, your grace, will be another's.
Think of the self-restraint I have placed upon myself!  Although living
in Paris, I have not tried to see you again, Marsa, since you drove me
from your presence; it was by chance that I met you at the Baroness's;
but now--"

"It is another woman you have before you.  A woman who ignores that she
has listened to your supplications, yielded to your prayers.  It is a
woman who has forgotten you, who does not even know that a wretch has
abused her ignorance and her confidence, and who loves--who loves as one
loves for the first time, with a pure and holy devotion, the man whose
name she is to bear."

"That man I respect as honor itself.  Had it been another, I should
already have struck him in the face.  But you who accuse me of having
lied, are you going to lie to him, to him?"

Marsa became livid, and her eyes, hollow as those of a person sick to
death, flamed in the black circles which surrounded them.

"I have no answer to make to one who has no right to question me," she
said.  "But, should I have to pay with my life for the moment of
happiness I should feel in placing my hand in the hand of a hero, I would
grasp that moment!"

"Then," cried Menko, "you wish to push me to extremities!  And yet I have
told you there are certain hours of feverish insanity in which I am
capable of committing a crime."

"I do not doubt it," replied the young girl, coldly.  "But, in fact, you
have already done that.  There is no crime lower than that of treachery."

"There is one more terrible," retorted Michel Menko.  "I have told you
that I loved you.  I love you a hundred times more now than ever before.
Jealousy, anger, whatever sentiment you choose to call it, makes my blood
like fire in my veins!  I see you again as you were.  I feel your kisses
on my lips.  I love you madly, passionately!  Do you understand, Marsa?
Do you understand?"  and he approached with outstretched hands the
Tzigana, whose frame was shaken with indignant anger.  "Do you
understand?  I love you still.  I was your lover, and I will, I will be
so again."

"Ah, miserable coward!"  cried the Tzigana, with a rapid glance toward
the daggers, before which stood Menko, preventing her from advancing, and
regarding her with eyes which burned with reckless passion, wounded self-
love, and torturing jealousy.  "Yes, coward!"  she repeated, "coward,
coward to dare to taunt me with an infamous past and speak of a still
more infamous future!"

"I love you!"  exclaimed Menko again.

"Go!"  she cried, crushing him with look and gesture.  "Go!  I order you
out of my presence, lackey!  Go!"

All the spirit of the daughters of the puszta, the violent pride of her
Hungarian blood, flashed from her eyes; and Menko, fascinated, gazed at
her as if turned to stone, as she stood there magnificent in her anger,
superb in her contempt.

"Yes, I will go to-day," he said at last, "but tomorrow night I shall
come again, Marsa.  As my dearest treasure, I have preserved the key of
that gate I opened once to meet you who were waiting for me in the shadow
of the trees.  Have you forgotten that, also?  You say you have forgotten
all."

And as he spoke, she saw again the long alley behind the villa, ending in
a small gate which, one evening after the return from Pau, Michel opened,
and came, as he said, to meet her waiting for him.  It was true.  Yes, it
was true.  Menko did not lie this time!  She had waited for him there,
two years before, unhappy girl that she was!  All that hideous love she
had believed lay buried in Pau as in a tomb.

"Listen, Marsa," continued Menko, suddenly recovering, by a strong effort
of the will, his coolness, "I must see you once again, have one more
opportunity to plead my cause.  The letters you wrote to me, those dear
letters which I have covered with my kisses and blistered with my tears,
those letters which I have kept despite your prayers and your commands,
those letters which have been my only consolation--I will bring them to
you to-morrow night.  Do you understand me?"

Her great eyes fixed, and her lips trembling horribly, Marsa made no
reply.

"Do you understand me, Marsa?"  he repeated, imploring and threatening at
once.

"Yes," she murmured at last.

She paused a moment; then a broken, feverish laugh burst from her lips,
and she continued, with stinging irony:

"Either my letters or myself!  It is a bargain pure and simple!  Such a
proposition has been made once before--it is historical--you probably
remember it.  In that case, the woman killed herself.  I shall act
otherwise, believe me!"

There was in her icy tones a threat, which gave pleasure to Michel Menko.
He vaguely divined a danger.  "You mean?"  he asked.

"I mean, you must never again appear before me.  You must go to London,
to America; I don't care where.  You must be dead to the one you have
cowardly betrayed.  You must burn or keep those letters, it little
matters to me which; but you must still be honorable enough not to use
them as a weapon against me.  This interview, which wearies more than it
angers me, must be the last.  You must leave me to my sorrows or my joys,
without imagining that you could ever have anything in common with a
woman who despises you.  You have crossed the threshold of this house for
the last time.  Or, if not--Ah! if not--I swear to you that I have energy
enough and resolution enough to defend myself alone, and alone to punish
you!  In your turn, you understand me, I imagine?"

"Certainly," said Michel.  "But you are too imprudent, Marsa.  I am not a
man to make recoil by speaking of danger.  Through the gate, or over the
wall if the gate is barricaded, I shall come to you again, and you will
have to listen to me."

The lip of the Tzigana curled disdainfully.

"I shall not even change the lock of that gate, and besides, the large
gate of the garden remains open these summer nights.  You see that you
have only to come.  But I warn you neither to unlock the one nor to pass
through the other.  It is not I whom you will find at the rendezvous."

"Still, I am sure that it would be you, blarsa, if I should tell you that
to-morrow evening I shall be under the window of the pavilion at the end
of the garden, and that you must meet me there to receive from my hand
your letters, all your letters, which I shall bring you."

"Do you think so?"

"I am certain of it."

"Certain?  Why?"

"Because you will reflect."

"I have had time to reflect.  Give me another reason."

"Another reason is that you can not afford to leave such proofs in my
hands.  I assure you that it would be folly to make of a man like me, who
would willingly die for you, an open and implacable enemy."

"I understand.  A man like you would die willingly for a woman, but he
insults and threatens her, like the vilest of men, with a punishment more
cruel than death itself.  Well!  it matters little to me.  I shall not be
in the pavilion where you have spoken to me of your love, and I will have
it torn down and the debris of it burned within three days.  I shall not
await you.  I shall never see you again.  I do not fear you.  And I leave
you the right of doing with those letters what you please!"

Then, surveying him from head to foot, as if to measure the degree of
audacity to which he could attain, "Adieu!"  she said.

"Au revoir!"  he rejoined coldly, giving to the salutation an emphasis
full of hidden meaning.

The Tzigana stretched out her hand, and pulled a silken bellcord.

A servant appeared.

"Show this gentleman out," she said, very quietly.




CHAPTER XIV

"HAVE I THE RIGHT TO LIE?"

Then the Tzigana,'s romance, in which she had put all her faith and her
belief, had ended, like a bad dream, she said to herself: "My life is
over!"

What remained to her?  Expiation?  Forgetfulness?

She thought of the cloister and the life of prayer of those blue sisters
she saw under the trees of Maisons-Lafitte.  She lived in the solitude of
her villa, remaining there during the winter in a melancholy tete-a-tete
with old Vogotzine, who was always more or less under the effect of
liquor.  Then, as death would not take her, she gradually began to go
into Parisian society, slowly forgetting the past, and the folly which
she had taken for love little by little faded mistily away.  It was like
a recovery from an illness, or the disappearance of a nightmare in the
dawn of morning.  Now, Marsa Laszlo, who, two years before, had longed
for annihilation and death, occasionally thought the little Baroness
Dinati right when she said, in her laughing voice: "What are you thinking
of, my dear child?  Is it well for a girl of your age to bury herself
voluntarily and avoid society?"  She was then twenty-four: in three or
four years she had aged mentally ten; but her beautiful oval face had
remained unchanged, with the purity of outline of a Byzantine Madonna.

Then--life has its awakenings--she met Prince Andras: all her admirations
as a girl, her worship of patriotism and heroism, flamed forth anew; her
heart, which she had thought dead, throbbed, as it had never throbbed
before, at the sound of the voice of this man, truly loyal, strong and
gentle, and who was (she knew it well, the unhappy girl!) the being for
whom she was created, the ideal of her dreams.  She loved him silently,
but with a deep and eternal passion; she loved him without saying to
herself that she no longer had any right to love.  Did she even think of
her past?  Does one longer think of the storm when the wind has driven
off the heavy, tear-laden clouds, and the thunder has died away in the
distance?  It seemed to her now that she had never had but one name in
her heart, and upon her lips--Zilah.

And then this man, this hero, her hero, asked her hand, and said to her,
"I love you."

Andras loved her!  With what a terrible contraction of the heart did she
put to herself the formidable question: "Have I the right to lie?  Shall
I have the courage to confess?"

She held in her grasp the most perfect happiness a woman could hope for,
the dream of her whole life; and, because a worthless scoundrel had
deceived her, because there were, in her past, hours which she remembered
only to curse, effaced hours, hours which appeared to her now never to
have existed, was she obliged to ruin her life, to break her heart, and,
herself the victim, to pay for the lie uttered by a coward?  Was it
right?  Was it just?  Was she to be forever bound to that past, like a
corpse to its grave?  What!  She had no longer the right to love?  no
longer the right to live?

She adored Andras; she would have given her life for him.  And he also
loved her; she was the first woman who had ever touched his heart.  He
had evidently felt himself isolated, with his old chivalrous ideas, in a
world devoted to the worship of low things, tangible successes, and
profitable realities.  He was, so to speak, a living anachronism in the
midst of a society which had faith in nothing except victorious
brutalities, and which marched on, crushing, beneath its iron-shod heels,
the hopes and visions of the enthusiastic.  He recalled those evenings
after a battle when, in the woods reddened by the setting sun, his father
and Varhely said to him: "Let us remain to the last, and protect the
retreat!"  And it seemed to him that, amid the bestialities of the moment
and the vulgarities of the century, he still protected the retreat of
misunderstood virtues and generous enthusiasms; and it pleased him to be
the rear guard of chivalry in defeat.

He shut himself up obstinately in his isolation, like Marsa in her
solitude; and he did not consider himself ridiculously absurd or
foolishly romantic, when he remembered that his countrymen, the
Hungarians, were the only people, perhaps, who, in the abasement of all
Europe before the brutality of triumph and omnipotent pessimism, had
preserved their traditions of idealism, chivalry, and faith in the old
honor; the Hungarian nationality was also the only one which had
conquered its conquerors by its virtues, its persistence in its hopes,
its courage, its contempt of all baseness, its extraordinary heroism, and
had finally imposed its law upon Austria, bearing away the old empire as
on the croup of its horse toward the vast plains of liberty.  The ideal
would, therefore, have its moments of victory: an entire people proved it
in history.

"Let this world boast," said Andras, "of the delights of its villainy,
and grovel in all that is low and base.  Life is not worth living unless
the air one breathes is pure and free!  Man is not the brother of swine!"

And these same ideas, this same faith, this same dreamy nature and
longing for all that is generous and brave, he suddenly found again in
the heart of Marsa.  She represented to him a new and happy existence.
Yes, he thought, she would render him happy; she would understand him,
aid him, surround him with the fondest love that man could desire.  And
she, also, thinking of him, felt herself capable of any sacrifice.  Who
could tell?  Perhaps the day would come when it would be necessary to
fight again; then she would follow him, and interpose her breast between
him and the balls.  What happiness to die in saving him!  But, no, no!
To live loving him, making him happy, was her duty now; and was it
necessary to renounce this delight because hated kisses had once soiled
her lips?  No, she could not!  And yet--and yet, strict honor whispered
to Marsa, that she should say No to the Prince; she had no right to his
love.

But, if she should reject Andras, he would die, Varhely had said it.
She would then slay two beings, Andras and herself, with a single word.
She!  She did not count!  But he!  And yet she must speak.  But why
speak?  Was it really true that she had ever loved another?  Who was it?
The one whom she worshipped with all her heart, with all the fibres of
her being, was Andras!  Oh, to be free to love him!  Marsa's sole hope
and thought were now to win, some day, forgiveness for having said
nothing by the most absolute devotion that man had ever encountered.
Thinking continually these same thoughts, always putting off taking a
decision till the morrow, fearing to break both his heart and hers,
the Tzigana let the time slip by until the day came when the fete in
celebration of her betrothal was to take place.  And on that very day
Michel Menko appeared before her, not abashed, but threatening.  Her
dream of happiness ended in this reality--Menko saying: "You have been
mine; you shall be mine again, or you are lost!"

