The Project Gutenberg EBook of The Dawn Patrol, and other poems of an aviator, by Paul Bewsher This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Dawn Patrol, and other poems of an aviator Author: Paul Bewsher Release Date: April 30, 2011 [EBook #35996] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE DAWN PATROL *** Produced by David E. Brown, Bryan Ness and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
The Dawn Patrol
And other Poems of an Aviator
PAUL BEWSHER, R.N.A.S., D.S.C.
"A new domain has been won for poetry by the war—that of the air. This is of greater importance than the bare statement suggests.... 'The Dawn Patrol' marks so notable a departure in English literature that it will in after years be eagerly sought by collectors.... Mr. Bewsher's most considerable triumph is to have been the first airman-poet to regard humanity from the detached standpoint of the sky."—Daily Graphic.
"The fable of Pegasus is come true.... Mr Bewsher never strains for effect.... The strongest impression his poems leave is of a sincere and ingenuous nature devoted to duty, but of keen sensibilities."—The Times.
LONDON, W.C. 1: ERSKINE MACDONALD, LTD.
Second Impression: One Shilling and Sixpence net.
THE DAWN PATROL
Paul Bewsher, R.N.A.S.
| To My Father;[2] | ||
| My Best Friend, | ||
| My Best Critic. | ||
| P.B. | ||
| Sept., 1917. |
The Dawn Patrol
And Other Poems of an Aviator
By
PAUL BEWSHER, R.N.A.S.
ERSKINE MACDONALD, LTD.,
MALORY HOUSE, FEATHERSTONE
BUILDINGS, LONDON, W.C. 1
All rights reserved.
Copyright in the United States of America by
Erskine MacDonald, Ltd.
First Published November, 1917.
Second Impression, February, 1918.
Printed by Harrison, Jehring & Co., Ltd., 11-15, Emerald St. W.C. 1.
CONTENTS
| PAGE | |
| The Dawn Patrol | 7 |
| The Joy of Flying | 9 |
| The Crash | 11 |
| The Night Raid | 13 |
| Despair | 18 |
| The Horrors of Flying | 19 |
| Dreams of Autumn | 24 |
| To Carlton Berry | 25 |
| London in May | 26 |
| A Fallen Leaf | 27 |
| The Star | 28 |
| Islington | 29 |
| The Country Beautiful | 30 |
| Chelsea | 31 |
| K. L. H. | 32 |
| The Fringe of Heaven | 33 |
| Three Triolets | 34 |
| Cloud Thoughts | 35 |
| Autumn Regrets | 36 |
| To Hilda | 38 |
| Clouds | 39 |
The Dawn Patrol
|
Sometimes I fly at dawn above the sea, Where, underneath, the restless waters flow— Silver, and cold, and slow. Dim in the East there burns a new-born sun, Whose rosy gleams along the ripples run, Save where the mist droops low, Hiding the level loneliness from me. And now appears beneath the milk-white haze A little fleet of anchored ships, which lie In clustered company, And seem as they are yet fast bound by sleep, Although the day has long begun to peep, With red-inflamèd eye, Along the still, deserted ocean ways. The fresh, cold wind of dawn blows on my face As in the sun's raw heart I swiftly fly, And watch the seas glide by. Scarce human seem I, moving through the skies, And far removed from warlike enterprise— Like some great gull on high Whose white and gleaming wings beat on through space. Then do I feel with God quite, quite alone, High in the virgin morn, so white and still, And free from human ill: My prayers transcend my feeble earth-bound plaints—[8] As though I sang among the happy Saints With many a holy thrill— As though the glowing sun were God's bright Throne. My flight is done. I cross the line of foam That breaks around a town of grey and red, Whose streets and squares lie dead Beneath the silent dawn—then am I proud That England's peace to guard I am allowed;— Then bow my humble head, In thanks to Him Who brings me safely home. Luxeuil-les-Bains, 1917. |
The Joy of Flying
|
When heavy on my tired mind The world, and worldly things, do weigh, And some sweet solace I would find, Into the sky I love to stray, And, all alone, to wander round In lone seclusion from the ground. Ah! Then what solitude is mine— From grovelling mankind aloof! Their road is but a thin-drawn line: Their busy house a scarce-seen roof. That little stain of red and brown They boast about!—It is their town! How small their petty quarrels seem! Poor, crawling multitudes below; Which, like the ants, in feverish stream From place to place move to and fro! Like ants they work: like ants they fight, Assuming blindly they are right. Soon their existence I forget, In joy that on these flashing wings I cleave the skies—O! let them fret— Now know I why the skylark sings Untrammelled in the boundless air— For mine it is his bliss to share! Now do I mount a billowy cloud,[10] Now do I sail low o'er a hill, And with a seagull's skill endowed Circle, and wheel, and drop at will— Above the villages asleep, Above the valleys, shadowed deep, Above the water-meadows green Whose streams, which intermingled flow, Like silver lattice-work are seen A-gleam upon the plain below— Above the woods, whose naked trees Move new-born buds upon the breeze. And far away above the haze I see white mountain-summits rise, Whose snow with sunlight is ablaze And shines against the distant skies. Such thoughts those towering ranges bring That I float on a-wondering! So do I love to travel on Through lonely skies, myself alone; For then the feverish fret is gone Which on this earth I oft have known. Kind is the God who lets me fly In sweet seclusion through the sky! France, 1917. |
