The Project Gutenberg EBook of Poems, by Mary Alice Walton
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Poems
A Message of Hope
Author: Mary Alice Walton
Release Date: February 2, 2005 [EBook #14871]
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK POEMS ***
Produced by David Garcia, Melissa Er-Raqabi and the PG Online
Distributed Proofreading Team at https://www.pgdp.net
Copyrighted 1910 by Mary Alice Walton
[Transcriber's Note: Irregularities in spelling have been retained as found in the original text.]
 |
he Poems contained in this booklet composed when ill, and either blind or
nearly so, are given to the public for the purpose of strengthening faith
in God. Those outlining in part, a life that has been more than filled by
the disciplinarian, sorrow, are but a glimpse of the many heavy crosses
borne. In my retrospection I can only believe the Father deemed me worthy
to be tested, at the same time giving wonderful revelations of Himself and
many answers to prayer. Thanks be to Him, that I was brought through the
fire with unshaken faith in Christ, for this end, to prove that those who
stand firm in faith will not only be given a victory, but be brought to a
greater joy and fellowship with the Father, Son, and Holy Spirit. |
| Life's battles well waged, victoriously fought, |
| Rich jewels of pearls in Cross will be wrought; |
| E'er trusting in One who knoweth no wrong, |
| Forever we'll live in Land of the Strong. |
THE AUTHOR.
The Cross of Pearls.
The Solitary Lament.
Under the Rod.
Waiting, Ever Waiting.
To My Daughter.
Providence Hospital.
The Photograph.
Midnight Thoughts.
Some Mother's Boy.
The Gift.
Thou Waters, Tell Me Why.
Voices Hushed.
Why I Love Them.
My First Gray Hair.
Life's Curtain Unrolled.
The Chosen City.
The Land of Love.
For I Long to be There.
Golden Gates.
Hope Beyond.
The Ministering Soul.
Transition.
Peace.
 |
ethsemane, how oft, grown dim, With bleeding hearts, unpardoned sin, A Cross with pearls, and gems inlaid, God's gift of love, the price prepaid. These precious pearls were once a tear, Repentant sighs, a hope, a fear, But rough seas washed and jewels grew Until the Cross was pearly hue. Unnumbered are the pearls and fair, If burdens of the weary share; And deeply wrought with threads of gold, If smiles of peace suppress our woe. To help Thee, Christ, in saving world, Forgetting self is rarest pearl, That brightly glows when righting wrong, Assisting souls in Thee grow strong. The Cross that Thou so freely bare Is covered o'er with pearls of prayer; On Cross of Love all hopes are stayed, Each time it's kissed a pearl's inlaid. |
|
he terrors of night have fallen on me, The shadow of forms no longer I see, Eyes that have lingered on objects of light Are now ever closed by day and by night; As time passes on I shed bitter tears, Wearily waiting these many long years, Oftentimes waking from dreaming to find Nothing but gloom—I am helpless and blind. Of all earthly joys I am nearly bereft, No pleasure of friends, alone I am left, Kind hearts there are some, though many, alas! Send a curious gaze toward me as they pass; One visitor daily—a small ray of sun Just crossing my face, it gladly doth run— Bringing me news of the weather and time, And memories sweet of my own sunny clime. They've taken my children away from their home, For care, to them mother love is unknown; Their smiles and caresses to strangers are given, Alone, in despair, my fond heart is riven; O! tell me, kind angels, shall I ever recover To care for my children and heart-broken mother? While sadly I'm thinking of joys that have passed, For days like my childhood, in mercy I ask. How strange seems the quiet, how foreign to one Who reveled in beauty, in pleasure, and fun; As healthy and happy and merry as May, School-books in hand, I would hasten away. But, listen! What noises are those that I hear? In the silence strange fancies awaken my fear, And terrible phantoms of lunatics try To glare o'er my couch and stifle my cry. Welcome, O! Death, do not leave me alone, The future's unkind and hopes are all flown; In pain and in anguish my sorrow untold; In age most a child, yet in trouble grown old. But God in His mercy one bright hope has given— Saviour to love and rest in dear Heaven; There beautiful music and many things fair, While voices of loved ones with song fill the air. |
 |
lind and helpless alone I wait; The way seems dark and prayers too late, My anguished soul sends forth the cry, Father save me, ere I die; Save me for my children small, Leave them not to sin and fall, Sending forth the saddened call, Mother, come back, mother! Blind and helpless days wear by, Sick and friendless, left to die; The darkness deepens as I grope, Afraid to live, afraid to hope; They tell me of a better land, Lord, I cannot see Thy hand, Around me steals an icy band, Save me or I perish. |