Lost!  And how?

With cold resolution, Marsa Laszlo asked herself this question, terrible
as a question of life or death:

"What would the Prince do, if, after I became his wife, he should learn
the truth?"

"What would he do?  He would kill me," thought the Tzigana.  "He would
kill me.  So much the better!"  It was a sort of a bargain which she
proposed to herself, and which her overwhelming love dictated.

"To be his wife, and with my life to pay for that moment of happiness!
If I should speak now, he would fly from me, I should never see him
again--and I love him.  Well, I sacrifice what remains to me of existence
to be happy for one short hour!"  She grew to think that she had a right
thus to give her life for her love, to belong to Andras, to be the wife
of that hero if only for a day, and to die then, to die saying to him:
"I was unworthy of you, but I loved you; here, strike!"  Or rather to say
nothing, to be loved, to take opium or digitalis, and to fall asleep with
this last supremely happy thought: "I am his wife, and he loves me!"
What power in the world could prevent her from realizing her dream?
Would she resemble Michel in lying thus?  No; since she would immediately
sacrifice herself without hesitation, with joy, for the honor of her
husband.

"Yes, my life against his love.  I shall be his wife and die!"

She did not think that, in sacrificing her life, she would condemn Zilah
to death.  Or rather, with one of those subterfuges by which we
voluntarily deceive ourselves, she thought: "He will be consoled for my
death, if he ever learns what I was."  But why should he ever learn it?
She would take care to die so that it should be thought an accident.

Marsa's resolve was taken.  She had contracted a debt, and she would pay
it with her blood.  Michel now mattered little to her, let him do what he
would.  The young man's threat: "To-morrow night!"  returned to her mind
without affecting her in the least.  The contemptuous curl of her lip
seemed silently to brave Michel Menko.

In all this there was a different manifestation of her double nature: in
her love for Andras and her longing to become his wife, the blood of the
Tzigana, her mother, spoke; Prince Tchereteff, the Russian, on the other
hand, revived in her silent, cold bravado.

She lay down to rest, still feverish from the struggle, and worn out,
slept till morning, to awaken calm, languid, but almost happy.

She passed the whole of the following day in the garden, wondering at
times if the appearance of Menko and his tomorrow were not a dream, a
nightmare.  Tomorrow?  That was to-day.

"Yes, yes, he will come!  He is quite capable of coming," she murmured.

She despised him enough to believe that he would dare, this time, to keep
his word.

Lying back in a low wicker chair, beneath a large oak, whose trunk was
wreathed with ivy, she read or thought the hours away.  A Russian belt,
enamelled with gold and silver, held together her trailing white robes of
India muslin, trimmed with Valenciennes, and a narrow scarlet ribbon
encircled her throat like a line of blood.  The sunlight, filtering
through the leaves, flickered upon her dress and clear, dark cheeks,
while, near by, a bush of yellow roses flung its fragrance upon the air.
The only sound in the garden was the gentle rustle of the trees, which
recalled to her the distant murmur of the sea.  Gradually she entirely
forgot Michel, and thought only of the happy moments of the previous day,
of the boat floating down the Seine past the silvery willows on the banks
of the sparkling water, of the good people on the barge calling out to
her, "Be happy!  be happy!"  and the little children throwing smiling
kisses to her.

A gentle languor enveloped the warm, sunny garden.  Old Sol poured his
golden light down upon the emerald turf, the leafy trees, the brilliant
flowerbeds and the white walls of the villa.  Under the green arch of the
trees, where luminous insects, white and flame-colored butterflies,
aimlessly chased one another, Marsa half slumbered in a sort of
voluptuous oblivion, a happy calm, in that species of nirvana which the
open air of summer brings.  She felt herself far away from the entire
world in that corner of verdure, and abandoned herself to childish hopes
and dreams, in profound enjoyment of the beautiful day.

The Baroness Dinati came during the afternoon to see Marsa; she fluttered
out into the garden, dressed in a clinging gown of some light, fluffy
material, with a red umbrella over her head; and upon her tiny feet, of
all things in the world, ebony sabots, bearing her monogram in silver
upon the instep.  It was a short visit, made up of the chatter and gossip
of Paris.  Little Jacquemin's article upon Prince Zilah's nautical fete
had created a furore.  That little Jacquemin was a charming fellow; Marsa
knew him.  No!  Really?  What!  she didn't know Jacquemin of
'L'Actualite'?  Oh!  but she must invite him to the wedding, he would
write about it, he wrote about everything; he was very well informed, was
Jacquemin, on every subject, even on the fashions.

"Look!  It was he who told me that these sabots were to be worn.  The
miserable things nearly mademe break my neck when I entered the carriage;
but they are something new.  They attract attention.  Everybody says,
What are they?  And when one has pretty feet, not too large, you know,"
etc., etc.

She rattled on, moistening her pretty red lips with a lemonade, and
nibbling a cake, and then hastily departed just as Prince Andras's
carriage stopped before the gate.  The Baroness waved her hand to him
with a gay smile, crying out:

"I will not take even a minute of your time.  You have to-day something
pleasanter to do than to occupy yourself with poor, insignificant me!"

Marsa experienced the greatest delight in seeing Andras, and listening to
the low, tender accents of his voice; she felt herself to be loved and
protected.  She gave herself up to boundless hopes--she, who had before
her, perhaps, only a few days of life.  She felt perfectly happy near
Andras; and it seemed to her that to-day his manner was tenderer, the
tones of his voice more caressing, than usual.

"I was right to believe in chimeras," he said, "since all that I longed
for at twenty years is realized to-day.  Very often, dear Marsa, when I
used to feel sad and discouraged, I wondered whether my life lay behind
me.  But I was longing for you, that was all.  I knew instinctively that
there existed an exquisite woman, born for me, my wife--my wife!  and I
waited for you."

He took her hands, and gazed upon her face with a look of infinite
tenderness.

"And suppose that you had not found me?"  she asked.

"I should have continued to drag out a weary existence.  Ask Varhely what
I have told him of my life."

Marsa felt her heart sink within her; but she forced herself to smile.
All that Varhely had said to her returned to her mind.  Yes, Zilah had
staked his very existence upon her love.  To drag aside the veil from his
illusion would be like tearing away the bandages from a wound.
Decidedly, the resolution she had taken was the best one--to say nothing,
but, in the black silence of suicide, which would be at once a
deliverance and a punishment, to disappear, leaving to Zilah only a
memory.

But why not die now?  Ah!  why?  why?  To this eternal question Marsa
made reply, that, for deceiving him by becoming his wife, she would pay
with her life.  A kiss, then death.  In deciding to act a lie, she
condemned herself.  She only sought to give to her death the appearance
of an accident, not wishing to leave to Andras the double memory of a
treachery and a crime.

She listened to the Prince as he spoke of the future, of all the
happiness of their common existence.  She listened as if her resolution
to die had not been taken, and as if Zilah was promising her, not a
minute, but an eternity, of joy.

General Vogotzine and Marsa accompanied the Prince to the station, he
having come to Maisons by the railway.  The Tzigana's Danish hounds went
with them, bounding about Andras, and licking his hands as he caressed
them.

"They already know the master," laughed Vogotzine.  "I have rarely seen
such gentle animals," remarked the Prince.

"Gentle?  That depends!"  said Marsa.

After separating from the Prince, she returned, silent and abstracted,
with Vogotzine.  She saw Andras depart with a mournful sadness, and a
sudden longing to have him stay--to protect her, to defend her, to be
there if Michel should come.

It was already growing dark when they reached home.  Marsa ate but little
at dinner, and left Vogotzine alone to finish his wine.

Later, the General came, as usual, to bid his niece goodnight.  He found
Marsa lying upon the divan in the little salon.

"Don't you feel well?  What is the matter?"

"Nothing."

"I feel a little tired, and I was going to bed.  You don't care to have
me keep you company, do you, my dear?"

Sometimes he was affectionate to her, and sometimes he addressed her with
timid respect; but Marsa never appeared to notice the difference.

"I prefer to remain alone," she answered.

The General shrugged his shoulders, bent over, took Marsa's delicate hand
in his, and kissed it as he would have kissed that of a queen.

Left alone, Marsa lay there motionless for more than an hour.  Then she
started suddenly, hearing the clock strike eleven, and rose at once.

The domestics had closed the house.  She went out by a back door which
was used by the servants, the key of which was in the lock.

She crossed the garden, beneath the dark shadows of the trees, with a
slow, mechanical movement, like that of a somnambulist, and proceeded to
the kennel, where the great Danish hounds and the colossus of the
Himalayas were baying, and rattling their chains.

"Peace, Ortog!  Silence, Duna!"

At the sound of her voice, the noise ceased as by enchantment.

She pushed open the door of the kennel, entered, and caressed the heads
of the dogs, as they placed their paws upon her shoulders.  Then she
unfastened their chains, and in a clear, vibrating voice, said to them:

"Go!"

She saw them bound out, run over the lawn, and dash into the bushes,
appearing and disappearing like great, fantastic shadows, in the pale
moonlight.  Then, slowly, and with the Muscovite indifference which her
father, Prince Tchereteff, might have displayed when ordering a spy or a
traitor to be shot, she retraced her steps to the house, where all seemed
to sleep, murmuring, with cold irony, in a sort of impersonal
affirmation, as if she were thinking not of herself, but of another:

"Now, I hope that Prince Zilah's fiancee is well guarded!"




CHAPTER XV

"AS CLINGS THE LEAF UNTO THE TREE"

Michel Menko was alone in the little house he had hired in Paris, in the
Rue d'Aumale.  He had ordered his coachman to have his coupe in readiness
for the evening. "Take Trilby," he said.  "He is a better horse than
Jack, and we have a long distance to go; and take some coverings for
yourself, Pierre.  Until this evening, I am at home to no one."

The summer day passed very slowly for him in the suspense of waiting.  He
opened and read the letters of which he had spoken to Marsa the evening
before; they always affected him like a poison, to which he returned
again and again with a morbid desire for fresh suffering--love-letters,
the exchange of vows now borne away as by a whirlwind, but which revived
in Michel's mind happy hours, the only hours of his life in which he had
really lived, perhaps.  These letters, dated from Pau, burned him like a
live coal as he read them.  They still retained a subtle perfume, a
fugitive aroma, which had survived their love, and which brought Marsa
vividly before his eyes.  Then, his heart bursting with jealousy and
rage, he threw the package into the drawer from  which he had taken it,
and mechanically picked up a volume of De Musset, opening to some page
which recalled his own suffering.  Casting this aside, he took up another
book, and his eyes fell upon the passionate verses of the soldier-poet,
Petoefi, addressed to his Etelka:

          Thou lovest me not?  What matters it?
          My soul is linked to thine,
          As clings the leaf unto the tree:
          Cold winter comes; it falls; let be!
          So I for thee will pine.  My fate pursues me to the tomb.
          Thou fliest?  Even in its gloom
          Thou art not free.
          What follows in thy steps?  Thy shade?
          Ah, no!  my soul in pain, sweet maid,
          E'er watches thee.

"My soul is linked to thine, as clings the leaf unto the tree!"  Michel
repeated the lines with a sort of defiance in his look, and longed
impatiently and nervously for the day to end.

A rapid flush of anger mounted to his face as his valet entered with a
card upon a salver, and he exclaimed, harshly:

"Did not Pierre give you my orders that I would receive no one?"

"I beg your pardon, Monsieur; but Monsieur Labanoff insisted so
strongly--"

"Labanoff?"  repeated Michel.

"Monsieur Labanoff, who leaves Paris this evening, and desires to see
Monsieur before his departure."

The name of Labanoff recalled to Michel an old friend whom he had met in
all parts of Europe, and whom he had not seen for a long time.  He liked
him exceedingly for a sort of odd pessimism of aggressive philosophy, a
species of mysticism mingled with bitterness, which Labanoff took no
pains to conceal.  The young Hungarian had, perhaps, among the men of his
own age, no other friend in the world than this Russian with odd ideas,
whose enigmatical smile puzzled and interested him.

