The Project Gutenberg eBook, A Good Samaritan, by Mary Raymond Shipman Andrews, Illustrated by Charlotte Harding

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

Title: A Good Samaritan

Author: Mary Raymond Shipman Andrews

Release Date: May 26, 2005 [eBook #15906]

Language: English

Character set encoding: ISO-8859-1

***START OF THE PROJECT GUTENBERG EBOOK A GOOD SAMARITAN***

 

E-text prepared by Juliet Sutherland, Bruce Albrecht,
and the Project Gutenberg Online Distributed Proofreading Team

 


Frontispiece "That'll get even Webster's Union for chargin' me two cents for 'soon,'" he chuckled

That'll get even Webster's Union for chargin' me two cents for 'soon,'" he chuckled (See page 39)

 

 

Title Page

A GOOD SAMARITAN

BY

MARY RAYMOND SHIPMAN ANDREWS

Illustrated by Charlotte Harding

 

printer's mark

 

NEW YORK

McCLURE, PHILLIPS & CO.

Second Impression
MCMVI

 

 

 

Table of Illustrations

LIST OF ILLUSTRATIONS

Facing page
"That'll get even Webster's Union for chargin' me two cents for 'soon,'" he chuckled Frontispiece
"Recky," he bubbled, "good old Recky—bes' fren' ev' had"8
"Who's your friend, Billy?"10
"Thank you—thank you very much—very, very much—old rhinoceros"18
"So tired," he remarked. "Go'n have good nap now"20
"Could he—couldn't he?"28
At every station the conductor and Rex had to reason with him32

Page 3

A GOOD SAMARITAN

The little District Telegraph boy, with a dirty face, stood at the edge of the desk, and, rubbing his sleeve across his cheek, made it unnecessarily dirtier.

"Answer, sir?"

"No—yes—wait a minute." Reed tore the yellow envelope and spread the telegram. It read:

"Do I meet you at your office or at Martin's and what time?"

"The devil!" Reed commented, and the boy blinked indifferently. He was used to stronger. "The casual Rex all over! Yes, boy, there's an answer." He scribbled rapidly, and the two lines of writing said this:

"Waiting for you at office now. Hurry up. C. Reed."

He fumbled in his pocket and gave the youngster a coin. "See that it's sent instantly—Page 4like lightning. Run!" and the sharp little son of New York was off before the last word was well out.

Half an hour later, to Reed waiting at his office in Broadway impatiently, there strolled in a good-looking and leisurely young man with black clothes on his back and peace and good-will on his face. "Hope I haven't kept you waiting, Carty," he remarked in friendly tones. "Plenty of time, isn't there?"

"No, there isn't," his cousin answered, and there was a touch of snap in the accent. "Really, Rex, you ought to grow up and be responsible. It was distinctly arranged that you should call here for me at six, and now it's a quarter before seven."

"Couldn't remember the hour or the place to save my life," the younger man asserted earnestly. "I'm just as sorry as I can be, Carty. You see I did remember we were to dine at Martin's. So much I got all right—and that was something, wasn't it, Carty?" he inquired with an air of wistful pride, and Page 5the frown on the face of the other dissolved in laughter.

"Rex, there's no making you over—worse luck. Come along. I've got to go home to dress after dinner you see, before we make our call. You'll do, on the strength of being a theological student."

The situation was this: Reginald Fairfax, in his last year at the Theological Seminary, in this month of May, and lately ordained, had been seriously spoken of as assistant to the Rector of the great church of St. Eric's. It was a remarkable position to come the way of an undergraduate, and his brilliant record at the seminary was one of the two things which made it possible. The other was the friendship and interest of his cousin, Carter Reed, head clerk in the law firm of Rush, Walden, Lee and Lee, whose leading member, Judge Rush, was also senior warden at St. Eric's. Reed had called Judge Rush's attention to his young cousin's career, and, after some inquiry, the vestryman had asked that the Page 6young man should be brought to see him, to discuss certain questions bearing on the work. It was almost equivalent to a call coming from such a man, and Reed was delighted; but here his troubles began. In vain did he hopefully fix date after date with the slippery Rex—something always interfered. Twice, to his knowledge, it had been the chance of seeing a girl from Orange which had thrown over the chance of seeing the man of influence and power. Once the evening had been definitely arranged with Judge Rush himself, and Reed was obliged to go alone and report that the candidate had disappeared into a tenement district and no one knew where to find him. The effect of that was fortunately good—Judge Rush was rather pleased than otherwise that a young clergyman should be so taken up with his work as to forget his interests. But Reed was most anxious that this evening's appointment should go off successfully, while Rex was as light-hearted as a bird. Any one would have thought it was Page 7Reed's own future he was laboring over instead of that of the youngster who had a gift of making men care for him and work for him without effort on his own part.

The two walked down Broadway toward the elevated road, Rex's dark eyes gathering amusement here and there in the crowded way as they went.

"Look at Billy Strong—why there's Billy Strong across the street. Come over and I'll present you, Carty. Just the chap you want to meet. He's a great athlete—on the water-polo team of the New York Athletic Club, you know—as much of an old sport as you are." And Reed found himself swung across and standing before a powerful, big figure of a man, almost before he could answer. There was another man with the distinguished Billy, and Reed had not regarded the two for more than one second before he discovered that they were both in a distinct state of intoxication. In fact, Strong proclaimed the truth at once, false shame cast to the winds. Page 8He threw his arm about Rex's neck with a force of affection which almost knocked down the quartette.