 |
aiting, dreaming, waiting, by some flowing mystic rill, Waiting, hoping, waiting, strong desires my spirit fill; Waiting, restless waiting, Oh! could I join the busy throng, Waiting, patient waiting, for right to triumph over wrong. Waiting, weary waiting, as the hours creep slowly by, Waiting, sadly waiting, unnoticed by those passing nigh; Waiting, daily waiting, with fire alive in heart and brain, Waiting, yearly waiting, seeming but to wait for pain. Waiting, striving, waiting, wisdom's goal I feign would win, Waiting, weeping, waiting, ever bearing Adam's sin; Waiting, vainly waiting, the race is for the swift and strong; Waiting, sighing, waiting, pouring forth my grief in song. Waiting, fearing, waiting, while the shadows gather deep, Waiting, doubting, waiting, down the rocky cliffs they creep; Waiting, longing, waiting, for man's promises not filled, Waiting, trusting, waiting, Jesus speaks and all is stilled. |
 |
y child, the cold dews of evening are 'round thee, Bereft of thy sight, And dark lines of sorrow and trials surround thee By day and by night. To-day I am sitting so dreary and lonely, Heart-sick and in pain, And wishing 'twere Heaven's will I could only Once see thee again. If so, I could bear all the pain and the sorrow Of life and its cares, And not fill the hours of the coming to-morrow With sighs and with tears. Like you, many hopes of the future I cherished When free from life's care, Just so, all my brightest fond visions have perished Like mists in the air. I still hope that God in His merciful kindness Thy sight will restore, And permit thee when perfectly healed of thy blindness To see us once more. But restore thee or not, one hope I will cherish At home and abroad, That I may submit to my fate, though I perish, And trust in my God. |
 |
n our own native land a Hospital stands, Its praises I faintly would speak; To me it seems grand, enclosed in love's bands By the Sisters of Charity meek. These Sisters are lowly and humble and holy, All striving their God to obey; They watch o'er the poorly, while dreaming they surely Can all of their sufferings allay. Heaven's blessings are resting on them as they're testing Their freedom from sorrow and sin, And God will uphold them and angels enfold them, Till a heavenly crown they will win. My happiness lost on the world tempest-tossed, Weary and heart-sick with pain, Providently I came to Providence by name, Where my health I did quickly regain. In language though weak my thoughts I would speak, My gratitude is without bounds, To my nurses while blind and physicians so kind, And the owners of Providence grounds. |
 |
uspending night with threads of light the sun with signals bold, Flashed o'er to moon his mate on high, and wondrous secret told; Together they a photograph of mother earth would make, When midnight dropped her curtains low and watching stars locked gate. I'll picture on thy pale round face an image vast, complete, Of pondrous size with oceans wild and mountains high and steep, A hurling mass of seething lakes, while outward beauties fold It round and o'er with nature's green, and tinted crusts of gold. Quite pleased with thought fair lady moon laughed in merry glee, And begged the secret not reveal but plan all quietly; Appointing hour and length of time, arranging for the place, Then hiding lights at midnight bells, when earth passed o'er her face. While swinging to a silvered chord attached to heaven's dome, To and fro 'mid seas of stars and spirit worlds unknown, Earth onward swept with mighty bounds, measured space, and soon At place appointed and the hour she hovered near the moon. But scheming of the comrades bright to her had been revealed, With telescopes and lenses strong, were millions on the field Of spots and specks as showered sand, by fays called wo and man, Who gazed with awe at wondrous sight, earth pictured in moonland. Inspiring vision piled on high in masses huge and dense; Where camest thou? thou ragged ball thrown out from time, and whence Doth thou intend to fathom realms of endless space and years? Art weary of thy dizzy flights? Are rolling seas thy tears? The silence mocks the questions sighed, and nought but shadows fall; The picture made the fairies fade, with dying notes they call. Doth see the Hand that holds the key? Eclipse of moon they sing, Go, nations, to thy dreamland couch, and ponder o'er this thing. |
