The Project Gutenberg eBook of The Little Dog Trusty; The Orange Man; and the Cherry Orchard; Being the Tenth Part of Early Lessons (1801) This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: The Little Dog Trusty; The Orange Man; and the Cherry Orchard; Being the Tenth Part of Early Lessons (1801) Author: Maria Edgeworth Release date: May 21, 2011 [eBook #36178] Language: English Credits: Produced by Charlene Taylor, Joseph Cooper, David E. Brown, and the Online Distributed Proofreading Team at http://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK THE LITTLE DOG TRUSTY; THE ORANGE MAN; AND THE CHERRY ORCHARD; BEING THE TENTH PART OF EARLY LESSONS (1801) *** Produced by Charlene Taylor, Joseph Cooper, David E. Brown, and the Online Distributed Proofreading Team at http://www.pgdp.net EARLY LESSONS. PART X. PRICE SIX-PENCE. THE LITTLE DOG TRUSTY; THE ORANGE MAN; AND THE CHERRY ORCHARD: BEING THE TENTH PART OF EARLY LESSONS. BY THE AUTHOR OF THE PARENT'S ASSISTANT, SIX VOLUMES. _LONDON:_ PRINTED FOR J. JOHNSON, NO. 72, ST. PAUL'S CHURCHYARD, _By H. Bryer, Bridewell-Hospital, Bridge-Street._ 1801. THE LITTLE DOG TRUSTY; OR, THE LIAR AND THE BOY OF TRUTH. Very, very little children must not read this story; for they cannot understand it: they will not know what is meant by a liar and a boy of truth. Very little children, when they are asked a question, say "yes," and "no," without knowing the meaning of the words; but you, children, who can speak quite plain, and who can tell, by words, what you wish for, and what you want, and what you have seen, and what you have done; you who understand what is meant by the words "I have done it," or "I have not," you may read this story; for--you can understand it. Frank and Robert were two little boys, about eight years old. Whenever Frank did any thing wrong, he always told his father and mother of it; and when any body asked him about any thing which he had done or said, he always told the truth; so that every body who knew him, believed him: but nobody who knew his brother Robert, believed a word which he said, because he used to tell lies. Whenever he did any thing wrong, he never ran to his father and mother to tell them of it; but when they asked him about it, he denied it, and said he had not done the things which he had done. The reason that Robert told lies was, because he was afraid of being punished for his faults, if he confessed them. He was a coward, and could not bear the least pain; but Frank was a brave boy, and could bear to be punished for little faults: his mother never punished him so much for such little faults, as she did Robert for the lies which he told, and which she found out afterward. One evening, these two little boys were playing together, in a room by themselves; their mother was ironing in a room next to them, and their father was out at work in the fields, so there was nobody in the room with Robert and Frank; but there was a little dog, Trusty, lying by the fire-side. Trusty was a pretty playful little dog, and the children were very fond of him. "Come," said Robert to Frank, "there is Trusty lying beside the fire asleep; let us go and waken him, and he will play with us." "O yes, do, let us," said Frank. So they both ran together, towards the hearth, to waken the dog. Now there was a basin of milk standing upon the hearth; and the little boys did not see where-abouts it stood; for it was behind them: as they were both playing with the dog, they kicked it with their feet, and threw it down; and the basin broke, and all the milk ran out of it over the hearth, and about the floor; and when the little boys saw what they had done, they were very sorry, and frightened; but they did not know what to do: they stood for some time, looking at the broken basin and the milk, without speaking. Robert spoke first. "So, we shall have no milk for supper to-night," said he; and he sighed---- "No milk for supper!----why not?" said Frank; "is there no more milk in the house?" "Yes, but we shall have none of it; for, do not you remember, last Monday, when we threw down the milk, my mother said we were very careless, and that the next time we did so, we should have no more; and this is the next time; so we shall have no milk for supper to-night." "Well, then," said Frank, "we must do without it, that's all: we will take more care another time; there's no great harm done; come, let us run and tell my mother. You know she bid us always tell her directly when we broke any thing; so come," said he, taking hold of his brother's hand. "I will come, just now," said Robert; "don't be in such a hurry, Frank--Can't you stay a minute?" So Frank staid; and then he said, "Come now, Robert." But Robert answered, "Stay a little longer; for I dare not go yet--I am afraid." Little boys, I advise you, never be afraid to tell the truth; never say, "_Stay a minute_," and, "_Stay a little longer_," but run directly, and tell of what you have done that is wrong. The longer you stay, the more afraid you will grow, till at last, perhaps, you will not dare to tell the truth at all.