"Recky," he bubbled, "good old Recky—bes' fren' ev' had"

"Recky," he bubbled, "good old Recky—bes' fren' ev' had"

"Recky," he bubbled, "good old Recky—bes' fren' ev' had—I'm drunk, Recky—too bad. We're both drunk. Take's home." Rex glanced at his cousin in dismay, and Strong repeated his invitation cordially. "Take's home, Recky," he insisted, with the easy air of a man who confers an honor. "'S up to you, Recky."

Rex looked at his frowning cousin doubtfully, pleadingly.

"It almost seems as if it was, doesn't it, Carty?" he said. "We can't leave them like this."

"I don't see why we can't—I can," Reed asserted. "It's none of our business, Rex, and we really haven't time to palaver. Come along."

The gentle soul of Rex Fairfax was surprisingly firm. "Carty, they'd be arrested in five minutes," he reasoned. "It's a wonder Page 9they haven't been already. And Billy's people—it would break their hearts. I know some of them well, you see. I was with him only last week over in Orange."

"Oh!" Reed groaned. "That Girl from Orange again." He opened his lips once more to launch nervous English against this quixotism, but Strong interposed.

"'S all true," he solemnly stated, fixing his eyes rollingly on Reed. "Got Orange-colored cousin what break Recky's heart if don't take's home. Y'see—y'see—" The President of these United States in a cabinet council would have stopped to listen to him, so freighted with great facts coming was his confidential manner. "Y'see—wouldn't tell ev'body—only you," and he laid a mighty hand on Reed's shoulder. "I'm so drunk. Awful pity—too bad," and he sighed deeply. "Now, Recky, ol' man, take's home."

"Who's your friend, Billy?"

"Who's your friend, Billy?"

"Who's your friend, Billy?" Rex inquired, disregarding this appeal.

Page 10

Billy burst into a shout of laughter which Fairfax promptly clipped by putting his hand over the big man's mouth. "He's bes' joke yet," Strong remarked through Rex's fingers. "He's go'n' kill himself," and he kissed the restraining hand gallantly.

The two sober citizens turned and stared at the gentlemen. He looked it. He looked as if there could be no step deeper into the gloom which enveloped him, except suicide. He nodded darkly as the two regarded him.

"Uh-huh. Life's failure. Lost cuff-button. Won't live to be indecent. Go'n' kill m'self soon's this dizhiness goesh pasht. Billy's drunk, but I'm subject to—to dizhiness."

Rex turned to his cousin with a gesture. "You see, Carty, we can't leave them. I'm just as disappointed as you are, but it would be a beastly thing to do, to let them get pulled in as common drunks. What's your friend's name?" he demanded again of Strong.

"Got lovely name," he averred eagerly. "Good ol' moth-eaten name. Name's Schuyler Page 11VanCourtlandt Van de Water—ain't it Schuylie—ain't that your name—or's that mine? I—I f'rget lil' things," he said in an explanatory manner.

But the suicide spoke up for himself. "Tha's my name," he said aggressively. "Knew it in a minute. Tha's my father's name and my grandfath's name, and my great grandfath's name and my great-great——"

"Stop," said Rex tersely, and the man stopped. "Now tell me where you live."

Billy Strong leaned over and punched the man in the ribs. "You lemme tell 'em. Lives nine-thous-n sixt'-four East West Street," he addressed Rex, and chuckled.

"Don't be a donkey, Billy—tell me his right address." Rex spoke with annoyance—this scene was getting tiresome, and although Reed was laughing hopelessly, he was on his mind.

"Oh! F'got!" Billy's tipsy coyness was elephantine. "Lives six thous'n sev'nty four Page 12North S—South Street," and he roared with laughter.

Rex was about to learn how to manage Billy Strong. "Bill," he said, "be decent. You're making me lots of trouble," and Billy burst into tears and sobbed out:

"Wouldn' make Recky trouble for worlds—good ol' Recky—half-witted ol' goat, but bes' fren' ev' had," and the address was captured.

Rex turned to his cousin, his winning, deprecating manner warning Reed but softening him against his will. "Carty," he said, "there's nothing for it, but for you to take one chap and I the other and see 'em home. It's only a little after seven and we ought to be able to meet by half-past eight—at the Hotel Netherland, say—that's near the Rush's. We'll have to give up dinner, but we'll get a sandwich somewhere, and we'll do. I'll take Strong because he's more troublesome—I think I can manage him. It's awfully good of you, and I can tell you Page 13I appreciate it. But it wouldn't be civilized to do less, old Carty, would it?" And Reed found himself, grumbling but docile, linked to the suicide's arm, and guiding his shuffling foot-steps in the way they should go.

"Now, we'll both kill ourselves, old Carty, won't we?" Rex heard his cousin's charge mumble cheerfully as they started off, with a visible lengthening of his gloom at the thought of companionship at death.

Strong was marching along with an unearthly decorum that should have made Fairfax suspicious. But instead it cheered his optimistic soul immensely. "Good for you old man," he said encouragingly. "At this rate we'll get you home in no time." And Billy, at that second, thrust out his great shoulder into the crowd, and almost knocked a man down. The man, whirled sidewise in front of them, glared savagely.

"What do you mean by that?" he demanded. Strong, to whom nothing would Page 14have given more joy than a tussle, bent down and peered into the other's face.

"Is it a man or a monkey?" he piped, and shrieked with laughter.

The man's strained temper broke suddenly and Rex caught him by the arm as he was about to spring for Strong, and promptly threw himself between the two.

"Look here, Billy," he remonstrated, "if you fight anybody it's got to be me," and he spoke over his shoulder to the stranger. "You see what I'm up against. I'm getting him home—do just go on," and the man went.