He looked at the clock.  Labanoff's visit might make the time pass until
dinner.

"Admit Monsieur Labanoff!"

In a few moments Labanoff entered.  He was a tall, thin young man, with a
complexion the color of wax, flashing eyes, and a little pointed
mustache.  His hair, black and curly, was brushed straight up from his
forehead.  He had the air of a soldier in his long, closely buttoned
frock-coat.

It was many months since these two men had met; but they had been long
bound together by a powerful sympathy, born of quiet talks and
confidences, in which each had told the other of similar sufferings.
A long deferred secret hope troubled Labanoff as the memory of Marsa
devoured Menko; and they had many times exchanged dismal theories upon
the world, life, men, and laws.  Their common bitterness united them.
And Michel received Labanoff, despite his resolution to receive no one,
because he was certain that he should find in him the same suffering as
that expressed by De Musset and Petoefi.

Labanoff, to-day, appeared to him more enigmatical and gloomy than ever.
From the lips of the Russian fell only words of almost tragical mystery.

Menko made him sit down by his side upon a divan, and he noticed that an
extraordinary fever seemed to burn in the blue eyes of his friend.

"I learned that you had returned from London," said Labanoff; "and, as I
was leaving Paris, I wished to see you before my departure.  It is
possible that we may never see each other again."

"Why?"

"I am going to St. Petersburg on pressing business."

"Have you finished your studies in Paris?"

"Oh! I had already received my medical diploma when I came here.  I have
been living in Paris only to be more at my ease to pursue--a project
which interests me."

"A project?"

Menko asked the question mechanicaljy, feeling very little curiosity to
know Labanoff's secret; but the Russian's face wore a strange, ironical
smile as he answered:

"I have nothing to say on that subject, even to the man for whom I have
the most regard."

His brilliant eyes seemed to see strange visions before them.  He
remained silent for a moment, and then rose with an abrupt movement.

"There," he said, "that is all I had to tell you, my dear Menko.  Now,
'au revoir', or rather, good-by; for, as I said before, I shall probably
never see you again."

"And why, pray?"

"Oh!  I don't know; it is an idea of mine.  And then, my beloved Russia
is such a strange country.  Death comes quickly there."

He had still upon his lips that inexplicable smile, jesting and sad at
once.

Menko grasped the long, white hand extended to him.

"My dear Labanoff, it is not difficult to guess that you are going on
some dangerous errand."  Smiling: "I will not do you the injustice to
believe you a nihilist."

Labanoff's blue eyes flashed.

"No," he said, "no, I am not a nihilist.  Annihilation is absurd; but
liberty is a fine thing!"

He stopped short, as if he feared that he had already said too much.

"Adieu, my dear Menko."

The Hungarian detained him with a gesture, saying, with a tremble in his
voice:

"Labanoff!  You have found me when a crisis in my life is also impending.
I am about, like yourself, to commit a great folly; a different one from
yours, no doubt.  However, I have no right to tell you that you are about
to commit some folly."

"No," calmly replied the Russian, very pale, but still smiling, "it is
not a folly."

"But it is a danger?"  queried Menko.

Labanoff made no reply.

"I do not know either," said Michel, "how my affair will end.  But, since
chance has brought us together today, face to face--"

"It was not chance, but my own firm resolution to see you again before my
departure."

"I know what your friendship for me is, and it is for that reason that I
ask you to tell me frankly where you will be in a month."

"In a month?"  repeated Labanoff.

"Give me the route you are going to take?  Shall you be a fixture at St.
Petersburg?"

"Not immediately," responded the Russian, slowly, his gaze riveted upon
Menko.  "In a month I shall still be at Warsaw.  At St. Petersburg the
month after."

"Thanks.  I only ask you to let me know, in some way, where you are."

"Why?"

"Because, I should like to join you."

"You!"

"It is only a fancy," said Menko, with an attempt at a laugh.  "I am
bored with life--you know it; I find it a nuisance.  If we did not spur
it like an old, musty horse, it would give us the same idiotic round of
days.  I do not know--I do not wish to know--why you are going to Russia,
and what this final farewell of which you have just spoken signifies;
I simply guess that you are off on some adventure, and it is possible
that I may ask you to allow me to share it."

"Why?"  said Labanoff, coldly.  "You are not a Russian."

Menko smiled, and, placing his hands upon the thin shoulders of his
friend, he said:

"Those words reveal many things.  It is well that they were not said
before an agent of police."

"Yes," responded Labanoff, firmly.  "But I am not in the habit of
recklessly uttering my thoughts; I know that I am speaking now to Count
Menko."

"And Count Menko will be delighted, my dear Labanoff, if you will let him
know where, in Poland or Russia, he must go, soon, to obtain news of you.
Fear nothing: neither there nor here will I question you.  But I shall be
curious to know what has become of you, and you know that I have enough
friendship for you to be uneasy about you.  Besides, I long to be on the
move; Paris, London, the world, in short, bores me, bores me, bores me!"

"The fact is, it is stupid, egotistical and cowardly," responded
Labanoff.

He again held out to Menko his nervous hand, burning, like his blue eyes,
with fever.

"Farewell!"  he said.

"No, no, 'au revoir'!"

"'Au revoir' be it then.  I will let you know what has become of me."

"And where you are?"

"And where I am."

"And do not be astonished if I join you some fine morning."

"Nothing ever astonishes me," said the Russian.  "Nothing!"

And in that word nothing were expressed profound disgust with life and
fierce contempt of death.

Menko warmly grasped his friend's thin and emaciated hand; and, the last
farewell spoken to the fanatic departing for some tragical adventure, the
Hungarian became more sombre and troubled than before, and Labanoff's
appearance seemed like a doubtful apparition.  He returned to his longing
to see the end of the most anxious day of his life.

At last, late in the evening, Michel entered his coupe, and was driven
away-down the Rue d'Aumale, through the Rue Pigalle and the Rue de Douai,
to the rondpoint of the Place Clichy, the two lanterns casting their
clear light into the obscurity.  The coupe then took the road to Maisons-
Lafitte, crossing the plain and skirting wheat-fields and vineyards, with
the towering silhouette of Mont Valerien on the left, and on the right,
sharply defined against the sky, a long line of hills, dotted with woods
and villas, and with little villages nestling at their base, all plunged
in a mysterious shadow.

Michel, with absent eyes, gazed at all this, as Trilby rapidly trotted
on.  He was thinking of what lay before him, of the folly he was about to
commit, as he had said to Labanoff.  It was a folly; and yet, who could
tell?  Might not Marsa have reflected?  Might she not; alarmed at his
threats, be now awaiting him?  Her exquisite face, like a lily, rose
before him; an overwhelming desire to annihilate time and space took
possession of him, and he longed to be standing, key in hand, before the
little gate in the garden wall.

He was well acquainted with the great park of Maisons-Lafitte, with the
white villas nestling among the trees.  On one side Prince Tchereteff's
house looked out upon an almost desert tract of land, on which a
racecourse had been mapped out; and on the other extended with the
stables and servants' quarters to the forest, the wall of the Avenue
Lafitte bounding the garden.  In front of the villa was a broad lawn,
ending in a low wall with carved gates, allowing, through the branches of
the oaks and chestnuts, a view of the hills of Cormeilles.

After crossing the bridge of Sartrouville, Michel ordered his coachman to
drive to the corner of the Avenue Corneille, where he alighted in the
shadow of a clump of trees.

"You will wait here, Pierre," he said, "and don't stir till I return."

He walked past the sleeping houses, under the mysterious alleys of the
trees, until he reached the broad avenue which, cutting the park in two,
ran from the station to the forest.  The alley that he was seeking
descended between two rows of tall, thick trees, forming an arch
overhead, making it deliciously cool and shady in the daytime, but now
looking like a deep hole, black as a tunnel.  Pushing his way through the
trees and bushes, and brushing aside the branches of the acacias, the
leaves of which fell in showers about him, Michel reached an old wall,
the white stones of which were overgrown with ivy.  Behind the wall the
wind rustled amid the pines and oaks like the vague murmur of a coming
storm.  And there, at the end of the narrow path, half hidden by the ivy,
was the little gate he was seeking.  He cautiously brushed aside the
leaves and felt for the keyhole; but, just as he was about to insert the
key, which burned in his feverish fingers, he stopped short.

Was Marsa awaiting him?  Would she not call for help, drive him forth,
treat him like a thief?

Suppose the gate was barred from within?  He looked at the wall, and saw
that by clinging to the ivy he could reach the top.  He had not come here
to hesitate.  No, a hundred times no!

Besides, Marsa was certainly there, trembling, fearful, cursing him
perhaps, but still there.

"No," he murmured aloud in the silence, "were even death behind that
gate, I would not recoil."




CHAPTER XVI

"IT IS A MAN THEY ARE DEVOURING!"

Michel Menko was right.  The beautiful Tzigana was awaiting him.

She stood at her window, like a spectre in her white dress, her hands
clutching the sill, and her eyes striving to pierce the darkness which
enveloped everything, and opened beneath her like a black gulf.  With
heart oppressed with fear, she started at the least sound.

All she could see below in the garden were the branches defined against
the sky; a single star shining through the leaves of a poplar, like a
diamond in a woman's tresses; and under the window the black stretch of
the lawn crossed by a band of a lighter shade, which was the sand of the
path.  The only sound to be heard was the faint tinkle of the water
falling into the fountain.

Her glance, shifting as her thoughts, wandered vaguely over the trees,
the open spaces which seemed like masses of heavy clouds, and the sky set
with constellations.  She listened with distended ears, and a shudder
shook her whole body as she heard suddenly the distant barking of a dog.

The dog perceived some one.  Was it Menko?

No: the sound, a howling rather than a barking, came from a long
distance, from Sartrouville, beyond the Seine.

"It is not Duna or Bundas," she murmured, "nor Ortog.  What folly to
remain here at the window!  Menko will not come.  Heaven grant that he
does not come!"

And she sighed a happy sigh as if relieved of a terrible weight.

Suddenly, with a quick movement, she started violently back, as if some
frightful apparition had risen up before her.

Hoarse bayings, quite different from the distant barking of a moment
before, rent the air, and were repeated more and more violently below
there in the darkness.  This time it was indeed the great Danish hounds
and the shaggy colossus of the Himalayas, which were precipitating
themselves upon some prey.

"Great God!  He is there, then!  He is there!" whispered Marsa, paralyzed
with horror.

There was something gruesome in the cries of the dogs, By the continued
repetition of the savage noises, sharp, irritated, frightful snarls and
yelps, Marsa divined some horrible struggle in the darkness, of a man
against the beasts.  Then all her terror seemed to mount to her lips in a
cry of pity, which was instantly repressed.  She steadied herself against
the window, striving, with all her strength, to reason herself into
calmness.

"It was his own wish," she thought.

Did she not know, then, what she was doing when, wishing to place a
living guard between herself and danger, she had descended to the kennel
and unloosed the ferocious animals, which, recognizing her voice, had
bounded about her and licked her hands with many manifestations of joy?
She had ascended again to her chamber and extinguished the light, around
which fluttered the moths, beating the opal shade with their downy wings;
and, in the darkness, drinking in the nightair at the open window, she
had waited, saying to herself that Michel Menko would not come; but, if
he did come, it was the will of fate that he should fall a victim to the
devoted dogs which guarded her.

Why should she pity him?

She hated him, this Michel.  He had threatened her, and she had defended
herself, that was all.  Ortog's teeth were made for thieves and
intruders.  No pity!  No, no--no pity for such a coward, since he had
dared--

But yet, as the ferocious bayings of the dogs below became redoubled in
their fury, she imagined, in terror, a crunching of bones and a tearing
of flesh; and, as her imagination conjured up before her Michel fighting,
in hideous agony, against the bites of the dogs, she shuddered; she was
afraid, and again a stifled cry burst forth from her lips.  A sort of
insanity took possession of her.  She tried to cry out for mercy as if
the animals could hear her; she sought the door of her chamber, groping
along the wall with her hands outspread before her, in order to descend
the staircase and rush out into the garden; but her limbs gave way
beneath her, and she sank an inert mass upon the carpet in an agony of
fear and horror.

