The Project Gutenberg eBook of The Last of Mrs. DeBrugh This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: The Last of Mrs. DeBrugh Author: H. Sivia Release date: May 21, 2010 [eBook #32468] Language: English Credits: Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK THE LAST OF MRS. DEBRUGH *** Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net The Last of Mrs. DeBrugh By H. SIVIA [Transcriber Note: This etext was produced from Weird Tales October 1937. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] [Sidenote: _Mr. DeBrugh was dead, but he still regarded his promise as a sacred duty to be carried out.+] "Letty," Mr. DeBrugh remarked between long puffs on his meerschaum, "you've been a fine maid. You've served Mrs. DeBrugh and me for most of fifteen years. Now I haven't much more time in this life, and I want you to know that after Mrs. DeBrugh and I are gone, you will be well taken care of." Letty stopped her dusting of the chairs in Mr. DeBrugh's oak-paneled study. She sighed and turned toward the man, who sat on a heavy sofa, puffing on his pipe and gazing across the room into nothingness. "You mustn't talk that way, Mr. DeBrugh," she said. "You know you're a long time from the dark ways yet." She paused, and then went on dusting and talking again. "And me--humph--I've only done what any ordinary human would do to such a kind employer as you, sir. Especially after all you've done for me." He didn't say anything, and she went on with her work. Of course she liked to work for him. She had adored the kindly old man since first she had met him in an agency fifteen years before. A person couldn't ask for a better master. But there was the mistress, Mrs. DeBrugh! It was she who gave Letty cause for worry. What with her nagging tongue and her sharp rebukes, it was a wonder Letty had not quit long before. She would have quit, too, but there had been the terrible sickness she had undergone and conquered with the aid of the ablest physicians Mr. DeBrugh could engage. She couldn't quit after that, no matter what misery Mrs. DeBrugh heaped on her. And so she went about her work at all hours, never tiring, always striving to please. She left the study, closing the great door silently behind her, for old Mr. DeBrugh had sunk deeper into the sofa, into the realms of peaceful sleep, and she did not wish to disturb him. "Letty!" came the shrill cry of Mrs. DeBrugh from down the hall. "Get these pictures and take them to the attic at once. And tell Mr. DeBrugh to come here." Letty went for the pictures. "Mr. DeBrugh is asleep," she said, explaining why she was not obeying the last command. "Well, I'll soon fix that! Lazy old man! Sleeps all day with that smelly pipe between his teeth. If he had an ounce of pep about him, he'd get out and work the flowers. Sleeps too much anyway. Not good for him." She stamped out of the room and down the hall, and Letty heard her open the door of the study and scream at her husband. "Hector DeBrugh! Wake up!" There was a silence, during which Letty wondered what was going on. Then she heard the noisy clop-clop of Mrs. DeBrugh's slippers on the hardwood floor of the study, and she knew the woman was going to shake the daylights out of Mr. DeBrugh and frighten him into wakefulness. She could even imagine she heard Mrs. DeBrugh grasp the lapels of her husband's coat and shake him back and forth against the chair. Then she heard the scream. It came quite abruptly from Mrs. DeBrugh in the study, and it frightened Letty out of her wits momentarily. After that there was the thud of a falling body and the clatter of an upset piece of furniture. Letty hurried out of the room into the hall and through the open door of the study. She saw Mrs. DeBrugh slumped on the floor in a faint, and beside her an upset ash-tray. But her eyes did not linger on the woman, nor the tray. Instead, they focussed on the still form of Mr. DeBrugh in the sofa. He was slumped down, his head twisted to one side and his mouth hanging open from the shaking Mrs. DeBrugh had given him. The meerschaum had slipped from between his teeth, and the cold ashes were scattered on his trousers. Even then, before the sea of tears began to flow from her eyes, Letty knew the old man was dead. She knew what he had meant by the speech he had said to her only a few minutes before. * * * * * "His heart," was the comment of the doctor who arrived a short time later and pronounced the old man dead. "He had to go. Today, tomorrow. Soon." After that, he put Mrs. DeBrugh to bed and turned to Letty. "Mrs. DeBrugh is merely suffering from a slight shock. There is nothing more that I can do. When she awakens, see that she stays in bed. For the rest of the day." He left then, and Letty felt a strange coldness about the place, something that had not been there while Mr. DeBrugh was alive. She went downstairs and made several telephone calls which she knew would be necessary. Later, when Mrs. DeBrugh was feeling better, other arrangements could be made. She straightened the furniture in the study, pushing the