But Billy's head was in his guardian's neck and he was spluttering and sobbing. "Fight you? Nev'—s' help me—nev'—Fight poor, ole fool Recky—bes' fren' ev' had? No sir. I wouldn' fight you Recky," and he raised a tear-stained face and gazed mournfully into his eyes. "D'ye think I'd——"

"Oh, shut up!" Rex ejaculated, "and hold your head up, Billy. You make me sick."

The intoxicated heavy freight being under Page 15way again, Rex looked about for the rest of the train, but in vain. After a halt of a minute or so he decided that they were lost and would have to stay lost, the situation being too precarious, in this land of policemen, with one hundred and ninety pounds of noisy uncertainty on his hands, to risk any unnecessary movement. Billy kept every breath of time alive and varied. Within two minutes of the first adventure he managed to put his elbow clearly and forcibly into a small man's mouth, and before the other could resent it:

"'S my elbow, sir," he said, haughtily, stopping and staring down.

"Well, why in thunder don't you keep it where it belongs?" snapped the man, and Billy caught him by the sleeve.

"Lil' sir," he said impressively, "if you should bite off my elbow, you saucy baggage"—and the thought was too much for him. Tears filling his eyes he turned to Rex. "Recky, you spank that lil' sir," he pleaded brokenly. "He's too lil' for me—I'd hurt him"—Page 16and Rex meditated again. A shock came when they reached the corner of Broadway and Chambers Street. "Up's' daisy," crowed Billy Strong, and swung Fairfax facing uptown with a mighty heave.

"The Elevated station's down a block, old chap," explained the sober contingent. "We have to take the Elevated to Seventy-second you know, and walk across to your place."

Billy looked at him pityingly. "You poor lil' pup," he crooned. "Didn' I keep tellin' you had to go Chris'pher Street ferry meet a girl? Goin' theater with girl." He tipped his derby one-sided and started off on a cakewalk.

Rex had to march beside him willy-nilly. "Look here, Billy," he reasoned, exasperated at this entirely fresh twist in the corkscrew business of getting Strong home. "Look here, Billy, this is tommy-rot. You haven't any date with a girl, and if you had you couldn't keep it. Come along home, man; that's the place for you."

Page 17

But Billy was suddenly a Gibraltar of firmness. "Got date with lovely blue-eyed girlie—couldn't dish'point her. Unmanly deed—Recky, d' you want bes' fren' ev' had to do unmanly deed, and dish'point trustin' female? Nev', Recky—nev', ol' man. Lesh be true to th' ladies till hell runs dry—Oh, 'scuse me Recky—f'got you was parson—till well runs dry, meant say. That all right? Come on t' Chris'pher Street." And in spite of desperate attempts, of long argument and appeal on Rex's part, to Christopher Street they went.

The ministering angel had no hankering to risk his charge in a street-car, so, as the distance was not great, they walked.

Fairfax's dread was that, having saved his friend so far, he should attract the attention of a policeman and be arrested. So he kept a sharp lookout for bluecoats and passed them studiously on the other side. What was his horror therefore, turning a corner, to turn squarely into the majestic arm of the law, and what was his greater horror, to hear Billy Strong Page 18suavely address him. Billy lifted his hat to the large, fat officer as he might have lifted it to his sweetheart in her box at the Horse Show.

"Would you have the g—goodness to tell me," he inquired, with distinguished courtesy, "if this is"—Billy's articulation was improving, but otherwise he was just as tipsy as ever—"if this is—Chris-to-pher Street—or—or Wednesday?"

"Hey?" inquired the policeman, and stared. Repartee seemed not to be his forte.

"Thank you—thank you very much—very, very much—old rhinoceros"

"Thank you—thank you very much—very, very much—old rhinoceros"

"Thank you—thank you very much"—Billy's gratitude spilled over conventional limits—"very, very much—old rhinoceros," he finished, and shot suddenly ahead, dragging Rex with him into the whirlpool of a moving crowd, and it dawned on the policeman five minutes later that the courtly gentleman was drunk.

The anxiety of this game was its unexpectedness. Strong, in the turn of a hand grew playful, after the fashion of a mammoth kitten. He bounded this way and that, knocking into Page 19somebody inevitably at every leap, and at each contact he wheeled toward the injured and lifted his hat and bowed low and brought out "I—beg—your—pardon" with a drawl of sarcastic emphasis too insulting to be described.

"Billy," pleaded Rex, taking to pathos, "don't do that again. You'll get arrested, and maybe they'll arrest me too, and you don't want to get me into a hole, do you?"

Billy stopped short with a suddenness which came near to upsetting his guide, and put both large hands on Rex's shoulders, and gazed into his eyes with a world of blurred affection. "Reck, ol'fel'," and his voice broke with a sob, "if I got you into hole, I'd jump in hole after you, and I'd—and I'd—pull hole in after both of us, and then I'd—I'd tell hole you was bes' fren' ev' had, and——"

"Come along and behave," cut in the victim of this devotion shortly. "Don't be a fool."

Strong lifted a fatherly forefinger. "Naughty naughty! Shouldn' call brother fool. Danger Page 20hell fire if you call brother fool. Nev' min', Recky—we un'stand each other. Two fools. I'm go'n behave." He knocked his derby in the back so it rested on his nose, stuck his chin up to meet it, and started off in the most unmistakable semblance of a tipsy man to be met anywhere. "See me behavin'?" he remarked sidewise, with a gleam of rollicking deviltry out of his eyes.

"So tired" he remarked. "Go'n have good nap now"

"So tired" he remarked. "Go'n have good nap now"

Christopher Street ferry was reached safely by a miracle, and inside the ferry-house Strong made a bee line for a truck and threw his great body full length upon it with a loud yawn of joy. "So tired," he remarked. "Go'n have good nap now," and he closed his eyes peacefully.

