Project Gutenberg's Roundabout Papers, by William Makepeace Thackeray

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Roundabout Papers

Author: William Makepeace Thackeray

Release Date: May 21, 2006 [EBook #2608]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK ROUNDABOUT PAPERS ***




Produced by Donald Lainson





ROUNDABOUT PAPERS

By William Makepeace Thackeray




CONTENTS


ROUNDABOUT PAPERS


On a Lazy Idle Boy

On Two Children in Black

On Ribbons

On some late Great Victories

Thorns in the Cushion

On Screens in Dining-Rooms

Tunbridge Toys

De Juventute

On a Joke I once heard from the late Thomas Hood

Round about the Christmas Tree

On a Chalk-Mark on the Door

On being Found Out

On a Hundred Years Hence

Small-Beer Chronicle

Ogres

On Two Roundabout Papers which I intended to Write

A Mississippi Bubble

On Letts's Diary

Notes of a Week's Holiday

Nil Nisi Bonum

On Half a Loaf--A Letter to Messrs. Broadway, Battery and Co., of New
York, Bankers

The Notch on the Axe.--A Story a la Mode. Part I Part II Part III

De Finibus

On a Peal of Bells

On a Pear-Tree

Dessein's

On some Carp at Sans Souci

Autour de mon Chapeau

On Alexandrines--A Letter to some Country Cousins

On a Medal of George the Fourth

"Strange to say, on Club Paper"

The Last Sketch




ROUNDABOUT PAPERS.




ON A LAZY IDLE BOY.


I had occasion to pass a week in the autumn in the little old town
of Coire or Chur, in the Grisons, where lies buried that very ancient
British king, saint, and martyr, Lucius,* who founded the Church of St.
Peter, on Cornhill. Few people note the church now-a-days, and fewer
ever heard of the saint. In the cathedral at Chur, his statue appears
surrounded by other sainted persons of his family. With tight red
breeches, a Roman habit, a curly brown beard, and a neat little gilt
crown and sceptre, he stands, a very comely and cheerful image: and,
from what I may call his peculiar position with regard to Cornhill, I
beheld this figure of St. Lucius with more interest than I should have
bestowed upon personages who, hierarchically, are, I dare say, his
superiors.

     * Stow quotes the inscription, still extant, from the table
     fast chained in St. Peter's Church, Cornhill; and says, "he
     was after some chronicle buried at London, and after some
     chronicle buried at Glowcester"--but, oh! these incorrect
     chroniclers! when Alban Butler, in the "Lives of the
     Saints," v. xii., and Murray's "Handbook," and the Sacristan
     at Chur, all say Lucius was killed there, and I saw his tomb
     with my own eyes!

The pretty little city stands, so to speak, at the end of the world--of
the world of to-day, the world of rapid motion, and rushing railways,
and the commerce and intercourse of men. From the northern gate, the
iron road stretches away to Zurich, to Basle, to Paris, to home. From
the old southern barriers, before which a little river rushes, and
around which stretch the crumbling battlements of the ancient town, the
road bears the slow diligence or lagging vetturino by the shallow Rhine,
through the awful gorges of the Via Mala, and presently over the Splugen
to the shores of Como.

I have seldom seen a place more quaint, pretty, calm, and pastoral, than
this remote little Chur. What need have the inhabitants for walls
and ramparts, except to build summer-houses, to trail vines, and hang
clothes to dry on them? No enemies approach the great mouldering gates:
only at morn and even the cows come lowing past them, the village
maidens chatter merrily round the fountains, and babble like the
ever-voluble stream that flows under the old walls. The schoolboys,
with book and satchel, in smart uniforms, march up to the gymnasium,
and return thence at their stated time. There is one coffee-house in the
town, and I see one old gentleman goes to it. There are shops with no
customers seemingly, and the lazy tradesmen look out of their little
windows at the single stranger sauntering by. There is a stall with
baskets of queer little black grapes and apples, and a pretty brisk
trade with half a dozen urchins standing round. But, beyond this, there
is scarce any talk or movement in the street. There's nobody at the
book-shop. "If you will have the goodness to come again in an hour,"
says the banker, with his mouthful of dinner at one o'clock, "you can
have the money." There is nobody at the hotel, save the good landlady,
the kind waiters, the brisk young cook who ministers to you. Nobody is
in the Protestant church--(oh! strange sight, the two confessions are
here at peace!)--nobody in the Catholic church: until the sacristan,
from his snug abode in the cathedral close, espies the traveller eying
the monsters and pillars before the old shark-toothed arch of his
cathedral, and comes out (with a view to remuneration possibly) and
opens the gate, and shows you the venerable church, and the queer old
relics in the sacristy, and the ancient vestments (a black velvet
cope, amongst other robes, as fresh as yesterday, and presented by that
notorious "pervert," Henry of Navarre and France), and the statue of St.
Lucius who built St. Peter's Church, on Cornhill.

What a quiet, kind, quaint, pleasant, pretty old town! Has it been
asleep these hundreds and hundreds of years, and is the brisk young
Prince of the Sidereal Realms in his screaming car drawn by his snorting
steel elephant coming to waken it? Time was when there must have been
life and bustle and commerce here. Those vast, venerable walls were
not made to keep out cows, but men-at-arms, led by fierce captains, who
prowled about the gates, and robbed the traders as they passed in and
out with their bales, their goods, their pack-horses, and their wains.
Is the place so dead that even the clergy of the different denominations
can't quarrel? Why, seven or eight, or a dozen, or fifteen hundred years
ago (they haven't the register at St. Peter's up to that remote period.
I dare say it was burnt in the fire of London)--a dozen hundred years
ago, when there was some life in the town, St. Lucius was stoned here
on account of theological differences, after founding our church in
Cornhill.

There was a sweet pretty river walk we used to take in the evening
and mark the mountains round glooming with a deeper purple; the shades
creeping up the golden walls; the river brawling, the cattle calling,
the maids and chatter-boxes round the fountains babbling and bawling;
and several times in the course of our sober walks we overtook a lazy
slouching boy, or hobble-dehoy, with a rusty coat, and trousers not too
long, and big feet trailing lazily one after the other, and large lazy
hands dawdling from out the tight sleeves, and in the lazy hands a
little book, which my lad held up to his face, and which I dare say
so charmed and ravished him, that he was blind to the beautiful sights
around him; unmindful, I would venture to lay any wager, of the lessons
he had to learn for to-morrow; forgetful of mother, waiting supper, and
father preparing a scolding;--absorbed utterly and entirely in his book.

What was it that so fascinated the young student, as he stood by the
river shore? Not the Pons Asinorum. What book so delighted him, and
blinded him to all the rest of the world, so that he did not care to see
the apple-woman with her fruit, or (more tempting still to sons of Eve)
the pretty girls with their apple cheeks, who laughed and prattled round
the fountain! What was the book? Do you suppose it was Livy, or the
Greek grammar? No; it was a NOVEL that you were reading, you lazy, not
very clean, good-for-nothing, sensible boy! It was D'Artagnan locking
up General Monk in a box, or almost succeeding in keeping Charles the
First's head on. It was the prisoner of the Chateau d'If cutting himself
out of the sack fifty feet under water (I mention the novels I like best
myself--novels without love or talking, or any of that sort of
nonsense, but containing plenty of fighting, escaping, robbery, and
rescuing)--cutting himself out of the sack, and swimming to the island
of Monte Cristo. O Dumas! O thou brave, kind, gallant old Alexandre! I
hereby offer thee homage, and give thee thanks for many pleasant hours.
I have read thee (being sick in bed) for thirteen hours of a happy day,
and had the ladies of the house fighting for the volumes. Be assured
that lazy boy was reading Dumas (or I will go so far as to let the
reader here pronounce the eulogium, or insert the name of his favorite
author); and as for the anger, or it may be, the reverberations of
his schoolmaster, or the remonstrances of his father, or the tender
pleadings of his mother that he should not let the supper grow cold--I
don't believe the scapegrace cared one fig. No! Figs are sweet, but
fictions are sweeter.

Have you ever seen a score of white-bearded, white-robed warriors, or
grave seniors of the city, seated at the gate of Jaffa or Beyrout, and
listening to the story-teller reciting his marvels out of "Antar" or the
"Arabian Nights?" I was once present when a young gentleman at table put
a tart away from him, and said to his neighbor, the Younger Son (with
rather a fatuous air), "I never eat sweets."

"Not eat sweets! and do you know why?" says T.

"Because I am past that kind of thing," says the young gentleman.

"Because you are a glutton and a sot!" cries the Elder (and Juvenis
winces a little). "All people who have natural, healthy appetites, love
sweets; all children, all women, all Eastern people, whose tastes
are not corrupted by gluttony and strong drink." And a plateful of
raspberries and cream disappeared before the philosopher.

You take the allegory? Novels are sweets. All people with healthy
literary appetites love them--almost all women;--a vast number of
clever, hard-headed men. Why, one of the most learned physicians in
England said to me only yesterday, "I have just read So-and-So for
the second time" (naming one of Jones's exquisite fictions). Judges,
bishops, chancellors, mathematicians, are notorious novel-readers; as
well as young boys and sweet girls, and their kind, tender mothers. Who
has not read about Eldon, and how he cried over novels every night when
he was not at whist?

As for that lazy naughty boy at Chur, I doubt whether HE will like
novels when he is thirty years of age. He is taking too great a glut of
them now. He is eating jelly until he will be sick. He will know most
plots by the time he is twenty, so that HE will never be surprised when
the Stranger turns out to be the rightful earl,--when the old waterman,
throwing off his beggarly gabardine, shows his stars and the collars of
his various orders, and clasping Antonia to his bosom, proves himself
to be the prince, her long-lost father. He will recognize the
novelist's same characters, though they appear in red-heeled pumps and
ailes-de-pigeon, or the garb of the nineteenth century. He will get
weary of sweets, as boys of private schools grow (or used to grow, for
I have done growing some little time myself, and the practice may have
ended too)--as private school-boys used to grow tired of the pudding
before their mutton at dinner.

And pray what is the moral of this apologue? The moral I take to be
this: the appetite for novels extending to the end of the world; far
away in the frozen deep, the sailors reading them to one another during
the endless night;--far away under the Syrian stars, the solemn sheikhs
and elders hearkening to the poet as he recites his tales; far away in
the Indian camps, where the soldiers listen to ----'s tales, or ----'s,
after the hot day's march; far away in little Chur yonder, where the
lazy boy pores over the fond volume, and drinks it in with all his
eyes;--the demand being what we know it is, the merchant must supply it,
as he will supply saddles and pale ale for Bombay or Calcutta.

But as surely as the cadet drinks too much pale ale, it will disagree
with him; and so surely, dear youth, will too much novels cloy on thee.
I wonder, do novel-writers themselves read many novels? If you go into
Gunter's, you don't see those charming young ladies (to whom I present
my most respectful compliments) eating tarts and ices, but at the proper
eventide they have good plain wholesome tea and bread-and-butter. Can
anybody tell me does the author of the "Tale of Two Cities" read novels?
does the author of the "Tower of London" devour romances? does the
dashing "Harry Lorrequer" delight in "Plain or Ringlets" or "Sponge's
Sporting Tour?" Does the veteran, from whose flowing pen we had the
books which delighted our young days, "Darnley," and "Richelieu," and
"Delorme,"* relish the works of Alexandre the Great, and thrill over the
"Three Musqueteers?" Does the accomplished author of the "Caxtons" read
the other tales in Blackwood? (For example, that ghost-story printed
last August, and which for my part, though I read it in the public
reading-room at the "Pavilion Hotel" at Folkestone, I protest frightened
me so that I scarce dared look over my shoulder.) Does "Uncle Tom"
admire "Adam Bede;" and does the author of the "Vicar of Wrexhill" laugh
over the "Warden" and the "The Three Clerks?" Dear youth of ingenuous
countenance and ingenuous pudor! I make no doubt that the eminent
parties above named all partake of novels in moderation--eat
jellies--but mainly nourish themselves upon wholesome roast and boiled.

     * By the way, what a strange fate is that which befell the
     veteran novelist!  He was appointed her Majesty's Consul-
     General in Venice, the only city in Europe where the famous
     "Two Cavaliers" cannot by any possibility be seen riding
     together.

Here, dear youth aforesaid! our Cornhill Magazine owners strive to
provide thee with facts as well as fiction; and though it does not
become them to brag of their Ordinary, at least they invite thee to a
table where thou shalt sit in good company. That story of the "Fox"* was
written by one of the gallant seamen who sought for poor Franklin under
the awful Arctic Night: that account of China** is told by the man
of all the empire most likely to know of what he speaks: those pages
regarding Volunteers*** come from an honored hand that has borne the
sword in a hundred famous fields, and pointed the British guns in the
greatest siege in the world.

     * "The Search for Sir John Franklin.  (From the Private
     Journal of an Officer of the 'Fox.')"

     ** "The Chinese and the Outer Barbarians."  By Sir John
     Bowring.

     *** "Our Volunteers."  By Sir John Burgoyne.

Shall we point out others? We are fellow-travellers, and shall make
acquaintance as the voyage proceeds. In the Atlantic steamers, on the
first day out (and on high-and holy-days subsequently), the jellies set
down on table are richly ornamented; medioque in fonte leporum rise the
American and British flags nobly emblazoned in tin. As the passengers
remark this pleasing phenomenon, the Captain no doubt improves the
occasion by expressing a hope, to his right and left, that the flag
of Mr. Bull and his younger Brother may always float side by side
in friendly emulation. Novels having been previously compared to
jellies--here are two (one perhaps not entirely saccharine, and flavored
with an amari aliquid very distasteful to some palates)--two novels*
under two flags, the one that ancient ensign which has hung before the
well-known booth of "Vanity Fair;" the other that fresh and handsome
standard which has lately been hoisted on "Barchester Towers." Pray,
sir, or madam, to which dish will you be helped?

     * "Lovel the Widower" and "Framley Parsonage."

So have I seen my friends Captain Lang and Captain Comstock press their
guests to partake of the fare on that memorable "First day out," when
there is no man, I think, who sits down but asks a blessing on his
voyage, and the good ship dips over the bar, and bounds away into the
blue water.




ON TWO CHILDREN IN BLACK.


Montaigne and "Howel's Letters" are my bedside books. If I wake at
night, I have one or other of them to prattle me to sleep again. They
talk about themselves for ever, and don't weary me. I like to hear them
tell their old stories over and over again. I read them in the dozy
hours, and only half remember them. I am informed that both of them tell
coarse stories. I don't heed them. It was the custom of their time, as
it is of Highlanders and Hottentots to dispense with a part of dress
which we all wear in cities. But people can't afford to be shocked
either at Cape Town or at Inverness every time they meet an individual
who wears his national airy raiment. I never knew the "Arabian Nights"
was an improper book until I happened once to read it in a "family
edition." Well, qui s'excuse. . . . Who, pray, has accused me as yet?
Here am I smothering dear good old Mrs. Grundy's objections, before she
has opened her mouth. I love, I say, and scarcely ever tire of hearing,
the artless prattle of those two dear old friends, the Perigourdin
gentleman and the priggish little Clerk of King Charles's Council. Their
egotism in nowise disgusts me. I hope I shall always like to hear men,
in reason, talk about themselves. What subject does a man know better?
If I stamp on a friend's corn, his outcry is genuine--he confounds my
clumsiness in the accents of truth. He is speaking about himself and
expressing his emotion of grief or pain in a manner perfectly authentic
and veracious. I have a story of my own, of a wrong done to me by
somebody, as far back as the year 1838: whenever I think of it and have
had a couple of glasses of wine, I CANNOT help telling it. The toe is
stamped upon; the pain is just as keen as ever: I cry out, and perhaps
utter imprecatory language. I told the story only last Wednesday at
dinner:--

"Mr. Roundabout," says a lady sitting by me, "how comes it that in your
books there is a certain class (it may be of men, or it may be of women,
but that is not the question in point)--how comes it, dear sir, there is
a certain class of persons whom you always attack in your writings, and
savagely rush at, goad, poke, toss up in the air, kick, and trample on?"

I couldn't help myself. I knew I ought not to do it. I told her the
whole story, between the entrees and the roast. The wound began to bleed
again. The horrid pang was there, as keen and as fresh as ever. If I
live half as long as Tithonus,* that crack across my heart can never be
cured. There are wrongs and griefs that CAN'T be mended. It is all very
well of you, my dear Mrs. G., to say that this spirit is unchristian,
and that we ought to forgive and forget, and so forth. How can I forget
at will? How forgive? I can forgive the occasional waiter who broke my
beautiful old decanter at that very dinner. I am not going to do him any
injury. But all the powers on earth can't make that claret-jug whole.

     * "Tithonus," by Tennyson, had appeared in the preceding
     (the 2nd) number of the Cornhill Magazine.

So, you see, I told the lady the inevitable story. I was egotistical. I
was selfish, no doubt; but I was natural, and was telling the truth. You
say you are angry with a man for talking about himself. It is because
you yourself are selfish, that that other person's Self does not
interest you. Be interested by other people and with their affairs.
Let them prattle and talk to you, as I do my dear old egotists just
mentioned. When you have had enough of them, and sudden hazes come over
your eyes, lay down the volume; pop out the candle, and dormez bien.
I should like to write a nightcap book--a book that you can muse over,
that you can smile over, that you can yawn over--a book of which you can
say, "Well, this man is so and so and so and so; but he has a friendly
heart (although some wiseacres have painted him as black as bogey), and
you may trust what he says." I should like to touch you sometimes with a
reminiscence that shall waken your sympathy, and make you say, Io anche
have so thought, felt, smiled, suffered. Now, how is this to be done
except by egotism? Linea recta brevissima. That right line "I" is the
very shortest, simplest, straightforwardest means of communication
between us, and stands for what it is worth and no more. Sometimes
authors say, "The present writer has often remarked;" or "The
undersigned has observed;" or "Mr. Roundabout presents his compliments
to the gentle reader, and begs to state," &c.: but "I" is better and
straighter than all these grimaces of modesty: and although these are
Roundabout Papers, and may wander who knows whither, I shall ask leave
to maintain the upright and simple perpendicular. When this bundle of
egotisms is bound up together, as they may be one day, if no accident
prevents this tongue from wagging, or this ink from running, they will
bore you very likely; so it would to read through "Howel's Letters"
from beginning to end, or to eat up the whole of a ham; but a slice on
occasion may have a relish: a dip into the volume at random and so on
for a page or two: and now and then a smile; and presently a gape; and
the book drops out of your hand; and so, bon soir, and pleasant dreams
to you. I have frequently seen men at clubs asleep over their humble
servant's works, and am always pleased. Even at a lecture I don't mind,
if they don't snore. Only the other day when my friend A. said, "You've
left off that Roundabout business, I see; very glad you have," I joined
in the general roar of laughter at the table. I don't care a fig
whether Archilochus likes the papers or no. You don't like partridge,
Archilochus, or porridge, or what not? Try some other dish. I am not
going to force mine down your throat, or quarrel with you if you refuse
it. Once in America a clever and candid woman said to me, at the
close of a dinner, during which I had been sitting beside her, "Mr.
Roundabout, I was told I should not like you; and I don't." "Well,
ma'am," says I, in a tone of the most unfeigned simplicity, "I don't
care." And we became good friends immediately, and esteemed each other
ever after.

So, my dear Archilochus, if you come upon this paper, and say, "Fudge!"
and pass on to another, I for one shall not be in the least mortified.
If you say, "What does he mean by calling this paper On Two Children
in Black, when there's nothing about people in black at all, unless the
ladies he met (and evidently bored) at dinner, were black women? What
is all this egotistical pother? A plague on his I's!" My dear fellow,
if you read "Montaigne's Essays," you must own that he might call almost
any one by the name of any other, and that an essay on the Moon or an
essay on Green Cheese would be as appropriate a title as one of his on
Coaches, on the Art of Discoursing, or Experience, or what you will.
Besides, if I HAVE a subject (and I have) I claim to approach it in a
roundabout manner.

You remember Balzac's tale of the Peau de Chagrin, and how every time
the possessor used it for the accomplishment of some wish the fairy Peau
shrank a little and the owner's life correspondingly shortened? I have
such a desire to be well with my public that I am actually giving up
my favorite story. I am killing my goose, I know I am. I can't tell
my story of the children in black after this; after printing it, and
sending it through the country. When they are gone to the printer's
these little things become public property. I take their hands. I bless
them. I say, "Good-by, my little dears." I am quite sorry to part with
them: but the fact is, I have told all my friends about them already,
and don't dare to take them about with me any more.

Now every word is true of this little anecdote, and I submit that there
lies in it a most curious and exciting little mystery. I am like a man
who gives you the last bottle of his '25 claret. It is the pride of his
cellar; he knows it, and he has a right to praise it. He takes up the
bottle, fashioned so slenderly--takes it up tenderly, cants it with
care, places it before his friends, declares how good it is, with honest
pride, and wishes he had a hundred dozen bottles more of the same wine
in his cellar. Si quid novisti, &c., I shall be very glad to hear from
you. I protest and vow I am giving you the best I have.

Well, who those little boys in black were, I shall never probably know
to my dying day. They were very pretty little men, with pale faces, and
large, melancholy eyes; and they had beautiful little hands, and little
boots, and the finest little shirts, and black paletots lined with the
richest silk; and they had picture-books in several languages, English,
and French, and German, I remember. Two more aristocratic-looking little
men I never set eyes on. They were travelling with a very handsome, pale
lady in mourning, and a maid-servant dressed in black, too; and on the
lady's face there was the deepest grief. The little boys clambered
and played about the carriage, and she sat watching. It was a
railway-carriage from Frankfort to Heidelberg.

I saw at once that she was the mother of those children, and going to
part from them. Perhaps I have tried parting with my own, and not found
the business very pleasant. Perhaps I recollect driving down (with a
certain trunk and carpet-bag on the box) with my own mother to the end
of the avenue, where we waited--only a few minutes--until the whirring
wheels of that "Defiance" coach were heard rolling towards us as certain
as death. Twang goes the horn; up goes the trunk; down come the steps.
Bah! I see the autumn evening: I hear the wheels now: I smart the cruel
smart again: and, boy or man, have never been able to bear the sight of
people parting from their children.

I thought these little men might be going to school for the first time
in their lives; and mamma might be taking them to the doctor, and would
leave them with many fond charges, and little wistful secrets of love,
bidding the elder to protect his younger brother, and the younger to be
gentle, and to remember to pray to God always for his mother, who would
pray for her boy too. Our party made friends with these young ones
during the little journey; but the poor lady was too sad to talk except
to the boys now and again, and sat in her corner, pale, and silently
looking at them.

The next day, we saw the lady and her maid driving in the direction
of the railway-station, WITHOUT THE BOYS. The parting had taken place,
then. That night they would sleep among strangers. The little beds at
home were vacant, and poor mother might go and look at them. Well, tears
flow, and friends part, and mothers pray every night all over the
world. I dare say we went to see Heidelberg Castle, and admired the vast
shattered walls and quaint gables; and the Neckar running its bright
course through that charming scene of peace and beauty; and ate our
dinner, and drank our wine with relish. The poor mother would eat but
little Abendessen that night; and, as for the children--that first night
at school--hard bed, hard words, strange boys bullying, and laughing,
and jarring you with their hateful merriment--as for the first night at
a strange school, we most of us remember what THAT is. And the first is
not the WORST, my boys, there's the rub. But each man has his share of
troubles, and, I suppose, you must have yours.

From Heidelberg we went to Baden-Baden: and, I dare say, saw Madame de
Schlangenbad and Madame de la Cruchecassee, and Count Punter, and honest
Captain Blackball. And whom should we see in the evening, but our two
little boys, walking on each side of a fierce, yellow-faced, bearded
man! We wanted to renew our acquaintance with them, and they were coming
forward quite pleased to greet us. But the father pulled back one of the
little men by his paletot, gave a grim scowl, and walked away. I can see
the children now looking rather frightened away from us and up into the
father's face, or the cruel uncle's--which was he? I think he was the
father. So this was the end of them. Not school, as I at first had
imagined. The mother was gone, who had given them the heaps of pretty
books, and the pretty studs in the shirts, and the pretty silken
clothes, and the tender--tender cares; and they were handed to this
scowling practitioner of Trente et Quarante. Ah! this is worse than
school. Poor little men! poor mother sitting by the vacant little beds!
We saw the children once or twice after, always in Scowler's company;
but we did not dare to give each other any marks of recognition.

From Baden we went to Basle, and thence to Lucerne, and so over the
St. Gothard into Italy. From Milan we went to Venice; and now comes the
singular part of my story. In Venice there is a little court of which
I forget the name: but in it is an apothecary's shop, whither I went to
buy some remedy for the bites of certain animals which abound in Venice.
Crawling animals, skipping animals, and humming, flying animals; all
three will have at you at once; and one night nearly drove me into a
strait-waistcoat. Well, as I was coming out of the apothecary's with the
bottle of spirits of hartshorn in my hand (it really does do the bites
a great deal of good), whom should I light upon but one of my little
Heidelberg-Baden boys!

I have said how handsomely they were dressed as long as they were with
their mother. When I saw the boy at Venice, who perfectly recognized
me, his only garb was a wretched yellow cotton gown. His little feet,
on which I had admired the little shiny boots, were WITHOUT SHOE OR
STOCKING. He looked at me, ran to an old hag of a woman, who seized his
hand; and with her he disappeared down one of the thronged lanes of the
city.

From Venice we went to Trieste (the Vienna railway at that time was only
opened as far as Laybach, and the magnificent Semmering Pass was not
quite completed). At a station between Laybach and Graetz, one of my
companions alighted for refreshment, and came back to the carriage
saying:--

"There's that horrible man from Baden, with the two little boys."

Of course, we had talked about the appearance of the little boy at
Venice, and his strange altered garb. My companion said they were pale,
wretched-looking and DRESSED QUITE SHABBILY.

I got out at several stations, and looked at all the carriages. I could
not see my little men. From that day to this I have never set eyes on
them. That is all my story. Who were they? What could they be? How can
you explain that mystery of the mother giving them up; of the remarkable
splendor and elegance of their appearance while under her care; of
their barefooted squalor in Venice, a month afterwards; of their shabby
habiliments at Laybach? Had the father gambled away his money, and
sold their clothes? How came they to have passed out of the hands of a
refined lady (as she evidently was, with whom I first saw them) into the
charge of quite a common woman like her with whom I saw one of the boys
at Venice? Here is but one chapter of the story. Can any man write the
next, or that preceding the strange one on which I happened to light?
Who knows? the mystery may have some quite simple solution. I saw two
children, attired like little princes, taken from their mother and
consigned to other care; and a fortnight afterwards, one of them
barefooted and like a beggar. Who will read this riddle of The Two
Children in Black?




ON RIBBONS.


The uncle of the present Sir Louis N. Bonaparte, K.G., &c., inaugurated
his reign as Emperor over the neighboring nation by establishing an
Order, to which all citizens of his country, military, naval, and
civil--all men most distinguished in science, letters, arts, and
commerce--were admitted. The emblem of the Order was but a piece of
ribbon, more or less long or broad, with a toy at the end of it.
The Bourbons had toys and ribbons of their own, blue, black, and
all-colored; and on their return to dominion such good old Tories would
naturally have preferred to restore their good old orders of Saint
Louis, Saint Esprit, and Saint Michel; but France had taken the ribbon
of the Legion of Honor so to her heart that no Bourbon sovereign dared
to pluck it thence.

In England, until very late days, we have been accustomed rather to
pooh-pooh national Orders, to vote ribbons and crosses tinsel gewgaws,
foolish foreign ornaments, and so forth. It is known how the Great
Duke (the breast of whose own coat was plastered with some half-hundred
decorations) was averse to the wearing of ribbons, medals, clasps,
and the like, by his army. We have all of us read how uncommonly
distinguished Lord Castlereagh looked at Vienna, where he was the only
gentleman present without any decoration whatever. And the Great Duke's
theory was, that clasps and ribbons, stars and garters, were good
and proper ornaments for himself, for the chief officers of his
distinguished army, and for gentlemen of high birth, who might naturally
claim to wear a band of garter blue across their waistcoats; but that
for common people your plain coat, without stars and ribbons, was the
most sensible wear.

And no doubt you and I are as happy, as free, as comfortable; we can
walk and dine as well; we can keep the winter's cold out as well,
without a star on our coats, as without a feather in our hats. How often
we have laughed at the absurd mania of the Americans for dubbing their
senators, members of Congress, and States' representatives, Honorable.
We have a right to call OUR Privy Councillors Right Honorable, our
Lords' sons Honorable, and so forth; but for a nation as numerous, well
educated, strong, rich, civilized, free as our own, to dare to give its
distinguished citizens titles of honor--monstrous assumption of low-bred
arrogance and parvenu vanity! Our titles are respectable, but theirs
absurd. Mr. Jones, of London, a Chancellor's son, and a tailor's
grandson, is justly Honorable, and entitled to be Lord Jones at his
noble father's decease: but Mr. Brown, the senator from New York, is a
silly upstart for tacking Honorable to his name, and our sturdy British
good sense laughs at him. Who has not laughed (I have myself) at
Honorable Nahum Dodge, Honorable Zeno Scudder, Honorable Hiram Boake,
and the rest? A score of such queer names and titles I have smiled at in
America. And, mutato nomine? I meet a born idiot, who is a peer and born
legislator. This drivelling noodle and his descendants through life are
your natural superiors and mine--your and my children's superiors. I
read of an alderman kneeling and knighted at court: I see a gold-stick
waddling backwards before Majesty in a procession, and if we laugh,
don't you suppose the Americans laugh too?

Yes, stars, garters, orders, knighthoods, and the like, are folly. Yes,
Bobus, citizen and soap-boiler, is a good man, and no one laughs at him
or good Mrs. Bobus, as they have their dinner at one o'clock. But
who will not jeer at Sir Thomas on a melting day, and Lady Bobus, at
Margate, eating shrimps in a donkey-chaise? Yes, knighthood is absurd:
and chivalry an idiotic superstition: and Sir Walter Manny was a zany:
and Nelson, with his flaming stars and cordons, splendent upon a day
of battle, was a madman: and Murat, with his crosses and orders, at the
head of his squadrons charging victorious, was only a crazy mountebank,
who had been a tavern-waiter, and was puffed up with absurd vanity about
his dress and legs. And the men of the French line at Fontenoy, who
told Messieurs de la Garde to fire first, were smirking French
dancing-masters; and the Black Prince, waiting upon his royal prisoner,
was acting an inane masquerade: and Chivalry is naught; and honor is
humbug; and Gentlemanhood is an extinct folly; and Ambition is madness;
and desire of distinction is criminal vanity; and glory is bosh; and
fair fame is idleness; and nothing is true but two and two; and the
color of all the world is drab; and all men are equal; and one man is
as tall as another; and one man is as good as another--and a great dale
betther, as the Irish philosopher said.

Is this so? Titles and badges of honor are vanity; and in the American
Revolution you have his Excellency General Washington sending back, and
with proper spirit sending back, a letter in which he is not addressed
as Excellency and General. Titles are abolished; and the American
Republic swarms with men claiming and bearing them. You have the French
soldier cheered and happy in his dying agony, and kissing with frantic
joy the chief's hand who lays the little cross on the bleeding bosom. At
home you have the Dukes and Earls jobbing and intriguing for the Garter;
the Military Knights grumbling at the Civil Knights of the bath; the
little ribbon eager for the collar; the soldiers and seamen from India
and the Crimea marching in procession before the Queen, and receiving
from her hands the cross bearing her royal name. And, remember, there
are not only the cross wearers, but all the fathers and friends; all the
women who have prayed for their absent heroes; Harry's wife, and Tom's
mother, and Jack's daughter, and Frank's sweetheart, each of whom wears
in her heart of hearts afterwards the badge which son, father, lover,
has won by his merit; each of whom is made happy and proud, and is bound
to the country by that little bit of ribbon.

I have heard, in a lecture about George the Third, that, at his
accession, the King had a mind to establish an order for literary men.
It was to have been called the Order of Minerva--I suppose with an Owl
for a badge. The knights were to have worn a star of sixteen points, and
a yellow ribbon; and good old Samuel Johnson was talked of as President,
or Grand Cross, or Grand Owl, of the society. Now about such an order
as this there certainly may be doubts. Consider the claimants, the
difficulty of settling their claims, the rows and squabbles amongst the
candidates, and the subsequent decision of posterity! Dr. Beattie would
have ranked as first poet, and twenty years after the sublime Mr. Hayley
would, no doubt, have claimed the Grand Cross. Mr. Gibbon would not have
been eligible, on account of his dangerous freethinking opinions; and
her sex, as well as her republican sentiments, might have interfered
with the knighthood of the immortal Mrs. Catharine Macaulay. How
Goldsmith would have paraded the ribbon at Madame Cornelys's, or the
Academy dinner! How Peter Pindar would have railed at it! Fifty years
later, the noble Scott would have worn the Grand Cross and deserved it;
but Gifford would have had it; and Byron, and Shelley, and Hazlitt, and
Hunt would have been without it; and had Keats been proposed as officer,
how the Tory prints would have yelled with rage and scorn! Had the star
of Minerva lasted to our present time--but I pause, not because the idea
is dazzling, but too awful. Fancy the claimants, and the row about their
precedence! Which philosopher shall have the grand cordon?--which the
collar?--which the little scrap no bigger than a buttercup? Of the
historians--A, say,--and C, and F, and G, and S, and T,--which shall be
Companion and which Grand Owl? Of the poets, who wears, or claims, the
largest and brightest star? Of the novelists, there is A, and B and C D;
and E (star of first magnitude, newly discovered), and F (a magazine of
wit), and fair G, and H, and I, and brave old J, and charming K, and
L, and M, and N, and O (fair twinklers), and I am puzzled between three
P's--Peacock, Miss Pardoe, and Paul Pry--and Queechy, and R, and S, and
T, mere et fils, and very likely U, O gentle reader, for who has not
written his novel now-a-days?--who has not a claim to the star and
straw-colored ribbon?--and who shall have the biggest and largest? Fancy
the struggle! Fancy the squabble! Fancy the distribution of prizes!

Who shall decide on them? Shall it be the sovereign? shall it be the
Minister for the time being? and has Lord Palmerston made a deep study
of novels? In this matter the late Ministry,* to be sure, was better
qualified; but even then, grumblers who had not got their canary
cordons, would have hinted at professional jealousies entering the
Cabinet; and, the ribbons being awarded, Jack would have scowled at his
because Dick had a broader one; Ned been indignant because Bob's was as
large: Tom would have thrust his into the drawer, and scorned to wear it
at all. No--no: the so-called literary world was well rid of Minerva
and her yellow ribbon. The great poets would have been indifferent, the
little poets jealous, the funny men furious, the philosophers satirical,
the historians supercilious, and, finally, the jobs without end.
Say, ingenuity and cleverness are to be rewarded by State tokens and
prizes--and take for granted the Order of Minerva is established--who
shall have it? A great philosopher? no doubt we cordially salute him
G.C.M. A great historian? G.C.M. of course. A great engineer? G.C.M.
A great poet? received with acclamation G.C.M. A great painter? oh!
certainly, G.C.M. If a great painter, why not a great novelist?
Well, pass, great novelist, G.C.M. But if a poetic, a pictorial, a
story-telling or music-composing artist, why not a singing artist?
Why not a basso-profondo? Why not a primo tenore? And if a singer, why
should not a ballet-dancer come bounding on the stage with his cordon,
and cut capers to the music of a row of decorated fiddlers? A chemist
puts in his claim for having invented a new color; an apothecary for
a new pill; the cook for a new sauce; the tailor for a new cut of
trousers. We have brought the star of Minerva down from the breast to
the pantaloons. Stars and garters! can we go any farther; or shall we
give the shoe maker the yellow ribbon of the order for his shoetie?

     * That of Lord Derby, in 1859, which included Mr. Disraeli
     and Sir Edward Bulwer Lytton.

When I began this present Roundabout excursion, I think I had not quite
made up my mind whether we would have an Order of all the Talents or
not: perhaps I rather had a hankering for a rich ribbon and gorgeous
star, in which my family might like to see me at parties in my best
waistcoat. But then the door opens, and there come in, and by the same
right too, Sir Alexis Soyer! Sir Alessandro Tamburini! Sir Agostino
Velluti! Sir Antonio Paganini (violinist)! Sir Sandy McGuffog (piper to
the most noble the Marquis of Farintosh)! Sir Alcide Flicflac (premier
danseur of H. M. Theatre)! Sir Harley Quin and Sir Joseph Grimaldi (from
Covent Garden)! They have all the yellow ribbon. They are all honorable,
and clever, and distinguished artists. Let us elbow through the rooms,
make a bow to the lady of the house, give a nod to Sir George Thrum,
who is leading the orchestra, and go and get some champagne and
seltzer-water from Sir Richard Gunter, who is presiding at the buffet.
A national decoration might be well and good: a token awarded by the
country to all its benemerentibus: but most gentlemen with Minerva stars
would, I think, be inclined to wear very wide breast-collars to their
coats. Suppose yourself, brother penman, decorated with this ribbon, and
looking in the glass, would you not laugh? Would not wife and daughters
laugh at that canary-colored emblem?

But suppose a man, old or young, of figure ever so stout, thin, stumpy,
homely, indulging in looking-glass reflections with that hideous ribbon
and cross called V. C. on his coat, would he not be proud? and his
family, would they not be prouder? For your nobleman there is the famous
old blue garter and star, and welcome. If I were a marquis--if I had
thirty--forty thousand a year (settle the sum, my dear Alnaschar,
according to your liking), I should consider myself entitled to my seat
in Parliament and to my garter. The garter belongs to the Ornamental
Classes. Have you seen the new magnificent Pavo Spicifer at the
Zoological Gardens, and do you grudge him his jewelled coronet and the
azure splendor of his waistcoat? I like my Lord Mayor to have a gilt
coach; my magnificent monarch to be surrounded by magnificent nobles:
I huzzay respectfully when they pass in procession. It is good for Mr.
Briefless (50, Pump Court, fourth floor) that there should be a Lord
Chancellor, with a gold robe and fifteen thousand a year. It is good
for a poor curate that there should be splendid bishops at Fulham and
Lambeth: their lordships were poor curates once, and have won, so
to speak, their ribbon. Is a man who puts into a lottery to be sulky
because he does not win the twenty thousand pounds prize? Am I to fall
into a rage, and bully my family when I come home, after going to see
Chatsworth or Windsor, because we have only two little drawing-rooms?
Welcome to your garter, my lord, and shame upon him qui mal y pense!

So I arrive in my roundabout way near the point towards which I have
been trotting ever since we set out.

In a voyage to America, some nine years since, on the seventh or eighth
day out from Liverpool, Captain L---- came to dinner at eight bells as
usual, talked a little to the persons right and left of him, and helped
the soup with his accustomed politeness. Then he went on deck, and was
back in a minute, and operated on the fish, looking rather grave the
while.

Then he went on deck again; and this time was absent, it may be, three
or five minutes, during which the fish disappeared, and the entrees
arrived, and the roast beef. Say ten minutes passed--I can't tell after
nine years.

Then L---- came down with a pleased and happy countenance this time, and
began carving the sirloin: "We have seen the light," he said. "Madam,
may I help you to a little gravy, or a little horse-radish?" or what
not?

I forget the name of the light; nor does it matter. It was a point
off Newfoundland for which he was on the look-out, and so well did the
"Canada" know where she was, that, between soup and beef, the captain
had sighted the headland by which his course was lying.

And so through storm and darkness, through fog and midnight, the ship
had pursued her steady way over the pathless ocean and roaring seas, so
surely that the officers who sailed her knew her place within a minute
or two, and guided us with a wonderful providence safe on our way. Since
the noble Cunard Company has run its ships, but one accident, and that
through the error of a pilot, has happened on the line.

By this little incident (hourly of course repeated, and trivial to all
sea-going people) I own I was immensely moved, and never can think of
it but with a heart full of thanks and awe. We trust our lives to these
seamen, and how nobly they fulfil their trust! They are, under heaven,
as a providence for us. Whilst we sleep, their untiring watchfulness
keeps guard over us. All night through that bell sounds at its season,
and tells how our sentinels defend us. It rang when the "Amazon" was
on fire, and chimed its heroic signal of duty, and courage, and honor.
Think of the dangers these seamen undergo for us: the hourly peril and
watch; the familiar storm; the dreadful iceberg; the long winter nights
when the decks are as glass, and the sailor has to climb through icicles
to bend the stiff sail on the yard! Think of their courage and their
kindnesses in cold, in tempest, in hunger, in wreck! "The women and
children to the boats," says the captain of the "Birkenhead," and, with
the troops formed on the deck, and the crew obedient to the word of
glorious command, the immortal ship goes down. Read the story of the
"Sarah Sands:"--


"SARAH SANDS.

"The screw steamship 'Sarah Sands,' 1,330 registered tons, was chartered
by the East India Company in the autumn of 1858, for the conveyance of
troops to India. She was commanded by John Squire Castle. She took out a
part of the 54th Regiment, upwards of 350 persons, besides the wives and
children of some of the men, and the families of some of the officers.
All went well till the 11th November, when the ship had reached lat. 14
S., long. 56 E., upwards of 400 miles from the Mauritius.

"Between three and four P. M. on that day a very strong smell of fire
was perceived arising from the after-deck, and upon going below into
the hold, Captain Castle found it to be on fire, and immense volumes
of smoke arising from it. Endeavors were made to reach the seat of the
fire, but in vain; the smoke and heat were too much for the men.
There was, however, no confusion. Every order was obeyed with the same
coolness and courage with which it was given. The engine was immediately
stopped. All sail was taken in, and the ship brought to the wind, so as
to drive the smoke and fire, which was in the after-part of the ship,
astern. Others were, at the same time, getting fire-hoses fitted
and passed to the scene of the fire. The fire, however, continued to
increase, and attention was directed to the ammunition contained in
the powder-magazines, which were situated one on each side the ship
immediately above the fire. The star-board magazine was soon cleared.
But by this time the whole of the after-part of the ship was so much
enveloped in smoke that it was scarcely possible to stand, and great
fears were entertained on account of the port magazine. Volunteers were
called for, and came immediately, and, under the guidance of Lieutenant
Hughes, attempted to clear the port magazine, which they succeeded in
doing, with the exception, as was supposed, of one or two barrels. It
was most dangerous work. The men became overpowered with the smoke and
heat, and fell; and several, while thus engaged, were dragged up by
ropes, senseless.

"The flames soon burst up through the deck, and running rapidly along
the various cabins, set the greater part on fire.

"In the meantime Captain Castle took steps for lowering the boats. There
was a heavy gale at the time, but they were launched without the least
accident. The soldiers were mustered on deck;--there was no rush to the
boats; and the men obeyed the word of command as if on parade. The men
were informed that Captain Castle did not despair of saving the ship,
but that they must be prepared to leave her if necessary. The women and
children were lowered into the port lifeboat, under the charge of Mr.
Very, third officer, who had orders to keep clear of the ship until
recalled.

"Captain Castle then commenced constructing rafts of spare spars. In a
short time, three were put together, which would have been capable of
saving a great number of those on board. Two were launched overboard,
and safely moored alongside, and then a third was left across the deck
forward, ready to be launched.

"In the meantime the fire had made great progress. The whole of the
cabins were one body of fire, and at about 8.30 P. M. flames burst
through the upper deck, and shortly after the mizzen rigging caught
fire. Fears were entertained of the ship paying off, in which case the
flames would have been swept forwards by the wind; but fortunately the
after-braces were burnt through, and the main-yard swung round, which
kept the ship's head to wind. About nine P. M., a fearful explosion
took place in the port magazine, arising, no doubt, from the one or two
barrels of powder which it had been impossible to remove. By this time
the ship was one body of flame, from the stern to the main rigging, and
thinking it scarcely possible to save her, Captain Castle called Major
Brett (then in command of the troops, for the Colonel was in one of
the boats) forward, and, telling him that he feared the ship was lost,
requested him to endeavor to keep order amongst the troops till the
last, but, at the same time, to use every exertion to check the
fire. Providentially, the iron bulkhead in the after-part of the
ship withstood the action of the flames, and here all efforts were
concentrated to keep it cool.

"'No person,' says the captain, 'can describe the manner in which the
men worked to keep the fire back; one party were below, keeping the
bulkhead cool, and when several were dragged up senseless, fresh
volunteers took their places, who were, however, soon in the same state.
At about ten P. M., the maintopsail-yard took fire. Mr. Welch, one
quartermaster, and four or five soldiers, went aloft with wet blankets,
and succeeded in extinguishing it, but not until the yard and mast were
nearly burnt through. The work of fighting the fire below continued for
hours, and about midnight it appeared that some impression was made; and
after that, the men drove it back, inch by inch, until daylight, when
they had completely got it under. The ship was now in a frightful
plight. The after-part was literally burnt out--merely the shell
remaining--the port quarter blown out by the explosion: fifteen feet of
water in the hold.'

"The gale still prevailed, and the ship was rolling and pitching in a
heavy sea, and taking in large quantities of water abaft: the tanks,
too, were rolling from side to side in the hold.

"As soon as the smoke was partially cleared away, Captain Castle got
spare sails and blankets aft to stop the leak, passing two hawsers round
the stern, and setting them up. The troops were employed baling and
pumping. This continued during the whole morning.

"In the course of the day the ladies joined the ship. The boats were
ordered alongside, but they found the sea too heavy to remain there. The
gig had been abandoned during the night, and the crew, under Mr. Wood,
fourth officer, had got into another of the boats. The troops were
employed the remainder of the day baling and pumping, and the crew
securing the stern. All hands were employed during the following
night baling and pumping, the boats being moored alongside, where they
received some damage. At daylight, on the 13th, the crew were employed
hoisting time boats, the troops were working manfully baling and
pumping. Latitude at noon, 13 deg. 12 min. south. At five P. M., the
foresail and foretopsail were set, the rafts were cut away, and the ship
bore for the Mauritius. On Thursday, the 19th, she sighted the Island of
Rodrigues, and arrived at Mauritius on Monday the 23rd."


The Nile and Trafalgar are not more glorious to our country, are not
greater victories than these won by our merchant-seamen. And if you look
in the Captain's reports of any maritime register, you will see similar
acts recorded every day. I have such a volume for last year, now
lying before me. In the second number, as I open it at hazard, Captain
Roberts, master of the ship "Empire," from Shields to London, reports
how on the 14th ult. (the 14th December, 1859), he, "being off Whitby,
discovered the ship to be on fire between the main hold and boilers: got
the hose from the engine laid on, and succeeded in subduing the fire;
but only apparently; for at seven the next morning, the 'Dudgeon'
bearing S.S.E. seven miles' distance, the fire again broke out, causing
the ship to be enveloped in flames on both sides of midships: got the
hose again into play and all hands to work with buckets to combat with
the fire. Did not succeed in stopping it till four P. M., to effect
which, were obliged to cut away the deck and top sides, and throw
overboard part of the cargo. The vessel was very much damaged and leaky:
determined to make for the Humber. Ship was run on shore, on the
mud, near Grimsby harbor, with five feet of water in her hold. The
donkey-engine broke down. The water increased so fast as to put out
the furnace fires and render the ship almost unmanageable. On the tide
flowing, a tug towed the ship off the mud, and got her into Grimsby to
repair."

On the 2nd of November, Captain Strickland, of the "Purchase"
brigantine, from Liverpool to Yarmouth, U. S., "encountered heavy gales
from W.N.W. to W.S.W., in lat. 43 deg. N., long. 34 deg. W., in which
we lost jib, foretopmast, staysail, topsail, and carried away the
foretopmast stays, bobstays and bowsprit, headsails, cut-water and
stern, also started the wood ends, which caused the vessel to leak. Put
her before the wind and sea, and hove about twenty-five tons of cargo
overboard to lighten the ship forward. Slung myself in a bowline, and by
means of thrusting 2 1/2-inch rope in the opening, contrived to stop a
great portion of the leak.

"December 16th.--The crew continuing night and day at the pumps, could
not keep the ship free; deemed it prudent for the benefit of those
concerned to bear up for the nearest port. On arriving in lat. 48 deg.
45' N., long. 23 deg. W., observed a vessel with a signal of distress
flying. Made towards her, when she proved to be the barque 'Carleton,'
water-logged. The captain and crew asked to be taken off. Hove to, and
received them on board, consisting of thirteen men: and their ship was
abandoned. We then proceeded on our course, the crew of the abandoned
vessel assisting all they could to keep my ship afloat. We arrived at
Cork harbor on the 27th ult."

Captain Coulson, master of the brig "Othello," reports that his brig
foundered off Portland, December 27;--encountering a strong gale,
and shipping two heavy seas in succession, which hove the ship on her
beam-ends. "Observing no chance of saving the ship, took to the long
boat, and within ten minutes of leaving her saw the brig founder. We
were picked up the same morning by the French ship 'Commerce de Paris,'
Captain Tombarel."

Here, in a single column of a newspaper, what strange, touching pictures
do we find of seamen's dangers, vicissitudes, gallantry, generosity! The
ship on fire--the captain in the gale slinging himself in a bowline to
stop the leak--the Frenchman in the hour of danger coming to his British
comrade's rescue--the brigantine almost a wreck, working up to the
barque with the signal of distress flying, and taking off her crew
of thirteen men. "We then proceeded on our course, THE CREW OF THE
ABANDONED VESSEL ASSISTING ALL THEY COULD TO KEEP MY SHIP AFLOAT." What
noble, simple words! What courage, devotedness, brotherly love! Do they
not cause the heart to beat, and the eyes to fill?

This is what seamen do daily, and for one another. One lights
occasionally upon different stories. It happened, not very long since,
that the passengers by one of the great ocean steamers were wrecked,
and, after undergoing the most severe hardships, were left, destitute
and helpless, at a miserable coaling port. Amongst them were old men,
ladies, and children. When the next steamer arrived, the passengers by
that steamer took alarm at the haggard and miserable appearance of
their unfortunate predecessors, and actually REMONSTRATED WITH THEIR OWN
CAPTAIN, URGING HIM NOT TO TAKE THE POOR CREATURES ON BOARD. There
was every excuse, of course. The last-arrived steamer was already
dangerously full: the cabins were crowded; there were sick and delicate
people on board--sick and delicate people who had paid a large price
to the company for room, food, comfort, already not too sufficient.
If fourteen of us are in an omnibus, will we see three or four women
outside and say "Come in, because this is the last 'bus, and it rains?"
Of course not: but think of that remonstrance, and of that Samaritan
master of the "Purchase" brigantine!

In the winter of '53, I went from Marseilles to Civita Vecchia, in one
of the magnificent P. and O. ships, the "Valetta," the master of which
subsequently did distinguished service in the Crimea. This was his first
Mediterranean voyage, and he sailed his ship by the charts alone, going
into each port as surely as any pilot. I remember walking the deck at
night with this most skilful, gallant, well-bred, and well-educated
gentleman, and the glow of eager enthusiasm with which he assented, when
I asked him whether he did not think a RIBBON or ORDER would be welcome
or useful in his service.

Why is there not an ORDER OF BRITANNIA for British seamen? In the
Merchant and the Royal Navy alike, occur almost daily instances and
occasions for the display of science, skill, bravery, fortitude in
trying circumstances, resource in danger. In the first number of the
Cornhill Magazine, a friend contributed a most touching story of the
M'Clintock expedition, in the dangers and dreadful glories of which he
shared; and the writer was a merchant captain. How many more are there
(and, for the honor of England, may there be many like him!)--gallant,
accomplished, high-spirited, enterprising masters of their noble
profession! Can our fountain of Honor not be brought to such men? It
plays upon captains and colonels in seemly profusion. It pours forth
not illiberal rewards upon doctors and judges. It sprinkles mayors and
aldermen. It bedews a painter now and again. It has spirited a baronetcy
upon two, and bestowed a coronet upon one noble man of letters.
Diplomatists take their Bath in it as of right; and it flings out a
profusion of glittering stars upon the nobility of the three kingdoms.
Cannot Britannia find a ribbon for her sailors? The Navy, royal or
mercantile, is a Service. The command of a ship, or the conduct of her,
implies danger, honor, science, skill, subordination, good faith. It may
be a victory, such as that of the "Sarah Sands;" it may be discovery,
such as that of the "Fox;" it may be heroic disaster, such as that of
the "Birkenhead;" and in such events merchant seamen, as well as royal
seamen, take their share.

Why is there not, then, an Order of Britannia? One day a young officer
of the "Euryalus"* may win it; and, having just read the memoirs of
LORD DUNDONALD, I know who ought to have the first Grand Cross.

     * Prince Alfred was serving on board the frigate "Euryalus"
     when this was written.




ON SOME LATE GREAT VICTORIES.


On the 18th day of April last I went to see a friend in a neighboring
Crescent, and on the steps of the next house beheld a group something
like that here depicted. A newsboy had stopped in his walk, and was
reading aloud the journal which it was his duty to deliver; a pretty
orange-girl, with a heap of blazing fruit, rendered more brilliant
by one of those great blue papers in which oranges are now artfully
wrapped, leant over the railing and listened; and opposite the nympham
discentem there was a capering and acute-eared young satirist of a
crossing-sweeper, who had left his neighboring professional avocation
and chance of profit, in order to listen to the tale of the little
newsboy.

That intelligent reader, with his hand following the line as he read
it out to his audience, was saying:--"And--now--Tom--coming up
smiling--after his fall--dee--delivered a rattling clinker upon
the Benicia Boy's--potato-trap--but was met by a--punisher on the
nose--which," &c. &c.; or words to that effect. Betty at 52 let me
in, while the boy was reading his lecture and, having been some twenty
minutes or so in the house and paid my visit, I took leave.

The little lecturer was still at work on the 51 doorstep, and his
audience had scarcely changed their position. Having read every word of
the battle myself in the morning, I did not stay to listen further;
but if the gentleman who expected his paper at the usual hour that day
experienced delay and a little disappointment I shall not be surprised.

I am not going to expatiate on the battle. I have read in the
correspondent's letter of a Northern newspaper, that in the midst of the
company assembled the reader's humble servant was present, and in a very
polite society, too, of "poets, clergymen, men of letters, and members
of both Houses of Parliament." If so, I must have walked to the station
in my sleep, paid three guineas in a profound fit of mental abstraction,
and returned to bed unconscious, for I certainly woke there about the
time when history relates that the fight was over. I do not know whose
colors I wore--the Benician's, or those of the Irish champion; nor
remember where the fight took place, which, indeed, no somnambulist is
bound to recollect. Ought Mr. Sayers to be honored for being brave, or
punished for being naughty? By the shade of Brutus the elder, I don't
know.

