Project Gutenberg's Path Flower and Other Verses, by Olive T. Dargan

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Path Flower and Other Verses

Author: Olive T. Dargan

Release Date: November 20, 2008 [EBook #27297]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK PATH FLOWER AND OTHER VERSES ***




Produced by David Garcia, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Kentuckiana Digital Library)






PATH FLOWER


All rights reserved


PATH FLOWER
AND
OTHER VERSES

BY
OLIVE T. DARGAN

MCMXIV
LONDON: J. M. DENT & SONS LTD.
NEW YORK: CHARLES SCRIBNER'S SONS


[v]

CONTENTS

PAGE
Path Flower1
The Piper6
To a Hermit Thrush8
Thanksgiving14
The Road16
La Dame Revolution23
The Rebel24
These Latter Days25
Abnegation26
The Little Tree27
The Game28
Ballad31
A Dirge37
His Argument39
The Conqueror40
To Moina41
"There's Rosemary"42
At the Grave of Heine43
To a Lost Comrade45
For M. L. P.46
To Sleep47[vi]
"Le Penseur"48
Vision49
Safe50
On Bosworth Field52
Old Fairingdown53
The Kiss58
Youth60
To Mirimond62
Sorolla63
In the Blue Ridge66
Ye who are to Sing70
"And the Last shall be First"73
Magdalen to her Poet76
Friends85
Tryst89
In the Studio90
Lovers' Leap91
Havened94
Mid-May102
The Loss104
Called105
Song of To-morrow108
Little Daughters110

The author thanks the editors of "Scribner's Magazine," "The Century," "The Atlantic Monthly," and "M'Clure's" for permission to reprint the greater part of the verse included in this volume.

[1]

PATH FLOWER

A red-cap sang in Bishop's wood,
A lark o'er Golder's lane,
As I the April pathway trod
Bound west for Willesden.
At foot each tiny blade grew big
And taller stood to hear,
And every leaf on every twig
Was like a little ear.
As I too paused, and both ways tried
To catch the rippling rain,—
So still, a hare kept at my side
His tussock of disdain,—
Behind me close I heard a step,
A soft pit-pat surprise,
And looking round my eyes fell deep
Into sweet other eyes;
[2]The eyes like wells, where sun lies too,
So clear and trustful brown,
Without a bubble warning you
That here's a place to drown.
"How many miles?" Her broken shoes
Had told of more than one.
She answered like a dreaming Muse,
"I came from Islington."
"So long a tramp?" Two gentle nods,
Then seemed to lift a wing,
And words fell soft as willow-buds,
"I came to find the Spring."
A timid voice, yet not afraid
In ways so sweet to roam,
As it with honey bees had played
And could no more go home.
Her home! I saw the human lair,
I heard the hucksters bawl,
I stifled with the thickened air
Of bickering mart and stall.
[3]Without a tuppence for a ride,
Her feet had set her free.
Her rags, that decency defied,
Seemed new with liberty.
But she was frail. Who would might note
The trail of hungering
That for an hour she had forgot
In wonder of the Spring.
So shriven by her joy she glowed
It seemed a sin to chat.
(A tea-shop snuggled off the road;
Why did I think of that?)
Oh, frail, so frail! I could have wept,—
But she was passing on,
And I but muddled "You'll accept
A penny for a bun?"
Then up her little throat a spray
Of rose climbed for it must;
A wilding lost till safe it lay
Hid by her curls of rust;
[4]And I saw modesties at fence
With pride that bore no name;
So old it was she knew not whence
It sudden woke and came;
But that which shone of all most clear
Was startled, sadder thought
That I should give her back the fear
Of life she had forgot.
And I blushed for the world we'd made,
Putting God's hand aside,
Till for the want of sun and shade
His little children died;
And blushed that I who every year
With Spring went up and down,
Must greet a soul that ached for her
With "penny for a bun!"
Struck as a thief in holy place
Whose sin upon him cries,
I watched the flowers leave her face,
The song go from her eyes.
[5]Then she, sweet heart, she saw my rout,
And of her charity
A hand of grace put softly out
And took the coin from me.
A red-cap sang in Bishop's wood,
A lark o'er Golder's lane;
But I, alone, still glooming stood,
And April plucked in vain;
Till living words rang in my ears
And sudden music played:
Out of such sacred thirst as hers
The world shall be remade.
Afar she turned her head and smiled
As might have smiled the Spring,
And humble as a wondering child
I watched her vanishing.

[6]

THE PIPER

I met a crone 'twixt wood and wood,
Who pointed down the piper's road
With shaken staff and fearsome glance,—
"Ware, ware the dance!"
But when the piper me did greet,
The wind, the wind was in my feet,
The rose and leaf on eager boughs
Unvestalled them of dew-writ vows,
And I as light as leaf and rose
Danced to the summer's close.
Now every tree is weary grown,
Of singing birds there is not one;
All, all the world droops into grey,—
O piper Love, must thou yet play?
The wildest note of all he blew,
And fast my worn feet flew.
[7]Old is the year, the leaf and rose
Are long, long gone;
So chill, so chill the grey wind blows
Through heart and bone;
No grasses warm the winter ways
That wound my feet;
But with unwearied fingers yet,
Bold, undelayed on stop and fret,
Unmercifully sweet,
The piper plays....

[8]

TO A HERMIT THRUSH

Dweller among leaves, and shining twilight boughs
That fold cool arms about thine altar place,
What joyous race
Of gods dost serve with such unfaltering vows?
Weave me a time-fringed tale
Of slumbering, haunted trees,
And star-sweet fragrances
No day defiled;
Of bowering nights innumerable,
And nestling hours breath-nigh a dryad's heart
That sleeping yet was wild
With dream-beat that thou mad'st a part
Of thy dawn-fluting; ay, and keep'st it still,
Striving so late these godless woods to fill
With undefeated strain,
And in one hour build the old world again.
Wast thou found singing when Diana drew
Her skirts from the first night?
Didst feel the sun-breath when the valleys grew
Warm with the love of light,
[9]Till blades of flower-lit green gave to the wind
The mystery that made sweet
The earth forever,—strange and undefined
As life, as God, as this thy song complete
That holds with me twin memories
Of time ere men,
And ere our ways
Lay sundered with the abyss of air between?
List, I will lay
The world, my song,
Deep in the heart of day,
Day that is long
As the ages dream or the stars delay!
Keep thou from me,
Sigh-throated man,
Forever to be
Under the songless wanderer's ban.
I am of time
That counteth no dawn;
Thy æons yet climb
To skies I have won,
Seeking for aye an unrisen sun!
[10]Soft as a shadow slips
Before the moon, I creep beneath the trees,
Even to the boughs whose lowest circling tips
Whisper with the anemones
Thick-strewn as though a cloud had made
Its drifting way through spray and leafy braid
And sunk with unremembering ease
To humbler heaven upon the mossy heaps.
And here a warmer flow
Urges thy melody, yet keeps
The cool of bowers; as might a rose blush through
Its unrelinquished dew;
Or bounteous heart that knows not woe,
Put on the robe of sighs, and fain
Would hold in love's surmise a neighbour's pain.
Ah, I have wronged thee, sprite!
So tender now thy song in flight,
So sweet its lingerings are,
It seems the liquid memory
Of time when thou didst try
Thy gleaning wing through human years,
[11]And met, ay, knew the sigh
Of men who pray, the tears
That hide the woman's star,
The brave ascending fire
That is youth's beacon and too soon his pyre,—
Yea, all our striving, bateless and unseeing,
That builds each day our Heaven new.
More deep in time's unnearing blue,
Farther and ever fleeing
The dream that ever must pursue.
Heart-need is sorest
When the song dies:
Come to the forest,
Brother of the sighs.
Heart-need is song-need,
Brother, give me thine!
Song-meed is heart-meed,
Brother, take mine!
I go the still way,
Cover me with night;
Thou goest the will way
Into the light.
[12]Dust and the burden
Thou shall outrun;
Bear then my guerdon,
Song, to the sun!
O little pagan with the heart of Christ,
I go bewildered from thine altar place,
These brooding boughs and grey-lit forest wings,
Nor know if thou deniest
My destiny and race,
Man's goalward falterings,
To sing the perfect joy that lay
Along the path we missed somewhere,
That led thee to thy home in air,
While we, soil-creepers, bruise our way
Toward heights and sunrise bounds
That wings may know nor feet may win
For all their scars, for all their wounds;
Or have I heard within thy strain
Not sorrow's self, but sorrowing
That thou did'st seek the way more free,
Nor took with us the trail of pain
[13]That endeth not, e'er widening
To life that knows what Life may be;
And ere thou fall'st to silence long
Would golden parting fling:
Go, man, through death unto thy star;
I journey not so far;
My wings must fail e'en with my song.