--Hear what happened to Robert. The longer he staid, the more unwilling he was to go to tell his mother that he had thrown the milk down; and at last he pulled his hand away from his brother, and cried, "I won't go at all; Frank, can't you go by yourself?" "Yes," said Frank, "so I will; I am not afraid to go by myself: I only waited for you out of good-nature, because I thought you would like to tell the truth too." "Yes, so I will; I mean to tell the truth when I am asked; but I need not go now, when I do not choose it:--and why need you go either?--Can't you wait here?--Surely my mother can see the milk when she comes in." Frank said no more; but, as his brother would not come, he went without him. He opened the door of the next room, where he thought his mother was ironing; but when he went in, he saw that she was gone; and he thought she was gone to fetch some more clothes to iron. The clothes, he knew, were hanging on the bushes in the garden; so he thought his mother was gone there; and he ran after her, to tell what had happened. Now whilst Frank was gone, Robert was left in the room by himself; and all the while he was alone, he was thinking of some excuses to make to his mother; and he was sorry that Frank was gone to tell her the truth. He said to himself, "If Frank and I both were to say, that we did not throw down the basin, she would believe us, and we should have milk for supper. I am very sorry Frank would go to tell her about it." Just as he said this to himself, he heard his mother coming down stairs--"Oh ho!" said he to himself, "then my mother has not been out in the garden, and so Frank has not met her, and cannot have told her; so now I may say what I please." Then this naughty, cowardly boy, determined to tell his mother a lie. She came into the room; but when she saw the broken basin, and the milk spilled, she stopped short, and cried; "So, so!--What a piece of work is here!--Who did this, Robert?" "I don't know, ma'am," said Robert, in a very low voice. "You don't know, Robert!--tell me the truth--I shall not be angry with you, child--You will only lose the milk at supper; and as for the basin, I would rather have you break all the basins I have, than tell me one lie.--So don't tell me a lie.--I ask you, Robert, did you break the basin?" "_No, ma'am_, I did not," said Robert; and he coloured as red as fire. "Then, where's Frank?--did he do it?" "No mother, he did not," said Robert; for he was in hopes, that when Frank came in, he should persuade him to say that he did not do it. "How do you know," said his mother, "that Frank did not do it?" "Because--because--because, ma'am," said Robert, hesitating, as liars do for an excuse--"because I was in the room all the time, and I did not see him do it." "Then how was the basin thrown down? If you have been in the room all the time, you can tell." Then Robert, going on from one lie to another, answered, "I suppose the dog must have done it."-- "Did you see him do it?" says his mother. "Yes," said this wicked boy. "Trusty, Trusty," said his mother, turning round; and Trusty, who was lying before the fire, drying his legs, which were wet with the milk, jumped up, and came to her. Then she said, "Fie! fie! Trusty!" and she pointed to the milk.--"Get me a switch out of the garden, Robert; Trusty must be beat for this." Robert ran for the switch, and in the garden he met his brother: he stopped him, and told him, in a great hurry, all that he had said to his mother; and he begged of him not to tell the truth, but to say the same as he had done. "No, I will not tell a lie," said Frank.--"What! and is Trusty to be beat!--He did not throw down the milk, and he shan't be beat for it--Let me go to my mother." They both ran toward the house--Robert got first home, and he locked the house-door, that Frank might not come in. He gave the switch to his mother. Poor Trusty! he looked up as the switch was lifted over his head; but _he_ could not speak, to tell the truth. Just as the blow was falling upon him, Frank's voice was heard at the window. "Stop, stop! dear mother, stop!" cried he, as loud as ever he could call; "Trusty did not do it--let me in--I and Robert did it--but do not beat Robert." "Let us in, let us in," cried another voice, which Robert knew to be his father's; "I am just come from work, and here's the door locked." Robert turned as pale as ashes when he heard his father's voice; for his father always whipped him when he told a lie. His mother went to the door, and unlocked it. "What's all this?" cried his father, as he came in; so his mother told him all that had happened;--how the milk had been thrown down; how she had asked Robert whether he had done it; and he said that he had not, nor that Frank had not done it, but that Trusty, the dog, had done it; how she was just going to beat Trusty, when Frank came to the window and told the truth. "Where is the switch with which you were going to beat Trusty?" said the father. Then Robert, who saw, by his father's look, that he was going to beat him, fell upon his knees, and cried for mercy, saying, "Forgive me this time, and I will never tell a lie again." But his father caught hold of him by the arm--"I will whip you now," said he, "and then, I hope, you will not." So Robert was whipped, till he cried so loud with the pain, that the whole neighbourhood could hear him. "There," said his father, when he had done, "now go to supper; you