In George II.'s time, there was a turbulent navy lieutenant (Handsome
Smith he was called--his picture is at Greenwich now, in brown velvet,
and gold and scarlet; his coat handsome, his waistcoat exceedingly
handsome; but his face by no means the beauty)--there was, I say, a
turbulent young lieutenant who was broke on a complaint of the French
ambassador, for obliging a French ship of war to lower her topsails to
his ship at Spithead. But, by the King's orders, Tom was next day made
Captain Smith. Well, if I were absolute king, I would send Tom Sayers
to the mill for a month, and make him Sir Thomas on coming out of
Clerkenwell. You are a naughty boy, Tom! but then, you know, we ought
to love our brethren, though ever so naughty. We are moralists, and
reprimand you; and you are hereby reprimanded accordingly. But in case
England should ever have need of a few score thousand champions, who
laugh at danger; who cope with giants; who, stricken to the ground, jump
up and gayly rally, and fall, and rise again, and strike, and die rather
than yield--in case the country should need such men, and you should
know them, be pleased to send lists of the misguided persons to the
principal police stations, where means may some day be found to utilize
their wretched powers, and give their deplorable energies a right
direction. Suppose, Tom, that you and your friends are pitted against an
immense invader--suppose you are bent on holding the ground, and dying
there, if need be--suppose it is life, freedom, honor, home, you are
fighting for, and there is a death--dealing sword or rifle in your hand,
with which you are going to resist some tremendous enemy who challenges
your championship on your native shore? Then, Sir Thomas, resist him to
the death, and it is all right: kill him, and heaven bless you. Drive
him into the sea, and there destroy, smash, and drown him; and let
us sing Laudamus. In these national cases, you see, we override the
indisputable first laws of morals. Loving your neighbor is very well,
but suppose your neighbor comes over from Calais and Boulogne to rob you
of your laws, your liberties, your newspapers, your parliament (all of
which SOME dear neighbors of ours have given up in the most self-denying
manner): suppose any neighbor were to cross the water and propose this
kind of thing to us? Should we not be justified in humbly trying to
pitch him into the water? If it were the King of Belgium himself we must
do so. I mean that fighting, of course, is wrong; but that there are
occasions when, &c.--I suppose I mean that that one-handed fight of
Sayers is one of the most spirit-stirring little stories ever told and,
with every love and respect for Morality--my spirit says to her,
"Do, for goodness' sake, my dear madam, keep your true, and pure, and
womanly, and gentle remarks for another day. Have the great kindness to
stand a LEETLE aside, and just let us see one or two more rounds between
the men. That little man with the one hand powerless on his breast
facing yonder giant for hours, and felling him, too, every now and then!
It is the little 'Java' and the 'Constitution' over again."

I think it is a most fortunate event for the brave Heenan, who has acted
and written since the battle with a true warrior's courtesy, and with
a great deal of good logic too, that the battle was a drawn one. The
advantage was all on Mr. Sayers's side. Say a young lad of sixteen
insults me in the street, and I try and thrash him, and do it. Well, I
have thrashed a young lad. You great, big tyrant, couldn't you hit one
of your own size? But say the lad thrashes me? In either case I walk
away discomfited: but in the latter, I am positively put to shame. Now,
when the ropes were cut from that death-grip, and Sir Thomas released,
the gentleman of Benicia was confessedly blind of one eye, and speedily
afterwards was blind of both. Could Mr. Savers have held out for three
minutes, for five minutes, for ten minutes more? He says he could. So
we say WE could have held out, and did, and had beaten off the enemy
at Waterloo, even if the Prussians hadn't come up. The opinions differ
pretty much according to the nature of the opinants. I say the Duke and
Tom could have held out, that they meant to hold out, that they did hold
out, and that there has been fistifying enough. That crowd which came
in and stopped the fight ought to be considered like one of those divine
clouds which the gods send in Homer:

                           "Apollo shrouds
          The godlike Trojan in a veil of clouds."

It is the best way of getting the godlike Trojan out of the scrape,
don't you see? The nodus is cut; Tom is out of chancery; the Benicia Boy
not a bit the worse, nay, better than if he had beaten the little man.
He has not the humiliation of conquest. He is greater, and will be loved
more hereafter by the gentle sex. Suppose he had overcome the godlike
Trojan? Suppose he had tied Tom's corpse to his cab-wheels, and driven
to Farnham, smoking the pipe of triumph? Faugh! the great hulking
conqueror! Why did you not hold your hand from yonder hero? Everybody,
I say, was relieved by that opportune appearance of the British gods,
protectors of native valor, who interfered, and "withdrew" their
champion.

Now, suppose six-feet-two conqueror, and five-feet-eight beaten; would
Sayers have been a whit the less gallant and meritorious? If Sancho had
been allowed REALLY to reign in Barataria, I make no doubt that, with
his good sense and kindness of heart, he would have devised some means
of rewarding the brave vanquished, as well as the brave victors in the
Baratarian army, and that a champion who had fought a good fight would
have been a knight of King Don Sancho's orders, whatever the upshot of
the combat had been. Suppose Wellington overwhelmed on the plateau
of Mont St. John; suppose Washington attacked and beaten at Valley
Forge--and either supposition is quite easy--and what becomes of the
heroes? They would have been as brave, honest, heroic, wise; but their
glory, where would it have been? Should we have had their portraits
hanging in our chambers? have been familiar with their histories? have
pondered over their letters, common lives, and daily sayings? There is
not only merit, but luck which goes to making a hero out of a gentleman.
Mind, please you, I am not saying that the hero is after all not so very
heroic; and have not the least desire to grudge him his merit because of
his good fortune.

Have you any idea whither this Roundabout Essay on some late great
victories is tending? Do you suppose that by those words I mean Trenton,
Brandywine, Salamanca, Vittoria, and so forth? By a great victory I
can't mean that affair at Farnham, for it was a drawn fight. Where,
then, are the victories, pray, and when are we coming to them?

My good sir, you will perceive that in this Nicaean discourse I have
only as yet advanced as far as this--that a hero, whether he wins
or loses, is a hero; and that if a fellow will but be honest and
courageous, and do his best, we are for paying all honor to him.
Furthermore, it has been asserted that Fortune has a good deal to do
with the making of heroes; and thus hinted for the consolation of those
who don't happen to be engaged in any stupendous victories, that, had
opportunity so served, they might have been heroes too. If you are not,
friend, it is not your fault, whilst I don't wish to detract from
any gentleman's reputation who is. There. My worst enemy can't take
objection to that. The point might have been put more briefly perhaps;
but, if you please, we will not argue that question.

Well, then. The victories which I wish especially to commemorate in
this paper, are the six great, complete, prodigious, and undeniable
victories, achieved by the corps which the editor of the Cornhill
Magazine has the honor to command. When I seemed to speak disparagingly
but now of generals, it was that chief I had in my I (if you will
permit me the expression). I wished him not to be elated by too much
prosperity; I warned him against assuming heroic imperatorial airs, and
cocking his laurels too jauntily over his ear. I was his conscience,
and stood on the splash-board of his triumph-car, whispering, "Hominem
memento te." As we rolled along the way, and passed the weathercocks on
the temples, I saluted the symbol of the goddess Fortune with a reverent
awe. "We have done our little endeavor," I said, bowing my head, "and
mortals can do no more. But we might have fought bravely and not won. We
might have cast the coin, calling, 'Head,' and lo! Tail might have come
uppermost." O thou Ruler of Victories!--thou Awarder of Fame!--thou
Giver of Crowns (and shillings)--if thou hast smiled upon us, shall we
not be thankful? There is a Saturnine philosopher, standing at the
door of his book-shop, who, I fancy, has a pooh-pooh expression as the
triumph passes. (I can't see quite clearly for the laurels, which
have fallen down over my nose.) One hand is reining in the two white
elephants that draw the car; I raise the other hand up to--to the
laurels, and pass on, waving him a graceful recognition. Up the Hill
of Ludgate--around the Pauline Square--by the side of Chepe--until it
reaches our own Hill of Corn--the procession passes. The Imperator is
bowing to the people; the captains of the legions are riding round the
car, their gallant minds struck by the thought, "Have we not fought as
well as yonder fellow, swaggering in the chariot, and are we not as good
as he?" Granted, with all my heart, my dear lads. When your consulship
arrives, may you be as fortunate. When these hands, now growing old,
shall lay down sword and truncheon, may you mount the car, and ride
to the temple of Jupiter. Be yours the laurel then. Neque me myrtus
dedecet, looking cosily down from the arbor where I sit under the arched
vine.

I fancy the Imperator standing on the steps of the temple (erected
by Titus) on the Mons Frumentarius, and addressing the citizens:
"Quirites!" he says, "in our campaign of six months, we have been
engaged six times, and in each action have taken near upon a HUNDRED
THOUSAND PRISONERS. Go to! What are other magazines compared to
our magazine? (Sound, trumpeter!) What banner is there like that of
Cornhill? You, philosopher yonder!" (he shirks under his mantle.)
"Do you know what it is to have a hundred and ten thousand readers?
A hundred thousand readers? a hundred thousand BUYERS!" (Cries of
"No!"--"Pooh!" "Yes, upon my honor!" "Oh, come!" and murmurs of applause
and derision)--"I say more than a hundred thousand purchasers--and I
believe AS MUCH AS A MILLION readers!" (Immense sensation.) "To these
have we said an unkind word? We have enemies; have we hit them an unkind
blow? Have we sought to pursue party aims, to forward private jobs,
to advance selfish schemes? The only persons to whom wittingly we have
given pain are some who have volunteered for our corps--and of these
volunteers we have had THOUSANDS." (Murmurs and grumbles.) "What
commander, citizens, could place all these men!--could make officers of
all these men?" (cries of "No--no!" and laughter)--"could say, 'I accept
this recruit, though he is too short for our standard, because he is
poor, and has a mother at home who wants bread?' could enroll this
other, who is too weak to bear arms, because he says, 'Look, sir, I
shall be stronger anon.' The leader of such an army as ours must select
his men, not because they are good and virtuous, but because they are
strong and capable. To these our ranks are ever open, and in addition to
the warriors who surround me"--(the generals look proudly conscious)--"I
tell you, citizens, that I am in treaty with other and most tremendous
champions, who will march by the side of our veterans to the achievement
of fresh victories. Now, blow, trumpets! Bang, ye gongs! and drummers,
drub the thundering skins! Generals and chiefs, we go to sacrifice to
the gods."

Crowned with flowers, the captains enter the temple, the other Magazines
walking modestly behind them. The people huzza; and, in some instances,
kneel and kiss the fringes of the robes of the warriors. The Philosopher
puts up his shutters, and retires into his shop, deeply moved. In
ancient times, Pliny (apud Smith) relates it was the custom of the
Imperator "to paint his whole body a bright red;" and, also, on
ascending the Hill, to have some of the hostile chiefs led aside "to the
adjoining prison, and put to death." We propose to dispense with both
these ceremonies.




THORNS IN THE CUSHION.


In the Essay with which this volume commences, the Cornhill Magazine was
likened to a ship sailing forth on her voyage, and the captain uttered
a very sincere prayer for her prosperity. The dangers of storm and
rock, the vast outlay upon ship and cargo, and the certain risk of the
venture, gave the chief officer a feeling of no small anxiety; for who
could say from what quarter danger might arise, and how his owner's
property might be imperilled? After a six months' voyage, we with very
thankful hearts could acknowledge our good fortune: and, taking up the
apologue in the Roundabout manner, we composed a triumphal procession
in honor of the Magazine, and imagined the Imperator thereof riding in
a sublime car to return thanks in the Temple of Victory. Cornhill is
accustomed to grandeur and greatness, and has witnessed, every ninth
of November, for I don't know how many centuries, a prodigious annual
pageant, chariot, progress, and flourish of trumpetry; and being so very
near the Mansion House, I am sure the reader will understand how
the idea of pageant and procession came naturally to my mind. The
imagination easily supplied a gold coach, eight cream-colored horses
of your true Pegasus breed, huzzaing multitudes, running footmen, and
clanking knights in armor, a chaplain and a sword-bearer with a muff
on his head, scowling out of the coach-window, and a Lord Mayor all
crimson, fur, gold chain, and white ribbons, solemnly occupying the
place of state. A playful fancy could have carried the matter farther,
could have depicted the feast in the Egyptian Hall, the Ministers, Chief
Justices, and right reverend prelates taking their seats round about his
lordship, the turtle and other delicious viands, and Mr. Toole behind
the central throne, bawling out to the assembled guests and dignitaries:
"My Lord So-and-so, my Lord What-d'ye-call-'im, my Lord Etcaetera, the
Lord Mayor pledges you all in a loving-cup." Then the noble proceedings
come to an end; Lord Simper proposes the ladies; the company rises from
table, and adjourns to coffee and muffins. The carriages of the nobility
and guests roll back to the West. The Egyptian Hall, so bright just now,
appears in a twilight glimmer, in which waiters are seen ransacking the
dessert, and rescuing the spoons. His lordship and the Lady Mayoress
go into their private apartments. The robes are doffed, the collar and
white ribbons are removed. The Mayor becomes a man, and is pretty surely
in a fluster about the speeches which he has just uttered; remembering
too well now, wretched creature, the principal points which he DIDN'T
make when he rose to speak. He goes to bed to headache, to care,
to repentance, and, I dare say, to a dose of something which his
body-physician has prescribed for him. And there are ever so many men in
the city who fancy that man happy!

Now, suppose that all through that 9th of November his lordship has
had a racking rheumatism, or a toothache, let us say, during all
dinner-time--through which he has been obliged to grin and mumble his
poor old speeches. Is he enviable? Would you like to change with his
lordship? Suppose that bumper which his golden footman brings him,
instead i'fackins of ypocras or canary, contains some abomination of
senna? Away! Remove the golden goblet, insidious cupbearer! You now
begin to perceive the gloomy moral which I am about to draw.

Last month we sang the song of glorification, and rode in the chariot of
triumph. It was all very well. It was right to huzza, and be thankful,
and cry, Bravo, our side! and besides, you know, there was the enjoyment
of thinking how pleased Brown, and Jones, and Robinson (our dear
friends) would be at this announcement of success. But now that the
performance is over, my good sir, just step into my private room, and
see that it is not all pleasure--this winning of successes. Cast your
eye over those newspapers, over those letters. See what the critics say
of your harmless jokes, neat little trim sentences, and pet waggeries!
Why, you are no better than an idiot; you are drivelling; your powers
have left you; this always overrated writer is rapidly sinking to, &c.

This is not pleasant; but neither is this the point. It may be the
critic is right, and the author wrong. It may be that the archbishop's
sermon is not so fine as some of those discourses twenty years ago
which used to delight the faithful in Granada. Or it may be (pleasing
thought!) that the critic is a dullard, and does not understand what
he is writing about. Everybody who has been to an exhibition has heard
visitors discoursing about the pictures before their faces. One says,
"This is very well;" another says, "This is stuff and rubbish;" another
cries, "Bravo! this is a masterpiece:" and each has a right to his
opinion. For example, one of the pictures I admired most at the Royal
Academy is by a gentleman on whom I never, to my knowledge, set eyes.
This picture is No. 346, "Moses," by Mr. S. Solomon. I thought it had
a great intention, I thought it finely drawn and composed. It nobly
represented, to my mind, the dark children of the Egyptian bondage, and
suggested the touching story. My newspaper says: "Two ludicrously ugly
women, looking at a dingy baby, do not form a pleasing object;" and so
good-by, Mr. Solomon. Are not most of our babies served so in life?
and doesn't Mr. Robinson consider Mr. Brown's cherub an ugly, squalling
little brat? So cheer up, Mr. S. S. It may be the critic who discoursed
on your baby is a bad judge of babies. When Pharaoh's kind daughter
found the child, and cherished and loved it, and took it home, and found
a nurse for it, too, I dare say there were grim, brick-dust colored
chamberlains, or some of the tough, old, meagre, yellow princesses at
court, who never had children themselves, who cried out, "Faugh! the
horrid little squalling wretch!" and knew he would never come to good;
and said, "Didn't I tell you so?" when he assaulted the Egyptian.

Never mind then, Mr. S. Solomon, I say, because a critic pooh-poohs
your work of art--your Moses--your child--your foundling. Why, did not
a wiseacre in Blackwood's Magazine lately fall foul of "Tom Jones?"
O hypercritic! So, to be sure, did good old Mr. Richardson, who could
write novels himself--but you, and I, and Mr. Gibbon, my dear sir, agree
in giving our respect, and wonder, and admiration, to the brave old
master.

In these last words I am supposing the respected reader to be endowed
with a sense of humor, which he may or may not possess; indeed, don't
we know many an honest man who can no more comprehend a joke than he can
turn a tune. But I take for granted, my dear sir, that you are brimming
over with fun--you mayn't make jokes, but you could if you would--you
know you could: and in your quiet way you enjoy them extremely. Now many
people neither make them, nor understand them when made, nor like them
when understood, and are suspicious, testy, and angry with jokers. Have
you ever watched an elderly male or female--an elderly "party," so to
speak, who begins to find out that some young wag of the company is
"chaffing" him? Have you ever tried the sarcastic or Socratic method
with a child? Little simple he or she, in the innocence of the simple
heart, plays some silly freak, or makes some absurd remark, which you
turn to ridicule. The little creature dimly perceives that you
are making fun of him, writhes, blushes, grows uneasy, bursts into
tears,--upon my word it is not fair to try the weapon of ridicule
upon that innocent young victim. The awful objurgatory practice he is
accustomed to. Point out his fault, and lay bare the dire consequences
thereof: expose it roundly, and give him a proper, solemn, moral
whipping--but do not attempt to castigare ridendo. Do not laugh at him
writhing, and cause all the other boys in the school to laugh. Remember
your own young days at school, my friend--the tingling cheeks, burning
ears, bursting heart, and passion of desperate tears, with which you
looked up, after having performed some blunder, whilst the doctor held
you to public scorn before the class, and cracked his great clumsy jokes
upon you--helpless, and a prisoner! Better the block itself, and the
lictors, with their fasces of birch-twigs, than the maddening torture of
those jokes!

Now with respect to jokes--and the present company of course
excepted--many people, perhaps most people, are as infants. They have
little sense of humor. They don't like jokes. Raillery in writing annoys
and offends them. The coarseness apart, I think I have met very, very
few women who liked the banter of Swift and Fielding. Their simple,
tender natures revolt at laughter. Is the satyr always a wicked brute
at heart, and are they rightly shocked at his grin, his leer, his horns,
hoofs, and ears? Fi donc, le vilain monstre, with his shrieks, and his
capering crooked legs! Let him go and get a pair of well-wadded black
silk stockings, and pull them over those horrid shanks; put a large gown
and bands over beard and hide; and pour a dozen of lavender-water into
his lawn handkerchief, and cry, and never make a joke again. It shall
all be highly-distilled poesy, and perfumed sentiment, and gushing
eloquence; and the foot SHAN'T peep out, and a plague take it. Cover it
up with the surplice. Out with your cambric, dear ladies, and let us all
whimper together.

Now, then, hand on heart, we declare that it is not the fire of adverse
critics which afflicts or frightens the editorial bosom. They may
be right; they may be rogues who have a personal spite; they may be
dullards who kick and bray as their nature is to do, and prefer thistles
to pineapples; they may be conscientious, acute, deeply learned,
delightful judges, who see your joke in a moment, and the profound
wisdom lying underneath. Wise or dull, laudatory or otherwise, we put
their opinions aside. If they applaud, we are pleased: if they shake
their quick pens, and fly off with a hiss, we resign their favors and
put on all the fortitude we can muster. I would rather have the lowest
man's good word than his bad one, to be sure; but as for coaxing a
compliment, or wheedling him into good-humor, or stopping his angry
mouth with a good dinner, or accepting his contributions for a certain
Magazine, for fear of his barking or snapping elsewhere--allons donc!
These shall not be our acts. Bow-wow, Cerberus! Here shall be no sop for
thee, unless--unless Cerberus is an uncommonly good dog, when we shall
bear no malice because he flew at us from our neighbor's gate.

What, then, is the main grief you spoke of as annoying you--the
toothache in the Lord Mayor's jaw, the thorn in the cushion of the
editorial chair? It is there. Ah! it stings me now as I write. It comes
with almost every morning's post. At night I come home and take my
letters up to bed (not daring to open them), and in the morning I find
one, two, three thorns on my pillow. Three I extracted yesterday; two I
found this morning. They don't sting quite so sharply as they did; but a
skin is a skin, and they bite, after all, most wickedly. It is all very
fine to advertise on the Magazine, "Contributions are only to be sent
to Messrs. Smith, Elder and Co., and not to the Editor's private
residence." My dear sir, how little you know man- or woman-kind, if you
fancy they will take that sort of warning! How am I to know, (though, to
be sure, I begin to know now,) as I take the letters off the tray, which
of those envelopes contains a real bona fide letter, and which a thorn?
One of the best invitations this year I mistook for a thorn-letter, and
kept it without opening. This is what I call a thorn-letter:--


"CAMBERWELL, June 4.

"SIR--May I hope, may I entreat, that you will favor me by perusing the
enclosed lines, and that they may be found worthy of insertion in the
Cornhill Magazine. We have known better days, sir. I have a sick and
widowed mother to maintain, and little brothers and sisters who look to
me. I do my utmost as a governess to support them. I toil at night when
they are at rest, and my own hand and brain are alike tired. If I could
add but a LITTLE to our means by my pen, many of my poor invalid's wants
might be supplied, and I could procure for her comforts to which she is
now a stranger. Heaven knows it is not for want of WILL or for want
of ENERGY on my part, that she is now in ill-health, and our little
household almost without bread. Do--do cast a kind glance over my poem,
and if you can help us, the widow, the orphans will bless you! I remain,
sir, in anxious expectancy,

"Your faithful servant,

"S. S. S."


And enclosed is a little poem or two, and an envelope with its penny
stamp--heaven help us!--and the writer's name and address.

Now you see what I mean by a thorn. Here is the case put with true
female logic. "I am poor; I am good; I am ill; I work hard; I have a
sick mother and hungry brothers and sisters dependent on me. You can
help us if you will." And then I look at the paper, with the thousandth
part of a faint hope that it may be suitable, and I find it won't do:
and I knew it wouldn't do: and why is this poor lady to appeal to my
pity and bring her poor little ones kneeling to my bedside, and calling
for bread which I can give them if I choose? No day passes but that
argument ad misericordiam is used. Day and night that sad voice is
crying out for help. Thrice it appealed to me yesterday. Twice this
morning it cried to me: and I have no doubt when I go to get my hat,
I shall find it with its piteous face and its pale family about it,
waiting for me in the hall. One of the immense advantages which women
have over our sex is, that they actually like to read these letters.
Like letters? O mercy on us! Before I was an editor I did not like the
postman much:--but now!

A very common way with these petitioners is to begin with a fine
flummery about the merits and eminent genius of the person whom they are
addressing. But this artifice, I state publicly, is of no avail. When
I see THAT kind of herb, I know the snake within it, and fling it away
before it has time to sting. Away, reptile, to the waste-paper basket,
and thence to the flames!

But of these disappointed people, some take their disappointment and
meekly bear it. Some hate and hold you their enemy because you could not
be their friend. Some, furious and envious, say: "Who is this man who
refuses what I offer, and how dares he, the conceited coxcomb, to deny
my merit?"

Sometimes my letters contain not mere thorns, but bludgeons. How are
two choice slips from that noble Irish oak, which has more than once
supplied alpeens for this meek and unoffending skull:--


"THEATRE ROYAL, DONNYBROOK.

"SIR,--I have just finished reading the first portion of your Tale,
Lovel the Widower, and am much surprised at the unwarrantable strictures
you pass therein on the corps de ballet.

"I have been for more than ten years connected with the theatrical
profession, and I beg to assure you that the majority of the corps de
ballet are virtuous, well-conducted girls, and, consequently, that snug
cottages are not taken for them in the Regent's Park.

"I also have to inform you that theatrical managers are in the habit of
speaking good English, possibly better English than authors.

"You either know nothing of the subject in question, or you assert a
wilful falsehood.

"I am happy to say that the characters of the corps de ballet, as
also those of actors and actresses, are superior to the snarlings
of dyspeptic libellers, or the spiteful attacks and brutum fulmen of
ephemeral authors.

"I am, sir, your obedient servant,

"A. B. C."

The Editor of the Cornhill Magazine.


"THEATRE ROYAL, DONNYBROOK.

"SIR,--I have just read in the Cornhill Magazine for January, the first
portion of a Tale written by you, and entitled Lovel the Widower.

"In the production in question you employ all your malicious spite (and
you have great capabilities that way) in trying to degrade the character
of the corps de ballet. When you imply that the majority of ballet-girls
have villas taken for them in the Regent's Park, I SAY YOU TELL A
DELIBERATE FALSEHOOD.

"Haveing been brought up to the stage from infancy, and though now an
actress, haveing been seven years principal dancer at the opera, I am
competent to speak on the subject. I am only surprised that so vile a
libeller as yourself should be allowed to preside at the Dramatic Fund
dinner on the 22nd instant. I think it would be much better if you
were to reform your own life, instead of telling lies of those who are
immeasurably your superiors.

"Yours in supreme disgust,

"A. D."


The signatures of the respected writers are altered, and for the site
of their Theatre Royal an adjacent place is named, which (as I may
have been falsely informed) used to be famous for quarrels, thumps, and
broken heads. But, I say, is this an easy chair to sit on, when you are
liable to have a pair of such shillelaghs flung at it? And, prithee,
what was all the quarrel about? In the little history of "Lovel the
Widower" I described, and brought to condign punishment, a certain
wretch of a ballet-dancer, who lived splendidly for a while on
ill-gotten gains, had an accident, and lost her beauty, and died poor,
deserted, ugly, and every way odious. In the same page, other little
ballet-dancers are described, wearing homely clothing, doing their duty,
and carrying their humble savings to the family at home. But nothing
will content my dear correspondents but to have me declare that the
majority of ballet-dancers have villas in the Regent's Park, and to
convict me of "deliberate falsehood." Suppose, for instance, I had
chosen to introduce a red-haired washerwoman into a story? I might get
an expostulatory letter saying, "Sir, in stating that the majority of
washerwomen are red-haired, you are a liar! and you had best not
speak of ladies who are immeasurably your superiors." Or suppose I had
ventured to describe an illiterate haberdasher? One of the craft might
write to me, "Sir, in describing haberdashers as illiterate, you utter a
wilful falsehood. Haberdashers use much better English than authors." It
is a mistake, to be sure. I have never said what my correspondents say
I say. There is the text under their noses, but what if they choose to
read it their own way? "Hurroo, lads! here's for a fight. There's a
bald head peeping out of the hut. There's a bald head! It must be Tim
Malone's." And whack! come down both the bludgeons at once.

Ah me! we wound where we never intended to strike; we create anger where
we never meant harm; and these thoughts are the thorns in our Cushion.
Out of mere malignity, I suppose, there is no man who would like to make
enemies. But here, in this editorial business, you can't do otherwise:
and a queer, sad, strange, bitter thought it is, that must cross the
mind of many a public man: "Do what I will, be innocent or spiteful, be
generous or cruel, there are A and B, and C and D, who will hate me
to the end of the chapter--to the chapter's end--to the Finis of the
page--when hate, and envy, and fortune, and disappointment shall be
over."




ON SCREENS IN DINING-ROOMS.


A grandson of the late Rev. Dr. Primrose (of Wakefield, vicar) wrote me
a little note from his country living this morning, and the kind fellow
had the precaution to write "No thorn" upon the envelope, so that, ere I
broke the seal, my mind might be relieved of any anxiety lest the letter
should contain one of those lurking stabs which are so painful to the
present gentle writer. Your epigraph, my dear P., shows your kind and
artless nature; but don't you see it is of no use? People who are bent
upon assassinating you in the manner mentioned will write "No thorn"
upon their envelopes too; and you open the case, and presently out flies
a poisoned stiletto, which springs into a man's bosom, and makes the
wretch howl with anguish. When the bailiffs are after a man, they adopt
all sorts of disguises, pop out on him from all conceivable corners, and
tap his miserable shoulders. His wife is taken ill; his sweetheart,
who remarked his brilliant, too brilliant appearance at the Hyde Park
review, will meet him at Cremorne, or where you will. The old friend who
has owed him that money these five years will meet him at so-and-so and
pay. By one bait or other the victim is hooked, netted, landed, and down
goes the basket-lid. It is not your wife, your sweetheart, your friend
who is going to pay you. It is Mr. Nab the bailiff. YOU know--you are
caught. You are off in a cab to Chancery Lane.

You know, I say? WHY should you know? I make no manner of doubt you
never were taken by a bailiff in your life. I never was. I have been in
two or three debtors' prisons, but not on my own account. Goodness be
praised! I mean you can't escape your lot; and Nab only stands here
metaphorically as the watchful, certain, and untiring officer of Mr.
Sheriff Fate. Why, my dear Primrose, this morning along with your letter
comes another, bearing the well-known superscription of another old
friend, which I open without the least suspicion, and what do I find? A
few lines from my friend Johnson, it is true, but they are written on
a page covered with feminine handwriting. "Dear Mr. Johnson," says the
writer, "I have just been perusing with delight a most charming tale
by the Archbishop of Cambray. It is called 'Telemachus;' and I think
it would be admirably suited to the Cornhill Magazine. As you know
the Editor, will you have the great kindness, dear Mr. Johnson, to
communicate with him PERSONALLY (as that is much better than writing in
a roundabout way to the Publishers, and waiting goodness knows how long
for an answer), and state my readiness to translate this excellent
and instructive story. I do not wish to breathe A WORD against 'Lovel
Parsonage,' 'Framley the Widower,' or any of the novels which have
appeared in the Cornhill Magazine, but I AM SURE 'Telemachus' is as good
as new to English readers, and in point of interest and morality far,"
&c. &c. &c.

There it is. I am stabbed through Johnson. He has lent himself to this
attack on me. He is weak about women. Other strong men are. He submits
to the common lot, poor fellow. In my reply I do not use a word of
unkindness. I write him back gently, that I fear "Telemachus" won't suit
us. He can send the letter on to his fair correspondent. But however
soft the answer, I question whether the wrath will be turned away. Will
there not be a coolness between him and the lady? and is it not possible
that henceforth her fine eyes will look with darkling glances upon the
pretty orange cover of our Magazine?

Certain writers, they say, have a bad opinion of women. Now am I very
whimsical in supposing that this disappointed candidate will be hurt at
her rejection, and angry or cast down according to her nature? "Angry,
indeed!" says Juno, gathering up her purple robes and royal raiment.
"Sorry, indeed!" cries Minerva, lacing on her corselet again, and
scowling under her helmet. (I imagine the well-known Apple case has just
been argued and decided.) "Hurt, forsooth! Do you suppose WE care for
the opinion of that hobnailed lout of a Paris? Do you suppose that I,
the Goddess of Wisdom, can't make allowances for mortal ignorance,
and am so base as to bear malice against a poor creature who knows no
better? You little know the goddess nature when you dare to insinuate
that our divine minds are actuated by motives so base. A love of justice
influences US. We are above mean revenge. We are too magnanimous to be
angry at the award of such a judge in favor of such a creature." And
rustling out their skirts, the ladies walk away together. This is
all very well. You are bound to believe them. They are actuated by no
hostility: not they. They bear no malice--of course not. But when the
Trojan war occurs presently, which side will they take? Many brave
souls will be sent to Hades. Hector will perish. Poor old Priam's bald
numskull will be cracked, and Troy town will burn, because Paris prefers
golden-haired Venus to ox-eyed Juno and gray-eyed Minerva.

The last Essay of this Roundabout Series, describing the griefs and
miseries of the editorial chair, was written, as the kind reader will
acknowledge, in a mild and gentle, not in a warlike or satirical spirit.
I showed how cudgels were applied; but surely, the meek object of
persecution hit no blows in return. The beating did not hurt much, and
the person assaulted could afford to keep his good-humor; indeed, I
admired that brave though illogical little actress, of the T. R. D-bl-n,
for her fiery vindication of her profession's honor. I assure her I
had no intention to tell l--s--well, let us say monosyllables--about my
superiors: and I wish her nothing but well, and when Macmahon (or shall
it be Mulligan?) Roi d'Irlande ascends his throne, I hope she may be
appointed professor of English to the princesses of the royal house.
Nuper--in former days--I too have militated; sometimes, as I now think,
unjustly; but always, I vow, without personal rancor. Which of us has
not idle words to recall, flippant jokes to regret? Have you never
committed an imprudence? Have you never had a dispute, and found out
that you were wrong? So much the worse for you. Woe be to the man qui
croit toujours avoir raison. His anger is not a brief madness, but
a permanent mania. His rage is not a fever-fit, but a black poison
inflaming him, distorting his judgment, disturbing his rest, embittering
his cup, gnawing at his pleasures, causing him more cruel suffering than
ever he can inflict on his enemy. O la belle morale! As I write it,
I think about one or two little affairs of my own. There is old Dr.
Squaretoso (he certainly was very rude to me, and that's the fact);
there is Madame Pomposa (and certainly her ladyship's behavior was
about as cool as cool could be). Never mind, old Squaretoso: never mind,
Madame Pomposa! Here is a hand. Let us be friends as we once were, and
have no more of this rancor.

I had hardly sent that last Roundabout Paper to the printer (which, I
submit, was written in a pacable and not unchristian frame of mind),
when Saturday came, and with it, of course, my Saturday Review. I
remember at New York coming down to breakfast at the hotel one morning,
after a criticism had appeared in the New York Herald, in which an Irish
writer had given me a dressing for a certain lecture on Swift. Ah my
dear little enemy of the T. R, D., what were the cudgels in YOUR little
billet-doux compared to those noble New York shillelaghs? All through
the Union, the literary sons of Erin have marched alpeen-stock in hand,
and in every city of the States they call each other and everybody else
the finest names. Having come to breakfast, then, in the public room, I
sit down, and see--that the nine people opposite have all got New York
Heralds in their hands. One dear little lady, whom I knew, and who
sat opposite, gave a pretty blush, and popped her paper under the
tablecloth. I told her I had had my whipping already in my own private
room, and begged her to continue her reading. I may have undergone
agonies, you see, but every man who has been bred at an English public
school comes away from a private interview with Dr. Birch with a calm,
even a smiling face. And this is not impossible, when you are prepared.
You screw your courage up--you go through the business. You come
back and take your seat on the form, showing not the least symptom of
uneasiness or of previous unpleasantries. But to be caught suddenly up,
and whipped in the bosom of your family--to sit down to breakfast, and
cast your innocent eye on a paper, and find, before you are aware, that
the Saturday Monitor or Black Monday Instructor has hoisted you and is
laying on--that is indeed a trial. Or perhaps the family has looked at
the dreadful paper beforehand, and weakly tries to hide it. "Where is
the Instructor, or the Monitor?" say you. "Where is that paper?" says
mamma to one of the young ladies. Lucy hasn't it. Fanny hasn't seen it.
Emily thinks that the governess has it. At last, out it is brought,
that awful paper! Papa is amazingly tickled with the article on Thomson;
thinks that show up of Johnson is very lively; and now--heaven be good
to us!--he has come to the critique on himself:--"Of all the rubbish
which we have had from Mr. Tomkins, we do protest and vow that this
last cartload is" &c. Ah, poor Tomkins!--but most of all, ah! poor Mrs.
Tomkins, and poor Emily, and Fanny, and Lucy, who have to sit by and see
paterfamilias put to the torture!

Now, on this eventful Saturday, I did not cry, because it was not
so much the Editor as the Publisher of the Cornhill Magazine who was
brought out for a dressing; and it is wonderful how gallantly one bears
the misfortunes of one's friends. That a writer should be taken to task
about his books, is fair, and he must abide the praise or the censure.
But that a publisher should be criticised for his dinners, and for the
conversation which did NOT take place there,--is this tolerable press
practice, legitimate joking, or honorable warfare? I have not the honor
to know my next-door neighbor, but I make no doubt that he receives his
friends at dinner; I see his wife and children pass constantly; I even
know the carriages of some of the people who call upon him, and could
tell their names. Now, suppose his servants were to tell mine what the
doings are next door, who comes to dinner, what is eaten and said, and I
were to publish an account of these transactions in a newspaper, I could
assuredly get money for the report; but ought I to write it, and what
would you think of me for doing so?

And suppose, Mr. Saturday Reviewer--you censor morum, you who pique
yourself (and justly and honorably in the main) upon your character of
gentleman, as well as of writer, suppose, not that you yourself invent
and indite absurd twaddle about gentlemen's private meetings and
transactions, but pick this wretched garbage out of a New York street,
and hold it up for your readers' amusement--don't you think, my friend,
that you might have been better employed? Here, in my Saturday Review,
and in an American paper subsequently sent to me, I light, astonished,
on an account of the dinners of my friend and publisher, which are
described as "tremendously heavy," of the conversation (which does not
take place), and of the guests assembled at the table. I am informed
that the proprietor of the Cornhill, and the host on these occasions, is
"a very good man, but totally unread;" and that on my asking him whether
Dr. Johnson was dining behind the screen, he said, "God bless my soul,
my dear sir, there's no person by the name of Johnson here, nor any
one behind the screen," and that a roar of laughter cut him short. I
am informed by the same New York correspondent that I have touched up a
contributor's article; that I once said to a literary gentleman, who was
proudly pointing to an anonymous article as his writing, "Ah! I thought
I recognized YOUR HOOF in it." I am told by the same authority that the
Cornhill Magazine "shows symptoms of being on the wane," and having sold
nearly a hundred thousand copies, he (the correspondent) "should think
forty thousand was now about the mark." Then the graceful writer passes
on to the dinners, at which it appears the Editor of the Magazine "is
the great gun, and comes out with all the geniality in his power."

Now suppose this charming intelligence is untrue? Suppose the publisher
(to recall the words of my friend the Dublin actor of last month) is a
gentleman to the full as well informed as those whom he invites to his
table? Suppose he never made the remark, beginning--"God bless my soul,
my dear sir," nor anything resembling it? Suppose nobody roared with
laughing? Suppose the Editor of the Cornhill Magazine never "touched
up" one single line of the contribution which bears "marks of his hand?"
Suppose he never said to any literary gentleman, "I recognized YOUR
HOOF" in any periodical whatever? Suppose the 40,000 subscribers, which
the writer to New York "considered to be about the mark," should be
between 90,000 and 100,000 (and as he will have figures, there they
are)? Suppose this back-door gossip should be utterly blundering and
untrue, would any one wonder? Ah! if we had only enjoyed the happiness
to number this writer among the contributors to our Magazine, what
a cheerfulness and easy confidence his presence would impart to our
meetings! He would find that "poor Mr. Smith" had heard that recondite
anecdote of Dr. Johnson behind the screen; and as for "the great gun of
those banquets," with what geniality should not I "come out" if I had an
amiable companion close by me, dotting down my conversation for the New
York Times!

Attack our books, Mr. Correspondent, and welcome. They are fair subjects
for just censure or praise. But woe be to you, if you allow private
rancors or animosities to influence you in the discharge of your public
duty. In the little court where you are paid to sit as judge, as critic,
you owe it to your employers, to your conscience, to the honor of your
calling, to deliver just sentences; and you shall have to answer to
heaven for your dealings, as surely as my Lord Chief Justice on the
Bench. The dignity of letters, the honor of the literary calling, the
slights put by haughty and unthinking people upon literary men,--don't
we hear outcries upon these subjects raised daily? As dear Sam Johnson
sits behind the screen, too proud to show his threadbare coat and
patches among the more prosperous brethren of his trade, there is no
want of dignity in HIM, in that homely image of labor ill-rewarded,
genius as yet unrecognized, independence sturdy and uncomplaining. But
Mr. Nameless, behind the publisher's screen uninvited, peering at the
company and the meal, catching up scraps of the jokes, and noting down
the guests' behavior and conversation,--what a figure his is! Allons,
Mr. Nameless! Put up your note-book; walk out of the hall; and leave
gentlemen alone who would be private, and wish you no harm.




TUNBRIDGE TOYS.


I wonder whether those little silver pencil-cases with a movable almanac
at the butt-end are still favorite implements with boys, and whether
pedlers still hawk them about the country? Are there pedlers and hawkers
still, or are rustics and children grown too sharp to deal with them?
Those pencil-cases, as far as my memory serves me, were not of much use.
The screw, upon which the movable almanac turned, was constantly getting
loose. The 1 of the table would work from its moorings, under Tuesday
or Wednesday, as the case might be, and you would find, on examination,
that Th. or W. was the 23 1/2 of the month (which was absurd on the
face of the thing), and in a word your cherished pencil-case an utterly
unreliable time-keeper. Nor was this a matter of wonder. Consider the
position of a pencil-case in a boy's pocket. You had hard-bake in it;
marbles, kept in your purse when the money was all gone; your mother's
purse, knitted so fondly and supplied with a little bit of gold, long
since--prodigal little son!--scattered amongst the swine--I mean
amongst brandy-balls, open tarts, three-cornered puffs, and similar
abominations. You had a top and string; a knife; a piece of cobbler's
wax; two or three bullets; a Little Warbler; and I, for my part,
remember, for a considerable period, a brass-barrelled pocket-pistol
(which would fire beautifully, for with it I shot off a button from Butt
Major's jacket);--with all these things, and ever so many more, clinking
and rattling in your pockets, and your hands, of course, keeping them in
perpetual movement, how could you expect your movable almanac not to
be twisted out of its place now and again--your pencil-case to be
bent--your liquorice water not to leak out of your bottle over the
cobbler's wax, your bull's-eyes not to ram up the lock and barrel of
your pistol, and so forth.

In the month of June, thirty-seven years ago, I bought one of those
pencil-cases from a boy whom I shall call Hawker, and who was in my
form. Is he dead? Is he a millionnaire? Is he a bankrupt now? He was an
immense screw at school, and I believe to this day that the value of the
thing for which I owed and eventually paid three-and-sixpence, was in
reality not one-and-nine.

I certainly enjoyed the case at first a good deal, and amused myself
with twiddling round the movable calendar. But this pleasure wore off.
The jewel, as I said, was not paid for, and Hawker, a large and violent
boy, was exceedingly unpleasant as a creditor. His constant remark was,
"When are you going to pay me that three-and-sixpence? What sneaks your
relations must be? They come to see you. You go out to them on Saturdays
and Sundays, and they never give you anything! Don't tell ME, you little
humbug!" and so forth. The truth is that my relations were respectable;
but my parents were making a tour in Scotland; and my friends in London,
whom I used to go and see, were most kind to me, certainly, but somehow
never tipped me. That term, of May to August, 1823, passed in agonies
then, in consequence of my debt to Hawker. What was the pleasure of a
calendar pencil-case in comparison with the doubt and torture of mind
occasioned by the sense of the debt, and the constant reproach of that
fellow's scowling eyes and gloomy, coarse reminders? How was I to pay
off such a debt out of sixpence a week? ludicrous! Why did not some
one come to see me, and tip me? Ah! my dear sir, if you have any little
friends at school, go and see them, and do the natural thing by them.
You won't miss the sovereign. You don't know what a blessing it will be
to them. Don't fancy they are too old--try 'em. And they will remember
you, and bless you in future days; and their gratitude shall accompany
your dreary after life; and they shall meet you kindly when thanks for
kindness are scant. O mercy! shall I ever forget that sovereign you gave
me, Captain Bob? or the agonies of being in debt to Hawker? In that very
term, a relation of mine was going to India. I actually was fetched from
school in order to take leave of him. I am afraid I told Hawker of this
circumstance. I own I speculated upon my friend's giving me a pound. A
pound? Pooh! A relation going to India, and deeply affected at parting
from his darling kinsman, might give five pounds to the dear fellow!
. . . There was Hawker when I came back--of course there he was. As
he looked in my scared face, his turned livid with rage. He muttered
curses, terrible from the lips of so young a boy. My relation, about
to cross the ocean to fill a lucrative appointment, asked me with much
interest about my progress at school, heard me construe a passage of
Eutropius, the pleasing Latin work on which I was then engaged; gave
me a God bless you, and sent me back to school; upon my word of honor,
without so much as a half-crown! It is all very well, my dear sir, to
say that boys contract habits of expecting tips from their parents'
friends, that they become avaricious, and so forth. Avaricious! fudge!
Boys contract habits of tart and toffee eating, which they do not carry
into after life. On the contrary, I wish I DID like 'em. What raptures
of pleasure one could have now for five shillings, if one could but pick
it off the pastry-cook's tray! No. If you have any little friends at
school, out with your half-crowns, my friend, and impart to those little
ones the little fleeting joys of their age.

Well, then. At the beginning of August, 1823, Bartlemy-tide holidays
came, and I was to go to my parents, who were at Tunbridge Wells. My
place in the coach was taken by my tutor's servants--"Bolt-in-Tun,"
Fleet Street, seven o'clock in the morning, was the word. My Tutor, the
Rev. Edward P----, to whom I hereby present my best compliments, had a
parting interview with me: gave me my little account for my governor:
the remaining part of the coach-hire; five shillings for my own
expenses; and some five-and-twenty shillings on an old account which had
been overpaid, and was to be restored to my family.

Away I ran and paid Hawker his three-and-six. Ouf! what a weight it
was off my mind! (He was a Norfolk boy, and used to go home from Mrs.
Nelson's "Bell Inn," Aldgate--but that is not to the point.) The next
morning, of course, we were an hour before the time. I and another
boy shared a hackney-coach; two-and-six: porter for putting luggage on
coach, threepence. I had no more money of my own left. Rasherwell,
my companion, went into the "Bolt-in-Tun" coffee-room, and had a good
breakfast. I couldn't; because, though I had five-and-twenty shillings
of my parents' money, I had none of my own, you see.

I certainly intended to go without breakfast, and still remember how
strongly I had that resolution in my mind. But there was that hour to
wait. A beautiful August morning--I am very hungry. There is Rasherwell
"tucking" away in the coffee-room. I pace the street, as sadly almost as
if I had been coming to school, not going thence. I turn into a court by
mere chance--I vow it was by mere chance--and there I see a coffee-shop
with a placard in the window, Coffee, Twopence. Round of buttered
toast, Twopence. And here am I, hungry, penniless, with five-and-twenty
shillings of my parents' money in my pocket.

What would you have done? You see I had had my money, and spent it in
that pencil-case affair. The five-and-twenty shillings were a trust--by
me to be handed over.

But then would my parents wish their only child to be actually without
breakfast? Having this money, and being so hungry, so VERY hungry,
mightn't I take ever so little? Mightn't I at home eat as much as I
chose?

Well, I went into the coffee-shop, and spent fourpence. I remember
the taste of the coffee and toast to this day--a peculiar, muddy,
not-sweet-enough, most fragrant coffee--a rich, rancid, yet
not-buttered-enough delicious toast. The waiter had nothing. At any
rate, fourpence I know was the sum I spent. And the hunger appeased, I
got on the coach a guilty being.

At the last stage,--what is its name? I have forgotten in
seven-and-thirty years,--there is an inn with a little green and
trees before it; and by the trees there is an open carriage. It is our
carriage. Yes, there are Prince and Blucher, the horses; and my parents
in the carriage. Oh! how I had been counting the days until this one
came! Oh! how happy had I been to see them yesterday! But there was that
fourpence. All the journey down the toast had choked me, and the coffee
poisoned me.

I was in such a state of remorse about the fourpence, that I forgot the
maternal joy and caresses, the tender paternal voice. I pull out the
twenty-four shillings and eightpence with a trembling hand.

"Here's your money," I gasp out, "which Mr. P---- owes you, all but
fourpence. I owed three-and-sixpence to Hawker out of my money for a
pencil-case, and I had none left, and I took fourpence of yours, and had
some coffee at a shop."

I suppose I must have been choking whilst uttering this confession.

"My dear boy," says the governor, "why didn't you go and breakfast at
the hotel?"

"He must be starved," says my mother.

I had confessed; I had been a prodigal; I had been taken back to my
parents' arms again. It was not a very great crime as yet, or a very
long career of prodigality; but don't we know that a boy who takes a pin
which is not his own, will take a thousand pounds when occasion serves,
bring his parents' gray heads with sorrow to the grave, and carry his
own to the gallows? Witness the career of Dick Idle, upon whom our
friend Mr. Sala has been discoursing. Dick only began by playing
pitch-and-toss on a tombstone: playing fair, for what we know: and
even for that sin he was promptly caned by the beadle. The bamboo
was ineffectual to cane that reprobate's bad courses out of him. From
pitch-and-toss he proceeded to manslaughter if necessary: to highway
robbery; to Tyburn and the rope there. Ah! heaven be thanked, my
parents' heads are still above the grass, and mine still out of the
noose.

As I look up from my desk, I see Tunbridge Wells Common and the rocks,
the strange familiar place which I remember forty years ago. Boys
saunter over the green with stumps and cricket-bats. Other boys gallop
by on the riding-master's hacks. I protest it is Cramp, Riding master,
as it used to be in the reign of George IV., and that Centaur Cramp must
be at least a hundred years old. Yonder comes a footman with a bundle
of novels from the library. Are they as good as OUR novels? Oh! how
delightful they were! Shades of Valancour, awful ghost of Manfroni, how
I shudder at your appearance! Sweet image of Thaddeus of Warsaw, how
often has this almost infantile hand tried to depict you in a Polish cap
and richly embroidered tights! And as for Corinthian Tom in light blue
pantaloons and Hessians, and Jerry Hawthorn from the country, can all
the fashion, can all the splendor of real life which these eyes have
subsequently beheld, can all the wit I have heard or read in later
times, compare with your fashion, with your brilliancy, with your
delightful grace, and sparkling vivacious rattle?

Who knows? They MAY have kept those very books at the library still--at
the well-remembered library on the Pantiles, where they sell that
delightful, useful Tunbridge ware. I will go and see. I went my way
to the Pantiles, the queer little old-world Pantiles, where, a hundred
years since, so much good company came to take its pleasure. Is it
possible, that in the past century, gentlefolks of the first rank (as
I read lately in a lecture on George II. in the Cornhill Magazine)
assembled here and entertained each other with gaming, dancing,
fiddling, and tea? There are fiddlers, harpers, and trumpeters
performing at this moment in a weak little old balcony, but where is the
fine company? Where are the earls, duchesses, bishops, and magnificent
embroidered gamesters? A half-dozen of children and their nurses are
listening to the musicians; an old lady or two in a poke bonnet passes,
and for the rest, I see but an uninteresting population of native
tradesmen. As for the library, its window is full of pictures of burly
theologians, and their works, sermons, apologues, and so forth. Can I
go in and ask the young ladies at the counters for "Manfroni, or the
One-Handed Monk," and "Life in London, or the Adventures of Corinthian
Tom, Jeremiah Hawthorn, Esq., and their friend Bob Logic?"--absurd.
I turn away abashed from the casement--from the Pantiles--no longer
Pantiles, but Parade. I stroll over the Common and survey the beautiful
purple hills around, twinkling with a thousand bright villas, which
have sprung up over this charming ground since first I saw it. What an
admirable scene of peace and plenty! What a delicious air breathes over
the heath, blows the cloud shadows across it, and murmurs through
the full-clad trees! Can the world show a land fairer, richer, more
cheerful? I see a portion of it when I look up from the window at
which I write. But fair scene, green woods, bright terraces gleaming
in sunshine, and purple clouds swollen with summer rain--nay, the very
pages over which my head bends--disappear from before my eyes. They are
looking backwards, back into forty years off, into a dark room, into a
little house hard by on the Common here, in the Bartlemy-tide holidays.
The parents have gone to town for two days: the house is all his own,
his own and a grim old maid-servant's, and a little boy is seated
at night in the lonely drawing-room, poring over "Manfroni, or the
One-Handed Monk," so frightened that he scarcely dares to turn round.




DE JUVENTUTE.


Our last paper of this veracious and roundabout series related to a
period which can only be historical to a great number of readers of this
Magazine. Four I saw at the station to-day with orange-covered books in
their hands, who can but have known George IV. by books, and statues,
and pictures. Elderly gentlemen were in their prime, old men in their
middle age, when he reigned over us. His image remains on coins; on
a picture or two hanging here and there in a Club or old-fashioned
dining-room; on horseback, as at Trafalgar Square, for example, where
I defy any monarch to look more uncomfortable. He turns up in sundry
memoirs and histories which have been published of late days; in Mr.
Massey's "History;" in the "Buckingham and Grenville Correspondence;"
and gentlemen who have accused a certain writer of disloyalty are
referred to those volumes to see whether the picture drawn of George is
overcharged. Charon has paddled him off; he has mingled with the crowded
republic of the dead. His effigy smiles from a canvas or two. Breechless
he bestrides his steed in Trafalgar Square. I believe he still wears his
robes at Madame Tussaud's (Madame herself having quitted Baker Street
and life, and found him she modelled t'other side the Stygian stream).
On the head of a five-shilling piece we still occasionally come upon
him, with St. George, the dragon-slayer, on the other side of the
coin. Ah me! did this George slay many dragons? Was he a brave, heroic
champion, and rescuer of virgins? Well! well! have you and I overcome
all the dragons that assail US? come alive and victorious out of all the
caverns which we have entered in life, and succored, at risk of life
and limb, all poor distressed persons in whose naked limbs the dragon
Poverty is about to fasten his fangs, whom the dragon Crime is poisoning
with his horrible breath, and about to crunch up and devour? O my royal
liege! O my gracious prince and warrior! YOU a champion to fight that
monster? Your feeble spear ever pierce that slimy paunch or plated back?
See how the flames come gurgling out of his red-hot brazen throat! What
a roar! Nearer and nearer he trails, with eyes flaming like the lamps of
a railroad engine. How he squeals, rushing out through the darkness
of his tunnel! Now he is near. Now he is HERE. And now--what?--lance,
shield, knight, feathers, horse and all? O horror, horror! Next day,
round the monster's cave, there lie a few bones more. You, who wish to
keep yours in your skins, be thankful that you are not called upon to go
out and fight dragons. Be grateful that they don't sally out and swallow
you. Keep a wise distance from their caves, lest you pay too dearly for
approaching them. Remember that years passed, and whole districts were
ravaged, before the warrior came who was able to cope with the devouring
monster. When that knight DOES make his appearance, with all my heart
let us go out and welcome him with our best songs, huzzas, and laurel
wreaths, and eagerly recognize his valor and victory. But he comes only
seldom. Countless knights were slain before St. George won the battle.
In the battle of life are we all going to try for the honors of
championship? If we can do our duty, if we can keep our place pretty
honorably through the combat, let us say, Laus Deo! at the end of it, as
the firing ceases, and the night falls over the field.

The old were middle-aged, the elderly were in their prime, then, thirty
years since, when yon royal George was still fighting the dragon. As for
you, my pretty lass, with your saucy hat and golden tresses tumbled in
your net, and you, my spruce young gentleman in your mandarin's cap (the
young folks at the country-place where I am staying are so attired),
your parents were unknown to each other, and wore short frocks and short
jackets, at the date of this five-shilling piece. Only to-day I met a
dog-cart crammed with children--children with moustaches and mandarin
caps--children with saucy hats and hair-nets--children in short frocks
and knickerbockers (surely the prettiest boy's dress that has appeared
these hundred years)--children from twenty years of age to six; and
father, with mother by his side, driving in front--and on father's
countenance I saw that very laugh which I remember perfectly in the time
when this crown-piece was coined--in HIS time, in King George's time,
when we were school-boys seated on the same form. The smile was just as
broad, as bright, as jolly, as I remember it in the past--unforgotten,
though not seen or thought of, for how many decades of years, and quite
and instantly familiar, though so long out of sight.