[14]

THANKSGIVING

Supremest Life and Lord of All,
I bring my thanks to thee;
Not for the health that does not fail,
And wings me over land and sea;
Not for this body's pearl and rose,
And radiance made sure
By thine enduring life that flows
In sky-print swift and pure;
Not for the thought whose glowing power
Glides far, eternal, free,
And surging back in thy full hour
Bears the wide world to me;
Not for the friends whose presence is
The warm, sweet heart of things
Where leans the body for the kiss
That gives the soul its wings;
[15]Not for the little hands that cling,
The little feet that run,
And make the earth a fitter thing
For thee to look upon;
Not for mine ease within my door,
My roof when rains beat strong,
My bed, my fire, my food in store,
My book when nights are long;
But, Lord, I know where on lone sands
A leper rots and cries;
Find thou my offering in his hands,
My worship in his eyes.
As thou dost give to him, thy least,
Thou givest unto me;
As he is fed I make my feast,
And lift my thanks to thee.

[16]

THE ROAD

On Gilead road the shadows creep;
('Tis noon, and I forget;)
By Gilead road the ferns are deep,
And waves run emerald, wind-beset,
To some unsanded shore
Of doe and dove and fay;
And I for love of that before,
Forget the hindward way.
By Gilead road a river runs,
(To what unshadowed sea?)
Bough-hidden here,—there by the sun's
Gold treachery unbared to me.
O Beauty in retreat,
From beckoned eyes you steal,
But the pursuing heart, more fleet,
Lifts your secretest veil.
[17]A thrush! What unbuilt temples rear
Their domes where thrushes sing!
My heart glides in, a worshipper
At shrines that ne'er knew offering,
Nor eye hath seen, and yet
What soul hath not been there,
Deep in song's fane where we forget
To pray, for we are prayer.
And now the shadows start and glide;
I hear soft, woodland feet;
And who are they that deeper bide
Where beechen twilights meet?
What trancèd beings smile
On things I may not see?
As with a dream they would beguile
Their own eternity?
I too shall find my own as they;
('Tis eve, and I forget;)
Here in this world where mortals play
As gods with no god's leave or let.
[18]My hope in high purlieus
Desire erst lockt and kept,
On wing unbarred shall seek and choose,—
Ay, choose, when I have slept.
For happy roads may yet be long,
And bliss must sometime bed.
Fern-deep I fall, lose sight and song,
The slim palms close above my head,
And Life, the Shadow, weaves
The charm on sleepers laid
Till Time's spent ghost comes not nor grieves
An hourless Gilead.
Ay me, I dream my eyes are wet;
I sigh, I turn, I weep.
Alack, that waking we forget
But to remember when we sleep!
O vision of closed eyes,
That burns the heart awake!
O the forgotten truth's reprise
For the forsaken's sake!
[19]Far land, blood-red, I feel again
Thy hot, unsilenced breath;
Meet thy unburied eyes of pain
That, dying ever, find no death;
See childhood's one gold hour
Bartered for crust and bed,
And man's o'erdriven noon devour
His evening peace and bread.
I hear men sob,—ay, men,—and shout
To souls on Gilead road:
"Tell us the way—we sent ye out—
We bought ye free—we paid our blood!"
Gaunt arms make signal mad;
O, feel the woe-waves break!
Does no one hear in Gilead?
Will one, not one turn back?
Rolls higher from the land blood-red
That sea-surge of despair!
A flame creeps over Gilead,
Unseen, unfelt by any there.
[20]They look not back, the while
Doom shadows round them dance,
And smile meets slow, unstartled smile
As in it sleep's mid-chance.
"We give our days, we give our blood,
We send ye far to see!
We break beneath the double load
That ye may walk unbowed and free!
'Tis ours, the healing shade;
'Tis ours, the singing stream;
'Tis ours, the charm on sleepers laid;
'Tis ours, the toil-won dream!"
Dim grown is Gilead, ashen, lost
To me who hear that cry.
"Our every star is hid with dust;
The way, the way! Let us not die!"
Up from the trampled ferns,
(O Beauty's praying hands!)
I stricken start, as one who turns
From plague's unholy lands.
[21]Pale is the dream we dream alone,
An unresolving fire,
Till beacon hearts make it their own
And men are lit with man's desire.
I mourn no Gilead fair,
Back to my own I speed,
And all my tears are falling where
They sell the sun for bread.
Mine too the blow, the unwept scar;
Mine too the flames that sere;
And on my breast not one proud star
That leaves a brother's heaven bare.
Life is the search of God
For His own unity;
I walk stone-bare till all are shod,
No gold may sandal me.
I come, O comrades, faster yet!
For me no bough-hung shade
Till every burning foot be set
In ferns of Gilead.
[22]The old, old pain of kind,
Once mine, is mine once more;
And I forget the way behind,
So dear is that before.

[23]

LA DAME REVOLUTION

Red was the Might that sired thee,
White was the Hope that bore thee,
Heaven and Earth desired thee,
And Hell from thy lovers tore thee;
But barren to the ravisher,
Thou bearest Love thy child,
Immortal daughter, Peace; for her
Waits Man, the Undefiled.

[24]

THE REBEL

A riot-maker! Can the fruit
Of frenzy be a gracious thing?
His soul has hands; above the bruit
They lift a song-bird quivering.
World-wrecker! Shall he trampling go
Till Beauty's drenched and lonely eyes
Mourn a deserted earth? But no!
Men go not down till men arise.
The game is Life's. She plays to win;
And whirls to dust her overlings;
Her abluent winds shall spare no sin,
Though hidden in the breast of kings;
And Earth is smiling as she takes
To her old lap their fallen bones,
For down the throbbing ways there wakes
The laughter of her greater sons.

[25]

THESE LATTER DAYS

Take down thy stars, O God! We look not up.
In vain thou hangest there thy changeless sign.
We lift our eyes to power's glowing cup,
Nor care if blood make strong that wizard wine,
So we but drink and feel the sorcery
Of conquest in our veins, of wits grown keen
In strain and strife for flesh-sweet sovereignty,—
The fatal thrill of kingship over men.
What though the soul be from the body shrunk,
And we array the temple, but no god?
What though, the cup of golden greed once drunk,
Our dust be laid in a dishonoured sod,
While thy loud hosts proclaim the end of wars?
We read no sign. O God, take down thy stars!

[26]

ABNEGATION

Christ, dear Christ, were the wood-ways sweet
By the long, white highway bare,
Where the hot road dust made grey Thy feet?
Ay,—but the woman's hair!
Brother, my Christ, when thou camest down
The cup of water to give,
Did a poet die on the mount's cool crown?
Ay,—and for that dost thou live!

[27]

THE LITTLE TREE

It pushed a guided way between
The pebbles of her grave;
A poplar hastening to be green
And silver signals wave.
And we who sought her with the moon,
Were met by branches stirred,
And whiter grew as grew the croon
That seemed her hidden word.
"O, she would speak!" my heart-beat said;
My eyes were on the mound;
And lowlier hung my waiting head
Above the prisoning ground.
Then smiled the lad and whispered me,—
The lad who most did love;
"She stoops to us; the little tree
Is wakened from above!"

[28]

THE GAME

'Tis played with eyes; one uttered word
Would cast the game away.
As silent as a sailing bird,
The shift and change of play.
So many eyes to me are dear,
So many do me bless;
The hazel, deep as deep wood-mere
Where leaves are flutterless;
The brown that most bewildereth
With dusking, golden play
Of shadows like betraying breath
From some shy, hidden day;
The black whose torch is ever trimmed,
Let stars be soon or late;
The blue, a morning never dimmed,
Opposing Heaven to fate;
[29]The grey as soft as farthest skies
That hold horizon rain;
Or when, steel-darkling, stoic-wise,
They bring the gods again;
And wavelit eyes of nameless glow,
Fed from far-risen streams;
But oh, the eyes, the eyes that know
The silent game of dreams!
Three times I've played. Once 'twas a child,
Lap-held, not half a year
From Heaven, looked at me and smiled,
And far I went with her.
Out past the twilight gates of birth,
And past Time's blindfold day,
Beyond the star-ring of the earth,
We found us room to play.
And once a woman, spent and old
With unavailing tears,
Who from her hair's down-tangled fold
Shook out the grey-blown years,
[30]Sat by the trampled way alone,
And lifted eyes—what themes!
I could not pass, I sat me down
To play the game of dreams.
And once ... a poet's eyes they were,
Though earth heard not his strain;
And since he went no eyes can stir
My own to play again.