The Crash
|
The rich, red blood Doth stain the fair, green grass, and daisies white In generous flood ... This sun-drowsed day for me is darkest night. O! wreck of splintered wood and twisted wire, What blind, unmeasured hatred you inspire Because yours was the power that life to end ... Of him, who was my friend! This morn we lay upon the grass, And watched the languid hours pass; A lark, deep in the sky's blue sea, Sang ecstasies to him and me. And with the daisies did he play, As on the waving grass we lay, And made a little daisy chain To bring his childhood back again. And while he watched the clouds above He drifted into thoughts of love. He said, "I know why skylarks sing— Because they love, and it is Spring. And if I had a voice as they, So would I sing this golden May, Because I love, and loved am I, And when I wander through the sky, I wish I had a skylark's voice,[12] And with such singing could rejoice. Oh, happy, happy, are these days! My heart is full of deep-felt praise, And thanks to God who brings this bliss! Oh! what a happiness is this— To lie upon the grass and know In two short days that I shall go And see my Love's fair face again, And wander in some flowery lane, Forgetting all the world around, And only knowing I have found A Spring enchantment, which is mine Through God's sweet sympathy divine, ... May these two days now swiftly pass!" He laughed upon the sunlit grass. The days have passed, but passed, alas! how slow! See down the road a sad procession go! Oh! hear the wailing music moan! Why? Why such grief am I to know? Dear God! I wish I were alone. For by the grave a girl with streaming eyes Doth make mine dim. While high among the sunny springtime skies, The larks still hymn. France, 1917. |
The Night Raid
|
Around me broods the dim, mysterious Night, Star-lit and still. No whisper comes across the Plain, Asleep beneath the breezes light, Which scarcely stir the growing grain. Slow chimes the quiet midnight hour In some unseen and distant tower, While round me broods the vague, mysterious Night, Star-lit, and cool, and still. And I must desecrate this silent time Of drowsy dreams! On mighty wings towards the sky, Towards the stars, I have to climb And o'er the sleeping country fly, And such far-echoing clamour make That all the villages must wake. So must I desecrate this quiet time Of soft and drowsy dreams! The hour comes ... soon must I say farewell To this fair earth. Then to my little room I go Where I perhaps no more shall dwell. Shall I return?—The Gods but know. Perchance again I shall not sleep[14] On that white bed in silence deep. For soon the hour comes to say farewell To this fair, friendly earth. I stand there long, before into the gloom I take my way. There are the pictures of my friends And all the treasures of my room On which my lamp soft radiance sends. And long with lingering gaze I look Upon each much belovèd book. I stand, and dream—before into the gloom I sadly take my way. And now I gain the field whence I must part Upon my quest. My Pegasus of wood and steel Is ready straining at the start. The governor is at the wheel— And, with an ever-growing roar, Across the hidden fields we soar. So, with one envious look from Earth I part Upon my midnight quest. Beneath me lies the sleeping countryside Hazy and dim, And here and there a little gleam, Like stars upon the heavens wide, Speaks of some wretch who cannot dream— But on his bed all night must toss[15] And hear me as I pass across, In droning flight above the countryside, Hazy, and huge, and dim. And in the great blue night I ever rise Towards the stars, As to the hostile lands I sail High in the dark and cloudless skies Whose gloom our gloomy wings doth veil. Beneath, a scarce-seen ribbon shows Where through the woods a river flows, As in the shadowy night I ever rise Towards the scattered stars. Now high above War's frontiers do I sit— Above the lines. Great lights, like flowers, rise and fall: On either side red flashes spit Hot death at those poor souls which crawl On secret errands. O, how grim Must be that midnight slaughter dim! And happy am I that so high I sit Above those cruel lines! Each man beneath me now detests my race With iron hate. Each tiny light I see must shine Upon some grim, unfriendly face, Who curses England's name and mine, And would be glad if both were gone—[16] But steadily must I fly on, Though every soul beneath me loathes my race With stern, unceasing hate. I see a far-flung City all ablaze With jewelled lamps: I trace its quays, its roads, its squares, And all its intermingled ways, And, as I wonder how it dares To flaunt itself,—the City dies, And in an utter darkness lies, For I have terrified that town ablaze With twinkling, jewelled lamps. But, see!