"See here, Billy, this won't do. You said you had to meet a girl—what about that?"

"Oh, tha's all right," Billy agreed easily. "You meet girl—tell her you got me drunk," and he turned over and prepared for slumber. Strenuous argument was necessary to rouse him even to half a sense of responsibility. Page 21"Recky, dear, you—'noy me," he said with severity, coming to a sitting position and contemplating Rex with mild displeasure. "What kin' girl? Why, jes' girly-girl. Lovely blue-eyed girly-girl—kind of girl—colored hair,"—he swept his hand descriptively over his own black locks. "Wears sort of—skirts, you know—you 'member the kind. All of 'em same thing—well, she wears 'em too. Tha's all," and he dropped heavily back to the truck and retired into his coat collar.

Rex shook him. "That won't do, Billy. I can't pick out a girl on that. Will there be a chaperone with her?"

"No!" thundered Billy.

"How is a girl allowed to go to the theater with you without a chaperone?" inquired Rex incredulously. "This is New York."

Strong brought down his fist. "Death to chaperones! A bas les chaperones! Don't you think girl's mother trust her to me? Look at me! I'll be chaperone to tha' girl, and father, 'n' mother, 'n' a few uncles and aunts." He Page 22threw his arm out with a gesture which comprised the universe. "I'll be all the world to tha' girl. You go meet her 'n' tell her you got me drunk," he concluded with a radiant smile.

Rex considered. There seemed to be enough method in Strong's madness to justify the belief that he had an engagement. If so, he must by all means wait and trust to luck to pick out the "lovely blue-eyed girlie" who was the "party of the other part," and hope for an inspiration as to what to tell her. She might be with or without a chaperone, she might be any variety of the species, but Strong seemed to be quite clear that she had blue eyes.

The crowd from the incoming boat began to unload into the ferry-house, and Rex placed himself anxiously by the entrance. Three or four thin men scurried in advance, then a bunch of stout and middle-aged persons straggled along puffing. Then came a set of young people in theater array, chattering and laughing as they hurried, and another set, and another—the main body of the little army was Page 23upon him. Rex scanned them for a girl alone or a girl with her mother. Ah! here she was—this must be Strong's "blue-eyed girlie." She was alone and pretty, a little under-bred and blond. Rex lifted his hat.

"I beg your pardon," he said, in his most winning way; "are you waiting for Mr. Strong?"

The girl threw up her head and looked frightened, and then angry.

"No, I am not," she said, and then, with a haughty look, "I call you pretty saucy," and Rex was left mortified and silent, while a passing man murmured, "Served you right," and a woman laughed scornfully. He stalked across to the tranquil form on the truck.

"Billy," he said, and shook a massive shoulder. "Wake up. Tell me that girl's name."

Strong opened his eyes like a baby waked from dewy sleep. "Wha's that, Recky—dear old Recky—bes' fren'——"

"Cut that out," said Rex, sharply. "Tell me the name of the girl you're waiting here to Page 24meet," and he laughed a short bitter laugh. The girl whom "Billy" was waiting to meet! Rex was getting tired and hungry.

Strong smiled a gentle, obstinate, tipsy smile and shook his head. "No, Recky, dear ol' fren'—bes' fren'—well, nev' min'. Can't tell girl's name; tha's her secret."

"Don't be an ass, Billy—quick, now, tell me the name."

"Naughty, naughty!" quoted Billy again, and waggled his forefinger. "Danger hell fire! Couldn' tell girl's name, Recky—be dishon'able. Couldn', no, couldn'. Anythin' else—ask m' anythin' else in all these wide worlds"—and he struck his breast with fervor. "Tell you anythin', Recky, but couldn' betray trustin' girl's secret."

"Billy, can't you give me an idea what the girl's like?" pleaded Rex desperately. Billy smiled up at him drowsily. "Perfectly good girl," he elucidated. "Good eyes, good wind, kind to mother—perfectly good girl in ev—every r-respect," he concluded, emphasizing Page 25his sentences by articulating them. He dropped his chin into his chest with a recumbent bow, and his arm described an impressive semicircle. "Present to her 'surances my most disting'shed consider-ration—soon's you find her," and he went flop on his side and was asleep.

Rex had to give it up. He heard the gates rattling open for the next boat-load, and took his stand again, bracing himself for another rebuff. The usual vanguard, the usual quicksilver bunch of humanity, massing, separating, flowing this way and that, and in the midst of them a fair-haired, timid-looking young girl, walking quietly with down-cast eyes, as if unused to being in big New York alone at eight o'clock at night. Rex stood in front of her with bared head.

"I beg your pardon," he repeated his formula; "are you looking for Mr. Strong?"

The startled eyes lifted to his a short second, then dropped again. "No, for Mr. Week," she answered softly, and unconscious of witticism, melted into the throng.

Page 26

This was a heavy boat-load, for it was just theater time—they were still coming. And suddenly his heart bounded and stopped. Of course—he was utterly foolish not to have known—it was she—Billy Strong's bewitching cousin, the girl from Orange. There she stood with her big, brown eyes searching, gazing here and there, as lovely, as incongruous as a wood-nymph strayed into a political meeting. The feather of her hat tossed in the May breeze; the fading light from the window behind her shone through loose hair about her face, turned it into a soft dark aureole; the gray of her tailor gown was crisp and fresh as spring-time. To Rex's eyes no picture had ever been more satisfying.

Suddenly she caught sight of him, and her face lighted as if lamps had shone out of a twilight, and in a second he had her hand in his, and was talking away, with responsibility and worry, and that heavy weight on the truck back there, quite gone out of the world. She was in it, and himself—the world was full. Page 27The girl seemed to be as oblivious of outside facts, as he, for it was quite two minutes, and the last straggler from the boat had disappeared into the street before she broke into one of his sentences.