[31]

BALLAD

When I with Death have gone on quest,
And grief is mellowed in your breast;
When you do nothing fret
If jest come gently in with tea,
And Purr is stroked for want of me;
When thought robust bestirs your mind,
And with a candid start you find
The world must move
To living love
And you forthright on travel set;
I do not ask you strive to keep
Awake the woe that winks for sleep,
Or swell the lessening tear;
I do not ask; dear to me still
May be the eyes regret would fill;
[32]And, sooth, in vain I'd Nature sue
To go a little out for you;
But whether 'tis
Or that or this
Is from the matter there and here.
Forget the kisses dying not
Till each a thousand more begot;
Such easy progeny
You with small trouble still may have;
(Though women die, love has no grave;)
Forget the quaint, the nest-born ways,
And ponder things more to my praise,
That I may long
Be worth a song
Though deep in tongueless clay I be.
Admit my eye, than yours less keen,
Still knew a bead of Hippocrene
From baser bubbles bright;
My ear could catch, or short or long,
The echo of true-hammered song;
[33]And many a book we journeyed through;
Some turned us home again, 'tis true,
(Not all who pen
Are more than men,)
And some, like stars, outwore the night.
Say I could break a lance with Fate,
Took half, at least, my troubles straight,
(Let women have their boast;)
Homed well with chance, and passing where
The gods kept house would take a chair,
Perchance at ease, with naught ado,
With Jove would toss a quip or two;
The nectar stale,
A mug of ale
On goodly earth would serve a toast.
And if I left thee by a stile
Where thou didst choose to dream, the while
I sought a farther mead,
Or clomb a ridge for flowers that wore
Of earth the less, of stars the more,
[34]I hastened back, confess of me,
To lay my treasure on thy knee;
Nor didst thou hear
Of stone or brere,
Or how my hidden feet did bleed.
And in the piping season when
The whole round world takes heart again
To rise and dance with Spring;
When robin drives the snow-wind home,
And sweetened is the warmèd loam,
When deeper root the violets,
And every bud its fear forgets
With upward glance
For lovers' chance
In Venus' dear and fateful ring;
Let not a thought of my cold bed
Bechill thy warm heart beating red,
And thy new ardours dim;
But if, good hap, you rove where I
Beneath the twinkling moss then lie,
[35]Be glad to see me decked so gay,
(Spring's the best handmaid without pay,)
I like things new,
In season too,
And fain must smile to be so trim.
Then hie thee to some bonny brake
Another mate to woo and take,
And as thy soul to love.
Rise with the dew, stay not the noon,
What's good cannot be found too soon,
The wind will not be always south,
Nor like a rose is every mouth,
Time's quick to press,
Do thou no less,
And may the night thy wisdom prove.
And as all love doth live again
In great or small that loved hath been,
Keep this sole troth with me,—
Forget my name, my form, my face,
But meet me still in every place,
[36]Since we are what we love, and I
Loved everything beneath the sky.
So may I long
Be worth a song,
Though I who sang forgotten be.

[37]

A DIRGE

Mortal child, lay thee where
Earth is gift and giver;
Midnight owl, witch, or bear
Shall disturb thee never!
Softly, softly take thy place,
Turn from man thy waning face;
Fear not thou must lie alone,
Sleep-mates thou shalt have anon.
(Clock of Time none commands,
Driveth not the winter floods,
Where the silent, tireless sands
Run the ages of the gods.)
Thine is not a jealous bed;
Pillow here hath every head;
All that are and all to be
Shall ask a little room of thee.
[38](Feet of flame, haste nor creep
Where the stars are of thy pace;
Heart of fire, in shadows sleep,
With the sun in thy embrace.)
Babe of Time, old in care,
Sweet is Earth, the giver;
Owlet, witch, or midnight bear
Shall disturb thee never.

[39]

HIS ARGUMENT

One time I wooed a maid (dear is she yet!)
All in the revel eye of young Love's moon.
Content she made me,—ah, my dimpling mate,
My Springtime girl, who walked with flower-shoon!
But near me, nearer, steals a deep-eyed maid
With creeping glance that sees and will not see,
And blush that would those yea-sweet eyes upbraid,—
O, might I woo her nor inconstant be!
But is not Autumn dreamtime of the Spring?
(Yon scarlet fruit-bell is a flower asleep;)
And I am not forsworn if yet I keep
Dream-faith with Spring in Autumn's deeper kiss.
Then so, brown maiden, take this true-love ring,
And lay thy long, soft locks where my heart is.

[40]

THE CONQUEROR

O Spring, that flutter'st the slow Winter by,
To drop thy buds before his frosty feet,
Dost thou not grieve to see thy darlings lie
In trodden death, and weep their beauty sweet?
Yet must thou cast thy tender offering,
And make thy way above thy mournèd dead,
Or frowning Winter would be always king,
And thou wouldst never walk with crownèd head.
So gentle Love must make his venturous way
Among the shaken buds of his own pain;
And many a hope-blown garland meekly lay
Before the chilly season of disdain;
But as no beauty may the Spring outglow,
So he, when throned, no greater lord doth know.

[41]

TO MOINA

There were no heaven but for lovers' eyes;
Save in their depths do all Elysiums fade;
And gods were dead but for the life that lies
In kisses sweet on sweeter altars laid.
There were no heroes did not lovers ride,
And pyramid high deeds upon new time;
Nor tale for feast, or field, or chimney-side,
And harps were dumb and song had ne'er a rhyme.
Then live, proud heart, in happy fealty,
Nor sigh thee more thy dear bonds to remove;
Thou art not thrall to liege of mean degree,
For all are kings who bear the lance of love;
No wight so poor but may his tatters lose,
And find his purple if his lady choose.

[42]

"THERE'S ROSEMARY"

O love that is not love, but dear, so dear!
That is not love because it goes so soon,
Like flower born and dead within one moon,
And yet is love for that it comes full near
The guarded fane where love alone may peer,
Ere like young Spring by Summer soon outshone,
It trembles into death, but comes anon,
As thoughts of Spring will come though Summer's here.
O star full sweet, though one arose more fair,
Within my heart I'll keep a heaven for thee
Where thou mayst freely come and freely go,
Touching with thy pale gold the twilight air
Where dream-closed buds could never flower show,
Yet fragrant keep the shadowy way for me.

[43]

AT THE GRAVE OF HEINE

South-heart of song
In winter drest,
Death mends thy wrong;
That is life's best.
Bird, who didst sing
From a bare bough,
Call, and what Spring
Will answer now!
And haste with her
Bud-legacy,—
O, not to share,
To take of thee!
Thy night, slow, dark,
Yet song-lit shone,
Till who did hark
Missed not the moon;
[44]When Morning found
Thy cold, pierced breast,
'Twas she who moaned,
To thy thorn pressed.
Here lies the thorn-wound of the dawn
Through whose high morn the bird sings on.

[45]

TO A LOST COMRADE

We found the spring at eager noon,
And from one cup we drank;
Then on until the forest croon
In twilight tangle sank;
The night was ours, the stars, the dawn;
The manna crust, bird-shared;
And never failed our magic shoon,
Whatever way we fared.
If caged at last, ceased not the flow
Of sky-gleam through the bars;
And where were wounds I only know
Tear-kisses hid the scars.
And when, as round the world death-free
We wind-embodied roam,
I hear the gale that once was thee
Cry "Hollo!" I will come.

[46]

FOR M. L. P.

Rose Love lay dreaming where I passed,
Like flower blown from careless stem;
So still I dared to touch at last
Her white robe's hem.
Rose Love looked up and caught my hand,
Though in her eyes the sea-birds were;
When o'er my brow there blew a strand
Of cold, grey hair.
Rose Love stood up unriddling this,
Till shadows in my eyes grew old;
Then warmed the lock with sudden kiss;
Now flames it gold.

[47]

TO SLEEP

O silent lover of a world day-worn,
Taking the weary light to thy dusk arms,
Stealing where pale forms lie, sun-hurt and torn,
Waiting the balm of thy oblivious charms,
Make me thy captive ere I guess pursuit,
And cast me deep within some dreamless close,
Where hopes stir not, and white, wronged lips are mute,
And Pain's hot wings fold down o'er hushèd woes.
And if ere morn thou choosest me to free,
Let it not be, dear jailer, through the door
That timeward opes, but to eternity
Set thou the soul that needs thee nevermore;
So I from sleep to death may softly wend
As one would pass from gentle friend to friend.

[48]

"LE PENSEUR"

Warm in this marble, that is stone no more,
Life at wound-pause lifts ear to woundless mind;
Backward the ages their slow clew unwind,
And step by step, and star by star, lead o'er
The trail again, where eyeless passion tore
Its red way to a soul. Mist-bound and blind
No more, the thinker waits, and God grown kind
Flashes a foot-print where He goes before.
Not to be followed! Falls the cloud again;
Folds the stern form around the striving doubt,
And curve betrays to curve the silent birth
That shall be voice to later times and men;
While lone in unlit dark, within, without,
He sits immortal on a godless earth.

[49]

VISION

Look in, O Mystic, on thy lease,
Thou tenant soul in God's demesne;
Forego the show of eyes that fail,
And walk the world that cannot pale,
Thine by a sealed and termless lien
Within His met eternities.
Yet look thou out from thy still hour
With eyes that know and bear His fire;
Till kindling on thy wonder's verge
The transient days immortal merge
In Him fulfilled as worlds expire
In nestled love, a song, a flower.