are to have no milk to-night, and you have been whipped. See how liars are served!" Then, turning to Frank, "Come here, and shake hands with me, Frank; you will have no milk for supper; but that does not signify; you have told the truth, and have not been whipped, and every body is pleased with you. And now I'll tell you what I will do for you--I will give you the little dog Trusty, to be your own dog. You shall feed him, and take care of him, and he shall be your dog; you have saved him a beating; and, I'll answer for it, you'll be a good master to him. Trusty, Trusty, come here." Trusty came; then Frank's father took off Trusty's collar--"To-morrow I'll go to the brazier's," added he, "and get a new collar made for your dog: from this day forward he shall always be called after you, _Frank_!----And, wife, whenever any of the neighbours' children ask you why the dog _Trusty_ is to be called _Frank_, tell them this story of our two boys: let them know the difference between a liar and a boy of truth." THE ORANGE MAN; OR, THE HONEST BOY AND THE THIEF. Charles was the name of the honest boy; and Ned was the name of the thief. Charles never touched what was not his own: _this_ is being an honest boy. Ned often took what was not his own: this is being a thief. Charles's father and mother, when he was a very little boy, had taught him to be honest, by always punishing him when he meddled with what was not his own: but when Ned took what was not his own, his father and mother did not punish him; so he grew up to be a thief. Early one summer's morning, as Charles was going along the road to school, he met a man leading a horse, which was laden with panniers. The man stopped at the door of a public-house which was by the road side; and he said to the landlord, who came to the door, "I won't have my horse unloaded; I shall only stop with you whilst I eat my breakfast.--Give my horse to some one to hold here on the road, and let the horse have a little hay to eat." The landlord called; but there was no one in the way; so he beckoned to Charles, who was going by, and begged him to hold the horse. "Oh," said the man, "but can you engage him to be an honest boy? for these are oranges in my baskets; and it is not every little boy one can leave with oranges." "Yes," said the landlord, "I have known Charles from the cradle upwards, and I never caught him in a lie or a theft; all the parish knows him to be an honest boy; I'll engage your oranges will be as safe with him as if you were by yourself." "Can you so?" said the orange man; "then I'll engage, my lad, to give you the finest orange in my basket, when I come from breakfast, if you'll watch the rest whilst I am away."-- "Yes," said Charles, "I _will_ take care of your oranges." So the man put the bridle into his hand, and he went into the house to eat his breakfast. Charles had watched the horse and the oranges about five minutes, when he saw one of his school-fellows coming towards him. As he came nearer, Charles saw that it was Ned. Ned stopped as he passed, and said, "Good-morrow to you, Charles; what are you doing there? whose horse is that? and what have you got in the baskets?" "There are oranges in the baskets," said Charles; "and a man, who has just gone into the inn, here, to eat his breakfast, bid me take care of them, and so I did; because he said he would give me an orange when he came back again." "An orange!" cried Ned; "are you to have a whole orange?--I wish I was to have one! However, let me look how large they are." Saying this, Ned went towards the pannier, and lifted up the cloth that covered it. "La! what fine oranges!" he exclaimed, the moment he saw them: "Let me touch them, to feel if they are ripe." "No," said Charles, "you had better not; what signifies it to you whether they are ripe, you know, since you are not to eat them. You should not meddle with them; they are not yours--You must not touch them." "Not touch them! surely," said Ned, "there's no harm in _touching_ them. You don't think I mean to steal them, I suppose." So Ned put his hand into the orange-man's basket, and he took up an orange, and he felt it; and when he had felt it, he smelled it. "It smells very sweet," said he, "and it feels very ripe; I long to taste it; I will only just suck one drop of juice at the top." Saying these words, he put the orange to his mouth. Little boys, who wish to be honest, beware of temptation; do not depend too much upon yourselves; and remember, that it is easier to resolve to do right at first, than at last. People are led on, by little and little, to do wrong. The _sight_ of the oranges tempted Ned to _touch_ them; the touch tempted him to _smell_ them; and the smell tempted him to _taste_ them. "What are you about, Ned?" cried Charles, taking hold of his arm. "You said, you only wanted to smell the orange; do, put it down, for shame!" "Don't say _for shame_ to me," cried Ned, in a surly tone; "the oranges are not yours, Charles!" "No, they are not mine; but I promised to take care of them, and so I will:--so put down that orange!" "Oh, if it comes to that, I won't," said Ned, "and let us see who can make me, if I don't choose it;--I'm stronger than you." "I am not afraid of you for all that," replied Charles, "for I am