| n silent hours of midnight while earth is wrapped in dreams, I ponder o'er my present life—how desolate it seems. Through wakeful hours I scan each page penned in despair and grief, Then turn to my loved childhood's home for comfort and relief. A cottage white was standing there among the grand old hills. And 'midst the spreading shady trees were songs of laughing rills. In that dear home my parents lived, my brothers large and small, With uncles, aunts and cousins near, and I the pet of all. But listen! 'tis my childrens' call, I hear their plaintive prayer, In fancy now I press soft cheeks and fondly stroke fair hair. Wide seas may roll between us, yet my darlings will life brave, Perchance be folded to my heart, or kiss their mother's grave. |
|
he battle-cry is sounding loud, a bugle calls to arm, The hills and dales are clouded o'er, troops gather in alarm; With winds is mingled sighing prayer from many a sinking brave; A youth obeying duty's call, a life his country gave. A soldier boy's dying cry is heard amid the roar Of battle strife; surround with slain he falls to rise no more. Some mother's boy! it matters not if clad in blue or gray, If fighting for the right or wrong, is hurried to his grave. Amid the beats of drum and fife, his pillow but a sod, With folded hands and marble brow, his soul returns to God. Some mother's boy is resting where the lonely willows weep, And voices waft with waving trees, while angels watch him sleep. Now comes along the highway a dusty tramp forlorn, A tattered coat conceals beneath a bent and aged form, With hardened weary visage, a bell he faintly rings; The air is rent with pitying notes, an angel softly sings. Upon this frozen nature no love for years has shown; His life is made of cruel words, and knows no kindly tone; And could you see into his past, as mother clasped her boy, He then was innocent and fair—her pride, her hope, her joy. She never dreamed her darling child a weary tramp would be, For o'er his tasks or youthful sports he laughed in childish glee; Perhaps he sinned, but, O! forget, for suffering must repay, And someone's boy has now become wretched, old and gray. Within a large and gilded hall a revel wild is held, The sound of oaths and laughter loud upon the breezes swell; A man is seen with bloated face come reeling to the streets; He turns his fierce and lurid eyes as friends he loudly greets. Some mother's boy has fallen low, we hear the broken sob Of angels who have watched for years his footsteps turn from God. Someone's prayers have oft been made o'er him in childhood's day, When, rocked in love, he knew no wrong, a smiling infant lay. Some mother's tears have freely flowed, and lonely vigils kept; Some mother's heart has often bled while others coldly slept; Some mother suffers for the wrong, and angels sadly weep Whene'er some careless, wayward son has sown what he must reap. A scaffold high with spreading arms on yonder height we see, It waits to take its victim's life, exulting cruelly. While zephyr's blow, birds hover o'er a soul in dire distress, With troubled gaze breathes out a prayer. Will God attend and bless? What matter if he's clothed in sin, what matter if he's wild, In foulest guilt? Remember, that, he is somebody's child. We cannot tell how hard he strove to shun temptation's snare; How often on his mother's breast he wept in his despair. How oft her lips had softly pressed his dimpled infant cheek, How oft her hand in love caressed the sinless baby feet. Then, strangers, pause and listen well; so might your own have been, But Christ can freely pardon all, though scarlet be his sin. Some mother's boy! The sweet refrain is breathed in accents mild. Some mother's boy! If bent and gray, if pure or all denied. Some mother's boy! Soft bells repeat in sad and sweetest chime; Some mother's boy! A mother sighs; perhaps he may be mine. |
|
od calls you, my Daughter—I hear the sweet voice Of Jesus our Saviour, He would make you His choice, To work in His vineyard, to teach in His name; He'd give you the power, lost souls to reclaim. I give you, my darling, an offering to Him Who died to redeem us, to save us from sin; Be filled with His spirit, be strong in the strife, Bring souls unto Jesus, in Christ there is life. And when all is over and we meet on the shore Of Heaven's fair Jordan, to part nevermore, With Christ ever present to soothe away tears, All pain we'll forget of these sorrowful years. |
 |
'er rocks where sea waves wrestled, far from yon city's height A woman walked 'mid shadows, and watched for morning light. A woman strong with purpose, though burdened with life's care, The silvered tints of starlight matched threads in gold-brown hair. CHORUS. But her heart and the waves grew restless, As she thought of years gone by, Of him she once loved truly— Cried, waters, tell me why, Thou waters tell me why! Aged rocks lend me thy power 'gainst winds and tempest wild: A woman's strife before me, I fain would be a child. Long since 'twas said at parting, "Forever, love, good-bye." And life merged into duty, Oh, waters, tell me why! While plaintive seas are calling, my heart for one doth yearn, "Find love in kindly service," sweet fern leaves sighed, "Return." Sad waves then cease thy moaning—let hope's resplendent rays Imbue my heart with courage—God's love's with me always. |