[50]

SAFE

My dream-fruit tree a palace bore
In stone's reality,
And friends and treasure, art and lore,
Came in to dwell with me.
But palaces for gods are made;
I shrank to man, or less;
Gold-barriered, yet chill, afraid,
My soul shook shelterless.
I found a cottage in a wood,
Warmed by a hearth and maid,
And fed and slept, and said 'twas good,—
Ah, love-nest in the shade!
The walls grew close, the roof pressed low,
Soft arms my jailers were;
My naked soul arose to go,
And shivered bright and bare.
[51]No more I sought for covert kind;
The blast blew on my head;
And lo, with tempest and with wind
I felt me garmented.
Here on the hills the writhing storm
Cloaks well and shelters me;
I wrap me round and I am warm,
Warm for eternity.

[52]

ON BOSWORTH FIELD

Here, Richard, didst thou fall, caparisoned
With kingdoms of thy lust;
And here wouldst lie, by Fame's bent gleaners shunned,
But came unto thy dust
A swaggerer, perdy!
Who cried "A horse, a horse!" and straight
Thou wert abroad again on kingly feet
To tread eternity.

[53]

OLD FAIRINGDOWN

Soft as a treader on mosses
I go through the village that sleeps;
The village too early abed,
For the night still shuffles, a gipsy,
In the woods of the east,
And the west remembers the sun.
Not all are asleep; there are faces
That lean from the walls of the gardens;
Look sharply, or you will not see them,
Or think them another stone in the wall.
I spoke to a stone, and it answered
Like an aged rock that crumbles;
Each falling piece was a word.
"Five have I buried," it said,
"And seven are over the sea."
[54]Here is a hut that I pass,
So lowly it has no brow,
And dwarfs sit within at a table.
A boy waits apart by the hearth;
On his face the patience of firelight,
But his eyes seek the door and a far world.
It is not the call to the table he waits,
But the call of the sea-rimmed forests,
And cities that stir in a dream.
I haste by the low-browed door,
Lest my arms go in and betray me,
A mother jealously passing.
He will go, the pale dwarf, and walk tall among giants;
The child with his eyes on the far land,
And fame like a young, curled leaf in his heart.
The stream that darts from the hanging hill
Like a silver wing that must sing as it flies,
Is folded and still on the breast
Of the village that sleeps.
Each mute, old house is more old than the other,
And each wears its vines like ragged hair
[55]Round the half-blind windows.
If a child should laugh, if a girl should sing,
Would the houses rub the vines from their eyes,
And listen and live?
A voice comes now from a cottage,
A voice that is young and must sing,
A honeyed stab on the air,
And the houses do not wake.
I look through the leaf-blowzed window,
And start as a gazer who, passing a death-vault,
Sees life sitting hopeful within.
She is young, but a woman, round-breasted,
Waiting the peril of Eve;
And she makes the shadows about her sweet
As the glooms that play in a pine-wood.
She sits at a harpsichord (old as the walls are),
And longing flows in the trickling, fairy notes
Like a hidden brook in a forest
Seeking and seeking the sun.
I have watched a young tree on the edge of a wood
When the mist is weaving and drifting.
[56]Slowly the boughs disappear and the leaves reach out
Like the drowning hands of children,
Till a grey blur quivers cold
Where the green grace drank of the sun.
So now, as I gaze, the morrows
Creep weaving and winding their mist
Round the beauty of her who sings.
They hide the soft rings of her hair,
Dear as a child's curling fingers;
They shut out the trembling sun of eyes
That are deep as a bending mother's;
And her bridal body is scarfed with their chill.
For old and old is the story;
Over and over I listen to murmurs
That are always the same in these towns that sleep;
Where grey and unwed a woman passes,
Her cramped, drab gown the bounds of a world
She holds with grief and silence;
And a gossip whose tongue alone is unwithered
Mumbles the tale by her affable gate;
How the lad must go, and the girl must stay,
Singing alone to the years and a dream;
[57]Then a letter, a rumour, a word
From the land that reaches for lovers
And gives them not back;
And the maiden looks up with a face that is old;
Her smile, as her body, is evermore barren,
Her cheek like the bark of the beech-tree
Where climbs the grey winter.
Now have I seen her young,
The lone girl singing,
With the full round breast and the berry lip,
And heart that runs to a dawn-rise
On new-world mountains.
The weeping ash in the dooryard
Gathers the song in its boughs,
And the gown of dawn she will never wear.
I can listen no more; good-bye, little town, old Fairingdown.
I climb the long, dark hillside,
But the ache I have found here I cannot outclimb.
O Heart, if we had not heard, if we did not know
There is that in the village that never will sleep!

[58]

THE KISS

I stole into the secret room
Where Love lay dying;
Mystic and faint perfume
Met me like sighing;
As heaven had cast a still-born star
He lay nor stirred; the shell-thin hand
Nerveless of high command
Where once the lord-veins sped their fire.
And I had thought me glad
To let him go. "He reaps
His own," I pious said.
But this, ah, this
Unpleading helplessness!
"Give me thy death," I cried,
And took it from his lips.
[59]The windows burst them wide.
The sun came in;
And Love high at my side
Stood sovereign.

[60]

YOUTH

He hears the hour's low hint and springs
To the chariot-side of Truth, while fast
The wild car swings
Through dust and cloud;
And the watchful elders, prophet-proud,
Give o'er his bones
To the wracking stones—
But he has passed!
A weft of sky, and castles stare
High from a wizard shore,
Sun-arrowed, tower-strong;
Gold parapets in air
Down-pour, down-pour
Sea-falls of peri song;
Then earth, the dragon's lair;
Cave eyes and burning breath;
And the lance the Grail lords bore
This day flies swift and fair,
This day of the dragon's death.
[61]Must doff the wind-wreath, find thee lone?
Put on meek age's hood?
Feel but the frost within the dawn?
Wrap courage in a swaddling mood?
His bare throat flings
All-powered nay;
The world, his vast, unfingered lyre,
Stirs in her thousand strings;
Lit with redemptive flame
Burns miracle desire,
And dedicated day
Is long as freedom's dream.
Youth of the lance, youth of the lyre,
How far, how far shalt go?
Where will the halting be?
Sun-courier, whose roads of fire
Bridge God's delay,
The hearts that know thee, ah, they know,
Ageless in clay,
Sole immortality!

[62]

TO MIRIMOND
(HER BIRTHDAY, IN DECEMBER)

Dost think that Time, to whom stars vainly sue,
Will for thy beauty keep one fixèd place?
Or that he may, o'er-weighed with seasons due,
Forget one Spring where veinlet tendrils lace
Rose over rose to make this flower, thy face?
Look round thee now, dear dupe of sweet hey-day!
Of what once blooming joy canst thou find trace
Save in the bosom of a cold decay?
What violet of Summer's yester sway
Usurps these clouds to throne her slender moon?
Look on the wrinkling year, the shrunken way,
The wintry bier of all that gaudy shone,
And gather love ere loveliness wear pall,
If thou, when all is gone, wouldst still have all.

[63]

SOROLLA

"I am fleet," said the joy of the sun,
Trembling then on the breast
Of the summer, white, still;
"I am fleet, I am gone!"
Smiling came one
With brush and a will,
Undelaying, unpressed,
And the glancing gold of the tremulous sun
Lingers for man, inescapable, won.
"Not here, nor yet there,"
Cried the waves that fled,
"Shall ye set us a snare.
Motion is breath of us,
Stillness is death of us;
We live as we run,
We pause and are sped!"
Laughing came one
[64]With brush and a will,
And the waves never die and are nevermore still.
"I pass," said the light
On the joy-child's face;
But softly came one
And it leaves not its place.
Here Time shall replight
His faith with the dawn,
And his ages, gaunt grey,
Ever cycling, behold
Their youth never flown
In a world never old,
Though they pass and repass with their trailing decay.
"We stay," said the shadows, and hung
On the brush of the master; "we are thine own."
Fearless he flung
The magical chains around them, and said,
"Ye too shall be light, and to life bring the sun!"
And man delayed
[65]By the captive pain's revealing glow
Feeleth earth's breathing woe,
And his vow is made;
"Ye shall pass, ye shadows, yea;
And life, as the sun, be free;
The God in me saith!"
And the shadows go;
For joy is the breath
Of eternity,
And sorrow the sigh of a day.