in the right." Then he snatched the orange out of Ned's hand, and he pushed him with all his force from the basket. Ned, immediately returning, hit him a violent blow, which almost stunned him. Still, however, this good boy, without minding the pain, persevered in defending what was left in his care; he still held the bridle with one hand, and covered the basket with his other arm, as well as he could. Ned struggled in vain, to get his hands into the pannier again; he could not; and, finding that he could not win by strength, he had recourse to cunning. So he pretended to be out of breath and to desist; but he meant, as soon as Charles looked away, to creep softly round to the basket, on the other side. Cunning people, though they think themselves very wise, are almost always very silly. Ned, intent upon one thing, the getting round to steal the oranges, forgot that if he went too close to the horse's heels, he should startle him. The horse indeed, disturbed by the bustle near him, had already left off eating his hay, and began to put down his ears; but when he felt something touch his hind legs, he gave a sudden kick, and Ned fell backwards, just as he had seized the orange. Ned screamed with the pain; and at the scream all the people came out of the public house to see what was the matter; and amongst them came the orange-man. Ned was now so much ashamed, that he almost forgot the pain, and wished to run away; but he was so much hurt, that he was obliged to sit down again. The truth of the matter was soon told by Charles, and as soon believed by all the people present who knew him: for he had the character of being an honest boy; and Ned was known to be a thief and a liar. So nobody pitied Ned for the pain he felt. "He deserves it," says one. "Why did he meddle with what was not his own?"--"Pugh! he is not much hurt, I'll answer for it," said another. "And if he was, it's a lucky kick for him, if it keeps him from the gallows," says a third. Charles was the only person who said nothing; he helped Ned away to a bank: for brave boys are always good-natured. "Oh, come here," said the orange-man, calling him; "come here, my honest lad! what! you got that black eye in keeping my oranges, did you?--that's a stout little fellow," said he, taking him by the hand, and leading him into the midst of the people. Men, women, and children, had gathered around, and all the children fixed their eyes upon Charles, and wished to be in his place. In the mean time, the orange-man took Charles's hat off his head, and filled it with fine China oranges. "There, my little friend," said he, "take them, and God bless you with them! If I could but afford it, you should have all that is in my basket." Then the people, and especially the children, shouted for joy; but as soon as there was silence, Charles said to the orange-man, "Thank'e, master, with all my heart; but I can't take your oranges, only that one I earned; take the rest back again: as for a black eye, that's nothing! but I won't be paid for it; no more than for doing what's honest. So I can't take your oranges, master; but I thank you as much as if I had them." Saying these words, Charles offered to pour the oranges back into the basket; but the man would not let him. "Then," said Charles, "if they are honestly mine, I may give them away;" so he emptied the hat amongst the children, his companions. "Divide them amongst you," said he; and without waiting for their thanks, he pressed through the crowd, and ran towards home. The children all followed him, clapping their hands, and thanking him. The little thief came limping after. Nobody praised him, nobody thanked him; he had no oranges to eat, nor had he any to give away. _People must be honest, before they can be generous._ Ned sighed as he went towards home; "And all this," said he to himself, "was for one orange; it was not worth while." No: it is never worth while to do wrong. Little boys who read this story, consider which would you rather have been, _the honest boy_, or _the thief_. THE CHERRY ORCHARD. Marianne was a little girl of about eight years old; she was remarkably good-tempered; she could bear to be disappointed, or to be contradicted, or to be blamed, without looking or feeling peevish, or sullen, or angry.--Her parents, and her school-mistress and companions, all loved her, because she was obedient and obliging. Marianne had a cousin, a year younger than herself, named Owen, who was an ill-tempered boy; almost every day he was crying, or pouting, or in a passion, about some trifle or other; he was neither obedient nor obliging.