"My God!  My God!  It is a man they are devouring;" and her voice died
away in a smothered call for help.

Then she suddenly raised her head, as if moved by an electric shock.

There was no more noise!  Nothing!  The black night had all at once
returned to its great, mysterious silence.  Marsa experienced a sensation
of seeing a pall stretched over a dead body.  And in the darkness there
seemed to float large spots of blood.

"Ah!  the unhappy man!"  she faltered.

Then, again, the voices of the dogs broke forth, rapid, angry, still
frightfully threatening.  The animals appeared now to be running, and
their bayings became more and more distant.

What had happened?

One would have said that they were dragging away their prey, tearing it
with hideous crimson fangs.




CHAPTER XVII

MARSA'S GUARDIANS.

Was Michel Menko indeed dead?  We left him just as he was turning the key
in the little gate in the wall.  He walked in boldly, and followed a path
leading to an open space where was the pavilion he had spoken of to
Marsa.  He looked to see whether the windows of the pavilion were
lighted, or whether there were a line of light under the door.  No: the
delicate tracery of the pagoda-like structure showed dimly against the
sky; but there was no sign of life.  Perhaps, however, Marsa was there in
the darkness.

He would glide under the window and call.  Then, hearing him and
frightened at so much audacity, she would descend.

He advanced a few steps toward the pavilion; but, all at once, in the
part of the garden which seemed lightest, upon the broad gravel walk,
he perceived odd, creeping shadows, which the moon, emerging from a
cloud, showed to be dogs, enormous dogs, with their ears erect, which,
with abound and a low, deep growl, made a dash toward him with outspread
limbs--a dash terrible as the leap of a tiger.

A quick thought illumined Michel's brain like a flash of electricity:
"Ah!  this is Marsa's answer!"  He had just time to mutter, with raging
irony:

"I was right, she was waiting for me!"

Then, before the onslaught of the dogs, he recoiled, clasping his hands
upon his breast and boldly thrusting out his elbows to ward off their
ferocious attacks.  With a sudden tightening of the muscles he repulsed
the Danish hounds, which rolled over writhing on the ground, and then,
with formidable baying, returned more furiously still to the charge.

Michel Menko had no weapon.

With a knife he could have defended himself, and slit the bellies of the
maddened animals; but he had nothing!  Was he to be forced, then, to fly,
pursued like a fox or a deer?

Suppose the servants, roused by the noise of the dogs, should come in
their turn, and seize him as a thief?  At all events, that would be
comparative safety; at least, they would rescue him from these monsters.
But no: nothing stirred in the silent, impassive house.

The hounds, erect upon their hind legs, rushed again at Michel, who,
overturning them with blows from his feet, and striking them violently in
the jaws, now staggered back, Ortog having leaped at his throat.  By a
rapid movement of recoil, the young man managed to avoid being strangled;
but the terrible teeth of the dog, tearing his coat and shirt into
shreds, buried themselves deep in the flesh of his shoulder.

The steel-like muscles and sinewy strength of the Hungarian now stood him
in good stead.  He must either free himself, or perish there in the
hideous carnage of a quarry.  He seized with both hands, in a viselike
grip, Ortog's enormous neck, and, at the same time, with a desperate
jerk, shook free his shoulder, leaving strips of his flesh between the
jaws of the animal, whose hot, reeking breath struck him full in the
face.  With wild, staring eyes, and summoning up, in an instinct of
despair, all his strength and courage, he buried his fingers in Ortog's
neck, and drove his nails through the skin of the colossus, which struck
and beat with his paws against the young man's breast.  The dog's tongue
hung out of his mouth, under the suffocating pressure of the hands of the
human being struggling for his life.  As he fought thus against Ortog,
the Hungarian gradually retreated, the two hounds leaping about him, now
driven off by kicks (Duna's jaw was broken), and now, with roars of rage
and fiery eyes, again attacking their human prey.

One of them, Bundas, his teeth buried in Michel's left thigh, shook him,
trying to throw him to the ground.  A slip, and all would be over; if he
should fall upon the gravel, the man would be torn to pieces and crunched
like a deer caught by the hounds.

A terrible pain nearly made Michel faint--Bundas had let go his hold,
stripping off a long tongue of flesh; but, in a moment, it had the same
effect upon him as that of the knife of a surgeon opening a vein, and the
weakness passed away.  The unfortunate man still clutched, as in a death-
grip, Ortog's shaggy neck, and he perceived that the struggles of the dog
were no longer of the same terrible violence; the eyes of the ferocious
brute were rolled back in his head until they looked like two large balls
of gleaming ivory.  Michel threw the heavy mass furiously from him, and
the dog, suffocated, almost dead, fell upon the ground with a dull, heavy
sound.

Menko had now to deal only with the Danish hounds, which were rendered
more furious than ever by the smell of blood.  One of them, displaying
his broken teeth in a hideous, snarling grin, hesitated a little to renew
the onslaught, ready, as he was, to spring at his enemy's throat at the
first false step; but the other, Bundas, with open mouth, still sprang at
Michel, who repelled, with his left arm, the attacks of the bloody jaws.
Suddenly a hollow cry burst from his lips like a death-rattle, forced
from him as the dog buried his fangs in his forearm, until they nearly
met.  It seemed to him that the end had now come.

Each second took away more and more of his strength.  The tremendous
tension of muscles and nerves, which had been necessary in the battle
with Ortog, and the blood he had lost, his whole left side being gashed
as with cuts from a knife, weakened him.  He calculated, that, unless he
could reach the little gate before the other dog should make up his mind
to leap upon him, he was lost, irredeemably lost.

Bundas did not let go his hold, but twisting himself around Michel's
body, he clung with his teeth to the young man's lacerated arm; the
other, Duna, bayed horribly, ready to spring at any moment.

Michel gathered together all the strength that remained to him, and ran
rapidly backward, carrying with him the furious beast, which was crushing
the very bones of his arm.

He reached the end of the walk, and the gate was there before him.
Groping in the darkness with his free hand, he found the key, turned it,
and the gate flew open.  Fate evidently did not wish him to perish.

Then, in the same way as he had shaken off Ortog, whom he could now hear
growling and stumbling over the gravel a little way off, Michel freed his
arm from Bundas, forcing his fingers and nails into the animal's ears;
and the moment he had thrown the brute to the ground, he dashed through
the gate, and slammed it to behind him, just as the two dogs together
were preparing to leap again upon him.

Then, leaning against the gate, and steadying himself, so as not to fall,
he stood there weak and faint, while the dogs, on the other side of the
wooden partition which now separated him from death--and what a death!
erect upon their hind legs, like rampant, heraldic animals, tried to
break through, cracking, in their gory jaws, long strips of wood torn
from the barrier which kept them from their human prey.

Michel never knew how long he remained there, listening to the hideous
growling of his bloodthirsty enemies.  At last the thought came to him
that he must go; but how was he to drag himself to the place where Pierre
was waiting for him?  It was so far!  so far!  He would faint twenty
times before reaching there.  Was he about to fail now after all he had
gone through?

His left leg was frightfully painful; but he thought he could manage to
walk with it.  His left shoulder and arm, however, at the least movement,
caused him atrocious agony, as if the bones had been crushed by the wheel
of some machine.  He sought for his handkerchief, and enveloped his
bleeding arm in it, tying the ends of it with his teeth.  Then he
tottered to a woodpile near by, and, taking one of the long sticks, he
managed with its aid to drag himself along the alley, while through the
branches the moon looked calmly down upon him.

He was worn out, and his head seemed swimming in a vast void, when he
reached the end of the alley, and saw, a short way off down the avenue,
the arch of the old bridge near which the coupe had stopped.  One effort
more, a few steps, and he was there!  He was afraid now of falling
unconscious, and remaining there in a dying condition, without his
coachman even suspecting that he was so near him.

"Courage!"  he murmured.  "On!  On!"

Two clear red lights appeared-the lanterns of the coup.  "Pierre!"  cried
Michel in the darkness, "Pierre!"  But he felt that his feeble voice
would not reach the coachman, who was doubtless asleep on his box.  Once
more he gathered together his strength, called again, and advanced a
little, saying to himself that a step or two more perhaps meant safety.
Then, all at once, he fell prostrate upon his side, unable to proceed
farther; and his voice, weaker and weaker, gradually failed him.

Fortunately, the coachman had heard him cry, and realized that something
had happened.  He jumped from his box, ran to his master, lifted him up,
and carried him to the carriage.  As the light of the lamps fell on the
torn and bloody garments of the Count, whose pallid and haggard face was
that of a dead man, Pierre uttered a cry of fright.

"Great heavens!  Where have you been?"  he exclaimed.  "You have been
attacked?"

"The coup--place me in the coup."

"But there are doctors here.  I will go--"

"No--do nothing.  Make no noise.  Take me to Paris--I do not wish any one
to know--To Paris--at once," and he lost consciousness.

Pierre, with some brandy he luckily had with him, bathed his master's
temples, and forced a few drops between his lips; and, when the Count had
recovered, he whipped up his horse and galloped to Paris, growling, with
a shrug of the shoulders:

"There must have been a woman in this.  Curse the women!  They make all
the trouble in the world."

It was daybreak when the coup reached Paris.

Pierre heard, as they passed the barrier, a laborer say to his mate

"That's a fine turnout.  I wish I was in the place of the one who is
riding inside!"

"So do I!"  returned the other.

And Pierre thought, philosophically: "Poor fools!  If they only knew!"




CHAPTER XVIII

"THERE IS NO NEED OF ACCUSING ANYONE."

At the first streak of daylight, Marsa descended, trembling, to the
garden, and approached the little gate, wondering what horror would meet
her eyes.

Rose-colored clouds, like delicate, silky flakes of wool, floated across
the blue sky; the paling crescent of the moon, resembling a bent thread
of silver wire, seemed about to fade mistily away; and, toward the east,
in the splendor of the rising sun, the branches of the trees stood out
against a background of burnished gold as in a Byzantine painting.  The
dewy calm and freshness of the early morning enveloped everything as in a
bath of purity and youth.

But Marsa shuddered as she thought that perhaps this beautiful day was
dawning upon a dead body.  She stopped abruptly as she saw the gardener,
with very pale face, come running toward her.

"Ah, Mademoiselle, something terrible has happened!  Last night the dogs
barked and barked; but they bark so often at the moon and the shadows,
that no one got up to see what was the matter."

"Well--well?"  gasped Marsa, her hand involuntarily seeking her heart.

"Well, there was a thief here last night, or several of them, for poor
Ortog is half strangled; but the rascals did not get away scot free.
The one who came through the little path to the pavilion was badly
bitten; his tracks can be followed in blood for a long distance a very
long distance."

"Then," asked Marsa, quickly, "he escaped?  He is not dead?"

"No, certainly not.  He got away."

"Ah!  Thank heaven for that!"  cried the Tzigana, her mind relieved of a
heavy weight.

"Mademoiselle is too good," said the gardener.  "When a man enters, like
that, another person's place, he exposes himself to be chased like a
rabbit, or to be made mincemeat of for the dogs.  He must have had big
muscles to choke Ortog, the poor beast!--not to mention that Duna's teeth
are broken.  But the scoundrel got his share, too; for he left big
splashes of blood upon the gravel."

"Blood!"

"The most curious thing is that the little gate, to which there is no
key, is unlocked.  They came in and went out there.  If that idiot of a
Saboureau, whom General Vogotzine discharged--and rightly too,
Mademoiselle--were not dead, I should say that he was at the bottom
of all this."

"There is no need of accusing anyone," said Marsa, turning away.

The gardener returned to the neighborhood of the pavilion, and, examining
the red stains upon the ground, he said: "All the same, this did not
happen by itself.  I am going to inform the police!"




CHAPTER XIX

"A BEAUTIFUL DREAM"

It was the eve of the marriage-day of Prince Andras Zilah and
Mademoiselle Marsa Laszlo, and Marsa sat alone in her chamber, where
the white robes she was to wear next day were spread out on the bed;
alone for the last time--to-morrow she would be another's.