—the furnace with its ruddy breath Which I must wreck! The searchlights sweep across the sky— Long-fingered ministers of Death— I look deep in their cold blue eye, Incessant shells with blinding light Show every wire, clear and white! There is the furnace with its ruddy breath Which I must wreck;— It lies beneath—my time has come at last To do my work! I wait—O! will you never stop Your fearful shells, that burst so fast?— And then—I hear destruction drop Behind my back as I release[17] Such fearful death with such great ease. Burst on, you shells! My time has come at last To do my deadly work. Then do I turn, and hurry swiftly back Towards my home. I gladly leave that place behind! No more I hear the shrapnel's crack— No more my eyes the searchlights blind. I cross the lines with lightening breast And sail into the friendly West. How glad am I to hurry swiftly back Towards my peaceful home! I reach the field—and then I softly land. My work is o'er! I leave my hot and panting steed, And clasp a comrade's outstretched hand, And with him to my bedroom speed. Then, over steaming beakers set, The night's fierce menace soon forget. How great a welcome waits me when I land— When all my work is o'er! But ere I search shy sleep on my white bed I greet the dawn, And think, with heart weighed down with grief, How cruel this dawn to those whose dead Lie shattered, torn—whom, like a thief At darkest midnight, I have slain.[18] Poor, unknown victims!—real my pain! What widows, orphans, sweethearts see their dead This cruel, hopeless dawn? France, 1917. |
Despair
|
The long and tedious months move slowly by And February's chill has fled away Before the gales of March, and now e'en they Have died upon the peaceful April sky: And still I sadly wander, still I sigh, And all the splendour of each Springtime day Is dyed, for me, one melancholy grey, And all its beauty can but make me cry. For thou art silent, Oh! far distant friend, And not one word has come to cheer my heart Through these sad months, which seem to have no end, So distant seems the day which bade us part! Oh speak! dear fair-haired angel! Spring has smiled, And I despair—a broken-hearted child. France, 1917. |
The Horrors of Flying
|
The day is cold; the wind is strong; And through the sky great cloud-banks throng, While swathes of snow lie on the ground O'er which I walk without a sound, But I have vowed to fly to-day Though winds are fierce, and clouds are grey. My aeroplane is on the field; So I must fly—my fate is sealed, And no excuses can I make; Within its back my place I take. I strap myself inside the seat And press the rudder with my feet, And hold the wheel with nervous grip And gaze around my little ship— For on its wire-rigging taut Depends my life—which will be short If it should fail me in the air; Swift then my fall, and short my prayer, And these my wings would be my pyre— So well I scrutinise each wire! Then out across the field I go In shaking progress,—noisy—slow; And turn, until the wind I face, Then do I look around a space; For fear to-day is at my heart And nervously I fear to start. The field is clear—the skies are bare—[20] Mine is the freedom of the air! And yet I sit and hesitate, Although each moment that I wait Brings to my soul a greater fear. To me the grass seems very dear— Dear seems the hut where dreams have crept To me each midnight as I slept— Dear seems the river, by whose brink I oft have watched brown pebbles sink Deep in the crumbling bridge's shade, Where in the evening I have strayed! My restless hands hold fast the wheel; Once more the wing-controls I feel. I move the rudder with my feet, And settle firmly in the seat. I start, and o'er the snowy grass In ever quicker progress pass: On either side the ground streaks by, And soon above the grass I fly. I feel the air beneath the wings; At first a greater ease it brings— But soon the stormy strife begins, And if I lose, 'tis Death who wins. The winds a thousand devils hold, Who grasp my wings with fingers bold, And keep me ceaselessly a-rock— I seem to hear those devils mock As I am thrown from side to side[21] In unseen eddies, terrified— As suddenly I start to drop, And when my plunging fall I stop, Up am I swiftly thrown once more! Like no great eagle