The Project Gutenberg EBook of Goat-Feathers, by Ellis Parker Butler This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Goat-Feathers Author: Ellis Parker Butler Release Date: March 22, 2009 [EBook #28389] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK GOAT-FEATHERS *** Produced by D Alexander and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) GOAT-FEATHERS BY _Ellis Parker Butler_ BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY _The Riverside Press Cambridge_ COPYRIGHT, 1918, BY THE CROWELL PUBLISHING COMPANY COPYRIGHT, 1919, BY ELLIS PARKER BUTLER ALL RIGHTS RESERVED INCLUDING THE RIGHT TO REPRODUCE THIS BOOK OR PARTS THEREOF IN ANY FORM G_oat_-F_eathers_ GOAT-FEATHERS No human being ever tells the whole truth about himself. We seem to be born liars in that particular, all of us, and I am no different. I'm starting out now to tell the bitter, agonizing truth about myself, but before I am through I shall probably be lying at the rate of a mile a minute and cracking myself up something awful! A man can tell only so much truth; then he begins to wabble. The truth is, I ought to be making as much money as Robert W. Chambers, and winning prizes of honor like Ernest Poole, and I'm not. I ought to be better known as a humorist than George Ade and Mark Twain rolled into one, and I'm not. The trouble with me is that I am always too ready and eager to break away and go gathering goat-feathers. If it had not been for that I might be a millionaire or the President of the United States or the leading American Author, bound in Red Russia leather. I might have been a Set of Books, like Sir Walter Scott or Dickens or Balzac, and when people passed my house the natives would say, "No, that isn't the city hall or the court-house; that's where Butler lives." Of course some strangers would say, "Butler, the grocer?" but that would be the ignorant few. The real people would whisper, "Butler, the Author!" in a sort of subdued awe and remove their hats. Some of them would pick a blade of grass from my lawn and take it home to hand down to their children's children as the most treasured family possession. As it is, I have gathered so many goat-feathers that half the people introduce me as Ellis Butler Parker and the other half as Butler Parker Ellis, and if there is a ton of hay growing on my lawn nobody bothers to pick a pint. My father has to cut it and rake it away. Goat-feathers, you understand, are the feathers a man picks and sticks all over his hide to make himself look like the village goat. It often takes six days, three hours and eighteen minutes to gather one goat-feather, and when a man has it and takes it home it is about as useful and valuable to him as a stone-bruise on the back of his neck. I have recently spent several days over a month gathering one goat-feather, and as a reward I was grabbed and chased after another that ate up two weeks and three days of my time. Goat-feathers are the distractions, side lines and deflections that take a man's attention from his own business and keep him from getting ahead. They are the Greatest Thing in the World--to make a man look like a goat. I think I can claim, without fear of dispute, to have gathered more goat-feathers in a fifty-year career, and to look more like a goat, than any other man living, and not excepting Pooh Bah, who added such a pleasing, goat-like character to Gilbert-and-Sullivan's "Mikado." Pooh Bah, poor amateur! could boast only that he was First Lord of the Treasury, Lord Chief Justice, Commander-in-Chief, Lord High Admiral, Master of the Buck Hounds, Groom of the Back Stairs, Archbishop of Titipu, Lord Mayor, Lord Chamberlain, Attorney-General, Chancellor of the Exchequer, Privy Purse, Private Secretary, Lord High Auditor, First Commissioner of Police, Paymaster General, Judge Ordinary, Master of the Rolls, Secretary of State for the Home Department, Groom of the Second Floor Front, and Registrar. I can beat that all to pieces. When I wake in the morning as President of the Authors' League Fund I can give some attention to my work as Publicity Manager of the Liberty Loan Committee while preparing to devote an hour or two to the Secretaryship of the Armenian Relief and the Treasurership of the Volunteer Committee for the Fatherless Children of France, before I consider my duties as Vice-President of the Flushing Savings and Loan and as Vice-President, Director and Member of the Discount Committee of the Flushing National Bank. As a Councillor and Member of the Executive Committee of the Authors' League, and one of the Membership Committee of the City Club, Governor of the Tuscarora Club and Publicity Manager for the Flushing Red Cross, Flushing Red Cross Drive and Queensboro Red Cross Drive I can put in a few hours of goat-feather gathering. Night may come without my having to do any real work, but