The fiery Tzigana, who felt in her heart, implacable as it was to evil
and falsehood, all capabilities of devotion and truth, was condemned to
lie, or to lose the love of Prince Andras, which was her very life.
There was no other alternative.  No, no: since she had met this man,
superior to all others, since he loved her and she loved him, she would
take an hour of his life and pay for that hour with her own.  She had no
doubt but that an avowal would forever ruin her in Andras's eyes.  No,
again and forever no: it was much better to take the love which fate
offered her in exchange for her life.

And, as she threw herself back in her chair with an expression of
unchangeable determination in her dark, gazelle-like eyes, there suddenly
came into her mind the memory of a day long ago, when, driving along the
road from Maisons-Lafitte to Saint-Germain, she had met some wandering
gipsies, two men and a woman, with copper-colored skins and black eyes,
in which burned, like a live coal, the passionate melancholy of the race.
The woman, a sort of long spear in her hand, was driving some little
shaggy ponies, like those which range about the plains of Hungary.
Bound like parcels upon the backs of these ponies were four or five
little children, clothed in rags, and covered with the dust of the road.
The woman, tall, dark and faded, a sort of turban upon her head, held out
her hand toward Marsa's carriage with a graceful gesture and a broad
smile--the supplicating smile of those who beg.  A muscular young fellow,
his crisp hair covered with a red fez, her brother--the woman was old, or
perhaps she was less so than she seemed, for poverty brings wrinkles--
walked by her side behind the sturdy little ponies.  Farther along,
another man waited for them at a corner of the road near a laundry,
the employees of which regarded him with alarm, because, at the end of a
rope, the gipsy held a small gray bear.  As she passed by them, Marsa
involuntarily exclaimed, in the language of her mother "Be szomoru!"
(How sad it is!) The man, at her words, raised his head, and a flash of
joy passed over his face, which showed, or Marsa thought so (who knows?
perhaps she was mistaken), a love for his forsaken country.  Well, now,
she did not know why, the remembrance of these poor beings returned to
her, and she said to herself that her ancestors, humble and insignificant
as these unfortunates in the dust and dirt of the highway, would have
been astonished and incredulous if any one had told them that some day a
girl born of their blood would wed a Zilah, one of the chiefs of that
Hungary whose obscure and unknown minstrels they were!  Ah!  what an
impossible dream it seemed, and yet it was realized now.

At all events, a man's death did not lie between her and Zilah.  Michel
Menko, after lying at death's door, was cured of his wounds.  She knew
this from Baroness Dinati, who attributed Michel's illness to a sword
wound secretly received for some woman.  This was the rumor in Paris.
The young Count had, in fact, closed his doors to every one; and no one
but his physician had been admitted.  What woman could it be?  The little
Baroness could not imagine.

Marsa thought again, with a shudder, of the night when the dogs howled;
but, to tell the truth, she had no remorse.  She had simply defended
herself!  The inquiry begun by the police had ended in no definite
result.  At Maisons-Lafitte, people thought that the Russian house had
been attacked by some thieves who had been in the habit of entering
unoccupied houses and rifling them of their contents.  They had even
arrested an old vagabond, and accused him of the attempted robbery at
General Vogotzine's; but the old man had answered: "I do not even know
the house."  But was not this Menko a hundred times more culpable than a
thief?  It was more and worse than money or silver that he had dared to
come for: it was to impose his love upon a woman whose heart he had well-
nigh broken.  Against such an attack all weapons were allowable, even
Ortog's teeth.  The dogs of the Tzigana had known how to defend her; and
it was what she had expected from her comrades.

Had Michel Menko died, Marsa would have said, with the fatalism of the
Orient: "It was his own will!"  She was grateful, however, to fate, for
having punished the wretch by letting him live.  Then she thought no more
of him except to execrate him for having poisoned her happiness, and
condemned her either to a silence as culpable as a lie, or to an avowal
as cruel as a suicide.

The night passed and the day came at last, when it was necessary for
Marsa to become the wife of Prince Andras, or to confess to him her
guilt.  She wished that she had told him all, now that she had not the
courage to do so.  She had accustomed herself to the idea that a woman is
not necessarily condemned to love no more because she has encountered a
coward who has abused her love.  She was in an atmosphere of illusion and
chimera; what was passing about her did not even seem to exist.  Her
maids dressed her, and placed upon her dark hair the bridal veil: she
half closed her eyes and murmured:

"It is a beautiful dream."

A dream, and yet a reality, consoling as a ray of light after a hideous
nightmare.  Those things which were false, impossible, a lie,
a phantasmagoria born of a fever, were Michel Menko, the past years,
the kisses of long ago, the threats of yesterday, the bayings of the
infuriated dogs at that shadow which did not exist.

General Vogotzine, in a handsome uniform, half suffocated in his high
vest, and with a row of crosses upon his breast--the military cross of
St. George, with its red and black ribbon; the cross of St. Anne, with
its red ribbon; all possible crosses--was the first to knock at his
niece's door, his sabre trailing upon the floor.

"Who is it?"  said Marsa.

"I, Vogotzine."

And, permission being given him, he entered the room.

The old soldier walked about his niece, pulling his moustache, as if he
were conducting an inspection.  He found Marsa charming.  Pale as her
white robe, with Tizsa's opal agraffe at her side, ready to clasp the
bouquet of flowers held by one of her maids, she had never been so
exquisitely beautiful; and Vogotzine, who was rather a poor hand at
turning a compliment, compared her to a marble statue.

"How gallant you are this morning, General," she said, her heart bursting
with emotion.

She waved away, with a brusque gesture, the orange-flowers which her maid
was about to attach to her corsage.

"No," she said.  "Not that!  Roses."

"But, Mademoiselle "

"Roses," repeated Marsa.  "And for my hair white rosebuds also."

At this, the old General risked another speech.

"Do you think orange-blossoms are too vulgar, Marsa?  By Jove!  They
don't grow in the ditches, though!"

And he laughed loudly at what he considered wit.  But a frowning glance
from the Tzigana cut short his hilarity; and, with a mechanical movement,
he drew himself up in a military manner, as if the Czar were passing by.

"I will leave you to finish dressing, my dear," he said, after a moment.

He already felt stifled in the uniform, which he was no longer accustomed
to wear, and he went out in the garden to breathe freer.  While waiting
there for Zilah, he ordered some cherry cordial, muttering, as he drank
it:

"It is beautiful August weather.  They will have a fine day; but I shall
suffocate!"

The avenue was already filled with people.  The marriage had been much
discussed, both in the fashionable colony which inhabited the park and in
the village forming the democratic part of the place; even from
Sartrouville and Mesnil, people had come to see the Tzigana pass in her
bridal robes.

"What is all that noise?"  demanded Vogotzine of the liveried footman.

"That noise, General?  The inhabitants of Maisons who have come to see
the wedding procession."

"Really?  Ah! really?  Well, they haven't bad taste.  They will see a
pretty woman and a handsome uniform."  And the General swelled out his
breast as he used to do in the great parades of the time of Nicholas, and
the reviews in the camp of Tsarskoe-Selo.

Outside the garden, behind the chestnut-trees which hid the avenue, there
was a sudden sound of the rolling of wheels, and the gay cracking of
whips.

"Ah!" cried the General, "It is Zilah!"

And, rapidly swallowing a last glass of the cordial, he wiped his
moustache, and advanced to meet Prince Andras, who was descending from
his carriage.

Accompanying the Prince were Yanski Varhely, and an Italian friend of
Zilah's, Angelo Valla, a former minister of the Republic of Venice, in
the time of Manin.  Andras Zilah, proud and happy, appeared to have
hardly passed his thirtieth year; a ray of youth animated his clear eyes.
He leaped lightly out upon the gravel, which cracked joyously beneath his
feet; and, as he advanced through the aromatic garden, to the villa where
Marsa awaited him, he said to himself that no man in the world was
happier than he.

Vogotzine met him, and, after shaking his hand, asked him why on earth he
had not put on his national Magyar costume, which the Hungarians wore
with such graceful carelessness.

"Look at me, my dear Prince!  I am in full battle array!"

Andras was in haste to see Marsa.  He smiled politely at the General's
remark, and asked him where his niece was.

"She is putting on her uniform," replied Vogotzine, with a loud laugh
which made his sabre rattle.

Most of the invited guests were to go directly to the church of Maisons.
Only the intimate friends came first to the house, Baroness Dinati,
first of all, accompanied by Paul Jacquemin, who took his eternal notes,
complimenting both Andras and the General, the latter especially eager to
detain as many as possible to the lunch after the ceremony.  Vogotzine,
doubtless, wished to show himself in all the eclat of his majestic
appetite.

Very pretty, in her Louis Seize gown of pink brocade, and a Rembrandt hat
with a long white feather (Jacquemin, who remained below, had already
written down the description in his note-book), the little Baroness
entered Marsa's room like a whirlwind, embracing the young girl, and
going into ecstasy over her beauty.

"Ah!  how charming you are, my dear child!  You are the ideal of a bride!
You ought to be painted as you are!  And what good taste to wear roses,
and not orange-flowers, which are so common, and only good for shopgirls.
Turn around!  You are simply exquisite."

Marsa, paler than her garments, looked at herself in the glass, happy in
the knowledge of her beauty, since she was about to be his, and yet
contemplating the tall, white figure as if it were not her own image.

She had often felt this impression of a twofold being, in those dreams
where one seems to be viewing the life of another, or to be the
disinterested spectator of one's own existence.

It seemed to her that it was not she who was to be married, or that
suddenly the awakening would come.

"The Prince is below," said the Baroness Dinati.

"Ah!" said Marsa.

She started with a sort of involuntary terror, as this very name of
Prince was at once that of a husband and that of a judge.  But when,
superb in the white draperies, which surrounded her like a cloud of
purity, her long train trailing behind her, she descended the stairs,
her little feet peeping in and out like two white doves, and appeared at
the door of the little salon where Andras was waiting, she felt herself
enveloped in an atmosphere of love.  The Prince advanced to meet her, his
face luminous with happiness; and, taking the young girl's hands, he
kissed the long lashes which rested upon her cheek, saying, as he
contemplated the white vision of beauty before him:

"How lovely you are, my Marsa!  And how I love you!"

The Prince spoke these words in a tone, and with a look, which touched
the deepest depths of Marsa's heart.

Then they exchanged those words, full of emotion, which, in their eternal
triteness, are like music in the ears of those who love.  Every one had
withdrawn to the garden, to leave them alone in this last, furtive, happy
minute, which is never found again, and which, on the threshold of the
unknown, possesses a joy, sad as a last farewell, yet full of hope as the
rising of the sun.

He told her how ardently he loved her, and how grateful he was to her for
having consented, in her youth and beauty, to become the wife of a quasi-
exile, who still kept, despite his efforts, something of the melancholy
of the past.

And she, with an outburst of gratitude, devotion, and love, in which all
the passion of her nature and her race vibrated, said, in a voice which
trembled with unshed tears:

"Do not say that I give you my life.  It is you who make of a girl of the
steppes a proud and honored wife, who asks herself why all this happiness
has come to her."  Then, nestling close to Andras, and resting her dark
head upon his shoulder, she continued: "We have a proverb, you remember,
which says, Life is a tempest.  I have repeated it very often with bitter
sadness.  But now, that wicked proverb is effaced by the refrain of our
old song, Life is a chalet of pearls."

And the Tzigana, lost in the dream which was now a tangible reality,
saying nothing, but gazing with her beautiful eyes, now moist, into the
face of Andras, remained encircled in his arms, while he smiled and
whispered, again and again, "I love you!"

All the rest of the world had ceased to exist for these two beings,
absorbed in each other.




CHAPTER XX

THE BRIDAL DAY

The little Baroness ran into the room, laughing, and telling them how
late it was; and Andras and Marsa, awakened to reality, followed her to
the hall, where Varhely, Vogotzine, Angelo Valla, Paul Jacquemin and
other guests were assembled as a sort of guard of honor to the bride and
groom.