--His playfellows could not love him; for he was continually quarrelling with them; he would never, either when he was at play or at work, do what they wished; but he always tried to force them to yield to his will and his humour. One fine summer's evening, Marianne and Owen were setting out, with several of their little companions, to school. It was a walk of about a mile from the town in which their fathers and mothers lived to the school-house, if they went by the high-road; but there was another way, through a lane, which was a quarter of a mile shorter. Marianne, and most of the children, liked to go by the lane, because they could gather the pretty flowers which grew on the banks, and in the hedges; but Owen preferred going by the high-road, because he liked to see the carts and carriages, and horsemen, which usually were seen upon this road. Just when they were setting out, Owen called to Marianne, who was turning into the lane. "Marianne," said he, "you _must_ not go by the lane to-day; you must go by the road." "Why must not I go by the lane to-day?" said Marianne; "you know, yesterday, and the day before, and the day before that, we all went by the high-road, only to please you; and now let us go by the lane, because we want to gather some honey-suckles and dog-roses, to fill our dame's flower-pots." "I don't care for that; I don't want to fill our dame's flower-pots; I don't want to gather honey-suckles and dog-roses; I want to see the coaches and chaises on the road; and you _must_ go my way, Marianne." "_Must!_ Oh, you should not say _must_," replied Marianne, in a gentle tone. "No, indeed!" cried one of her companions, "you should not; nor should you look so cross: that is not the way to make us do what you like." "And, besides," said another, "what right has he always to make us do as he pleases?--He never will do any thing that we wish." Owen grew quite angry when he heard this; and he was just going to make some sharp answer, when Marianne, who was good-natured, and always endeavoured to prevent quarrels, said, "Let us do what he asks, this once; and I dare say he will do what we please the next time--We will go by the high-road to school, and we can come back by the lane, in the cool of the evening." To please Marianne, whom they all loved, they agreed to this proposal. They went by the high-road; but Owen was not satisfied, because he saw that his companions did not comply for his sake; and as he walked on, he began to kick up the dust with his feet, saying, "I'm sure it is much pleasanter here than in the lane; I wish we were to come back this way--I'm sure it is much pleasanter here than in the lane: is not it, Marianne?" Marianne could not say that she thought so. Owen kicked up the dust more and more. "Do not make such a dust, dear Owen," said she; "look how you have covered my shoes and my clean stockings with dust." "Then, say, it is pleasanter here than in the lane. I shall go on, making this dust, till you say that." "I cannot say that, because I do not think so, Owen." "I'll make you think so, and say so too." "You are not taking the right way to make me think so: you know that I cannot think this dust agreeable." Owen persisted; and he raised continually a fresh cloud of dust, in spite of all that Marianne or his companions could say to him.--They left him, and went to the opposite side of the road; but wherever they went, he pursued--At length they came to a turnpike-gate, on one side of which there was a turn-stile; Marianne and the rest of the children passed, one by one, through the turn-stile, whilst Owen was emptying his shoes of dust. When this was done, he looked up, and saw all his companions on the other side of the gate, holding the turn-stile, to prevent him from coming through. "Let me through, let me through," cried he, "I must and will come through." "No, no, Owen," said they, "_must_ will not do now; we have you safe; here are ten of us; and we will not let you come through till you have promised that you will not make any more dust." Owen, without making any answer, began to kick, and push, and pull, and struggle, with all his might; but in vain he struggled, pulled, pushed and kicked; he found that ten people are stronger than one.--When he felt that he could not conquer them by force, he began to cry; and he roared as loud as he possibly could. No one but the turnpike-man was within hearing; and he stood laughing at Owen. Owen tried to climb the gate; but he could not get over it, because there were iron spikes at the top. "Only promise that you will not kick up the dust, and they will let you through," said Marianne. Owen made no answer, but continued to struggle till his whole face was scarlet, and till both his wrists ached: he could not move the turn-stile an inch. "Well," said he, stopping short, "now you are all of you joined together; you are stronger than I; but I am as cunning as you." He left the stile, and began to walk homewards. "Where are you going? You will be too late at school, if you turn back and go by the lane," said Marianne. "I know that, very well; but that will be your fault, and not mine--I shall tell our dame, that you all of you held the turn-stile against me, and would not let me through." "And we shall tell our dame why we held the turn-stile against you," replied one of the children; "and then it will be plain that it was your fault." Perhaps Owen did not hear this; for he was now at some distance from the gate. Presently he heard some one running after him--It was Marianne. "Oh, I am so much out of breath with running after you!--I can hardly speak!--But I am come back," said this good-natured girl, "to tell you that you will be sorry if you do not come with us; for there is something that you like very much, just at the turn of the road, a little beyond the turnpike-gate." "Something that I like very much!