if not I can avoid it and accumulate a few more goat-feathers as Member of the Book Committee and Executive Committee of the Queensboro Public Library, Member of the Queensboro Committee on Training Camp Activities, Executive Committeeman of the Vigilantes, Authors' Committeeman of the American Defense Society, and so on for hours and hours and hours. I am a member of everything but the Mothers' Club of Public School 20, and everything takes time from my legitimate work. I estimate that in the last twenty years I have gathered twenty thousand pounds of goat-feathers at a cost of about five dollars a pound, and the whole lot is worth about twenty cents. What I marvel at is that I make a living at all. My telephone rings seven thousand eight hundred and six times a day, and only once in the last eight years has it been rung by any one who wanted to buy a story from me. The other eighty-two million times it was rung by people who wanted me to gather a new crop of goat-feathers. At one time I moved out to the barn to get away from the telephone. The result was that I had to come down out of the second story of the barn, walk across my property, enter the house, and go upstairs every time the telephone rang. I did this eighty-two times a day, and then moved back to the house and had an extension telephone put in my workroom so close to my desk that every time I flexed a muscle I knocked the 'phone off its table. This made it much handier for the goat-feather distributers, so they called me up oftener. They call me before I am out of bed, when I am in the bathtub, and after I go to bed. Usually they call me to the 'phone and then tell me to wait a minute until Mr. Jonesky comes. The favorite times for calling me are when I am in the bathtub, when I am at meals, and when I am trying to concentrate on my writing. I am not blaming any one for this. I did not have to rent a telephone. I could have let people come to the house. A great many do come to the house. On the average, it takes the person who comes to the house just one hour to state a proposition that could be put in a six-word telegram or 'phoned in one minute. The visitor always begins with a few neat remarks about "Pigs and Pigs," which is not the name of the story, tells how his grandmother laughed over it until she swallowed her false teeth, explains that his grandmother was one of the Tootlecoms of Worcester, but married into the Blahblah family. About half an hour later the visitor remarks, "I know you are very busy and I hate to ask you, but----" Then he asks me to do some little trifle like raising $80,000,000 in Flushing for the War Fund of the One-Legged Gardeners' League, which has a plan for planting sweet peas in the trenches in Mesopotamia. "We know you can do it," he says pleasantly. I know I can do it, too. I feel the great urge of ability rise within me. I don't care a hang for Mesopotamia, or for sweet peas in the trenches there; but it is something I can do, and I go ahead and do it. I gather two quarts of red, white, and blue goat-feathers, give eighteen magazine editors a chance to forget I am alive, and find at the end of the month that I am three hundred and forty dollars deeper in debt than I was before. It has come about that people are actually offended if I don't jump into every mad goat-feather quest that is proposed. I am firmly convinced that there is now extant an Association to Prevent Butler Doing a Full Day's Work. I don't want to seem egotistical, but I am now of the opinion that the Kaiser started the war in order to make it seem necessary for me to make Four-Minute speeches on Food Conservation, Give Your Binoculars, and Buy a Thrift Stamp. Of course, all our patriotic, Liberty Loan, Red Cross, Thrift Stamp side-lining isn't goat-feathering. The genuine variety is eagle-feather gathering, and I am as proud of my eagle-feathers as I am sour on my goat-feathers. Now it is a fine thing to be treasurer of the Flushing Hospital, and it is a fine thing to be president of the Flushing Country Club, but the goat-feathers pall when you know that the reason you were given those glories was because nobody else would take them. It's a "grand and glorious feelin'" to know you can take some affair and make it a success, or a near-success; but it is not business. A man may make a success of a Flushing Public Playground and not be making a success of himself. He may be making a goat of himself. The chances are ten to one that he is making a goat of himself. I'll never get the Pulitzer prize for the best novel or for the best play, but if there was a Pulitzer prize for the greatest human goat nobody else would be in the running. I have not got goat-feathers by the dozen or by the pound--I have them by the bale. I estimate that if all my goat-feathers were placed end to end they would reach from the bread line to the