The Project Gutenberg EBook of A Little Window, by Jean M. Snyder

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: A Little Window

Author: Jean M. Snyder

Release Date: September 16, 2007 [EBook #22637]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK A LITTLE WINDOW ***




Produced by David Edwards, Sam W. and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from scans of public domain material produced by
Microsoft for their Live Search Books site.)






A LITTLE WINDOW

JEAN M. SNYDER

A LITTLE WINDOW

VERSES BY

JEAN M. SNYDER

In good sooth, my masters this is no door, yet it is a little window that looketh upon a great world.

FOSTER & STEWART
PUBLISHING CORPORATION
Buffalo, New York


All but two of the verses in this volume originally appeared in The Christian Science Monitor, and are reprinted by permission.

The two exceptions are “Joy” (page 46) and “Triumph” (page 49), which are also copyrighted and reprinted by permission.


TABLE OF CONTENTS

Stars 7
The Brook 8
In Eden Valley 9
Benediction 10
A Moment 11
The Month of Moonlight 12
Wings 13
Heart’s Ease 14
The Sign Reads—“To Troutbeck” 15
I, Too 16
In Early Evening 17
Fearless Winging 18
Whimsey 19
Remembering 20
Aloofness 21
Listening 22
September’s End 23
Content 24
Rhythm 25
Contrast 26
Surety 27
Guests 28
Storm 30
A Reminder 31
Buffalo Harbor 32
From a Train Window 34
Scotland 35
Friends 36
A Poem of Color 37
Dream 38
Escape 39
Question 40
When You Were a Little Girl 42
Flight 44
Petit Trianon 45
Joy 46
Twilight Song Service 48
Triumph 49

A Little Window

[Pg 7]

Stars

(At Locheven)

Have you walked in the woods
When twilight wraps a veil of mist
Around the gray-green trees
In early spring?
It is then the snow-white trillium
Gleam like stars from the carpet
Of last year’s leaves:
And tall white violets glow
Like clouds of nebulæ along the path.
And flecked, like points of light
In the quiet pools of water
Among the gray-green boles,
Are the stars of heaven.

[Pg 8]

The Brook

(Westfield, N. Y.)

Curling and humming its cadences,
It slips past me under the rim of the gorge,
As I peer down through the scarlet sumacs.
Sparkling in the sunlight,
Shimmering in the moonlight,
On and on it goes,
A silvery sheet of song.

[Pg 9]

In Eden Valley

I saw
A spray of orange berries etched against the silver of a stone wall:
A scarlet vine encircling a golden sapling;
On the ground, a carmine robe that had slipped from the shoulders of a maple.
A sweep of meadow,
A curve of bronzy hill,
A glow of ruby and amethyst
And the evergreens making deep quiet spots in it.

[Pg 10]

Benediction

Silent, I stood in the forest—
Lured by the liquid song
Of a thrush.
Clear, it was, then fading
And softly echoed,
As he slipped into the embrace
Of the night.
So pure, so holy, was his song
That my heart was calmed
And I was filled
With serenity.

[Pg 11]

A Moment

The beaten silver waters cut
By the prow of our ship,
Send off stars of phosphorous
To vie with the stars overhead.
Nothing but sky and the starlight,
And a stretch of limitless sea,
Nothing but peace and dominion,—
Silence, immensity.

[Pg 12]

The Month of Moonlight

Moonlight is not cold!
It is tender and benignant,
Softening all it touches,
Hiding the roughness,
Covering the coarseness,
With a glow of silver splendor
And a lucent flood
Of beauty.

[Pg 13]

Wings

There come to the flowers
In my garden
Butterflies, golden-spotted tawny,
Blue-spangled and sulphur;
Glistening dragon-flies, zooming bumble bees,
Droning honey-bees.
Softly whirring comes
The vivid humming-bird,
Sipping, sipping all day long.
At nightfall I hear the flutter of the
Luna’s wings, as
She caresses the velvet cheek
Of the lily.

[Pg 14]

Heart’s Ease

(Locheven)

I love to tread a winding path
Through the woods,
And, world weary, pause upon it.
The trees bend and enclose me
In brooding calm;
I feel the presence of Deity.
I hear the cadence of the stillness—
A stillness so alive.
The whisper of the leaves,
The song of the brook over golden stone
The whir of a bird’s wings;
And I know the presence of Deity.

[Pg 15]

The Sign Reads—“To Troutbeck”

(English Lakes)

An upcurving lane, hedged high,
An ancient stile,
A rambling path,
A brook,
And musk,—
Golden bells of fragrance,
Fusing all the odors
Of English earth.

[Pg 16]

I, Too

Robin, robin,
Shouting your song,
Your throat swelling
With joy!
Yes, I hear, I know
What you say.
For I, too,
Would sing
My praise and
Gratitude
To God!