familiar sofa back in place, from where Mr. DeBrugh invariably moved it. Then she knocked the ashes from the meerschaum, wiped it off, and placed it carefully in the little glass cabinet on the wall where he always kept it. Times would be different now, she knew. She remembered what he had said. "You will be well taken care of." But there had been something else. "After _Mrs. DeBrugh+ and I are gone." Letty could no longer hold back the tears. She fell into a chair and they poured forth. But time always passes, and with it goes a healing balm for most all sorrows. First there was the funeral. Then came other arrangements. And there was the will, which Mrs. DeBrugh never mentioned. His things would have fallen into decay but for the hands of Letty. Always her dust-cloth made his study immaculate. Always the sofa was in place and the pipe, clean and shining, in the cabinet. There was a different hardness about Mrs. DeBrugh. No longer was she content with driving Letty like a slave day in and day out. She became even more unbearable. There were little things, like taking away her privilege of having Saturday afternoons off. And the occasional "forgetting" of Letty's weekly pay. Once Letty thought of leaving during the night, of packing her few clothes and going for ever from the house. But that was foolish. There was no place to go, and she was getting too old for maid service. Besides, hadn't Mr. DeBrugh said she would be taken care of. "After _Mrs. DeBrugh+ and I are gone." Perhaps she would not live much longer. And then one morning Mrs. DeBrugh called Letty in to talk with her. It was the hour Letty had been awaiting--and dreading. There was a harsh, gloating tone in Mrs. DeBrugh's voice as she spoke. She was the master now. There was no Hector to think of. "Letty," she said, "for some time now I have been considering closing the house. I'm lonely here. I intend to go to the city and live with my sister. So, you see, I shan't be needing you any longer. I'll be leaving within the next two days. I'm sorry." Letty was speechless. She had expected something terrible, but not this. This wasn't so! Mrs. DeBrugh was lying! It was the will she was afraid of. Letty remembered Mr. DeBrugh's promise. She did not complain, however. Her only words were, "I'll leave tomorrow." That night she packed her things. She had no definite plans, but she hoped something would turn up. * * * * * Sleep would not come easy, so Letty lay in bed and thought of old Mr. DeBrugh. She imagined he was before her in the room, reclining on the sofa, puffing long on the meerschaum. She even saw in fancy the curling wisps of gray smoke drifting upward, upward.... It was sleep. Then, with a start, she was suddenly wide awake. She had surely heard a scream. But no. And then, as soft and as silent as the night wind, came the whisper: "Letty." It drifted slowly off into silence, and a cool breeze crossed her brow. She suddenly felt wet with perspiration. She listened closely, but the whisper was not repeated. Then, noiselessly, she got out of bed, stepped into slippers, and drew a robe about her. Just as silently she left her room and walked down the hall to Mrs. DeBrugh's bedroom. She rapped softly on the door, fearing the wrath of the woman within at being awakened in the middle of the night. There was no answer, no sound from inside the room. Letty hesitated, wondering what to do. And once more she felt that cool, death-like breeze, and heard the faintest of whispers, fainter even than the sighing of the night wind: "Letty." She opened the door and switched on the light. Mrs. DeBrugh lay in the bed as in sleep, but Letty knew, as she had known about Mr. DeBrugh, that it was more than sleep. She quickly called the doctor, and sometime much later he arrived, his eyes heavy from lack of sleep. "Dead," he remarked, after looking at the body. "Probably had a shock. Fright, nightmare, or something her heart couldn't stand. I always thought she would have died first." Letty walked slowly from the room, down the stairs, still in her robe and slippers. The doctor followed and passed her, going through the door into the outside. She walked, as though directed by some unseen force, into Mr. DeBrugh's study. She switched on a lamp beside the sofa on which he had always sat; and she noticed that it was moved slightly out of place. There was something else about the room, some memory of old days. First she saw some sort of legal document on the table and wondered at its being there. The title said: _Last Will and Testament of Hector A. DeBrugh+. It was brief. She read it through and found that Mr. DeBrugh had spoken truthfully in his promise to her. Beside the will on the table was another object, and she knew then what the "something else" in the room was. The meerschaum! It lay there beside the document, and a thin spiral of grayish smoke rose upward from it toward the ceiling. No longer did Letty wonder about anything. *** END OF THE PROJECT GUTENBERG EBOOK THE LAST OF MRS. DEBRUGH *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.