Andras and the Baroness, with Varhely, immediately entered the Prince's
carriage; Vogotzine taking his place in the coupe with Marsa.  Then there
was a gay crackling of the gravel, a flash of wheels in the sunlight, a
rapid, joyous departure.  Clustered beneath the trees in the ordinarily
quiet avenues of Maisons, the crowd watched the cortege; and old
Vogotzine good-humoredly displayed his epaulettes and crosses for the
admiration of the people who love uniforms.

As she descended from the carriage, Marsa cast a superstitious glance at
the facade of the church, a humble facade, with a Gothic porch and cheap
stained-glass windows, some of which were broken; and above a plaster
tower covered with ivy and surmounted with a roughly carved cross.  She
entered the church almost trembling, thinking again how strange was this
fate which united, before a village altar, a Tzigana and a Magyar.  She
walked up the aisle, seeing nothing, but hearing about her murmurs of
admiration, and knelt down beside Andras, upon a velvet cushion, near
which burned a tall candle, in a white candlestick.

The little church, dimly lighted save where the priest stood, was hushed
to silence, and Marsa felt penetrated with deep emotion.  She had really
drunk of the cup of oblivion; she was another woman, or rather a young
girl, with all a young girl's purity and ignorance of evil.  It seemed to
her that the hated past was a bad dream; one of those unhealthy
hallucinations which fly away at the dawn of day.

She saw, in the luminous enclosure of the altar, the priest in his white
stole, and the choir boys in their snowy surplices.  The waxen candles
looked like stars against the white hangings of the chancel; and above
the altar, a sweet-faced Madonna looked down with sad eyes upon the man
and woman kneeling before her.  Through the parti-colored windows,
crossed with broad bands of red, the branches of the lindens swayed in
the wind, and the fluttering tendrils of the ivy cast strange, flickering
shadows of blue, violet, and almost sinister scarlet upon the guests
seated in the nave.

Outside, in the square in front of the church, the crowd waited the end
of the ceremony.  Shopgirls from the Rue de l'Eglise, and laundresses
from the Rue de Paris, curiously contemplated the equipages, with their
stamping horses, and the coachmen, erect upon their boxes, motionless,
and looking neither to the right nor the left.  Through the open door of
the church, at the end of the old oak arches, could be seen Marsa's
white, kneeling figure, and beside her Prince Zilah, whose blond head, as
he stood gazing down upon his bride, towered above the rest of the party.

The music of the organ, now tremulous and low, now strong and deep,
caused a profound silence to fall upon the square; but, as the last note
died away, there was a great scrambling for places to see the procession
come out.

Above the mass of heads, the leaves of the old lindens rustled with a
murmur which recalled that of the sea; and now and then a blossom of a
yellowish white would flutter down, which the girls disputed, holding up
their hands and saying:

"The one who catches it will have a husband before the year is out!"

A poor old blind man, cowering upon the steps of the sanctuary, was
murmuring a monotonous prayer, like the plaint of a night bird.

Yanski Varhely regarded the scene with curiosity, as he waited for the
end of the ceremony.  Somewhat oppressed by the heavy atmosphere of the
little church, and being a Huguenot besides, the old soldier had come out
into the open air, and bared his head to the fresh breeze under the
lindens.

His rugged figure had at first a little awed the crowd; but they soon
began to rattle on again like a brook over the stones.

Varhely cast, from time to time, a glance into the interior of the
church.  Baroness Dinati was now taking up the collection for the poor,
holding the long pole of the alms-box in her little, dimpled hands, and
bowing with a pretty smile as the coins rattled into the receptacle.

Varhely, after a casual examination of the ruins of an old castle which
formed one side of the square, was about to return to the church, when a
domestic in livery pushed his way through the crowd, and raising himself
upon his toes, peered into the church as if seeking some one.  After a
moment the man approached Yanski, and, taking off his hat, asked,
respectfully:

"Is it to Monsieur Varhely that I have the honor to speak?"

"Yes," replied Yanski, a little surprised.

"I have a package for Prince Andras Zilah: would Monsieur have the
kindness to take charge of it, and give it to the Prince?  I beg
Monsieur's pardon; but it is very important, and I am obliged to go
away at once.  I should have brought it to Maisons yesterday."

As he spoke, the servant drew from an inside pocket a little package
carefully wrapped, and sealed with red sealing-wax.

"Monsieur will excuse me," he said again, "but it is very important."

"What is it?"  asked Varhely, rather brusquely.  "Who sent it?"

"Count Michel Menko."

Varhely knew very well (as also did Andras), that Michel had been
seriously ill; otherwise, he would have been astonished at the young
man's absence from the wedding of the Prince.

He thought Michel had probably sent a wedding present, and he took the
little package, twisting it mechanically in his hands.  As he did so, he
gave a slight start of surprise; it seemed as if the package contained
letters.

He looked at the superscription.  The name of Prince Andras Zilah was
traced in clear, firm handwriting, and, in the left-hand corner, Michel
Menko had written, in Hungarian characters: "Very important!  With the
expression of my excuses and my sorrow."  And below, the signature "Menko
Mihaly."

The domestic was still standing there, hat in hand.  "Monsieur will be
good enough to pardon me," he said; "but, in the midst of this crowd, I
could not perhaps reach his Excellency, and the Count's commands were so
imperative that--"

"Very well," interrupted Varhely.  "I will myself give this to the Prince
immediately."

The domestic bowed, uttered his thanks, and left Varhely vaguely uneasy
at this mysterious package which had been brought there, and which Menko
had addressed to the Prince.

With the expression of his excuses and his sorrow!  Michel doubtless
meant that he was sorry not to be able to join Andras's friends--he who
was one of the most intimate of them, and whom the Prince called "my
child."  Yes, it was evidently that.  But why this sealed package?  and
what did it contain?  Yanski turned it over and over between his fingers,
which itched to break the wrapper, and find out what was within.

He wondered if there were really any necessity to give it to the Prince.
But why should he not?  What folly to think that any disagreeable news
could come from Michel Menko!  The young man, unable to come himself to
Maisons, had sent his congratulations to the Prince, and Zilah would be
glad to receive them from his friend.  That was all.  There was no
possible trouble in all this, but only one pleasure the more to Andras.

And Varhely could not help smiling at the nervous feeling a letter
received under odd circumstances or an unexpected despatch sometimes
causes.  The envelope alone, of some letters, sends a magnetic thrill
through one and makes one tremble.  The rough soldier was not accustomed
to such weaknesses, and he blamed himself as being childish, for having
felt that instinctive fear which was now dissipated.

He shrugged his shoulders, and turned toward the church.

From the interior came the sound of the organ, mingled with the murmur of
the guests as they rose, ready to depart.  The wedding march from the
Midsummer Night's Dream pealed forth majestically as the newly-married
pair walked slowly down the aisle.  Marsa smiled happily at this music of
Mendelssohn, which she had played so often, and which was now singing for
her the chant of happy love.  She saw the sunshine streaming through the
open doorway, and, dazzled by this light from without, her eyes fixed
upon the luminous portal, she no longer perceived the dim shadows of the
church.

Murmurs of admiration greeted her as she appeared upon the threshold,
beaming with happiness.  The crowd, which made way for her, gazed upon
her with fascinated eyes.  The door of Andras's carriage was open; Marsa
entered it, and Andras, with a smile of deep, profound content, seated
himself beside her, whispering tenderly in the Tzigana's ear as the
carriage drove off:

"Ah!  how I love you!  my beloved, my adored Marsa!  How I love you, and
how happy I am!"




CHAPTER XXI

"THE TZIGANA IS THE MOST LOVED OF ALL!"

The chimes rang forth a merry peal, and Mendelssohn's music still
thundered its triumphal accents, as the marriage guests left the church.

"It is a beautiful wedding, really a great success!  The bride, the
decorations, the good peasants and the pretty girls--everything is simply
perfect.  If I ever marry again," laughed the Baroness, "I shall be
married in the country."

"You have only to name the day, Baroness," said old Vogotzine, inspired
to a little gallantry.

And Jacquemin, with a smile, exclaimed, in Russian:

"What a charming speech, General, and so original!  I will make a note of
it."

The carriages rolled away toward Marsa's house through the broad avenues,
turning rapidly around the fountains of the park, whose jets of water
laughed as they fell and threw showers of spray over the masses of
flowers.  Before the church, the children disputed for the money and
bonbons Prince Andras had ordered to be distributed.  In Marsa's large
drawing-rooms, where glass and silver sparkled upon the snowy cloth,
servants in livery awaited the return of the wedding-party.  In a moment
there was an assault, General Vogotzine leading the column.  All
appetites were excited by the drive in the fresh air, and the guests did
honor to the pates, salads, and cold chicken, accompanied by Leoville,
which Jacquemin tasted and pronounced drinkable.

The little Baroness was ubiquitous, laughing, chattering, enjoying
herself to her heart's content, and telling every one that she was to
leave that very evening for Trouviile, with trunks, and trunks, and
trunks--a host of them!  But then, it was race-week, you know!

With her eyeglasses perched upon her little nose, she stopped before a
statuette, a picture, no matter what, exclaiming, merrily:

"Oh, how pretty that is!  How pretty it is!  It is a Tanagra!  How queer
those Tanagras are.  They prove that love existed in antiquity, don't
they, Varhely?  Oh!  I forgot; what do you know about love?"

At last, with a glass of champagne in her hand, she paused before a
portrait of Marsa, a strange, powerful picture, the work of an artist
who knew how to put soul into his painting.

"Ah! this is superb!  Who painted it, Marsa?"

"Zichy," replied Marsa.

"Ah, yes, Zichy!  I am no longer astonished.  By the way, there is
another Hungarian artist who paints very well.  I have heard of him.
He is an old man; I don't exactly remember his name, something like
Barabas."

"Nicolas de Baratras," said Varhely.

"Yes, that's it.  It seems he is a master.  But your Zichy pleases me
infinitely.  He has caught your eyes and expression wonderfully; it is
exactly like you, Princess.  I should like to have my portrait painted by
him.  His first name is Michel, is it not?"

She examined the signature, peering through her eyeglass, close to the
canvas.

"Yes, I knew it was.  Michel Zichy!"

This name of "Michel!"  suddenly pronounced, sped like an arrow through
Marsa's heart.  She closed her eyes as if to shut out some hateful
vision, and abruptly quitted the Baroness, who proceeded to analyze
Zichy's portrait as she did the pictures in the salon on varnishing day.
Marsa went toward other friends, answering their flatteries with smiles,
and forcing herself to talk and forget.

Andras, in the midst of the crowd where Vogotzine's loud laugh alternated
with the little cries of the Baroness, felt a complex sentiment: he
wished his friends to enjoy themselves and yet he longed to be alone with
Marsa, and to take her away.  They were to go first to his hotel in
Paris; and then to some obscure corner, probably to the villa of Sainte-
Adresse, until September, when they were going to Venice, and from there
to Rome for the winter.

It seemed to the Prince that all these people were taking away from him a
part of his life.  Marsa belonged to them, as she went from one to
another, replying to the compliments which desperately resembled one
another, from those of Angelo Valla, which were spoken in Italian,
to those of little Yamada, the Parisianized Japanese.  Andras now longed
for the solitude of the preceding days; and Baroness Dinati, shaking her
finger at him, said: "My dear Prince, you are longing to see us go,
I know you are.  Oh!  don't say you are not!  I am sure of it, and I can
understand it.  We had no lunch at my marriage.  The Baron simply carried
me off at the door of the church.  Carried me off!  How romantic that
sounds!  It suggests an elopement with a coach and four!  Have no fear,
though; leave it to me, I will disperse your guests!"

She flew away before Zilah could answer; and, murmuring a word in the
ears of her friends, tapping with her little hand upon the shoulders of
the obstinate, she gradually cleared the rooms, and the sound of the
departing carriages was soon heard, as they rolled down the avenue.