[Pg 17]

In Early Evening

When I drive through
The villages and the countryside
In early evening,
And see people sitting in gardens
Or at their doors
In peace and contentment,
I long to stop and speak to them.
They might tell me of a loved one
Doing some great work
In a big city,
Or of a deep sorrow,
And I might say a word
To help lighten it.
They might show me treasured china
Or a bit of lace, handmade;
Once some one did.
And I could talk with the children.
I long to do this,
But it always seems
That there is a hurry
To get to the next place.

[Pg 18]

Fearless Winging

Into Niagara’s abyss of blackness,
Into its cavernous chaos,
I saw birds wing.
Sweeping down
Through the mist
Of its mighty waters,
Undaunted by the roar,
Unmindful of the churning,
Of the terror of its power,
On sure pinions
And happy in flight
They dipped and soared and
Mounted, upward and upward.
Into the light
And the rainbow
Above them.

[Pg 19]

Whimsey

In spring my hemlock
Dances gayly in flounces
Of jade green lace.
In summer moonlight
When a soft wind stirs
She dances with a delicate sapling.
They sway and bend in the wind,
And bow to the trees encircling.
I hear the laughter of their leaves.
In autumn she dances
With beech leaves in her hair,
But in winter I have found her still,
Crouching under a blanket of snow.

[Pg 20]

Remembering

(Locheven)

There is a spot in the woods
That is “forever England” to me.
A clump of beech trees
Steeped in silence,
Whose shade and solitude
Shuts me in with my dreams.
The sunshine slants through
Their limpid leaves
And turns them to translucent jade,
Just as it does in an English spring.
Violets are there, and I pluck them,
Remembering the bluebells
In the beech wood
At Sevenoaks.

[Pg 21]

Aloofness

Down among the docks and elevators and railroad tracks
On the way out of the city,
I pass a tiny cottage so rickety
That its neighbors crowd close
To hold it up. But there it is,
Its one window shining clean, and glowing
With a plant in a tin can and pure white curtains.
Hanging over the fence and filling the whole place
With its beauty and almost hiding the cottage
Is a peach tree in full bloom.
In the doorway I glimpse a girl
In a purple dress.
But what matters the smoke and the noise and the fog
To the peach tree?

[Pg 22]

Listening

(Eden, N. Y.)

Atop Aries hill am I,
The lone flyer, throbbing
Against the sunset
Is higher.
He sees more than I,
But he cannot hear
What I hear.
I hear the wood-thrush
And the veery,
Answer each other.
I hear the voices
Of happy children
And the baying of hounds
Float up from the valley;
The chirp of the cricket
At my feet, and, then,
The silence of nightfall.
He sees more than I,
But he cannot hear
What I hear.

[Pg 23]

September’s End

In the ash tree
There is a soft rustling,
Lingering, like
A silken whisper,
Quite different
Than sound the other trees;
As if the bronzy leaves
Had much to say
Before they part,
And were loath
To bid farewell.

[Pg 24]

Content

(Westfield, N. Y.)

When I linger in my garden
And see black swallowtails hovering
Over white phlox and orange zinnias,
And morning glories, in a heavenly blue mass
Surge upward on their trellis;
When I watch the scintillating humming-bird
Sip from the trumpet blossoms across my doorway,
I feel no urge of travel to behold
More of earth’s beauty.
Here in my little garden I have it all—
And here I am content.

[Pg 25]

Rhythm

Firelight, and strains of a symphony
Wafting in.
Outside, bare trees
Against leaden skies
Weave their own music
That throbs with the rhythm
Of the orchestra.
The wind moans, and
Strong, black branches
Sway slowly,
Mark the beat,
Then stop.
The wind hums,
Delicate, lacelike tops
Quiver and ripple
With the quick response
Of the violins.
With the shriek of the wind
They writhe and toss,
Measuring the crescendo
Of the brasses.

[Pg 26]

Contrast

In an old world palace,
Room after room
Is filled with treasures—
Old masters, jewels, glass.
Yet all I remember
Is the stark whiteness of a gardenia
Blowing against a wall,
And the fairy music of a fountain
In the patio.

[Pg 27]

Surety

I needed the dawn, but
My eyes beheld only clouds
And a valley filled with mists
And a mountain shutting out the east.
I needed the dawn, so
I could but wait.
Surely,
Slowly
Through the clouds
The light came,
Like a presence
Dispelling mist and cloud:
Even the mountain
Could not hide it.
My eyes beheld all clear,
And in the roseate glow,
Like a diamond,
Hung the morning star.