--What can that be?" "Come with _me_, and you shall _see_," said Marianne; "that is both rhyme and reason--Come with _me_, and you shall _see_." She looked so good-humoured, as she smiled and nodded at him, that he could not be sullen any longer. "I don't know how it is, cousin Marianne," said he; "but when I am cross, you are never cross; and you can always bring me back to good-humour again, you are so good-humoured yourself--I wish I was like you--But we need not talk any more of that now--What is it that I shall see on the other side of the turnpike-gate?--What is it that I like very much?" "Don't you like ripe cherries very much?" "Yes; but they do not grow in these hedges." "No; but there is an old woman sitting by the road-side, with a board before her, which is covered with red ripe cherries." "Red ripe cherries! Let us make haste then," cried Owen. He ran on, as fast as he could; but as soon as the children saw him running, they also began to run back to the turn-stile; and they reached it before he did; and they held it fast as before, saying, "Promise you will not kick up the dust, or we will not let you through." "The cherries are very ripe," said Marianne. "Well, well, I will not kick up the dust--Let me through," said Owen. They did so, and he kept his word; for though he was ill-humoured, he was a boy of truth; and he always kept his promises--He found the cherries looked red and ripe, as Marianne had described them. The old woman took up a long stick, which lay on the board before her. Bunches of cherries were tied with white thread to this stick; and as she shook it in the air, over the heads of the children, they all looked up with longing eyes. "A halfpenny a bunch!--Who will buy? Who will buy? Who will buy?--Nice ripe cherries!" cried the old woman. The children held out their halfpence; and "Give me a bunch," and "give me a bunch!" was heard on all sides. "Here are eleven of you," said the old woman, "and there are just eleven bunches on this stick." She put the stick into Marianne's hand, as she spoke. Marianne began to untie the bunches; and her companions pressed closer and closer to her, each eager to have the particular bunches which they thought the largest and the ripest. Several fixed upon the uppermost, which looked indeed extremely ripe. "You cannot all have this bunch," said Marianne; "to which of you must I give it? You all wish for it." "Give it to me, give it to _me_," was the first cry of each; but the second was, "Keep it yourself, Marianne; keep it yourself." "Now, Owen, see what it is to be good-natured, and good-humoured, like Marianne," said Cymon, the eldest of the boys, who stood near him--"We all are ready to give up the ripest cherries to Marianne; but we should never think of doing so for you, because you are so cross and disagreeable." "I am not cross _now_; I am not disagreeable _now_," replied Owen; "and I do not intend to be cross and disagreeable any more." This was a good resolution; but Owen did not keep it many minutes.--In the bunch of cherries which Marianne gave to him for his share, there was one which, though red on one side, was entirely white and hard on the other. "This cherry is not ripe; and here's another that has been half eaten away by the birds.--Oh, Marianne, you gave me this bad bunch on purpose--I will not have this bunch." "Somebody must have it," said Cymon; "and I do not see that it is worse than the others; we shall all have some cherries that are not so good as the rest; but we shall not grumble and look so cross about it as you do." "Give me your bad cherries, and I will give you two out of my fine bunch, instead of them," said the good-natured Marianne. "No, no, no!" cried the children; "Marianne, keep your own cherries." "Are not you ashamed, Owen?" said Cymon--"How can you be so greedy?" "Greedy!--I am not greedy," cried Owen, angrily; "but I will not have the worst cherries; I will have another bunch." He tried to snatch another bunch from the stick.--Cymon held it above his head.--Owen leaped up, reached it, and when his companions closed round him, exclaiming against his violence, he grew still more angry; he threw the stick down upon the ground, and trampled upon every bunch of the cherries in his fury, scarcely knowing what he did, or what he said. When his companions saw the ground stained with the red juice of their cherries, which he had trampled under his feet, they were both sorry and angry. The children had not any more halfpence; they could not buy any more cherries; and the old woman said that she could not _give_ them any. As they went away sorrowfully, they said, "Owen is so ill-tempered, that we will not play with him, or speak to him, or have any thing to do with him." Owen thought that he could make himself happy without his companions; and he told them so.