"Why, but—I forgot. You made me forget entirely, Mr. Fairfax. I'm going to the theater with my cousin, Billy Strong. He ought to be here—where is he?"

Rex shivered lest her roving eyes might answer the question, for Billy's truck with Billy slumbering peacefully on it, lay in full view not fifty feet away. But her gaze passed unsuspiciously over the prostrate, huddled form.

"It's very queer—I'm sure this was the right boat." She looked up at his face anxiously, and he almost moaned aloud. What was he going to say to her?

"That's what I'm here for, Miss Margery—to explain about Billy. He—he isn't feeling at all himself to-night, and it's utterly impossible for him to go with you." To his asPage 28tonishment her face broke into a very satisfied smile. "Oh—well, I'm sorry Billy's ill, but we'll hope for the best, and I won't really object to you as a substitute, you know. Of course it's improper, and mother wouldn't think of letting me go with you—but I'm going. Mother won't mind when I tell her it's done. I've never been alone with a man to anything, except with my cousin—it's like stealing watermelons, isn't it? Don't you think it's rather fun?"

Staggered by the situation, Fairfax thought desperately and murmured something which sounded like "Oochee-Goochee," as he tried to recall it later. The girl's gay voice went on: "It would be wicked to waste the tickets. City people aren't going to the theater as late as this, so we won't see any one we know. I think it's a dispensation of Providence, and I'd be a poor-spirited mouse to waste the chance. I think I'll go with you—don't you?"

"Could he—couldn't he?"

"Could he—couldn't he?"

Could he leave that prostrate form on the truck and snatch at this bit of heaven dangling Page 29before him? Could he—Couldn't he? No, he could not. It would be a question of fifteen minutes perhaps before the drowsy Billy would be marching to the police station, and in his entirely casual and fearless state of mind, the big athlete would make history for some policeman, his friend could not doubt, before he got there. Rex had put his hand to this intoxicated plow and he must not look back, even when the prospect backwards was so bewilderingly attractive, so tantalizingly easy. He stammered badly when, at length, the silence which followed the soft voice had to be filled.

"I'm simply—simply—broken up, Miss Margery," and the girl's eyes looked at him with a sweet wideness that made it harder. "I don't know how to tell you, and I don't know how to resign myself to it either, but I—I can't take you to the theater. I—I've got to—got to—well, you see, I've got to be with Billy."

She spoke quickly at that. "Mr. Fairfax, is Billy really ill—is there something more than Page 30I understand? Why didn't you tell me? Has their been an accident, perhaps? Why, I must go to him too—come—hurry—I'll go with you, of course."

Rex stumbled again in his effort to quiet her alarm, to prevent this scheme of seeking Billy on his couch of pain. "Oh no, indeed you mustn't do that," he objected strenuously. "I couldn't let you, you know. I don't want you to be bothered. Billy isn't ill at all—there hasn't been any accident, I give you my word. He's all right—Billy's all right." He had quite lost his prospective by now, and did not see the rocks upon which he rushed.

"If Billy's all right, why isn't he here?" demanded Billy's cousin severely.

Rex saw now. "He isn't exactly—that is to say—all right, you know. You see how it is," and he gazed involuntarily at the sleeping giant huddled on the truck.

"I do not see." The brown eyes had never looked at him so coldly before, and their expression cut him.

Page 31

"I'm glad you don't," he cried, and realized that the words had taken him a step deeper into trouble. "It's just this way, Miss Margery—Billy isn't hurt or ill, but he isn't—isn't feeling quite himself, and—and I've got to—I've got to be with him." His voice sounded as if he were going to cry, but it moved the girl to no pity.

"Oh!" she said, and her bewildered tone was a whole world removed from the bright comradeship with which she had met him. "I see—you and Billy have something else planned." Her face flushed suddenly. "I'm sorry I misunderstood about—about the theater. I wouldn't for worlds have—have seemed to force you to—" She stopped, embarrassed, hurt, but yet with her graceful dignity untouched.

"Oh," the wretched Rex exclaimed impetuously, "if I could only take you to the theater, I'd rather than—" but the girl stopped him.

"Never mind about that, please," she said, Page 32with gentle decision. "I must go home—when is the next boat? One is going now—good-night, Mr. Fairfax—no, don't come with me—I don't need you," and she was gone.

Two minutes later Strong's innocent slumbers were dispersed by a vicious shake. "Wake up! wake up!" ordered Fairfax, restraining himself with difficulty from mangling the cause of his sufferings. "I've had enough, and we're going home, straight."

Rex was mistaken about that, but Billy was cordial in agreeing with him. "Good idea, Recky! Howd'y' ever come to think of it? Le's go home straight; tha's a bully good thing to do. Le's do it. Big head on you, ol' boy," and yawning still, but with unperturbed good nature, Strong marched, a bit crookedly, arm in arm with his friend to the street.

At every station the conductor and Rex had to reason with him

At every station the conductor and Rex had to reason with him

Rex's memory of the trip uptown on the Elevated was like an evil dream. Strong, after his nap, was as a giant refreshed, and his play of wit knew no contracting limits. There were, luckily, not many passengers going up at this Page 33hour, but the dozen or so on the car were regaled. Billy selected a seat on the floor with his broad back planted against the door, and at every station the conductor and Rex had to reason with him at length before the door could be opened. The official threatened as well as he could for laughing to put him off, but he threatened less strenuously for the sight of six feet two of muscle in magnificently fit condition. This lasted for half a dozen stations and then the patient began to play like a mountainous kitten. He took a strap on either side of the car and turned somersaults; he did traveling ring work with them; he gave a standing broad jump that would have been creditable on an athletic field; he had his audience screaming with laughter at an imitation of water polo over the back of a seat. Then, just as the fun was at an almost impossible point, and the conductor, highly entertained but worried, was considering how to get this chap arrested, Billy walked up to him with charming friendliness and shook hands.