[Pg 28]

Guests

There was emptiness
When the birds left in the fall.
But to fill it came late butterflies,
Dawdling flocks of brilliant things
In clouds of scintillating beauty,
Covering every bush and flower.
As silently as they came did they disappear
And in their place came the music
Of the katydid and the cricket.
Day and night the cheerful songs
Of these tiny insects were our company.
[Pg 29] An early blizzard
Buried every green blade and bent to earth
Great trees and slender saplings
Under a thick weight of snow.
To our door came the thrushes
That we thought were gone,—
Shy thrushes, that had turned their backs
Upon us in summer and slipped
Into the depth of the woods,—
And whitethroats and tree sparrows,
Unafraid, waiting for food.
Even now the stillness is alive
With the memory of these friendly folk.

[Pg 30]

Storm

When the storm rushes upon the deep woods,
It lets down curtains of mist
And sheets of rain, that drip
Crystal beads among the trees.
Way above, the branches lash and moan
And weave. Below, it is still,
Still as the undersea.
Soft fern and feathery bracken
Loom through the mist
Like branching coral,
And drifting leaves float down
Like snowy fishes,
Lazily moving.

[Pg 31]

A Reminder

Down beneath the office windows
In a chestnut clump,
A robin sings all day long,
“Joyously, joyously!”
Above the whir of traffic,
The bands and the sirens,
Floats his song all day,
“Joyously, joyously!”
The lilting song brings to me,
The peace of field and merry brook,
And I myself, sing all day, too,
“Joyously, joyously!”

[Pg 32]

Buffalo Harbor

Some say that it is ugly and hurry on through,
But I love these impressive symbols
Of man’s ingenuity.
Here are the great grain elevators, looming
In tones and shades of grey, veiled
In the clouds of black smoke from the
Tugs at their feet;
Puffing engines shifting strings of cars,
And huge ships nosed in against each other
Or riding at anchor, and canal boats
In straight lines at the docks.
Farther on, across a slip, there are
Mountains of ore in reds and brown,
And pile upon pile of gravel and slag,
And sand in soft saffron hues,
Heaped up for the steel mills to devour;
[Pg 33] Those gigantic mills whose tall stacks
Belch varicolored gases, against
The deep blue of the inner harbor,
Where the waves pound in
Over the sea wall.
All this cupped by the towering
City skyscrapers, and outlined against
The peaceful Eden hills,
Miles to the south.
And when I wait for the big bridge to lift
For a freighter with its important tugs,
I pull out of line, off to the side,
And let the other cars go by,
And look, and look.
I never seem to get enough.

[Pg 34]

From a Train Window

Once, before dawn,
In the Mohawk valley,
Dots of light flashed
And floated off
Into the blackness,
Like sparks of flame
Blasted from the engine.
Then more and more,
Mile after mile,
Almost never ending—
Millions of fire-flies,
Like tiny torches,
Dancing over swamp lands
In the night air.

[Pg 35]

Scotland

(The Highlands)

Mountains,
Veiled in shifting vapors,
Mountains,
Bleak, foreboding,
Mountains,
Stark and overpowering.
Torrents,
Tumbling, crashing,
Dragging boulders
In their rushing,
Lakes,
Forlorn and lonesome
Heather
In magenta patches,
Sheep, and cattle
Black and somber,
Winding roads
Through massive passes.
Rain,
Sun,
Flowers,
Mist,
Rain,—
Loved Scotland!

[Pg 36]

Friends

(At Lake Windermere, England)

Across the lake
Lying calm and black
Under the night,
Floats the wail
Of the pipes:
And beyond, loom
Langdale Pikes, dim,
Shadowy sentinels.
Over all, the stars,
Like friends, faithful
And changeless.

[Pg 37]

A Poem of Color

Stretched on the ground beneath the Hawthorn,
The perfume of its blossoms mingled with falling petals, floats down to me.
Winged things alight there on the blanket of fragrance above,—a bunting, blue as the sky, a warbler, all gold, an Admiral, wings banded with crimson,
Make a poem of color of the Hawthorn tree.

[Pg 38]

Dream

(Stratford-on-Avon)

One warm June evening
I sat in the churchyard
Of old Trinity. I sat there for hours
On an ancient stone, forgetting time.
The Avon, as silent as the centuries it had known,
Glided past, carrying me on with its memories.
From the lush meadow across the river came the bleating of lambs,
And from the limes floated the song of blackbirds.
All about the scent of roses hung heavy.
Then, over the roof of Trinity, the moon arose.
Shakespeare saw the Avon, thus, and loved it,—
Winding on in the moonlight.

[Pg 39]

Escape

How simple life can be!
A cabin,
Mountains, afar and near,
A brook,
Deer, blowing at night.
Perchance,
Rain on the roof,
Then,
The loved books,
A fire on the hearth,
And endless time
To think.
How simple life is!