Any contemporary of that coin who takes it up and reads the inscription
round the laurelled head, "Georgius IV. Britanniarum Rex. Fid. Def.
1823," if he will but look steadily enough at the round, and utter the
proper incantation, I dare say may conjure back his life there. Look
well, my elderly friend, and tell me what you see? First, I see a
Sultan, with hair, beautiful hair, and a crown of laurels round his
head, and his name is Georgius Rex. Fid. Def., and so on. Now the Sultan
has disappeared; and what is that I see? A boy,--a boy in a jacket. He
is at a desk; he has great books before him, Latin and Greek books and
dictionaries. Yes, but behind the great books, which he pretends to
read, is a little one, with pictures, which he is really reading. It
is--yes, I can read now--it is the "Heart of Mid Lothian," by the author
of "Waverley"--or, no, it is "Life in London, or the Adventures of
Corinthian Tom, Jeremiah Hawthorn, and their friend Bob Logic," by
Pierce Egan; and it has pictures--oh! such funny pictures! As he reads,
there comes behind the boy, a man, a dervish, in a black gown, like a
woman, and a black square cap, and he has a book in each hand, and he
seizes the boy who is reading the picture-book, and lays his head upon
one of his books, and smacks it with the other. The boy makes faces, and
so that picture disappears.

Now the boy has grown bigger. HE has got on a black gown and cap,
something like the dervish. He is at a table, with ever so many bottles
on it, and fruit, and tobacco; and other young dervishes come in. They
seem as if they were singing. To them enters an old moollah, he takes
down their names, and orders them all to go to bed. What is this? a
carriage, with four beautiful horses all galloping--a man in red is
blowing a trumpet. Many young men are on the carriage--one of them is
driving the horses. Surely they won't drive into that?--ah! they have
all disappeared. And now I see one of the young men alone. He is walking
in a street--a dark street--presently a light comes to a window. There
is the shadow of a lady who passes. He stands there till the light goes
out. Now he is in a room scribbling on a piece of paper, and kissing a
miniature every now and then. They seem to be lines each pretty much
of a length. I can read heart, smart, dart; Mary, fairy; Cupid, stupid;
true, you; and never mind what more. Bah! it is bosh. Now see, he has
got a gown on again, and a wig of white hair on his head, and he is
sitting with other dervishes in a great room full of them, and on a
throne in the middle is an old Sultan in scarlet, sitting before a desk,
and he wears a wig too--and the young man gets up and speaks to him. And
now what is here? He is in a room with ever so many children, and the
miniature hanging up. Can it be a likeness of that woman who is sitting
before that copper urn, with a silver vase in her hand, from which she
is pouring hot liquor into cups? Was SHE ever a fairy? She is as fat as
a hippopotamus now. He is sitting on a divan by the fire. He has a paper
on his knees. Read the name of the paper. It is the Superfine Review.
It inclines to think that Mr. Dickens is not a true gentleman, that Mr.
Thackeray is not a true gentleman, and that when the one is pert and
the other is arch, we, the gentlemen of the Superfine Review, think, and
think rightly, that we have some cause to be indignant. The great cause
why modern humor and modern sentimentalism repel us, is that they are
unwarrantably familiar. Now, Mr. Sterne, the Superfine Reviewer thinks,
"was a true sentimentalist, because he was ABOVE ALL THINGS a true
gentleman." The flattering inference is obvious: let us be thankful for
having an elegant moralist watching over us, and learn, if not too old,
to imitate his high-bred politeness and catch his unobtrusive grace.
If we are unwarrantably familiar, we know who is not. If we repel by
pertness, we know who never does. If our language offends, we know whose
is always modest. O pity! The vision has disappeared off the silver,
the images of youth and the past are vanishing away! We who have lived
before railways were made, belong to another world. In how many hours
could the Prince of Wales drive from Brighton to London, with a light
carriage built expressly, and relays of horses longing to gallop the
next stage? Do you remember Sir Somebody, the coachman of the Age, who
took our half-crown so affably? It was only yesterday; but what a gulf
between now and then! THEN was the old world. Stage-coaches, more or
less swift, riding-horses, pack-horses, highwaymen, knights in armor,
Norman invaders, Roman legions, Druids, Ancient Britons painted blue,
and so forth--all these belong to the old period. I will concede a halt
in the midst of it, and allow that gunpowder and printing tended to
modernize the world. But your railroad starts the new era, and we of a
certain age belong to the new time and the old one. We are of the time
of chivalry as well as the Black Prince or Sir Walter Manny. We are of
the age of steam. We have stepped out of the old world on to "Brunel's"
vast deck, and across the waters ingens patet tellus. Towards what new
continent are we wending? to what new laws, new manners, new politics,
vast new expanses of liberties unknown as yet, or only surmised? I used
to know a man who had invented a flying-machine. "Sir," he would say,
"give me but five hundred pounds, and I will make it. It is so simple
of construction that I tremble daily lest some other person should light
upon and patent my discovery." Perhaps faith was wanting; perhaps
the five hundred pounds. He is dead, and somebody else must make the
flying-machine. But that will only be a step forward on the journey
already begun since we quitted the old world. There it lies on the other
side of yonder embankments. You young folks have never seen it;
and Waterloo is to you no more than Agincourt, and George IV. than
Sardanapalus. We elderly people have lived in that praerailroad world,
which has passed into limbo and vanished from under us. I tell you it
was firm under our feet once, and not long ago. They have raised those
railroad embankments up, and shut off the old world that was behind
them. Climb up that bank on which the irons are laid, and look to the
other side--it is gone. There IS no other side. Try and catch yesterday.
Where is it? Here is a Times newspaper, dated Monday 26th, and this is
Tuesday 27th. Suppose you deny there was such a day as yesterday?

We who lived before railways, and survive out of the ancient world, are
like Father Noah and his family out of the Ark. The children will gather
round and say to us patriarchs, "Tell us, grandpapa, about the old
world." And we shall mumble our old stories; and we shall drop off one
by one; and there will be fewer and fewer of us, and these very old and
feeble. There will be but ten praerailroadites left: then three then
two--then one--then 0! If the hippopotamus had the least sensibility (of
which I cannot trace any signs either in his hide or his face), I think
he would go down to the bottom of his tank, and never come up again.
Does he not see that he belongs to bygone ages, and that his great
hulking barrel of a body is out of place in these times? What has he in
common with the brisk young life surrounding him? In the watches of the
night, when the keepers are asleep, when the birds are on one leg, when
even the little armadillo is quiet, and the monkeys have ceased their
chatter,--he, I mean the hippopotamus, and the elephant, and the
long-necked giraffe, perhaps may lay their heads together and have a
colloquy about the great silent antediluvian world which they remember,
where mighty monsters floundered through the ooze, crocodiles basked
on the banks, and dragons darted out of the caves and waters before
men were made to slay them. We who lived before railways are
antediluvians--we must pass away. We are growing scarcer every day; and
old--old--very old relicts of the times when George was still fighting
the Dragon.

Not long since, a company of horse-riders paid a visit to our
watering-place. We went to see them, and I bethought me that young
Walter Juvenis, who was in the place, might like also to witness the
performance. A pantomime is not always amusing to persons who have
attained a certain age; but a boy at a pantomime is always amused and
amusing, and to see his pleasure is good for most hypochondriacs.

We sent to Walter's mother, requesting that he might join us, and
the kind lady replied that the boy had already been at the morning
performance of the equestrians, but was most eager to go in the evening
likewise. And go he did; and laughed at all Mr. Merryman's remarks,
though he remembered them with remarkable accuracy, and insisted upon
waiting to the very end of the fun, and was only induced to retire just
before its conclusion by representations that the ladies of the party
would be incommoded if they were to wait and undergo the rush and
trample of the crowd round about. When this fact was pointed out to
him, he yielded at once, though with a heavy heart, his eyes looking
longingly towards the ring as we retreated out of the booth. We were
scarcely clear of the place, when we heard "God save the Queen," played
by the equestrian band, the signal that all was over. Our companion
entertained us with scraps of the dialogue on our way home--precious
crumbs of wit which he had brought away from that feast. He laughed over
them again as we walked under the stars. He has them now, and takes them
out of the pocket of his memory, and crunches a bit, and relishes it
with a sentimental tenderness, too, for he is, no doubt, back at school
by this time; the holidays are over; and Doctor Birch's young friends
have reassembled.

Queer jokes, which caused a thousand simple mouths to grin! As the jaded
Merryman uttered them to the old gentleman with the whip, some of the
old folks in the audience, I dare say, indulged in reflections of their
own. There was one joke--I utterly forget it--but it began with Merryman
saying what he had for dinner. He had mutton for dinner, at one o'clock,
after which "he had to COME TO BUSINESS." And then came the point.
Walter Juvenis, Esq., Rev. Doctor Birch's, Market Rodborough, if you
read this, will you please send me a line, and let me know what was
the joke Mr. Merryman made about having his dinner? YOU remember
well enough. But do I want to know? Suppose a boy takes a favorite,
long-cherished lump of cake out of his pocket, and offers you a bite?
Merci! The fact is, I DON'T care much about knowing that joke of Mr.
Merryman's.

But whilst he was talking about his dinner, and his mutton, and his
landlord, and his business, I felt a great interest about Mr. M. in
private life--about his wife, lodgings, earnings, and general history,
and I dare say was forming a picture of those in my mind--wife cooking
the mutton: children waiting for it; Merryman in his plain clothes, and
so forth; during which contemplation the joke was uttered and laughed
at, and Mr. M., resuming his professional duties, was tumbling over
head and heels. Do not suppose I am going, sicut est mos, to indulge in
moralities about buffoons, paint, motley, and mountebanking. Nay, Prime
Ministers rehearse their jokes; Opposition leaders prepare and polish
them; Tabernacle preachers must arrange them in their minds before they
utter them. All I mean is, that I would like to know any one of these
performers thoroughly, and out of his uniform: that preacher, and why
in his travels this and that point struck him; wherein lies his power of
pathos, humor, eloquence;--that Minister of State, and what moves him,
and how his private heart is working;--I would only say that, at a
certain time of life certain things cease to interest: but about SOME
things when we cease to care, what will be the use of life, sight,
hearing? Poems are written, and we cease to admire. Lady Jones invites
us, and we yawn; she ceases to invite us, and we are resigned. The
last time I saw a ballet at the opera--oh! it is many years ago--I
fell asleep in the stalls, wagging my head in insane dreams, and I
hope affording amusement to the company, while the feet of five hundred
nymphs were cutting flicflacs on the stage at a few paces' distance. Ah,
I remember a different state of things! Credite posteri. To see those
nymphs--gracious powers, how beautiful they were! That leering, painted,
shrivelled, thin-armed, thick-ankled old thing, cutting dreary capers,
coming thumping down on her board out of time--THAT an opera-dancer?
Pooh! My dear Walter, the great difference between MY time and yours,
who will enter life some two or three years hence, is that, now, the
dancing women and singing women are ludicrously old, out of time, and
out of tune; the paint is so visible, and the dinge and wrinkles of
their wretched old cotton stockings, that I am surprised how anybody can
like to look at them. And as for laughing at ME for falling asleep, I
can't understand a man of sense doing otherwise. In MY time, a la bonne
heure. In the reign of George IV., I give you my honor, all the dancers
at the opera were as beautiful as Houris. Even in William IV.'s time,
when I think of Duvernay prancing in as the Bayadere,--I say it was a
vision of loveliness such as mortal eyes can't see now-a-days. How well
I remember the tune to which she used to appear! Kaled used to say to
the Sultan, "My lord, a troop of those dancing and singing gurls called
Bayaderes approaches," and, to the clash of cymbals, and the thumping
of my heart, in she used to dance! There has never been anything like
it--never. There never will be--I laugh to scorn old people who tell me
about your Noblet, your Montessu, your Vestris, your Parisot--pshaw, the
senile twaddlers! And the impudence of the young men, with their
music and their dancers of to-day! I tell you the women are dreary old
creatures. I tell you one air in an opera is just like another, and they
send all rational creatures to sleep. Ah, Ronzi de Begnis, thou lovely
one! Ah, Caradoni, thou smiling angel! Ah, Malibran! Nay, I will come
to modern times, and acknowledge that Lablache was a very good singer
thirty years ago (though Porto was the boy for me): and then we had
Ambrogetti, and Curioni, and Donzelli, a rising young singer.

But what is most certain and lamentable is the decay of stage beauty
since the days of George IV. Think of Sontag! I remember her in Otello
and the Donna del Lago in '28. I remember being behind the scenes at
the opera (where numbers of us young fellows of fashion used to go), and
seeing Sontag let her hair fall down over her shoulders previous to
her murder by Donzelli. Young fellows have never seen beauty like THAT,
heard such a voice, seen such hair, such eyes. Don't tell ME! A man who
has been about town since the reign of George IV., ought he not to know
better than you young lads who have seen nothing? The deterioration
of women is lamentable; and the conceit of the young fellows more
lamentable still, that they won't see this fact, but persist in thinking
their time as good as ours.

Bless me! when I was a lad, the stage was covered with angels, who sang,
acted, and danced. When I remember the Adelphi, and the actresses there:
when I think of Miss Chester, and Miss Love, and Mrs. Serle at Sadler's
Wells, and her forty glorious pupils--of the Opera and Noblet, and
the exquisite young Taglioni, and Pauline Leroux, and a host more! One
much-admired being of those days I confess I never cared for, and that
was the chief MALE dancer--a very important personage then, with a bare
neck, bare arms, a tunic, and a hat and feathers, who used to divide
the applause with the ladies, and who has now sunk down a trap-door for
ever. And this frank admission ought to show that I am not your mere
twaddling laudator temporis acti--your old fogy who can see no good
except in his own time.

They say that claret is better now-a-days, and cookery much improved
since the days of MY monarch--of George IV. Pastry Cookery is certainly
not so good. I have often eaten half a crown's worth (including, I
trust, ginger-beer) at our school pastry-cook's, and that is a proof
that the pastry must have been very good, for could I do as much now? I
passed by the pastry-cook's shop lately, having occasion to visit my old
school. It looked a very dingy old baker's; misfortunes may have come
over him--those penny tarts certainly did NOT look so nice as I remember
them: but he may have grown careless as he has grown old (I should judge
him to be now about ninety-six years of age), and his hand may have lost
its cunning.

Not that we were not great epicures. I remember how we constantly
grumbled at the quantity of the food in our master's house--which on my
conscience I believe was excellent and plentiful--and how we tried once
or twice to eat him out of house and home. At the pastry-cook's we may
have over-eaten ourselves (I have admitted half a crown's worth for
my own part, but I don't like to mention the REAL figure for fear
of perverting the present generation of boys by my monstrous
confession)--we may have eaten too much, I say. We did; but what then?
The school apothecary was sent for: a couple of small globules at night,
a trifling preparation of senna in the morning, and we had not to go to
school, so that the draught was an actual pleasure.

For our amusements, besides the games in vogue, which were pretty much
in old times as they are now (except cricket, par exemple--and I wish
the present youth joy of their bowling, and suppose Armstrong and
Whitworth will bowl at them with light field-pieces next), there were
novels--ah! I trouble you to find such novels in the present day! O
Scottish Chiefs, didn't we weep over you! O Mysteries of Udolpho, didn't
I and Briggs Minor draw pictures out of you, as I have said? Efforts,
feeble indeed, but still giving pleasure to us and our friends. "I say,
old boy, draw us Vivaldi tortured in the Inquisition," or, "Draw us Don
Quixote and the windmills, you know," amateurs would say, to boys who
had a love of drawing. "Peregrine Pickle" we liked, our fathers admiring
it, and telling us (the sly old boys) it was capital fun; but I think
I was rather bewildered by it, though "Roderick Random" was and remains
delightful. I don't remember having Sterne in the school library, no
doubt because the works of that divine were not considered decent for
young people. Ah! not against thy genius, O father of Uncle Toby and
Trim, would I say a word in disrespect. But I am thankful to live in
times when men no longer have the temptation to write so as to call
blushes on women's cheeks, and would shame to whisper wicked allusions
to honest boys. Then, above all, we had WALTER SCOTT, the kindly, the
generous, the pure--the companion of what countless delightful hours;
the purveyor of how much happiness; the friend whom we recall as the
constant benefactor of our youth! How well I remember the type and the
brownish paper of the old duodecimo "Tales of my Landlord!" I have
never dared to read the "Pirate," and the "Bride of Lammermoor," or
"Kenilworth," from that day to this, because the finale is unhappy, and
people die, and are murdered at the end. But "Ivanhoe," and "Quentin
Durward!" Oh! for a half-holiday, and a quiet corner, and one of those
books again! Those books, and perhaps those eyes with which we read
them; and, it may be, the brains behind the eyes! It may be the tart
was good; but how fresh the appetite was! If the gods would give me the
desire of my heart, I should be able to write a story which boys would
relish for the next few dozen of centuries. The boy-critic loves the
story: grown up, he loves the author who wrote the story. Hence the
kindly tie is established between writer and reader, and lasts pretty
nearly for life. I meet people now who don't care for Walter Scott, or
the "Arabian Nights;" I am sorry for them, unless they in their time
have found THEIR romancer--their charming Scheherazade. By the way,
Walter, when you are writing, tell me who is the favorite novelist in
the fourth form now? have you got anything so good and kindly as
dear Miss Edgeworth's Frank? It used to belong to a fellow's sisters
generally; but though he pretended to despise it, and said, "Oh, stuff
for girls!" he read it; and I think there were one or two passages which
would try my eyes now, were I to meet with the little book.

As for Thomas and Jeremiah (it is only my witty way of calling Tom and
Jerry), I went to the British Museum the other day on purpose to get it;
but somehow, if you will press the question so closely, on reperusal,
Tom and Jerry is not so brilliant as I had supposed it to be. The
pictures are just as fine as ever; and I shook hands with broad-backed
Jerry Hawthorn and Corinthian Tom with delight, after many years'
absence. But the style of the writing, I own, was not pleasing to me;
I even thought it a little vulgar--well! well! other writers have been
considered vulgar--and as a description of the sports and amusements of
London in the ancient times, more curious than amusing.

But the pictures!--oh! the pictures are noble still! First, there is
Jerry arriving from the country, in a green coat and leather gaiters,
and being measured for a fashionable suit at Corinthian House, by
Corinthian Tom's tailor. Then away for the career of pleasure and
fashion. The park! delicious excitement! The theatre! the saloon!! the
green-room!!! Rapturous bliss--the opera itself! and then perhaps to
Temple Bar, to KNOCK DOWN A CHARLEY there! There are Jerry and Tom, with
their tights and little cocked hats, coming from the opera--very much
as gentlemen in waiting on royalty are habited now. There they are at
Almack's itself, amidst a crowd of high-bred personages, with the Duke
of Clarence himself looking at them dancing. Now, strange change, they
are in Tom Cribb's parlor, where they don't seem to be a whit less at
home than in fashion's gilded halls: and now they are at Newgate, seeing
the irons knocked off the malefactors' legs previous to execution.
What hardened ferocity in the countenance of the desperado in yellow
breeches! What compunction in the face of the gentleman in black (who, I
suppose, has been forging), and who clasps his hands, and listens to
the chaplain! Now we haste away to merrier scenes: to Tattersall's (ah
gracious powers! what a funny fellow that actor was who performed Dicky
Green in that scene at the play!); and now we are at a private party, at
which Corinthian Tom is waltzing (and very gracefully, too, as you
must confess,) with Corinthian Kate, whilst Bob Logic, the Oxonian, is
playing on the piano!

"After," the text says, "THE OXONIAN had played several pieces of
lively music, he requested as a favor that Kate and his friend Tom would
perform a waltz. Kate without any hesitation immediately stood up. Tom
offered his hand to his fascinating partner, and the dance took place.
The plate conveys a correct representation of the 'gay scene' at that
precise moment. The anxiety of THE OXONIAN to witness the attitudes of
the elegant pair had nearly put a stop to their movements. On turning
round from the pianoforte and presenting his comical MUG, Kate could
scarcely suppress a laugh."

And no wonder; just look at it now (as I have copied it to the best of
my humble ability), and compare Master Logic's countenance and attitude
with the splendid elegance of Tom!* Now every London man is weary and
blase. There is an enjoyment of life in these young bucks of 1823 which
contrasts strangely with our feelings of 1860. Here, for instance, is
a specimen of their talk and walk. "'If,' says LOGIC--'if ENJOYMENT is
your MOTTO, you may make the most of an evening at Vauxhall, more than
at any other place in the metropolis. It is all free and easy. Stay as
long as you like, and depart when you think proper.'--'Your description
is so flattering,' replied JERRY, 'that I do not care how soon the time
arrives for us to start.' LOGIC proposed a 'BIT OF A STROLL' in order
to get rid of an hour or two, which was immediately accepted by Tom and
Jerry. A TURN or two in Bond Street, a STROLL through Piccadilly, a
LOOK IN at TATTERSALL'S, a RAMBLE through Pall Mall, and a STRUT on the
Corinthian path, fully occupied the time of our heroes until the hour
for dinner arrived, when a few glasses of TOM'S rich wines soon put
them on the qui vive. VAUXHALL was then the object in view, and the
TRIO started, bent upon enjoying the pleasures which this place so amply
affords."

     * This refers to an illustrated edition of the work.

How nobly those inverted commas, those italics, those capitals, bring
out the writer's wit and relieve the eye! They are as good as jokes,
though you mayn't quite perceive the point. Mark the varieties of lounge
in which the young men indulge--now A STROLL, then A LOOK IN, then A
RAMBLE, and presently A STRUT. When George, Prince of Wales, was twenty,
I have read in an old Magazine, "the Prince's lounge" was a peculiar
manner of walking which the young bucks imitated. At Windsor George III.
had A CAT'S PATH--a sly early walk which the good old king took in the
gray morning before his household was astir. What was the Corinthian
path here recorded? Does any antiquary know? And what were the rich
wines which our friends took, and which enabled them to enjoy Vauxhall?
Vauxhall is gone, but the wines which could occasion such a delightful
perversion of the intellect as to enable it to enjoy ample pleasures
there, what were they?

So the game of life proceeds, until Jerry Hawthorn, the rustic, is
fairly knocked up by all this excitement and is forced to go home, and
the last picture represents him getting into the coach at the "White
Horse Cellar," he being one of six inside; whilst his friends shake him
by the hand; whilst the sailor mounts on the roof; whilst the Jews hang
round with oranges, knives, and sealing-wax: whilst the guard is closing
the door. Where are they now, those sealing-wax venders? where are the
guards? where are the jolly teams? where are the coaches? and where the
youth that climbed inside and out of them; that heard the merry horn
which sounds no more; that saw the sun rise over Stonehenge; that rubbed
away the bitter tears at night after parting as the coach sped on the
journey to school and London; that looked out with beating heart as
the milestones flew by, for the welcome corner where began home and
holidays?

It is night now: and here is home. Gathered under the quiet roof elders
and children lie alike at rest. In the midst of a great peace and calm,
the stars look out from the heavens. The silence is peopled with
the past; sorrowful remorses for sins and short-comings--memories of
passionate joys and griefs rise out of their graves, both now alike
calm and sad. Eyes, as I shut mine, look at me, that have long ceased
to shine. The town and the fair landscape sleep under the starlight,
wreathed in the autumn mists. Twinkling among the houses a light keeps
watch here and there, in what may be a sick chamber or two. The clock
tolls sweetly in the silent air. Here is night and rest. An awful sense
of thanks makes the heart swell, and the head bow, as I pass to my room
through the sleeping house, and feel as though a hushed blessing were
upon it.




ON A JOKE I ONCE HEARD FROM THE LATE THOMAS HOOD.


The good-natured reader who has perused some of these rambling papers
has long since seen (if to see has been worth his trouble) that the
writer belongs to the old-fashioned classes of this world, loves to
remember very much more than to prophesy, and though he can't help being
carried onward, and downward, perhaps, on the hill of life, the swift
milestones marking their forties, fifties--how many tens or lustres
shall we say?--he sits under Time, the white-wigged charioteer, with his
back to the horses, and his face to the past, looking at the receding
landscape and the hills fading into the gray distance. Ah me! those
gray, distant hills were green once, and HERE, and covered with smiling
people! As we came UP the hill there was difficulty, and here and there
a hard pull to be sure, but strength, and spirits, and all sorts of
cheery incident and companionship on the road; there were the tough
struggles (by heaven's merciful will) overcome, the pauses, the
faintings, the weakness, the lost way, perhaps, the bitter weather, the
dreadful partings, the lonely night, the passionate grief--towards these
I turn my thoughts as I sit and think in my hobby-coach under Time, the
silver-wigged charioteer. The young folks in the same carriage meanwhile
are looking forwards. Nothing escapes their keen eyes--not a flower at
the side of a cottage garden, nor a bunch of rosy-faced children at the
gate: the landscape is all bright, the air brisk and jolly, the town
yonder looks beautiful, and do you think they have learned to be
difficult about the dishes at the inn?

Now, suppose Paterfamilias on his journey with his wife and children in
the sociable, and he passes an ordinary brick house on the road with an
ordinary little garden in the front, we will say, and quite an ordinary
knocker to the door, and as many sashed windows as you please, quite
common and square, and tiles, windows, chimney-pots, quite like others;
or suppose, in driving over such and such a common, he sees an ordinary
tree, and an ordinary donkey browsing under it, if you like--wife
and daughter look at these objects without the slightest particle of
curiosity or interest. What is a brass knocker to them but a lion's
head, or what not? and a thorn-tree with pool beside it, but a pool in
which a thorn and a jackass are reflected?

But you remember how once upon a time your heart used to beat, as you
beat on that brass knocker, and whose eyes looked from the window above.
You remember how by that thorn-tree and pool, where the geese were
performing a prodigious evening concert, there might be seen, at a
certain hour, somebody in a certain cloak and bonnet, who happened to
be coming from a village yonder, and whose image has flickered in that
pool. In that pool, near the thorn? Yes, in that goose-pool, never mind
how long ago, when there were reflected the images of the geese--and
two geese more. Here, at least, an oldster may have the advantage of
his young fellow-travellers, and so Putney Heath or the New Road may be
invested with a halo of brightness invisible to them, because it only
beams out of his own soul.

I have been reading the "Memorials of Hood" by his children,* and wonder
whether the book will have the same interest for others and for younger
people, as for persons of my own age and calling. Books of travel to any
country become interesting to us who have been there. Men revisit the
old school, though hateful to them, with ever so much kindliness and
sentimental affection. There was the tree under which the bully licked
you: here the ground where you had to fag out on holidays, and so
forth. In a word, my dear sir, YOU are the most interesting subject
to yourself, of any that can occupy your worship's thoughts. I have no
doubt, a Crimean soldier, reading a history of that siege, and how Jones
and the gallant 99th were ordered to charge or what not, thinks, "Ah,
yes, we of the 100th were placed so and so, I perfectly remember."
So with this memorial of poor Hood, it may have, no doubt, a greater
interest for me than for others, for I was fighting, so to speak, in
a different part of the field, and engaged, a young subaltern, in the
Battle of Life, in which Hood fell, young still, and covered with glory.
"The Bridge of Sighs" was his Corunna, his Heights of Abraham--sickly,
weak, wounded, he fell in the full blaze and fame of that great victory.

     * Memorials of Thomas Hood.  Moxon, 1860. 2 vols.

What manner of man was the genius who penned that famous song? What like
was Wolfe, who climbed and conquered on those famous Heights of Abraham?
We all want to know details regarding men who have achieved famous
feats, whether of war, or wit, or eloquence, or endurance, or knowledge.
His one or two happy and heroic actions take a man's name and memory out
of a crowd of names and memories. Henceforth he stands eminent. We scan
him: we want to know all about him; we walk round and examine him, are
curious, perhaps, and think are we not as strong and tall and capable as
yonder champion; were we not bred as well, and could we not endure
the winter's cold as well as he? Or we look up with all our eyes of
admiration; will find no fault in our hero: declare his beauty and
proportions perfect; his critics envious detractors, and so forth.
Yesterday, before he performed his feat, he was nobody. Who cared about
his birthplace, his parentage, or the color of his hair? To-day, by some
single achievement, or by a series of great actions to which his genius
accustoms us, he is famous, and antiquarians are busy finding out under
what schoolmaster's ferule he was educated, where his grandmother was
vaccinated, and so forth. If half a dozen washing-bills of Goldsmith's
were to be found to-morrow, would they not inspire a general interest,
and be printed in a hundred papers? I lighted upon Oliver, not very long
since, in an old Town and Country Magazine, at the Pantheon masquerade
"in an old English habit." Straightway my imagination ran out to meet
him, to look at him, to follow him about. I forgot the names of scores
of fine gentlemen of the past age, who were mentioned besides. We want
to see this man who has amused and charmed us; who has been our friend,
and given us hours of pleasant companionship and kindly thought. I
protest when I came, in the midst of those names of people of fashion,
and beaux, and demireps, upon those names "Sir J. R-yn-lds, in a domino;
Mr. Cr-d-ck and Dr. G-ldsm-th, in two old English dresses," I had, so
to speak, my heart in my mouth. What, YOU here, my dear Sir Joshua? Ah,
what an honor and privilege it is to see you! This is Mr. Goldsmith? And
very much, sir, the ruff and the slashed doublet become you! O Doctor!
what a pleasure I had and have in reading the Animated Nature. How DID
you learn the secret of writing the decasyllable line, and whence that
sweet wailing note of tenderness that accompanies your song? Was Beau
Tibbs a real man, and will you do me the honor of allowing me to sit at
your table at supper? Don't you think you know how he would have talked?
Would you not have liked to hear him prattle over the champagne?

Now, Hood is passed away--passed off the earth as much as Goldsmith or
Horace. The times in which he lived, and in which very many of us lived
and were young, are changing or changed. I saw Hood once as a young man,
at a dinner which seems almost as ghostly now as that masquerade at the
Pantheon (1772), of which we were speaking anon. It was at a dinner of
the Literary Fund, in that vast apartment which is hung round with the
portraits of very large Royal Freemasons, now unsubstantial ghosts.
There at the end of the room was Hood. Some publishers, I think, were
our companions. I quite remember his pale face; he was thin and deaf,
and very silent; he scarcely opened his lips during the dinner, and he
made one pun. Some gentleman missed his snuff-box, and Hood said,--(the
Freemasons' Tavern was kept, you must remember, by Mr. CUFF in those
days, not by its present proprietors). Well, the box being lost, and
asked for, and CUFF (remember that name) being the name of the landlord,
Hood opened his silent jaws and said * * * Shall I tell you what he
said? It was not a very good pun, which the great punster then made.
Choose your favorite pun out of "Whims and Oddities," and fancy that was
the joke which he contributed to the hilarity of our little table.

Where those asterisks are drawn on the page, you must know, a pause
occurred, during which I was engaged with "Hood's Own," having been
referred to the book by this life of the author which I have just been
reading. I am not going to dissert on Hood's humor; I am not a fair
judge. Have I not said elsewhere that there are one or two wonderfully
old gentlemen still alive who used to give me tips when I was a boy?
I can't be a fair critic about them. I always think of that sovereign,
that rapture of raspberry-tarts, which made my young days happy. Those
old sovereign-contributors may tell stories ever so old, and I shall
laugh; they may commit murder, and I shall believe it was justifiable
homicide. There is my friend Baggs, who goes about abusing me, and of
course our dear mutual friends tell me. Abuse away, mon bon! You were so
kind to me when I wanted kindness, that you may take the change out
of that gold now, and say I am a cannibal and negro, if you will. Ha,
Baggs! Dost thou wince as thou readest this line? Does guilty conscience
throbbing at thy breast tell thee of whom the fable is narrated? Puff
out thy wrath, and, when it has ceased to blow, my Baggs shall be to me
as the Baggs of old--the generous, the gentle, the friendly.

No, on second thoughts, I am determined I will not repeat that joke
which I heard Hood make. He says he wrote these jokes with such ease
that he sent manuscripts to the publishers faster than they could
acknowledge the receipt thereof. I won't say that they were all good
jokes, or that to read a great book full of them is a work at present
altogether jocular. Writing to a friend respecting some memoir of him
which had been published, Hood says, "You will judge how well the author
knows me, when he says my mind is rather serious than comic." At the
time when he wrote these words, he evidently undervalued his own serious
power, and thought that in punning and broad-grinning lay his chief
strength. Is not there something touching in that simplicity and
humility of faith? "To make laugh is my calling," says he; "I must jump,
I must grin, I must tumble, I must turn language head over heels, and
leap through grammar;" and he goes to his work humbly and courageously,
and what he has to do that does he with all his might, through sickness,
through sorrow, through exile, poverty, fever, depression--there he is,
always ready to his work, and with a jewel of genius in his pocket! Why,
when he laid down his puns and pranks, put the motley off, and spoke out
of his heart, all England and America listened with tears and wonder!
Other men have delusions of conceit, and fancy themselves greater than
they are, and that the world slights them. Have we not heard how Liston
always thought he ought to play Hamlet? Here is a man with a power
to touch the heart almost unequalled, and he passes days and years
in writing, "Young Ben he was a nice young man," and so forth. To
say truth, I have been reading in a book of "Hood's Own" until I am
perfectly angry. "You great man, you good man, you true genius and
poet," I cry out, as I turn page after page. "Do, do, make no more of
these jokes, but be yourself, and take your station."

When Hood was on his death-bed, Sir Robert Peel, who only knew of his
illness, not of his imminent danger, wrote to him a noble and touching
letter, announcing that a pension was conferred on him:


"I am more than repaid," writes Peel, "by the personal satisfaction
which I have had in doing that for which you return me warm and
characteristic acknowledgments.

"You perhaps think that you are known to one with such multifarious
occupations as myself, merely by general reputation as an author; but
I assure you that there can be little, which you have written and
acknowledged, which I have not read; and that there are few who can
appreciate and admire more than myself, the good sense and good feeling
which have taught you to infuse so much fun and merriment into writings
correcting folly and exposing absurdities, and yet never trespassing
beyond those limits within which wit and facetiousness are not very
often confined. You may write on with the consciousness of independence,
as free and unfettered, as if no communication had ever passed between
us. I am not conferring a private obligation upon you, but am fulfilling
the intentions of the legislature, which has placed at the disposal of
the Crown a certain sum (miserable, indeed, in amount) to be applied to
the recognition of public claims on the bounty of the Crown. If you will
review the names of those whose claims have been admitted on account
of their literary or scientific eminence, you will find an ample
confirmation of the truth of my statement.

"One return, indeed, I shall ask of you,--that you will give me the
opportunity of making your personal acquaintance."


And Hood, writing to a friend, enclosing a copy of Peel's letter, says,
"Sir R. Peel came from Burleigh on Tuesday night, and went down to
Brighton on Saturday. If he had written by post, I should not have it
till to-day. So he sent his servant with the enclosed on SATURDAY NIGHT;
another mark of considerate attention." He is frightfully unwell, he
continues: his wife says he looks QUITE GREEN; but ill as he is, poor
fellow, "his well is not dry. He has pumped out a sheet of Christmas
fun, is drawing some cuts, and shall write a sheet more of his novel."

Oh, sad, marvellous picture of courage, of honesty, of patient
endurance, of duty struggling against pain! How noble Peel's figure is
standing by that sick-bed! how generous his words, how dignified and
sincere his compassion! And the poor dying man, with a heart full of
natural gratitude towards his noble benefactor, must turn to him and
say--"If it be well to be remembered by a Minister, it is better still
not to be forgotten by him in a 'hurly Burleigh!'" Can you laugh? Is not
the joke horribly pathetic from the poor dying lips? As dying Robin Hood
must fire a last shot with his bow--as one reads of Catholics on their
death-beds putting on a Capuchin dress to go out of the world--here is
poor Hood at his last hour putting on his ghastly motley, and uttering
one joke more.

He dies, however, in dearest love and peace with his children, wife,
friends; to the former especially his whole life had been devoted,
and every day showed his fidelity, simplicity, and affection. In going
through the record of his most pure, modest, honorable life, and living
along with him, you come to trust him thoroughly, and feel that here is
a most loyal, affectionate, and upright soul, with whom you have been
brought into communion. Can we say as much of the lives of all men of
letters? Here is one at least without guile, without pretension, without
scheming, of a pure life, to his family and little modest circle of
friends tenderly devoted.

And what a hard work, and what a slender reward! In the little domestic
details with which the book abounds, what a simple life is shown to us!
The most simple little pleasures and amusements delight and occupy him.
You have revels on shrimps; the good wife making the pie; details about
the maid, and criticisms on her conduct; wonderful tricks played with
the plum-pudding--all the pleasures centring round the little humble
home. One of the first men of his time, he is appointed editor of a
Magazine at a salary of 300L. per annum, signs himself exultingly "Ed.
N. M. M.," and the family rejoice over the income as over a fortune. He
goes to a Greenwich dinner--what a feast and a rejoicing afterwards!--


"Well, we drank 'the Boz' with a delectable clatter, which drew from him
a good warm-hearted speech. . . . He looked very well, and had a younger
brother along with him. . . . Then we had songs. Barham chanted a Robin
Hood ballad, and Cruikshank sang a burlesque ballad of Lord H----; and
somebody, unknown to me, gave a capital imitation of a French
showman. Then we toasted Mrs. Boz, and the Chairman, and Vice, and the
Traditional Priest sang the 'Deep deep sea,' in his deep deep voice; and
then we drank to Procter, who wrote the said song; also Sir J. Wilson's
good health, and Cruikshank's, and Ainsworth's: and a Manchester friend
of the latter sang a Manchester ditty, so full of trading stuff, that
it really seemed to have been not composed, but manufactured. Jerdan, as
Jerdanish as usual on such occasions--you know how paradoxically he
is QUITE AT HOME in DINING OUT. As to myself, I had to make my SECOND
MAIDEN SPEECH, for Mr. Monckton Milnes proposed my health in terms my
modesty might allow me to repeat to YOU, but my memory won't. However,
I ascribed the toast to my notoriously bad health, and assured them
that their wishes had already improved it--that I felt a brisker
circulation--a more genial warmth about the heart, and explained that a
certain trembling of my hand was not from palsy, or my old ague, but an
inclination in my hand to shake itself with every one present. Whereupon
I had to go through the friendly ceremony with as many of the company
as were within reach, besides a few more who came express from the other
end of the table. VERY gratifying, wasn't it? Though I cannot go quite
so far as Jane, who wants me to have that hand chopped off, bottled,
and preserved in spirits. She was sitting up for me, very anxiously, as
usual when I go out, because I am so domestic and steady, and was down
at the door before I could ring at the gate, to which Boz kindly sent
me in his own carriage. Poor girl! what WOULD she do if she had a wild
husband instead of a tame one?"


And the poor anxious wife is sitting up, and fondles the hand which has
been shaken by so many illustrious men! The little feast dates back only
eighteen years, and yet somehow it seems as distant as a dinner at Mr.
Thrale's, or a meeting at Will's.

Poor little gleam of sunshine! very little good cheer enlivens that sad
simple life. We have the triumph of the Magazine: then a new Magazine
projected and produced: then illness and the last scene, and the kind
Peel by the dying man's bedside speaking noble words of respect and
sympathy, and soothing the last throbs of the tender honest heart.

I like, I say, Hood's life even better than his books, and I wish, with
all my heart, Monsieur et cher confrere, the same could be said for both
of us, when the inkstream of our life hath ceased to run. Yes: if I drop
first, dear Baggs, I trust you may find reason to modify some of the
unfavorable views of my character, which you are freely imparting to
our mutual friends. What ought to be the literary man's point of honor
now-a-days? Suppose, friendly reader, you are one of the craft, what
legacy would you like to leave to your children? First of all (and by
heaven's gracious help) you would pray and strive to give them such an
endowment of love, as should last certainly for all their lives, and
perhaps be transmitted to their children. You would (by the same aid and
blessing) keep your honor pure, and transmit a name unstained to those
who have a right to bear it. You would,--though this faculty of giving
is one of the easiest of the literary man's qualities--you would, out of
your earnings, small or great, be able to help a poor brother in need,
to dress his wounds, and, if it were but twopence, to give him succor.
Is the money which the noble Macaulay gave to the poor lost to his
family? God forbid. To the loving hearts of his kindred is it not rather
the most precious part of their inheritance? It was invested in love and
righteous doing, and it bears interest in heaven. You will, if letters
be your vocation, find saving harder than giving and spending. To save
be your endeavor, too, against the night's coming when no man may work;
when the arm is weary with the long day's labor; when the brain perhaps
grows dark; when the old, who can labor no more, want warmth and rest,
and the young ones call for supper.


I copied the little galley-slave who is made to figure in the initial
letter of this paper, from a quaint old silver spoon which we purchased
in a curiosity-shop at the Hague.* It is one of the gift spoons so
common in Holland, and which have multiplied so astonishingly of late
years at our dealers' in old silverware. Along the stem of the spoon are
written the words: "Anno 1609, Bin ick aldus ghekledt gheghaen"--"In
the year 1609 I went thus clad." The good Dutchman was released from
his Algerine captivity (I imagine his figure looks like that of a slave
amongst the Moors), and in his thank-offering to some godchild at home,
he thus piously records his escape.

     * This refers to an illustrated edition of the work.

Was not poor Cervantes also a captive amongst the Moors? Did not
Fielding, and Goldsmith, and Smollett, too, die at the chain as well
as poor Hood? Think of Fielding going on board his wretched ship in
the Thames, with scarce a hand to bid him farewell; of brave Tobias
Smollett, and his life, how hard, and how poorly rewarded; of Goldsmith,
and the physician whispering, "Have you something on your mind?" and
the wild dying eyes answering, "Yes." Notice how Boswell speaks of
Goldsmith, and the splendid contempt with which he regards him. Read
Hawkins on Fielding, and the scorn with which Dandy Walpole and Bishop
Hurd speak of him. Galley-slaves doomed to tug the oar and wear the
chain, whilst my lords and dandies take their pleasure, and hear fine
music and disport with fine ladies in the cabin!

But stay. Was there any cause for this scorn? Had some of these great
men weaknesses which gave inferiors advantage over them? Men of letters
cannot lay their hands on their hearts, and say, "No, the fault was
fortune's, and the indifferent world's, not Goldsmith's nor Fielding's."
There was no reason why Oliver should always be thriftless; why Fielding
and Steele should sponge upon their friends; why Sterne should make love
to his neighbors' wives. Swift, for a long time, was as poor as any wag
that ever laughed: but he owed no penny to his neighbors: Addison, when
he wore his most threadbare coat, could hold his head up, and maintain
his dignity: and, I dare vouch, neither of those gentlemen, when they
were ever so poor, asked any man alive to pity their condition, and
have a regard to the weaknesses incidental to the literary profession.
Galley-slave, forsooth! If you are sent to prison for some error for
which the law awards that sort of laborious seclusion, so much the more
shame for you. If you are chained to the oar a prisoner of war, like
Cervantes, you have the pain, but not the shame, and the friendly
compassion of mankind to reward you. Galley-slaves, indeed! What man
has not his oar to pull? There is that wonderful old stroke-oar in the
Queen's galley. How many years has he pulled? Day and night, in rough
water or smooth, with what invincible vigor and surprising gayety he
plies his arms. There is in the same Galere Capitaine, that well-known,
trim figure, the bow-oar; how he tugs, and with what a will! How both of
them have been abused in their time! Take the Lawyer's galley, and
that dauntless octogenarian in command; when has HE ever complained or
repined about his slavery? There is the Priest's galley--black and
lawn sails--do any mariners out of Thames work harder? When lawyer, and
statesman, and divine, and writer are snug in bed, there is a ring
at the poor Doctor's bell. Forth he must go, in rheumatism or snow; a
galley-slave bearing his galley-pots to quench the flames of fever, to
succor mothers and young children in their hour of peril, and, as gently
and soothingly as may be, to carry the hopeless patient over to the
silent shore. And have we not just read of the actions of the Queen's
galleys and their brave crews in the Chinese waters? Men not more worthy
of human renown and honor to-day in their victory, than last year in
their glorious hour of disaster. So with stout hearts may we ply the
oar, messmates all, till the voyage is over, and the Harbor of Rest is
found.




ROUND ABOUT THE CHRISTMAS TREE.


The kindly Christmas tree, from which I trust every gentle reader has
pulled a bonbon or two, is yet all aflame whilst I am writing, and
sparkles with the sweet fruits of its season. You young ladies, may you
have plucked pretty giftlings from it; and out of the cracker sugarplum
which you have split with the captain or the sweet young curate may
you have read one of those delicious conundrums which the confectioners
introduce into the sweetmeats, and which apply to the cunning passion of
love. Those riddles are to be read at YOUR age, when I dare say they are
amusing. As for Dolly, Merry, and Bell, who are standing at the
tree, they don't care about the love-riddle part, but understand the
sweet-almond portion very well. They are four, five, six years old.
Patience, little people! A dozen merry Christmases more, and you will be
reading those wonderful love-conundrums, too. As for us elderly folks,
we watch the babies at their sport, and the young people pulling at
the branches: and instead of finding bonbons or sweeties in the packets
which WE pluck off the boughs, we find enclosed Mr. Carnifex's review of
the quarter's meat; Mr. Sartor's compliments, and little statement for
self and the young gentlemen; and Madame de Sainte-Crinoline's respects
to the young ladies, who encloses her account, and will send on
Saturday, please; or we stretch our hand out to the educational branch
of the Christmas tree, and there find a lively and amusing article
from the Rev. Henry Holyshade, containing our dear Tommy's exceedingly
moderate account for the last term's school expenses.

The tree yet sparkles, I say. I am writing on the day before Twelfth
Day, if you must know; but already ever so many of the fruits have been
pulled, and the Christmas lights have gone out. Bobby Miseltow, who has
been staying with us for a week (and who has been sleeping mysteriously
in the bathroom), comes to say he is going away to spend the rest of the
holidays with his grandmother--and I brush away the manly tear of regret
as I part with the dear child. "Well, Bob, good-by, since you WILL go.
Compliments to grandmamma. Thank her for the turkey. Here's--" (A slight
pecuniary transaction takes place at this juncture, and Bob nods and
winks, and puts his hand in his waistcoat pocket.). "You have had a
pleasant week?"

BOB.--"Haven't I!" (And exit, anxious to know the amount of the coin
which has just changed hands.)

He is gone, and as the dear boy vanishes through the door (behind
which I see him perfectly), I too cast up a little account of our past
Christmas week. When Bob's holidays are over, and the printer has sent
me back this manuscript, I know Christmas will be an old story. All
the fruit will be off the Christmas tree then; the crackers will have
cracked off; the almonds will have been crunched; and the sweet-bitter
riddles will have been read; the lights will have perished off the
dark green boughs; the toys growing on them will have been distributed,
fought for, cherished, neglected, broken. Ferdinand and Fidelia will
each keep out of it (be still, my gushing heart!) the remembrance of
a riddle read together, of a double-almond munched together, and the
moiety of an exploded cracker. . . . The maids, I say, will have taken
down all that holly stuff and nonsense about the clocks, lamps, and
looking-glasses, the dear boys will be back at school, fondly thinking
of the pantomime-fairies whom they have seen; whose gaudy gossamer wings
are battered by this time; and whose pink cotton (or silk is it?) lower
extremities are all dingy and dusty. Yet but a few days, Bob, and
flakes of paint will have cracked off the fairy flower-bowers, and the
revolving temples of adamantine lustre will be as shabby as the city
of Pekin. When you read this, will Clown still be going on lolling his
tongue out of his month, and saying, "How are you to-morrow?" Tomorrow,
indeed! He must be almost ashamed of himself (if that cheek is
still capable of the blush of shame) for asking the absurd question.
To-morrow, indeed! To-morrow the diffugient snows will give place to
Spring; the snowdrops will lift their heads; Ladyday may be expected,
and the pecuniary duties peculiar to that feast; in place of bonbons,
trees will have an eruption of light green knobs; the whitebait season
will bloom . . . as if one need go on describing these vernal phenomena,
when Christmas is still here, though ending, and the subject of my
discourse!

We have all admired the illustrated papers, and noted how
boisterously jolly they become at Christmas time. What wassail-bowls,
robin-redbreasts, waits, snow landscapes, bursts of Christmas song! And
then to think that these festivities are prepared months before--that
these Christmas pieces are prophetic! How kind of artists and poets
to devise the festivities beforehand, and serve them pat at the proper
time! We ought to be grateful to them, as to the cook who gets up at
midnight and sets the pudding a-boiling, which is to feast us at six
o'clock. I often think with gratitude of the famous Mr. Nelson Lee--the
author of I don't know how many hundred glorious pantomimes--walking by
the summer wave at Margate, or Brighton perhaps, revolving in his mind
the idea of some new gorgeous spectacle of faery, which the winter shall
see complete. He is like cook at midnight (si parva licet). He watches
and thinks. He pounds the sparkling sugar of benevolence, the plums
of fancy, the sweetmeats of fun, the figs of--well, the figs of fairy
fiction, let us say, and pops the whole in the seething caldron of
imagination, and at due season serves up THE PANTOMIME.

Very few men in the course of nature can expect to see ALL the
pantomimes in one season, but I hope to the end of my life I shall never
forego reading about them in that delicious sheet of The Times which
appears on the morning after Boxing-day. Perhaps reading is even better
than seeing. The best way, I think, is to say you are ill, lie in bed,
and have the paper for two hours, reading all the way down from Drury
Lane to the Britannia at Hoxton. Bob and I went to two pantomimes. One
was at the Theatre of Fancy, and the other at the Fairy Opera, and I
don't know which we liked the best.

At the Fancy, we saw "Harlequin Hamlet, or Daddy's Ghost and Nunky's
Pison," which is all very well--but, gentlemen, if you don't respect
Shakspeare, to whom will you be civil? The palace and ramparts of
Elsinore by moon and snowlight is one of Loutherbourg's finest efforts.
The banqueting hall of the palace is illuminated: the peaks and gables
glitter with the snow: the sentinels march blowing their fingers with
the cold--the freezing of the nose of one of them is very neatly and
dexterously arranged: the snow-storm rises: the winds howl awfully along
the battlements: the waves come curling, leaping, foaming to shore.
Hamlet's umbrella is whirled away in the storm. He and his two friends
stamp on each other's toes to keep them warm. The storm-spirits rise
in the air, and are whirled howling round the palace and the rocks. My
eyes! what tiles and chimney-pots fly hurtling through the air! As
the storm reaches its height (here the wind instruments come in with
prodigious effect, and I compliment Mr. Brumby and the violoncellos)--as
the snow-storm rises, (queek, queek, queek, go the fiddles, and then
thrumpty thrump comes a pizzicato movement in Bob Major, which sends
a shiver into your very boot-soles,) the thunder-clouds deepen (bong,
bong, bong, from the violoncellos). The forked lightning quivers through
the clouds in a zig-zag scream of violins--and look, look, look! as the
frothing, roaring waves come rushing up the battlements, and over
the reeling parapet, each hissing wave becomes a ghost, sends the
gun-carriages rolling over the platform, and plunges howling into the
water again.

Hamlet's mother comes on to the battlements to look for her son. The
storm whips her umbrella out of her hands, and she retires screaming in
pattens.

The cabs on the stand in the great market-place at Elsinore are seen
to drive off, and several people are drowned. The gas-lamps along
the street are wrenched from their foundations, and shoot through the
troubled air. Whist, rush, hish! how the rain roars and pours! The
darkness becomes awful, always deepened by the power of the music--and
see--in the midst of a rush, and whirl, and scream of spirits of air
and wave--what is that ghastly figure moving hither? It becomes bigger,
bigger, as it advances down the platform--more ghastly, more horrible,
enormous! It is as tall as the whole stage. It seems to be advancing
on the stalls and pit, and the whole house screams with terror, as the
GHOST OF THE LATE HAMLET comes in, and begins to speak. Several people
faint, and the light-fingered gentry pick pockets furiously in the
darkness.

In the pitchy darkness, this awful figure throwing his eyes about,
the gas in the boxes shuddering out of sight, and the wind-instruments
bugling the most horrible wails, the boldest spectator must have felt
frightened. But hark! what is that silver shimmer of the fiddles! Is
it--can it be--the gray dawn peeping in the stormy east? The ghost's
eyes look blankly towards it, and roll a ghastly agony. Quicker, quicker
ply the violins of Phoebus Apollo. Redder, redder grow the orient
clouds. Cockadoodledoo! crows that great cock which has just come out
on the roof of the palace. And now the round sun himself pops up from
behind the waves of night. Where is the ghost? He is gone! Purple
shadows of morn "slant o'er the snowy sward," the city wakes up in
life and sunshine, and we confess we are very much relieved at
the disappearance of the ghost. We don't like those dark scenes in
pantomimes.

After the usual business, that Ophelia should be turned into Columbine
was to be expected; but I confess I was a little shocked when Hamlet's
mother became Pantaloon, and was instantly knocked down by Clown
Claudius. Grimaldi is getting a little old now, but for real humor there
are few clowns like him. Mr. Shuter, as the grave-digger, was chaste and
comic, as he always is, and the scene-painters surpassed themselves.

"Harlequin Conqueror and the Field of Hastings," at the other house, is
very pleasant too. The irascible William is acted with great vigor by
Snoxall, and the battle of Hastings is a good piece of burlesque. Some
trifling liberties are taken with history, but what liberties will not
the merry genius of pantomime permit himself? At the battle of Hastings,
William is on the point of being defeated by the Sussex volunteers, very
elegantly led by the always pretty Miss Waddy (as Haco Sharpshooter),
when a shot from the Normans kills Harold. The fairy Edith hereupon
comes forward, and finds his body, which straightway leaps up a live
harlequin, whilst the Conqueror makes an excellent clown, and the
Archbishop of Bayeux a diverting pantaloon, &c. &c. &c.

Perhaps these are not the pantomimes we really saw; but one description
will do as well as another. The plots, you see, are a little intricate
and difficult to understand in pantomimes; and I may have mixed up one
with another. That I was at the theatre on Boxing-night is certain--but
the pit was so full that I could only see fairy legs glittering in the
distance, as I stood at the door. And if I was badly off, I think there
was a young gentleman behind me worse off still. I own that he has good
reason (though others have not) to speak ill of me behind my back, and
hereby beg his pardon.

Likewise to the gentleman who picked up a party in Piccadilly, who had
slipped and fallen in the snow, and was there on his back, uttering
energetic expressions; that party begs to offer thanks, and compliments
of the season.