[66]

IN THE BLUE RIDGE

The mountain night is shining, Jim of Tellico,
Shining so it hurts the heart to see
The gleam upon the laurel leaf, the locust shaking snow
To the rippling Nantahala that is laughing up to me,
Hurts till the cry comes and the big tears are free.
O, why should my heart cry to you that will not hear,
Yonder where the ridges lie so still above the town?
But the pain that's calling seems to bring you near,
As the tears in my eyes bring the stars a-swimming down.
Mother sits and cries, with my baby on her knee;
Father curses deep, a-breathing hard your name;
[67]But never do I hear and never do I see,
I with my head low, working out my shame,
Eyes burning dry and my heart like a flame;
For I hate you then—I hate you, Jim of Tellico,
And grip my needle tighter, every stitch a sin,
The hate growing bigger till the thing I sew
Seems a shroud I'm glad a-making just to lay you in.
But the slow sun passes with its day-long stare,
Like a bold eye at the window when the blind
Is missing and you mustn't know the eye is there,—
Just shut your heart up close and hide the thing you mind;
And comes the blessed twilight calling of its kind,
When all the little creatures with soft voices stir,
Little hiding things that cry so tremblingly,
Till I lay my needle by,—O, how the sweet woods whirr!
And fly down to the river that is laughing up to me.
[68]Then the hate goes out o' me with the moonlight creeping in,
And the water crooning cool-like in my veins.
Who could smell the white azalea thinking then of sin,
Or look on laurel buds a-caring for her pains?
It's just my heart breaks open and the wild flood rains.
O beauty of the moon-mist winding, winding slow,
Till the tall lynns quiver vainly up to hold
One leafy moment more the breathing, gliding flow
Of the loosened wreath of silver lifting into gold!
The moosewood bride is glowing, all her curls awave,
The colt's-foot in millions makes the ground like a bed,
So sweet-breathed and green now, in winter scarlet brave,
And blossom lips of tulip trees are meeting overhead,
But never shall a tear fall for their love spent and dead.
[69]Doves are building yonder in that clump of maples deep,
Do maple leaves come soonest for they love to hide
The earliest nest and hear the first faint cheep
Telling them of joy too dear, too sweet to bide?
The joy that was my own, Jim, when our birdling came,
Telling me that love is never spent and dead,—
Though you left the tears to me, and left to me the shame,—
For the wildwood broke in blossoms round my bed,
And the fairest on my bosom laid its stainless head.
Can God who made this night His own great heart to please,
And made that other night like this a year ago,
Be mad at us for loving? I fall upon my knees
And beg Him bless you, bless you ever, Jim of Tellico!

[70]

YE WHO ARE TO SING

O silence of all silences, where wait
Fame's unblown years whose choir my soul would greet!
Graves, nor dead Time, are sealed so dumb in fate,
For Death and Time must pass on echoing feet.
No grass-locked vault, no sculptured winding-sheet,
No age-embalmèd hour with mummied wing,
Is bosomed in such stillness, vast, complete,
As wraps the future, and no prayer may bring
From that unfathomed pause one minstrel murmuring.
Yet never earth a lyreless dawn shall know;
No moon shall move unharped to her pale home;
No midnight wreathe its chain of choric glow
But answering eye flash rhythmic to the dome.
No path shall lie too deep in forest gloam
[71]For the blithe singer's tread; no winds fore'er
Blow lute-lorn barks o'er unawakened foam;
Nor hidden isle sleep so enwaved but there
Shall touch and land at last Apollo's mariner.
And soon shall wake that morrow's melody,
When men of labour shall be men of dream,
With hand seer-guided, knowing Deity
That breathes in sonant wood and fluting stream,
Shapes too the wheel, the shaft, the shouldering beam,
Nor ceased to build when Magian toil began
To lift its towered world. What chime supreme
Shall turn our tuneless march to music when
Sings the achieving God in conscious hearts of men!
And one voice shall be woman's, lifting lay
Till all the lark-heights of her being ring;
Majestic she shall take the chanted way,
And every song-peak's golden bourgeoning
Shall thrill beneath her feet that lyric spring
From ventured crest to crest. Strong, masterless,
She, last in freedom, as the first shall sing,
[72]Who, great in freedom, takes by Love her place,
Wife, mother,—more, her starward moving self—the race.
Ay, ye shall come, ye spirits girt with light
That falls o'er heaven's hills from dawn to be;
Ye warders in the planet house of night,
Gliding to unguessed doors with prophet key,
And out where dim paths stir with minstrelsy
Wordless and strange to man until your clear
Doubt-shriven strain interprets to the clay.
Oh, might I hear ye as the world shall hear,
Nearer, a poet's journey, to the Golden Year!
Dear, honoured bards of centuries dim and sped,
Yet glowing ever in your fadeless song,
No dust shall heap its silence o'er ye dead,
No cadent seas shall drown your chorus strong
In more melodious waves. I've lingered long
By your brave harps strung for eternity;
But now runs my wild heart to meet the throng
Who yet shall choir. O wondrous company,
If graves may listen then, I then shall listening be!

[73]

"AND THE LAST SHALL BE FIRST"

Of the dumb, bayed god in men,
Of the burdened mother eyes,
Of the little, lifted hands,
Of the passion and the dream
Sighing up from trodden lands,
Fearless, he is born again;
Bold inquisitor of skies,
Treading earth unmastered, free,
And the way grows wide for him
Walking with the day to be.
Dead the grasp of custom then,
Silent grows her voice and pen;
Part as air the birth-wrong bands,
Break as thread the steel-drawn strands,
[74]Graves no longer over-awe,
Dust is dust and men are men;
A living tongue again gives living law.
Trophies ours by gold and gun,
Little treasures, houses,—nay,
Guerdons of our dearest fight,
Now are fuel for his sun,
And the dreams that lit the night
Burn as candles in the day.
Yet we made thee, Man of Right,
As our being plead to rise;
Of our straining arm thy might;
Even as we prayed for sight,
Lo, afar thou hadst thy prophet eyes.
Ay, thy gleaming spear is ours;
Ours thy fearless, golden bow;
And our shining arrows go
From thy bright untaken towers.
Thou art what we will to be,
Sceptre, star, and wingèd cloud;
[75]We are blood and brawn of thee,
Glowing up through sod and stone,
Burning through thy rended shroud,
Moving with thee, chainless, on,
Till the world, a quickened whole,
Truth-delivered, naked, free,
Once again hath found its deathless soul.

[76]

MAGDALEN TO HER POET

Take back thy song; or let me hear what thou
Heardst anciently from me,
The woman; now
This wassail drift on boughless shores;
Once lyre-veined leading thee
To singing doors
Out of the coiling dark;
Teaching thee hark
Earth's virgin candours, blossomed wonderings,
And sanctities inaudible till strings
Of lyric gentleness
Wooed Heaven to confess
Her world, and I was near,
The earliest listener,
Who of my bosom then made Arcady,
And drew thy forest feet to Castaly.
[77]Take back thy pity. Is it not from man
Who made that world his own?
As barbican
Sends out its darts, and after flings
A dole of myrrh where groan
Is loudest, sings
Thy grace to me, me thus
Unbeauteous
By thee. Uneased thy covenanted bit
From Levite ark till now. Thy judges sit,
Gods ruminant, to keep
Earth pure for dulcet sleep
Of babe and mother. Ay,
Drones yet the lulling lie,
Whilst I, Disease uncinctured, darkly mate
With guard and sentry of thy hierarchate.
Thine ages, are they fair? Shall they yet draw
Child-homage from our eyes?
The woman awe
As her own babe? Far stretch the avid spans
Of fame-drunk emperies,
And all are man's;
[78]But from what tower of praise
Does Justice gaze?
Art is thy boast? "See how we garland her,
The goddess of our hands?" Yea, yea, but where
Is Truth, save by whose breath
Art is a laurelled death?
"Our churches these, and this
Our Holy Writ; there wis
Our altars high, and sanctuarised sod!"
But what, care-taking soul, hast done with God?
The bairning time I knew, the whispering breast,
But in thy world no place
Was for my nest,
Fragrant for perilous brooding pause.
Thou went'st thy pace;
My gathered straws
And grasses cast to dust
To make thy lust
A wayside couch. Deep from the nation's root,
The bower-tree where homes are nesting fruit,
Thy blight creeps up unseen
On bitten way to the green,
[79]Till no hope-banneret
Makes Spring in windy fret
Of flagellant boughs that whip my fingers bare,
Too chill at last to build, to bleed, to care.
Must surge so late with Nature's spawning ruse?
Her stintless passioning
Lest she should lose
The younglet of her dearest pang?
To thee, her tenderling,
She gave lust-fang
To run the jungle's harm;
Now strives thee to disarm,
And fend Life from that weapon lent thy wear
Till thou, forsaking dust, mightst capture her.
What need now of the blood
Whose wasteful plenitude
Swept thee through hostile slime
To shores of light and time,
Man-minim safe mid frost and poison dews
Where naught could live that had not life to lose?
[80]Yet dost thou foster it as thy veinèd sun;
Thy Heaven and Holy Rood
Build toppling on
Its strifeful hell; root there thy art,
Thy dreams of tenderest bud;
Gaze on the heart
Of its fetidity,
This wreck of me,
And sing. O God, what death, in eyes so bound,
They see Life's beauty in her draining wound!
Lay thou the blind thing down
With saurian tusk and bone,
With dust of sworded maw
And peril's fossil claw,
Lest sexton Earth even Man inter, nor trover
Of after-law untomb for Love her Lover!
Her lover yet uncarnate; of thy race
To be; long-dreamèd mate
Of her embrace;
Whose godling fruit, too prized, too dear
For bandit breath, shall wait
The Garnerer.
[81]Not then mute, anguished wives,
Dumb in law's gyves,
Shall shrink to mother a soul-famined brood,—
Unbudding sentiencies of flowerhood,
Shut miracles no wand
May touch, that from the hand
Of Toil, the reaver, fall
To dust, their grudgèd pall,
Leaving imperial web to those who wear
That woof of blood and tears as gossamer.
Not then! Where now the wailing way o'erteems,
And baffled starvelings bar
The way of dreams;
Pouring to Want, grey-veined Disease,
To Greed, and lurking War,—
Brute goblinries
With horde-lip sateless on
God-food dust-thrown,—
Lover and Love shall pass, each babe of theirs,
Darling of Life, born for the higher wars
Where knights of spirit sway,
Summoned to holiest fray
[82]By heralds never bare
To clodded vision. There,
Shriven and sure, the sun-dipped lance shall leap
Till Dream uncorselet clay and put off sleep.
For me one rift! Through this sepultural blight
A breath runs living, new;
Unburdening light
As when the flame-borne prophet on
The Syrian ploughman threw
A people's dawn.
The world is Heaven worth,
The cradle earth
Casts orphanhood, a Bethlehem God-swung
From crimson grapple with his lyric young.
Here triumph I, so low,
Knowing that Lust shall go,
With whited, anarch train,—
Shall pass, this curbless, vain
Usurping deity that would compel
The Mary-longing Love to yet mould Jezebel.
[83]Drag me with life that keeps Death shadow-near
Till I, unfrighted, wake
His charnel fear
In every face that wariful
Meets mine; this bud-mouth make
Unkissable
With kisses; and up-lap
My soul's youth sap
Till 't withers to a clutch about the gold
You think pays all; yet from this reedy mould,
This swamped, unfructant sedge,
Gentility's marsh edge,
I, on free wing, shall take
My swan-course o'er the brake,
Leaving the chanson of thy sin to thee
Who hast not seen, not touched the unstainable me.
Yet art thou dear, O singer! When we rest
Past all Life's hostel doors,
On her home crest;
And 'neath our feet the dark vat night
From pain's crushed star-grapes pours
The climbing light;
[84]There thou, beside me then,
With moteless ken,
Remembering these, thy pity and thy song,
Dropped at the cross where thou didst nail me long,
Shalt sereless 'scape the aim
Of hot, lance-darting shame,
For over thee shall fall
The dawn-tressed coronal
Of Love I then shall be, wrapping thee in
The pity at whose touch dies every sin.