Page 34

"One th' besh track meets I've ever had pleasure attendin', sir," he said genially, and sat down and relapsed into grave dignity.

So he remained for five minutes, to the trembling joy of his exhausted guardian, but it was too good to be true. Suddenly, at Fifty-third Street, he spied a young woman at the other end of the car. There were not more than nine passengers, so that each person might have had a matter of half a dozen seats a piece, but Strong suddenly felt a demand on his politeness, and reason was nothing to him. He rose and marched the forty feet or so between himself and the woman, and, standing in front of her, lifted, with some difficulty, his hat.

"Won't you take my seat, madam?" he inquired, with a smile of perfect courtesy.

The young person was a young person of common-sense and she caught the situation. She flashed a reassuring glance at Rex, hovering distressed in the background, and shook her head at Strong politely. "No—no, thank Page 35you," she said; "I think I can find a seat at this end that will do nicely."

"Madam, I insist," Strong addressed her again earnestly.

"No, really," The young woman was embarrassed, for the eyes of the car were on her. "Thank you so much," she said finally; "I think I'd better stay here."

Strong bent over and put a great hand lightly on her arm. "Madam, as gen'leman I cannot, cannot allow it. Madam, you mush take my seat. Pleash, madam, do not make scene. 'S pleasure to me, 'sure you—greates' pleasure," and beneath this courtly urgency the flushed girl walked shamefacedly the length of the almost empty car, and sat down in Strong's seat, while that soul of chivalry put his hand through a strap and so stood till his ministering angel extracted him from the train at Seventy-second Street.

With a sigh of heartfelt relief, Rex put his arm in the big fellow's at the foot of the steps. Freedom must now be at hand, for Billy's Page 36home was in a great apartment building not ten minutes' walk away. The culprit himself seemed to realize that his fling was over.

"Raished Cain t'night, didn' we, ol' pal?" he inquired, and squeezed Rex's guiding arm with affection. "I'll shay this for you, Rex—you may be soft-hearted ol' slob, you may be half-witted donkey—I'm not denyin' all that 'n more, but I'll shay thish—you're the bes' man to go on a drunk with in—in—in The'logican Sem'nary. I'm not 'xceptin' th'——"

"Shut up, Billy," remarked Rex, not for the first time that night. "I'd get myself pulled together a bit if I were you," he advised. "You're going to see your family in a minute."

"M' poor fam'ly!" mourned Strong, shaking his head. "M' poor fam'ly! Thish'll be awful blow to m' fam'ly, Recky. They all like so mush to see me sober—always—'s their fad, Recky. Don't blame 'em, Recky, 's natural to 'em. Some peop' born that way. M' poor fam'ly."

Page 37

They stood in front of the broad driveway which swept under lofty arches into the huge apartment house. Strong stopped and gazed upwards mournfully. "Right up there," he murmured, pointing skywards—"M' fam'ly." The tears were streaming down his face frankly now. "I can't face 'em Recky, 'n this condition you've got me in," he said more in sorrow than in anger. At that second the last inspiration of the evening caught him. Across the street arose the mighty pile of an enormous uptown hotel. Strong jerked his thumb over his shoulder. "Go'n' break it to m' fam'ly by telegraph' 'em," he stated, and bitterly Rex repented of that thoughtless mention of the Strongs to their son and heir.

Good-naturedly as he had done everything, but relentlessly, he dragged his victim over the way, and direct to the Western Union office of the hotel—"Webster's Union" he preferred to call it. His first telegram read:

"Rex Fairfax got me drunk. Don't blame him. It's natural to him."

Page 38

That one was confiscated, Strong complaining gently that his friend was all "fads."

The second message was this:

"Dear Mama: Billy's intoxicated. Awfully sorry. Couldn't be helped. Home soon."

That one went in spite of Fairfax's efforts, with two cents extra to pay, which item was the first event of the evening to ruffle Strong's temper.

"Shame, shame on rich cap'talists like Webster's Union to wring two cents from poor drunk chap, for lil' word like 'soon'," he growled, and appealed to the operator. "Couldn't you let me off that two cents?" he asked winningly. "You're good fellow—good lookin' fellow too"—which was the truth. "Well, then, can I get 'em cheaper 'f I sen 'em by quantity? I'll do that—how many for dollar, hey?"

"Five," said the grinning operator, troubled by the irregularity, but taken by this highly entertaining scheme of telegraphing across the street. And Rex, his arts exhausted in vain, watched hopelessly while, one after another, Page 39five telegrams were sent to The Montana, a hundred feet away. The first being short two of the regulation ten words. Strong finished with a cabalistic phrase: "Rectangular parallelopipedon."

"That'll get even Webster's Union for chargin' me two cents for 'soon'," he chuckled. "Don't y' wish y' hadn' charged me that two cents, hey?" he demanded of the operator, laughing joyfully and cocking his hat over one ear, and the operator and two or three men who stood near could do no otherwise than laugh joyfully too. Strong straightened his face into a semblance of deep gravity. "Thish next one's important," he announced, and put the end of the pencil in his mouth and meditated, while his fascinated audience watched him. He was lost in thought for perhaps two minutes, and then scribbled madly, and as he ended the little bunch of men crowded frankly to look at what he had written. He pushed it toward them with charming unreserve, and the bewilderment with which it was read seemed to please him.