[Pg 40]

Question

(Locheven)

Would you choose
The formal garden
With lilac hedges
And vistas of velvet lawn
And marble fountain
Shining pool and
Marble bench o’er-topped
By drooping willow;
Massed color in trim beds,
And stately garden house
Festooned with wisteria
And guarded by strutting peacock?
Or,
[Pg 41] The wood’s garden,
The wild garden,
Tumbling over itself
With pale Jacks, and violets—
Blue and gold, and
Baby ferns, tucked
Within sheltering gnarled roots!
And mossy mounds, starred
With Trillium and Crane’s bill;
And patches of lavender sunlight,
(No, it’s wild Phlox,
In the flickering light)—
And fire-flies and flapping owls,
At twilight, and furry rabbits,
Bobbing ahead up the path.
Which would you choose?

[Pg 42]

When You Were a Little Girl

When you were a little girl
And you went driving with Grandfather,
If it rained, didn’t he braid up the horse’s tail
Binding it round with a bright silver band,
And fasten on the side curtains of the carriage
And pull the rubber “boot” over the dashboard?
And do you remember how the horse’s feet
Went “Plop, plop,” in and out of the mud,
And you felt the mist blow in on your face
When you managed to peer out over the curtain?
And didn’t you snuggle up close to Grandfather
And hug the Fairy Tale book
Which he was going to listen to
When the rain stopped and you lunched
Beside the road?
[Pg 43] Didn’t your Grandfather always drive over
To the cheese factory, and bring out
The fresh cheese curd to you?
Can’t you remember the taste, even now?
And sometimes, when it stormed hard, and thundered
And lightened, and the crashing made the horse
Want to run, wouldn’t your Grandfather always say:
“Steady there, now, boy! Steady, boy!” so gently,
That neither you nor the horse were afraid after that
Because Grandfather said everything was all right,
And he knew. And wasn’t your Grandmother
Waiting in the doorway, watching a bit anxiously,
Until you turned into the yard?
Mine was.

[Pg 44]

Flight

So still lay the city,
So very quietly it slept,
That from high in the west
I heard the honking of geese
Winging southward.
Yearningly I listened
As they swept over,
Yearningly I cried—
O wild things, that I
Could fly as do you!
Then out of the silent darkness,
Like a flying star,
Flashed a plane
With its skyborne humans.
And all of a sudden
I remembered that I, too,
Could take to wings.

[Pg 45]

Petit Trianon

(Versailles, France)

When the long drawn notes of a bird’s song
Echoes through the trees,
It brings to remembrance the songs
Of the blackbirds at Petit Trianon:
Chiming, reverberating, floating down
From the tops of the tall cedars
As from an invisible, celestial choir.
Nor can I forget the ages-old wisteria
Clambering over gray palace walls,
Nor the gamut of color in the azaleas there—
Pink, orange, cerise, yellow—
In pale green foliage.

[Pg 46]

Joy

When your heavens are as brass
And joy has fled, and
Every door is shut,
Do not forget the one
That opens inward—
The door of your heart,
Whose handle is on the inside
And which only you can open.
Go out through that door
And find one whose skies
Are darker than yours,
Whose burden is heavier;
Bring him back with you
Into your heart.
[Pg 47] There can you cleanse him with love,
And clothe him with garments of truth,
And put the ring of his unity
With God upon his hand;
There feed him with the word,
And let him go.
Then will your heavens be
As radiant light,
And your happiness and joy
Such as never were
On land or sea.

[Pg 48]

Twilight Song Service

(“B.A.” Chestnut Hill, Mass.)

In the deepening twilight there floats
From the chapel above, the loved hymns of healing—
Hymns of comfort, of courage, welling up from grateful hearts
And bringing reassurance of God’s power
To one who listens below in silent prayer and praise.
Great peace of God, be with us all!
Great peace of God encompass us!
Speak to the waves tonight, Father, that they stand.
Stretch forth Thy hand and stay their power,
Calm them, that they overwhelm not.
For Thy voice is “mightier than the noise of many waters,
Yea, than the mighty waves of the sea.”
This Thou canst do, O my God.

[Pg 49]

Triumph

These are they, O God,
Who came out of great tribulation
And have washed their robes white.
Oh, holy triumph of those
Who have endured the fire
And the tempest’s rage and, delivered,
Stand exalted in this very hour,
Purged, sanctified, and satisfied.
These are they who have surrendered
All the vanities of mortal selfhood,
And serve Thee
Day and night in Thy temple,
Lifting others to behold
The tearless, ageless, deathless reality
Of Thy glory.

Transcriber's Note

Minor typographic errors have been corrected without note.






End of the Project Gutenberg EBook of A Little Window, by Jean M. Snyder

*** END OF THIS PROJECT GUTENBERG EBOOK A LITTLE WINDOW ***

***** This file should be named 22637-h.htm or 22637-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/2/6/3/22637/

Produced by David Edwards, Sam W. and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from scans of public domain material produced by
Microsoft for their Live Search Books site.)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.