|
stood in the mossy gateway, And thought of years gone by; Then tapped on latticed windows, Heard naught only my sigh. The house was cold and empty— A stranger's home, they say; The voices hushed of dear ones, Loved footprints passed away. In fancy then I peopled The place with moving life, The halls again resounded, With laughter, song and fife. In father's arms I nestle, Caressing soft, dark hair; I beg for one more story, Or breathe my childhood's prayer. My heart cries out, when fancy Brings mother back to me, Her loving care o'er shadows The past sweet memory. The house now grows resplendent With joys of former scene, My brothers loved so dearly, And life a happy dream. Our uncle, kind and tender, The cousins, buoyant, gay; My playmates calling for me, To school we his away. Awakened from my dreaming, Time speaks of saddened years, Two-score more, and voices hushed. Flow now, ye pent-up tears! Oh, voices hushed, where art thou? A stranger lone I stand. Good-bye, good-bye, old homestead; Farewell, sweet mystic band. |
|
would tell thee of Stella, how she made glad the hours, So oft calling mother with strewn wreaths and flowers, Blue eyes fondly glancing, and gleefully dance, While singing so gayly or skipping, perchance. Then comes my son Ernest, an affectionate boy, So true and so thoughtful, never aught but a joy, E'er steady and happy, eyes earnest and clear; His dear voice so merry, methinks I still hear. I would say of Marie, that she is very fair, With ways of a lady, and golden-waved hair; She scolds and laughs sweetly, while people all tell, With curls and long lashes, she'll yet be a belle. Then rosy-cheeked Bertha, whose housewifely care And womanly habits call forth praises rare; Small, winsome maiden, whose large, tender heart, To blame makes thee timid, thy tears swift to start. Tall, slender Celesta, whose spiritual face, And excelling talents could a palace well grace; Five faces so pretty, eyes brighter than gems, And hearts kind and loving is why I love them. |
|
ne day amid brown tresses there gleamed a silvery thread, Life pages, past and present I wonderingly then read. I saw a blithsome maiden, a child serenely fair, A woman heavey laden now lifts her first gray hair. CHORUS. O silvery strand, thou soft kiss of time, The beauties of youth are now past, are now past. For evening of life are pleasures unknown, 'Tis love, only love, that will last, that will last. Upon the shadowy threshold the small gray strand did lay, And told the old, old story of ever changing day; Within the mystic portals of life's near ending stream I stood and pondered vaguely, if death were but a dream. I viewed the snow-white message and thought of bygone years, The hopes, the waging conflicts, joys mingled oft' with tears. Tell me, thou thing of pearl hue, what will the future greet? Will paths be strewn with roses, or thistles tear my feet? A whisper floated near me in accents sweet and low, "My child, what'er thy portion, if tares for thee will grow, Thy soul keep pure and stainless, a crown thy brow shall wear, 'Twill shine with whitest tresses, that once was nut-brown hair." |
|
lad boyish voices with merriment ring, Two children with nought, as gayly they sing Of burdensome care, their hearts as the bird To mountains oft' soar in freedom, unstirred By future, and what it furtively brings Of pleasures, or grief, or life's bitter stings. The shadowed cross e'er failing to see, Thoughts flitting as bubbles on oft' changing sea. From childhood spring youths with fair open brows, Surrounded by all earth ever allows Of conquering fame, while life's deepest charm They sip from the fount of love's laden balm. Of treasures untold to reap they aspire, At vanity's fair rich harvests acquire, Over this vision in mystery toss, A shadow that lifts, unveiling a cross. In wonder they gaze at spectre so white, As softly it beams in silvery light, 'Mid silence it pleads—they pause all aghast— 'Tis Jesus who calls, His Cross in their path, Cross misty with tears, with sacrifice fraught, While deeply inlaid with sorrows 'tis wrought, Divided from world by widening stream It leadeth through pain earth's conquests a gleam. Shall I? Shall I not? Self-questioned each youth, Take up this Cross all laden with truth? Shall lingering fear of poverty's vale, The scoffing of friends if honors should fail, Bar us accepting a promise of love By way of the Cross—the gift from