Page 40

"Dear Papa": it ran. "I'm Calymene Blumembachii, a trilobite, one of the crustaceans related to the emtomostracans, but looking more like a tetradecapod, but always your affectionate—Billy."

He pushed it to the operator. "Split that in three," he ordered. "Don't want ruin the wires I'm careful 'bout wires. Big fall snow wouldn't do more damage 'n heavy words like that," he explained to the listening circle. "Think I look like tetradecapod?" he asked of them as one who makes conversation. "Had that in geology lesson when I was fifteen," he went on. "Got lodged in crack in brain and there tish t' thish day! Every now'n then I go 'flip,'"—he appeared to pull a light lever situated in his head—"'n fire it off. See? Always hit something."

It was ten o'clock when, the job lot of telegrams despatched, Fairfax led his volcano from the hotel and headed for the apartment house. He expected another balk at the entrance, for his round of gaiety had come now Page 41to seem to him eternal—he could hardly imagine a life in which he was not conducting a tipsy man through a maze of experiences. So that it was one of the surprises of the evening when Strong entered quietly and with perfect deportment took his place in the elevator and got out again, eight floors up, with the mildness of a dove. At the door of the apartment came the last brief but sharp action of the campaign.

"Recky," he said, taking Fairfax's shoulders in his great grasp, "no mother could be t' me what you've been."

"I hope not," Rex responded promptly, but Strong was not to be side-tracked.

"No mother 'n the world—not one—no sir!" he went on. His voice broke with feeling. "I'll nev' forget it—nev'—don't ask me to," he insisted. "Dear Recky—blessed old tomfool—I'm go'n kiss you good-night."

"You bet you're not," said Fairfax with emphasis. "Let go of me, you idiot," and he tried to loosen the hands on his shoulders.

Page 42

But one of the most powerful men in New York had him in his grip, and Rex found himself suddenly folded in Billy's arms, while a chaste salute was planted full on his mouth. As he emerged a second later, disgusted and furious, from this tender embrace, the clang of the elevator twenty feet away caught his ear and, turning, his eyes met the astonished gaze of two young girls and their scornful, frowning father. At that moment the door of the Strongs' apartment opened, there was a vision of the elder Mr. Strong's distracted face, the yellow gleam of the last telegram in his hands, and Rex fled.


Two weeks later, a May breeze rustling through the greenness of the quadrangle, brushed softly the ivy-clad brick walls, and stole, like a runaway child to its playmate, through an open window of the Theological Seminary building at Chelsea Square. Entering so, it flapped suddenly at the white curtains as if astonished. What was this? Two muscular Page 43black clad arms were stretched across a table, and between them lay a brown head, inert, hopeless. It seemed strange that on such a May day, with such a May breeze, life could look dark to anything young, yet Reginald Fairfax, at the head of the graduating class, easily first in more than one way—in scholarship, in athletics, in versatility, and, more than all, like George Washington, "first in the hearts of his countrymen," the most popular man of the Seminary—this successful and well beloved young person sat wretched and restless in his room and let the breeze blow over his prostrate head and his idle, nerveless hands. Since the night of the rescue of Billy Strong he had felt himself another and a worse man. He sent a note to his cousin the next day.

"Dear Carty," it read, "For mercy sake let me alone. I know I've lost my chance at St. Eric's and I know you'll say it was my own fault. I don't want to hear either statement, so don't come near me till I hunt you up, which I will do when I'm fit to talk to a white man. I'm Page 44grateful, though you may not believe it. Yours—Rex."

But the lost chance at St. Eric's, although it was coming to weigh heavily on his buoyant spirit, was not the worst of his troubles. The girl from Orange—there lay the sting. He had sent her a note as well, but there was little he was free to say without betraying Billy, the note was mostly vague expressions of regret, and Rex knew her clearheaded directness too well to hope that it would count for much. No answer had come, and, day by day, he had grown more dejected, hoping against hope for one.

A knock—the postman's knock—and Rex started and sprang to the door. One letter, but he could hardly believe his glad eyes when he saw the address on it, for it was the handwriting which he had come to know well, had known well, seeing it once—her handwriting. In a moment the jagged-edged envelope, torn in a desperate hurry to get what it held, lay one side, and he was reading.

Page 45

"Dear Mr. Fairfax": the letter ran; "For two weeks I have been very unjust to you and I want to beg your pardon. Billy was here three days ago, and what I didn't know and what he didn't know we patched together, and the consequence is I want to apologize and to make up to you, if I can, for being so disagreeable. Billy's recollections of that night were disjointed, but he remembered a lot in spots, and I know now just what a friend you were to him and how you saved him. I think he was horrid, but I think you were fine—simply fine. I can't half say it in writing so will you please come out for over Sunday—mother says—and I'll try to show you how splendid I think you were. Will you? Yours sincerely"—and her name.

Would he? Such a radiant smile shone through the little bare room that the May breeze, catching its light at the window, clapped gay applause against the flapping curtain. This was as it should be.

But the breeze and the postman were not to be the only messengers of happiness. Steps Page 46sounded down the long, empty hall, stopped at his door, and Rex, a new joy of living pulsing through him, sprang again, almost before the knock sounded, to meet gladly what might be coming. His face looked out of the wide-open doorway with so bright a welcome to the world, that the two men who stood across the threshold smiled an involuntary answer.

"Carty! I'm awfully glad"—and Rex stopped to put his hand out graciously, deferentially, to the gray-haired and distinguished man who stood with Carter Reed.

"Judge Rush, this is my cousin, Mr. Fairfax," Reed presented him, and in a moment Rex's friend, the breeze, was helping hospitality on with gay little refreshing dashes at a warm, silvered head, as Judge Rush sat in the biggest chair at the big open window. He beamed upon the young man with interested, friendly eyes.