Bob's behavior on New Year's day, I can assure Dr. Holyshade, was highly
creditable to the boy. He had expressed a determination to partake of
every dish which was put on the table; but after soup, fish, roast-beef,
and roast-goose, he retired from active business until the pudding and
mince-pies made their appearance, of which he partook liberally, but not
too freely. And he greatly advanced in my good opinion by praising the
punch, which was of my own manufacture, and which some gentlemen present
(Mr. O'M--g--n, amongst others) pronounced to be too weak. Too weak!
A bottle of rum, a bottle of Madeira, half a bottle of brandy, and two
bottles and a half of water--CAN this mixture be said to be too weak for
any mortal? Our young friend amused the company during the evening by
exhibiting a two-shilling magic-lantern, which he had purchased, and
likewise by singing "Sally, come up!" a quaint, but rather monotonous
melody, which I am told is sung by the poor negro on the banks of the
broad Mississippi.

What other enjoyments did we proffer for the child's amusement during
the Christmas week? A great philosopher was giving a lecture to young
folks at the British Institution. But when this diversion was proposed
to our young friend Bob, he said, "Lecture? No, thank you. Not as I
knows on," and made sarcastic signals on his nose. Perhaps he is of Dr.
Johnson's opinion about lectures: "Lectures, sir! what man would go to
hear that imperfectly at a lecture, which he can read at leisure in a
book?" I never went, of my own choice, to a lecture; that I can vow. As
for sermons, they are different; I delight in them, and they cannot, of
course, be too long.

Well, we partook of yet other Christmas delights besides pantomime,
pudding, and pie. One glorious, one delightful, one most unlucky and
pleasant day, we drove in a brougham, with a famous horse, which carried
us more quickly and briskly than any of your vulgar railways, over
Battersea Bridge, on which the horse's hoofs rung as if it had been
iron; through suburban villages, plum-caked with snow; under a leaden
sky, in which the sun hung like a red-hot warming-pan; by pond after
pond, where not only men and boys, but scores after scores of women and
girls, were sliding, and roaring, and clapping their lean old sides with
laughter, as they tumbled down, and their hobnailed shoes flew up in
the air; the air frosty with a lilac haze, through which villas, and
commons, and churches, and plantations glimmered. We drive up the hill,
Bob and I; we make the last two miles in eleven minutes; we pass that
poor, armless man who sits there in the cold, following you with his
eyes. I don't give anything, and Bob looks disappointed. We are set down
neatly at the gate, and a horse-holder opens the brougham door. I don't
give anything; again disappointment on Bob's part. I pay a shilling
apiece, and we enter into the glorious building, which is decorated for
Christmas, and straight-way forgetfulness on Bob's part of everything
but that magnificent scene. The enormous edifice is all decorated for
Bob and Christmas. The stalls, the columns, the fountains, courts,
statues, splendors, are all crowned for Christmas. The delicious negro
is singing his Alabama choruses for Christmas and Bob. He has scarcely
done, when, Tootarootatoo! Mr. Punch is performing his surprising
actions, and hanging the beadle. The stalls are decorated. The
refreshment-tables are piled with good things; at many fountains "MULLED
CLARET" is written up in appetizing capitals. "Mulled Claret--oh, jolly!
How cold it is!" says Bob; I pass on. "It's only three o'clock," says
Bob. "No, only three," I say, meekly. "We dine at seven," sighs Bob,
"and it's so-o-o coo-old." I still would take no hints. No claret,
no refreshment, no sandwiches, no sausage-rolls for Bob. At last I am
obliged to tell him all. Just before we left home, a little Christmas
bill popped in at the door and emptied my purse at the threshold. I
forgot all about the transaction, and had to borrow half a crown from
John Coachman to pay for our entrance into the palace of delight. NOW
you see, Bob, why I could not treat you on that second of January when
we drove to the palace together; when the girls and boys were sliding on
the ponds at Dulwich; when the darkling river was full of floating ice,
and the sun was like a warming-pan in the leaden sky.

One more Christmas sight we had, of course; and that sight I think I
like as well as Bob himself at Christmas, and at all seasons. We went to
a certain garden of delight, where, whatever your cares are, I think you
can manage to forget some of them, and muse, and be not unhappy; to a
garden beginning with a Z, which is as lively as Noah's ark; where the
fox has brought his brush, and the cock has brought his comb, and the
elephant has brought his trunk, and the kangaroo has brought his bag,
and the condor his old white wig and black satin hood. On this day it
was so cold that the white bears winked their pink eyes, as they plapped
up and down by their pool, and seemed to say, "Aha, this weather reminds
us of our dear home!" "Cold! bah! I have got such a warm coat," says
brother Bruin, "I don't mind;" and he laughs on his pole, and clucks
down a bun. The squealing hyaenas gnashed their teeth and laughed at us
quite refreshingly at their window; and, cold as it was, Tiger, Tiger,
burning bright, glared at us red-hot through his bars, and snorted
blasts of hell. The woolly camel leered at us quite kindly as he paced
round his ring on his silent pads. We went to our favorite places.
Our dear wambat came up, and had himself scratched very affably. Our
fellow-creatures in the monkey-room held out their little black hands,
and piteously asked us for Christmas alms. Those darling alligators on
their rock winked at us in the most friendly way. The solemn eagles
sat alone, and scowled at us from their peaks; whilst little Tom Ratel
tumbled over head and heels for us in his usual diverting manner. If I
have cares in my mind, I come to the Zoo, and fancy they don't pass
the gate. I recognize my friends, my enemies, in countless cages.
I entertained the eagle, the vulture, the old billy-goat, and the
black-pated, crimson-necked, blear-eyed, baggy, hook-beaked old marabou
stork yesterday at dinner; and when Bob's aunt came to tea in the
evening, and asked him what he had seen, he stepped up to her gravely,
and said--

     "First I saw the white bear, then I saw the black,
     Then I saw the camel with a hump upon his back.

Chorus of children:

     Then I saw the camel with a HUMP upon his back!

     Then I saw the gray wolf, with mutton in his maw;
     Then I saw the wambat waddle in the straw;
     Then I saw the elephant with his waving trunk,
     Then I saw the monkeys--mercy, how unpleasantly they--smelt!"

There. No one can beat that piece of wit, can he, Bob? And so it is
all over; but we had a jolly time, whilst you were with us, hadn't we?
Present my respects to the doctor; and I hope, my boy, we may spend
another merry Christmas next year.




ON A CHALK-MARK ON THE DOOR


On the doorpost of the house of a friend of mine, a few inches above
the lock, is a little chalk-mark which some sportive boy in passing has
probably scratched on the pillar. The door-steps, the lock, handle, and
so forth, are kept decently enough; but this chalk-mark, I suppose some
three inches out of the housemaid's beat, has already been on the door
for more than a fortnight, and I wonder whether it will be there whilst
this paper is being written, whilst it is at the printer's, and, in
fine, until the month passes over? I wonder whether the servants in that
house will read these remarks about the chalkmark? That the Cornhill
Magazine is taken in in that house I know. In fact I have seen it there.
In fact I have read it there. In fact I have written it there. In
a word, the house to which I allude is mine--the "editor's private
residence," to which, in spite of prayers, entreaties, commands, and
threats, authors, and ladies especially, WILL send their communications,
although they won't understand that they injure their own interests by
so doing; for how is a man who has his own work to do, his own exquisite
inventions to form and perfect--Maria to rescue from the unprincipled
Earl--the atrocious General to confound in his own machinations--the
angelic Dean to promote to a bishopric, and so forth--how is a man to do
all this, under a hundred interruptions, and keep his nerves and temper
in that just and equable state in which they ought to be when he comes
to assume the critical office? As you will send here, ladies, I must
tell you you have a much worse chance than if you forward your valuable
articles to Cornhill. Here your papers arrive, at dinner-time, we
will say. Do you suppose that is a pleasant period, and that we are
to criticise you between the ovum and malum, between the soup and the
dessert? I have touched, I think, on this subject before. I say again,
if you want real justice shown you, don't send your papers to the
private residence. At home, for instance, yesterday, having given
strict orders that I was to receive nobody, "except on business," do you
suppose a smiling young Scottish gentleman, who forced himself into my
study, and there announced himself as agent of a Cattle-food Company,
was received with pleasure? There, as I sat in my arm-chair, suppose he
had proposed to draw a couple of my teeth, would I have been pleased? I
could have throttled that agent. I dare say the whole of that day's
work will be found tinged with a ferocious misanthropy, occasioned by my
clever young friend's intrusion. Cattle-food, indeed! As if beans, oats,
warm mashes, and a ball, are to be pushed down a man's throat just as
he is meditating on the great social problem, or (for I think it was my
epic I was going to touch up) just as he was about to soar to the height
of the empyrean!

Having got my cattle-agent out of the door, I resume my consideration of
that little mark on the doorpost, which is scored up as the text of the
present little sermon; and which I hope will relate, not to chalk, nor
to any of its special uses or abuses (such as milk, neck-powder, and the
like), but to servants. Surely ours might remove that unseemly little
mark. Suppose it were on my coat, might I not request its removal?
I remember, when I was at school, a little careless boy, upon whose
forehead an ink-mark remained, and was perfectly recognizable for
three weeks after its first appearance. May I take any notice of this
chalk-stain on the forehead of my house? Whose business is it to wash
that forehead? and ought I to fetch a brush and a little hot water, and
wash it off myself?

Yes. But that spot removed, why not come down at six, and wash the
doorsteps? I dare say the early rising and exercise would do me a great
deal of good. The housemaid, in that case, might lie in bed a little
later, and have her tea and the morning paper brought to her in bed:
then, of course, Thomas would expect to be helped about the boots and
knives; cook about the saucepans, dishes, and what not; the lady's-maid
would want somebody to take the curl-papers out of her hair, and get
her bath ready. You should have a set of servants for the servants,
and these under servants should have slaves to wait on them. The king
commands the first lord in waiting to desire the second lord to intimate
to the gentleman usher to request the page of the ante-chamber to
entreat the groom of the stairs to implore John to ask the captain of
the buttons to desire the maid of the still-room to beg the housekeeper
to give out a few more lumps of sugar, as his Majesty has none for his
coffee, which probably is getting cold during the negotiation. In our
little Brentfords we are all kings, more or less. There are orders,
gradations, hierarchies, everywhere. In your house and mine there are
mysteries unknown to us. I am not going in to the horrid old question
of "followers." I don't mean cousins from the country, love-stricken
policemen, or gentlemen in mufti from Knightsbridge Barracks; but people
who have an occult right on the premises; the uncovenanted servants
of the house; gray women who are seen at evening with baskets flitting
about area-railings; dingy shawls which drop you furtive curtsies in
your neighborhood; demure little Jacks, who start up from behind boxes
in the pantry. Those outsiders wear Thomas's crest and livery, and call
him "Sir;" those silent women address the female servants as "Mum," and
curtsy before them, squaring their arms over their wretched lean aprons.
Then, again, those servi servorum have dependants in the vast, silent,
poverty-stricken world outside your comfortable kitchen fire, in the
world of darkness, and hunger, and miserable cold, and dank, flagged
cellars, and huddled straw, and rags, in which pale children are
swarming. It may be your beer (which runs with great volubility) has a
pipe or two which communicates with those dark caverns where hopeless
anguish pours the groan, and would scarce see light but for a scrap or
two of candle which has been whipped away from your worship's kitchen.
Not many years ago--I don't know whether before or since that white
mark was drawn on the door--a lady occupied the confidential place of
housemaid in this "private residence," who brought a good character,
who seemed to have a cheerful temper, whom I used to hear clattering and
bumping overhead or on the stairs long before daylight--there, I say,
was poor Camilla, scouring the plain, trundling and brushing, and
clattering with her pans and brooms, and humming at her work. Well,
she had established a smuggling communication of beer over the area
frontier. This neat-handed Phyllis used to pack up the nicest baskets
of my provender, and convey them to somebody outside--I believe, on my
conscience, to some poor friend in distress. Camilla was consigned to
her doom. She was sent back to her friends in the country; and when she
was gone we heard of many of her faults. She expressed herself, when
displeased, in language that I shall not repeat. As for the beer and
meat, there was no mistake about them. But apres? Can I have the heart
to be very angry with that poor jade for helping another poorer jade out
of my larder? On your honor and conscience, when you were a boy, and
the apples looked temptingly over Farmer Quarringdon's hedge, did you
never--? When there was a grand dinner at home, and you were sliding,
with Master Bacon, up and down the stairs, and the dishes came out, did
you ever do such a thing as just to--? Well, in many and many a respect
servants are like children. They are under domination. They are subject
to reproof, to ill temper, to petty exactions and stupid tyrannies not
seldom. They scheme, conspire, fawn, and are hypocrites. "Little boys
should not loll on chairs." "Little girls should be seen, and not
heard;" and so forth. Have we not almost all learnt these expressions of
old foozles: and uttered them ourselves when in the square-toed state?
The Eton master, who was breaking a lance with our Paterfamilias of
late, turned on Paterfamilias, saying, He knows not the nature and
exquisite candor of well-bred English boys. Exquisite fiddlestick's
end, Mr. Master! Do you mean for to go for to tell us that the relations
between young gentlemen and their schoolmasters are entirely frank and
cordial; that the lad is familiar with the man who can have him flogged;
never shirks his exercise; never gets other boys to do his verses; never
does other boys' verses; never breaks bounds; never tells fibs--I
mean the fibs permitted by scholastic honor? Did I know of a boy who
pretended to such a character, I would forbid my scapegraces to keep
company with him. Did I know a schoolmaster who pretended to believe
in the existence of many hundred such boys in one school at one time,
I would set that man down as a baby in knowledge of the world. "Who was
making that noise?" "I don't know, sir."--And he knows it was the boy
next him in school. "Who was climbing over that wall?" "I don't know,
sir."--And it is in the speaker's own trousers, very likely, the glass
bottle-tops have left their cruel scars. And so with servants. "Who ate
up the three pigeons which went down in the pigeon-pie at breakfast this
morning?" "O dear me! sir, it was John, who went away last month!"--or,
"I think it was Miss Mary's canary-bird, which got out of the cage, and
is so fond of pigeons, it never can have enough of them." Yes, it WAS
the canary-bird; and Eliza saw it; and Eliza is ready to vow she did.
These statements are not true; but please don't call them lies. This is
not lying; this is voting with your party. You MUST back your own side.
The servants'-hall stands by the servants'-hall against the dining-room.
The schoolboys don't tell tales of each other. They agree not to choose
to know who has made the noise, who has broken the window, who has eaten
up the pigeons, who has picked all the plovers'-eggs out of the aspic,
how it is that liqueur brandy of Gledstane's is in such porous glass
bottles---and so forth. Suppose Brutus had a footman, who came and told
him that the butler drank the Curacoa, which of these servants would you
dismiss?--the butler, perhaps, but the footman certainly.

No. If your plate and glass are beautifully bright, your bell quickly
answered, and Thomas ready, neat, and good-humored, you are not to
expect absolute truth from him. The very obsequiousness and perfection
of his service prevents truth. He may be ever so unwell in mind or body,
and he must go through his service--hand the shining plate, replenish
the spotless glass, lay the glittering fork--never laugh when you
yourself or your guests joke--be profoundly attentive, and yet look
utterly impassive--exchange a few hurried curses at the door with that
unseen slavey who ministers without, and with you be perfectly calm and
polite. If you are ill, he will come twenty times in an hour to your
bell; or leave the girl of his heart--his mother, who is going to
America--his dearest friend, who has come to say farewell--his lunch,
and his glass of beer just freshly poured out--any or all of these, if
the door-bell rings, or the master calls out "THOMAS" from the hall. Do
you suppose you can expect absolute candor from a man whom you may order
to powder his hair? As between the Rev. Henry Holyshade and his pupil,
the idea of entire unreserve is utter bosh; so the truth as between
you and Jeames or Thomas, or Mary the housemaid, or Betty the cook,
is relative, and not to be demanded on one side or the other. Why,
respectful civility is itself a lie, which poor Jeames often has to
utter or perform to many a swaggering vulgarian, who should black
Jeames's boots, did Jeames wear them and not shoes. There is your little
Tom, just ten, ordering the great, large, quiet, orderly young man
about--shrieking calls for hot water--bullying Jeames because the boots
are not varnished enough, or ordering him to go to the stables, and ask
Jenkins why the deuce Tomkins hasn't brought his pony round--or what you
will. There is mamma rapping the knuckles of Pincot the lady's-maid,
and little Miss scolding Martha, who waits up five pair of stairs in the
nursery. Little Miss, Tommy, papa, mamma, you all expect from Martha,
from Pincot, from Jenkins, from Jeames, obsequious civility and willing
service. My dear, good people, you can't have truth too. Suppose you ask
for your newspaper, and Jeames says, "I'm reading it, and jest beg not
to be disturbed;" or suppose you ask for a can of water, and he remarks,
"You great, big, 'ulking fellar, ain't you big enough to bring it
hup yoursulf?" what would your feelings be? Now, if you made similar
proposals or requests to Mr. Jones next door, this is the kind of answer
Jones would give you. You get truth habitually from equals only; so my
good Mr. Holyshade, don't talk to me about the habitual candor of the
young Etonian of high birth, or I have my own opinion of YOUR candor or
discernment when you do. No. Tom Bowling is the soul of honor and has
been true to Black-eyed Syousan since the last time they parted at
Wapping Old Stairs; but do you suppose Tom is perfectly frank, familiar,
and aboveboard in his conversation with Admiral Nelson, K.C.B.? There
are secrets, prevarications, fibs, if you will, between Tom and the
Admiral--between your crew and THEIR captain. I know I hire a worthy,
clean, agreeable, and conscientious male or female hypocrite, at so many
guineas a year, to do so and so for me. Were he other than hypocrite
I would send him about his business. Don't let my displeasure be too
fierce with him for a fib or two on his own account.

Some dozen years ago, my family being absent in a distant part of the
country, and my business detaining me in London, I remained in my own
house with three servants on board wages. I used only to breakfast at
home; and future ages will be interested to know that this meal used
to consist, at that period, of tea, a penny roll, a pat of butter,
and, perhaps, an egg. My weekly bill used invariably to be about
fifty shillings; so that, as I never dined in the house, you see, my
breakfast, consisting of the delicacies before mentioned, cost about
seven shillings and threepence per diem. I must, therefore, have
consumed daily--

     s. d.
     A quarter of a pound of tea (say)   1  3
     A penny roll (say)                  1  0
     One pound of butter (say)           1  3
     One pound of lump sugar             1  0
     A new-laid egg                      2  9

Which is the only possible way I have for making out the sum.

Well, I fell ill while under this regimen, and had an illness which, but
for a certain doctor, who was brought to me by a certain kind friend I
had in those days, would, I think, have prevented the possibility of
my telling this interesting anecdote now a dozen years after. Don't be
frightened, my dear madam; it is not a horrid, sentimental account of
a malady you are coming to--only a question of grocery. This illness,
I say, lasted some seventeen days, during which the servants were
admirably attentive and kind; and poor John, especially, was up at
all hours, watching night after night--amiable, cheerful, untiring,
respectful, the very best of Johns and nurses.

Twice or thrice in the seventeen days I may have had a glass of eau
sucree--say a dozen glasses of eau sucree--certainly not more. Well,
this admirable, watchful, cheerful, tender, affectionate John brought
me in a little bill for seventeen pounds of sugar consumed during the
illness--"Often 'ad sugar and water; always was a callin' for it," says
John, wagging his head quite gravely. You are dead, years and years ago,
poor John--so patient, so friendly, so kind, so cheerful to the invalid
in the fever. But confess, now, wherever you are, that seventeen pounds
of sugar to make six glasses of eau sucree was a LITTLE too strong,
wasn't it, John? Ah, how frankly, how trustily, how bravely he lied,
poor John! One evening, being at Brighton, in the convalescence, I
remember John's step was unsteady, his voice thick, his laugh queer--and
having some quinine to give me, John brought the glass to me--not to my
mouth, but struck me with it pretty smartly in the eye, which was not
the way in which Dr. Elliotson had intended his prescription should be
taken. Turning that eye upon him, I ventured to hint that my attendant
had been drinking. Drinking! I never was more humiliated at the thought
of my own injustice than at John's reply. "Drinking! Sulp me! I have had
only one pint of beer with my dinner at one o'clock!"--and he retreats,
holding on by a chair. These are fibs, you see, appertaining to the
situation. John is drunk. "SULP him, he has only had an 'alf-pint of
beer with his dinner six hours ago;" and none of his fellow-servants
will say other wise. Polly is smuggled on board ship. Who tells the
lieutenant when he comes his rounds? Boys are playing cards in the
bedroom. The outlying fag announces master coming--out go candles--cards
popped into bed--boys sound asleep. Who had that light in the dormitory?
Law bless you! the poor dear innocents are every one snoring. Every one
snoring, and every snore is a lie told through the nose! Suppose one of
your boys or mine is engaged in that awful crime, are we going to break
our hearts about it? Come, come. We pull a long face, waggle a grave
head, and chuckle within our waistcoats.

Between me and those fellow-creatures of mine who are sitting in the
room below, how strange and wonderful is the partition! We meet at
every hour of the daylight, and are indebted to each other for a hundred
offices of duty and comfort of life; and we live together for years, and
don't know each other. John's voice to me is quite different from John's
voice when it addresses his mates below. If I met Hannah in the street
with a bonnet on, I doubt whether I should know her. And all these good
people with whom I may live for years and years, have cares, interests,
dear friends and relatives, mayhap schemes, passions, longing hopes,
tragedies of their own, from which a carpet and a few planks and beams
utterly separate me. When we were at the seaside, and poor Ellen used to
look so pale, and run after the postman's bell, and seize a letter in
a great scrawling hand, and read it, and cry in a corner, how should we
know that the poor little thing's heart was breaking? She fetched the
water, and she smoothed the ribbons, and she laid out the dresses, and
brought the early cup of tea in the morning, just as if she had had
no cares to keep her awake. Henry (who lived out of the house) was the
servant of a friend of mine who lived in chambers. There was a dinner
one day, and Harry waited all through the dinner. The champagne was
properly iced, the dinner was excellently served; every guest was
attended to; the dinner disappeared; the dessert was set; the claret
was in perfect order, carefully decanted, and more ready. And then Henry
said, "If you please, sir, may I go home?" He had received word that his
house was on fire; and, having seen through his dinner, he wished to go
and look after his children, and little sticks of furniture. Why, such
a man's livery is a uniform of honor. The crest on his button is a badge
of bravery.

Do you see--I imagine I do myself--in these little instances, a tinge of
humor? Ellen's heart is breaking for handsome Jeames of Buckley Square,
whose great legs are kneeling, and who has given a lock of his precious
powdered head, to some other than Ellen. Henry is preparing the sauce
for his master's wild-ducks while the engines are squirting over his
own little nest and brood. Lift these figures up but a story from the
basement to the ground-floor, and the fun is gone. We may be en pleine
tragedie. Ellen may breathe her last sigh in blank verse, calling down
blessings upon James the profligate who deserts her. Henry is a hero,
and epaulettes are on his shoulders. Atqui sciebat, &c., whatever
tortures are in store for him, he will be at his post of duty.

You concede, however, that there is a touch of humor in the two
tragedies here mentioned. Why? Is it that the idea of persons at service
is somehow ludicrous? Perhaps it is made more so in this country by the
splendid appearance of the liveried domestics of great people. When you
think that we dress in black ourselves, and put our fellow-creatures in
green, pink, or canary-colored breeches; that we order them to plaster
their hair with flour, having brushed that nonsense out of our own heads
fifty years ago; that some of the most genteel and stately among us
cause the men who drive their carriages to put on little Albino wigs,
and sit behind great nosegays--I say I suppose it is this heaping of
gold lace, gaudy colors, blooming plushes, on honest John Trot, which
makes the man absurd in our eyes, who need be nothing but a simple
reputable citizen and in-door laborer. Suppose, my dear sir, that you
yourself were suddenly desired to put on a full dress, or even undress,
domestic uniform with our friend Jones's crest repeated in varied
combinations of button on your front and back? Suppose, madam, your
son were told, that he could not get out except in lower garments of
carnation or amber-colored plush--would you let him? . . . But as you
justly say, this is not the question, and besides it is a question
fraught with danger, sir; and radicalism, sir; and subversion of the
very foundations of the social fabric, sir. . . . Well, John, we
won't enter on your great domestic question. Don't let us disport with
Jeames's dangerous strength, and the edge-tools about his knife-board:
but with Betty and Susan who wield the playful mop, and set on the
simmering kettle. Surely you have heard Mrs. Toddles talking to Mrs.
Doddles about their mutual maids. Miss Susan must have a silk gown, and
Miss Betty must wear flowers under her bonnet when she goes to church
if you please, and did you ever hear such impudence? The servant in many
small establishments is a constant and endless theme of talk. What small
wage, sleep, meal, what endless scouring, scolding, tramping on messages
fall to that poor Susan's lot; what indignation at the little kindly
passing word with the grocer's young man, the pot-boy, the chubby
butcher! Where such things will end, my dear Mrs. Toddles, I don't know.
What wages they will want next, my dear Mrs. Doddles, &c.

Here, dear ladies, is an advertisement which I cut out of The Times a
few days since, expressly for you:


"A lady is desirous of obtaining a SITUATION for a very respectable
young woman as HEAD KITCHEN-MAID under a man-cook. She has lived four
years under a very good cook and housekeeper. Can make ice, and is an
excellent baker. She will only take a place in a very good family, where
she can have the opportunity of improving herself, and, if possible,
staying for two years. Apply by letter to," &c. &c.


There, Mrs. Toddles, what do you think of that, and did you ever? Well,
no, Mrs. Doddles. Upon my word now, Mrs. T., I don't think I ever did.
A respectable young woman--as head kitchen-maid--under a man-cook, will
only take a place in a very good family, where she can improve, and
stay two years. Just note up the conditions, Mrs. Toddles, mum, if you
please, mum, and THEN let us see:--


1. This young woman is to be HEAD kitchen-maid, that is to say there is
to be a chorus of kitchen-maids, of which Y. W. is to be chief.

2. She will only be situated under a man-cook. (A) Ought he to be
a French cook; and (B), if so, would the lady desire him to be a
Protestant?

3. She will only take a place in a VERY GOOD FAMILY. How old ought the
family to be, and what do you call good? that is the question. How
long after the Conquest will do? Would a banker's family do, or is
a baronet's good enough? Best say what rank in the peerage would be
sufficiently high. But the lady does not say whether she would like a
High Church or a Low Church family. Ought there to be unmarried sons,
and may they follow a profession? and please say how many daughters; and
would the lady like them to be musical? And how many company dinners a
week? Not too many, for fear of fatiguing the upper kitchen-maid; but
sufficient, so as to keep the upper kitchen-maid's hand in. [N.B.--I
think I can see a rather bewildered expression on the countenances of
Mesdames Doddles and Toddles as I am prattling on in this easy bantering
way.]

4. The head kitchen-maid wishes to stay for two years, and improve
herself under the man-cook, and having of course sucked the brains (as
the phrase is) from under the chefs nightcap, then the head kitchen-maid
wishes to go.


And upon my word, Mrs. Toddles, mum, I will go and fetch the cab for
her. The cab? Why not her ladyship's own carriage and pair, and the head
coachman to drive away the head kitchen-maid? You see she stipulates for
everything--the time to come; the time to stay; the family she will
be with; and as soon as she has improved herself enough, of course the
upper kitchen-maid will step into the carriage and drive off.

Well, upon my word and conscience, if things are coming to THIS pass,
Mrs. Toddles and Mrs. Doddles, mum, I think I will go up stairs and get
a basin and a sponge, and then down stairs and get some hot water; and
then I will go and scrub that chalk-mark off my own door with my own
hands.

It is wiped off, I declare! After ever so many weeks! Who has done it?
It was just a little round-about mark, you know, and it was there
for days and weeks, before I ever thought it would be the text of a
Roundabout Paper.




ON BEING FOUND OUT.


At the close (let us say) of Queen Anne's reign, when I was a boy at
a private and preparatory school for young gentlemen, I remember the
wiseacre of a master ordering us all, one night, to march into a little
garden at the back of the house, and thence to proceed one by one into a
tool or hen house, (I was but a tender little thing just put into short
clothes, and can't exactly say whether the house was for tools or hens,)
and in that house to put our hands into a sack which stood on a bench, a
candle burning beside it. I put my hand into the sack. My hand came out
quite black. I went and joined the other boys in the schoolroom; and all
their hands were black too.

By reason of my tender age (and there are some critics who, I hope, will
be satisfied by my acknowledging that I am a hundred and fifty-six next
birthday) I could not understand what was the meaning of this night
excursion--this candle, this tool-house, this bag of soot. I think we
little boys were taken out of our sleep to be brought to the ordeal. We
came, then, and showed our little hands to the master; washed them or
not--most probably, I should say, not--and so went bewildered back to
bed.

Something had been stolen in the school that day; and Mr. Wiseacre
having read in a book of an ingenious method of finding out a thief by
making him put his hand into a sack (which, if guilty, the rogue would
shirk from doing), all we boys were subjected to the trial. Goodness
knows what the lost object was, or who stole it. We all had black hands
to show the master. And the thief, whoever he was, was not Found Out
that time.

I wonder if the rascal is alive--an elderly scoundrel he must be by this
time; and a hoary old hypocrite, to whom an old schoolfellow presents
his kindest regards--parenthetically remarking what a dreadful place
that private school was; cold, chilblains, bad dinners, not enough
victuals, and caning awful!--Are you alive still, I say, you nameless
villain, who escaped discovery on that day of crime? I hope you have
escaped often since, old sinner. Ah, what a lucky thing it is, for you
and me, my man, that we are NOT found out in all our peccadilloes; and
that our backs can slip away from the master and the cane!

Just consider what life would be, if every rogue was found out, and
flogged coram populo! What a butchery, what an indecency, what an
endless swishing of the rod! Don't cry out about my misanthropy. My good
friend Mealymouth, I will trouble you to tell me, do you go to church?
When there, do you say, or do you not, that you are a miserable sinner?
and saying so do you believe or disbelieve it? If you are a M. S., don't
you deserve correction, and aren't you grateful if you are to be let
off? I say again, what a blessed thing it is that we are not all found
out!

Just picture to yourself everybody who does wrong being found out,
and punished accordingly. Fancy all the boys in all the school being
whipped; and then the assistants, and then the head master (Dr. Badford
let us call him). Fancy the provost-marshal being tied up, having
previously superintended the correction of the whole army. After the
young gentlemen have had their turn for the faulty exercises, fancy Dr.
Lincolnsinn being taken up for certain faults in HIS Essay and Review.
After the clergyman has cried his peccavi, suppose we hoist up a
bishop, and give him a couple of dozen! (I see my Lord Bishop of
Double-Gloucester sitting in a very uneasy posture on his right reverend
bench.) After we have cast off the bishop, what are we to say to the
Minister who appointed him? My Lord Cinqwarden, it is painful to have
to use personal correction to a boy of your age; but really . . .
Siste tandem, carnifex! The butchery is too horrible. The hand drops
powerless, appalled at the quantity of birch which it must cut and
brandish. I am glad we are not all found out, I say again; and protest,
my dear brethren, against our having our deserts.

To fancy all men found out and punished is bad enough; but imagine all
women found out in the distinguished social circle in which you and
I have the honor to move. Is it not a mercy that a many of these fair
criminals remain unpunished and undiscovered! There is Mrs. Longbow, who
is for ever practising, and who shoots poisoned arrows, too; when you
meet her you don't call her liar, and charge her with the wickedness
she has done and is doing. There is Mrs. Painter, who passes for a most
respectable woman, and a model in society. There is no use in saying
what you really know regarding her and her goings on. There is Diana
Hunter--what a little haughty prude it is; and yet WE know stories about
her which are not altogether edifying. I say it is best, for the sake of
the good, that the bad should not all be found out. You don't want your
children to know the history of that lady in the next box, who is so
handsome, and whom they admire so. Ah me, what would life be if we were
all found out, and punished for all our faults? Jack Ketch would be in
permanence; and then who would hang Jack Ketch?

They talk of murderers being pretty certainly found out. Psha! I have
heard an authority awfully competent vow and declare that scores
and hundreds of murders are committed, and nobody is the wiser. That
terrible man mentioned one or two ways of committing murder, which he
maintained were quite common, and were scarcely ever found out. A man,
for instance, comes home to his wife, and . . . but I pause--I know that
this Magazine has a very large circulation. Hundreds and hundreds
of thousands--why not say a million of people at once?--well, say
a million, read it. And amongst these countless readers, I might be
teaching some monster how to make away with his wife without being found
out, some fiend of a woman how to destroy her dear husband. I will NOT
then tell this easy and simple way of murder, as communicated to me by a
most respectable party in the confidence of private intercourse. Suppose
some gentle reader were to try this most simple and easy receipt--it
seems to me almost infallible--and come to grief in consequence, and be
found out and hanged? Should I ever pardon myself for having been the
means of doing injury to a single one of our esteemed subscribers?
The prescription whereof I speak--that is to say, whereof I DON'T
speak--shall be buried in this bosom. No, I am a humane man. I am not
one of your Bluebeards to go and say to my wife, "My dear! I am going
away for a few days to Brighton. Here are all the keys of the house.
You may open every door and closet, except the one at the end of the
oak-room opposite the fireplace, with the little bronze Shakespeare on
the mantel-piece (or what not)." I don't say this to a woman--unless, to
be sure, I want to get rid of her--because, after such a caution, I know
she'll peep into the closet. I say nothing about the closet at all. I
keep the key in my pocket, and a being whom I love, but who, as I know,
has many weaknesses, out of harm's way. You toss up your head, dear
angel, drub on the ground with your lovely little feet, on the table
with your sweet rosy fingers, and cry, "Oh, sneerer! You don't know
the depth of woman's feeling, the lofty scorn of all deceit, the entire
absence of mean curiosity in the sex, or never, never would you libel
us so!" Ah, Delia! dear, dear Delia! It is because I fancy I do know
something about you (not all, mind--no, no; no man knows that)--Ah, my
bride, my ringdove, my rose, my poppet--choose, in fact, whatever name
you like--bulbul of my grove, fountain of my desert, sunshine of my
darkling life, and joy of my dungeoned existence, it is because I DO
know a little about you that I conclude to say nothing of that private
closet, and keep my key in my pocket. You take away that closet-key
then, and the house-key. You lock Delia in. You keep her out of harm's
way and gadding, and so she never CAN be found out.

And yet by little strange accidents and coincidents how we are being
found out every day. You remember that old story of the Abbe Kakatoes,
who told the company at supper one night how the first confession he
ever received was--from a murderer let us say. Presently enters to
supper the Marquis de Croquemitaine. "Palsambleu, abbe!" says the
brilliant marquis, taking a pinch of snuff, "are you here? Gentlemen and
ladies! I was the abbe's first penitent, and I made him a confession,
which I promise you astonished him."

To be sure how queerly things are found out! Here is an instance. Only
the other day I was writing in these Roundabout Papers about a certain
man, whom I facetiously called Baggs, and who had abused me to my
friends, who of course told me. Shortly after that paper was published
another friend--Sacks let us call him--scowls fiercely at me as I
am sitting in perfect good-humor at the club, and passes on without
speaking. A cut. A quarrel. Sacks thinks it is about him that I was
writing: whereas, upon my honor and conscience, I never had him once in
my mind, and was pointing my moral from quite another man. But don't
you see, by this wrath of the guilty-conscienced Sacks, that he had been
abusing me too? He has owned himself guilty, never having been accused.
He has winced when nobody thought of hitting him. I did but put the cap
out, and madly butting and chafing, behold my friend rushes out to put
his head into it! Never mind, Sacks, you are found out; but I bear you
no malice, my man.

And yet to be found out, I know from my own experience, must be painful
and odious, and cruelly mortifying to the inward vanity. Suppose I am a
poltroon, let us say. With fierce moustache, loud talk, plentiful oaths,
and an immense stick, I keep up nevertheless a character for courage. I
swear fearfully at cabmen and women; brandish my bludgeon, and perhaps
knock down a little man or two with it: brag of the images which I break
at the shooting-gallery, and pass amongst my friends for a whiskery
fire-eater, afraid of neither man nor dragon. Ah me! Suppose some brisk
little chap steps up and gives me a caning in St. James's Street, with
all the heads of my friends looking out of all the club windows.
My reputation is gone. I frighten no man more. My nose is pulled by
whipper-snappers, who jump up on a chair to reach it. I am found out.
And in the days of my triumphs, when people were yet afraid of me, and
were taken in by my swagger, I always knew that I was a lily-liver, and
expected that I should be found out some day.

That certainty of being found out must haunt and depress many a bold
braggadocio spirit. Let us say it is a clergyman, who can pump copious
floods of tears out of his own eyes and those of his audience. He thinks
to himself, "I am but a poor swindling, chattering rogue. My bills are
unpaid. I have jilted several women whom I have promised to marry. I
don't know whether I believe what I preach, and I know I have stolen the
very sermon over which I have been snivelling. Have they found me out?"
says he, as his head drops down on the cushion.

Then your writer, poet, historian, novelist, or what not? The Beacon
says that "Jones's work is one of the first order." The Lamp declares
that "Jones's tragedy surpasses every work since the days of Him of
Avon." The Comet asserts that "J's 'Life of Goody Twoshoes' is a
[Greek text omitted], a noble and enduring monument to the fame of that
admirable Englishwoman," and so forth. But then Jones knows that he
has lent the critic of the Beacon five pounds; that his publisher has a
half-share in the Lamp; and that the Comet comes repeatedly to dine with
him. It is all very well. Jones is immortal until he is found out; and
then down comes the extinguisher, and the immortal is dead and buried.
The idea (dies irae!) of discovery must haunt many a man, and make him
uneasy, as the trumpets are puffing in his triumph. Brown, who has a
higher place than he deserves, cowers before Smith, who has found him
out. What is a chorus of critics shouting "Bravo?"--a public clapping
hands and flinging garlands? Brown knows that Smith has found him out.
Puff, trumpets! Wave, banners! Huzza, boys, for the immortal Brown!
"This is all very well," B. thinks (bowing the while, smiling, laying
his hand to his heart); "but there stands Smith at the window: HE has
measured me; and some day the others will find me out too." It is a very
curious sensation to sit by a man who has found you out, and who, as you
know, has found you out; or, vice versa, to sit with a man whom YOU have
found out. His talent? Bah! His virtue? We know a little story or two
about his virtue, and he knows we know it. We are thinking over friend
Robinson's antecedents, as we grin, bow and talk; and we are both
humbugs together. Robinson a good fellow, is he? You know how he behaved
to Hicks? A good-natured man, is he? Pray do you remember that little
story of Mrs. Robinson's black eye? How men have to work, to talk, to
smile, to go to bed, and try and sleep, with this dread of being found
out on their consciences! Bardolph, who has robbed a church, and Nym,
who has taken a purse, go to their usual haunts, and smoke their pipes
with their companions. Mr. Detective Bullseye appeal's, and says, "Oh,
Bardolph! I want you about that there pyx business!" Mr. Bardolph knocks
the ashes out of his pipe, puts out his hands to the little steel cuffs,
and walks away quite meekly. He is found out. He must go. "Good-by, Doll
Tearsheet! Good-by, Mrs. Quickly, ma'am!" The other gentlemen and
ladies de la societe look on and exchange mute adieux with the departing
friends. And an assured time will come when the other gentlemen and
ladies will be found out too.

What a wonderful and beautiful provision of nature it has been that, for
the most part, our womankind are not endowed with the faculty of finding
us out! THEY don't doubt, and probe, and weigh, and take your measure.
Lay down this paper, my benevolent friend and reader, go into your
drawing-room now, and utter a joke ever so old, and I wager sixpence the
ladies there will all begin to laugh. Go to Brown's house, and tell Mrs.
Brown and the young ladies what you think of him, and see what a welcome
you will get! In like manner, let him come to your house, and tell YOUR
good lady his candid opinion of you, and fancy how she will receive him!
Would you have your wife and children know you exactly for what you are,
and esteem you precisely at your worth? If so, my friend, you will
live in a dreary house, and you will have but a chilly fireside. Do
you suppose the people round it don't see your homely face as under a
glamour, and, as it were, with a halo of love round it? You don't fancy
you ARE, as you seem to them? No such thing, my man. Put away that
monstrous conceit, and be thankful that THEY have not found you out.




ON A HUNDRED YEARS HENCE.


Where have I just read of a game played at a country house? The party
assembles round a table with pens, ink, and paper. Some one narrates a
tale containing more or less incidents and personages. Each person of
the company then writes down, to the best of his memory and ability, the
anecdote just narrated, and finally the papers are to be read out. I do
not say I should like to play often at this game, which might possibly
be a tedious and lengthy pastime, not by any means so amusing as smoking
a cigar in the conservatory; or even listening to the young ladies
playing their piano-pieces; or to Hobbs and Nobbs lingering round the
bottle and talking over the morning's run with the hounds but surely it
is a moral and ingenious sport. They say the variety of narratives is
often very odd and amusing. The original story becomes so changed and
distorted that at the end of all the statements you are puzzled to
know where the truth is at all. As time is of small importance to the
cheerful persons engaged in this sport, perhaps a good way of playing it
would be to spread it over a couple of years. Let the people who played
the game in '60 all meet and play it once more in '61, and each write
his story over again. Then bring out your original and compare notes.
Not only will the stories differ from each other, but the writers will
probably differ from themselves. In the course of the year the incidents
will grow or will dwindle strangely. The least authentic of the
statements will be so lively or so malicious, or so neatly put, that
it will appear most like the truth. I like these tales and sportive
exercises. I had begun a little print collection once. I had Addison in
his nightgown in bed at Holland House, requesting young Lord Warwick to
remark how a Christian should die. I had Cambronne clutching his cocked
hat and uttering the immortal la Garde meurt et ne se rend pas. I had
the "Vengeur" going down, and all the crew hurraying like madmen. I had
Alfred toasting the muffin; Curtius (Haydon) jumping into the gulf; with
extracts from Napoleon's bulletins, and a fine authentic portrait of
Baron Munchausen.

What man who has been before the public at all has not heard similar
wonderful anecdotes regarding himself and his own history? In these
humble essaykins I have taken leave to egotize. I cry out about the
shoes which pinch me, and, as I fancy, more naturally and pathetically
than if my neighbor's corns were trodden under foot. I prattle about
the dish which I love, the wine which I like, the talk I heard
yesterday--about Brown's absurd airs--Jones's ridiculous elation when
he thinks he has caught me in a blunder (a part of the fun, you see, is
that Jones will read this, and will perfectly well know that I mean him,
and that we shall meet and grin at each other with entire politeness.)
This is not the highest kind of speculation, I confess, but it is a
gossip which amuses some folks. A brisk and honest small-beer will
refresh those who do not care for the frothy outpourings of heavier
taps. A two of clubs may be a good, handy little card sometimes,
and able to tackle a king of diamonds, if it is a little trump. Some
philosophers get their wisdom with deep thought and out of ponderous
libraries; I pick up my small crumbs of cogitation at a dinner-table;
or from Mrs. Mary and Miss Louisa, as they are prattling over their
five-o'clock tea.

Well, yesterday at dinner Jucundus was good enough to tell me a story
about myself, which he had heard from a lady of his acquaintance, to
whom I send my best compliments. The tale is this. At nine o'clock on
the evening of the 31st of November last, just before sunset, I was seen
leaving No. 96, Abbey Road, St. John's Wood, leading two little children
by the hand, one of them in a nankeen pelisse, and the other having a
mole on the third finger of his left hand (she thinks it was the third
finger, but is quite sure it was the left hand). Thence I walked with
them to Charles Boroughbridge's, pork and sausage man, No. 29, Upper
Theresa Road. Here, whilst I left the little girl innocently eating a
polony in the front shop, I and Boroughbridge retired with the boy into
the back parlor, where Mrs. Boroughbridge was playing cribbage. She put
up the cards and boxes, took out a chopper and a napkin, and we cut
the little boy's little throat (which he bore with great pluck and
resolution), and made him into sausage-meat by the aid of Purkis's
excellent sausage-machine. The little girl at first could not understand
her brother's absence, but, under the pretence of taking her to see Mr.
Fechter in Hamlet, I led her down to the New River at Sadler's Wells,
where a body of a child in a nankeen pelisse was subsequently found,
and has never been recognized to the present day. And this Mrs. Lynx can
aver, because she saw the whole transaction with her own eyes, as she
told Mr. Jucundus.

I have altered the little details of the anecdote somewhat. But this
story is, I vow and declare, as true as Mrs Lynx's. Gracious goodness!
how do lies begin? What are the averages of lying? Is the same amount
of lies told about every man, and do we pretty much all tell the same
amount of lies? Is the average greater in Ireland than in Scotland, or
vice versa--among women than among men? Is this a lie I am telling now?
If I am talking about you, the odds are, perhaps, that it is. I look
back at some which have been told about me, and speculate on them with
thanks and wonder. Dear friends have told them of me, have told them to
me of myself. Have they not to and of you, dear friend? A friend of mine
was dining at a large dinner of clergymen, and a story, as true as
the sausage story above given, was told regarding me, by one of those
reverend divines, in whose frock sits some anile chatter-boxes, as any
man who knows this world knows. They take the privilege of their gown.
They cabal, and tattle, and hiss, and cackle comminations under their
breath. I say the old women of the other sex are not more talkative or
more mischievous than some of these. "Such a man ought not to be spoken
to," says Gobemouche, narrating the story--and such a story! "And I am
surprised he is admitted into society at all." Yes, dear Gobemouche,
but the story wasn't true; and I had no more done the wicked deed in
question than I had run away with the Queen of Sheba.

I have always longed to know what that story was (or what collection
of histories), which a lady had in her mind to whom a servant of mine
applied for a place, when I was breaking up my establishment once and
going abroad. Brown went with a very good character from us, which,
indeed, she fully deserved after several years' faithful service. But
when Mrs. Jones read the name of the person out of whose employment
Brown came, "That is quite sufficient," says Mrs. Jones. "You may go.
I will never take a servant out of THAT house." Ah, Mrs. Jones, how
I should like to know what that crime was, or what that series of
villanies, which made you determine never to take a servant out of my
house. Do you believe in the story of the little boy and the sausages?
Have you swallowed that little minced infant? Have you devoured that
young Polonius? Upon my word you have maw enough. We somehow greedily
gobble down all stories in which the characters of our friends are
chopped up, and believe wrong of them without inquiry. In a late serial
work written by this hand, I remember making some pathetic remarks
about our propensity to believe ill of our neighbors--and I remember
the remarks, not because they were valuable, or novel, or ingenious,
but because, within three days after they had appeared in print, the
moralist who wrote them, walking home with a friend, heard a story about
another friend, which story he straightway believed, and which story was
scarcely more true than that sausage fable which is here set down. O mea
culpa, mea maxima culpa! But though the preacher trips, shall not the
doctrine be good? Yea, brethren! Here be the rods. Look you, here are
the scourges. Choose me a nice long, swishing, buddy one, light and
well-poised in the handle, thick and bushy at the tail. Pick me out a
whip-cord thong with some dainty knots in it--and now--we all deserve
it--whish, whish, whish! Let us cut into each other all round.

A favorite liar and servant of mine was a man I once had to drive a
brougham. He never came to my house, except for orders, and once when
he helped to wait at dinner so clumsily that it was agreed we would
dispense with his further efforts. The (job) brougham horse used to look
dreadfully lean and tired, and the livery-stable keeper complained that
we worked him too hard. Now, it turned out that there was a neighboring
butcher's lady who liked to ride in a brougham; and Tomkins lent her
ours, drove her cheerfully to Richmond and Putney, and, I suppose,
took out a payment in mutton-chops. We gave this good Tomkins wine and
medicine for his family when sick--we supplied him with little comforts
and extras which need not now be remembered--and the grateful creature
rewarded us by informing some of our tradesmen whom he honored with his
custom, "Mr. Roundabout? Lor' bless you! I carry him up to bed drunk
every night in the week." He, Tomkins, being a man of seven stone
weight and five feet high; whereas his employer was--but here modesty
interferes, and I decline to enter into the avoirdupois question.

Now, what was Tomkins's motive for the utterance and dissemination of
these lies? They could further no conceivable end or interest of his
own. Had they been true stories, Tomkins's master would still, and
reasonably, have been more angry than at the fables. It was but suicidal
slander on the part of Tomkins--must come to a discovery--must end in a
punishment. The poor wretch had got his place under, as it turned out, a
fictitious character. He might have stayed in it, for of course Tomkins
had a wife and poor innocent children. He might have had bread, beer,
bed, character, coats, coals. He might have nestled in our little
island, comfortably sheltered from the storms of life; but we were
compelled to cast him out, and send him driving, lonely, perishing,
tossing, starving, to sea--to drown. To drown? There be other modes of
death whereby rogues die. Good-by, Tomkins. And so the nightcap is put
on, and the bolt is drawn for poor T.

Suppose we were to invite volunteers amongst our respected readers to
send in little statements of the lies which they know have been told
about themselves; what a heap of correspondence, what an exaggeration of
malignities, what a crackling bonfire of incendiary falsehoods, might we
not gather together! And a lie once set going, having the breath of
life breathed into it by the father of lying, and ordered to run its
diabolical little course, lives with a prodigious vitality. You say,
"Magna est veritas et praevalebit." Psha! Great lies are as great
as great truths, and prevail constantly, and day after day. Take an
instance or two out of my own little budget. I sit near a gentleman at
dinner, and the conversation turns upon a certain anonymous literary
performance which at the time is amusing the town. "Oh," says the
gentleman, "everybody knows who wrote that paper: it is Momus's." I was
a young author at the time, perhaps proud of my bantling: "I beg your
pardon," I say, "it was written by your humble servant." "Indeed!" was
all that the man replied, and he shrugged his shoulders, turned
his back, and talked to his other neighbor. I never heard sarcastic
incredulity more finely conveyed than by that "indeed." "Impudent liar,"
the gentleman's face said, as clear as face could speak. Where was Magna
Veritas, and how did she prevail then? She lifted up her voice, she
made her appeal, and she was kicked out of court. In New York I read a
newspaper criticism one day (by an exile from our shores who has taken
up his abode in the Western Republic), commenting upon a letter of mine
which had appeared in a contemporary volume, and wherein it was stated
that the writer was a lad in such and such a year, and, in point of
fact, I was, at the period spoken of, nineteen years of age. "Falsehood,
Mr. Roundabout," says the noble critic: "You were then not a lad; you
were then six-and-twenty years of age." You see he knew better than papa
and mamma and parish register. It was easier for him to think and say
I lied, on a twopenny matter connected with my own affairs, than to
imagine he was mistaken. Years ago, in a time when we were very mad
wags, Arcturus and myself met a gentleman from China who knew the
language. We began to speak Chinese against him. We said we were born
in China. We were two to one. We spoke the mandarin dialect with perfect
fluency. We had the company with us; as in the old, old days, the squeak
of the real pig was voted not to be so natural as the squeak of the sham
pig. O Arcturus, the sham pig squeaks in our streets now to the applause
of multitudes, and the real porker grunts unheeded in his sty!

I once talked for some little time with an amiable lady: it was for the
first time; and I saw an expression of surprise on her kind face, which
said as plainly as face could say, "Sir, do you know that up to this
moment I have had a certain opinion of you, and that I begin to think I
have been mistaken or misled?" I not only know that she had heard evil
reports of me, but I know who told her--one of those acute fellows, my
dear brethren, of whom we spoke in a previous sermon, who has found me
out--found out actions which I never did, found out thoughts and sayings
which I never spoke, and judged me accordingly. Ah, my lad! have I found
YOU out? O risum teneatis. Perhaps the person I am accusing is no more
guilty than I.

How comes it that the evil which men say spreads so widely and lasts so
long, whilst our good, kind words don't seem somehow to take root and
bear blossom? Is it that in the stony hearts of mankind these pretty
flowers can't find a place to grow? Certain it is that scandal is good,
brisk talk, whereas praise of one's neighbor is by no means lively
hearing. An acquaintance grilled, scored, devilled, and served with
mustard and cayenne pepper, excites the appetite; whereas a slice of
cold friend with currant jelly is but a sickly, unrelishing meat.

Now, such being the case, my dear worthy Mrs. Candor, in whom I know
there are a hundred good and generous qualities: it being perfectly
clear that the good things which we say of our neighbors don't fructify,
but somehow perish in the ground where they are dropped, whilst the evil
words are wafted by all the winds of scandal, take root in all sods, and
flourish amazingly--seeing, I say, that this conversation does not give
us a fair chance, suppose we give up censoriousness altogether, and
decline uttering our opinions about Brown, Jones, and Robinson (and
Mesdames B., J., and R.) at all. We may be mistaken about every one of
them, as, please goodness, those anecdote-mongers against whom I have
uttered my meek protest have been mistaken about me. We need not go to
the extent of saying that Mrs. Manning was an amiable creature, much
misunderstood; and Jack Thurtell a gallant, unfortunate fellow, not
near so black as he was painted; but we will try and avoid personalities
altogether in talk, won't we? We will range the fields of science,
dear madam, and communicate to each other the pleasing results of our
studies. We will, if you please, examine the infinitesimal wonders of
nature through the microscope. We will cultivate entomology. We will sit
with our arms round each other's waists on the pons asinorum, and see
the stream of mathematics flow beneath. We will take refuge in cards,
and play at "beggar my neighbor," not abuse my neighbor. We will go
to the Zoological Gardens and talk freely about the gorilla and his
kindred, but not talk about people who can talk in their turn. Suppose
we praise the High Church? we offend the Low Church. The Broad Church?
High and Low are both offended. What do you think of Lord Derby as a
politician? And what is your opinion of Lord Palmerston? If you please,
will you play me those lovely variations of "In my cottage near a wood?"
It is a charming air (you know it in French, I suppose? Ah! te dirai-je,
maman!) and was a favorite with poor Marie Antoinette. I say "poor,"
because I have a right to speak with pity of a sovereign who was
renowned for so much beauty and so much misfortune. But as for giving
any opinion on her conduct, saying that she was good or bad, or
indifferent, goodness forbid! We have agreed we will not be censorious.
Let us have a game at cards--at ecarte, if you please. You deal. I ask
for cards. I lead the deuce of clubs. . . .

What? there is no deuce! Deuce take it! What? People WILL go on talking
about their neighbors, and won't have their mouths stopped by cards, or
ever so much microscopes and aquariums? Ah, my poor dear Mrs. Candor, I
agree with you. By the way, did you ever see anything like Lady Godiva
Trotter's dress last night? People WILL go on chattering, although we
hold our tongues; and, after all, my good soul, what will their scandal
matter a hundred years hence?




SMALL-BEER CHRONICLE.