[85]

FRIENDS

There's one comes often as the sun
And fills my room with morning; comes with step
Light as a youth's that joy has hurried home.
If he should greet my cheek, so might a wind
Blow roses till they touch, silk leaf to leaf,
And on their beauty leave no deeper dye;
But with that touch an old world is untombed,
Gay, festal-gowned; and two with nuptial eyes
Walk arm-locked there, flinging the curls of Greece
From proud, smooth brows. As trapped between two throbs,
Their laughter dies in silent passion's kiss;
And I from glow of ancient dust look up
To meet the untroubled eyes of my friend's bride,
Her pretty, depthless eyes that smile and smile
Possessingly, not grudging alien me
A footstool place about her sceptred love.
And I, too, from imperial largess, smile.
[86]Another comes more rarely than new moon,
And always with a flower,—one; pours tea
Like an old picture softly made alive,
Sings me a ballad that once teased the ears
Of golden Bess, and reads the book I love.
If he must journey, first he comes to lay
Knight-service on my hand; no passion then
More swift than when a last cool petal falls
To faded summer grass; but as he goes
I see a girl deep in a forest lane,
A narrow lane dark-roofed with locking firs;
And there are purple foxgloves shoulder high,
And round the girl's knees Canterbury bells.
Upon the air is scent of wounded trees,
As though a storm had passed there, and great owls
Ruffle a shade unloved of birds that sing.
But at the green lane's end, far down
A bit of heart-shaped sun tells where the road
Lies wide and open; on the sun the still
Dark shadow of a steed: and by the girl
One who shall ride,—unvisored now, and pale.
"And when I come," he says, to me who know
[87]He'll come that way no more; then hear my door
Closed softly on a sob ten centuries old.
And there is one whom never sun or moon
Brings to my gate; but when amid a throng
That fills some worldly room I see him pass.
The light about me is of regions where
Cold peaks are blue against a colder sky,
And in the dusk-line where begins the Doubt
Men call the Known, we stand in wingless pause,
Unheavened weariness in untaught feet,
And in our hearts sad longing for the fire
Of stars from whence we came. "The earth," he says,
And warms in his my hand amazed to lie
In strange, near comfort,—blossom of first pain.
Then low we dip into the clinging night
That is the Lethe of God-memories;
Stumble and sink in chains of time and sense
Tangle in treacheries of a weed-hung globe,
And tread the dun, dim verges of defeat
Till spirit chafes to vision, and we learn
[88]What morning is, and where the way of love.
In that gold dawn we part, knowing at last
That earth can not divide us. With a smile
He goes, and Fate leads not but runs before
Like an indulgèd child. That smile again
I sometimes see across the world—a room.

[89]

TRYST
(AFTER READING FROM SHAKESPEARE)

Night, thou art heavy, with no stars to chain
Thy darkness unto heaven, that thy feet
May dance along these cliffs in gay retreat
Of the pursuing sea; heavy as pain
Where eyes see not the end, or tears that stain
The joy of him who conquers by defeat;
Or this dark sea whose heart doth climb and beat
The stones that make no sign, then falls again.
Cry with the night and wrestle with the wave,
Ye two-edged winds that cut this shore and me;
I warm me still with thinking of a grave
That can not hold the dust's eternal part;
For here across the centuries and the sea,
A dead hand lies like flame upon my heart.

[90]

IN THE STUDIO

Bowed in the firelight's softly climbing gleam,
I sit a shadow, in a shadow's place;
While through the great, grey window vaguely stream
Twilight caresses on each pictured face
That one hour gone was cold in art's repose;
Now each still canvas answers tremblingly,
Till eyes unveil and living spirit glows
Where no light was while the rude Day went by.
And rudest Day, that passed so sternly bare,
Cold as the life that walks without desire,
Unbeauteous as duty or despair,
Plucked by a hope that will not set her free,
Turns back, while memory's soft, informing fire
Falls on her face, and Beauty looks at me.

[91]

LOVERS' LEAP

In Greece I found the place, though earth
Has many such; and wandering there alone,
One Autumn evening when the moon rose late,
I heard this song, though none was there to sing.
A ghostly rune, yet left the alarmèd dark
Quivering with life, tear-warm and murmuring:
No morrow is if hearts say no;
Life is gone when love doth go.
No tear to weep, no prayer to pray;
Endeth time with lovers' day.
This trailing night will pale and flee,
And dawn again creep o'er the sea;
Light's tender hands will earth attire,
Aloft will swim the golden fire,
And every bird begin his lay,
But I shall know there is no day.
[92]And Spring shall come. With teary cheek,
But heart of Bacchus, she will seek
With healing eyes each winter wound,
Till little minstrels of the ground,
The choral buds, in wonder wake
To croon the dewy songs they take
From brooks that haunt the woodman's glade
And lose a dream in every shade.
And ere the Spring has vanished,
Summer will make her rosy bed
And new loves take with every wind
Till earth be laden with her kind
And foster-bosomed Autumn come
To nurse the darlings of her womb.
But naught of season, change, or sun,
Recks the heart whose love is done.
Oh, ne'er again will beauty wear
For my sad eyes a robe more fair,
And ne'er again will music make
A sweeter song for my poor sake.
No tear to weep, no prayer to pray!
Endeth time with lover's day.
[93]No morrow is if hearts say no;
Life is gone when love doth go.
Death, O Death, why dost thou flee
From one whose wish is but for thee?
Here is thy pillow, on my breast.
No dove but would its spicèd nest
Forego to couch in this sweet bed
That here I open for thy head.
Thou wilt not hear? Thou wilt not come?
Then must I seek thee in thy home.
Once more lift up this stone-dead heart,
And leap to find thee where thou art!