Andras and Marsa were left almost alone; Varhely still remaining, and the
little Baroness, who ran up, all rosy and out of breath, to the Prince,
and said, gayly, in her laughing voice:

"Well!  What do you say to that?  all vanished like smoke, even
Jacquemin, who has gone back by train.  The game of descampativos,
which Marie Antoinette loved to play at Trianon, must have been a little
like this.  Aren't you going to thank me?  Ah! you ingrate!"

She ran and embraced Marsa, pressing her cherry lips to the Tzigana's
pale face, and then rapidly disappeared in a mock flight, with a gay
little laugh and a tremendous rustle of petticoats.

Of all his friends, Varhely was the one of whom Andras was fondest;
but they had not been able to exchange a single word since the morning.
Yanski had been right to remain till the last: it was his hand which the
Prince wished to press before his departure, as if Varhely had been his
relative, and the sole surviving one.

"Now," he said to him, "you have no longer only a brother, my dear
Varhely; you have also a sister who loves and respects you as I love
and respect you myself."

Yanski's stern face worked convulsively with an emotion he tried to
conceal beneath an apparent roughness.

"You are right to love me a little," he said, brusquely, "because I am
very fond of you--of both of you," nodding his head toward Marsa.
"But no respect, please.  That makes me out too old."

The Tzigana, taking Vogotzine's arm, led him gently toward the door,
a little alarmed at the purple hue of the General's cheeks and forehead.
"Come, take a little fresh air," she said to the old soldier, who
regarded her with round, expressionless eyes.

As they disappeared in the garden, Varhely drew from his pocket the
little package given to him by Menko's valet.

"Here is something from another friend!  It was brought to me at the door
of the church."

"Ah!  I thought that Menko would send me some word of congratulation,"
said Andras, after he had read upon the envelope the young Count's
signature.  "Thanks, my dear Varhely."

"Now," said Yanski, "may happiness attend you, Andras!  I hope that you
will let me hear from you soon."

Zilah took the hand which Varhely extended, and clasped it warmly in both
his own.

Upon the steps Varhely found Marsa, who, in her turn, shook his hand.

"Au revoir, Count."

"Au revoir, Princess."

She smiled at Andras, who accompanied Varhely, and who held in his hand
the package with the seals unbroken.

"Princess!"  she said.  "That is a title by which every one has been
calling me for the last hour; but it gives me the greatest pleasure to
hear it spoken by you, my dear Varhely.  But, Princess or not, I shall
always be for you the Tzigana, who will play for you, whenever you wish
it, the airs of her country--of our country--!"

There was, in the manner in which she spoke these simple words, a gentle
grace which evoked in the mind of the old patriot memories of the past
and the fatherland.

"The Tzigana is the most charming of all!  The Tzigana is the most loved
of all!"  he said, in Hungarian, repeating a refrain of a Magyar song.

With a quick, almost military gesture, he saluted Andras and Marsa as
they stood at the top of the steps, the sun casting upon them dancing
reflections through the leaves of the trees.

The Prince and Princess responded with a wave of the hand; and General
Vogotzine, who was seated under the shade of a chestnut-tree, with his
coat unbuttoned and his collar open, tried in vain to rise to his feet
and salute the departure of the last guest.




CHAPTER XXII

A DREAM SHATTERED

They were alone at last; free to exchange those eternal vows which they
had just taken before the altar and sealed with a long, silent pressure
when their hands were united; alone with their love, the devoted love
they had read so long in each other's eyes, and which had burned, in the
church, beneath Marsa's lowered lids, when the Prince had placed upon her
finger the nuptial ring.

This moment of happiness and solitude after all the noise and excitement
was indeed a blessed one!

Andras had placed upon the piano of the salon Michel Menko's package,
and, seated upon the divan, he held both Marsa's hands in his, as she
stood before him.

"My best wishes, Princess!"  he said.  "Princess!  Princess Zilah!  That
name never sounded so sweet in my ears before!  My wife!  My dear and
cherished wife!"  As she listened to the music of the voice she loved,
Marsa said to herself, that sweet indeed was life, which, after so many
trials, still had in reserve for her such joys.  And so deep was her
happiness, that she wished everything could end now in a beautiful dream
which should have no awakening,.

"We will depart for Paris whenever you like," said the Prince.

"Yes," she exclaimed, sinking to his feet, and throwing her arms about
his neck as he bent over her, "let us leave this house; take me away,
take me away, and let a new life begin for me, the life I have longed for
with you and your love!"

There was something like terror in her words, and in the way she clung to
this man who was her hero.  When she said "Let us leave this house," she
thought, with a shudder, of all her cruel suffering, of all that she
hated and which had weighed upon her like a nightmare.  She thirsted for
a different air, where no phantom of the past could pursue her, where she
should feel free, where her life should belong entirely to him.

"I will go and take off this gown," she murmured, rising, "and we will
run away like two eloping lovers."

"Take off that gown?  Why?  It would be such a pity!  You are so lovely
as you are!"

"Well," said Marsa, glancing down upon him with an almost mutinous smile,
which lent a peculiar charm to her beauty, "I will not change this white
gown, then; a mantle thrown over it will do.  And you will take your wife
in her bridal dress to Paris, my Prince, my hero--my husband!"

He rose, threw his arms about her, and, holding her close to his heart,
pressed one long, silent kiss upon the exquisite lips of his beautiful
Tzigana.

She gently disengaged herself from his embrace, with a shivering sigh;
and, going slowly toward the door, she turned, and threw him a kiss,
saying:

"I will come back soon, my Andras!"

And, although wishing to go for her mantle, nevertheless she still stood
there, with her eyes fixed upon the Prince and her mouth sweetly
tremulous with a passion of feeling, as if she could not tear herself
away.

The piano upon which Andras had cast the package given him by Varhely was
there between them; and the Prince advanced a step or two, leaning his
hand upon the ebony cover.  As Marsa approached for a last embrace before
disappearing on her errand, her glance fell mechanically upon the small
package sealed with red wax; and, as she read, in the handwriting she
knew so well, the address of the Prince and the signature of Michel
Menko, she raised her eyes violently to the face of Prince Zilah, as if
to see if this were not a trap; if, in placing this envelope within her
view, he were not trying to prove her.  There was in her look fright,
sudden, instinctive fright, a fright which turned her very lips to ashes;
and she recoiled, her eyes returning fascinated to the package, while
Andras, surprised at the unexpected expression of the Tzigana's convulsed
features, exclaimed, in alarm:

"What is it, Marsa?  What is the matter?"

"I--I"

She tried to smile.

"Nothing--I do not know!  I--"

She made a desperate effort to look him in the face; but she could not
remove her eyes from that sealed package bearing the name Menko.

Ah! that Michel!  She had forgotten him!  Miserable wretch!  He returned,
he threatened her, he was about to avenge himself: she was sure of it!

That paper contained something horrible.  What could Michel Menko have to
say to Prince Andras, writing him at such an hour, except to tell him
that the wretched woman he had married was branded with infamy?

She shuddered from head to foot, steadying herself against the piano, her
lips trembling nervously.

"I assure you, Marsa--" began the Prince, taking her hands.  "Your hands
are cold.  Are you ill?"

His eyes followed the direction of Marsa's, which were still riveted upon
the piano with a dumb look of unutterable agony.

He instantly seized the sealed package, and, holding it up, exclaimed:

"One would think that it was this which troubled you!"

"O Prince!  I swear to you!--"

"Prince?"

He repeated in amazement this title which she suddenly gave him; she,
who called him Andras, as he called her Marsa.  Prince?  He also, in his
turn, felt a singular sensation of fright, wondering what that package
contained, and if Marsa's fate and his own were not connected with some
unknown thing within it.

"Let us see," he said, abruptly breaking the seals, "what this is."

Rapidly, and as if impelled, despite herself, Marsa caught the wrist of
her husband in her icy hand, and, terrified, supplicating, she cried, in
a wild, broker voice:

"No, no, I implore you!  No!  Do not read it!  Do not read it!"

He contemplated her coldly, and, forcing himself to be calm, asked:

"What does this parcel of Michel Menko's contain?"

"I do not know," gasped Marsa.  "But do not read it!  In the name of the
Virgin" (the sacred adjuration of the Hungarians occurring to her mind,
in the midst of her agony), "do not read it!"

"But you must be aware, Princess," returned Andras, "that you are taking
the very means to force me to read it."

She shivered and moaned, there was such a change in the way Andras
pronounced this word, which he had spoken a moment before in tones so
loving and caressing--Princess.

Now the word threatened her.

"Listen!  I am about to tell you: I wished--Ah!  My God!  My God!
Unhappy woman that I am!  Do not read, do not read!"

Andras, who had turned very pale, gently removed her grasp from the
package, and said, very slowly and gravely, but with a tenderness in
which hope still appeared:

"Come, Marsa, let us see; what do you wish me to think?  Why do you wish
me not to read these letters?  for letters they doubtless are.  What have
letters sent me by Count Menko to do with you?  You do not wish me to
read them?"

He paused a moment, and then, while Marsa's eyes implored him with the
mute prayer of a person condemned to death by the executioner, he
repeated:

"You do not wish me to read them?  Well, so be it; I will not read them,
but upon one condition: you must swear to me, understand, swear to me,
that your name is not traced in these letters, and that Michel Menko has
nothing in common with the Princess Zilah."

She listened, she heard him; but Andras wondered whether she understood,
she stood so still and motionless, as if stupefied by the shock of a
moral tempest.

"There is, I am certain," he continued in the same calm, slow voice,
"there is within this envelope some lie, some plot.  I will not even know
what it is.  I will not ask you a single question, and I will throw these
letters, unread, into the fire; but swear to me, that, whatever this
Menko, or any other, may write to me, whatever any one may say, is an
infamy and a calumny.  Swear that, Marsa."

"Swear it, swear again?  Swear always, then?  Oath upon oath?  Ah! it is
too much!"  she cried, her torpor suddenly breaking into an explosion of
sobs and cries.  "No! not another lie, not one!  Monsieur, I am a wretch,
a miserable woman!  Strike me!  Lash me, as I lash my dogs!  I have
deceived you!  Despise me!  Hate me!  I am unworthy even of pity!  The
man whose letters you hold revenges himself, and stabs me, has been--my
lover!"

"Michel!"

"The most cowardly, the vilest being in the world!  If he hated me, he
might have killed me; he might have torn off my veil just now, and struck
me across the lips.  But to do this, to do this!  To attack you, you,
you!  Ah!  miserable dog; fit only to be stoned to death!  Judas!  Liar
and coward!  Would to heaven I had planted a knife in his heart!"

"Ah!  My God!"  murmured the Prince, as if stabbed himself.

At this cry of bitter agony from Andras Zilah, Marsa's imprecations
ceased; and she threw herself madly at his feet; while he stood erect and
pale--her judge.

She lay there, a mass of white satin and lace, her loosened hair falling
upon the carpet, where the pale bridal flowers withered beneath her
husband's heel; and Zilah, motionless, his glance wandering from the
prostrate woman to the package of letters which burned his fingers,
seemed ready to strike, with these proofs of her infamy, the distracted
Tzigana, a wolf to threaten, a slave to supplicate.

Suddenly he leaned over, seized her by the wrists, and raised her almost
roughly.

"Do you know," he said, in low, quivering tones, "that the lowest of
women is less culpable than you?  Ten times, a hundred times, less
culpable!  Do you know that I have the right to kill you?"

"Ah! that, yes!  Do it!  do it!  do it!"  she cried, with the smile of a
mad woman.

He pushed her slowly from him.

"Why have you committed this infamy?  It was not for my fortune; you are
rich."

Marsa moaned, humiliated to the dust by this cold contempt.  She would
have preferred brutal anger; anything, to this.

"Ah! your fortune!"  she said, finding a last excuse for herself out of
the depth of her humiliation, which had now become eternal; "it was not
that, nor your name, nor your title that I wished: it was your love!"

The heart of the Prince seemed wrung in a vise as this word fell from
those lips, once adored, nay, still adored, soiled as they were.

"My love!"