Not long since, at a certain banquet, I had the good fortune to sit by
Doctor Polymathesis, who knows everything, and who, about the time
when the claret made its appearance, mentioned that old dictum of the
grumbling Oxford Don, that "ALL CLARET would be port if it could!"
Imbibing a bumper of one or the other not ungratefully, I thought to
myself, "Here surely, Mr. Roundabout, is a good text for one of your
reverence's sermons." Let us apply to the human race, dear brethren,
what is here said of the vintages of Portugal and Gascony, and we shall
have no difficulty in perceiving how many clarets aspire to be ports in
their way; how most men and women of our acquaintance, how we ourselves,
are Aquitanians giving ourselves Lusitanian airs; how we wish to have
credit for being stronger, braver, more beautiful, more worthy than we
really are.

Nay, the beginning of this hypocrisy--a desire to excel, a desire to be
hearty, fruity, generous, strength-imparting--is a virtuous and noble
ambition; and it is most difficult for a man in his own case, or his
neighbor's, to say at what point this ambition transgresses the boundary
of virtue, and becomes vanity, pretence, and self-seeking. You are
a poor man, let us say, showing a bold face to adverse fortune, and
wearing a confident aspect. Your purse is very narrow, but you owe no
man a penny; your means are scanty, but your wife's gown is decent; your
old coat well brushed; your children at a good school; you grumble to no
one; ask favors of no one; truckle to no neighbors on account of their
superior rank, or (a worse, and a meaner, and a more common crime still)
envy none for their better fortune. To all outward appearances you are
as well to do as your neighbors, who have thrice your income. There
may be in this case some little mixture of pretension in your life
and behavior. You certainly DO put on a smiling face whilst fortune is
pinching you. Your wife and girls, so smart and neat at evening parties,
are cutting, patching, and cobbling all day to make both ends of life's
haberdashery meet. You give a friend a bottle of wine on occasion, but
are content yourself with a glass of whiskey-and-water. You avoid a cab,
saying that of all things you like to walk home after dinner (which you
know, my good friend, is a fib). I grant you that in this scheme of life
there does enter ever so little hypocrisy; that this claret is
loaded, as it were; but your desire to PORTIFY yourself is amiable, is
pardonable, is perhaps honorable: and were there no other hypocrisies
than yours in the world we should be a set of worthy fellows; and
sermonizers, moralizers, satirizers, would have to hold their tongues,
and go to some other trade to get a living.

But you know you WILL step over that boundary line of virtue and
modesty, into the district where humbug and vanity begin, and there the
moralizer catches you and makes an example of you. For instance, in
a certain novel in another place my friend Mr. Talbot Twysden is
mentioned--a man whom you and I know to be a wretched ordinaire, but who
persists in treating himself as if he was the finest '20 port. In our
Britain there are hundreds of men like him; for ever striving to swell
beyond their natural size, to strain beyond their natural strength,
to step beyond their natural stride. Search, search within your own
waistcoats, dear brethren--YOU know in your hearts, which of your
ordinaire qualities you would pass off, and fain consider as first-rate
port. And why not you yourself, Mr. Preacher? says the congregation.
Dearly beloved, neither in or out of this pulpit do I profess to be
bigger, or cleverer, or wiser, or better than any of you. A short while
since, a certain Reviewer announced that I gave myself great pretensions
as a philosopher. I a philosopher! I advance pretensions! My dear
Saturday friend. And you? Don't you teach everything to everybody? and
punish the naughty boys if they don't learn as you bid them? You teach
politics to Lord John and Mr. Gladstone. You teach poets how to write;
painters, how to paint; gentlemen, manners; and opera-dancers, how
to pirouette. I was not a little amused of late by an instance of the
modesty of our Saturday friend, who, more Athenian than the Athenians,
and apropos of a Greek book by a Greek author, sat down and gravely
showed the Greek gentleman how to write his own language.

No, I do not, as far as I know, try to be port at all; but offer in
these presents, a sound genuine ordinaire, at 18s. per doz. let us say,
grown on my own hillside, and offered de bon coeur to those who will sit
down under my tonnelle, and have a half-hour's drink and gossip. It
is none of your hot porto, my friend. I know there is much better and
stronger liquor elsewhere. Some pronounce it sour: some say it is thin;
some that it has wofully lost its flavor. This may or may not be true.
There are good and bad years; years that surprise everybody; years of
which the produce is small and bad, or rich and plentiful. But if my tap
is not genuine it is naught, and no man should give himself the trouble
to drink it. I do not even say that I would be port if I could; knowing
that port (by which I would imply much stronger, deeper, richer, and
more durable liquor than my vineyard can furnish) is not relished by all
palates, or suitable to all heads. We will assume then, dear brother,
that you and I are tolerably modest people; and, ourselves being thus
out of the question, proceed to show how pretentious our neighbors are,
and how very many of them would be port if they could.

Have you never seen a small man from college placed amongst great folk,
and giving himself the airs of a man of fashion? He goes back to his
common room with fond reminiscences of Ermine Castle or Strawberry
Hall. He writes to the dear countess, to say that dear Lord Lollypop is
getting on very well at St. Boniface, and that the accident which he met
with in a scuffle with an inebriated bargeman only showed his spirit and
honor, and will not permanently disfigure his lordship's nose. He gets
his clothes from dear Lollypop's London tailor, and wears a mauve or
magenta tie when he rides out to see the hounds. A love of fashionable
people is a weakness, I do not say of all, but of some tutors. Witness
that Eton tutor t'other day, who intimated that in Cornhill we could not
understand the perfect purity, delicacy, and refinement of those genteel
families who sent their sons to Eton. O usher, mon ami! Old Sam Johnson,
who, too, had been an usher in his early life, kept a little of that
weakness always. Suppose Goldsmith had knocked him up at three in the
morning and proposed a boat to Greenwich, as Topham Beauclerc and his
friend did, would he have said, "What, my boy, are you for a frolic? I'm
with you!" and gone and put on his clothes? Rather he would have pitched
poor Goldsmith down stairs. He would have liked to be port if he could.
Of course WE wouldn't. Our opinion of the Portugal grape is known. It
grows very high, and is very sour, and we don't go for that kind of
grape at all.

"I was walking with Mr. Fox"--and sure this anecdote comes very pat
after the grapes--"I was walking with Mr. Fox in the Louvre," says
Benjamin West (apud some paper I have just been reading), "and I
remarked how many people turned round to look at ME. This shows the
respect of the French for the fine arts." This is a curious instance
of a very small claret indeed, which imagined itself to be port of the
strongest body. There are not many instances of a faith so deep, so
simple, so satisfactory as this. I have met many who would like to be
port; but with few of the Gascon sort, who absolutely believed they
WERE port. George III. believed in West's port and thought Reynolds's
overrated stuff. When I saw West's pictures at Philadelphia, I looked
at them with astonishment and awe. Hide, blushing glory, hide your head
under your old nightcap. O immortality! is this the end of you? Did any
of you, my dear brethren, ever try and read "Blackmore's Poems," or
the "Epics of Baour-Lormian," or the "Henriade," or--what shall we
say?--Pollok's "Course of Time?" They were thought to be more lasting
than brass by some people, and where are they now? And OUR masterpieces
of literature--OUR poets--that, if not immortal, at any rate, are to
last their fifty, their hundred years--oh, sirs, don't you think a very
small cellar will hold them?

Those poor people in brass, on pedestals, hectoring about Trafalgar
Square and that neighborhood, don't you think many of them--apart even
from the ridiculous execution--cut rather a ridiculous figure, and that
we are too eager to set up our ordinaire heroism and talent for port?
A Duke of Wellington or two I will grant, though even of these idols a
moderate supply will be sufficient. Some years ago a famous and witty
French critic was in London, with whom I walked the streets. I am
ashamed to say that I informed him (being in hopes that he was about
to write some papers regarding the manners and customs of this country)
that all the statues he saw represented the Duke of Wellington. That on
the arch opposite Apsley House? the Duke in a cloak, and cocked hat,
on horseback. That behind Apsley House in an airy fig-leaf costume? the
Duke again. That in Cockspur Street? the Duke with a pigtail--and so on.
I showed him an army of Dukes. There are many bronze heroes who after a
few years look already as foolish, awkward, and out of place as a
man, say at Shoolbred's or Swan and Edgar's. For example, those three
Grenadiers in Pall Mall, who have been up only a few months, don't you
pity those unhappy household troops, who have to stand frowning and
looking fierce there; and think they would like to step down and go to
barracks? That they fought very bravely there is no doubt; but so did
the Russians fight very bravely; and the French fight very bravely; and
so did Colonel Jones and the 99th, and Colonel Brown and the 100th; and
I say again that ordinaire should not give itself port airs, and that an
honest ordinaire would blush to be found swaggering so. I am sure if you
could consult the Duke of York, who is impaled on his column between the
two clubs, and ask his late Royal Highness whether he thought he ought
to remain there, he would say no. A brave, worthy man, not a braggart or
boaster, to be put upon that heroic perch must be painful to him. Lord
George Bentinck, I suppose, being in the midst of the family park in
Cavendish Square, may conceive that he has a right to remain in his
place. But look at William of Cumberland, with his hat cocked over his
eye, prancing behind Lord George on his Roman-nosed charger; he, depend
on it, would be for getting off his horse if he had the permission.
He did not hesitate about trifles, as we know; but he was a very
truth-telling and honorable soldier: and as for heroic rank and
statuesque dignity, I would wager a dozen of '20 port against a bottle
of pure and sound Bordeaux, at 18s. per dozen (bottles included), that
he never would think of claiming any such absurd distinction. They have
got a statue of Thomas Moore at Dublin, I hear. Is he on horseback? Some
men should have, say, a fifty years' lease of glory. After a while some
gentlemen now in brass should go to the melting furnace, and reappear in
some other gentleman's shape. Lately I saw that Melville column rising
over Edinburgh; come, good men and true, don't you feel a little awkward
and uneasy when you walk under it? Who was this to stand in heroic
places? and is yon the man whom Scotchmen most delight to honor? I
must own deferentially that there is a tendency in North Britain to
over-esteem its heroes. Scotch ale is very good and strong, but it is
not stronger than all the other beer in the world, as some Scottish
patriots would insist. When there has been a war, and stout old Sandy
Sansculotte returns home from India or Crimea, what a bagpiping,
shouting, hurraying, and self-glorification takes place round about
him! You would fancy, to hear McOrator after dinner, that the Scotch had
fought all the battles, killed all the Russians, Indian rebels, or
what not. In Cupar-Fife, there's a little inn called the "Battle of
Waterloo," and what do you think the sign is? (I sketch from memory, to
be sure.)* "The Battle of Waterloo" is one broad Scotchman laying about
him with a broadsword. Yes, yes, my dear Mac, you are wise, you are
good, you are clever, you are handsome, you are brave, you are rich,
&c.; but so is Jones over the border. Scotch salmon is good, but there
are other good fish in the sea. I once heard a Scotchman lecture on
poetry in London. Of course the pieces he selected were chiefly by
Scottish authors, and Walter Scott was his favorite poet. I whispered to
my neighbor, who was a Scotchman (by the way, the audience were almost
all Scotch, and the room was All-Mac's--I beg your pardon, but I
couldn't help it, I really couldn't help it)--"The professor has said
the best poet was a Scotchman: I wager that he will say the worst poet
was a Scotchman, too." And sure enough that worst poet, when he made his
appearance, was a Northern Briton.

     * This refers to an illustrated edition of the work.

And as we are talking of bragging, and I am on my travels, can I
forget one mighty republic--one--two mighty republics, where people are
notoriously fond of passing off their claret for port? I am very glad,
for the sake of a kind friend, that there is a great and influential
party in the United, and, I trust, in the Confederate States,* who
believe that Catawba wine is better than the best Champagne. Opposite
that famous old White House at Washington, whereof I shall ever have
a grateful memory, they have set up an equestrian statue of General
Jackson, by a self-taught American artist of no inconsiderable genius
and skill. At an evening-party a member of Congress seized me in a
corner of the room, and asked me if I did not think this was THE FINEST
EQUESTRIAN STATUE IN THE WORLD? How was I to deal with this plain
question, put to me in a corner? I was bound to reply, and accordingly
said that I did NOT think it was the finest statue in the world. "Well,
sir," says the Member of Congress, "but you must remember that Mr. M----
had never seen a statue when he made this!" I suggested that to see
other statues might do Mr. M---- no harm. Nor was any man more willing
to own his defects, or more modest regarding his merits, than the
sculptor himself, whom I met subsequently. But oh! what a charming
article there was in a Washington paper next day about the impertinence
of criticism and offensive tone of arrogance which Englishmen adopted
towards men and works of genius in America! "Who was this man, who" &c.
&c.? The Washington writer was angry because I would not accept this
American claret as the finest port-wine in the world. Ah me! It is about
blood and not wine that the quarrel now is, and who shall foretell its
end?

     * Written in July, 1861.

How much claret that would be port if it could is handed about in every
society! In the House of Commons what small-beer orators try to pass for
strong? Stay: have I a spite against any one? It is a fact that the wife
of the Member for Bungay has left off asking me and Mrs. Roundabout to
her evening-parties. Now is the time to have a slap at him. I will say
that he was always overrated, and that now he is lamentably falling
off even from what he has been. I will back the Member for Stoke Poges
against him; and show that the dashing young Member for Islington is a
far sounder man than either. Have I any little literary animosities? Of
course not. Men of letters never have. Otherwise, how I could serve
out a competitor here, make a face over his works, and show that this
would-be port is very meagre ordinaire indeed! Nonsense, man! Why so
squeamish? Do they spare YOU! Now you have the whip in your hand, won't
you lay on? You used to be a pretty whip enough as a young man, and
liked it too. Is there no enemy who would be the better for a little
thonging? No. I have militated in former times, not without glory; but
I grow peaceable as I grow old. And if I have a literary enemy, why, he
will probably write a book ere long, and then it will be HIS turn, and
my favorite review will be down upon him.

My brethren, these sermons are professedly short; for I have that
opinion of my dear congregation, which leads me to think that were I to
preach at great length they would yawn, stamp, make noises, and perhaps
go straightway out of church; and yet with this text I protest I could
go on for hours. What multitudes of men, what multitudes of women, my
dears, pass off their ordinaire for port, their small beer for strong!
In literature, in politics, in the army, the navy, the church, at the
bar, in the world, what an immense quantity of cheap liquor is made to
do service for better sorts! Ask Serjeant Roland his opinion of Oliver
Q.C. "Ordinaire, my good fellow, ordinaire, with a port-wine label!" Ask
Oliver his opinion of Roland. "Never was a man so overrated by the world
and by himself." Ask Tweedledumski his opinion of Tweedledeestein's
performance. "A quack, my tear sir! an ignoramus, I geef you my vort?
He gombose an opera! He is not fit to make dance a bear!" Ask Paddington
and Buckminster, those two "swells" of fashion, what they think of each
other? They are notorious ordinaire. You and I remember when they passed
for very small wine, and now how high and mighty they have become.
What do you say to Tomkins's sermons? Ordinaire, trying to go down as
orthodox port, and very meagre ordinaire too! To Hopkins's historical
works?--to Pumkins's poetry? Ordinaire, ordinaire again--thin, feeble,
overrated; and so down the whole list. And when we have done discussing
our men friends, have we not all the women? Do these not advance absurd
pretensions? Do these never give themselves airs? With feeble brains,
don't they often set up to be esprits forts? Don't they pretend to be
women of fashion, and cut their betters? Don't they try and pass off
their ordinary-looking girls as beauties of the first order? Every man
in his circle knows women who give themselves airs, and to whom we can
apply the port-wine simile.

Come, my friends. Here is enough of ordinaire and port for to-day. My
bottle has run out. Will anybody have any more? Let us go up stairs, and
get a cup of tea from the ladies.




OGRES.


I dare say the reader has remarked that the upright and independent
vowel, which stands in the vowel-list between E and O, has formed the
subject of the main part of these essays. How does that vowel feel this
morning?--fresh, good-humored, and lively? The Roundabout lines,
which fall from this pen, are correspondingly brisk and cheerful. Has
anything, on the contrary, disagreed with the vowel? Has its rest been
disturbed, or was yesterday's dinner too good, or yesterday's wine not
good enough? Under such circumstances, a darkling, misanthropic tinge,
no doubt, is cast upon the paper. The jokes, if attempted, are elaborate
and dreary. The bitter temper breaks out. That sneering manner is
adopted, which you know, and which exhibits itself so especially when
the writer is speaking about women. A moody carelessness comes over
him. He sees no good in anybody or thing: and treats gentlemen, ladies,
history, and things in general, with a like gloomy flippancy. Agreed.
When the vowel in question is in that mood, if you like airy gayety and
tender gushing benevolence--if you want to be satisfied with yourself
and the rest of your fellow-beings; I recommend you, my dear creature,
to go to some other shop in Cornhill, or turn to some other article.
There are moods in the mind of the vowel of which we are speaking, when
it is ill-conditioned and captious. Who always keeps good health, and
good humor? Do not philosophers grumble? Are not sages sometimes out
of temper? and do not angel-women go off in tantrums? To-day my mood is
dark. I scowl as I dip my pen in the inkstand.

Here is the day come round--for everything here is done with the utmost
regularity:--intellectual labor, sixteen hours; meals, thirty-two
minutes; exercise, a hundred and forty-eight minutes; conversation with
the family, chiefly literary, and about the housekeeping, one hour and
four minutes; sleep, three hours and fifteen minutes (at the end of the
month, when the Magazine is complete, I own I take eight minutes more);
and the rest for the toilette and the world. Well, I say, the Roundabout
Paper Day being come, and the subject long since settled in my mind, an
excellent subject--a most telling, lively, and popular subject--I go to
breakfast determined to finish that meal in 9 3/4 minutes, as usual, and
then retire to my desk and work, when--oh, provoking!--here in the paper
is the very subject treated, on which I was going to write! Yesterday
another paper which I saw treated it--and of course, as I need not tell
you, spoiled it. Last Saturday, another paper had an article on the
subject; perhaps you may guess what it was--but I won't tell you. Only
this is true, my favorite subject, which was about to make the best
paper we have had for a long time: my bird, my game that I was going to
shoot and serve up with such a delicate sauce, has been found by other
sportsmen; and pop, pop, pop, a half-dozen of guns have banged at it,
mangled it, and brought it down.

"And can't you take some other text?" say you. All this is mighty well.
But if you have set your heart on a certain dish for dinner, be it cold
boiled veal, or what you will, and they bring you turtle and venison,
don't you feel disappointed? During your walk you have been making up
your mind that that cold meat, with moderation and a pickle, will be
a very sufficient dinner: you have accustomed your thoughts to it; and
here, in place of it, is a turkey, surrounded by coarse sausages, or a
reeking pigeon-pie or a fulsome roast-pig. I have known many a good and
kind man made furiously angry by such a contretemps. I have known him
lose his temper, call his wife and servants names, and a whole household
made miserable. If, then, as is notoriously the case, it is too
dangerous to balk a man about his dinner, how much more about his
article? I came to my meal with an ogre-like appetite and gusto. Fee,
faw, fum! Wife, where is that tender little Princekin? Have you trussed
him, and did you stuff him nicely, and have you taken care to baste him
and do him, not too brown, as I told you? Quick! I am hungry! I begin
to whet my knife, to roll my eyes about, and roar and clap my huge chest
like a gorilla; and then my poor Ogrina has to tell me that the little
princes have all run away, whilst she was in the kitchen, making the
paste to bake them in! I pause in the description. I won't condescend to
report the bad language, which you know must ensue, when an ogre,
whose mind is ill regulated, and whose habits of self-indulgence
are notorious, finds himself disappointed of his greedy hopes. What
treatment of his wife, what abuse and brutal behavior to his children,
who, though ogrillons, are children! My dears, you may fancy, and need
not ask my delicate pen to describe, the language and behavior of a
vulgar, coarse, greedy, large man with an immense mouth and teeth, which
are too frequently employed in the gobbling and crunching of raw man's
meat.

And in this circuitous way you see I have reached my present
subject, which is, Ogres. You fancy they are dead or only fictitious
characters--mythical representatives of strength, cruelty, stupidity,
and lust for blood? Though they had seven-leagued boots, you remember
all sorts of little whipping-snapping Tom Thumbs used to elude and
outrun them. They were so stupid that they gave into the most shallow
ambuscades and artifices: witness that well-known ogre, who, because
Jack cut open the hasty-pudding, instantly ripped open his own stupid
waistcoat and interior. They were cruel, brutal, disgusting, with their
sharpened teeth, immense knives, and roaring voices! but they always
ended by being overcome by little Tom Thumbkins, or some other smart
little champion.

Yes; they were conquered in the end there is no doubt. They plunged
headlong (and uttering the most frightful bad language) into some pit
where Jack came with his smart couteau de chasse and whipped their
brutal heads off. They would be going to devour maidens,

         "But ever when it seemed
            Their need was at the sorest,
          A knight, in armor bright,
            Came riding through the forest."

And down, after a combat, would go the brutal persecutor, with a lance
through his midriff. Yes, I say, this is very true and well. But you
remember that round the ogre's cave the ground was covered, for hundreds
and hundreds of yards, WITH THE BONES OF THE VICTIMS whom he had lured
into the castle. Many knights and maids came to him and perished under
his knife and teeth. Were dragons the same as ogres? monsters dwelling
in caverns, whence they rushed, attired in plate armor, wielding pikes
and torches, and destroying stray passengers who passed by their lair?
Monsters, brutes, rapacious tyrants, ruffians, as they were, doubtless
they ended by being overcome. But, before they were destroyed, they did
a deal of mischief. The bones round their caves were countless. They had
sent many brave souls to Hades, before their own fled, howling out of
their rascal carcasses, to the same place of gloom.

There is no greater mistake than to suppose that fairies, champions,
distressed damsels, and by consequence ogres, have ceased to exist. It
may not be OGREABLE to them (pardon the horrible pleasantry, but as I am
writing in the solitude of my chamber, I am grinding my teeth--yelling,
roaring, and cursing--brandishing my scissors and paper-cutter, and as
it were, have become an ogre). I say there is no greater mistake than
to suppose that ogres have ceased to exist. We all KNOW ogres. Their
caverns are round us, and about us. There are the castles of several
ogres within a mile of the spot where I write. I think some of them
suspect I am an ogre myself. I am not: but I know they are. I visit
them. I don't mean to say that they take a cold roast prince out of the
cupboard, and have a cannibal feast before ME. But I see the bones
lying about the roads to their houses, and in the areas and gardens.
Politeness, of course, prevents me from making any remarks; but I know
them well enough. One of the ways to know 'em is to watch the scared
looks of the ogres' wives and children. They lead an awful life. They
are present at dreadful cruelties. In their excesses those ogres will
stab about, and kill not only strangers who happen to call in and ask
a night's lodging, but they will outrage, murder, and chop up their own
kin. We all know ogres, I say, and have been in their dens often. It is
not necessary that ogres who ask you to dine should offer their guests
the PECULIAR DISH which they like. They cannot always get a Tom Thumb
family. They eat mutton and beef too; and I dare say even go out to tea,
and invite you to drink it. But I tell you there are numbers of them
going about in the world. And now you have my word for it, and this
little hint, it is quite curious what an interest society may be made to
have for you, by your determining to find out the ogres you meet there.

What does the man mean? says Mrs. Downright, to whom a joke is a very
grave thing. I mean, madam, that in the company assembled in your
genteel drawing-room, who bow here and there and smirk in white
neck-cloths, you receive men who elbow through life successfully enough,
but who are ogres in private: men wicked, false, rapacious, flattering;
cruel hectors at home, smiling courtiers abroad; causing wives,
children, servants, parents, to tremble before them, and smiling and
bowing as they bid strangers welcome into their castles. I say, there
are men who have crunched the bones of victim after victim; in whose
closets lie skeletons picked frightfully clean. When these ogres come
out into the world, you don't suppose they show their knives, and their
great teeth? A neat simple white neck-cloth, a merry rather obsequious
manner, a cadaverous look, perhaps, now and again, and a rather dreadful
grin; but I know ogres very considerably respected: and when you hint to
such and such a man, "My dear sir, Mr. Sharpus, whom you appear to like,
is, I assure you, a most dreadful cannibal;" the gentleman cries, "Oh,
psha, nonsense! Dare say not so black as he is painted. Dare say
not worse than his neighbors." We condone everything in this
country--private treason, falsehood, flattery, cruelty at home, roguery,
and double dealing. What! Do you mean to say in your acquaintance you
don't know ogres guilty of countless crimes of fraud and force, and that
knowing them you don't shake hands with them; dine with them at your
table; and meet them at their own? Depend upon it, in the time when
there were real live ogres in real caverns or castles, gobbling up real
knights and virgins, when they went into the world--the neighboring
market-town, let us say, or earl's castle--though their nature and
reputation were pretty well known, their notorious foibles were never
alluded to. You would say, "What, Blunderbore, my boy! How do you do?
How well and fresh you look! What's the receipt you have for keeping so
young and rosy?" And your wife would softly ask after Mrs. Blunderbore
and the dear children. Or it would be, "My dear Humguffin! try that
pork. It is home-bred, homefed, and, I promise you, tender. Tell me if
you think it is as good as yours? John, a glass of Burgundy to Colonel
Humguffin!" You don't suppose there would be any unpleasant allusions to
disagreeable home-reports regarding Humguffin's manner of furnishing
his larder? I say we all of us know ogres. We shake hands and dine with
ogres. And if inconvenient moralists tell us we are cowards for our
pains, we turn round with a tu quoque, or say that we don't meddle with
other folk's affairs; that people are much less black than they are
painted, and so on. What! Won't half the county go to Ogreham Castle?
Won't some of the clergy say grace at dinner? Won't the mothers bring
their daughters to dance with the young Rawheads? And if Lady Ogreham
happens to die--I won't say to go the way of all flesh, that is
too revolting--I say if Ogreham is a widower, do you aver, on your
conscience and honor, that mothers will not be found to offer their
young girls to supply the lamented lady's place? How stale this
misanthropy is! Something must have disagreed with this cynic. Yes, my
good woman. I dare say you would like to call another subject. Yes,
my fine fellow; ogre at home, supple as a dancing-master abroad, and
shaking in thy pumps, and wearing a horrible grin of sham gayety to
conceal thy terror, lest I should point thee out:--thou art prosperous
and honored, art thou? I say thou hast been a tyrant and a robber. Thou
hast plundered the poor. Thou hast bullied the weak. Thou hast laid
violent hands on the goods of the innocent and confiding. Thou hast made
a prey of the meek and gentle who asked for thy protection. Thou hast
been hard to thy kinsfolk, and cruel to thy family. Go, monster! Ah,
when shall little Jack come and drill daylight through thy wicked
cannibal carcass? I see the ogre pass on, bowing right and left to the
company; and he gives a dreadful sidelong glance of suspicion as he is
talking to my lord bishop in the corner there.

Ogres in our days need not be giants at all. In former times, and in
children's books, where it is necessary to paint your moral in such
large letters that there can be no mistake about it, ogres are made with
that enormous mouth and ratelier which you know of, and with which they
can swallow down a baby, almost without using that great knife which
they always carry. They are too cunning now-a-days. They go about in
society, slim, small, quietly dressed, and showing no especially great
appetite. In my own young days there used to be play ogres--men who
would devour a young fellow in one sitting, and leave him without a bit
of flesh on his bones. They were quiet gentlemanlike-looking people.
They got the young fellow into their cave. Champagne, pate-de-foie-gras,
and numberless good things, were handed about; and then, having eaten,
the young man was devoured in his turn. I believe these card and dice
ogres have died away almost as entirely as the hasty-pudding giants whom
Tom Thumb overcame. Now, there are ogres in City courts who lure you
into their dens. About our Cornish mines I am told there are many most
plausible ogres, who tempt you into their caverns and pick your bones
there. In a certain newspaper there used to be lately a whole column
of advertisements from ogres who would put on the most plausible, nay,
piteous appearance, in order to inveigle their victims. You would read,
"A tradesman, established for seventy years in the City, and known,
and much respected by Messrs. N. M. Rothschild and Baring Brothers, has
pressing need for three pounds until next Saturday. He can give security
for half a million, and forty thousand pounds will be given for the use
of the loan," and so on; or, "An influential body of capitalists are
about to establish a company, of which the business will be enormous and
the profits proportionately prodigious. They will require A SECRETARY,
of good address and appearance, at a salary of two thousand per annum.
He need not be able to write, but address and manners are absolutely
necessary. As a mark of confidence in the company, he will have to
deposit," &c.; or, "A young widow (of pleasing manners and appearance)
who has a pressing necessity for four pounds ten for three weeks, offers
her Erard's grand piano, valued at three hundred guineas; a diamond
cross of eight hundred pounds; and board and lodging in her elegant
villa near Banbury Cross, with the best references and society, in
return for the loan." I suspect these people are ogres. There are ogres
and ogres. Polyphemus was a great, tall, one-eyed, notorious ogre,
fetching his victims out of a hole, and gobbling them one after
another. There could be no mistake about him. But so were the Sirens
ogres--pretty blue-eyed things, peeping at you coaxingly from out of the
water, and singing their melodious wheedles. And the bones round their
caves were more numerous than the ribs, skulls, and thigh-bones round
the cavern of hulking Polypheme.

To the castle-gates of some of these monsters up rides the dapper
champion of the pen; puffs boldly upon the horn which hangs by the
chain; enters the hall resolutely, and challenges the big tyrant sulking
within. We defy him to combat, the enormous roaring ruffian! We give
him a meeting on the green plain before his castle. Green? No wonder it
should be green: it is manured with human bones. After a few graceful
wheels and curvets, we take our ground. We stoop over our saddle. 'Tis
but to kiss the locket of our lady-love's hair. And now the vizor is up:
the lance is in rest (Gillott's iron is the point for me). A touch of
the spur in the gallant sides of Pegasus, and we gallop at the great
brute.

"Cut off his ugly head, Flibbertygibbet, my squire!" And who are these
who pour out of the castle? the imprisoned maidens, the maltreated
widows, the poor old hoary grandfathers, who have been locked up in the
dungeons these scores and scores of years, writhing under the tyranny
of that ruffian! Ah ye knights of the pen! May honor be your shield,
and truth tip your lances! Be gentle to all gentle people. Be modest to
women. Be tender to children. And as for the Ogre Humbug, out sword, and
have at him.




ON TWO ROUNDABOUT PAPERS WHICH I INTENDED TO WRITE.*

     * The following paper was written in 1861, after the
     extraordinary affray between Major Murray and the money-
     lender in a house in Northumberland Street, Strand, and
     subsequent to the appearance of M. Du Chaillu's book on
     Gorillas.

We have all heard of a place paved with good intentions--a place which I
take to be a very dismal, useless, and unsatisfactory terminus for many
pleasant thoughts, kindly fancies, gentle wishes, merry little quips and
pranks, harmless jokes which die as it were the moment of their birth.
Poor little children of the brain! He was a dreary theologian who
huddled you under such a melancholy cenotaph, and laid you in the vaults
under the flagstones of Hades! I trust that some of the best actions we
have all of us committed in our lives have been committed in fancy. It
is not all wickedness we are thinking, que diable! Some of our thoughts
are bad enough I grant you. Many a one you and I have had here below.
Ah mercy, what a monster! what crooked horns! what leering eyes! what a
flaming mouth! what cloven feet, and what a hideous writhing tail! Oh,
let us fall down on our knees, repeat our most potent exorcisms, and
overcome the brute. Spread your black pinions, fly--fly to the dusky
realms of Eblis, and bury thyself under the paving-stones of his hall,
dark genie! But ALL thoughts are not so. No--no. There are the pure:
there are the kind: there are the gentle. There are sweet unspoken
thanks before a fair scene of nature: at a sun-setting below a glorious
sea: or a moon and a host of stars shining over it: at a bunch of
children playing in the street, or a group of flowers by the hedge-side,
or a bird singing there. At a hundred moments or occurrences of the
day good thoughts pass through the mind, let us trust, which never
are spoken; prayers are made which never are said; and Te Deum is sung
without church, clerk, choristers, parson, or organ. Why, there's my
enemy: who got the place I wanted; who maligned me to the woman I wanted
to be well with; who supplanted me in the good graces of my patron.
I don't say anything about the matter: but, my poor old enemy, in my
secret mind I have movements of as tender charity towards you, you
old scoundrel, as ever I had when we were boys together at school. You
ruffian! do you fancy I forget that we were fond of each other? We are
still. We share our toffy; go halves at the tuck-shop; do each other's
exercises; prompt each other with the word in construing or repetition;
and tell the most frightful fibs to prevent each other from being found
out. We meet each other in public. Ware a fight! Get them into different
parts of the room! Our friends hustle round us. Capulet and Montague are
not more at odds than the houses of Roundabout and Wrightabout, let us
say. It is, "My dear Mrs. Buffer, do kindly put yourself in the chair
between those two men!" Or, "My dear Wrightabout, will you take that
charming Lady Blancmange down to supper? She adores your poems, and gave
five shillings for your autograph at the fancy fair." In like manner
the peacemakers gather round Roundabout on his part; he is carried to a
distant corner, and coaxed out of the way of the enemy with whom he is
at feud.

When we meet in the Square at Verona, out flash rapiers, and we fall to.
But in his private mind Tybalt owns that Mercutio has a rare wit, and
Mercutio is sure that his adversary is a gallant gentleman. Look at the
amphitheatre yonder. You do not suppose those gladiators who fought
and perished, as hundreds of spectators in that grim Circus held thumbs
down, and cried, "Kill, kill!"--you do not suppose the combatants of
necessity hated each other? No more than the celebrated trained bands
of literary sword-and-buckler men hate the adversaries whom they meet
in the arena. They engage at the given signal; feint and parry; slash,
poke, rip each other open, dismember limbs, and hew off noses: but
in the way of business, and, I trust, with mutual private esteem. For
instance, I salute the warriors of the Superfine Company with the
honors due among warriors. Here's at you, Spartacus, my lad. A hit, I
acknowledge. A palpable hit! Ha! how do you like that poke in the eye
in return? When the trumpets sing truce, or the spectators are tired, we
bow to the noble company: withdraw; and get a cool glass of wine in our
rendezvous des braves gladiateurs.

By the way, I saw that amphitheatre of Verona under the strange light
of a lurid eclipse some years ago: and I have been there in spirit for
these twenty lines past, under a vast gusty awning, now with twenty
thousand fellow-citizens looking on from the benches, now in the circus
itself, a grim gladiator with sword and net, or a meek martyr--was
I?--brought out to be gobbled up by the lions? or a huge, shaggy,
tawny lion myself, on whom the dogs were going to be set? What a day of
excitement I have had to be sure! But I must get away from Verona, or
who knows how much farther the Roundabout Pegasus may carry me?

We were saying, my Muse, before we dropped and perched on earth for a
couple of sentences, that our unsaid words were in some limbo or other,
as real as those we have uttered; that the thoughts which have passed
through our brains are as actual as any to which our tongues and pens
have given currency. For instance, besides what is here hinted at, I
have thought ever so much more about Verona: about an early Christian
church I saw there; about a great dish of rice we had at the inn; about
the bugs there; about ever so many more details of that day's journey
from Milan to Venice; about Lake Garda, which lay on the way from Milan,
and so forth. I say what fine things we have thought of, haven't we, all
of us? Ah, what a fine tragedy that was I thought of, and never wrote!
On the day of the dinner of the Oystermongers' Company, what a noble
speech I thought of in the cab, and broke down--I don't mean the
cab, but the speech. Ah, if you could but read some of the unwritten
Roundabout Papers, how you would be amused! Aha! my friend, I catch you
saying, "Well, then, I wish THIS was unwritten with all my heart." Very
good. I owe you one. I do confess a hit, a palpable hit.

One day in the past month, as I was reclining on the bench of thought,
with that ocean The Times newspaper spread before me, the ocean cast up
on the shore at my feet two famous subjects for Roundabout Papers, and I
picked up those waifs, and treasured them away until I could polish them
and bring them to market. That scheme is not to be carried out. I can't
write about those subjects. And though I cannot write about them, I may
surely tell what are the subjects I am going NOT to write about.

The first was that Northumberland Street encounter, which all the papers
have narrated. Have any novelists of our days a scene and catastrophe
more strange and terrible than this which occurs at noonday within a few
yards of the greatest thoroughfare in Europe? At the theatres they
have a new name for their melodramatic pieces, and call them "Sensation
Dramas." What a sensation Drama this is! What have people been flocking
to see at the Adelphi Theatre for the last hundred and fifty nights?
A woman pitched overboard out of a boat, and a certain Miles taking a
tremendous "header," and bringing her to shore? Bagatelle! What is this
compared to the real life-drama, of which a midday representation takes
place just opposite the Adelphi in Northumberland Street? The
brave Dumas, the intrepid Ainsworth, the terrible Eugene Sue, the
cold-shudder-inspiring "Woman in White," the astounding author of
the "Mysteries of the Court of London," never invented anything more
tremendous than this. It might have happened to you and me. We want
to borrow a little money. We are directed to an agent. We propose a
pecuniary transaction at a short date. He goes into the next room, as
we fancy, to get the bank-notes, and returns with "two very pretty,
delicate little ivory-handled pistols," and blows a portion of our
heads off. After this, what is the use of being squeamish about the
probabilities and possibilities in the writing of fiction? Years ago I
remember making merry over a play of Dumas, called Kean, in which
the "Coal-Hole Tavern" was represented on the Thames, with a fleet of
pirate-ships moored alongside. Pirate-ships? Why not? What a cavern of
terror was this in Northumberland Street, with its splendid furniture
covered with dust, its empty bottles, in the midst of which sits a grim
"agent," amusing himself by firing pistols, aiming at the unconscious
mantel-piece, or at the heads of his customers!

After this, what is not possible? It is possible Hungerford Market is
mined, and will explode some day. Mind how you go in for a penny ice
unawares. "Pray, step this way," says a quiet person at the door. You
enter--into a back room:--a quiet room; rather a dark room. "Pray, take
your place in a chair." And she goes to fetch the penny ice. Malheureux!
The chair sinks down with you--sinks, and sinks, and sinks--a large wet
flannel suddenly envelopes your face and throttles you. Need we say any
more? After Northumberland Street, what is improbable? Surely there
is no difficulty in crediting Bluebeard. I withdraw my last month's
opinions about ogres. Ogres? Why not? I protest I have seldom
contemplated anything more terribly ludicrous than this "agent" in the
dingy splendor of his den, surrounded by dusty ormolu and piles of empty
bottles, firing pistols for his diversion at the mantel-piece until his
clients come in! Is pistol-practice so common in Northumberland Street,
that it passes without notice in the lodging-houses there?

We spake anon of good thoughts. About bad thoughts? Is there some
Northumberland Street chamber in your heart and mine, friend: close to
the every-day street of life visited by daily friends: visited by people
on business; in which affairs are transacted; jokes are uttered; wine is
drunk; through which people come and go; wives and children pass; and in
which murder sits unseen until the terrible moment when he rises up and
kills? A farmer, say, has a gun over the mantel-piece in his room where
he sits at his daily meals and rest: caressing his children, joking with
his friends, smoking his pipe in his calm. One night the gun is taken
down: the farmer goes out: and it is a murderer who comes back and puts
the piece up and drinks by that fireside. Was he a murderer yesterday
when he was tossing the baby on his knee, and when his hands were
playing with his little girl's yellow hair? Yesterday there was no blood
on them at all: they were shaken by honest men: have done many a kind
act in their time very likely. He leans his head on one of them, the
wife comes in with her anxious looks of welcome, the children are
prattling as they did yesterday round the father's knee at the fire, and
Cain is sitting by the embers, and Abel lies dead on the moor. Think
of the gulf between now and yesterday. Oh, yesterday! Oh, the days when
those two loved each other and said their prayers side by side! He goes
to sleep, perhaps, and dreams that his brother is alive. Be true, O
dream! Let him live in dreams, and wake no more. Be undone, O crime,
O crime! But the sun rises: and the officers of conscience come: and
yonder lies the body on the moor. I happened to pass, and looked at the
Northumberland Street house the other day. A few loiterers were gazing
up at the dingy windows. A plain ordinary face of a house enough--and in
a chamber in it one man suddenly rose up, pistol in hand, to slaughter
another. Have you ever killed any one in your thoughts? Has your heart
compassed any man's death? In your mind, have you ever taken a brand
from the altar, and slain your brother? How many plain ordinary faces of
men do we look at, unknowing of murder behind those eyes? Lucky for you
and me, brother, that we have good thoughts unspoken. But the bad ones?
I tell you that the sight of those blank windows in Northumberland
Street--through which, as it were, my mind could picture the awful
tragedy glimmering behind--set me thinking, "Mr. Street-Preacher, here
is a text for one of your pavement sermons. But it is too glum and
serious. You eschew dark thoughts: and desire to be cheerful and
merry in the main." And, such being the case, you see we must have no
Roundabout Essay on this subject.

Well, I had another arrow in my quiver. (So, you know, had William Tell
a bolt for his son, the apple of his eye; and a shaft for Gessler, in
case William came to any trouble with the first poor little target.)
And this, I must tell you, was to have been a rare Roundabout
performance--one of the very best that has ever appeared in this series.
It was to have contained all the deep pathos of Addison; the logical
precision of Rabelais; the childlike playfulness of Swift; the manly
stoicism of Sterne; the metaphysical depth of Goldsmith; the blushing
modesty of Fielding; the epigrammatic terseness of Walter Scott; the
uproarious humor of Sam Richardson; and the gay simplicity of Sam
Johnson;--it was to have combined all these qualities, with some
excellences of modern writers whom I could name:--but circumstances have
occurred which have rendered this Roundabout Essay also impossible.

I have not the least objection to tell you what was to have been the
subject of that other admirable Roundabout Paper. Gracious powers! the
Dean of St. Patrick's never had a better theme. The paper was to have
been on the Gorillas, to be sure. I was going to imagine myself to be
a young surgeon-apprentice from Charleston, in South Carolina, who ran
away to Cuba on account of unhappy family circumstances, with which
nobody has the least concern; who sailed thence to Africa in a large,
roomy schooner with an extraordinary vacant space between decks. I was
subject to dreadful ill treatment from the first mate of the ship, who,
when I found she was a slaver, altogether declined to put me on shore.
I was chased--we were chased--by three British frigates and a
seventy-four, which we engaged and captured; but were obliged to scuttle
and sink, as we could sell them in no African port: and I never shall
forget the look of manly resignation, combined with considerable
disgust, of the British Admiral as he walked the plank, after cutting
off his pigtail, which he handed to me, and which I still have in charge
for his family at Boston, Lincolnshire, England.

We made the port of Bpoopoo, at the confluence of the Bungo and Sgglolo
rivers (which you may see in Swammerdahl's map) on the 31st April
last year. Our passage had been so extraordinarily rapid, owing to the
continued drunkenness of the captain and chief officers, by which I
was obliged to work the ship and take her in command, that we reached
Bpoopoo six weeks before we were expected, and five before the coffres
from the interior and from the great slave depot at Zbabblo were
expected. Their delay caused us not a little discomfort, because, though
we had taken the four English ships, we knew that Sir Byam Martin's
iron-cased squadron, with the "Warrior," the "Impregnable," the
"Sanconiathon," and the "Berosus," were cruising in the neighborhood,
and might prove too much for us.

It not only became necessary to quit Bpoopoo before the arrival of the
British fleet or the rainy season, but to get our people on board as
soon as might be. While the chief mate, with a detachment of seamen,
hurried forward to the Pgogo lake, where we expected a considerable part
of our cargo, the second mate, with six men, four chiefs, King Fbumbo,
an Obi man, and myself, went N.W. by W., towards King Mtoby'stown, where
we knew many hundreds of our between-deck passengers were to be got
together. We went down the Pdodo river, shooting snipes, ostriches, and
rhinoceros in plenty, and I think a few elephants, until, by the advice
of a guide, who I now believe was treacherous, we were induced to leave
the Pdodo, and march N.E. by N.N. Here Lieutenant Larkins, who had
persisted in drinking rum from morning to night, and thrashing me in his
sober moments during the whole journey, died, and I have too good reason
to know was eaten with much relish by the natives. At Mgoo, where there
are barracoons and a depot for our cargo, we had no news of our
expected freight; accordingly, as time pressed exceedingly, parties
were despatched in advance towards the great Washaboo lake, by which the
caravans usually come towards the coast. Here we found no caravan, but
only four negroes down with the ague, whom I treated, I am bound to say,
unsuccessfully, whilst we waited for our friends. We used to take watch
and watch in front of the place, both to guard ourselves from attack,
and get early news of the approaching caravan.

At last, on the 23rd September, as I was in advance with Charles Rogers,
second mate, and two natives with bows and arrows, we were crossing a
great plain skirted by a forest, when we saw emerging from a ravine what
I took to be three negroes--a very tall one, one of a moderate size, and
one quite little.

Our native guide shrieked out some words in their language, of which
Charles Rogers knew something. I thought it was the advance of the
negroes whom we expected. "No!" said Rogers (who swore dreadfully in
conversation), "it is the Gorillas!" And he fired both barrels of his
gun, bringing down the little one first, and the female afterwards.

The male, who was untouched, gave a howl that you might have heard
a league off; advanced towards us as if he would attack us, and then
turned and ran away with inconceivable celerity towards the wood.

We went up towards the fallen brutes. The little one by the female
appeared to be about two years old. It lay bleating and moaning on the
ground, stretching out its little hands, with movements and looks
so strangely resembling human, that my heart sickened with pity. The
female, who had been shot through both legs, could not move. She howled
most hideously when I approached the little one.

"We must be off," said Rogers, "or the whole Gorilla race may be down
upon us." "The little one is only shot in the leg," I said. "I'll bind
the limb up, and we will carry the beast with us on board."

The poor little wretch held up its leg to show it was wounded, and
looked to me with appealing eyes. It lay quite still whilst I looked for
and found the bullet, and, tearing off a piece of my shirt, bandaged
up the wound. I was so occupied in this business, that I hardly heard
Rogers cry "Run! run!" and when I looked up--

When I looked up, with a roar the most horrible I ever heard--a roar?
ten thousand roars--a whirling army of dark beings rushed by me.
Rogers, who had bullied me so frightfully during the voyage, and who
had encouraged my fatal passion for play, so that I own I owed him 1,500
dollars, was overtaken, felled, brained, and torn into ten thousand
pieces; and I dare say the same fate would have fallen on me, but that
the little Gorilla, whose wound I had dressed, flung its arms round
my neck (their arms, you know, are much longer than ours). And when an
immense gray Gorilla, with hardly any teeth, brandishing the trunk of a
gollyboshtree about sixteen feet long, came up to me roaring, the little
one squeaked out something plaintive, which, of course, I could not
understand; on which suddenly the monster flung down his tree, squatted
down on his huge hams by the side of the little patient, and began to
bellow and weep.

And now, do you see whom I had rescued? I had rescued the young Prince
of the Gorillas, who was out walking with his nurse and footman. The
footman had run off to alarm his master, and certainly I never saw a
footman run quicker. The whole army of Gorillas rushed forward to rescue
their prince, and punish his enemies. If the King Gorilla's emotion
was great, fancy what the queen's must have been when SHE came up! She
arrived, on a litter, neatly enough made with wattled branches, on which
she lay, with her youngest child, a prince of three weeks old.

My little protege with the wounded leg, still persisted in hugging me
with its arms (I think I mentioned that they are longer than those of
men in general), and as the poor little brute was immensely heavy, and
the Gorillas go at a prodigious pace, a litter was made for us likewise;
and my thirst much refreshed by a footman (the same domestic who had
given the alarm) running hand over hand up a cocoanut-tree, tearing the
rinds off, breaking the shell on his head, and handing me the fresh milk
in its cup. My little patient partook of a little, stretching out its
dear little unwounded foot, with which, or with its hand, a Gorilla can
help itself indiscriminately. Relays of large Gorillas relieved each
other at the litters at intervals of twenty minutes, as I calculated by
my watch, one of Jones and Bates's, of Boston, Mass., though I have been
unable to this day to ascertain how these animals calculate time with
such surprising accuracy. We slept for that night under--

And now, you see, we arrive at really the most interesting part of my
travels in the country which I intended to visit, viz. the manners and
habits of the Gorillas chez eux. I give the heads of this narrative
only, the full account being suppressed for a reason which shall
presently be given. The heads, then, of the chapters, are briefly as
follows:--


The author's arrival in the Gorilla country. Its geographical position.
Lodgings assigned to him up a gum-tree. Constant attachment of the
little prince. His royal highness's gratitude. Anecdotes of his wit,
playfulness, and extraordinary precocity. Am offered a portion of poor
Larkins for my supper, but decline with horror. Footman brings me a
young crocodile: fishy but very palatable. Old crocodiles too tough:
ditto rhinoceros. Visit the queen mother--an enormous old Gorilla, quite
white. Prescribe for her majesty. Meeting of Gorillas at what appears a
parliament amongst them: presided over by old Gorilla in cocoanut-fibre
wig. Their sports. Their customs. A privileged class amongst them.
Extraordinary likeness of Gorillas to people at home, both at
Charleston, S. C., my native place; and London, England, which I have
visited. Flat-nosed Gorillas and blue-nosed Gorillas; their hatred, and
wars between them. In a part of the country (its geographical position
described) I see several negroes under Gorilla domination. Well treated
by their masters. Frog-eating Gorillas across the Salt Lake. Bull-headed
Gorillas--their mutual hostility. Green Island Gorillas. More
quarrelsome than the Bull-heads, and howl much louder. I am called to
attend one of the princesses. Evident partiality of H. R. H. for me.
Jealousy and rage of large red-headed Gorilla. How shall I escape?


Ay, how indeed? Do you wish to know? Is your curiosity excited? Well,
I DO know how I escaped. I could tell the most extraordinary adventures
that happened to me. I could show you resemblances to people at home,
that would make them blue with rage and you crack your sides with
laughter. . . . And what is the reason I cannot write this paper, having
all the facts before me? The reason is, that walking down St. James
Street yesterday, I met a friend who says to me, "Roundabout my boy,
have you seen your picture? Here it is!" And he pulls out a portrait,
executed in photography, of your humble servant, as an immense and most
unpleasant-featured baboon, with long hairy hands, and called by the
waggish artist "A Literary Gorilla." O horror! And now you see why I
can't play off this joke myself, and moralize on the fable, as it has
been narrated already DE ME.




A MISSISSIPPI BUBBLE.


This group of dusky children of the captivity is copied out of a little
sketch-book which I carried in many a roundabout journey, and will point
a moral as well as any other sketch in the volume. Yonder drawing* was
made in a country where there was such hospitality, friendship, kindness
shown to the humble designer, that his eyes do not care to look out for
faults, or his pen to note them. How they sang; how they laughed and
grinned; how they scraped, bowed, and complimented you and each other,
those negroes of the cities of the Southern parts of the then
United States! My business kept me in the towns; I was but in one
negro-plantation village, and there were only women and little children,
the men being out a-field. But there was plenty of cheerfulness in the
huts, under the great trees--I speak of what I saw--and amidst the dusky
bondsmen of the cities. I witnessed a curious gayety; heard amongst the
black folk endless singing, shouting, and laughter; and saw on holidays
black gentlemen and ladies arrayed in such splendor and comfort as
freeborn workmen in our towns seldom exhibit. What a grin and bow that
dark gentleman performed, who was the porter at the colonel's, when he
said, "You write your name, mas'r, else I will forgot." I am not going
into the slavery question, I am not an advocate for "the institution,"
as I know, madam, by that angry toss of your head, you are about to
declare me to be. For domestic purposes, my dear lady, it seemed to
me about the dearest institution that can be devised. In a house in a
Southern city you will find fifteen negroes doing the work which
John, the cook, the housemaid, and the help, do perfectly in your own
comfortable London house. And these fifteen negroes are the pick of a
family of some eighty or ninety. Twenty are too sick, or too old for
work, let us say: twenty too clumsy: twenty are too young, and have
to be nursed and watched by ten more.** And master has to maintain the
immense crew to do the work of half a dozen willing hands. No, no; let
Mitchell, the exile from poor dear enslaved Ireland, wish for a gang of
"fat niggers;" I would as soon you should make me a present of a score
of Bengal elephants, when I need but a single stout horse to pull my
brougham.

     * This refers to an illustrated edition of the work.

     ** This was an account given by a gentleman at Richmond of
     his establishment.  Six European servants would have kept
     his house and stables well.  "His farm," he said, "barely
     sufficed to maintain the negroes residing on it."

How hospitable they were, those Southern men! In the North itself the
welcome was not kinder, as I, who have eaten Northern and Southern salt,
can testify. As for New Orleans, in spring-time,--just when the orchards
were flushing over with peach-blossoms, and the sweet herbs came to
flavor the juleps--it seemed to me the city of the world where you can
eat and drink the most and suffer the least. At Bordeaux itself, claret
is not better to drink than at New Orleans. It was all good--believe an
expert Robert--from the half-dollar Medoc of the public hotel table, to
the private gentleman's choicest wine. Claret is, somehow, good in that
gifted place at dinner, at supper, and at breakfast in the morning.
It is good: it is superabundant--and there is nothing to pay. Find
me speaking ill of such a country! When I do, pone me pigris campis:
smother me in a desert, or let Mississippi or Garonne drown me! At that
comfortable tavern on Pontchartrain we had a bouillabaisse than which a
better was never eaten at Marseilles: and not the least headache in the
morning, I give you my word; on the contrary, you only wake with a sweet
refreshing thirst for claret and water. They say there is fever there
in the autumn: but not in the spring-time, when the peach-blossoms blush
over the orchards, and the sweet herbs come to flavor the juleps.

I was bound from New Orleans to Saint Louis; and our walk was constantly
on the Levee, whence we could see a hundred of those huge white
Mississippi steamers at their moorings in the river: "Look," said my
friend Lochlomond to me, as we stood one day on the quay--"look at that
post! Look at that coffee-house behind it! Sir, last year a steamer blew
up in the river yonder, just where you see those men pulling off in the
boat. By that post where you are standing a mule was cut in two by a
fragment of the burst machinery, and a bit of the chimney-stove in that
first-floor window of the coffee-house, killed a negro who was cleaning
knives in the top-room!" I looked at the post, at the coffee-house
window, at the steamer in which I was going to embark, at my friend,
with a pleasing interest not divested of melancholy. Yesterday, it was
the mule, thinks I, who was cut in two: it may be cras mihi. Why, in the
same little sketch-book, there is a drawing of an Alabama river steamer
which blew up on the very next voyage after that in which your humble
servant was on board! Had I but waited another week, I might have. . . .
These incidents give a queer zest to the voyage down the life-stream
in America. When our huge, tall, white, pasteboard castle of a steamer
began to work up stream, every limb in her creaked, and groaned, and
quivered, so that you might fancy she would burst right off. Would she
hold together, or would she split into ten million of shivers? O my
home and children! Would your humble servant's body be cut in two across
yonder chain on the Levee, or be precipitated into yonder first-floor,
so as to damage the chest of a black man cleaning boots at the window?
The black man is safe for me, thank goodness. But you see the little
accident might have happened. It has happened; and if to a mule, why not
to a more docile animal? On our journey up the Mississippi, I give you
my honor we were on fire three times, and burned our cook-room down.
The deck at night was a great firework--the chimney spouted myriads of
stars, which fell blackening on our garments, sparkling on to the deck,
or gleaming into the mighty stream through which we labored--the mighty
yellow stream with all its snags.