poor-house. It is just possible that by this time you may gather that I have a grouch on myself. If so, you are right. To-day I am forty-nine years and six months old, and as a bright and shining literary light I am exactly where I was twelve years ago. I am twelve years older and have that much less time in which to complete the joy of making good as one of the great American authors. Presently the infirmities of age will begin to gnaw at me, the moths will ruin my flossy collection of goat-feathers, all those who now pat me on the back because they can make use of me free of charge will forget that I am alive, and my executors will shake their heads and say, "Ain't it too bad he left so little!" Distraction isn't really good for a man if he wants to reach a goal. No salesman ever got very far by carrying too many side lines. The poorest sort of monopoly for any man to undertake is a monopoly of goat-feathers. No man in the world had a better chance to make himself the Great American Humorist than I had when I wrote "Pigs is Pigs." I had a good, solid foundation of fairly good humorous work under it and the little story had a wonderful success. The thing for me to have done then was to stick to humor, regardless of anything. I have written dainty stories, sympathetic stories, serious stories, all kinds of stories, but not many humorous stories. It is surprising how often editors have had to announce "A story that shows this famous humorist in an entirely new vein." Taking literature as a business, I can say that a humorist should have no "new vein." Neither does a plumber succeed as a plumber by spending a large share of his working hours making violins. No one ever succeeds by allowing himself to be deflected from the most important business of life, which is making the most of the best that is in him. Even a cow does better if she sticks close to the business of eating grass and chewing the cud. When she starts in to learn to whistle like a catbird and to flit from field to field like a butterfly it is safe to say she is no longer a success in life. When a cow strays from plain milk-producing methods and begins climbing trees and turning somersaults, she may be more picturesque, but she is gathering nothing but goat-feathers. Seven farmers, a school-teacher and a tin peddler may line up along the fence and applaud her all afternoon until she is swelled with pride, but when she gets back to the barn at sundown she will not give much milk. She will not be known as a milch cow long; she will be a low grade of corned beef, a couple of flank steaks and a few pairs of three-dollar shoes. I can sit down to write a story about a man who fell off a bridge and landed in a kettle of tar on a canal boat and, before I have completed a full paragraph, I can have stopped to clean the small o, small e, and small a of my typewriter with a toothpick, stopped to think about the pearl buttons on a vest I owned in 1894, the Spanish-American War, what the French word for "illumination" is, and whether I paid my last Liberty Loan installment. Before I have finished that first paragraph I may have stopped to fill my fountain pen, gone downtown to attend a meeting of the Red Cross Committee, started to recatalogue my published stories, and taken a trip to Chicago. Before I have got to the first period in the first sentence I may have decided that I would not have a man fall off the bridge but have a woman fall off it, that I would not have her fall off a bridge but off the Woolworth Building, that I would not have her fall into a kettle of tar but into a wagonload of feather beds, that I would not have her fall at all, that I would not write a humorous story at all, that I would not write at all, and that I would, instead, get an empty cigar box and make a toy circus wagon for my young son. I once made an entire doll's house, two stories, four rooms, kitchen and bath, with hand-carved stairways and electric lighting throughout, the walls entirely weatherboarded, put in the carpets, papered the walls, hung lace curtains at the windows and painted the exterior, and all between two paragraphs of a story. I spent three months on that little trip after goat-feathers, and in the meantime Arnold Bennett probably wrote three novels of several hundred thousand words each, gained an international reputation, and passed me on the road to fame like an airplane passing a snail. George Ade kept pegging away at his "Fables" with the regularity of a day laborer, and Peter Finley Dunne ground out his "Mister Dooley" like an unwearied sausage-grinder. On my wall, alongside my desk, I have a calendar, and the sheet that faces me is that for the first week in March, 1916. It says "Concentration. Concentrate all your thoughts upon the work in hand. The sun's rays do not burn until brought to a focus. Alexander G. Bell." That is