do I soar, But like a sparrow tempest-tost I struggle on! My faith is lost: My former confidence is dead, And whispering fear has come instead. Death ever dogs me close behind— My frightened soul no peace can find. I feel a torture in each nerve, As to the right or left I swerve. And now Imagination brings Its evil thoughts—I watch the wings, And wonder if those wings will break— The tight-stretched wires seem to shake. I see the ghastly, headlong rush, And picture how the fall would crush My helpless body on the ground. With haggard eyes I turn around, And contemplate the rocking tail,— My drawn and sweating cheeks are pale. Fear's clammy hands clutch at my heart! I try, with unavailing art, To summon thoughts of peaceful hours Spent in some sunny field of flowers When my half-opened eyes would look[22] On some old dream-inspiring book, And not on this accursèd wheel, And on this box of wood and steel In which at pitch-and-toss with Death, I play, and wonder if each breath I tensely draw, will be my last. The happy thoughts are swiftly past— My frightened brain forbids them stay. Dear London seems so far away, And far away my well-loved friends! Each second my existence ends In my disordered mind, whose pace I cannot check—its cog-wheels race, Like some ungoverned, whirring clock, When, frenziedly, it runs amok. I have resolved that I will climb A certain height—how slow seems time As on its sluggish pivot creeps The laggard finger-point, which keeps The truthful record. O, how slow Towards the clouds I seem to go! And then ambition gains its mark at last! The little finger o'er the point has passed! I can descend again. With conscience clear And end this battle with persistent fear! The engine's clamour dies—there is no sound Save whistling wires—as towards the ground I gently float. My agony is gone.[23] What peace is mine as I go gliding on! Calm after storm—contentment after pain— Soft sleep to some tempestuous, burning brain— The soothing harbour after foamy seas— The gentle feeling of a perfect ease— All, all are mine—though yet by gusts distressed! Near is the ground, and with the ground comes rest. Above the trees I glide—above the grass, Above the snow-besprinkled earth I pass. I touch the ground, run swift along, and stop— Above the wheel my tired shoulders drop. I leave my seat, and slowly move away ... Cold is the wind: the clouds are grey, I only wish my room to gain, And in some book forget my pain, And lose myself in fancied dreams Across Titania's golden streams. France, 1917. |
Dreams of Autumn
|
When through the heat of some long afternoon In blazing August, on the grass I lie, And watch the white clouds move across the sky, On whose azure is faintly etched the moon, That, when the evening deepens, will be soon The brightest figure of those hosts on high, My heart is discontented, and I sigh, For Autumn and its vapours; till I swoon Upon the vision of October days In dreaming London, when each mighty tree Sheds daily more brown showers through the haze, Which lends each street Romance and Mystery— When pallid silver Sunshine only gleams On that grey Lovers' City of Sweet Dreams. Isle of Grain, 1916. |
To Carlton Berry
Killed in an Aeroplane Accident, July, 1916
|
It was Thy will, O God. And so he died! For seventeen sweet years he was a child Upon whose grace Thy loving-kindness smiled, For he was clean, and full of youthful pride; And, when his years drew on, then Thou denied That he by man's estate should be defiled, And so Thou call'st him to Thy presence mild To be with Thee for ever, by Thy side. Nor is he dead! He lives in three great spheres. His soul is with Thee in Thy home above: His influence,—with friends of former years: His memory with those he used to love. He is an emblem of that Trinity With whom he lives in happy ecstasy. Isle of Grain, 1916. |
London in May
|
Two long, full years have passed since I have smelt Sweet London in this happy month of May! Last year relentless War bore me away To Imbros Isle, where six sad months I dwelt Beneath a burning sun—nor ever felt One breath of gentle Spring blow o'er the bay Between whose sun-dried hills so long I lay A restless captive. Now has Fortune dealt More kindly with me: once again I know The drowsy languor of the afternoons: The soft white clouds: the may-tree's whiter snow: The star-bound evenings, and the ivory moons. My heart, dear God! leaps up till it is pain With thanks to Thee that I am here again. London. |
A Fallen Leaf
|