"That's all very well about the quadrangle, Mr. Reed. It certainly is beautiful and like the English Universities," he broke into a sentence Page 47genially. "But I wish to talk to Mr. Fairfax. I've come to bring you the first news, Mr. Fairfax, of what you will hear officially within a day or two—that the vestry of St. Eric's hope you will consider a call to be our assistant rector." Rex's heart almost stopped beating, and his smile faded as he stared breathless at this portly and beneficent Mercury. Mercury went on "A vestry meeting was held last night in which this was decided upon. Your brilliant record in this seminary and other qualifications which have been mentioned to us by high authorities, were the reasons for this action which appeared upon the surface, but I want you to know the inner workings—I asked your cousin to bring me here that I might have the pleasure of telling you."

It was rather warm, and the old gentleman had climbed stairs, and his conversation had been weighty and steady. He arrested its flow for a moment and took a long breath. "Don't stop," said Rex earnestly, and the others broke into sudden laughter.

Page 48

"I like that," Judge Rush sputtered, chuckling. "You're ready to let me kill myself, if needs be, to get the facts. All right, young man—I like impetuosity—it means energy. I'll go on. The facts not known to the public, which I wish to tell you, are as follows. After your failure to keep your appointment on the evening of the 7th, I was about through with you. I considered you careless both of your own interests and ours, and we began to look for another assistant. A man who fitted the place as you did seemed hard to find and the case was in statu quo when, two nights ago, my son brought home young William Strong to dinner. Our families are old friends and Billy's father and I were chums in college, so the boy is at home in our house. As you probably know, he has the gift of telling a good story, so when he began on the events of an evening which you will remember——"

Rex's deep laughter broke into the dignified sentences at this point.

"I see you remember." Judge Rush smiled Page 49benignly. "Well, Mr. Fairfax, Billy made an amusing story of that evening. Only the family were at the table and he spared himself not at all. He had been in Orange the day before, and the young lady in the case had told him how you had protected him at your own expense—he made that funny too, but I thought it very fine behavior—very fine, indeed, sir." Rex's face flushed under this. "And as I thought the whole affair over afterwards, I not only understood why you had failed me, but I honored you for attempting no explanation, and I made up my mind that you were the man we wanted. Yes, sir, the man we want. A man who knows how to deal with the situations of to-day, with the vices of a great city, that is what we want. I consider tact, and broad-mindedness and self-sacrifice no small qualities for a minister of the gospel; and a combination of those qualities, as in you, I consider exceptional. So I went to this vestry meeting primed, and I told them we had got to have you, sir—and we've got to. You'll come?"

Page 50

The question was much like an order, but Rex did not mind. "Indeed, I'll come, Judge Rush," he said, and his manner of saying it won the last doubtful bit of the Judge's heart.

The Sunday morning when the new assistant preached his first sermon in St. Eric's, there sat well back in the congregation a dark-eyed girl, and with her a tall and powerful young man, whose deep shoulders and movements, as of a well fitted machine, advertised an athlete in perfect form. The girl's face was rapt as she followed, her soul in her eyes, the clean-cut, short sermon, and when the congregation filtered slowly down the aisles she said not a word. But as the two turned into the street she spoke at last.

"He is a saint, isn't he, Billy?" she asked, and drew a long breath of contentment.

And from six-feet-two in mid-air came Billy Strong's dictum. "Margery," he said, impressively, "Rex may be a parson and all that, but, to my mind, that's not against him; to my mind that suits his style of handling the gloves. There was a chap in the Bible"—Billy swalPage 51lowed as if embarrassed—"who—who was the spit 'n' image of Rex—the good Samaritan chap, you know. He found a seedy one falling over himself by the wayside, and he called him a beast and set him up, and took him to a hotel or something and told the innkeeper to charge it to him, and—I forget the exact words, but he saw him through, don't you know? And he did it all in a sporty sort of way and there wasn't a word of whining or fussing at him because he was loaded—that was awfully white of the chap. Rex did more than that for me and not a syllable has he peeped since. And, you know, the consequence of that masterly silence is that I've gone on the water-wagon—yes, sir—for a year. And I'm hanged if I'm not going to church every Sunday. He may be a saint as you say, and I suppose there's no doubt but he's horrid intellectual—every man must have his weaknesses. But the man that's a good Samaritan and a good sport all in one, he's my sort, I'm for him," said Billy Strong.

 

 


***END OF THE PROJECT GUTENBERG EBOOK A GOOD SAMARITAN***

******* This file should be named 15906-h.txt or 15906-h.zip *******

This and all associated files of various formats will be found in:
https://www.gutenberg.org/1/5/9/0/15906

Updated editions will replace the previous one--the old editions will be renamed.

Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.

*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://www.gutenberg.org/about/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://www.gutenberg.org/fundraising/pglaf

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit:
https://www.gutenberg.org/fundraising/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.

Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number.  The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.

Most people start at our Web site which has the main PG search facility:

https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date.  If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.

https://www.gutenberg.org/dirs/etext06/

    (Or /etext 05, 04, 03, 02, 01, 00, 99,
     98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)

EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way.  The year of a release date is no longer part
of the directory path.  The path is based on the etext number (which is
identical to the filename).  The path to the file is made up of single
digits corresponding to all but the last digit in the filename.  For
example an eBook of filename 10234 would be found at:

https://www.gutenberg.org/dirs/1/0/2/3/10234

or filename 24689 would be found at:
https://www.gutenberg.org/dirs/2/4/6/8/24689

An alternative method of locating eBooks:
https://www.gutenberg.org/dirs/GUTINDEX.ALL

*** END: FULL LICENSE ***