"Yes, your love, your love alone!  I would have confessed all, been your
mistress, your slave, your thing, if I--I had not feared to lose you, to
see myself abased in the eyes of you, whom I adored!  I was afraid,
afraid of seeing you fly from me--yes, that was my crime!  It is
infamous, ah! I know it; but I thought only of keeping you, you alone;
you, my admiration, my hero, my life, my god!  I deserve to be punished;
yes, yes, I deserve it--But those letters--those letters which you would
have cast into the fire if I had not revealed the secret of my life--you
told me so yourself--I might have sworn what you asked, and you would
have believed me--I might have done so; but no, it would have been too
vile, too cowardly!  Ah! kill me!  That is what I deserve, that is what--"

"Where are you going?"  she cried, interrupting herself, her eyes dilated
with fear, as she saw that Zilah, without answering, was moving toward
the door.

She forgot that she no longer had the right to question; she only felt,
that, once gone, she would never see him again.  Ah!  a thousand times a
blow with a knife rather than that!  Was this the way the day, which
began so brightly, was to end?

"Where are you going?"

"What does that matter to you?"

"True!  I beg your pardon.  At least--at least, Monsieur, one word, I
implore.  What are your commands?  What do you wish me to do?  There must
be laws to punish those who have done what I have done!  Shall I accuse
myself, give myself up to justice?  Ah!  speak to me!  speak to me!"

"Live with Michel Menko, if he is still alive after I have met him!"
responded Andras, in hard, metallic tones, waving back the unhappy woman
who threw herself on her knees, her arms outstretched toward him.

The door closed behind him.  For a moment she gazed after him with
haggard eyes: and then, dragging herself, her bridal robes trailing
behind her, to the door, she tried to call after him, to detain the man
whom she adored, and who was flying from her; but her voice failed her,
and, with one wild, inarticulate cry, she fell forward on her face, with
a horrible realization of the immense void which filled the house, this
morning gay and joyous, now silent as a tomb.

And while the Prince, in the carriage which bore him away, read the
letters in which Marsa spoke of her love for another, and that other the
man whom he called "my child;" while he paused in this agonizing reading
to ask himself if it were true, if such a sudden annihilation of his
happiness were possible, if so many misfortunes could happen in such a
few hours; while he watched the houses and trees revolve slowly by him,
and feared that he was going mad--Marsa's servants ate the remnants of
the lunch, and drank what was left of the champagne to the health of the
Prince and Princess Zilah.




CHAPTER XXIII

"THE WORLD HOLDS BUT ONE FAIR MAIDEN"

Paris, whose everyday gossip has usually the keenness and eagerness of
the tattle of small villages, preserves at times, upon certain serious
subjects, a silence which might be believed to be generous.  Whether it
is from ignorance or from respect, at all events it has little to say.
There are vague suspicions of the truth, surmises are made, but nothing
is affirmed; and this sort of abdication of public malignity is the most
complete homage that can be rendered either to character or talent.

The circle of foreigners in Paris, that contrasted society which circled
and chattered in the salon of the Baroness Dinati, could not, of
necessity, be ignorant that the Princess Zilah, since the wedding which
had attracted to Maisons-Lafitte a large part of the fashionable world,
had not left her house, while Prince Andras had returned to Paris alone.

There were low-spoken rumors of all sorts.  It was said that Marsa had
been attacked by an hereditary nervous malady; and in proof of this were
cited the visits made at Maisons-Lafitte by Dr. Fargeas, the famous
physician of Salpetriere, who had been summoned in consultation with Dr.
Villandry.  These two men, both celebrated in their profession, had been
called in by Vogotzine, upon the advice of Yanski Varhely, who was more
Parisian and better informed than the General.

Vogotzine was dreadfully uneasy, and his brain seemed ready to burst with
the responsibility thrust upon him.  Since the terrible day of the
marriage--Vogotzine shrugged his shoulders in anger and amazement when
he uttered this word marriage--Marsa had not recovered from a sort of
frightened stupor; and the General, terrified at his niece's condition,
was really afraid of going insane himself.

"Oh, dear!  Oh, dear!"  he said, "all this is deplorably sad."

After the terrible overthrow of all her hopes, Marsa was seized with a
fever, and she lay upon her bed in a frightful delirium, which entirely
took away the little sense poor old Vogotzine had left.  Understanding
nothing of the reason of Zilah's disappearance, the General listened in
childish alarm to Marsa, wildly imploring mercy and pity of some
invisible person.  The unhappy old man would have faced a battalion of
honveds or a charge of bashi-bazouks rather than remain there in the
solitary house, with the delirious girl whose sobs and despairing appeals
made the tears stream down the face of this soldier, whose brain was now
weakened by drink, but who had once contemplated with a dry eye, whole
ditches full of corpses, which some priest, dressed in mourning, blessed
in one mass.

Vogotzine hastened to Paris, and questioned Andras; but the Prince
answered him in a way that permitted of no further conversation upon the
subject.

"My personal affairs concern myself alone."

The General had not energy enough to demand an explanation; and he bowed,
saying that it was certainly not his business to interfere; but he
noticed that Zilah turned very pale when he told him that it would be a
miracle if Marsa recovered from the fever.

"It is pitiful!"  he said.

Zilah cast a strange look at him, severe and yet terrified.

Vogotzine said no more; but he went at once to Dr. Fargeas, and asked him
to come as soon as possible to Maisons-Lafitte.

The doctor's coupe in a few hours stopped before the gate through which
so short a time ago the gay marriage cortege had passed, and Vogotzine
ushered him into the little salon from which Marsa had once driven Menko.

Then the General sent for Mademoiselle--or, rather, Madame, as he
corrected himself with a shrug of his shoulders.  But suddenly he became
very serious as he saw upon the threshold Marsa, whose fever had
temporarily left her, and who could now manage to drag herself along,
pale and wan, leaning upon the arm of her maid.

Dr. Fargeas cast a keen glance at the girl, whose eyes, burning with
inward fire, alone seemed to be living.

"Madame," said the doctor, quietly, when the General had made a sign to
his niece to listen to the stranger, "General Vogotzine has told me that
you were suffering.  I am a physician.  Will you do me the honor and the
kindness to answer my questions?"

"Yes," said the General, "do, my dear Marsa, to please me."

She stood erect, not a muscle of her face moving; and, without replying,
she looked steadily into the doctor's eyes.  In her turn, she was
studying him.  It was like a defiance before a duel.

Then she said suddenly, turning to Vogotzine:

"Why have you brought a physician?  I am not ill."

Her voice was clear, but low and sad, and it was an evident effort for
her to speak.

"No, you are not ill, my dear child; but I don't know--I don't
understand--you make me a little uneasy, a very little.  You know if I,
your old uncle, worried you even a little, you would not feel just right
about it, would you now?"

With which rather incoherent speech, he tried to force a smile; but
Marsa, taking no notice of him, turned slowly to the doctor, who had not
removed his eyes from her face.

"Well," she said, dryly, "what do you want?  What do you wish to ask me?
What shall I tell you?  Who requested you to come here?"

Vogotzine made a sign to the maid to leave the room.

"I told you, I have come at the General's request," said Fargeas, with a
wave of his hand toward Vogotzine.

Marsa only replied: "Ah!"  But it seemed to the doctor that there was a
world of disappointment and despair expressed in this one ejaculation.

Then she suddenly became rigid, and lapsed into one of those stupors
which had succeeded the days of delirium, and had frightened Vogotzine so
much.

"There!  There!  Look at her!" exclaimed the old man.

Fargeas, without listening to the General, approached Marsa, and placed
her in a chair near the window.  He looked in her eyes, and placed his
hand upon her burning forehead; but Marsa made no movement.

"Are you in pain?"  he asked, gently.

The young girl, who a moment before had asked questions and still seemed
interested a little in life, stirred uneasily, and murmured, in an odd,
singing voice:

"I do not know!"

"Did you sleep last night?"

"I do not know!"

"How old are you?"  asked Fargeas, to test her mental condition.

"I do not know!"

The physician's eyes sought those of the General.  Vogotzine, his face
crimson, stood by the chair, his little, round eyes blinking with emotion
at each of these mournful, musical responses.

"What is your name?"  asked the doctor, slowly.

She raised her dark, sad eyes, and seemed to be seeking what to reply;
then, wearily letting her head fall backward, she answered, as before:

"I do not know!"

Vogotzine, who had become purple, seized the doctor's arm convulsively.

"She no longer knows even her own name!"

"It will be only temporary, I hope," said the doctor.  "But in her
present state, she needs the closest care and attention."

"I have never seen her like this before, never since--since the first
day," exclaimed the General, in alarm and excitement.  "She tried to kill
herself then; but afterward she seemed more reasonable, as you saw just
now.  When she asked you who sent you, I thought Ah! at last she is
interested in something.  But now it is worse than ever.  Oh! this is
lively for me, devilish lively!"

Fargeas took between his thumb and finger the delicate skin of the
Tzigana, and pinched her on the neck, below the ear.  Marsa did not stir.

"There is no feeling here," said the doctor; "I could prick it with a pin
without causing any sensation of pain."  Then, again placing his hand
upon Marsa's forehead, he tried to rouse some memory in the dormant
brain:

"Come, Madame, some one is waiting for you.  Your uncle--your uncle
wishes you to play for him upon the piano!  Your uncle!  The piano!"

"The World holds but One Fair Maiden!"  hummed Vogotzine, trying to give,
in his husky voice, the melody of the song the Tzigana was so fond of.

Mechanically, Marsa repeated, as if spelling the word: "The piano!
piano!"  and then, in peculiar, melodious accents, she again uttered her
mournful: "I do not know!"

This time old Vogotzine felt as if he were strangling; and the doctor,
full of pity, gazed sadly down at the exquisitely beautiful girl, with
her haggard, dark eyes, and her waxen skin, sitting there like a marble
statue of despair.

"Give her some bouillon," said Fargeas.  "She will probably refuse it in
her present condition; but try.  She can be cured," he added; "but she
must be taken away from her present surroundings.  Solitude is necessary,
not this here, but--"

"But?"  asked Vogotzine, as the doctor paused.

"But, perhaps, that of an asylum.  Poor woman!"  turning again to Marsa,
who had not stirred.  "How beautiful she is!"

The doctor, greatly touched, despite his professional indifference, left
the villa, the General accompanying him to the gate.  It was decided that
he should return the next day with Villandry and arrange for the
transportation of the invalid to Dr. Sims's establishment at Vaugirard.
In a new place her stupor might disappear, and her mind be roused from
its torpor; but a constant surveillance was necessary.  Some pretext must
be found to induce Marsa to enter a carriage; but once at Vaugirard, the
doctor gave the General his word that she should be watched and taken
care of with the utmost devotion.

Vogotzine felt the blood throb in his temples as he listened to the
doctor's decision.  The establishment at Vaugirard!  His niece, the
daughter of Prince Tchereteff, and the wife of Prince Zilah, in an insane
asylum!

But he himself had not the right to dispose of Marsa's liberty; the
consent of the Prince was necessary.  It was in vain for Andras to refuse
to have his life disturbed; it was absolutely necessary to find out from
him what should be done with Marsa, who was his wife and Princess Zilah.

The General also felt that he was incapable of understanding anything,
ignorant as he was of the reasons of the rupture, of Zilah's anger
against the Tzigana, and of the young girl's terrible stupor; and, as he
drank his cherry cordial or his brandy, wondered if he too were insane,
as he repeated, like his niece:

"I do not know!  I do not know!"

He felt obliged, however, to go and tell the Prince of the opinion of the
illustrious physician of Salpetriere.

Then he asked Zilah:

"What is your decision?"

"General," replied Andras, "whatever you choose to do is right.  But,
once for all, remember that I wish henceforth to live alone, entirely
alone, and speak to me neither of the future nor of the past, which is
cruel, nor of the present, which is hopeless.  I have determined---"

"What?"

"To live hereafter an absolutely selfish life!"

"That will change you," returned the General, in amazement.

"And will console me," added Andras.




ETEXT EDITOR'S BOOKMARKS:

Life is a tempest
Nervous natures, as prompt to hope as to despair
No answer to make to one who has no right to question me
Nothing ever astonishes me
Poverty brings wrinkles






*** END OF THE PROJECT GUTENBERG EBOOK PRINCE ZILAH — VOLUME 2 ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.