How I kept up my courage through these dangers shall now be narrated.
The excellent landlord of the "Saint Charles Hotel," when I was going
away, begged me to accept two bottles of the very finest Cognac, with
his compliments; and I found them in my state-room with my luggage.
Lochlomond came to see me off, and as he squeezed my hand at parting,
"Roundabout," says he, "the wine mayn't be very good on board, so I
have brought a dozen-case of the Medoc which you liked;" and we grasped
together the hands of friendship and farewell. Whose boat is this
pulling up to the ship? It is our friend Glenlivat, who gave us the
dinner on Lake Pontchartrain. "Roundabout," says he, "we have tried to
do what we could for you, my boy; and it has been done de bon coeur" (I
detect a kind tremulousness in the good fellow's voice as he speaks). "I
say--hem!--the a--the wine isn't too good on board, so I've brought you
a dozen of Medoc for your voyage, you know. And God bless you; and when
I come to London in May I shall come and see you. Hallo! here's Johnson
come to see you off, too!"

As I am a miserable sinner, when Johnson grasped my hand, he said, "Mr.
Roundabout, you can't be sure of the wine on board these steamers, so I
thought I would bring you a little case of that light claret which you
liked at my house." Et de trois! No wonder I could face the Mississippi
with so much courage supplied to me! Where are you, honest friends, who
gave me of your kindness and your cheer? May I be considerably boiled,
blown up, and snagged, if I speak hard words of you. May claret turn
sour ere I do!

Mounting the stream it chanced that we had very few passengers. How
far is the famous city of Memphis from New Orleans? I do not mean the
Egyptian Memphis, but the American Memphis, from which to the American
Cairo we slowly toiled up the river--to the American Cairo at the
confluence of the Ohio and Mississippi rivers. And at Cairo we parted
company from the boat, and from some famous and gifted fellow-passengers
who joined us at Memphis, and whose pictures we had seen in many cities
of the South. I do not give the names of these remarkable people,
unless, by some wondrous chance, in inventing a name I should light upon
that real one which some of them bore; but if you please I will say that
our fellow-passengers whom we took in at Memphis were no less personages
than the Vermont Giant and the famous Bearded Lady of Kentucky and her
son. Their pictures I had seen in many cities through which I travelled
with my own little performance. I think the Vermont Giant was a trifle
taller in his pictures than he was in life (being represented in the
former as, at least, some two stories high): but the lady's prodigious
beard received no more than justice at the hands of the painter; that
portion of it which I saw being really most black, rich, and curly--I
say the portion of beard, for this modest or prudent woman kept I don't
know how much of the beard covered up with a red handkerchief, from
which I suppose it only emerged when she went to bed, or when she
exhibited it professionally.

The Giant, I must think, was an overrated giant. I have known gentlemen,
not in the profession, better made, and I should say taller, than the
Vermont gentleman. A strange feeling I used to have at meals; when, on
looking round our little society, I saw the Giant, the Bearded Lady of
Kentucky, the little Bearded Boy of three years old, the Captain, (this
I THINK; but at this distance of time I would not like to make the
statement on affidavit,) and the three other passengers, all with their
knives in their mouths making play at the dinner--a strange feeling I
say it was, and as though I was in a castle of ogres. But, after all,
why so squeamish? A few scores of years back, the finest gentlemen
and ladies of Europe did the like. Belinda ate with her knife; and
Saccharissa had only that weapon, or a two-pronged fork, or a spoon,
for her pease. Have you ever looked at Gilray's print of the Prince
of Wales, a languid voluptuary, retiring after his meal, and noted the
toothpick which he uses? . . . You are right, madam; I own that the
subject is revolting and terrible. I will not pursue it. Only--allow
that a gentleman, in a shaky steamboat, on a dangerous river, in a
far-off country, which caught fire three times during the voyage--(of
course I mean the steamboat, not the country,)--seeing a giant, a
voracious supercargo, a bearded lady, and a little boy, not three years
of age, with a chin already quite black and curly, all plying their
victuals down their throats with their knives--allow, madam, that in
such a company a man had a right to feel a little nervous. I don't know
whether you have ever remarked the Indian jugglers swallowing their
knives, or seen, as I have, a whole table of people performing the same
trick, but if you look at their eyes when they do it, I assure you there
is a roll in them which is dreadful.

Apart from this usage, which they practise in common with many thousand
most estimable citizens, the Vermont gentleman, and the Kentucky
whiskered lady--or did I say the reverse?--whichever you like my dear
sir--were quite quiet, modest, unassuming people. She sat working with
her needle, if I remember right. He, I suppose, slept in the great
cabin, which was seventy feet long at the least, nor, I am bound to say,
did I hear in the night any snores or roars, such as you would fancy
ought to accompany the sleep of ogres. Nay, this giant had quite a small
appetite, (unless, to be sure, he went forward and ate a sheep or two in
private with his horrid knife--oh, the dreadful thought!--but IN PUBLIC,
I say, he had quite a delicate appetite,) and was also a tea-totaler.
I don't remember to have heard the lady's voice, though I might, not
unnaturally, have been curious to hear it. Was her voice a deep, rich,
magnificent bass; or was it soft, fluty, and mild? I shall never know
now. Even if she comes to this country, I shall never go and see her. I
HAVE seen her, and for nothing.

You would have fancied that, as after all we were only some half-dozen
on board, she might have dispensed with her red handkerchief, and
talked, and eaten her dinner in comfort: but in covering her chin there
was a kind of modesty. That beard was her profession: that beard brought
the public to see her: out of her business she wished to put that beard
aside as it were: as a barrister would wish to put off his wig. I know
some who carry theirs into private life, and who mistake you and me
for jury-boxes when they address us: but these are not your modest
barristers, not your true gentlemen.

Well, I own I respected the lady for the modesty with which, her public
business over, she retired into private life. She respected her life,
and her beard. That beard having done its day's work, she puts it away
in her handkerchief; and becomes, as far as in her lies, a private
ordinary person. All public men and women of good sense, I should think,
have this modesty. When, for instance, in my small way, poor Mrs. Brown
comes simpering up to me, with her album in one hand, a pen in the
other, and says, "Ho, ho, dear Mr. Roundabout, write us one of your
amusing," &c .&c., my beard drops behind my handkerchief instantly. Why
am I to wag my chin and grin for Mrs. Brown's good pleasure? My dear
madam, I have been making faces all day. It is my profession. I do my
comic business with the greatest pains, seriousness, and trouble: and
with it make, I hope, a not dishonest livelihood. If you ask Mons.
Blondin to tea, you don't have a rope stretched from your garret window
to the opposite side of the square, and request Monsieur to take his
tea out on the centre of the rope? I lay my hand on this waistcoat, and
declare that not once in the course of our voyage together did I allow
the Kentucky Giant to suppose I was speculating on his stature, or the
Bearded Lady to surmise that I wished to peep under the handkerchief
which muffled the lower part of her face. "And the more fool you," says
some cynic. (Faugh, those cynics, I hate 'em!) Don't you know, sir, that
a man of genius is pleased to have his genius recognized; that a beauty
likes to be admired; that an actor likes to be applauded; that stout old
Wellington himself was pleased, and smiled when the people cheered him
as he passed? Suppose you had paid some respectful compliment to that
lady? Suppose you had asked that giant, if, for once, he would take
anything at the liquor-bar? you might have learned a great deal of
curious knowledge regarding giants and bearded ladies, about whom you
evidently now know very little. There was that little boy of three years
old, with a fine beard already, and his little legs and arms, as seen
out of his little frock, covered with a dark down. What a queer little
capering satyr! He was quite good-natured, childish, rather solemn. He
had a little Norval dress, I remember: the drollest little Norval.

I have said the B. L. had another child. Now this was a little girl of
some six years old, as fair and as smooth of skin, dear madam, as
your own darling cherubs. She wandered about the great cabin quite
melancholy. No one seemed to care for her. All the family affections
were centred on Master Esau yonder. His little beard was beginning to
be a little fortune already, whereas Miss Rosalba was of no good to the
family. No one would pay a cent to see HER little fair face. No wonder
the poor little maid was melancholy. As I looked at her, I seemed to
walk more and more in a fairy tale, and more and more in a cavern
of ogres. Was this a little fondling whom they had picked up in some
forest, where lie the picked bones of the queen, her tender mother, and
the tough old defunct monarch, her father? No. Doubtless they were quite
good-natured people, these. I don't believe they were unkind to the
little girl without the moustaches. It may have been only my fancy that
she repined because she had a cheek no more bearded than a rose's.

Would you wish your own daughter, madam, to have a smooth cheek, a
modest air, and a gentle feminine behavior, or to be--I won't say a
whiskered prodigy, like this Bearded Lady of Kentucky--but a masculine
wonder, a virago, a female personage of more than female strength,
courage, wisdom? Some authors, who shall be nameless, are, I know,
accused of depicting the most feeble, brainless, namby-pamby heroines,
for ever whimpering tears and prattling commonplaces. YOU would have the
heroine of your novel so beautiful that she should charm the captain (or
hero, whoever he may be) with her appearance; surprise and confound the
bishop with her learning; outride the squire and get the brush, and,
when he fell from his horse, whip out a lancet and bleed him; rescue
from fever and death the poor cottager's family whom the doctor had
given up; make 21 at the butts with the rifle, when the poor captain
only scored 18; give him twenty in fifty at billiards and beat him;
and draw tears from the professional Italian people by her exquisite
performance (of voice and violoncello) in the evening;--I say, if a
novelist would be popular with ladies--the great novel-readers of the
world--this is the sort of heroine who would carry him through half a
dozen editions. Suppose I had asked that Bearded Lady to sing? Confess,
now, miss, you would not have been displeased if I had told you that she
had a voice like Lablache, only ever so much lower.

My dear, you would like to be a heroine? You would like to travel in
triumphal caravans; to see your effigy placarded on city walls; to have
your levees attended by admiring crowds, all crying out, "Was there ever
such a wonder of a woman?" You would like admiration? Consider the
tax you pay for it. You would be alone were you eminent. Were you
so distinguished from your neighbors I will not say by a beard and
whiskers, that were odious--but by a great and remarkable intellectual
superiority--would you, do you think, be any the happier? Consider envy.
Consider solitude. Consider the jealousy and torture of mind which this
Kentucky lady must feel, suppose she should hear that there is, let us
say, a Missouri prodigy, with a beard larger than hers? Consider how she
is separated from her kind by the possession of that wonder of a beard?
When that beard grows gray, how lonely she will be, the poor old thing!
If it falls off, the public admiration falls off too; and how she will
miss it--the compliments of the trumpeters, the admiration of the crowd,
the gilded progress of the car. I see an old woman alone in a decrepit
old caravan, with cobwebs on the knocker, with a blistered ensign
flapping idly over the door. Would you like to be that deserted person?
Ah, Chloe! To be good, to be simple, to be modest, to be loved, be thy
lot. Be thankful thou art not taller, nor stronger, nor richer, nor
wiser than the rest of the world!




ON LETTS'S DIARY.


Mine is one of your No. 12 diaries, three shillings cloth boards;
silk limp, gilt edges, three-and-six; French morocco, tuck ditto,
four-and-six. It has two pages, ruled with faint lines for memoranda,
for every week, and a ruled account at the end, for the twelve months
from January to December, where you may set down your incomings and your
expenses. I hope yours, my respected reader, are large; that there are
many fine round sums of figures on each side of the page: liberal on the
expenditure side, greater still on the receipt. I hope, sir, you will
be "a better man," as they say, in '62 than in this moribund '61, whose
career of life is just coming to its terminus. A better man in purse? in
body? in soul's health? Amen, good sir, in all. Who is there so good
in mind, body or estate, but bettering won't still be good for him?
O unknown Fate, presiding over next year, if you will give me better
health, a better appetite, a better digestion, a better income, a better
temper in '62 than you have bestowed in '61, I think your servant will
be the better for the changes. For instance, I should be the better for
a new coat. This one, I acknowledge, is very old. The family says so. My
good friend, who amongst us would not be the better if he would give
up some old habits? Yes, yes. You agree with me. You take the allegory?
Alas! at our time of life we don't like to give up those old habits,
do we? It is ill to change. There is the good old loose, easy, slovenly
bedgown, laziness, for example. What man of sense likes to fling it off
and put on a tight guinde prim dress-coat that pinches him? There is
the cozy wraprascal, self-indulgence--how easy it is! How warm! How it
always seems to fit! You can walk out in it; you can go down to dinner
in it. You can say of such what Tully says of his books: Pernoctat
nobiscum, peregrinatur, rusticatur. It is a little slatternly--it is
a good deal stained--it isn't becoming--it smells of cigar-smoke; but,
allons donc! let the world call me idle and sloven. I love my ease
better than my neighbor's opinion. I live to please myself; not you, Mr.
Dandy, with your supercilious airs. I am a philosopher. Perhaps I live
in my tub, and don't make any other use of it--. We won't pursue further
this unsavory metaphor; but, with regard to some of your old habits let
us say--

1. The habit of being censorious, and speaking ill of your neighbors.

2. The habit of getting into a passion with your man-servant, your
maid-servant, your daughter, wife, &c.

3. The habit of indulging too much at table.

4. The habit of smoking in the dining-room after dinner.

5. The habit of spending insane sums of money in bric-a-brac, tall
copies, binding, Elzevirs, &c.; '20 Port, outrageously fine horses,
ostentatious entertainments, and what not? or,

6. The habit of screwing meanly, when rich, and chuckling over the
saving of half a crown, whilst you are poisoning your friends and family
with bad wine.

7. The habit of going to sleep immediately after dinner, instead of
cheerfully entertaining Mrs. Jones and the family: or,

8. LADIES! The habit of running up bills with the milliners, and
swindling paterfamilias on the house bills.

9. The habit of keeping him waiting for breakfast.

10. The habit of sneering at Mrs. Brown and the Miss Browns, because
they are not quite du monde, or quite so genteel as Lady Smith.

11. The habit of keeping your wretched father up at balls till five
o'clock in the morning, when he has to be at his office at eleven.

12. The habit of fighting with each other, dear Louisa, Jane, Arabella,
Amelia.

13. The habit of ALWAYS ordering John Coachman, three-quarters of an
hour before you want him.

SUCH habits, I say, sir or madam, if you have had to note in your
diary of '61, I have not the slightest doubt you will enter in your
pocket-book of '62. There are habits Nos. 4 and 7, for example. I am
morally sure that some of us will not give up those bad customs, though
the women cry out and grumble, and scold ever so justly. There are
habits Nos. 9 and 13. I feel perfectly certain, my dear young ladies,
that you will continue to keep John Coachman waiting; that you will
continue to give the most satisfactory reasons for keeping him waiting:
and as for (9), you will show that you once (on the 1st of April last,
let us say,) came to breakfast first, and that you are ALWAYS first in
consequence.

Yes; in our '62 diaries, I fear we may all of us make some of the
'61 entries. There is my friend Freehand, for instance. (Aha! Master
Freehand, how you will laugh to find yourself here!) F. is in the habit
of spending a little, ever so little, more than his income. He shows you
how Mrs. Freehand works, and works (and indeed Jack Freehand, if you say
she is an angel, you don't say too much of her); how they toil, and how
they mend, and patch, and pinch; and how they CAN'T live on their means.
And I very much fear--nay, I will bet him half a bottle of Gladstone
14s. per dozen claret--that the account which is a little on the wrong
side this year, will be a little on the wrong side in the next ensuing
year of grace.

A diary. Dies. Hodie. How queer to read are some of the entries in the
journal! Here are the records of dinners eaten, and gone the way of
flesh. The lights burn blue somehow, and we sit before the ghosts of
victuals. Hark at the dead jokes resurging! Memory greets them with the
ghost of a smile. Here are the lists of the individuals who have dined
at your own humble table. The agonies endured before and during those
entertainments are renewed, and smart again. What a failure that special
grand dinner was! How those dreadful occasional waiters did break the
old china! What a dismal hash poor Mary, the cook, made of the French
dish which she WOULD try out of Francatelli! How angry Mrs. Pope was at
not going down to dinner before Mrs. Bishop! How Trimalchio sneered
at your absurd attempt to give a feast; and Harpagon cried out at your
extravagance and ostentation! How Lady Almack bullied the other ladies
in the drawing-room (when no gentlemen were present): never asked you
back to dinner again: left her card by her footman: and took not the
slightest notice of your wife and daughters at Lady Hustleby's assembly!
On the other hand, how easy, cozy, merry, comfortable, those little
dinners were; got up at one or two days' notice; when everybody was
contented; the soup as clear as amber; the wine as good as Trimalchio's
own; and the people kept their carriages waiting, and would not go away
until midnight!

Along with the catalogue of bygone pleasures, balls, banquets, and
the like, which the pages record, comes a list of much more important
occurrences, and remembrances of graver import. On two days of Dives's
diary are printed notices that "Dividends are due at the Bank." Let us
hope, dear sir, that this announcement considerably interests you; in
which case, probably, you have no need of the almanac-maker's printed
reminder. If you look over poor Jack Reckless's note-book, amongst
his memoranda of racing odds given and taken, perhaps you may
read:--"Nabbam's bill, due 29th September, 142l. 15s. 6d." Let us trust,
as the day has passed, that the little transaction here noted has been
satisfactorily terminated. If you are paterfamilias, and a worthy kind
gentleman, no doubt you have marked down on your register, 17th December
(say), "Boys come home." Ah, how carefully that blessed day is marked
in THEIR little calendars! In my time it used to be, Wednesday, 13th
November, "5 WEEKS FROM THE HOLIDAYS;" Wednesday, 20th November, "4
WEEKS FROM THE HOLIDAYS;" until sluggish time sped on, and we came to
WEDNESDAY 18th DECEMBER. O rapture! Do you remember pea-shooters?
I think we only had them on going home for holidays from private
schools,--at public schools men are too dignified. And then came that
glorious announcement, Wednesday, 27th, "Papa took us to the Pantomime;"
or if not papa, perhaps you condescended to go to the pit, under charge
of the footman.

That was near the end of the year--and mamma gave you a new pocket-book,
perhaps, with a little coin, God bless her, in the pocket. And that
pocket-book was for next year, you know; and, in that pocket-book
you had to write down that sad day, Wednesday, January 24th, eighteen
hundred and never mind what,--when Dr. Birch's young friends were
expected to re-assemble.

Ah me! Every person who turns this page over has his own little diary,
in paper or ruled in his memory tablets, and in which are set down the
transactions of the now dying year. Boys and men, we have our calendar,
mothers and maidens. For example, in your calendar pocket-book, my
good Eliza, what a sad, sad day that is--how fondly and bitterly
remembered--when your boy went off to his regiment, to India, to danger,
to battle perhaps. What a day was that last day at home, when the tall
brother sat yet amongst the family, the little ones round about him
wondering at saddle-boxes, uniforms, sword-cases, gun-cases, and other
wondrous apparatus of war and travel which poured in and filled the
hall; the new dressing-case for the beard not yet grown; the great
sword-case at which little brother Tom looks so admiringly! What a
dinner that was, that last dinner, when little and grown children
assembled together, and all tried to be cheerful! What a night was that
last night, when the young ones were at roost for the last time together
under the same roof, and the mother lay alone in her chamber counting
the fatal hours as they tolled one after another, amidst her tears, her
watching, her fond prayers. What a night that was, and yet how quickly
the melancholy dawn came! Only too soon the sun rose over the houses.
And now in a moment more the city seemed to wake. The house began to
stir. The family gathers together for the last meal. For the last time
in the midst of them the widow kneels amongst her kneeling children, and
falters a prayer in which she commits her dearest, her eldest born,
to the care of the Father of all. O night, what tears you hide--what
prayers you hear! And so the nights pass and the days succeed, until
that one comes when tears and parting shall be no more.

In your diary, as in mine, there are days marked with sadness, not for
this year only, but for all. On a certain day--and the sun perhaps,
shining ever so brightly--the housemother comes down to her family with
a sad face, which scares the children round about in the midst of their
laughter and prattle. They may have forgotten--but she has not--a day
which came, twenty years ago it may be, and which she remembers only too
well: the long night-watch; the dreadful dawning and the rain beating
at the pane; the infant speechless, but moaning in its little crib; and
then the awful calm, the awful smile on the sweet cherub face, when the
cries have ceased, and the little suffering breast heaves no more. Then
the children, as they see their mother's face, remember this was the day
on which their little brother died. It was before they were born; but
she remembers it. And as they pray together, it seems almost as if the
spirit of the little lost one was hovering round the group. So they pass
away: friends, kindred, the dearest-loved, grown people, aged, infants.
As we go on the down-hill journey, the mile-stones are grave-stones, and
on each more and more names are written; unless haply you live beyond
man's common age, when friends have dropped off, and, tottering, and
feeble, and unpitied, you reach the terminus alone.

In this past year's diary is there any precious day noted on which you
have made a new friend? This is a piece of good fortune bestowed but
grudgingly on the old. After a certain age a new friend is a wonder,
like Sarah's child. Aged persons are seldom capable of bearing
friendships. Do you remember how warmly you loved Jack and Tom when you
were at school; what a passionate regard you had for Ned when you were
at college, and the immense letters you wrote to each other? How often
do you write, now that postage costs nothing? There is the age of
blossoms and sweet budding green: the age of generous summer; the
autumn when the leaves drop; and then winter, shivering and bare. Quick,
children, and sit at my feet: for they are cold, very cold: and it seems
as if neither wine nor worsted will warm 'em.

In this past year's diary is there any dismal day noted in which you
have lost a friend? In mine there is. I do not mean by death. Those who
are gone, you have. Those who departed loving you, love you still; and
you love them always. They are not really gone, those dear hearts and
true; they are only gone into the next room: and you will presently get
up and follow them, and yonder door will close upon YOU, and you will be
no more seen. As I am in this cheerful mood, I will tell you a fine and
touching story of a doctor which I heard lately. About two years since
there was, in our or some other city, a famous doctor, into whose
consulting-room crowds came daily, so that they might be healed. Now
this doctor had a suspicion that there was something vitally wrong with
himself, and he went to consult another famous physician at Dublin, or
it may be at Edinburgh. And he of Edinburgh punched his comrade's sides;
and listened at his heart and lungs; and felt his pulse, I suppose; and
looked at his tongue; and when he had done, Doctor London said to Doctor
Edinburgh, "Doctor, how long have I to live?" And Doctor Edinburgh said
to Doctor London, "Doctor, you may last a year."

Then Doctor London came home, knowing that what Doctor Edinburgh said
was true. And he made up his accounts, with man and heaven, I trust.
And he visited his patients as usual. And he went about healing, and
cheering, and soothing and doctoring; and thousands of sick people were
benefited by him. And he said not a word to his family at home; but
lived amongst them cheerful and tender, and calm, and loving; though he
knew the night was at hand when he should see them and work no more.

And it was winter time, and they came and told him that some man at
a distance--very sick, but very rich--wanted him; and, though Doctor
London knew that he was himself at death's door, he went to the sick
man; for he knew the large fee would be good for his children after him.
And he died; and his family never knew until he was gone, that he had
been long aware of the inevitable doom.

This is a cheerful carol for Christmas, is it not? You see, in regard to
these Roundabout discourses, I never know whether they are to be merry
or dismal. My hobby has the bit in his mouth; goes his own way; and
sometimes trots through a park, and sometimes paces by a cemetery. Two
days since came the printer's little emissary, with a note saying, "We
are waiting for the Roundabout Paper!" A Roundabout Paper about what
or whom? How stale it has become, that printed jollity about Christmas!
Carols, and wassail-bowls, and holly, and mistletoe, and yule-logs de
commande--what heaps of these have we not had for years past! Well,
year after year the season comes. Come frost, come thaw, come snow, come
rain, year after year my neighbor the parson has to make his sermons.
They are getting together the bonbons, iced cakes, Christmas trees at
Fortnum and Mason's now. The genii of the theatres are composing the
Christmas pantomime, which our young folks will see and note anon in
their little diaries.

And now, brethren, may I conclude this discourse with an extract out
of that great diary, the newspaper? I read it but yesterday, and it has
mingled with all my thoughts since then. Here are the two paragraphs,
which appeared following each other:--

"Mr. R., the Advocate-General of Calcutta, has been appointed to the
post of Legislative Member of the Council of the Governor-General."

"Sir R. S., Agent to the Governor-General for Central India, died on the
29th of October, of bronchitis."

These two men, whose different fates are recorded in two paragraphs and
half a dozen lines of the same newspaper, were sisters' sons. In one of
the stories by the present writer, a man is described tottering "up
the steps of the ghaut," having just parted with his child, whom he is
despatching to England from India. I wrote this, remembering in long,
long distant days, such a ghaut, or river-stair, at Calcutta; and a
day when, down those steps, to a boat which was in waiting, came two
children, whose mothers remained on the shore. One of those ladies
was never to see her boy more; and he, too, is just dead in India, "of
bronchitis, on the 29th October." We were first-cousins; had been little
playmates and friends from the time of our birth; and the first house
in London to which I was taken, was that of our aunt, the mother of his
Honor the Member of Council. His Honor was even then a gentleman of
the long robe, being, in truth, a baby in arms. We Indian children were
consigned to a school of which our deluded parents had heard a favorable
report, but which was governed by a horrible little tyrant, who made our
young lives so miserable that I remember kneeling by my little bed of a
night, and saying, "Pray God, I may dream of my mother!" Thence we went
to a public school; and my cousin to Addiscombe and to India.

"For thirty-two years," the paper says, "Sir Richmond Shakespear
faithfully and devotedly served the Government of India, and during that
period but once visited England, for a few months and on public duty. In
his military capacity he saw much service, was present in eight general
engagements, and was badly wounded in the last. In 1840, when a young
lieutenant, he had the rare good fortune to be the means of rescuing
from almost hopeless slavery in Khiva 416 subjects of the Emperor of
Russia; and, but two years later, greatly contributed to the happy
recovery of our own prisoners from a similar fate in Cabul. Throughout
his career this officer was ever ready and zealous for the public
service, and freely risked life and liberty in the discharge of
his duties. Lord Canning, to mark his high sense of Sir Richmond
Shakespear's public services, had lately offered him the Chief
Commissionership of Mysore, which he had accepted, and was about to
undertake, when death terminated his career."

When he came to London the cousins and playfellows of early Indian days
met once again, and shook hands. "Can I do anything for you?" I remember
the kind fellow asking. He was always asking that question: of all
kinsmen; of all widows and orphans; of all the poor; of young men who
might need his purse or his service. I saw a young officer yesterday
to whom the first words Sir Richmond Shakespear wrote on his arrival in
India were, "Can I do anything for you?" His purse was at the command
of all. His kind hand was always open. It was a gracious fate which sent
him to rescue widows and captives. Where could they have had a champion
more chivalrous, a protector more loving and tender?

I write down his name in my little book, among those of others dearly
loved, who, too, have been summoned hence. And so we meet and part;
we struggle and succeed; or we fail and drop unknown on the way. As we
leave the fond mother's knee, the rough trials of childhood and boyhood
begin; and then manhood is upon us, and the battle of life, with its
chances, perils, wounds, defeats, distinctions. And Fort William guns
are saluting in one man's honor,* while the troops are firing the last
volleys over the other's grave--over the grave of the brave, the gentle,
the faithful Christian soldier.

     * W. R. obiit March 22, 1862.




NOTES OF A WEEK'S HOLIDAY.


Most of us tell old stories in our families. The wife and children
laugh for the hundredth time at the joke. The old servants (though
old servants are fewer every day) nod and smile a recognition at the
well-known anecdote. "Don't tell that story of Grouse in the gun-room,"
says Diggory to Mr. Hardcastle in the play, "or I must laugh." As we
twaddle, and grow old and forgetful, we may tell an old story; or, out
of mere benevolence, and a wish to amuse a friend when conversation is
flagging, disinter a Joe Miller now and then; but the practice is not
quite honest, and entails a certain necessity of hypocrisy on story
hearers and tellers. It is a sad thing, to think that a man with what
you call a fund of anecdote is a humbug, more or less amiable and
pleasant. What right have I to tell my "Grouse in the gun-room" over and
over in the presence of my wife, mother, mother-in-law, sons, daughters,
old footman or parlor-maid, confidential clerk, curate, or what not? I
smirk and go through the history, giving my admirable imitations of the
characters introduced: I mimic Jones's grin, Hobbs's squint, Brown's
stammer, Grady's brogue, Sandy's Scotch accent, to the best of my power:
and, the family part of my audience laughs good-humoredly. Perhaps the
stranger, for whose amusement the performance is given, is amused by
it and laughs too. But this practice continued is not moral. This
self-indulgence on your part, my dear Paterfamilias, is weak, vain--not
to say culpable. I can imagine many a worthy man, who begins unguardedly
to read this page, and comes to the present sentence, lying back in his
chair, thinking of that story which he has told innocently for fifty
years, and rather piteously owning to himself, "Well, well, it IS wrong;
I have no right to call on my poor wife to laugh, my daughters to affect
to be amused, by that old, old jest of mine. And they would have gone
on laughing, and they would have pretended to be amused, to their dying
day, if this man had not flung his damper over our hilarity." . . . I
lay down the pen, and think, "Are there any old stories which I
still tell myself in the bosom of my family? Have I any 'Grouse in
my gun-room?'" If there are such, it is because my memory fails; not
because I want applause, and wantonly repeat myself. You see, men with
the so-called fund of anecdote will not repeat the same story to the
same individual; but they do think that, on a new party, the repetition
of a joke ever so old may be honorably tried. I meet men walking the
London street, bearing the best reputation, men of anecdotal powers:--I
know such, who very likely will read this, and say, "Hang the fellow, he
means ME!" And so I do. No--no man ought to tell an anecdote more
than thrice, let us say, unless he is sure he is speaking only to give
pleasure to his hearers--unless he feels that it is not a mere desire
for praise which makes him open his jaws.

And is it not with writers as with raconteurs? Ought they not to have
their ingenuous modesty? May authors tell old stories, and how many
times over? When I come to look at a place which I have visited any time
these twenty or thirty years, I recall not the place merely, but the
sensations I had at first seeing it, and which are quite different to
my feelings to-day. That first day at Calais; the voices of the women
crying out at night, as the vessel came alongside the pier; the supper
at Quillacq's and the flavor of the cutlets and wine; the red-calico
canopy under which I slept; the tiled floor, and the fresh smell of
the sheets; the wonderful postilion in his jack-boots and pigtail;--all
return with perfect clearness to my mind, and I am seeing them, and not
the objects which are actually under my eyes. Here is Calais. Yonder is
that commissioner I have known this score of years. Here are the
women screaming and hustling over the baggage; the people at the
passport-barrier who take your papers. My good people, I hardly see you.
You no more interest me than a dozen orange-women in Covent-Garden, or a
shop book-keeper in Oxford Street. But you make me think of a time when
you were indeed wonderful to behold--when the little French soldiers
wore white cockades in their shakos--when the diligence was forty hours
going to Paris; and the great-booted postilion, as surveyed by youthful
eyes from the coupe, with his jurons, his ends of rope for the harness,
and his clubbed pigtail, was a wonderful being, and productive of
endless amusement. You young folks don't remember the apple-girls
who used to follow the diligence up the hill beyond Boulogne, and the
delights of the jolly road? In making continental journeys with young
folks, an oldster may be very quiet, and, to outward appearance,
melancholy; but really he has gone back to the days of his youth, and
he is seventeen or eighteen years of age (as the case may be), and is
amusing himself with all his might. He is noting the horses as they come
squealing out of the post-house yard at midnight; he is enjoying the
delicious meals at Beauvais and Amiens, and quaffing ad libitum the rich
table-d'hote wine; he is hail-fellow with the conductor, and alive to
all the incidents of the road. A man can be alive in 1860 and 1830 at
the same time, don't you see? Bodily, I may be in 1860, inert, silent,
torpid; but in the spirit I am walking about in 1828, let us say;---in a
blue dress-coat and brass buttons, a sweet figured silk waistcoat (which
I button round a slim waist with perfect ease), looking at beautiful
beings with gigot sleeves and tea-tray hats under the golden chestnuts
of the Tuileries, or round the Place Vendome, where the drapeau blanc
is floating from the statueless column. Shall we go and dine
at "Bombarda's," near the "Hotel Breteuil," or at the "Cafe
Virginie?"--Away! "Bombarda's" and the "Hotel Breteuil" have been pulled
down ever so long. They knocked down the poor old Virginia Coffee-house
last year. My spirit goes and dines there. My body, perhaps, is seated
with ever so many people in a railway-carriage, and no wonder my
companions find me dull and silent. Have you read Mr. Dale Owen's
"Footfalls on the Boundary of Another World?"--(My dear sir, it will
make your hair stand quite refreshingly on end.) In that work you will
read that when gentlemen's or ladies' spirits travel off a few score or
thousand miles to visit a friend, their bodies lie quiet and in a torpid
state in their beds or in their arm-chairs at home. So in this way, I
am absent. My soul whisks away thirty years back into the past. I am
looking out anxiously for a beard. I am getting past the age of loving
Byron's poems, and pretend that I like Wordsworth and Shelley much
better. Nothing I eat or drink (in reason) disagrees with me; and I know
whom I think to be the most lovely creature in the world. Ah, dear maid
(of that remote but well-remembered period), are you a wife or widow
now?--are you dead?--are you thin and withered and old?--or are you
grown much stouter, with a false front? and so forth.

O Eliza, Eliza!--Stay, WAS she Eliza? Well, I protest I have forgotten
what your Christian name was. You know I only met you for two days, but
your sweet face is before me now, and the roses blooming on it are as
fresh as in that time of May. Ah, dear Miss X----, my timid youth
and ingenuous modesty would never have allowed me, even in my private
thoughts, to address you otherwise than by your paternal name, but THAT
(though I conceal it) I remember perfectly well, and that your dear and
respected father was a brewer.


CARILLON.--I was awakened this morning with the chime which Antwerp
cathedral clock plays at half-hours. The tune has been haunting me ever
since, as tunes will. You dress, eat, drink, walk and talk to yourself
to their tune: their inaudible jingle accompanies you all day: you read
the sentences of the paper to their rhythm. I tried uncouthly to imitate
the tune to the ladies of the family at breakfast, and they say it is
"the shadow dance of Dinorah." It may be so. I dimly remember that my
body was once present during the performance of that opera, whilst my
eyes were closed, and my intellectual faculties dormant at the back
of the box; howbeit, I have learned that shadow dance from hearing it
pealing up ever so high in the air, at night, morn, noon.

How pleasant to lie awake and listen to the cheery peal! whilst the old
city is asleep at midnight, or waking up rosy at sunrise, or basking in
noon, or swept by the scudding rain which drives in gusts over the broad
places, and the great shining river; or sparkling in snow which dresses
up a hundred thousand masts, peaks, and towers; or wrapped round with
thunder-cloud canopies, before, which the white gables shine whiter;
day and night the kind little carillon plays its fantastic melodies
overhead. The bells go on ringing. Quot vivos vocant, mortuos plangunt,
fulgara frangunt; so on to the past and future tenses, and for how many
nights, days, and years! Whilst the French were pitching their fulgara
into Chasse's citadel, the bells went on ringing quite cheerfully.
Whilst the scaffolds were up and guarded by Alva's soldiery, and
regiments of penitents, blue, black, and gray, poured out of churches
and convents, droning their dirges, and marching to the place of the
Hotel de Ville, where heretics and rebels were to meet their doom,
the bells up yonder were chanting at their appointed half-hours and
quarters, and rang the mauvais quart d'heure for many a poor soul. This
bell can see as far away as the towers and dykes of Rotterdam. That one
can call a greeting to St. Ursula's at Brussels, and toss a recognition
to that one at the town-hall of Oudenarde, and remember how after a
great struggle there a hundred and fifty years ago the whole plain was
covered with the flying French cavalry--Burgundy, and Bern, and the
Chevalier of St. George flying like the rest. "What is your clamor about
Oudenarde?" says another bell (Bob Major THIS one must be). "Be still,
thou querulous old clapper! I can see over to Hougoumont and St. John.
And about forty-five years since, I rang all through one Sunday in June,
when there was such a battle going on in the corn-fields there, as none
of you others ever heard tolled of. Yes, from morning service until
after vespers, the French and English were all at it, ding-dong." And
then calls of business intervening, the bells have to give up their
private jangle, resume their professional duty, and sing their hourly
chorus out of Dinorah.

What a prodigious distance those bells can be heard! I was awakened this
morning to their tune, I say. I have been hearing it constantly ever
since. And this house whence I write, Murray says, is two hundred and
ten miles from Antwerp. And it is a week off; and there is the bell
still jangling its shadow dance out of Dinorah. An audible shadow you
understand, and an invisible sound, but quite distinct; and a plague
take the tune!


UNDER THE BELLS.--Who has not seen the church under the bells? Those
lofty aisles, those twilight chapels, that cumbersome pulpit with its
huge carvings, that wide gray pavement flecked with various light from
the jewelled windows, those famous pictures between the voluminous
columns over the altars, which twinkle with their ornaments, their
votive little silver hearts, legs, limbs, their little guttering tapers,
cups of sham roses, and what not? I saw two regiments of little scholars
creeping in and forming square, each in its appointed place, under the
vast roof; and teachers presently coming to them. A stream of light
from the jewelled windows beams slanting down upon each little squad of
children, and the tall background of the church retires into a grayer
gloom. Pattering little feet of laggards arriving echo through the great
nave. They trot in and join their regiments, gathered under the slanting
sunbeams. What are they learning? Is it truth? Those two gray ladies
with their books in their hands in the midst of these little people have
no doubt of the truth of every word they have printed under their eyes.
Look, through the windows jewelled all over with saints, the light comes
streaming down from the sky, and heaven's own illuminations paint
the book! A sweet, touching picture indeed it is, that of the little
children assembled in this immense temple, which has endured for ages,
and grave teachers bending over them. Yes, the picture is very pretty of
the children and their teachers, and their book--but the text? Is it the
truth, the only truth, nothing but the truth? If I thought so, I would
go and sit down on the form cum parvulis, and learn the precious lesson
with all my heart.


BEADLE.--But I submit, an obstacle to conversions is the intrusion and
impertinence of that Swiss fellow with the baldric--the officer who
answers to the beadle of the British Islands, and is pacing about the
church with an eye on the congregation. Now the boast of Catholics is
that their churches are open to all; but in certain places and churches
there are exceptions. At Rome I have been into St. Peter's at all hours:
the doors are always open, the lamps are always burning, the faithful
are for ever kneeling at one shrine or the other. But at Antwerp not so.
In the afternoon you can go to the church, and be civilly treated; but
you must pay a franc at the side gate. In the forenoon the doors are
open, to be sure, and there is no one to levy an entrance fee. I was
standing ever so still, looking through the great gates of the choir at
the twinkling lights, and listening to the distant chants of the priests
performing the service, when a sweet chorus from the organ-loft broke
out behind me overhead, and I turned round. My friend the drum-major
ecclesiastic was down upon me in a moment. "Do not turn your back to the
altar during divine service," says he, in very intelligible English. I
take the rebuke, and turn a soft right-about face, and listen awhile
as the service continues. See it I cannot, nor the altar and its
ministrants. We are separated from these by a great screen and closed
gates of iron, through which the lamps glitter and the chant comes by
gusts only. Seeing a score of children trotting down a side aisle,
I think I may follow them. I am tired of looking at that hideous old
pulpit with its grotesque monsters and decorations. I slip off to the
side aisle; but my friend the drum-major is instantly after me--almost
I thought he was going to lay hands on me. "You mustn't go there," says
he; "you mustn't disturb the service." I was moving as quietly as might
be, and ten paces off there were twenty children kicking and clattering
at their ease. I point them out to the Swiss. "They come to pray," says
he. "YOU don't come to pray, you--" "When I come to pay," says I, "I
am welcome," and with this withering sarcasm, I walk out of church in
a huff. I don't envy the feelings of that beadle after receiving point
blank such a stroke of wit.


LEO BELGICUS.--Perhaps you will say after this I am a prejudiced critic.
I see the pictures in the cathedral fuming under the rudeness of that
beadle, or at the lawful hours and prices, pestered by a swarm of shabby
touters, who come behind me chattering in bad English, and who would
have me see the sights through their mean, greedy eyes. Better see
Rubens any where than in a church. At the Academy, for example, where
you may study him at your leisure. But at church?--I would as soon ask
Alexandre Dumas for a sermon. Either would paint you a martyrdom very
fiercely and picturesquely--writhing muscles, flaming coals, scowling
captains and executioners, swarming groups, and light, shade, color most
dexterously brilliant or dark; but in Rubens I am admiring the performer
rather than the piece. With what astonishing rapidity he travels over
his canvas; how tellingly the cool lights and warm shadows are made to
contrast and relieve each other; how that blazing, blowsy penitent in
yellow satin and glittering hair carries down the stream of light
across the picture! This is the way to work, my boys, and earn a hundred
florins a day. See! I am as sure of my line as a skater of making his
figure of eight! and down with a sweep goes a brawny arm or a flowing
curl of drapery. The figures arrange themselves as if by magic. The
paint-pots are exhausted in furnishing brown shadows. The pupils look
wondering on, as the master careers over the canvas. Isabel or Helena,
wife No. 1 or No. 2, are sitting by, buxom, exuberant, ready to be
painted; and the children are boxing in the corner, waiting till they
are wanted to figure as cherubs in the picture. Grave burghers and
gentlefolks come in on a visit. There are oysters and Rhenish always
ready on yonder table. Was there ever such a painter? He has been an
ambassador, an actual Excellency, and what better man could be
chosen? He speaks all the languages. He earns a hundred florins a day.
Prodigious! Thirty-six thousand five hundred florins a year. Enormous!
He rides out to his castle with a score of gentlemen after him, like
the Governor. That is his own portrait as St. George. You know he is an
English knight? Those are his two wives as the two Maries. He chooses
the handsomest wives. He rides the handsomest horses. He paints the
handsomest pictures. He gets the handsomest prices for them. That slim
young Van Dyck, who was his pupil, has genius too, and is painting all
the noble ladies in England, and turning the heads of some of them.
And Jordaens--what a droll dog and clever fellow! Have you seen his fat
Silenus? The master himself could not paint better. And his altar-piece
at St. Bavon's? He can paint you anything, that Jordaens can--a drunken
jollification of boors and doxies, or a martyr howling with half his
skin off. What a knowledge of anatomy! But there is nothing like the
master--nothing. He can paint you his thirty-six thousand five hundred
florins' worth a year. Have you heard of what he has done for the French
Court? Prodigious! I can't look at Rubens's pictures without fancying
I see that handsome figure swaggering before the canvas. And Hans
Hemmelinck at Bruges? Have you never seen that dear old hospital of St.
John, on passing the gate of which you enter into the fifteenth century?
I see the wounded soldier still lingering in the house, and tended by
the kind gray sisters. His little panel on its easel is placed at the
light. He covers his board with the most wondrous, beautiful little
figures, in robes as bright as rubies and amethysts. I think he must
have a magic glass, in which he catches the reflection of little cherubs
with many-colored wings, very little and bright. Angels, in long crisp
robes of white, surrounded with halos of gold, come and flutter across
the mirror, and he draws them. He hears mass every day. He fasts through
Lent. No monk is more austere and holy than Hans. Which do you love best
to behold, the lamb or the lion? the eagle rushing through the storm,
and pouncing mayhap on carrion; or the linnet warbling on the spray?

By much the most delightful of the Christopher set of Rubens to my mind
(and ego is introduced on these occasions, so that the opinion may
pass only for my own, at the reader's humble service to be received or
declined,) is the "Presentation in the Temple:" splendid in color, in
sentiment sweet and tender, finely conveying the story. To be sure,
all the others tell their tale unmistakably--witness that coarse
"Salutation," that magnificent "Adoration of the Kings" (at the Museum),
by the same strong downright hands; that wonderful "Communion of St.
Francis," which, I think, gives the key to the artist's faire better
than any of his performances. I have passed hours before that picture in
my time, trying and sometimes fancying I could understand by what masses
and contrasts the artist arrived at his effect. In many others of the
pictures parts of his method are painfully obvious, and you see how
grief and agony are produced by blue lips, and eyes rolling blood shot
with dabs of vermilion. There is something simple in the practice.
Contort the eyebrow sufficiently, and place the eyeball near it,--by a
few lines you have anger or fierceness depicted. Give me a mouth with
no special expression, and pop a dab of carmine at each extremity--and
there are the lips smiling. This is art if you will, but a very naive
kind of art: and now you know the trick, don't you see how easy it is?


TU QUOQUE.--Now you know the trick, suppose you take a canvas and see
whether YOU can do it? There are brushes, palettes, and gallipots full
of paint and varnish. Have you tried, my dear sir--you who set up to be
a connoisseur? Have you tried? I have--and many a day. And the end of
the day's labor? O dismal conclusion! Is this puerile niggling, this
feeble scrawl, this impotent rubbish, all you can produce--you, who
but now found Rubens commonplace and vulgar, and were pointing out the
tricks of his mystery? Pardon, O great chief, magnificent master and
poet! You can DO. We critics, who sneer and are wise, can but pry, and
measure, and doubt, and carp. Look at the lion. Did you ever see such
a gross, shaggy, mangy, roaring brute? Look at him eating lumps of raw
meat--positively bleeding, and raw and tough--till, faugh! it turns
one's stomach to see him--O the coarse wretch! Yes, but he is a lion.
Rubens has lifted his great hand, and the mark he has made has endured
for two centuries, and we still continue wondering at him, and admiring
him. What a strength in that arm! What splendor of will hidden behind
that tawny beard, and those honest eyes! Sharpen your pen, my good
critic, shoot a feather into him; hit him, and make him wince. Yes, you
may hit him fair, and make him bleed, too; but, for all that, he is a
lion--a mighty, conquering, generous, rampageous Leo Belgicus--monarch
of his wood. And he is not dead yet, and I will not kick at him.


SIR ANTONY.--In that "Pieta" of Van Dyck, in the Museum, have you ever
looked at the yellow-robed angel, with the black scarf thrown over
her wings and robe? What a charming figure of grief and beauty! What a
pretty compassion it inspires! It soothes and pleases me like a sweet
rhythmic chant. See how delicately the yellow robe contrasts with the
blue sky behind, and the scarf binds the two! If Rubens lacked grace,
Van Dyck abounded in it. What a consummate elegance! What a perfect
cavalier! No wonder the fine ladies in England admired Sir Antony. Look
at--

Here the clock strikes three, and the three gendarmes who keep the Musee
cry out, "Allons! Sortons! Il est trois heures! Allez! Sortez!" and they
skip out of the gallery as happy as boys running from school. And we
must go too, for though many stay behind--many Britons with Murray's
Handbooks in their handsome hands--they have paid a franc for
entrance-fee, you see; and we knew nothing about the franc for entrance
until those gendarmes with sheathed sabres had driven us out of this
Paradise.

But it was good to go and drive on the great quays, and see the ships
unlading, and by the citadel, and wonder howabouts and whereabouts
it was so strong. We expect a citadel to look like Gibraltar or
Ehrenbreitstein at least. But in this one there is nothing to see but a
flat plain and some ditches, and some trees, and mounds of uninteresting
green. And then I remember how there was a boy at school, a little dumpy
fellow of no personal appearance whatever, who couldn't be overcome
except by a much bigger champion, and the immensest quantity of
thrashing. A perfect citadel of a boy, with a General Chasse sitting
in that bomb-proof casemate, his heart, letting blow after blow come
thumping about his head, and never thinking of giving in.

And we go home, and we dine in the company of Britons, at the
comfortable Hotel du Parc, and we have bought a novel apiece for a
shilling, and every half-hour the sweet carillon plays the waltz from
Dinorah in the air. And we have been happy; and it seems about a month
since we left London yesterday; and nobody knows where we are, and we
defy care and the postman.


SPOORWEG.--Vast green flats, speckled by spotted cows, and bound by a
gray frontier of windmills; shining canals stretching through the green;
odors like those exhaled from the Thames in the dog-days, and a fine
pervading smell of cheese; little trim houses, with tall roofs, and
great windows of many panes; gazebos, or summer-houses, hanging over
pea-green canals; kind-looking, dumpling-faced farmers' women, with
laced caps and golden frontlets and earrings; about the houses and towns
which we pass a great air of comfort and neatness; a queer feeling of
wonder that you can't understand what your fellow-passengers are saying,
the tone of whose voices, and a certain comfortable dowdiness of dress,
are so like our own;--whilst we are remarking on these sights, sounds,
smells, the little railway journey from Rotterdam to the Hague comes to
an end. I speak to the railway porters and hackney coachmen in English,
and they reply in their own language, and it seems somehow as if we
understood each other perfectly. The carriage drives to the handsome,
comfortable, cheerful hotel. We sit down a score at the table; and there
is one foreigner and his wife,--I mean every other man and woman at
dinner are English. As we are close to the sea, and in the midst of
endless canals, we have no fish. We are reminded of dear England by
the noble prices which we pay for wines. I confess I lost my temper
yesterday at Rotterdam, where I had to pay a florin for a bottle of ale
(the water not being drinkable, and country or Bavarian beer not being
genteel enough for the hotel);--I confess, I say, that my fine temper
was ruffled, when the bottle of pale ale turned out to be a pint bottle;
and I meekly told the waiter that I had bought beer at Jerusalem at a
less price. But then Rotterdam is eighteen hours from London, and the
steamer with the passengers and beer comes up to the hotel windows;
whilst to Jerusalem they have to carry the ale on camels' backs from
Beyrout or Jaffa, and through hordes of marauding Arabs, who evidently
don't care for pale ale, though I am told it is not forbidden in the
Koran. Mine would have been very good, but I choked with rage whilst
drinking it. A florin for a bottle, and that bottle having the words
"imperial pint," in bold relief, on the surface! It was too much. I
intended not to say anything about it; but I MUST speak. A florin a
bottle, and that bottle a pint! Oh, for shame! for shame! I can't cork
down my indignation; I froth up with fury; I am pale with wrath, and
bitter with scorn.

As we drove through the old city at night, how it swarmed and hummed
with life! What a special clatter, crowd, and outcry there was in the
Jewish quarter, where myriads of young ones were trotting about the
fishy street! Why don't they have lamps? We passed by canals seeming
so full that a pailful of water more would overflow the place. The
laquais-de-place calls out the names of the buildings: the town-hall,
the cathedral, the arsenal, the synagogue, the statue of Erasmus.
Get along! WE know the statue of Erasmus well enough. We pass over
drawbridges by canals where thousands of barges are at roost. At
roost--at rest! Shall WE have rest in those bedrooms, those ancient
lofty bedrooms, in that inn where we have to pay a florin for a pint
of pa--psha! at the "New Bath Hotel" on the Boompjes? If this dreary
edifice is the "New Bath," what must the Old Bath be like? As I feared
to go to bed, I sat in the coffee-room as long as I might; but three
young men were imparting their private adventures to each other with
such freedom and liveliness that I felt I ought not to listen to their
artless prattle. As I put the light out, and felt the bedclothes and
darkness overwhelm me, it was with an awful sense of terror--that sort
of sensation which I should think going down in a diving-bell would
give. Suppose the apparatus goes wrong, and they don't understand your
signal to mount? Suppose your matches miss fire when you wake; when you
WANT them, when you will have to rise in half an hour, and do battle
with the horrid enemy who crawls on you in the darkness? I protest I
never was more surprised than when I woke and beheld the light of dawn.
Indian birds and strange trees were visible on the ancient gilt hangings
of the lofty chamber, and through the windows the Boompjes and the ships
along the quay. We have all read of deserters being brought out, and
made to kneel, with their eyes bandaged, and hearing the word to "Fire"
given I declare I underwent all the terrors of execution that night, and
wonder how I ever escaped unwounded.

But if ever I go to the "Bath Hotel," Rotterdam, again, I am a Dutchman.
A guilder for a bottle of pale ale, and that bottle a pint! Ah! for
shame--for shame!


MINE EASE IN MINE INN.--Do you object to talk about inns? It always
seems to me to be very good talk. Walter Scott is full of inns. In "Don
Quixote" and "Gil Blas" there is plenty of inn-talk. Sterne, Fielding,
and Smollett constantly speak about them; and, in their travels, the
last two tot up the bill, and describe the dinner quite honestly; whilst
Mr. Sterne becomes sentimental over a cab, and weeps generous tears over
a donkey.

How I admire and wonder at the information in Murray's Handbooks--wonder
how it is got, and admire the travellers who get it. For instance, you
read: Amiens (please select your towns), 60,000 inhabitants. Hotels,
&c.--"Lion d'Or," good and clean. "Le Lion d'Argent," so so. "Le Lion
Noir," bad, dirty, and dear. Now say, there are three travellers--three
inn-inspectors, who are sent forth by Mr. Murray on a great commission,
and who stop at every inn in the world. The eldest goes to the "Lion
d'Or"--capital house, good table-d'hote, excellent wine, moderate
charges. The second commissioner tries the "Silver Lion"--tolerable
house, bed, dinner, bill and so forth. But fancy Commissioner No. 3--the
poor fag, doubtless, and boots of the party. He has to go to the "Lion
Noir." He knows he is to have a bad dinner--he eats it uncomplainingly.
He is to have bad wine. He swallows it, grinding his wretched teeth, and
aware that he will he unwell in consequence. He knows he is to have a
dirty bed, and what he is to expect there. He pops out the candle. He
sinks into those dingy sheets. He delivers over his body to the nightly
tormentors, he pays an exorbitant bill, and he writes down, "Lion Noir,
bad, dirty, dear." Next day the commission sets out for Arras, we will
say, and they begin again: "Le Cochon d'Or," "Le Cochon d'Argent," "Le
Cochon Noir"--and that is poor Boots's inn, of course. What a life that
poor man must lead! What horrors of dinners he has to go through! What a
hide he must have! And yet not impervious; for unless he is bitten,
how is he to be able to warn others? No: on second thoughts, you will
perceive that he ought to have a very delicate skin. The monsters ought
to troop to him eagerly, and bite him instantaneously and freely, so
that he may be able to warn all future handbook buyers of their danger.
I fancy this man devoting himself to danger, to dirt, to bad dinners, to
sour wine, to damp beds, to midnight agonies, to extortionate bills. I
admire him, I thank him. Think of this champion, who devotes his
body for us--this dauntless gladiator going to do battle alone in the
darkness, with no other armor than a light helmet of cotton, and a
lorica of calico. I pity and honor him. Go, Spartacus! Go, devoted
man--to bleed, to groan, to suffer--and smile in silence as the wild
beasts assail thee!