--But he soon found that he was mistaken. When they arrived at the school-house, their dame was sitting in the thatched porch before her own door, reading a paper that was printed in large letters--"My dears," said she to her little scholars, "here is something that you will be glad to see; but say your lessons first--One thing at a time--Duty first, and pleasure afterwards----Which ever of you says your lesson best, shall know first what is in this paper, and shall have the pleasure of telling the good news." Owen always learned his lessons very well, and quickly: he now said his lesson better than any of his companions said theirs; and he looked round him with joy and triumph; but no eye met his with pleasure; nobody smiled upon him, no one was glad that he had succeeded: on the contrary, he heard those near him whisper, "I should have been very glad if it had been Marianne who had said her lesson, because she is so good-natured." The printed paper, which Owen read aloud, was as follows: "On Thursday evening next, the gate of the cherry-orchard will be opened; and all who have tickets will be let in, from six o'clock till eight.--Price of tickets, six-pence." The children wished extremely to go to this cherry orchard, where they knew that they might gather as many cherries as they liked, and where they thought that they should be very happy, sitting down under the trees, and eating fruit--But none of these children had any money; for they had spent their last halfpence in paying for those cherries which they never tasted--those cherries which Owen, in the fury of his passion, trampled in the dust. The children asked their dame what they could do to earn six-pence a piece; and she told them, that they might perhaps be able to earn this money by plaiting straw for hats, which they had all been taught to make by their good dame. Immediately the children desired to set to work. Owen, who was very eager to go to the cherry orchard, was the most anxious to get forward with the business: he found, however, that nobody liked to work along with him; his companions said, "We are afraid that you should quarrel with us--We are afraid that you should fly into a passion about the straws, as you did about the cherries; therefore we will not work with you." "Will not you? then I will work by myself," said Owen; "and I dare say that I shall have done my work long before you have any of you finished yours; for I can plait quicker and better than any of you." It was true that Owen could plait quicker and better than any of his companions; but he was soon surprised to find that his work did not go on so fast as theirs. After they had been employed all the remainder of this evening, and all the next day, Owen went to his companions, and compared his work with theirs. "How is this?" said he; "how comes it, that you have all done so much, and I have not done nearly so much, though I work quicker than any one of you, and I have worked as hard as I possibly could?--What is the reason that you have done so much more than I have?" "Because we have all been helping one another, and you have had no one to help you: you have been obliged to do every thing for yourself." "But still, I do not understand how your helping one another can make such a difference," said Owen: "I plait faster than any of you." His companions were so busy at their work, that they did not listen to what he was saying--He stood behind Marianne, in a melancholy posture, looking at them, and trying to find out why they went on so much faster than he could--He observed that one picked the outside off the straws; another cut them to the proper length; another sorted them, and laid them in bundles; another flattened them; another (the youngest of the little girls, who was not able to do any thing else) held the straws ready for those who were plaiting; another cut off the rough ends of the straws when the plaits were finished; another ironed the plaits with a hot smoothing-iron; others sewed the plaits together. Each did what he could do best, and quickest; and none of them lost any time in going from one work to another, or in looking for what they wanted. On the contrary, Owen had lost a great deal of time in looking for all the things that he wanted; he had nobody to hold the straws ready for him as he plaited; therefore he was forced to go for them himself, every time he wanted them; and his straws were not sorted in nice bundles for him; the wind blew them about; and he wasted half an hour, at least, in running after them. Besides this, he had no friend to cut off the rough ends for him; nor had he any one to sew the plaits together; and though he could plait quickly, he could not sew quickly; for he was not used to this kind of work. He wished extremely for Marianne to do it for him. He was once a full quarter of an hour in threading his needle, of which the eye was too small--Then he spent another quarter of an hour in looking for one with a larger eye; and he could not find it at last, and nobody would lend him another--When he had done sewing, he found that _his hand was out for plaiting_; that is, he could not plait so quickly after his fingers had just been used to another kind of work; and when he had been smoothing the straws with a heavy iron, his hand trembled afterwards for some minutes, during which time he was forced to be idle; thus it was that he lost time by doing every thing for himself; and though he lost but few minutes or seconds in each particular, yet, when all these minutes and seconds were added together, they made a great difference. "How fast, how very fast, they go on! and how merrily!" said Owen; as he looked at his former companions--"I am sure I shall never earn sixpence for myself before Thursday; and