[94]

HAVENED

Come, Flower of Life, and lay thy beauty's rose
Upon the breast that storm and thee divide;
And like true knights whose queen no laggard knows,
Forth gently shall my love-bid fancies ride
To serve thy heart, and bring thy wishes in;
And shuttling rhyme a web shall make thee then
Whilst thou dost gaze, nor thy poor weaver chide.
Sweet wonder lay upon my opening eyes
That showed me in a gracious court of trees
Whose leaves were clouds that caught and lost sunrise,
And fell in mist upon a twirling breeze
That traced the ground and to a river grew,
Casting its tender spray in tinted dew
As curved its silver way with laughing ease.
[95]I followed, forest deep, this wooing guide
Through fragrant gloom of cliff and bower o'ergrown,
Free as a fawn the stream 'twas born beside,
Nor held my step with fear at sounds unknown,—
High murmurings among the cloudy leaves,
As when some dull and dreamy throng receives
Strange lyric stir from power not its own.
And more and more the murmurs grew like song,
Save that no song could drop such honey-rain;
The lyre-god's self would do it unsweet wrong,
Were he that golden sound to breathe again;
And as my guide into a cave did pass,
That closèd seemed, and yet unclosèd was,
That airy cadence stooped and bore me in.
Then wandered life from out my memory,
Gone from desire, as ghost at last must go;
Nor shadow fell, where shadow could not be,
From those dark lures that make our worldly woe.
[96]O Sweet, forgive that my inconstant tongue
Should dim the glories that I moved among
With name of gloom that wrongs the world we know.
The dome was fair as Heaven, or Heaven, in sooth,
It might have been, but that there shone,
The centre 'neath, a fountain-featured truth
That might no rival of its radiance own.
Ah, this was Heaven's heart, if Heaven be,
And the bright dome but its gold boundary;
Yet gleamèd here no crown or mounted throne.
The music budded till it dropped soft showers;
All things to other changed, though here no mage;
Clouds turned to light, and light to sweeter powers,
And chance and change to all was privilege;
The air was full of phantom-stirring things,
And I not breathed but that I touched new wings,
And sent some dream on airy pilgrimage.
Ere my delight had held me pausing long
Beneath a cloud that rained me lilies cool,
[97]A stir awoke amid a ferny throng
That leaned their trembling grace above a pool,
And following the flutter of a song
To feathery rest where blossoms minute-young
Oped arms of vermeil soft, and dawning gule,
Mine eye saw Love. White on a verge's mount,
That swelled to show its burden dear, she lay;
A sighing mist that partly filled the fount,
And o'er the brink sought tenderly to stray,
For her fair body pillowed soft the ground,
Growing glad upward arms to clasp her round
And of each grace take new and sweet account.
In nymphlike mould her gentle figure ran,
Though nymph so bright did never sport in dell;
Her eyes an angel's were, if angels' can
Be thousand times more fair than dream can tell;
Unfalling tears they held, yet so could please
They might have hermits made forget their knees
And kings find out they had them, such their spell.
[98]Above her forehead hovered close a star,
Like spirit guard, whose ever-changing ray
Was fed with fires of sacrifice that are
Love's life,—the offerings earth lovers lay
Upon her shrine, and as they pale or glow
She smiles or droops as this true star doth show,—
Or dim or bright as serve we or betray.
Beside her was an instrument of tune,
Of changeful beauty as her couch of cloud,
And as I looked she woke it to strange rune,
As in low murmur moved her thoughts aloud,—
For all Love's thoughts are music,—but to make
That ditty o'er, what heart would undertake,
And with a mortal chant her utterance shroud?
Anear her stood a youth bare of all guise
Save when a light enwrapped him in its flame;
He bore the ages in his listening eyes,
And prophecy there waited for a name;
Joy loved him best, and gave eternity,
And his lithe, lustrous being seemed to say
"I am the aspiration of all dream."
[99]Upward he gazed as though he would read o'er
The scroll of rising winds, the burst of suns,
And lists—ah, might it be earth's shore
Freed of her epic hates and tunèd groans!
War's passion beat, and woe's sad chorus past,
And all her song pure-winnowed, clear at last,
Pouring the music of her happy moons!
Then moved his lips, but yet unborn is he
Who may with their resound make sweet his own;
He who shall come as morning walks the sea,
Mate of the Wind when all her harps are one;
So much we know by frail yet quenchless light
That creeps through shadows of our lute-poor night,—
The brave rose-glimmers of his singing dawn.
Lo, every dream new-homing from far ways
On silent wing or spirit wave of air,
Came circling o'er his head in hovering maze,
Seen not, nor heard, albeit I knew them there;
But as each passed before his lifted face,
They gleamed to sight, and grace so mounted grace
My eyes seemed there anointed, though afar.
[100]Then radiant couriers shook the fountain Heart
And turned me thither. Sweet and bold surprise
Took all my being with such tremorous start
I marvelled how aught else had held my eyes.
I could not tell what the bright wonder was
Whose garner-breast held every beauteous cause
Makes earth remember, and forget, the skies.
There shone the star that lit man's first desire,
And there his hope that latest fluttered bare;
One look translating made me as a lyre
Swept with a joy the heart of Truth might share,—
Truth that is silent, wanting joy to sing,—
But ere I breathèd had for wondering,
A face out-flashed wreathed with sun-flinging hair.
Youth was the angel of that countenance,
Where graces sprang in ever fairer throng;
Yet she was old ere any star's birth-dance,
If word of earthly time, or old or young,
Means aught of eyes whose brooding splendour swept
The silences when Uncreation slept
And gave the dream that woke the suns in song.
[101]Each age that left a glory left it writ
Upon her brow, as with a pen of light
Whose track was pearls, and as each whiter lit
The story there, the court grew softlier bright;
Each dullsome thing—Oh, no thing there was dull!
Flushed o'er itself with glow more beautiful,
As might fair, sleeping gods wake to delight.
Then all the wonder that made vague her form,
Oped on a figure splendent so to view;
Mine eyes an instant swooned; and as from storm
Of warring rainbows it endearèd grew
To shape of her who 'gan descending slow,
Fair Love looked up, and Poesy knelt low:
'Twas Beauty's self, and mother of the two.
Whilst yet I gazed all vanished were the three;
And as a sighing shore no more may hold
The mermaid wave that would go out to sea,
So slipped the vision from my fancy bold.
O Flower of Life, no rest for me but this,
To dream awhile, and then awake to press
Upon my heart thy curls' beloved gold!

[102]

MID-MAY

Hand clamped to desk,
And eyes on task undone,
I see a meadow pool,
With shaken willows silvering.
O, gods that trouble me,
Wherefore, wherefore?—
Pan is at the door.
An arabesque
Of sifted sun
And forest star-grass, cool
With shadows tunnelling:
Witch-work that tauntingly
Webs my bare floor:
Ah, Pan is at the door.
I'm civilized,
And in my veins
The mountain brook is still
[103]As water in a jar;
But oh, the heart hill-born,
It paineth sore,
For Pan is at the door.
Ye sacrificed
Of earth, what rains
Have wept their will
And drowned your rebel star,
That ye should sit forlorn,
Telling Greed's score,
When Pan is at the door?

[104]

THE LOSS

When thou shalt search thy glass nor find the flower
That there so long smiled gay, unwithering,
And from sad vantage of a forlorn hour
That fore nor aft unmasks one hint of Spring,
Thou mourn'st the barrenness of beauty spent
With no reservèd treasure for the day
When all that youth and sunny fortune lent
No more should light adoring eyes to thee,
And fear'st thyself a-cold, by the last storm
Beat to thine inn, a still, uncarping guest,
Thy once bright eye a pilot to the worm
Making his dungeon way to his new feast,
Drop not a tear then for thy beauty fled,
But for the wounds it healed not bow thy head.

[105]

CALLED

I rise, I pass;
The feast is on, bright is the board,
Undrained the comrade glass;
Love's sheltering eyes are deep and nigh;
Fame waits with shining word;
But sweeter, goldening the sphere,
A voice falls from another sky;
The wasting world I do not hear,
And no god laughs as I pass by,
A wanderer.
Unpausing lowers
The gleam of her from other airs,
And Being's guarded doors
Are open wide for journey free
Where wait my chosen stars;
And o'er me, O what lustres break
[106]Of that desire, Reality,
That burns a thousand suns to make
One nightingale to sing for me,
A soul awake!
Far, far I sped
Down moonless lanes from doubt to doubt;
With hasting, hungry tread
Up slopes of frost unpitying
Where the last star went out;
There fell I in unlifting dark,
And lying while an æon's wing
Dragged o'er me bare, wind-stript and stark,
As leafless planets dream of Spring,
Dreamed she would hark.
Then by me bound,
Came one who wore my lost career
With star on star pinned round,
And stood him by my bones to stare.
With pity's ancient sneer
He mocked my bleachen nudity;
[107]Then did she turn, then did she care,
And pausing where I might not see
She let the winds blow back her hair
And cover me.