the whole matter in a nutshell, but the only use the motto has been to me has been to permit me to look at it and think about it when I ought to be thinking of the story I was trying to write. So far as I am concerned, the most important person in the world is myself. The most important success in the world is my success. The most important money in the world is my money. A whole lot of the most important debts in the world are my debts. The same is true of you and your success and your money and your debts. I hope you are not near fifty years old. I hope you are nearer twenty, but whatever your age I can tell you that chasing after goat-feathers is mighty poor business. The time to investigate interesting by-paths is when you are on a vacation, but the New York-Chicago Express gets there by staying on the track. The minute it starts climbing some interesting country lane after daisies and buttercups the coroners begin to gather and the claim agents flock together, and some slow but sure old freight train, plugging along on the next track but sticking to it, toots a couple of times and passes by. If I am ever the boss of a school board I shall insist that no child graduate until he can foot correctly a pile of numbers four deep and forty high, and do it the first time. I have been a bookkeeper in my day, and I have footed a column of figures twenty times and got ten different results. I can go up a column of figures, starting like a race horse--"Seven and six are thirteen, and five are eighteen, and two are twenty, and--and I wonder if I put a stamp on the letter I mailed this morning--I wonder if Bacon wrote Shakespeare's plays--I wonder if a bomb from an airplane would go through from the roof of my house to the cellar--cellar--cellar--well, I'm glad I've got eight tons of coal in, but I'll have to get more in as soon as I can--and six----" Then I have to begin at the beginning again with "Seven and six are thirteen, and five are eighteen----" The reason children don't get their examples right in school is because they don't concentrate on the matter in hand, and the reason men don't get their lives right is because they don't concentrate on the matter of making good at what they know is the business of their lives--success. If you stop a moment and think of the men you know who are not successes, but who might be successes, you will find they are goat-feather gatherers. Anything that leads a man aside from the straight path to his goal is a goat-feather. Every useless side line is a goat-feather. Every unnecessary distraction is a goat-feather. Nine tenths of the things I do are goat-feathers. I don't mind telling you that I consider myself a very, very wonderful man. Nobody but a most remarkable man could spend so much time in the goat-feather groves gathering goat-feathers and still keep his family from starvation. I actually gasp when I think what a great man I should have been if I had stuck to business instead of being drawn aside by every sweet odor and pleasant sound. Then I actually swear when I think how many hours and days and weeks I have given to making myself look like a cross between a llama and a stuffed owl, when I might have been writing things the editors never have enough of, and buy as soon as they read the first paragraph. It is all right! I'm not jealous! I'll sit in the front row every time Ade or Tarkington or Chambers pulls a success, and I'll applaud as whole-heartedly as any one, but I reserve the right to kick myself when I get outside. This article is one of the kicks, and I hope it will have a good effect on me. I hope it will teach me a lesson. I doubt it; I'm too old; I'm too accustomed to chasing goat-feathers to give it up now. So there you have the story of what is the matter with me. You know now why, when you think of me, you think of a story I wrote twelve years ago. I had a main goal, but I liked too well to investigate all the cross-roads instead of keeping straight on. That's bad; that's gathering goat-feathers. It has been bad for me, and bad for my success as an author, and bad for my success in the only life I have to live, but it is apt to be much worse for you to gather goat-feathers than for me to gather them, because I can, occasionally, weave some of them into a story, while you can't do anything at all with those you acquire. The time we waste in excursions off the main line of our road to our goal is the difference between success and half-success; often it is the difference between success and failure. End of the Project Gutenberg EBook of Goat-Feathers, by Ellis Parker Butler *** END OF THIS PROJECT GUTENBERG EBOOK GOAT-FEATHERS *** ***** This file should be named 28389.txt or 28389.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/2/8/3/8/28389/ Produced by D Alexander and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.