When Death has crossed my name from out the roll Of dreaming children serving in this War; And with these earthly eyes I gaze no more Upon sweet England's grace—perhaps my soul Will visit streets down which I used to stroll At sunset-charmèd dusks, when London's roar Like ebbing surf on some Atlantic shore Would trance the ear. Then may I hear no toll Of heavy bells to burden all the air With tuneless grief: for happy will I be!— What place on earth could ever be more fair Than God's own presence?—Mourn not then for me, Nor write, I pray, "He gave"—upon my clod— "His life to England," but "his soul to God." Isle of Sheppey, 1917. |
The Star
|
I stood, one azure dusk, in old Auxerre Before the grey Cathedral's towering height, And in the Eastern darkness, very fair I saw a little star that twinkled bright; How small it looked beside the mighty pile, Whose stone was rosy with the Western glow— A little star—I pondered for a while, And then the solemn truth began to know. That tiny star was some enormous sphere, The great cathedral was an atomy— So often when grey trouble looms so near That God shines in our minds but distantly,— If we but thought, our grief would seem so small That we would see that God's great love was all. France, 1917. |
Islington
|
Here slow decay with creeping finger peels The yellow plaster from the grimy walls, Like leprous lichen, day by day which falls, And, day by day, more rotting stone reveals! Here are old mournful squares through which there steals No cheerful music, or the heedless calls Of laughing children; and the smoke, which crawls Across the sky, the heavy silence seals! Lean, blackened trees stretch up their withered boughs Behind the rusty railings, prison-bound, In vain they seek the summer sunlight's gold In which their long-dead fathers used to drowse: For pallid terraces lie far around, In gloomy sadness ever growing old. Ochey-les-Bains, 1917. |
The Country Beautiful
|
I love the little daisies on the lawn Which contemplate with wide and placid eyes The blue and white enamel of the skies— The larks which sing their mattin-song at dawn, High o'er the earth, and see the new Day born, All stained with amethyst and amber dyes. I love the shadowy woodland's hidden prize Of fragrant violets, which the dewy morn Doth open gently underneath the trees To cast elusive perfume on each hour— The waving clover, full of drowsy bees, That take their murmurous way from flower to flower. Who could but think—deep in some sun-flecked glade— How God must love these things that He has made? Eastchurch, 1916. |
Chelsea
|
How many of those youths who consecrate Their lives to art, and worship at her shrine, And sacrifice their early hours and late In serving her exacting whims divine Have gathered in old Chelsea's shaded peace, Whose faint, elusive charm, and gentle airs, Bring inspiration fresh, and sweet release From Trouble's haunting shapes and goblin cares? O! tree-embowered hamlet, whose demesne Sleeps in the arms of London quietly, Whose sparrow-haunted roads, and squares serene, From all the stress of life seem ever free— O! are you more than just a passing dream Beside the city's slim and lovely stream? Luxeuil-les-Bains, 1917. |
K.L.H.
Died of Wounds Received at the Dardanelles.
|
Where stern grey busts of gods and heroes old Frown down upon the corridors' chill stone, On which the sunbeam's amber pale is thrown From leaf-fringed windows, one of quiet mould Gazed long at those white chronicles which told Of honours that the stately School had known. He read the names: and wondered if his own Would ever grace the walls in letters bold. He knew not that he for the School would gain A greater honour with a greater price— That, no long years of work, but bitter pain And his rich life, he was to sacrifice— Not in a University's grey peace, But on the hilly sun-baked Chersonese. H.M.S. "Manica," Dardanelles, 1915. |
The Fringe of Heaven
|
Now have I left the world and all its tears, And high above the sunny cloud-banks fly, Alone in all this vast and lonely sky— This limpid space in which the myriad spheres Go thundering on, whose song God only hears High in his heavens. Ah! how small seem I, And yet I know he hears my little cry Down there among Mankind's cruel jest and sneers. And I forget the grief which I have known, And I forgive the mockers and their jest, And in this mightly solitude alone, I taste the joys of everlasting rest, Which I shall know when I have passed away To live in Heaven's never-fading day. Written in the Air. |
Three Triolets
| COLOURS. |
| How bright is Earth's rich gown None but an Airman knows Yellow, and green, and brown— How bright is Earth's rich gown! I see, as I gaze down, Its purple, cream, and rose. How bright is Earth's rich gown None but an Airman knows! |
| THE SEA. |
|
Sad is the lonely sea— So vast, and smooth, and grey It stretches far from me. Sad is the lonely sea! Its cheerful colours flee Before the fading day. Sad is the lonely sea So vast, and smooth, and grey! |
| DISILLUSION.[35] |
|