I shall not be able to go to the cherry-orchard--I am very sorry that I trampled on your cherries; I am very sorry that I was so ill-humoured--I will never be cross any more." "He is very sorry, that he was so ill-humoured; he is very sorry that he trampled on our cherries," cried Marianne; "do you hear what he says; he will never be cross any more." "Yes, we hear what he says," answered Cymon; "but how can we be sure that he will do as he says." "Oh," cried another of his companions, "he has found out at last that he must do as he would be done by." "Aye," said another; "and he finds that we who are good-humoured and good-natured to one another, do better even than he who is so quick and so clever." "But if, besides being so quick and so clever, he was good-humoured and good-natured," said Marianne, "he would be of great use to us; he plaits a vast deal faster than Mary does, and Mary plaits faster than any of us--Come, let us try him, let him come in amongst us." "No, No, No," cried many voices; "he will quarrel with us; and we have no time for quarrelling--We are all so quiet and happy without him!--Let him work by himself, as he said he would." Owen went on, working by himself; he made all the haste that he possibly could; but Thursday came, and his work was not nearly finished--His companions passed by him with their finished work in their hands--Each, as they passed, said, "What, have not you done yet, Owen?" and then they walked on to the table where their Dame was sitting ready to pay them their sixpences. She measured their work, and examined it; and when she saw that it was well done, she gave to each of her little workmen and workwomen the sixpence which they had earned, and she said, "I hope, my dears, that you will be happy this evening." They all looked joyful; and as they held their sixpences in their hands they said, "If we had not helped one another, we should not have earned this money; and we should not be able to go to the cherry-orchard." "Poor Owen!" whispered Marianne to her companions, "look how melancholy he is, sitting there alone at his work!--See! his hands tremble, so that he can scarcely hold the straws; he will not have nearly finished his work in time, he cannot go with us." "He should not have trampled upon our cherries; and then perhaps we might have helped him," said Cymon. "Let us help him, though he did trample on our cherries," said the good-natured Marianne,--"He is sorry for what he did, and he will never be so ill-humoured or ill-natured again--Come, let us go and help him--If we all help, we shall have his work finished in time, and then we shall all be happy together." As Marianne spoke, she drew Cymon near to the corner where Owen was sitting; and all her companions followed. "Before we offer to help him, let us try whether he is now inclined to be good-humoured, and good-natured." "Yes, yes, let us try that first," said his companions. "Owen, you will not have done time enough to go with us,"--said Cymon. "No, indeed," said Owen, "I shall not; therefore I may as well give up all thoughts of it--It is my own fault, I know." "Well, but as you cannot go yourself, you will not want your pretty little basket; will you lend it to us to hold our cherries?" "Yes, I will with pleasure," cried Owen, jumping up to fetch it: "Now he is good-natured, I am sure," said Marianne. "This plaiting of yours is not nearly so well done as ours," said Cymon, "look how uneven it is." "Yes, it is rather uneven, indeed," replied Owen. Cymon began to untwist some of Owen's work; and Owen bore this trial of his patience with good temper. "Oh, you are pulling it all to pieces, Cymon," said Marianne; "this is not fair." "Yes, it is fair," said Cymon; "for I have undone only an inch; and I will do as many inches for Owen as he pleases, now that I see he is good-humoured." Marianne immediately sat down to work for Owen; and Cymon and all his companions followed her example--It was now two hours before the time when the cherry-orchard was to be opened; and during these two hours, they went on so expeditiously, that they completed the work. Owen went with them to the cherry-orchard, where they spent the evening all together very happily--As he was sitting under a tree with his companions eating the ripe cherries, he said to them,--"Thank you all, for helping me; I should not have been here now eating these ripe cherries, if you had not been so good-natured to me--I hope I shall never be cross to any of you again, whenever I feel inclined to be cross, I will think of your good-nature to me, and of THE CHERRY-ORCHARD." _Printed by H. Bryer, Bridewell-Hospital, Bridge-Street._ Transcriber's Notes: Passages in italics are indicated by _italics_. Obvious typographical errors have been corrected as follows: Page 36: "your's" changed to "yours" Page 39: "your's" changed to "yours" Page 61: "childen" changed to "children" Page 96: "good natured" changed to "good-natured" Page 103: "your's" changed to "yours" and "in" changed to "is" Punctuation has been corrected without note. *** END OF THE PROJECT GUTENBERG EBOOK THE LITTLE DOG TRUSTY; THE ORANGE MAN; AND THE CHERRY ORCHARD; BEING THE TENTH PART OF EARLY LESSONS (1801) *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.