How did I come into this talk? I protest it was the word inn set
me off--and here is one, the "Hotel de Belle Vue," at the Hague, as
comfortable, as handsome, as cheerful as any I ever took mine ease in.
And the Bavarian beer, my dear friend, how good and brisk and light it
is! Take another glass--it refreshes and does not stupefy--and then we
will sally out, and see the town and the park and the pictures.

The prettiest little brick city, the pleasantest little park to ride in,
the neatest comfortable people walking about, the canals not unsweet,
and busy and picturesque with old-world life. Rows upon rows of houses,
built with the neatest little bricks, with windows fresh painted, and
tall doors polished, and carved to a nicety. What a pleasant spacious
garden our inn has, all sparkling with autumn flowers and bedizened
with statues! At the end is a row of trees, and a summer-house, over the
canal, where you might go and smoke a pipe with Mynheer Van Dunck, and
quite cheerfully catch the ague. Yesterday, as we passed, they were
making hay, and stacking it in a barge which was lying by the meadow,
handy. Round about Kensington Palace there are houses, roofs, chimneys,
and bricks like these. I feel that a Dutchman is a man and a brother. It
is very funny to read the newspaper, one can understand it somehow. Sure
it is the neatest, gayest little city--scores and hundreds of mansions
looking like Cheyne Walk, or the ladies' schools about Chiswick and
Hackney.


LE GROS LOT.--To a few lucky men the chance befalls of reaching fame at
once, and (if it is of any profit morituro) retaining the admiration
of the world. Did poor Oliver, when he was at Leyden yonder, ever
think that he should paint a little picture which should secure him the
applause and pity of all Europe for a century after? He and Sterne drew
the twenty thousand prize of fame. The latter had splendid instalments
during his lifetime. The ladies pressed round him; the wits admired him,
the fashion hailed the successor of Rabelais. Goldsmith's little gem was
hardly so valued until later days. Their works still form the wonder and
delight of the lovers of English art; and the pictures of the Vicar and
Uncle Toby are among the masterpieces of our English school. Here in
the Hague Gallery is Paul Potter's pale, eager face, and yonder is the
magnificent work by which the young fellow achieved his fame. How did
you, so young, come to paint so well? What hidden power lay in that
weakly lad that enabled him to achieve such a wonderful victory? Could
little Mozart, when he was five years old, tell you how he came to play
those wonderful sonatas? Potter was gone out of the world before he was
thirty, but left this prodigy (and I know not how many more specimens of
his genius and skill) behind him. The details of this admirable picture
are as curious as the effect is admirable and complete. The weather
being unsettled, and clouds and sunshine in the gusty sky, we saw in our
little tour numberless Paul Potters--the meadows streaked with sunshine
and spotted with the cattle, the city twinkling in the distance, the
thunderclouds glooming overhead. Napoleon carried off the picture (vide
Murray) amongst the spoils of his bow and spear to decorate his triumph
of the Louvre. If I were a conquering prince, I would have this picture
certainly, and the Raphael "Madonna" from Dresden, and the Titian
"Assumption" from Venice, and that matchless Rembrandt of the
"Dissection." The prostrate nations would howl with rage as my gendarmes
took off the pictures, nicely packed, and addressed to "Mr. the Director
of my Imperial Palace of the Louvre, at Paris. This side uppermost." The
Austrians, Prussians, Saxons, Italians, &c., should be free to come and
visit my capital, and bleat with tears before the pictures torn from
their native cities. Their ambassadors would meekly remonstrate, and
with faded grins make allusions to the feeling of despair occasioned by
the absence of the beloved works of art. Bah! I would offer them a
pinch of snuff out of my box as I walked along my gallery, with their
Excellencies cringing after me. Zenobia was a fine woman and a queen,
but she had to walk in Aurelian's triumph. The procede was peu delicat?
En usez vous, mon cher monsieur! (The marquis says the "Macaba" is
delicious.) What a splendor of color there is in that cloud! What a
richness, what a freedom of handling, and what a marvellous precision!
I trod upon your Excellency's corn?--a thousand pardons. His Excellency
grins and declares that he rather likes to have his corns trodden on.
Were you ever very angry with Soult--about that Murillo which we have
bought? The veteran loved that picture because it saved the life of
a fellow-creature--the fellow-creature who hid it, and whom the Duke
intended to hang unless the picture was forthcoming.

We gave several thousand pounds for it--how many thousand? About its
merit is a question of taste which we will not here argue. If you choose
to place Murillo in the first class of painters, founding his claim upon
these Virgin altar-pieces, I am your humble servant. Tom Moore painted
altar-pieces as well as Milton, and warbled Sacred Songs and Loves of
the Angels after his fashion. I wonder did Watteau ever try historical
subjects? And as for Greuze, you know that his heads will fetch 1,000L.,
1,500L., 2,000L.--as much as a Sevres "cabaret" of Rose du Barri. If
cost price is to be your criterion of worth, what shall we say to that
little receipt for 10L. for the copyright of "Paradise Lost," which used
to hang in old Mr. Rogers's room? When living painters, as frequently
happens in our days, see their pictures sold at auctions for four or
five times the sums which they originally received, are they enraged
or elated? A hundred years ago the state of the picture-market was
different: that dreary old Italian stock was much higher than
at present; Rembrandt himself, a close man, was known to be in
difficulties. If ghosts are fond of money still, what a wrath his must
be at the present value of his works!

The Hague Rembrandt is the greatest and grandest of all his pieces to
my mind. Some of the heads are as sweetly and lightly painted as
Gainsborough; the faces not ugly, but delicate and high-bred; the
exquisite gray tones are charming to mark and study; the heads not
plastered, but painted with a free, liquid brush: the result, one of the
great victories won by this consummate chief, and left for the wonder
and delight of succeeding ages.

The humblest volunteer in the ranks of art, who has served a campaign
or two ever so ingloriously, has at least this good fortune of
understanding, or fancying he is able to understand, how the battle
has been fought, and how the engaged general won it. This is the
Rhinelander's most brilliant achievement--victory along the whole line.
The "Night-watch" at Amsterdam is magnificent in parts, but on the
side to the spectator's right, smoky and dim. The "Five Masters of the
Drapers" is wonderful for depth, strength, brightness, massive power.
What words are these to express a picture! to describe a description!
I once saw a moon riding in the sky serenely, attended by her
sparkling maids of honor, and a little lady said, with an air of great
satisfaction, "I MUST SKETCH IT." Ah, my dear lady, if with an H.B.,
a Bristol board, and a bit of india-rubber, you can sketch the starry
firmament on high, and the moon in her glory, I make you my compliment!
I can't sketch "The Five Drapers" with any ink or pen at present at
command--but can look with all my eyes, and be thankful to have seen
such a masterpiece.

They say he was a moody, ill-conditioned man, the old tenant of the
mill. What does he think of the "Vander Helst" which hangs opposite his
"Night-watch," and which is one of the great pictures of the world? It
is not painted by so great a man as Rembrandt; but there it is--to see
it is an event of your life. Having beheld it you have lived in the year
1648, and celebrated the treaty of Munster. You have shaken the hands
of the Dutch Guardsmen, eaten from their platters, drunk their Rhenish,
heard their jokes, as they wagged their jolly beards. The Amsterdam
Catalogue discourses thus about it:--a model catalogue: it gives you the
prices paid, the signatures of the painters, a succinct description of
the work.

"This masterpiece represents a banquet of the civic guard, which took
place on the 18th June, 1648, in time great hall of the St. Joris Doele,
on the Singel at Amsterdam, to celebrate the conclusion of the Peace
at Munster. The thirty-five figures composing the picture are all
portraits.

"'The Captain WITSE' is placed at the head of the table, and attracts
our attention first. He is dressed in black velvet, his breast covered
with a cuirass, on his head a broad-brimmed black hat with white plumes.
He is comfortably seated on a chair of black oak, with a velvet cushion,
and holds in his left hand, supported on his knee, a magnificent
drinking-horn, surrounded by a St. George destroying the dragon, and
ornamented with olive-leaves. The captain's features express cordiality
and good-humor; he is grasping the hand of 'Lieutenant VAN WAVERN'
seated near him, in a habit of dark gray, with lace and buttons of
gold, lace-collar and wristbands, his feet crossed, with boots of yellow
leather, with large tops, and gold spurs, on his head a black hat and
dark-brown plumes. Behind him at the centre of the picture, is the
standard-bearer, 'JACOB BANNING,' in an easy martial attitude, hat in
hand, his right hand on his chair, his right leg on his left knee. He
holds the flag of blue silk, in which the Virgin is embroidered, (such a
silk! such a flag! such a piece of painting!) emblematic of the town
of Amsterdam. The banner covers his shoulder, and he looks towards the
spectator frankly and complacently.

"The man behind him is probably one of the sergeants. His head is bare.
He wears a cuirass, and yellow gloves, gray stockings, and boots with
large tops, and kneecaps of cloth. He has a napkin on his knees, and
in his hand a piece of ham, a slice of bread, and a knife. The old man
behind is probably 'WILLIAM THE DRUMMER.' He has his hat in his right
hand, and in his left a gold-footed wineglass, filled with white wine.
He wears a red scarf, and a black satin doublet, with little slashes of
yellow silk. Behind the drummer, two matchlock-men are seated at the
end of the table. One in a large black habit, a napkin on his knee, a
hausse-col of iron, and a linen scarf and collar. He is eating with his
knife. The other holds a long glass of white wine. Four musketeers, with
different shaped hats, are behind these, one holding a glass, the three
others with their guns on their shoulders. Other guests are placed
between the personage who is giving the toast and the standard-bearer.
One with his hat off, and his hand uplifted, is talking to another. The
second is carving a fowl. A third holds a silver plate; and another, in
the background, a silver flagon, from which he fills a cup. The corner
behind the captain is filled by two seated personages, one of whom is
peeling an orange. Two others are standing, armed with halberts, of whom
one holds a plumed hat. Behind him are other three individuals, one of
them holding a pewter pot, on which the name 'Poock,' the landlord of
the 'Hotel Doele,' is engraved. At the back, a maid-servant is coming in
with a pasty, crowned with a turkey. Most of the guests are listening
to the captain. From an open window in the distance, the facades of two
houses are seen, surmounted by stone figures of sheep."

There, now you know all about it: now you can go home and paint just
such another. If you do, do pray remember to paint the hands of the
figures as they are here depicted; they are as wonderful portraits as
the faces. None of your slim Van Dyck elegancies, which have done duty
at the cuffs of so many doublets; but each man with a hand for himself,
as with a face for himself. I blushed for the coarseness of one of the
chiefs in this great company, that fellow behind "WILLIAM THE DRUMMER,"
splendidly attired, sitting full in the face of the public; and holding
a pork-bone in his hand. Suppose the Saturday Review critic were to
come suddenly on this picture? Ah! what a shock it would give that noble
nature! Why is that knuckle of pork not painted out? at any rate, why
is not a little fringe of lace painted round it? or a cut pink paper?
or couldn't a smelling-bottle be painted in instead, with a crest and a
gold top, or a cambric pocket-handkerchief, in lieu of the horrid pig,
with a pink coronet in the corner? or suppose you covered the man's hand
(which is very coarse and strong), and gave him the decency of a kid
glove? But a piece of pork in a naked hand? O nerves and eau de Cologne,
hide it, hide it!

In spite of this lamentable coarseness, my noble sergeant, give me thy
hand as nature made it! A great, and famous, and noble handiwork I have
seen here. Not the greatest picture in the world--not a work of the
highest genius--but a performance so great, various, and admirable,
so shrewd of humor, so wise of observation, so honest and complete of
expression, that to have seen it has been a delight, and to remember
it will be a pleasure for days to come. Well done, Bartholomeus Vander
Helst! Brave, meritorious, victorious, happy Bartholomew, to whom it has
been given to produce a masterpiece!

May I take off my hat and pay a respectful compliment to Jan Steen,
Esq.? He is a glorious composer. His humor is as frank as Fielding's.
Look at his own figure sitting in the window-sill yonder, and roaring
with laughter! What a twinkle in the eyes! what a mouth it is for a
song, or a joke, or a noggin! I think the composition in some of Jan's
pictures amounts to the sublime, and look at them with the same delight
and admiration which I have felt before works of the very highest style.
This gallery is admirable--and the city in which the gallery is, is
perhaps even more wonderful and curious to behold than the gallery.

The first landing at Calais (or, I suppose, on any foreign shore)--the
first sight of an Eastern city--the first view of Venice--and this
of Amsterdam, are among the delightful shocks which I have had as a
traveller. Amsterdam is as good as Venice, with a superadded humor and
grotesqueness, which gives the sight-seer the most singular zest and
pleasure. A run through Pekin I could hardly fancy to be more odd,
strange, and yet familiar. This rush, and crowd, and prodigious
vitality; this immense swarm of life; these busy waters, crowding
barges, swinging drawbridges, piled ancient gables, spacious markets
teeming with people; that ever-wonderful Jews' quarter; that dear
old world of painting and the past, yet alive, and throbbing, and
palpable--actual, and yet passing before you swiftly and strangely as a
dream! Of the many journeys of this Roundabout life, that drive through
Amsterdam is to be specially and gratefully remembered. You have never
seen the palace of Amsterdam, my dear sir? Why, there's a marble hall in
that palace that will frighten you as much as any hall in Vathek, or a
nightmare. At one end of that old, cold, glassy, glittering, ghostly,
marble hall there stands a throne, on which a white marble king ought to
sit with his white legs gleaming down into the white marble below, and
his white eyes looking at a great white marble Atlas, who bears on his
icy shoulders a blue globe as big as the full moon. If he were not a
genie, and enchanted, and with a strength altogether hyperatlantean, he
would drop the moon with a shriek on to the white marble floor, and it
would splitter into perdition. And the palace would rock, and heave,
and tumble; and the waters would rise, rise, rise; and the gables
sink, sink, sink; and the barges would rise up to the chimneys; and the
water-souchee fishes would flap over the Boompjes, where the pigeons and
storks used to perch; and the Amster, and the Rotter, and the Saar, and
the Op, and all the dams of Holland would burst, and the Zuyder Zee roll
over the dykes; and you would wake out of your dream, and find yourself
sitting in your arm-chair.

Was it a dream? it seems like one. Have we been to Holland? have we
heard the chimes at midnight at Antwerp? Were we really away for a week,
or have I been sitting up in the room dozing, before this stale old
desk? Here's the desk; yes. But, if it has been a dream, how could I
have learned to hum that tune out of Dinorah? Ah, is it that tune,
or myself that I am humming? If it was a dream, how comes this yellow
NOTICE DES TABLEAUX DU MUSEE D'AMSTERDAM AVEC FACSIMILE DES MONOGRAMMES
before me, and this signature of the gallant


BARTHOLOMEUS VANDER HELST, FECIT Ao, 1648.


Yes, indeed, it was a delightful little holiday; it lasted a whole week.
With the exception of that little pint of amari aliquid at Rotterdam, we
were all very happy. We might have gone on being happy for whoever knows
how many days more? a week more, ten days more: who knows how long that
dear teetotum happiness can be made to spin without toppling over?

But one of the party had desired letters to be sent poste restante,
Amsterdam. The post-office is hard by that awful palace where the Atlas
is, and which we really saw.

There was only one letter, you see. Only one chance of finding us.
There it was. "The post has only this moment come in," says the
smirking commissioner. And he hands over the paper, thinking he has done
something clever.

Before the letter had been opened, I could read COME BACK, as clearly
as if it had been painted on the wall. It was all over. The spell
was broken. The sprightly little holiday fairy that had frisked and
gambolled so kindly beside us for eight days of sunshine--or rain which
was as cheerful as sunshine--gave a parting piteous look, and whisked
away and vanished. And yonder scuds the postman, and here is the old
desk.




NIL NISI BONUM.


Almost the last words which Sir Walter spoke to Lockhart, his
biographer, were, "Be a good man, my dear!" and with the last flicker of
breath on his dying lips, he sighed a farewell to his family, and passed
away blessing them.

Two men, famous, admired, beloved, have just left us, the Goldsmith and
the Gibbon of our time.* Ere a few weeks are over, many a critic's pen
will be at work, reviewing their lives, and passing judgment on their
works. This is no review, or history, or criticism: only a word in
testimony of respect and regard from a man of letters, who owes to his
own professional labor the honor of becoming acquainted with these two
eminent literary men. One was the first ambassador whom the New World of
Letters sent to the Old. He was born almost with the republic; the pater
patriae had laid his hand on the child's head. He bore Washington's
name: he came amongst us bringing the kindest sympathy, the most
artless, smiling goodwill. His new country (which some people here might
be disposed to regard rather superciliously) could send us, as he showed
in his own person, a gentleman, who, though himself born in no very high
sphere, was most finished, polished, easy, witty, quiet; and, socially,
the equal of the most refined Europeans. If Irving's welcome in England
was a kind one, was it not also gratefully remembered? If he ate our
salt, did he not pay us with a thankful heart? Who can calculate the
amount of friendliness and good feeling for our country which this
writer's generous and untiring regard for us disseminated in his own?
His books are read by millions** of his countrymen, whom he has taught
to love England, and why to love her. It would have been easy to speak
otherwise than he did: to inflame national rancors, which, at the time
when he first became known as a public writer, war had just renewed: to
cry down the old civilization at the expense of the new: to point out
our faults, arrogance, short-comings, and give the republic to infer how
much she was the parent state's superior. There are writers enough
in the United States, honest and otherwise, who preach that kind of
doctrine. But the good Irving, the peaceful, the friendly, had no place
for bitterness in his heart, and no scheme but kindness. Received in
England with extraordinary tenderness and friendship (Scott, Southey,
Byron, a hundred others have borne witness to their liking for him),
he was a messenger of good-will and peace between his country and ours.
"See, friends!" he seems to say, "these English are not so wicked,
rapacious, callous, proud, as you have been taught to believe them. I
went amongst them a humble man; won my way by my pen; and, when known,
found every hand held out to me with kindliness and welcome. Scott is a
great man, you acknowledge. Did not Scott's King of England give a gold
medal to him, and another to me, your countryman, and a stranger?"

     * Washington Irving died, November 28, 1859; Lord Macaulay
     died, December 28, 1859.

     ** See his Life in the most remarkable Dictionary of
     Authors, published lately at Philadelphia, by Mr. Allibone.

Tradition in the United States still fondly retains the history of the
feasts and rejoicings which awaited Irving on his return to his native
country from Europe. He had a national welcome; he stammered in his
speeches, hid himself in confusion, and the people loved him all the
better. He had worthily represented America in Europe. In that young
community a man who brings home with him abundant European testimonials
is still treated with respect (I have found American writers, of
wide-world reputation, strangely solicitous about the opinions of quite
obscure British critics, and elated or depressed by their judgments);
and Irving went home medalled by the King, diplomatized by the
University, crowned and honored and admired. He had not in any way
intrigued for his honors, he had fairly won them; and, in Irving's
instance, as in others, the old country was glad and eager to pay them.

In America the love and regard for Irving was a national sentiment.
Party wars are perpetually raging there, and are carried on by the press
with a rancor and fierceness against individuals which exceed British,
almost Irish, virulence. It seemed to me, during a year's travel in the
country, as if no one ever aimed a blow at Irving. All men held their
hand from that harmless, friendly peacemaker. I had the good fortune
to see him at New York, Philadelphia, Baltimore, and Washington,* and
remarked how in every place he was honored and welcome. Every large city
has its "Irving House." The country takes pride in the fame of its men
of letters. The gate of his own charming little domain on the beautiful
Hudson River was for ever swinging before visitors who came to him.
He shut out no one.** I had seen many pictures of his house, and read
descriptions of it, in both of which it was treated with a not unusual
American exaggeration. It was but a pretty little cabin of a place; the
gentleman of the press who took notes of the place, whilst his kind old
host was sleeping, might have visited the whole house in a couple of
minutes.

     * At Washington, Mr. Irving came to a lecture given by the
     writer, which Mr. Filmore and General Pierce, the President
     and President Elect, were also kind enough to attend
     together.  "Two Kings of Brentford smelling at one rose,"
     says Irving, looking up with his good-humored smile.

     ** Mr. Irving described to me, with that humor and good-
     humor which he always kept, how, amongst other visitors, a
     member of the British press who had carried his
     distinguished pen to America (where he employed it in
     vilifying his own country) came to Sunnyside, introduced
     himself to Irving, partook of his wine and luncheon, and in
     two days described Mr. Irving, his house, his nieces, his
     meal, and his manner of dozing afterwards, in a New York
     paper.  On another occasion, Irving said, laughing, "Two
     persons came to me, and one held me in conversation whilst
     the other miscreant took my portrait!"

And how came it that this house was so small, when Mr. Irving's books
were sold by hundreds of thousands, nay, millions, when his profits were
known to be large, and the habits of life of the good old bachelor were
notoriously modest and simple? He had loved once in his life. The lady
he loved died; and he, whom all the world loved, never sought to replace
her. I can't say how much the thought of that fidelity has touched me.
Does not the very cheerfulness of his after life add to the pathos of
that untold story? To grieve always was not in his nature; or, when he
had his sorrow, to bring all the world in to condole with him and bemoan
it. Deep and quiet he lays the love of his heart, and buries it; and
grass and flowers grow over the scarred ground in due time.

Irving had such a small house and such narrow rooms, because there was a
great number of people to occupy them. He could only afford to keep one
old horse (which, lazy and aged as it was, managed once or twice to
run away with that careless old horseman). He could only afford to give
plain sherry to that amiable British paragraph-monger from New York, who
saw the patriarch asleep over his modest, blameless cup, and fetched the
public into his private chamber to look at him. Irving could only live
very modestly, because the wifeless, childless man had a number of
children to whom he was as a father. He had as many as nine nieces, I am
told--I saw two of these ladies at his house--with all of whom the dear
old man had shared the produce of his labor and genius.

"Be a good man, my dear." One can't but think of these last words of the
veteran Chief of Letters, who had tasted and tested the value of worldly
success, admiration, prosperity. Was Irving not good, and, of his
works, was not his life the best part? In his family, gentle, generous,
good-humored, affectionate, self-denying: in society, a delightful
example of complete gentlemanhood; quite unspoiled by prosperity; never
obsequious to the great (or, worse still, to the base and mean, as
some public men are forced to be in his and other countries) eager to
acknowledge every contemporary's merit; always kind and affable to
the young members of his calling; in his professional bargains and
mercantile dealings delicately honest and grateful; one of the most
charming masters of our lighter language; the constant friend to us and
our nation; to men of letters doubly dear, not for his wit and genius
merely, but as an exemplar of goodness, probity, and pure life:--I don't
know what sort of testimonial will be raised to him in his own country,
where generous and enthusiastic acknowledgment of American merit is
never wanting: but Irving was in our service as well as theirs; and as
they have placed a stone at Greenwich yonder in memory of that gallant
young Bellot, who shared the perils and fate of some of our Arctic
seamen, I would like to hear of some memorial raised by English writers
and friends of letters in affectionate remembrance of the dear and good
Washington Irving.

As for the other writer, whose departure many friends, some few most
dearly-loved relatives, and multitudes of admiring readers deplore, our
republic has already decreed his statue, and he must have known that he
had earned this posthumous honor. He is not a poet and man of letters
merely, but citizen, statesman, a great British worthy. Almost from the
first moment when he appears, amongst boys, amongst college students,
amongst men, he is marked, and takes rank as a great Englishman. All
sorts of successes are easy to him: as a lad he goes down into the arena
with others, and wins all the prizes to which he has a mind. A place in
the senate is straightway offered to the young man. He takes his seat
there; he speaks, when so minded, without party anger or intrigue, but
not without party faith and a sort of heroic enthusiasm for his cause.
Still he is poet and philosopher even more than orator. That he may have
leisure and means to pursue his darling studies, he absents himself for
a while, and accepts a richly-remunerative post in the East. As learned
a man may live in a cottage or a college common-room; but it always
seemed to me that ample means and recognized rank were Macaulay's as of
right. Years ago there was a wretched outcry raised because Mr. Macaulay
dated a letter from Windsor Castle, where he was staying. Immortal
gods! Was this man not a fit guest for any palace in the world? or a fit
companion for any man or woman in it? I dare say, after Austerlitz, the
old K. K. court officials and footmen sneered at Napoleon for dating
from Schonbrunn. But that miserable "Windsor Castle" outcry is an echo
out of fast-retreating old-world remembrances. The place of such a
natural chief was amongst the first of the land; and that country
is best, according to our British notion at least, where the man of
eminence has the best chance of investing his genius and intellect.

If a company of giants were got together, very likely one or two of the
mere six-feet-six people might be angry at the incontestable superiority
of the very tallest of the party; and so I have heard some London wits,
rather peevish at Macaulay's superiority, complain that he occupied too
much of the talk, and so forth. Now that wonderful tongue is to speak
no more, will not many a man grieve that he no longer has the chance
to listen? To remember the talk is to wonder: to think not only of the
treasures he had in his memory, but of the trifles he had stored there,
and could produce with equal readiness. Almost on the last day I had the
fortune to see him, a conversation happened suddenly to spring up about
senior wranglers, and what they had done in after life. To the almost
terror of the persons present, Macaulay began with the senior wrangler
of 1801-2- 3-4, and so on, giving the name of each, and relating his
subsequent career and rise. Every man who has known him has his story
regarding that astonishing memory. It may be that he was not ill pleased
that you should recognize it; but to those prodigious intellectual
feats, which were so easy to him, who would grudge his tribute of
homage? His talk was, in a word, admirable, and we admired it.

Of the notices which have appeared regarding Lord Macaulay, up to the
day when the present lines are written (the 9th of January), the reader
should not deny himself the pleasure of looking especially at two. It
is a good sign of the times when such articles as these (I mean the
articles in The times and Saturday Review) appear in our public prints
about our public men. They educate us, as it were, to admire rightly.
An uninstructed person in a museum or at a concert may pass by without
recognizing a picture or a passage of music, which the connoisseur
by his side may show him is a masterpiece of harmony, or a wonder of
artistic skill. After reading these papers you like and respect more
the person you have admired so much already. And so with regard to
Macaulay's style there may be faults of course--what critic can't point
them out? But for the nonce we are not talking about faults: we want to
say nil nisi bonum. Well--take at hazard any three pages of the "Essays"
or "History;"--and, glimmering below the stream of the narrative, as
it were, you, an average reader, see one, two, three, a half-score of
allusions to other historic facts, characters, literature, poetry,
with which you are acquainted. Why is this epithet used? Whence is that
simile drawn? How does he manage, in two or three words, to paint an
individual, or to indicate a landscape? Your neighbor, who has HIS
reading, and his little stock of literature stowed away in his mind,
shall detect more points, allusions, happy touches, indicating not
only the prodigious memory and vast learning of this master, but the
wonderful industry, the honest, humble previous toil of this great
scholar. He reads twenty books to write a sentence; he travels a hundred
miles to make a line of description.

Many Londoners--not all--have seen the British Museum Library. I speak
a coeur ouvert, and pray the kindly reader to bear with me. I have
seen all sorts of domes of Peters and Pauls, Sophia, Pantheon,--what
not?--and have been struck by none of them so much as by that catholic
dome in Bloomsbury, under which our million volumes are housed. What
peace, what love, what truth, what beauty, what happiness for all, what
generous kindness for you and me, are here spread out! It seems to
me one cannot sit down in that place without a heart full of grateful
reverence. I own to have said my grace at the table, and to have thanked
heaven for this my English birthright, freely to partake of these
bountiful books, and to speak the truth I find there. Under the dome
which held Macaulay's brain, and from which his solemn eyes looked
out on the world but a fortnight since, what a vast, brilliant, and
wonderful store of learning was ranged! what strange lore would he not
fetch for you at your bidding! A volume of law, or history, a book of
poetry familiar or forgotten (except by himself who forgot nothing),
a novel ever so old, and he had it at hand. I spoke to him once about
"Clarissa." "Not read 'Clarissa!'" he cried out. "If you have once
thoroughly entered on 'Clarissa' and are infected by it, you can't leave
it. When I was in India I passed one hot season at the hills, and there
were the Governor-General, and the Secretary of Government, and the
Commander-in-Chief, and their wives. I had 'Clarissa' with me: and,
as soon as they began to read, the whole station was in a passion of
excitement about Miss Harlowe and her misfortunes, and her scoundrelly
Lovelace! The Governor's wife seized the book, and the Secretary waited
for it, and the Chief Justice could not read it for tears!" He acted the
whole scene: he paced up and down the "Athenaeum" library: I dare say he
could have spoken pages of the book--of that book, and of what countless
piles of others!

In this little paper let us keep to the text of nil nisi bonum. One
paper I have read regarding Lord Macaulay says "he had no heart." Why,
a man's books may not always speak the truth, but they speak his mind in
spite of himself: and it seems to me this man's heart is beating through
every page he penned. He is always in a storm of revolt and indignation
against wrong, craft, tyranny. How he cheers heroic resistance; how
he backs and applauds freedom struggling for its own; how he hates
scoundrels, ever so victorious and successful; how he recognizes genius,
though selfish villains possess it! The critic who says Macaulay had no
heart, might say that Johnson had none: and two men more generous, and
more loving, and more hating, and more partial, and more noble, do not
live in our history. Those who knew Lord Macaulay knew how admirably
tender and generous,* and affectionate he was. It was not his business
to bring his family before the theatre footlights, and call for bouquets
from the gallery as he wept over them.

     * Since the above was written, I have been informed that it
     has been found, on examining Lord Macaulay's papers, that he
     was in the habit of giving away MORE THAN A FOURTH PART of
     his annual income.

If any young man of letters reads this little sermon--and to him,
indeed, it is addressed--I would say to him, "Bear Scott's words in your
mind, and 'be good, my dear.'" Here are two literary men gone to their
account, and, laus Deo, as far as we know, it is fair, and open, and
clean. Here is no need of apologies for shortcomings, or explanations of
vices which would have been virtues but for unavoidable &c. Here are two
examples of men most differently gifted: each pursuing his calling; each
speaking his truth as God bade him; each honest in his life; just and
irreproachable in his dealings; dear to his friends; honored by his
country; beloved at his fireside. It has been the fortunate lot of both
to give incalculable happiness and delight to the world, which thanks
them in return with an immense kindliness, respect, affection. It may
not be our chance, brother scribe, to be endowed with such merit, or
rewarded with such fame. But the rewards of these men are rewards paid
to OUR SERVICE. We may not win the baton or epaulettes; but God give us
strength to guard the honor of the flag!




ON HALF A LOAF.

A LETTER TO MESSRS. BROADWAY, BATTERY AND CO., OF NEW YORK, BANKERS.


Is it all over? May we lock up the case of instruments? Have we signed
our wills; settled up our affairs; pretended to talk and rattle quite
cheerfully to the women at dinner, so that they should not be alarmed;
sneaked away under some pretext, and looked at the children sleeping in
their beds with their little unconscious thumbs in their months, and a
flush on the soft-pillowed cheek; made every arrangement with Colonel
MacTurk, who acts as our second, and knows the other principal a great
deal too well to think he will ever give in; invented a monstrous
figment about going to shoot pheasants with Mac in the morning, so as to
soothe the anxious fears of the dear mistress of the house; early as the
hour appointed for the--the little affair--was, have we been awake hours
and hours sooner; risen before daylight, with a faint hope, perhaps,
that MacTurk might have come to some arrangement with the other side;
at seven o'clock (confound his punctuality!) heard his cab-wheel at
the door, and let him in looking perfectly trim, fresh, jolly, and
well shaved; driven off with him in the cold morning, after a very
unsatisfactory breakfast of coffee and stale bread-and-butter (which
choke, somehow, in the swallowing); driven off to Wormwood Scrubs in the
cold, muddy, misty, moonshiny morning; stepped out of the cab, where Mac
has bid the man to halt on a retired spot in the common; in one minute
more, seen another cab arrive, from which descend two gentlemen, one of
whom has a case like MacTurk's under his arm;--looked round and round
the solitude, and seen not one single sign of a policeman--no, no more
than in a row in London;--deprecated the horrible necessity which drives
civilized men to the use of powder and bullet;--taken ground as firmly
as may be, and looked on whilst Mac is neatly loading his weapons; and
when all ready, and one looked for the decisive One, Two, Three--have we
even heard Captain O'Toole (the second of the other principal) walk up,
and say: "Colonel MacTurk, I am desired by my principal to declare at
this eleventh--this twelfth hour, that he is willing to own that he sees
HE HAS BEEN WRONG in the dispute which has arisen between him and your
friend; that he apologizes for offensive expressions which he has used
in the heat of the quarrel; and regrets the course he has taken?" If
something like this has happened to you, however great your courage, you
have been glad not to fight;--however accurate your aim, you have been
pleased not to fire.

On the sixth day of January in this year sixty-two, what hundreds of
thousands--I may say, what millions of Englishmen, were in the position
of the personage here sketched--Christian men, I hope, shocked at the
dreadful necessity of battle: aware of the horrors which the conflict
must produce, and yet feeling that the moment was come, and that
there was no arbitrament left but that of steel and cannon! My reader,
perhaps, has been in America. If he has, he knows what good people
are to be found there; how polished, how generous, how gentle, how
courteous. But it is not the voices of these you hear in the roar of
hate, defiance, folly, falsehood, which comes to us across the Atlantic.
You can't hear gentle voices; very many who could speak are afraid.
Men must go forward, or be crushed by the maddened crowd behind them.
I suppose after the perpetration of that act of--what shall we call
it?--of sudden war, which Wilkes did, and Everett approved, most of
us believed that battle was inevitable. Who has not read the American
papers for six weeks past? Did you ever think the United States
Government would give up those Commissioners? I never did, for my
part. It seems to me the United States Government have done the most
courageous act of the war. Before that act was done, what an excitement
prevailed in London! In every Club there was a parliament sitting in
permanence: in every domestic gathering this subject was sure to form
a main part of the talk. Of course I have seen many people who have
travelled in America, and heard them on this matter--friends of the
South, friends of the North, friends of peace, and American stockholders
in plenty.--"They will never give up the men, sir," that was the opinion
on all sides; and, if they would not, we knew what was to happen.

For weeks past this nightmare of war has been riding us. The City was
already gloomy enough. When a great domestic grief and misfortune visits
the chief person of the State, the heart of the people, too, is sad and
awe-stricken. It might be this sorrow and trial were but presages of
greater trials and sorrow to come. What if the sorrow of war is to be
added to the other calamity? Such forebodings have formed the theme of
many a man's talk, and darkened many a fireside. Then came the rapid
orders for ships to arm and troops to depart. How many of us have had to
say farewell to friends whom duty called away with their regiments; on
whom we strove to look cheerfully, as we shook their hands, it might be
for the last time; and whom our thoughts depicted, treading the snows
of the immense Canadian frontier, where their intrepid little band
might have to face the assaults of other enemies than winter and rough
weather! I went to a play one night, and protest I hardly know what was
the entertainment which passed before my eyes. In the next stall was an
American gentleman, who knew me. "Good heavens, sir," I thought, "is it
decreed that you and I are to be authorized to murder each other next
week; that my people shall be bombarding your cities, destroying your
navies, making a hideous desolation of your coast; that our peaceful
frontier shall be subject to fire, rapine, and murder?" "They will never
give up the men," said the Englishman. "They will never give up the
men," said the American. And the Christmas piece which the actors were
playing proceeded like a piece in a dream. To make the grand comic
performance doubly comic, my neighbor presently informed me how one of
the best friends I had in America--the most hospitable, kindly, amiable
of men, from whom I had twice received the warmest welcome and the most
delightful hospitality--was a prisoner in Fort Warren, on charges by
which his life perhaps might be risked. I think that was the most dismal
Christmas fun which these eyes ever looked on.

Carry out that notion a little farther, and depict ten thousand, a
hundred thousand homes in England saddened by the thought of the coming
calamity, and oppressed by the pervading gloom. My next-door neighbor
perhaps has parted with her son. Now the ship in which he is, with a
thousand brave comrades, is ploughing through the stormy midnight ocean.
Presently (under the flag we know of) the thin red line in which her
boy forms a speck, is winding its way through the vast Canadian snows.
Another neighbor's boy is not gone, but is expecting orders to sail;
and some one else, besides the circle at home maybe, is in prayer and
terror, thinking of the summons which calls the young sailor away. By
firesides modest and splendid, all over the three kingdoms, that sorrow
is keeping watch, and myriads of hearts beating with that thought, "Will
they give up the men?"

I don't know how, on the first day after the capture of the Southern
Commissioners was announced, a rumor got abroad in London that the
taking of the men was an act according to law, of which our nation could
take no notice. It was said that the law authorities had so declared,
and a very noble testimony to the LOYALTY of Englishmen, I think, was
shown by the instant submission of high-spirited gentlemen, most keenly
feeling that the nation had been subject to a coarse outrage, who were
silent when told that the law was with the aggressor. The relief which
presently came, when, after a pause of a day, we found that law was on
our side, was indescribable. The nation MIGHT then take notice of this
insult to its honor. Never were people more eager than ours when they
found they had a right to reparation.

I have talked during the last week with many English holders of American
securities, who, of course, have been aware of the threat held over
them. "England," says the New York Herald, "cannot afford to go to war
with us, for six hundred millions' worth of American stock is owned by
British subjects, which, in event of hostilities, would be confiscated;
and we now call upon the Companies not to take it off their hands on any
terms. Let its forfeiture be held over England as a weapon in terrorem.
British subjects have two or three hundred millions of dollars invested
in shipping and other property in the United States. All this property,
together with the stocks, would be seized, amounting to nine hundred
millions of dollars. Will England incur this tremendous loss for a mere
abstraction?"

Whether "a mere abstraction" here means the abstraction of the two
Southern Commissioners from under our flag or the abstract idea of
injured honor, which seems ridiculous to the Herald, is it needless to
ask. I have spoken with many men who have money invested in the States,
but I declare I have not met one English gentleman whom the publication
of this threat has influenced for a moment. Our people have nine hundred
millions of dollars invested in the United States, have they? And the
Herald "calls upon the Companies" not to take any of this debt off
our hands. Let us, on our side, entreat the English press to give this
announcement every publicity. Let us do everything in our power to make
this "call upon the Americans" well known in England. I hope English
newspaper editors will print it, and print it again and again. It is not
we who say this of American citizens, but American citizens who say
this of themselves. "Bull is odious. We can't bear Bull. He is haughty,
arrogant, a braggart, and a blusterer; and we can't bear brag and
bluster in our modest and decorous country. We hate Bull, and if he
quarrels with us on a point in which we are in the wrong, we have goods
of his in our custody, and we will rob him!" Suppose your London banker
saying to you, "Sir, I have always thought your manners disgusting, and
your arrogance insupportable. You dare to complain of my conduct
because I have wrongfully imprisoned Jones. My answer to your vulgar
interference is, that I confiscate your balance!"

What would be an English merchant's character after a few such
transactions? It is not improbable that the moralists of the Herald
would call him a rascal. Why have the United States been paying seven,
eight, ten per cent for money for years past, when the same commodity
can be got elsewhere at half that rate of interest? Why, because though
among the richest proprietors in the world, creditors were not sure of
them. So the States have had to pay eighty millions yearly for the use
of money which would cost other borrowers but thirty. Add up this item
of extra interest alone for a dozen years, and see what a prodigious
penalty the States have been paying for repudiation here and there, for
sharp practice, for doubtful credit. Suppose the peace is kept between
us, the remembrance of this last threat alone will cost the States
millions and millions more. If they must have money, we must have
a greater interest to insure our jeopardized capital. Do American
Companies want to borrow money--as want to borrow they will? Mr. Brown,
show the gentleman that extract from the New York Herald which declares
that the United States will confiscate private property in the event of
a war. As the country newspapers say, "Please, country papers, copy this
paragraph." And, gentlemen in America, when the honor of YOUR nation
is called in question, please to remember that it is the American press
which glories in announcing that you are prepared to be rogues.

And when this war has drained uncounted hundreds of millions more out of
the United States exchequer, will they be richer or more inclined to
pay debts, or less willing to evade them, or more popular with their
creditors, or more likely to get money from men whom they deliberately
announce that they will cheat? I have not followed the Herald on the
"stone-ship" question--that great naval victory appears to me not less
horrible and wicked than suicidal. Block the harbors for ever; destroy
the inlets of the commerce of the world; perish cities,--so that we
may wreak an injury on them. It is the talk of madmen, but not the less
wicked. The act injures the whole Republic: but it is perpetrated. It is
to deal harm to ages hence; but it is done. The Indians of old used to
burn women and their unborn children. This stone-ship business is Indian
warfare. And it is performed by men who tell us every week that they
are at the head of civilization, and that the Old World is decrepit, and
cruel, and barbarous as compared to theirs.

The same politicians who throttle commerce at its neck, and threaten to
confiscate trust-money, say that when the war is over, and the South
is subdued, then the turn of the old country will come, and a direful
retribution shall be taken for our conduct. This has been the cry all
through the war. "We should have conquered the South," says an American
paper which I read this very day, "but for England." Was there ever such
puling heard from men who have an army of a million, and who turn and
revile a people who have stood as aloof from their contest as we have
from the war of Troy? Or is it an outcry made with malice prepense? And
is the song of the New York Times a variation of the Herald tune?--"The
conduct of the British in folding their arms and taking no part in the
fight, has been so base that it has caused the prolongation of the war,
and occasioned a prodigious expense on our part. Therefore, as we have
British property in our hands, we &c. &c." The lamb troubled the water
dreadfully, and the wolf, in a righteous indignation, "confiscated" him.
Of course we have heard that at an undisturbed time Great Britain would
never have dared to press its claim for redress. Did the United States
wait until we were at peace with France before they went to war with
us last? Did Mr. Seward yield the claim which he confesses to be just,
until he himself was menaced with war? How long were the Southern
gentlemen kept in prison? What caused them to be set free? and did
the Cabinet of Washington see its error before or after the demand for
redress?* The captor was feasted at Boston, and the captives in prison
hard by. If the wrong-doer was to be punished, it was Captain Wilkes
who ought to have gone into limbo. At any rate, as "the Cabinet of
Washington could not give its approbation to the commander of the 'San
Jacinto,'" why were the men not sooner set free? To sit at the
Tremont House, and hear the captain after dinner give his opinion on
international law, would have been better sport for the prisoners than
the grim salle-a-manger at Fort Warren.

     * "At the beginning of December the British fleet on the
     West Indian station mounted 850 guns, and comprised five
     liners, ten first-class frigates, and seventeen powerful
     corvettes. . . .  In little more than a month the fleet
     available for operations on the American shore had been more
     than doubled.  The reinforcements prepared at the various
     dockyards included two line-of-battle ships, twenty-nine
     magnificent frigates--such as the 'Shannon,' the 'Sutlej,'
     the 'Euryalus,' the 'Orlando,' the 'Galatea;' eight
     corvettes armed like the frigates in part, with 100- and 40-
     pounder Armstrong guns; and the two tremendous iron-cased
     ships, the 'Warrior' and the 'Black Prince;' and their
     smaller sisters the 'Resistance' and the 'Defence.'  There
     was work to be done which might have delayed the commission
     of a few of these ships for some weeks longer; but if the
     United States had chosen war instead of peace, the blockade
     of their coasts would have been supported by a steam fleet
     of more than sixty splendid ships, armed with 1,800 guns,
     many of them of the heaviest and most effective kind."--
     Saturday Review: Jan. 11.

I read in the commercial news brought by the "Teutonia," and published
in London on the present 13th January, that the pork market was
generally quiet on the 29th December last; that lard, though with more
activity, was heavy and decidedly lower; and at Philadelphia, whiskey
is steady and stocks firm. Stocks are firm: that is a comfort for the
English holders, and the confiscating process recommended by the Herald
is at least deferred. But presently comes an announcement which is not
quite so cheering:--"The Saginaw Central Railway Company (let us call
it) has postponed its January dividend on account of the disturbed
condition of public affairs."

A la bonne heure. The bond- and share-holders of the Saginaw must look
for loss and depression in times of war. This is one of war's dreadful
taxes and necessities; and all sorts of innocent people must suffer by
the misfortune. The corn was high at Waterloo when a hundred and fifty
thousand men came and trampled it down on a Sabbath morning. There was
no help for that calamity, and the Belgian farmers lost their crops for
the year. Perhaps I am a farmer myself--an innocent colonus; and instead
of being able to get to church with my family, have to see squadrons
of French dragoons thundering upon my barley, and squares of English
infantry forming and trampling all over my oats. (By the way, in writing
of "Panics," an ingenious writer in the Atlantic Magazine says that the
British panics at Waterloo were frequent and notorious.) Well, I am
a Belgian peasant, and I see the British running away and the French
cutting the fugitives down. What have I done that these men should be
kicking down my peaceful harvest for me, on which I counted to pay my
rent, to feed my horses, my household, my children? It is hard. But it
is the fortune of war. But suppose the battle over; the Frenchman says,
"You scoundrel! why did you not take a part with me? and why did you
stand like a double-faced traitor looking on? I should have won the
battle but for you. And I hereby confiscate the farm you stand on, and
you and your family may go to the workhouse."

The New York press holds this argument over English people in terrorem.
"We Americans may be ever so wrong in the matter in dispute, but if you
push us to a war, we will confiscate your English property." Very
good. It is peace now. Confidence of course is restored between us.
Our eighteen hundred peace commissioners have no occasion to open their
mouths; and the little question of confiscation is postponed. Messrs.
Battery, Broadway and Co., of New York, have the kindness to sell
my Saginaws for what they will fetch. I shall lose half my loaf very
likely; but for the sake of a quiet life, let us give up a certain
quantity of farinaceous food; and half a loaf, you know, is better than
no bread at all.




THE NOTCH ON THE AXE.--A STORY A LA MODE.

PART I.


"Every one remembers in the Fourth Book of the immortal poem of your
Blind Bard, (to whose sightless orbs no doubt Glorious Shapes were
apparent, and Visions Celestial,) how Adam discourses to Eve of the
Bright Visitors who hovered round their Eden--

     'Millions of spiritual creatures walk the earth,
     Unseen, both when we wake and when we sleep.'

"'How often,' says Father Adam, 'from the steep of echoing hill or
thicket, have we heard celestial voices to the midnight air, sole,
or responsive to each other's notes, singing!' After the Act of
Disobedience, when the erring pair from Eden took their solitary way,
and went forth to toil and trouble on common earth--though the Glorious
Ones no longer were visible, you cannot say they were gone. It was not
that the Bright Ones were absent, but that the dim eyes of rebel man no
longer could see them. In your chamber hangs a picture of one whom you
never knew, but whom you have long held in tenderest regard, and who
was painted for you by a friend of mine, the Knight of Plympton. She
communes with you. She smiles on you. When your spirits are low, her
bright eyes shine on you and cheer you. Her innocent sweet smile is
a caress to you. She never fails to soothe you with her speechless
prattle. You love her. She is alive with you. As you extinguish your
candle and turn to sleep, though your eyes see her not, is she not
there still smiling? As you lie in the night awake, and thinking of your
duties, and the morrow's inevitable toil oppressing the busy, weary,
wakeful brain as with a remorse, the crackling fire flashes up for a
moment in the grate, and she is there, your little Beauteous Maiden,
smiling with her sweet eyes! When moon is down, when fire is out, when
curtains are drawn, when lids are closed, is she not there, the little
Beautiful One, though invisible, present and smiling still? Friend, the
Unseen Ones are round about us. Does it not seem as if the time were
drawing near when it shall be given to men to behold them?"

The print of which my friend spoke, and which, indeed, hangs in my room,
though he has never been there, is that charming little winter piece of
Sir Joshua, representing the little Lady Caroline Montague, afterwards
Duchess of Buccleuch. She is represented as standing in the midst of a
winter landscape, wrapped in muff and cloak; and she looks out of her
picture with a smile so exquisite that a Herod could not see her without
being charmed.

"I beg your pardon, MR. PINTO," I said to the person with whom I was
conversing. (I wonder, by the way, that I was not surprised at his
knowing how fond I am of this print.) "You spoke of the Knight of
Plympton. Sir Joshua died, 1792: and you say he was your dear friend?"

As I spoke I chanced to look at Mr. Pinto; and then it suddenly struck
me: Gracious powers? Perhaps you ARE a hundred years old, now I think of
it. You look more than a hundred. Yes, you may be a thousand years old
for what I know. Your teeth are false. One eye is evidently false. Can I
say that the other is not? If a man's age may be calculated by the rings
round his eyes, this man may be as old as Methuselah. He has no beard.
He wears a large curly glossy brown wig, and his eyebrows are painted
a deep olive-green. It was odd to hear this man, this walking mummy,
talking sentiment, in these queer old chambers in Shepherd's Inn.

Pinto passed a yellow bandanna handkerchief over his awful white teeth,
and kept his glass eye steadily fixed on me. "Sir Joshua's friend?" said
he (you perceive, eluding my direct question). "Is not every one that
knows his pictures Reynolds's friend? Suppose I tell you that I have
been in his painting room scores of times, and that his sister The has
made me tea, and his sister Toffy has made coffee for me? You will only
say I am an old ombog." (Mr. Pinto, I remarked, spoke all languages
with an accent equally foreign.) "Suppose I tell you that I knew Mr. Sam
Johnson, and did not like him? that I was at that very ball at Madame
Cornelis', which you have mentioned in one of your little--what do you
call them?--bah! my memory begins to fail me--in one of your little
Whirligig Papers? Suppose I tell you that Sir Joshua has been here, in
this very room?"

"Have you, then, had these apartments for--more--than--seventy years?" I
asked.

"They look as if they had not been swept for that time--don't they? Hey?
I did not say that I had them for seventy years, but that Sir Joshua has
visited me here."

"When?" I asked, eying the man sternly, for I began to think he was an
impostor.

He answered me with a glance still more stern: "Sir Joshua Reynolds
was here this very morning, with Angelica Kaufmann and Mr. Oliver
Goldschmidt. He is still very much attached to Angelica, who still does
not care for him. Because he is dead (and I was in the fourth mourning
coach at his funeral) is that any reason why he should not come back to
earth again? My good sir, you are laughing at me. He has sat many a time
on that very chair which you are occupying. There are several spirits in
the room now, whom you cannot see. Excuse me." Here he turned round as
if he was addressing somebody, and began rapidly speaking a language
unknown to me. "It is Arabic," he said; "a bad patois I own. I learned
it in Barbary, when I was a prisoner amongst the Moors. In anno 1609,
bin ick aldus ghekledt gheghaen. Ha! you doubt me: look at me well. At
least I am like--"

Perhaps some of my readers remember a paper of which the figure of a man
carrying a barrel formed the initial letter,* and which I copied from an
old spoon now in my possession. As I looked at Mr. Pinto I do declare he
looked so like the figure on that old piece of plate that I started and
felt very uneasy. "Ha!" said he, laughing through his false teeth (I
declare they were false--I could see utterly toothless gums working
up and down behind the pink coral), "you see I wore a beard den; I am
shafed now; perhaps you tink I am A SPOON. Ha, ha!" And as he laughed he
gave a cough which I thought would have coughed his teeth out, his glass
eye out, his wig off, his very head off; but he stopped this convulsion
by stumping across the room and seizing a little bottle of bright pink
medicine, which, being opened, spread a singular acrid aromatic odor
through the apartment; and I thought I saw--but of this I cannot take an
affirmation--a light green and violet flame flickering round the neck of
the phial as he opened it. By the way, from the peculiar stumping noise
which he made in crossing the bare-boarded apartment, I knew at once
that my strange entertainer had a wooden leg. Over the dust which lay
quite thick on the boards, you could see the mark of one foot very neat
and pretty, and then a round O, which was naturally the impression made
by the wooden stump. I own I had a queer thrill as I saw that mark, and
felt a secret comfort that it was not CLOVEN.

     * This refers to an illustrated edition of the work.

In this desolate apartment in which Mr. Pinto had invited me to see him,
there were three chairs, one bottomless, a little table on which you
might put a breakfast-tray, and not a single other article of furniture.
In the next room, the door of which was open, I could see a magnificent
gilt dressing-case, with some splendid diamond and ruby shirt-studs
lying by it, and a chest of drawers, and a cupboard apparently full of
clothes.

Remembering him in Baden-Baden in great magnificence, I wondered at his
present denuded state. "You have a house elsewhere, Mr. Pinto?" I said.

"Many," says he. "I have apartments in many cities. I lock dem up, and
do not carry mosh logish."

I then remembered that his apartment at Baden, where I first met him,
was bare, and had no bed in it.

"There is, then, a sleeping-room beyond?"

"This is the sleeping-room." (He pronounces it DIS. Can this, by the
way, give any clue to the nationality of this singular man?)

"If you sleep on these two old chairs you have a rickety couch; if on
the floor, a dusty one."

"Suppose I sleep up dere?" said this strange man, and he actually
pointed up to the ceiling. I thought him mad, or what he himself called
"an ombog." "I know. You do not believe me; for why should I deceive
you? I came but to propose a matter of business to you. I told you I
could give you the clue to the mystery of the Two Children in Black,
whom you met at Baden, and you came to see me. If I told you you would
not believe, me. What for try and convinz you? Ha hey?" And he shook his
hand once, twice, thrice, at me, and glared at me out of his eye in a
peculiar way.

Of what happened now I protest I cannot give an accurate account. It
seemed to me that there shot a flame from his eye into my brain, whilst
behind his GLASS eye there was a green illumination as if a candle had
been lit in it. It seemed to me that from his long fingers two quivering
flames issued, sputtering, as it were, which penetrated me, and forced
me back into one of the chairs--the broken one--out of which I had much
difficulty in scrambling, when the strange glamour was ended. It seemed,
to me that, when I was so fixed, so transfixed in the broken chair, the
man floated up to the ceiling, crossed his legs, folded his arms as if
he was lying on a sofa, and grinned down at me. When I came to myself
he was down from the ceiling, and, taking me out of the broken
cane-bottomed chair, kindly enough--"Bah!" said he, "it is the smell of
my medicine. It often gives the vertigo. I thought you would have had
a little fit. Come into the open air." And we went down the steps,
and into Shepherd's Inn, where the setting sun was just shining on the
statue of Shepherd; the laundresses were traipsing about; the porters
were leaning against the railings; and the clerks were playing at
marbles, to my inexpressible consolation.

"You said you were going to dine at the 'Gray's-inn Coffee-house,'"
he said. I was. I often dine there. There is excellent wine at the
"Gray's-inn Coffee-house;" but I declare I NEVER SAID SO. I was not
astonished at his remark; no more astonished than if I was in a dream.
Perhaps I WAS in a dream. Is life a dream? Are dreams facts? Is sleeping
being really awake? I don't know. I tell you I am puzzled. I have read
"The Woman in White," "The Strange Story"--not to mention that story
"Stranger than Fiction" in the Cornhill Magazine--that story for which
THREE credible witnesses are ready to vouch. I have had messages from
the dead; and not only from the dead, but from people who never existed
at all. I own I am in a state of much bewilderment: but, if you please,
will proceed with my simple, my artless story.