[108]

SONG OF TO-MORROW

Sound, O Harp of Being, set
Deathless in the winds of time!
All thine ancient part forget,
Wailing lust, and strife, and crime!
Clouds of hate are now sweet rain:
Thou shall never moan again.
Harp of Being, O forget
Hesper dead that played on thee,
All her golden fingers wet
With the blood of misery!
Morning sweeps along thy strings;
Thou art done with yester things.
Bright thou art with drops that fell
Watering earth's long-buried Spring;
Thou hast quivered safe through Hell
Where Love found immortal wing;
[109]Sound, while Life unfrenzied calls
Joy to hallowed Bacchanals!
Harp of Dawn, forget, forget!
Sound thee of the hours now come
When the vine and violet
Bind to earth the fallen drum.
Palsied as a dying star
Fails the shaken torch of war!
From each pennoned pinnacle
Of the cities of the free,
Clasped in time invisible,
Flows the wonder flown to thee;
Thou so swift to throb and start
With the singing earth's new heart!
By the light that sets mind free,
By the night that once it wore,
By the soul man is to be,
By the beast he is no more;
By thy past, unmeasured pain,
Thou shalt never moan again.

[110]

LITTLE DAUGHTERS

I

What is sweeter, sweet, than you?
Not the fairy dew
Of these bee-sipped pastures where
Time, unsandalled, unaware,
Rests him ere he tire.
Shall I his forgotten hour
Strike for thee?
Fatefully,
Lift the wand that wakes
Woman in the flower?
Then o'er dream's horizon breaks
Rose of other fire;
From a world more sweet
Rival rise the fragrant floods;
Breath that makes
Thy morning meadows dun,
Mutes their dew-bells, misty hoods
Every leaf that shone;
[111]Sets thy daisy-fondled feet
Twinkling to be gone;
Down the ways and up the ways,
Hope-fleet, trampling care
As curling buds,
Iris goal joy-near;
Then a-creep on praying knees,
Frail shoulders bent to bear
Heaven's falling sphere.
Ah, not yet, heart's wonder!
A little hour we'll stay,
And thou wilt give me grace of dawn
For travelled, dusk array.
This gown of mottled years,
By noon and gnome-light spun,
Enchant me to surrender
To Ariel ministers;
Here poised with thee before
Thy summer world's wide door,
And glory that is hers;
This soft, unclamorous sky
That makes a lotus ship of every eye
[112]Upventuring; song's sail that pilotless
Drifts down, a wing's caress
On billowed field and climbing shore
Whose veiny tidelets beat and cling,
Bloom-labouring,
Invincibly sweet and far,
Up looming cone and scaur,
And clambering spill
To lap of ledge and aproned hill
The heaped and whispering greenery
Of beauty's burden that unburdens me!
And thou, the fairest thing
In this fair shaman-ring,
Shall my sore magic loose thee wandering?
Has Life such faltering need,
Mid outlands where she runs,
She cannot reach the suns
Save thou dost bleed?
Shall she go fleet,
With heart of stouter cheer,
Because thou givest her
Thy little, bruisèd feet?
[113]Thou'dst earn thy Heaven? Dear, I know
Heaven must not ban thee shining so!
Why shouldst thou laden bow,
And climb, and slip, and toil,
And blanch thy cheek to keep thy soul as white,
Inviolate as now?
O, we have dreams we shall not put away
Till earth be fair as they;
When all this work-night coil
Shall be unwound by wizard fingers bright
That send our own to play;
And wisdom, wiser than we know, shall find
The birth trail to the mind;
Nor spirit waver, panting here and yon
Seeking sun-vantage, for all heights are won.
Shall not we then be as the flowers,
Drinking dew dowers
As now thou dost?
Glad petals that unclose
About Life's heart,—at last the perfect Rose?
Sweet, I will trust
Love and the morn;
Fold here the wakeful wand,
[114]Leave thee in dewy bond
Of blossomy sleep.
Who knows but thou hast won the steep
By silent, angel way,
Hidden and heavenly,
That leaves no trace of thorn?
Star-flower, keep thy sky;
If man must climb, let him go up to thee;
A daisy may be nearer God than he—
Than I.

II

What crime was hers, that she lies hushed,
Dead with the price, while you and I,
With lifted head, walk sinless by?
Pause then,—but spare
That easy tear; the tale I'll bare.
Mid stones that pushed
Her eager life back, grudged her room
For root without one bloom,
There strangely blushed
[115]Some little dreams,—not gloriously fine
As yours and mine,
But vague, and veiled, and few;
She hardly knew their names, but felt the stir
That filled her heart with whispers as they grew,
And knew that life lay in them, life for her.
When Hunger came she turned her breast
And let him feed. Cold followed, gripped
Her veins and sipped
The thin blood thinner; both she pressed
As close as lovers, lest
A darker fiend might creep within
Her empty arms; lest she might buy,
With one swift hour of sin,
A poisoned ease from tooth of need,—
A little food, a little fire, and die;
And she had dreams to shelter, little dreams to feed.
Oh, unresisting dumb!
In wide earth's harvest-gold
She asked no share,
If in the dust a crumb
Might be for her;
[116]If she might round her aching body fold
One hour's undriven sleep,—
But one hour more,
Safe from the Want that pried
Her thin and shaken door,—
That hour the shivering dawn denied
With scream that cut life through,
And made her wretched pillow seem a rose
Her clinging cheek would keep
In soft, ungoaded death! And ah, suppose
A few more pence the day
Were richly hers, to make youth gay
With ribbon or a flower ere it flew!
(So soon toil's wrinkles come!)
Then would she make her dreams a fairer home;
Then would her heart be stronger where they grew;
Then would she walk more bravely knowing them;
Then would her eyes be brighter showing them.
Yet did they whisper, yet they stirred
Uptremblingly, till half their breath
Was music, half was song;
Told of free hours and a wild heath
[117]Where wind and sun ran dappling; of a bird
Bough-throned, whose trill
Turned all the forest leaves to wings,—
His singing young;
Of a moon-goldened hill
Where blossoms danced; of sweeter, holier things;
A sea-beach grey,
Where waves were drownèd twilight, and the day
Hung in a pause that softly, suddenwise,
Became a soul. She too would have a soul,
And hours with God and friends; no more give all,
Now there were dreams, to the machine.
Then rose with young, star-driven eyes
To face the lords of gain,
And here she lies.
Lift up the cotton, thinned with wear,
That hides the poor, starved shoulder; bare
The bruise shows, like a printed paw.
Haste, draw the dumb, frayed sheet again,
And think you cover so the stain
Upon our hearts; for—have the truth!—
[118]'Twas we who put the club of law
Into bought hands to strike her battling youth.
She kept her virtue's gold,
Fought hunger, fiend, and cold
Unvanquished; when the might of Hell
Rose in law's name and ours, she broken fell.
O friend, when next you smooth the golden head
Like nestled morning 'gainst your knee,
Look farther,—see
Fair girlhood dead.
These lips, unvisited by love, were sweet
As are thy fondling's; this want-hollowed cheek
A little ease had made
Playground of dimples, joy's rose-seat;
And could these eyes ope they would speak
Of one who bought her dreams of Death and paid.
If blind thou shrinkest yet
To meet Truth bare,
Then as thou'st dealt with this pale maid
Life shall thine own besiege.
Injustice holds
No sanctuary folds;
[119]To fence out care
We must the planet hedge;
Justice is God, and waits
Behind our blood-built tower-gates;
And as indifference
Was once our soul's pretence,
Who then shall heed us, who shall understand,
When our crushed hearts lie in the vengeant hand?
But is she dead? Faint on my ears
A far-off singing falls,
Sweet from time's sleep
Amid the stainless years
Yet unawake to men.
Nearer it calls,
Like music through a rain,
And o'er the distant ridges sweep
Soft garments and young feet. O maidens, ye
Are like a cloud in beauty,—nay, more swift!
If that the milky stream of stars could lift
Its clustered glory, hasten free,
And while we marvelled pass from east to west,
Then ye would mirrored be!
[120]The hills seem lit with brides,
And she whose death-cold breast
Was shrouded here, is't she who guides
This fearless company
Sure of earth's welcome as a maiden Spring?
And in their eyes the dreams she fought for,
In their hands the flowers she sought for,
On their lips the songs that here she did not sing!
Not dead! While Destiny hath need
Of living dream and deed,
Ay, she shall deathless be!
While aught availeth, and God is,
For in her hope lay His!
O, ye who mar Love's face
Ere Love be born, leave not this place,
Pass not this white form by,
Till from assaulted skies ye hear the cry,
"She is not dead till ye have murdered Me!"

Printed by Ballantyne, Hanson & Co.
at Paul's Work, Edinburgh

Transcriber's Note: Minor typographical errors have been corrected without note. Original spellings have been retained.





End of Project Gutenberg's Path Flower and Other Verses, by Olive T. Dargan

*** END OF THIS PROJECT GUTENBERG EBOOK PATH FLOWER AND OTHER VERSES ***

***** This file should be named 27297-h.htm or 27297-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/7/2/9/27297/

Produced by David Garcia, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Kentuckiana Digital Library)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.