above? Silently each life's curtain unfurled, One bends to his Cross, one flees to the world. Two pictures are drawn on life's beaten page, The faces once seen have ripened with age; The purpose of each, their loved ones a dower, And conflicts of life are wielding with power. Surfeited was one with all earthly lusts, His soul he'ed surrendered to prince of earth's trusts; One bearing a Cross, e'er toiling for right, Walking with Jesus in spirit waxed bright. There's pictured again in oft' changing scene, A tottering form appears in the dream, Furrowed his face from indulgence in sins, Eternity lost, to gold fondly clings. He'd bartered his soul a few years to live, And sinking the grave has nothing to give, Unloved and embittered e'en cross once refused, Gleamed sadly through mists then slowly withdrew. Our vision once more life's curtain unrolled, And walked beside one with jewels untold, Unfurrowed his brow though whitened the hair, Eternally blest when freed earthly care. The cross he'd accepted oft' riven in tears, And humble his walk through life's fleeting years, Had given sweet peace as only those know Who've tasted of wealth Christs' love doth bestow. |
|
n starlit height, distant 'gainst horizon, bright The Way of the Cross is outlined, By rocky steeps barren 'mid dangers unseen, A narrow straight pathway doth wind. The sighing winds whisper of sacrifice, toil, And foot-prints where pilgrims have trod Are crimson and tear-washed, where fissures are rent Wierd spirits of pain flit abroad. A woman in sadness e'er watching this Cross Revealed in the morn of her life, To travel o'er mountains alone through the storm Means suffering and wearisome strife. 'Mid pitfalls of doubtings and barriers high, A valley called Vale of Delight, Appears to her vision, its beauties aglow With charms all alluring to sight. Its meadows are tinted by golden-hued lights, Unruffled its waters, they chime With harmonic singing, while world-wedded dance To musical rhythm and time. Red wine floweth freely, with jingle of gold Jests mingle with laughter so gay, In Vale of Delight merry banquets and balls Turn quickly the night into day. The woman enraptured by dazzling display— Yet holiness loveth and right— Back to the mountains she turneth her gaze, There gleaming through mists beyond heights, Is glittering sheen of sparkling gemmed spires, A city of pearls beyond steeps; But Calvary's Cross is path to its gate, In sorrow she bitterly weeps. In Vale of Delight seems earthly repose, And freedom from sorrow and pain; But pleadings of Jesus appeal to her heart, In City of Lovelight doth reign. His spirit so gentle o'er floweth with good, With kindliest tokens of love; The promise He giveth beyond vale of tears— Eternal abiding above. To City of Holies she pleads with her Lord, Help me in Thy mercy come in; Keep me from slipping o'er precipice deep, Laid for all in Valley of Sin. Then journey to Starworld she finds full of thorns, Sore-pressed on the way by life's care, Till crieth she, "Saviour, though saving Thy Cross, Its burdens most grievous to bear". Life's duties demanding a sacrificed heart By trials hedged on either side, Yet beauty of holies celestial with love, I long for thee what e'er betide. Her Saviour upholding, foes dropping by way, She trustingly presses her flight, When sin all surrendered and laid upon Cross In peace with Christ enters Lovelight. |
|
e are told of a beautiful land of love, Of bright jeweled mansions in blue skies above; Of mansions that glitter with diamonds and gold; While air of sweet odors their fair walls enfold, Of heavenly music, soft, thrilling, divine, Fountains that sparkle, and bright suns that shine, Birds of gay plumage with song fill the air, Flowers all lovely and crowns with gems rare. All this we are told and many things more, Of Heaven's fair Jordan, an evergreen shore; Its golden gates ever are standing ajar, Where fall huge burdens we have carried so far; Shining-robed angels there welcome us home, Joyously lead us through fair fields to roam; Heaven alive with sweet praises shall ring, We bow at the throne of our Saviour and King. Blessings there are bestowed just suited to all, No more vain regrets, no more tears to fall, No hearts there to ache, no sins to repent, No leaving of friends, nor wrongs to resent, No asking of bread to be given a stone, No needle-worn fingers that ache to the bone, From this fair land all life's cares have flown, Queen happiness reigns and love is her crown. |
 |