Well, then. We passed from Shepherd's Inn into Holborn, and looked for
a while at Woodgate's bric-a-brac shop, which I never can pass without
delaying at the windows--indeed, if I were going to be hung, I would
beg the cart to stop, and let me have one look more at that delightful
omnium gatherum. And passing Woodgate's, we come to Gale's little shop,
"No. 47," which is also a favorite haunt of mine.

Mr. Gale happened to be at his door, and as we exchanged salutations,
"Mr. Pinto," I said, "will you like to see a real curiosity in this
curiosity shop? Step into Mr. Gale's little back room."

In that little back parlor there are Chinese gongs; there are old
Saxe and Sevres plates; there is Furstenberg, Carl Theodor, Worcester,
Amstel, Nankin and other jimcrockery. And in the corner what do you
think there is? There is an actual GUILLOTINE. If you doubt me, go and
see--Gale, High Holborn, No. 47. It is a slim instrument, much slighter
than those which they make now;--some nine feet high, narrow, a pretty
piece of upholstery enough. There is the hook over which the rope used
to play which unloosened the dreadful axe above; and look! dropped into
the orifice where the head used to go--there is THE AXE itself, all
rusty, with A GREAT NOTCH IN THE BLADE.

As Pinto looked at it--Mr. Gale was not in the room, I recollect;
happening to have been just called out by a customer who offered
him three pound fourteen and sixpence for a blue Shepherd in pate
tendre,--Mr. Pinto gave a little start, and seemed crispe for a moment.
Then he looked steadily towards one of those great porcelain stools
which you see in gardens--and--it seemed to me--I tell you I won't take
my affidavit--I may have been maddened by the six glasses I took of that
pink elixir--I may have been sleep-walking: perhaps am as I write now--I
may have been under the influence of that astounding MEDIUM into whose
hands I had fallen--but I vow I heard Pinto say, with rather a ghastly
grin at the porcelain stool,

     "Nay, nefer shague your gory locks at me,
     Dou canst not say I did it."

(He pronounced it, by the way, I DIT it, by which I KNOW that Pinto was
a German.)

I heard Pinto say those very words, and sitting on the porcelain stool
I saw, dimly at first, then with an awful distinctness--a ghost--an
eidolon--a form--A HEADLESS MAN seated, with his head in his lap, which
wore an expression of piteous surprise.

At this minute, Mr. Gale entered from the front shop to show a customer
some delf plates; and he did not see--but WE DID--the figure rise up
from the porcelain stool, shake its head, which it held in its hand,
and which kept its eyes fixed sadly on us, and disappear behind the
guillotine.

"Come to the 'Gray's-inn Coffee-house,'" Pinto said, "and I will tell
you how THE NOTCH CAME TO THE AXE." And we walked down Holborn at about
thirty-seven minutes past six o'clock.

If there is anything in the above statement which astonishes the reader,
I promise him that in the next chapter of this little story he will be
astonished still more.


PART II.


"You will excuse me," I said, to my companion, "for remarking, that when
you addressed the individual sitting on the porcelain stool, with his
head in his lap, your ordinarily benevolent features"--(this I confess
was a bouncer, for between ourselves a more sinister and ill-looking
rascal than Mons. P. I have seldom set eyes on)--"your ordinarily
handsome face wore an expression that was by no means pleasing. You
grinned at the individual just as you did at me when you went up to the
cei--, pardon me, as I THOUGHT you did, when I fell down in a fit in
your chambers;" and I qualified my words in a great flutter and tremble;
I did not care to offend the man--I did not DARE to offend the man.
I thought once or twice of jumping into a cab, and flying; of taking
refuge in Day and Martin's Blacking Warehouse; of speaking to a
policeman, but not one would come. I was this man's slave. I followed
him like his dog. I COULD not get away from him. So, you see, I went
on meanly conversing with him, and affecting a simpering confidence.
I remember, when I was a little boy at school, going up fawning and
smiling in this way to some great hulking bully of a sixth-form boy.
So I said in a word, "Your ordinarily handsome face wore a disagreeable
expression," &c.

"It is ordinarily VERY handsome," said he, with such a leer at a couple
of passers-by, that one of them cried, "Oh, crikey, here's a
precious guy!" and a child, in its nurse's arms, screamed itself
into convulsions. "Oh, oui, che suis tres-choli garcon, bien peau,
cerdainement," continued Mr. Pinto; "but you were right. That--that
person was not very well pleased when he saw me. There was no love
lost between us, as you say; and the world never knew a more worthless
miscreant. I hate him, voyez-vous? I hated him alife; I hate him dead.
I hate him man; I hate him ghost: and he know it, and tremble before me.
If I see him twenty tausend years hence--and why not?--I shall hate him
still. You remarked how he was dressed?"

"In black satin breeches and striped stockings; a white pique waistcoat,
a gray coat, with large metal buttons, and his hair in powder. He must
have worn a pigtail--only--"

"Only it was CUT OFF! Ha, ha, ha!" Mr. Pinto cried, yelling a laugh,
which I observed made the policeman stare very much. "Yes. It was cut
off by the same blow which took off the scoundrel's head--ho, ho, ho!"
And he made a circle with his hook-nailed finger round his own yellow
neck, and grinned with a horrible triumph. "I promise you that fellow
was surprised when he found his head in the pannier. Ha! ha! Do you ever
cease to hate those whom you hate?"--fire flashed terrifically from his
glass eye, as he spoke--"or to love dose whom you once loved. Oh, never,
never!" And here his natural eye was bedewed with tears. "But here we
are at the 'Gray's-inn Coffee-house.' James, what is the joint?"

That very respectful and efficient waiter brought in the bill of fare,
and I, for my part, chose boiled leg of pork and pease-pudding, which my
acquaintance said would do as well as anything else; though I remarked
he only trifled with the pease-pudding, and left all the pork on the
plate. In fact, he scarcely ate anything. But he drank a prodigious
quantity of wine; and I must say that my friend Mr. Hart's port-wine is
so good that I myself took--well, I should think, I took three glasses.
Yes, three, certainly. HE--I mean Mr. P.--the old rogue, was insatiable:
for we had to call for a second bottle in no time. When that was gone,
my companion wanted another. A little red mounted up to his yellow
cheeks as he drank the wine, and he winked at it in a strange manner. "I
remember," said he, musing, "when port-wine was scarcely drunk in this
country--though the Queen liked it, and so did Harley; but Bolingbroke
didn't--he drank Florence and Champagne. Dr. Swift put water to his
wine. 'Jonathan,' I once said to him--but bah! autres temps, autres
moeurs. Another magnum, James."

This was all very well. "My good sir," I said, "it may suit you to order
bottles of '20 port, at a guinea a bottle; but that kind of price
does not suit me. I only happen to have thirty-four and sixpence in my
pocket, of which I want a shilling for the waiter, and eighteenpence for
my cab. You rich foreigners and SWELLS may spend what you like" (I had
him there: for my friend's dress was as shabby as an old-clothesman's);
"but a man with a family, Mr. What-d'you-call'im, cannot afford to spend
seven or eight hundred a year on his dinner alone."

"Bah!" he said. "Nunkey pays for all, as you say. I will what you
call stant the dinner, if you are SO POOR!" and again he gave that
disagreeable grin, and placed an odious crooked-nailed and by no means
clean finger to his nose. But I was not so afraid of him now, for we
were in a public place; and the three glasses of port-wine had, you see,
given me courage.

"What a pretty snuff-box!" he remarked, as I handed him mine, which I am
still old-fashioned enough to carry. It is a pretty old gold box enough,
but valuable to me especially as a relic of an old, old relative, whom
I can just remember as a child, when she was very kind to me. "Yes;
a pretty box. I can remember when many ladies--most ladies, carried
a box--nay, two boxes--tabatiere, and bonbonniere. What lady carries
snuff-box now, hey? Suppose your astonishment if a lady in an assembly
were to offer you a prise? I can remember a lady with such a box as
this, with a tour, as we used to call it then; with paniers, with a
tortoise-shell cane, with the prettiest little high-heeled velvet shoes
in the world!--ah! that was a time, that was a time! Ah, Eliza, Eliza, I
have thee now in my mind's eye! At Bungay on the Waveney, did I not walk
with thee, Eliza? Aha, did I not love thee? Did I not walk with thee
then? Do I not see thee still?"

This was passing strange. My ancestress--but there is no need to publish
her revered name--did indeed live at Bungay St. Mary's, where she lies
buried. She used to walk with a tortoise-shell cane. She used to wear
little black velvet shoes, with the prettiest high heels in the world.

"Did you--did you--know, then, my great gr-ndm-ther?" I said.

He pulled up his coat-sleeve--"Is that her name?" he said.

"Eliza ----"

There, I declare, was the very name of the kind old creature written in
red on his arm.

"YOU knew her old," he said, divining my thoughts (with his strange
knack); "I knew her young and lovely. I danced with her at the Bury
ball. Did I not, dear, dear Miss ----?"

As I live, he here mentioned dear gr-nny's MAIDEN name. Her maiden name
was ----. Her honored married name was ----.

"She married your great gr-ndf-th-r the year Poseidon won the Newmarket
Plate," Mr. Pinto dryly remarked.

Merciful powers! I remember, over the old shagreen knife and spoon case
on the sideboard in my gr-nny's parlor, a print by Stubbs of that very
horse. My grandsire, in a red coat, and his fair hair flowing over his
shoulders, was over the mantel-piece, and Poseidon won the Newmarket Cup
in the year 1783!

"Yes; you are right. I danced a minuet with her at Bury that very night,
before I lost my poor leg. And I quarrelled with your grandf----, ha!"

As he said "Ha!" there came three quiet little taps on the table--it is
the middle table in the "Gray's-inn Coffee-house," under the bust of the
late Duke of W-ll-ngt-n.

"I fired in the air," he continued "did I not?" (Tap, tap, tap.) "Your
grandfather hit me in the leg. He married three months afterwards.
'Captain Brown,' I said, 'who could see Miss Sm-th without loving her?'
She is there! She is there!" (Tap, tap, tap.) "Yes, my first love--"

But here there came tap, tap, which everybody knows means "No."

"I forgot," he said, with a faint blush stealing over his wan features,
"she was not my first love. In Germ--- in my own country--there WAS a
young woman--"

Tap, tap, tap. There was here quite a lively little treble knock; and
when the old man said, "But I loved thee better than all the world,
Eliza," the affirmative signal was briskly repeated.

And this I declare UPON MY HONOR. There was, I have said, a bottle of
port-wine before us--I should say a decanter. That decanter was LIFTED
up, and out of it into our respective glasses two bumpers of wine were
poured. I appeal to Mr. Hart, the landlord--I appeal to James, the
respectful and intelligent waiter, if this statement is not true? And
when we had finished that magnum, and I said--for I did not now in the
least doubt of her presence--"Dear gr-nny, may we have another magnum?"
the table DISTINCTLY rapped "No."

"Now, my good sir," Mr. Pinto said, who really began to be affected
by the wine, "you understand the interest I have taken in you. I loved
Eliza ----" (of course I don't mention family names). "I knew you had
that box which belonged to her--I will give you what you like for that
box. Name your price at once, and I pay you on the spot."

"Why, when we came out, you said you had not sixpence in your pocket."

"Bah! give you anything you like--fifty--a hundred--a tausend pound."

"Come, come," said I, "the gold of the box may be worth nine guineas,
and the facon we will put at six more."

"One tausend guineas!" he screeched. "One tausend and fifty pound,
dere!" and he sank back in his chair--no, by the way, on his bench, for
he was sitting with his back to one of the partitions of the boxes, as I
dare say James remembers.

"DON'T go on in this way," I continued, rather weakly, for I did not
know whether I was in a dream. "If you offer me a thousand guineas for
this box I MUST take it. Mustn't I, dear gr-nny?"

The table most distinctly said, "Yes;" and putting out his claws to
seize the box, Mr. Pinto plunged his hooked nose into it, and eagerly
inhaled some of my 47 with a dash of Hardman.

"But stay, you old harpy!" I exclaimed, being now in a sort of rage, and
quite familiar with him. "Where is the money? Where is the check?"

"James, a piece of note-paper and a receipt stamp!"

"This is all mighty well, sir," I said, "but I don't know you; I never
saw you before. I will trouble you to hand me that box back again, or
give me a check with some known signature."

"Whose? Ha, Ha, HA!"

The room happened to be very dark. Indeed, all the waiters were gone to
supper, and there were only two gentlemen snoring in their respective
boxes. I saw a hand come quivering down from the ceiling--a very pretty
hand, on which was a ring with a coronet, with a lion rampant gules for
a crest. I SAW THAT HAND TAKE A DIP OF INK AND WRITE ACROSS THE PAPER.
Mr. Pinto, then, taking a gray receipt-stamp out of his blue leather
pocket-book, fastened it on to the paper by the usual process; and the
hand then wrote across the receipt-stamp, went across the table and
shook hands with Pinto, and then, as if waving him an adieu, vanished in
the direction of the ceiling.

There was the paper before me, wet with the ink. There was the pen
which THE HAND had used. Does anybody doubt me? I HAVE THAT PEN NOW. A
cedar-stick of a not uncommon sort, and holding one of Gillott's
pens. It is in my inkstand now, I tell you. Anybody may see it. The
handwriting on the check, for such the document was, was the writing
of a female. It ran thus:--"London, midnight, March 31, 1862. Pay
the bearer one thousand and fitty pounds. Rachel Sidonia. To Messrs.
Sidonia, Pozzosanto and Co., London."

"Noblest and best of women!" said Pinto, kissing the sheet of paper with
much reverence. "My good Mr. Roundabout, I suppose you do not question
THAT signature?"

Indeed, the house of Sidonia, Pozzosanto and Co., is known to be one of
the richest in Europe, and as for the Countess Rachel, she was known to
be the chief manager of that enormously wealthy establishment. There was
only one little difficulty, THE COUNTESS RACHEL DIED LAST OCTOBER.

I pointed out this circumstance, and tossed over the paper to Pinto with
a sneer.

"C'est a brendre ou a laisser," he said with some heat. "You literary
men are all imbrudent; but I did not tink you such a fool wie dis. Your
box is not worth twenty pound, and I offer you a tausend because I know
you want money to pay dat rascal Tom's college bills." (This strange man
actually knew that my scapegrace Tom has been a source of great expense
and annoyance to me.) "You see money costs me nothing, and you refuse
to take it! Once, twice; will you take this check in exchange for your
trumpery snuff-box?"

What could I do? My poor granny's legacy was valuable and dear to me,
but after all a thousand guineas are not to be had every day. "Be it a
bargain," said I. "Shall we have a glass of wine on it?" says Pinto; and
to this proposal I also unwillingly acceded, reminding him, by the way,
that he had not yet told me the story of the headless man.


"Your poor gr-ndm-ther was right just now, when she said she was not my
first love. 'Twas one of those banale expressions" (here Mr. P. blushed
once more) "which we use to women. We tell each she is our first
passion. They reply with a similar illusory formula. No man is any
woman's first love; no woman any man's. We are in love in our nurse's
arms, and women coquette with their eyes before their tongue can form a
word. How could your lovely relative love me? I was far, far too old for
her. I am older than I look. I am so old that you would not believe my
age were I to tell you. I have loved many and many a woman before your
relative. It has not always been fortunate for them to love me. Ah,
Sophronia! Round the dreadful circus where you fell, and whence I was
dragged corpse-like by the heels, there sat multitudes more savage than
the lions which mangled your sweet form! Ah, tenez! when we marched to
the terrible stake together at Valladolid--the Protestant and the J--
But away with memory! Boy! it was happy for thy grandam that she loved
me not.

"During that strange period," he went on, "when the teeming Time was
great with the revolution that was speedily to be born, I was on a
mission in Paris with my excellent, my maligned friend Cagliostro.
Mesmer was one of our band. I seemed to occupy but an obscure rank in
it: though, as you know, in secret societies the humble man may be a
chief and director--the ostensible leader but a puppet moved by unseen
hands. Never mind who was chief, or who was second. Never mind my age.
It boots not to tell it: why shall I expose myself to your scornful
incredulity--or reply to your questions in words that are familiar to
you, but which yet you cannot understand? Words are symbols of things
which you know, or of things which you don't know. If you don't know
them, to speak is idle." (Here I confess Mr. P. spoke for exactly
thirty-eight minutes, about physics, metaphysics, language, the origin
and destiny of man, during which time I was rather bored, and, to
relieve my ennui, drank a half glass or so of wine.) "LOVE, friend, is
the fountain of youth! It may not happen to me once--once in an age:
but when I love, then I am young. I loved when I was in Paris. Bathilde,
Bathilde, I loved thee--ah, how fondly! Wine, I say, more wine! Love is
ever young. I was a boy at the little feet of Bathilde de Bechamel--the
fair, the fond, the fickle, ah, the false!" The strange old man's agony
was here really terrific, and he showed himself much more agitated than
he had been when speaking about my gr-ndm-th-r.

"I thought Blanche might love me. I could speak to her in the language
of all countries, and tell her the lore of all ages. I could trace the
nursery legends which she loved up to their Sanscrit source, and whisper
to her the darkling mysteries of Egyptian Magi. I could chant for her
the wild chorus that rang in the dishevelled Eleusinian revel: I could
tell her and I would, the watchword never known but to one woman, the
Saban Queen, which Hiram breathed in the abysmal ear of Solomon--You
don't attend. Psha! you have drunk too much wine!" Perhaps I may as
well own that I was NOT attending, for he had been carrying on for about
fifty-seven minutes; and I don't like a man to have ALL the talk to
himself.

"Blanche de Bechamel was wild, then, about this secret of Masonry. In
early, early days I loved, I married a girl fair as Blanche, who, too,
was tormented by curiosity, who, too, would peep into my closet--into
the only secret I guarded from her. A dreadful fate befell poor Fatima.
An ACCIDENT shortened her life. Poor thing! she had a foolish sister who
urged her on. I always told her to beware of Ann. She died. They said
her brothers killed me. A gross falsehood. AM I dead? If I were, could I
pledge you in this wine?"

"Was your name," I asked, quite bewildered, "was your name, pray, then,
ever Blueb----?"

"Hush! the waiter will overhear you. Methought we were speaking of
Blanche de Bechamel. I loved her, young man. My pearls, and diamonds,
and treasure, my wit, my wisdom, my passion, I flung them all into
the child's lap. I was a fool. Was strong Samson not as weak as I? Was
Solomon the Wise much better when Balkis wheedled him. I said to the
king--But enough of that, I spake of Blanche de Bechamel.

"Curiosity was the poor child's foible. I could see, as I talked to her.
that her thoughts were elsewhere (as yours, my friend, have been absent
once or twice to-night). To know the secret of Masonry was the wretched
child's mad desire. With a thousand wiles, smiles, caresses, she strove
to coax it from me--from ME--ha! ha!

"I had an apprentice--the son of a dear friend, who died by my side at
Rossbach, when Soubise, with whose army I happened to be, suffered a
dreadful defeat for neglecting my advice. The young Chevalier Goby de
Mouchy was glad enough to serve as my clerk, and help in some chemical
experiments in which I was engaged with my friend Dr. Mesmer. Bathilde
saw this young man. Since women were, has it not been their business to
smile and deceive, to fondle and lure? Away! From the very first it has
been so!" And as my companion spoke, he looked as wicked as the serpent
that coiled round the tree, and hissed a poisoned counsel to the first
woman.

"One evening I went, as was my wont, to see Blanche. She was radiant:
she was wild with spirits: a saucy triumph blazed in her blue eyes. She
talked, she rattled in her childish way. She uttered, in the course of
her rhapsody, a hint--an intimation--so terrible that the truth flashed
across me in a moment. Did I ask her? She would lie to me. But I know
how to make falsehood impossible. Add I ORDERED HER TO GO TO SLEEP."

At this moment the clock (after its previous convulsions) sounded
TWELVE. And as the new Editor* of the Cornhill Magazine--and HE, I
promise you, won't stand any nonsense--will only allow seven pages, I am
obliged to leave off at THE VERY MOST INTERESTING POINT OF THE STORY.

     * Mr. Thackeray retired from the Editorship of the Cornhill
     Magazine in March, 1862.


PART III.


"Are you of our fraternity? I see you are not. The secret which
Mademoiselle de Bechamel confided to me in her mad triumph and wild
hoyden spirits--she was but a child, poor thing, poor thing, scarce
fifteen--but I love them young--a folly not unusual with the old!" (Here
Mr. Pinto thrust his knuckles into his hollow eyes; and, I am sorry to
say, so little regardful was he of personal cleanliness, that his tears
made streaks of white over his gnarled dark hands.) "Ah, at fifteen,
poor child, thy fate was terrible! Go to! It is not good to love me,
friend. They prosper not who do. I divine you. You need not say what you
are thinking--"

In truth, I was thinking, if girls fall in love with this sallow
hook-nosed, glass-eyed, wooden-legged, dirty, hideous old man, with the
sham teeth, they have a queer taste. THAT is what I was thinking.

"Jack Wilkes said the handsomest man in London had but half an hour's
start of him. And without vanity, I am scarcely uglier than Jack Wilkes.
We were members of the same club at Medenham Abbey, Jack and I, and had
many a merry night together. Well, sir, I--Mary of Scotland knew me but
as a little hunchbacked music-master; and yet, and yet, I think SHE was
not indifferent to her David Riz--and SHE came to misfortune. They all
do--they all do!"

"Sir, you are wandering from your point!" I said, with some severity.
For, really, for this old humbug to hint that he had been the baboon who
frightened the club at Medenham, that he had been in the Inquisition at
Valladolid--that under the name of D. Riz, as he called it, he had known
the lovely Queen of Scots--was a LITTLE too much. "Sir," then I said,
"you were speaking about a Miss de Bechamel. I really have not time to
hear all your biography."

"Faith, the good wine gets into my head." (I should think so, the old
toper! Four bottles all but two glasses.) "To return to poor Blanche.
As I sat laughing, joking with her, she let slip a word, a little
word, which filled me with dismay. Some one had told her a part of
the Secret--the secret which has been divulged scarce thrice in three
thousand years--the Secret of the Freemasons. Do you know what happens
to those uninitiate who learn that secret? to those wretched men, the
initiate who reveal it?"

As Pinto spoke to me, he looked through and through me with his horrible
piercing glance, so that I sat quite uneasily on my bench. He continued:
"Did I question her awake? I knew she would lie to me. Poor child! I
loved her no less because I did not believe a word she said. I loved her
blue eye, her golden hair, her delicious voice, that was true in song,
though when she spoke, false as Eblis! You are aware that I possess
in rather a remarkable degree what we have agreed to call the mesmeric
power. I set the unhappy girl to sleep. THEN she was obliged to tell me
all. It was as I had surmised. Goby de Mouchy, my wretched, besotted,
miserable secretary, in his visits to the chateau of the Marquis de
Bechamel, who was one of our society, had seen Blanche. I suppose it was
because she had been warned that he was worthless, and poor, artful
and a coward, she loved him. She wormed out of the besotted wretch the
secrets of our Order. 'Did he tell you the NUMBER ONE?' I asked.

"She said, 'Yes.'

"'Did he,' I further inquired, 'tell you the--'

"'Oh, don't ask me, don't ask me!' she said, writhing on the sofa, where
she lay in the presence of the Marquis de Bechamel, her most unhappy
father. Poor Bechamel, poor Bechamel! How pale he looked as I spoke!
'Did he tell you,' I repeated with a dreadful calm, 'the NUMBER TWO?'
She said, 'Yes.'

"The poor old marquis rose up, and clasping his hands, fell on his knees
before Count Cagl---- Bah! I went by a different name then. Vat's in
a name? Dat vich ve call a Rosicrucian by any other name vil smell as
sveet. 'Monsieur,' he said, 'I am old--I am rich. I have five hundred
thousand livres of rentes in Picardy. I have half as much in Artois. I
have two hundred and eighty thousand on the Grand Livre. I am promised
by my Sovereign a dukedom and his orders with a reversion to my heir. I
am a Grandee of Spain of the First Class, and Duke of Volovento. Take
my titles, my ready money, my life, my honor, everything I have in the
world, but don't ask the THIRD QUESTION.'

"'Godefroid de Bouillon, Comte de Bechamel, Grandee of Spain and Prince
of Volovento, in our Assembly what was the oath you swore?'" The old man
writhed as he remembered its terrific purport.

"Though my heart was racked with agony, and I would have died, ay,
cheerfully" (died, indeed, as if THAT were a penalty!) "to spare yonder
lovely child a pang, I said to her calmly, 'Blanche de Bechamel, did
Goby de Mouchy tell you secret NUMBER THREE?'

"She whispered a oui that was quite faint, faint and small. But her poor
father fell in convulsions at her feet.

"She died suddenly that night. Did I not tell you those I love come to
no good? When General Bonaparte crossed the Saint Bernard, he saw in the
convent an old monk with a white beard, wandering about the corridors,
cheerful and rather stout, but mad--mad as a March hare. 'General,' I
said to him, 'did you ever see that face before?' He had not. He had
not mingled much with the higher classes of our society before the
Revolution. I knew the poor old man well enough; he was the last of a
noble race, and I loved his child."

"And did she die by--?"

"Man! did I say so? Do I whisper the secrets of the Vehmgericht? I
say she died that night: and he--he, the heartless, the villain, the
betrayer,--you saw him seated in yonder curiosity-shop, by yonder
guillotine, with his scoundrelly head in his lap.

"You saw how slight that instrument was? It was one of the first which
Guillotin made, and which he showed to private friends in a HANGAR
in the Rue Picpus, where he lived. The invention created some little
conversation amongst scientific men at the time, though I remember a
machine in Edinburgh of a very similar construction, two hundred--well,
many, many years ago--and at a breakfast which Guillotin gave he showed
us the instrument, and much talk arose amongst us as to whether people
suffered under it.

"And now I must tell you what befell the traitor who had caused all this
suffering. Did he know that the poor child's death was a SENTENCE? He
felt a cowardly satisfaction that with her was gone the secret of
his treason. Then he began to doubt. I had MEANS to penetrate all his
thoughts, as well as to know his acts. Then he became a slave to a
horrible fear. He fled in abject terror to a convent. They still existed
in Paris; and behind the walls of Jacobins the wretch thought himself
secure. Poor fool! I had but to set one of my somnambulists to sleep.
Her spirit went forth and spied the shuddering wretch in his cell. She
described the street, the gate, the convent, the very dress which he
wore, and which you saw to-day.

"And now THIS is what happened. In his chamber in the Rue St. Honore, at
Paris, sat a man ALONE--a man who has been maligned, a man who has been
called a knave and charlatan, a man who has been persecuted even to the
death, it is said, in Roman Inquisitions, forsooth, and elsewhere. Ha!
ha! A man who has a mighty will.

"And looking towards the Jacobins Convent (of which, from his chamber,
he could see the spires and trees), this man WILLED. And it was not yet
dawn. And he willed; and one who was lying in his cell in the convent
of Jacobins, awake and shuddering with terror for a crime which he had
committed, fell asleep.

"But though he was asleep his eyes were open.

"And after tossing and writhing, and clinging to the pallet, and saying,
'No, I will not go,' he rose up and donned his clothes--a gray coat, a
vest of white pique, black satin small-clothes, ribbed silk stockings,
and a white stock with a steel buckle; and he arranged his hair, and
he tied his queue, all the while being in that strange somnolence
which walks, which moves, which FLIES sometimes, which sees, which is
indifferent to pain, which OBEYS. And he put on his hat, and he went
forth from his cell; and though the dawn was not yet, he trod the
corridors as seeing them. And he passed into the cloister, and then into
the garden where lie the ancient dead. And he came to the wicket,
which Brother Jerome was opening just at the dawning. And the crowd was
already waiting with their cans and bowls to receive the alms of the
good brethren.

"And he passed through the crowd and went on his way, and the few people
then abroad who marked him, said, 'Tiens! how very odd he looks!
He looks like a man walking in his sleep!' This was said by various
persons:--

"By milk-women, with their cans and carts, coming into the town.

"By roysterers who had been drinking at the taverns of the Barrier, for
it was Mid-Lent.

"By the sergeants of the watch, who eyed him sternly as he passed near
their halberds.

"But he passed on unmoved by their halberds,

"Unmoved by the cries of the roysterers,

"By the market-women coming with their milk and eggs.

"He walked through the Rue St. Honore, I say:--

"By the Rue Rambuteau,

"By the Rue St. Antoine,

"By the King's Chateau of the Bastille,

"By the Faubourg St. Antoine.

"And he came to No. 29 in the Rue Picpus--a house which then stood
between a court and garden--

"That is, there was a building of one story, with a great coach-door.

"Then there was a court, around which were stables, coach-houses,
offices.

"Then there was a house--a two-storied house, with a perron in front.

"Behind the house was a garden--a garden of two hundred and fifty French
feet in length.

"And as one hundred feet of France equal one hundred and six feet of
England, this garden, my friends, equalled exactly two hundred and
sixty-five feet of British measure.

"In the centre of the garden was a fountain and a statue--or, to speak
more correctly, two statues. One was recumbent,--a man. Over him, sabre
in hand, stood a woman.

"The man was Olofernes. The woman was Judith. From the head, from the
trunk, the water gushed. It was the taste of the doctor:--was it not a
droll of taste?

"At the end of the garden was the doctor's cabinet of study. My faith, a
singular cabinet, and singular pictures!--

"Decapitation of Charles Premier at Vitehall.

"Decapitation of Montrose at Edimbourg.

"Decapitation of Cinq Mars. When I tell you that he was a man of a
taste, charming!

"Through this garden, by these statues, up these stairs, went the pale
figure of him who, the porter said, knew the way of the house. He did.
Turning neither right nor left, he seemed to walk THROUGH the statues,
the obstacles, the flower-beds, the stairs, the door, the tables, the
chairs.

"In the corner of the room was THAT INSTRUMENT, which Guillotin had just
invented and perfected. One day he was to lay his own head under his own
axe. Peace be to his name! With him I deal not!

"In a frame of mahogany, neatly worked, was a board with a half-circle
in it, over which another board fitted. Above was a heavy axe, which
fell--you know how. It was held up by a rope, and when this rope was
untied, or cut, the steel fell.

"To the story which I now have to relate, you may give credence, or not,
as you will. The sleeping man went up to that instrument.

"He laid his head in it, asleep."

"Asleep?"

"He then took a little penknife out of the pocket of his white dimity
waistcoat.

"He cut the rope asleep.

"The axe descended on the head of the traitor and villain. The notch in
it was made by the steel buckle of his stock, which was cut through.

"A strange legend has got abroad that after the deed was done, the
figure rose, took the head from the basket, walked forth through the
garden, and by the screaming porters at the gate, and went and laid
itself down at the Morgue. But for this I will not vouch. Only of this
be sure. 'There are more things in heaven and earth, Horatio, than are
dreamed of in your philosophy.' More and more the light peeps through
the chinks. Soon, amidst music ravishing, the curtain will rise, and the
glorious scene be displayed. Adieu! Remember me. Ha! 'tis dawn," Pinto
said. And he was gone.

I am ashamed to say that my first movement was to clutch the cheque
which he had left with me, and which I was determined to present the
very moment the bank opened. I know the importance of these things, and
that men CHANGE THEIR MIND sometimes. I sprang through the streets to
the great banking house of Manasseh in Duke Street. It seemed to me as
if I actually flew as I walked. As the clock struck ten I was at the
counter and laid down my cheque.

The gentleman who received it, who was one of the Hebrew persuasion, as
were the other two hundred clerks of the establishment, having looked at
the draft with terror in his countenance, then looked at me, then called
to himself two of his fellow-clerks, and queer it was to see all their
aquiline beaks over the paper.

"Come, come!" said I, "don't keep me here all day. Hand me over the
money, short, if you please!" for I was, you see, a little alarmed, and
so determined to assume some extra bluster.

"Will you have the kindness to step into the parlor to the partners?"
the clerk said, and I followed him.

"What, AGAIN?" shrieked a bald-headed, red-whiskered gentleman, whom I
knew to be Mr. Manasseh. "Mr. Salathiel, this is too bad! Leave me with
this gentleman, S." And the clerk disappeared.

"Sir," he said, "I know how you came by this; the Count de Pinto gave it
you. It is too bad! I honor my parents; I honor THEIR parents; I honor
their bills! But this one of grandma's is too bad--it is, upon my word
now! She've been dead these five-and-thirty years. And this last four
months she has left her burial-place and took to drawing on our 'ouse!
It's too bad, grandma; it is too bad!" and he appealed to me, and tears
actually trickled down his nose.

"Is it the Countess Sidonia's cheque or not?" I asked, haughtily.

"But, I tell you, she's dead! It's a shame!--it's a shame!--it is,
grandmamma!" and he cried, and wiped his great nose in his yellow
pocket-handkerchief. "Look year--will you take pounds instead of
guineas? She's dead, I tell you! It's no go! Take the pounds--one
tausend pound!--ten nice, neat, crisp hundred-pound notes, and go away
vid you, do!"

"I will have my bond, sir, or nothing," I said; and I put on an attitude
of resolution which I confess surprised even myself.

"Wery vell," he shrieked, with many oaths, "then you shall have
noting--ha, ha, ha!--noting but a policeman! Mr. Abednego, call a
policeman! Take that, you humbug and impostor!" and here, with an
abundance of frightful language which I dare not repeat, the wealthy
banker abused and defied me.

Au bout du compte, what was I to do, if a banker did not choose to
honor a cheque drawn by his dead grandmother? I began to wish I had my
snuff-box back. I began to think I was a fool for changing that little
old-fashioned gold for this slip of strange paper.

Meanwhile the banker had passed from his fit of anger to a paroxysm of
despair. He seemed to be addressing some person invisible, but in the
room: "Look here, ma'am, you've really been coming it too strong. A
hundred thousand in six months, and now a thousand more! The 'ouse can't
stand it; it WON'T stand it, I say! What? Oh! mercy, mercy!"

As he uttered these words, A Hand fluttered over the table in the air!
It was a female hand: that which I had seen the night before. That
female hand took a pen from the green baize table, dipped it in a
silver inkstand, and wrote on a quarter of a sheet of foolscap on the
blotting-book, "How about the diamond robbery? If you do not pay, I will
tell him where they are."

What diamonds? what robbery? what was this mystery? That will never
be ascertained, for the wretched man's demeanor instantly changed.
"Certainly, sir;--oh, certainly," he said, forcing a grin. "How will you
have the money, sir? All right, Mr. Abednego. This way out."

"I hope I shall often see you again," I said; on which I own poor
Manasseh gave a dreadful grin, and shot back into his parlor.

I ran home, clutching the ten delicious, crisp hundred pounds, and the
dear little fifty which made up the account. I flew through the streets
again. I got to my chambers. I bolted the outer doors. I sank back in my
great chair, and slept. . . .

My first thing on waking was to feel for my money. Perdition! Where was
I? Ha!--on the table before me was my grandmother's snuff-box, and by
its side one of those awful--those admirable--sensation novels, which I
had been reading, and which are full of delicious wonder.

But that the guillotine is still to be seen at Mr. Gale's, No. 47, High
Holborn, I give you MY HONOR. I suppose I was dreaming about it. I
don't know. What is dreaming? What is life? Why shouldn't I sleep on the
ceiling?--and am I sitting on it now, or on the floor? I am puzzled. But
enough. If the fashion for sensation novels goes on, I tell you I
will write one in fifty volumes. For the present, DIXI. But between
ourselves, this Pinto, who fought at the Colosseum, who was nearly being
roasted by the Inquisition, and sang duets at Holyrood, I am rather
sorry to lose him after three little bits of Roundabout Papers. Et vous?




DE FINIBUS.


When Swift was in love with Stella, and despatching her a letter from
London thrice a month by the Irish packet, you may remember how he would
begin letter No. XXIII., we will say, on the very day when XXII. had
been sent away, stealing out of the coffee-house or the assembly so as
to be able to prattle with his dear; "never letting go her kind hand, as
it were," as some commentator or other has said in speaking of the Dean
and his amour. When Mr. Johnson, walking to Dodsley's, and touching the
posts in Pall Mall as he walked, forgot to pat the head of one of them,
he went back and imposed his hands on it,--impelled I know not by what
superstition. I have this I hope not dangerous mania too. As soon as a
piece of work is out of hand, and before going to sleep, I like to
begin another: it may be to write only half a dozen lines: but that is
something towards Number the Next. The printer's boy has not yet reached
Green Arbor Court with the copy. Those people who were alive half an
hour since, Pendennis, Clive Newcome, and (what do you call him? what
was the name of the last hero? I remember now!) Philip Firmin, have
hardly drunk their glass of wine, and the mammas have only this
minute got the children's cloaks on, and have been bowed out of my
premises--and here I come back to the study again: tamen usque recurro.
How lonely it looks now all these people are gone! My dear good friends,
some folks are utterly tired of you, and say, "What a poverty of friends
the man has! He is always asking us to meet those Pendennises, Newcomes,
and so forth. Why does he not introduce us to some new characters? Why
is he not thrilling like Twostars, learned and profound like Threestars,
exquisitely humorous and human like Fourstars? Why, finally, is he not
somebody else?" My good people, it is not only impossible to please you
all, but it is absurd to try. The dish which one man devours, another
dislikes. Is the dinner of to-day not to your taste? Let us hope
to-morrow's entertainment will be more agreeable. . . . I resume my
original subject. What an odd, pleasant, humorous, melancholy feeling it
is to sit in the study, alone and quiet, now all these people are gone
who have been boarding and lodging with me for twenty months! They have
interrupted my rest: they have plagued me at all sorts of minutes: they
have thrust themselves upon me when I was ill, or wished to be idle, and
I have growled out a "Be hanged to you, can't you leave me alone now?"
Once or twice they have prevented my going out to dinner. Many and many
a time they have prevented my coming home, because I knew they were
there waiting in the study, and a plague take them! and I have left home
and family, and gone to dine at the Club, and told nobody where I went.
They have bored me, those people. They have plagued me at all sorts of
uncomfortable hours. They have made such a disturbance in my mind
and house, that sometimes I have hardly known what was going on in my
family, and scarcely have heard what my neighbor said to me. They are
gone at last; and you would expect me to be at ease? Far from it. I
should almost be glad if Woolcomb would walk in and talk to me; or
Twysden reappear, take his place in that chair opposite me, and begin
one of his tremendous stories.

Madmen, you know, see visions, hold conversations with, even draw the
likeness of, people invisible to you and me. Is this making of
people out of fancy madness? and are novel-writers at all entitled to
strait-waistcoats? I often forget people's names in life; and in my own
stories contritely own that I make dreadful blunders regarding them; but
I declare, my dear sir, with respect to the personages introduced into
your humble servant's fables, I know the people utterly--I know the
sound of their voices. A gentleman came in to see me the other day,
who was so like the picture of Philip Firmin in Mr. Walker's charming
drawings in the cornhill Magazine, that he was quite a curiosity to me.
The same eyes, beard, shoulders, just as you have seen them from month
to month. Well, he is not like the Philip Firmin in my mind. Asleep,
asleep in the grave, lies the bold, the generous, the reckless,
the tender-hearted creature whom I have made to pass through those
adventures which have just been brought to an end. It is years since I
heard the laughter ringing, or saw the bright blue eyes. When I knew him
both were young. I become young as I think of him. And this morning he
was alive again in this room, ready to laugh, to fight, to weep. As
I write, do you know, it is the gray of evening; the house is quiet;
everybody is out; the room is getting a little dark, and I look rather
wistfully up from the paper with perhaps ever so little fancy that HE
MAY COME IN.--No? No movement. No gray shade, growing more palpable, out
of which at last look the well-known eyes. No, the printer came and took
him away with the last page of the proofs. And with the printer's boy
did the whole cortege of ghosts flit away, invisible? Ha! stay! what
is this? Angels and ministers of grace! The door opens, and a dark
form--enters, bearing a black--a black suit of clothes. It is John. He
says it is time to dress for dinner.

*****

Every man who has had his German tutor, and has been coached through the
famous "Faust" of Goethe (thou wert my instructor, good old Weissenborn,
and these eyes beheld the great master himself in dear little Weimar
town!) has read those charming verses which are prefixed to the drama,
in which the poet reverts to the time when his work was first composed,
and recalls the friends now departed, who once listened to his song. The
dear shadows rise up around him, he says; he lives in the past again. It
is to-day which appears vague and visionary. We humbler writers cannot
create Fausts, or raise up monumental works that shall endure for all
ages; but our books are diaries, in which our own feelings must of
necessity be set down. As we look to the page written last month, or ten
years ago, we remember the day and its events; the child ill, mayhap, in
the adjoining room, and the doubts and fears which racked the brain as
it still pursued its work; the dear old friend who read the commencement
of the tale, and whose gentle hand shall be laid in ours no more. I own
for my part that, in reading pages which this hand penned formerly, I
often lose sight of the text under my eyes. It is not the words I see;
but that past day; that bygone page of life's history; that tragedy,
comedy it may be, which our little home company was enacting; that
merry-making which we shared; that funeral which we followed; that
bitter, bitter grief which we buried.

And, such being the state of my mind, I pray gentle readers to deal
kindly with their humble servant's manifold shortcomings, blunders, and
slips of memory. As sure as I read a page of my own composition, I find
a fault or two, half a dozen. Jones is called Brown. Brown, who is dead,
is brought to life. Aghast, and months after the number was printed, I
saw that I had called Philip Firmin, Clive Newcome. Now Clive Newcome is
the hero of another story by the reader's most obedient writer. The two
men are as different, in my mind's eye, as--as Lord Palmerston and Mr.
Disraeli let us say. But there is that blunder at page 990, line 76,
volume 84 of the Cornhill Magazine, and it is past mending; and I wish
in my life I had made no worse blunders or errors than that which is
hereby acknowledged.

Another Finis written. Another mile-stone passed on this journey from
birth to the next world! Sure it is a subject for solemn cogitation.
Shall we continue this story-telling business and be voluble to the
end of our age? Will it not be presently time, O prattler, to hold your
tongue, and let younger people speak? I have a friend, a painter, who,
like other persons who shall be nameless, is growing old. He has never
painted with such laborious finish as his works now show. This master is
still the most humble and diligent of scholars. Of Art, his mistress, he
is always an eager, reverent pupil. In his calling, in yours, in mine,
industry and humility will help and comfort us. A word with you. In
a pretty large experience I have not found the men who write books
superior in wit or learning to those who don't write at all. In regard
of mere information, non-writers must often be superior to writers. You
don't expect a lawyer in full practice to be conversant with all kinds
of literature; he is too busy with his law; and so a writer is commonly
too busy with his own books to be able to bestow attention on the works
of other people. After a day's work (in which I have been depicting,
let us say, the agonies of Louisa on parting with the Captain, or the
atrocious behavior of the wicked Marquis to Lady Emily) I march to the
Club, proposing to improve my mind and keep myself "posted up," as the
Americans phrase it, with the literature of the day. And what happens?
Given, a walk after luncheon, a pleasing book, and a most comfortable
armchair by the fire, and you know the rest. A doze ensues. Pleasing
book drops suddenly, is picked up once with an air of some confusion,
is laid presently softly in lap: head falls on comfortable arm-chair
cushion: eyes close: soft nasal music is heard. Am I telling Club
secrets? Of afternoons, after lunch, I say, scores of sensible fogies
have a doze. Perhaps I have fallen asleep over that very book to which
"Finis" has just been written. "And if the writer sleeps, what happens
to the readers?" says Jones, coming down upon me with his lightning wit.
What? You DID sleep over it? And a very good thing too. These eyes
have more than once seen a friend dozing over pages which this hand has
written. There is a vignette somewhere in one of my books of a friend so
caught napping with "Pendennis," or the "Newcomes," in his lap and if
a writer can give you a sweet soothing, harmless sleep, has he not done
you a kindness? So is the author who excites and interests you worthy
of your thanks and benedictions. I am troubled with fever and ague, that
seizes me at odd intervals and prostrates me for a day. There is
cold fit, for which, I am thankful to say, hot brandy-and-water is
prescribed, and this induces hot fit, and so on. In one or two of these
fits I have read novels with the most fearful contentment of mind. Once,
on the Mississippi, it was my dearly beloved "Jacob Faithful:" once at
Frankfort O. M., the delightful "Vingt Ans Apres" of Monsieur Dumas:
once at Tunbridge wells, the thrilling "Woman in White:" and these books
gave me amusement from morning till sunset. I remember those ague fits
with a great deal of pleasure and gratitude. Think of a whole day
in bed, and a good novel for a companion! No cares: no remorse
about idleness: no visitors: and the Woman in White or the Chevalier
d'Artagnan to tell me stories from dawn to night! "Please, ma'am, my
master's compliments, and can he have the third volume?" (This message
was sent to an astonished friend and neighbor who lent me, volume by
volume, the W. in W.) How do you like your novels? I like mine strong,
"hot with," and no mistake: no love-making: no observations about
society: little dialogue, except where the characters are bullying each
other: plenty of fighting: and a villain in the cupboard, who is to
suffer tortures just before Finis. I don't like your melancholy Finis. I
never read the history of a consumptive heroine twice. If I might give
a short hint to an impartial writer (as the Examiner used to say in old
days), it would be to act, NOT a la mode le pays de Pole (I think
that was the phraseology), but ALWAYS to give quarter. In the story
of Philip, just come to an end, I have the permission of the author
to state, that he was going to drown the two villains of the
piece--a certain Doctor F---- and a certain Mr. T. H---- on board
the "President," or some other tragic ship--but you see I relented. I
pictured to myself Firmin's ghastly face amid the crowd of shuddering
people on that reeling deck in the lonely ocean, and thought, "Thou
ghastly lying wretch, thou shalt not be drowned: thou shalt have a
fever only; a knowledge of thy danger; and a chance--ever so small a
chance--of repentance." I wonder whether he DID repent when he found
himself in the yellow-fever, in Virginia? The probability is, he
fancied that his son had injured him very much, and forgave him on his
death-bed. Do you imagine there is a great deal of genuine right-down
remorse in the world? Don't people rather find excuses which make
their minds easy; endeavor to prove to themselves that they have been
lamentably belied and misunderstood; and try and forgive the persecutors
who WILL present that bill when it is due; and not bear malice against
the cruel ruffian who takes them to the police-office for stealing the
spoons? Years ago I had a quarrel with a certain well-known person (I
believed a statement regarding him which his friends imparted to me, and
which turned out to be quite incorrect). To his dying day that quarrel
was never quite made up. I said to his brother, "Why is your brother's
soul still dark against me? It is I who ought to be angry and
unforgiving: for I was in the wrong." In the region which they now
inhabit (for Finis has been set to the volumes of the lives of both
here below), if they take any cognizance of our squabbles, and
tittle-tattles, and gossips on earth here, I hope they admit that
my little error was not of a nature unpardonable. If you have never
committed a worse, my good sir, surely the score against you will not be
heavy. Ha, dilectissimi fratres! It is in regard of sins NOT found
out that we may say or sing (in an undertone, in a most penitent and
lugubrious minor key), Miserere nobis miseris peccatoribus.

Among the sins of commission which novel-writers not seldom perpetrate,
is the sin of grandiloquence, or tall-talking, against which, for
my part, I will offer up a special libera me. This is the sin of
schoolmasters, governesses, critics, sermoners, and instructors of young
or old people. Nay (for I am making a clean breast, and liberating my
soul), perhaps of all the novel-spinners now extant, the present speaker
is the most addicted to preaching. Does he not stop perpetually in
his story and begin to preach to you? When he ought to be engaged with
business, is he not for ever taking the Muse by the sleeve, and plaguing
her with some of his cynical sermons? I cry peccavi loudly and heartily.
I tell you I would like to be able to write a story which should show no
egotism whatever--in which there should be no reflections, no cynicism,
no vulgarity (and so forth), but an incident in every other page, a
villain, a battle, a mystery in every chapter. I should like to be able
to feed a reader so spicily as to leave him hungering and thirsting for
more at the end of every monthly meal.

Alexandre Dumas describes himself, when inventing the plan of a work, as
lying silent on his back for two whole days on the deck of a yacht in a
Mediterranean port. At the end of the two days he arose and called for
dinner. In those two days he had built his plot. He had moulded a
mighty clay, to be cast presently in perennial brass. The chapters, the
characters, the incidents, the combinations were all arranged in the
artist's brain ere he set a pen to paper. My Pegasus won't fly, so as
to let me survey the field below me. He has no wings, he is blind of
one eye certainly, he is restive, stubborn, slow; crops a hedge when he
ought to be galloping, or gallops when he ought to be quiet. He never
will show off when I want him. Sometimes he goes at a pace which
surprises me. Sometimes, when I most wish him to make the running, the
brute turns restive, and I am obliged to let him take his own time. I
wonder do other novel-writers experience this fatalism? They MUST go
a certain way, in spite of themselves. I have been surprised at the
observations made by some of my characters. It seems as if an occult
Power was moving the pen. The personage does or says something, and
I ask, how the dickens did he come to think of that? Every man has
remarked in dreams, the vast dramatic power which is sometimes evinced;
I won't say the surprising power, for nothing does surprise you in
dreams. But those strange characters you meet make instant observations
of which you never can have thought previously. In like manner, the
imagination foretells things. We spake anon of the inflated style of
some writers. What also if there is an AFFLATED style,--when a writer is
like a Pythoness on her oracle tripod, and mighty words, words which
he cannot help, come blowing, and bellowing, and whistling, and moaning
through the speaking pipes of his bodily organ? I have told you it was a
very queer shock to me the other day when, with a letter of introduction
in his hand, the artist's (not my) Philip Firmin walked into this room,
and sat down in the chair opposite. In the novel of "Pendennis," written
ten years ago, there is an account of a certain Costigan, whom I had
invented (as I suppose authors invent their personages out of scraps,
heel-taps, odds and ends of characters). I was smoking in a tavern
parlor one night--and this Costigan came into the room alive--the very
man:--the most remarkable resemblance of the printed sketches of the
man, of the rude drawings in which I had depicted him. He had the same
little coat, the same battered hat, cocked on one eye, the same twinkle
in that eye. "Sir," said I, knowing him to be an old friend whom I
had met in unknown regions, "sir," I said, "may I offer you a glass of
brandy-and-water?" "Bedad, ye may," says he, "and I'll sing ye a song
tu." Of course he spoke with an Irish brogue. Of course he had been in
the army. In ten minutes he pulled out an Army Agent's account, whereon
his name was written. A few months after we read of him in a police
court. How had I come to know him, to divine him? Nothing shall convince
me that I have not seen that man in the world of spirits. In the world
of spirits and water I know I did: but that is a mere quibble of
words. I was not surprised when he spoke in an Irish brogue. I had had
cognizance of him before somehow. Who has not felt that little shock
which arises when a person, a place, some words in a book (there is
always a collocation) present themselves to you, and you know that you
have before met the same person, words, scene, and so forth?

They used to call the good Sir Walter the "Wizard of the North." What if
some writer should appear who can write so ENCHANTINGLY that he shall
be able to call into actual life the people whom he invents? What if
Mignon, and Margaret, and Goetz von Berlichingen are alive now (though
I don't say they are visible), and Dugald Dalgetty and Ivanhoe were to
step in at that open window by the little garden yonder? Suppose Uncas
and our noble old Leather Stocking were to glide silent in? Suppose
Athos, Porthos, and Aramis should enter with a noiseless swagger,
curling their moustaches? And dearest Amelia Booth, on Uncle Toby's arm;
and Tittlebat Titmouse, with his hair dyed green; and all the Crummles
company of comedians, with the Gil Blas troop; and Sir Roger de
Coverley; and the greatest of all crazy gentlemen, the Knight of La
Mancha, with his blessed squire? I say to you, I look rather wistfully
towards the window, musing upon these people. Were any of them to enter,
I think I should not be very much frightened. Dear old friends, what
pleasant hours I have had with them! We do not see each other very
often, but when we do, we are ever happy to meet. I had a capital
half-hour with Jacob Faithful last night; when the last sheet was
corrected, when "Finis" had been written, and the printer's boy, with
the copy, was safe in Green Arbor Court.

So you are gone, little printer's boy, with the last scratches and
corrections on the proof, and a fine flourish by way of Finis at the
story's end. The last corrections? I say those last corrections seem
never to be finished. A plague upon the weeds! Every day, when I walk in
my own little literary garden-plot, I spy some, and should like to have
a spud, and root them out. Those idle words, neighbor, are past remedy.
That turning back to the old pages produces anything but elation of
mind. Would you not pay a pretty fine to be able to cancel some of them?
Oh, the sad old pages, the dull old pages! Oh, the cares, the ennui, the
squabbles, the repetitions, the old conversations over and over again!
But now and again a kind thought is recalled, and now and again a dear
memory. Yet a few chapters more, and then the last: after which, behold
Finis itself come to an end, and the Infinite begun.




ON A PEAL OF BELLS.


As some bells in a church hard by are making a great holiday clanging in
the summer afternoon, I am reminded somehow of a July day, a garden,
and a great clanging of bells years and years ago, on the very day when
George IV. was crowned. I remember a little boy lying in that garden
reading his first novel. It was called the "Scottish Chiefs." The
little boy (who is now ancient and not little) read this book in the
summer-house of his great grandmamma. She was eighty years of age then.
A most lovely and picturesque old lady, with a long tortoise-shell cane,
with a little puff, or tour, of snow-white (or was it powdered?) hair
under her cap, with the prettiest little black-velvet slippers and high
heels you ever saw. She had a grandson, a lieutenant in the navy; son
of her son, a captain in the navy; grandson of her husband, a captain in
the navy. She lived for scores and scores of years in a dear little
old Hampshire town inhabited by the wives, widows, daughters of navy
captains, admirals, lieutenants. Dear me! Don't I remember Mrs. Duval,
widow of Admiral Duval; and the Miss Dennets, at the Great House at the
other end of the town, Admiral Dennet's daughters; and the Miss Barrys,
the late Captain Barry's daughters; and the good old Miss Maskews,
Admiral Maskew's daughter; and that dear little Miss Norval, and the
kind Miss Bookers, one of whom married Captain, now Admiral Sir Henry
Excellent, K.C.B.? Far, far away into the past I look and see the little
town with its friendly glimmer. That town was so like a novel of Miss
Austen's that I wonder was she born and bred there? No, we should have
known, and the good old ladies would have pronounced her to be a
little idle thing, occupied with her silly books and neglecting her
housekeeping. There were other towns in England, no doubt, where dwelt
the widows and wives of other navy captains; where they tattled, loved
each other, and quarrelled; talked about Betty the maid, and her fine
ribbons indeed! took their dish of tea at six, played at quadrille every
night till ten, when there was a little bit of supper, after which Betty
came with the lanthorn; and next day came, and next, and next, and so
forth, until a day arrived when the lanthorn was out, when Betty came
no more: all that little company sank to rest under the daisies, whither