You mortals see the sky— I only see the ground, As through the air I fly. You mortals see the sky, And yet with envy sigh Because to earth you're bound! You mortals see the sky— I only see the ground! Written in the Air. |
Cloud Thoughts
|
Above the clouds I sail, above the clouds, And wish my mind Above its clouds could climb as well, And leave behind The world and all its crowds, And ever dwell In such a calm and limpid solitude With ne'er a breath unkind or harsh or rude To break the spell— With ne'er a thought to drive away The golden splendour of the day. Alone and lost beneath the tranquil blue, My God! With you! Written in an Aeroplane. |
Autumn Regrets
|
That I were Keats! And with a golden pen Could for all time preserve these golden days In rich and glowing verse, for poorer men, Who felt their wonder, but could only gaze With silent joy upon sweet Autumn's face, And not record in any wise its grace! Alas! But I am even dumb as they— I cannot bid the fleeting hours stay, Nor chain one moment on a page's space. That I were Grieg! Then, with a haunting air Of murmurs soft, and swelling, grand refrains Would I express my love of Autumn fair With all its wealth of harvest, and warm rains: And with fantastic melodies inspire A memory of each mad sunset's fire In which the day goes slowly to its death As through the fragrant woods dim Evening's breath Doth soothe to sleep the drowsy songbirds' choir. That I were Corot! Then September's gold Would I store up in painted treasuries That, when the world seemed grey I could behold Its blazing colour with sweet memories, And each elusive colour would be mine[37] That decorates these afternoons benign. Ah! Then I could enshrine each fleeting hue Which dyes the woodland, and enslave the blue Of sky and haze, with genius divine. How sad these wishes! When I have no art Of poetry, or music, or of brush, With which to calm the swelling of my heart By capturing the misty country's hush In muted violins; I cannot hymn The shadowy silence of the copses dim; Nor can I paint September's sky-crowned hills. Gone then, the wonder which my vision fills, When all the earth is bound by Winter grim! Westgate. |
To Hilda:
On Her Seventeenth Birthday.
|
Now has rich time brought you a gift of gold— A long sweet year which you can shape at will, And deck with roses warm, or with the chill And heartless lilies—God gives strength to mould Our days, and lives, with fingers firm and bold, And make them noble, straight and clean from ill, Though few are willing, and their years they fill With dross which they regret when they are old. What splendid hours of your life are these When youth and childhood wander hand in hand, And give you freely all which best can please— Laughter and friends and dreams of Fairyland! Mourn not the seasons past with useless tears, But greet the pleasure of the coming years! France, 1917. |
Clouds
|
'Tis strange to leave this world of woods and hills, This world of little farms, and shady mills,— Of fields, and water-meadows fair, Upon some sad and shadowy day When all the skies are overcast and grey, And climb up through the gloomy air, And ever hurry higher still, and higher, Till underneath you lies a far-flung shire All sober-hued beneath the ceiling pale Of crawling clouds, whose barrier soon you reach, And through their clammy vapours swiftly sail, Their chill defences hoping soon to breach— To see no skies above, no ground below, And in that nothingness toss to and fro Is no sweet moment—will it never cease?— Climbing and diving, thrown from side to side,— All suddenly there comes a sense of peace And o'er a wondrous scenery we glide. O! what a splendour! Deep the cloudless blue Whose sparkling azure has a gorgeous hue On earth you know not—flaming bright the sun Which shines upon a landscape, snowy-white With all its power of unsullied light! Deep in the shadowy valleys do we run, And then above the towering summits soar,[40] And see for far-thrown miles yet, more and more, Great mountain-ranges, rolling, white and soft, With shadowy passes, cool, and huge, and dim, Where, surely, angels wander as they hymn Their happy songs, which wing their way aloft To Him who made the sun—the azure deep— And all this gleaming land of peace and sleep. Alone I wander o'er this virgin land— All, all for me—below the ploughman plods Along his furrows, and with restless hand The sower hurls his seed among the clods— They cannot see the sun—grey is their sky,— I see the sun—the heaven's blue—on high! But I am human, and must e'en descend; I bid farewell to all this lovely scene, And plunge deep in a cloud—When will it end, This hazy voyage?—See! the chequered green, The scattered farmsteads, and the quiet sea, Sunless and dim, come hurrying up to me. France, 1917. |
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