ear Father in Heaven, to Thee I would raise A petition, and speak to Thy bountiful praise. At Thy throne of grace I would offer one prayer: Take me to Thyself, for I long to be there. Dear Saviour, I plead, Thou art tender and kind, O'er flowing with love, for me Thou canst find A safe resting place, that is free from all care; Press me to Thy heart, for I long to be there. Fair angels of light, who with melodies sweet Make beautiful homes a celestial retreat, In happiness pure, a full part I would share, I'd come to your home, for I long to be there. While pleasures are few and hope but a name, While worldliness reigns o'er all things the same, Our joys are in dreams of bright Eden fair, I'd flee to Thy rest, for I long to be there. I am weary of life, the burdened-filled day, On the echoless shore in peace I would stray, Forgetting all sorrow for Christ will it bear, O take me to Jesus, for I long to be there. |
|
ometime the golden gates will lift, I know not how nor when 'twill be, My soul, the one immortal gift, Will stand beside the changeless sea. CHORUS. Lift up, ye gates, ye golden gates, A soul would come before the throne; Lift up, ye gates, ye golden gates, Ring out, O bells, in rapturous tone. Sometime this poor world's light will fade, I'll walk alone the unknown way, But Christ my sins long since hath paid, My home was purchased Easter day. Sometime the silver cloud will break, While glory pure my spirit thrills, We'll see our friends, the crystal lake, Rest in sweet peace by love-lit rills. Sometime my cross a crown will prove, Sometime my tears will jewels be, Sometime all doubts Christ will remove— Blest be the time, eternity! |
 | ing out, oh, ye bells, in soft measured chime, Sweet melodies breathe in rythmetric rhyme, The murmuring winds bring song from afar, For one we have loved is crossing the bar. Ring gently, ye bells, the soul on its way, Would not be disturbed by discordant lay; In peace it would stem the river that flows O'er rocks crimsoned by humanity's woes. Ring slowly, Oh, bells, death's pitiless dream Rolls eagerly on, a maddening stream; The sufferer sighs for a haven of rest. And longs to be borne to homes for the blest. Ring thoughtfully, bells, a prayer would ascend To Father of love, this soul to befriend. While waiting, a voice is waft o'er the sea— "Hast heard of a Christ? He speaks—I am He." Ring peacefully, bells, the wanderer soothe, In lullaby song, as in cradle of youth; No whispering doubts, no question of whence, Outpouring to mar, of love calling hence. Ring joyfully, bells, no tempests now toss— The Valley of Death is lit by a Cross. Ring glad happy strains of love's richest song, Our dear one has fled with a heavenly throng. |
|
n Canaan's fairest borders, in thought, I seemed to stand, I'd left my broken palace for this long-wished-for land. On earth for me they're mourning, friends weeping sad and low, It seemed the bells were sobbing, my joy there none could know. CHORUS. Most Gracious King, One Lord in Three, All Heaven in anthems rung, Hosanna, praise, triumphantly, Rejoice for the lost Christ won. On earth, loved ones were sighing around my vacant chair, Our risen Lord forgetting, smiles turn to lines of care; In Heaven the waves of gladness, from gate to gate doth roll, And Christ now changed my spirit into a ministering soul. From beauties of Christ's kingdom, I came to earth by night, To mine I whispered comfort, breathed of celestial light; I hovered near the aged, who sorrowed till the end, And soothed the restless slumbers of those who knew no friend. Into the lowly dwellings, where mother's cheeks grew pale, I kissed the fading forehead, and hushed the infant's wail; The wrath of men appeasing, to weary laborers gave A greeting smile, and told them Christ came on earth to save. Moan not, O bells, but joyous ring out your Christian souls, Eternity, all wondrous, brightly to them unfolds; From death to life their changing, let glorias float afar, Our loved, our lost, are watching, within the gates ajar. |
|
he home of my soul, worn and weary And pierced by the rocks of old time, The windows grown dim and the key-boards Were mute to the wind's whispered chime. The pillars were trembling; the pitcher Was full to the brim, running o'er With burdens, hurled oft' at the fountain, And closed were the gates evermore. Old castle of hopes and of tempests, I bid thee a loving adieu, Thou sheltered me oft' from the cloud-bursts, The winds blowing fiercely on you. My soul now arises on pinions, And wings through terrestial space, By planets all gleaming with starlight, I stand with my Lord, face to face. O, Master, I cry, the old temple, Thou gavest on earth passed away, I come to thee houseless, unsheltered, Hast room in Thy mansion to-day? I left Mother Earth in the night-watch, And travelled alone to thy gate, Hast mercy for me, dearest Master, Do I plead for thy pardon too late? Dear Master, sore trials beset me, My feet slipping oft' by the way, Temptations and doubt, overwhelming, From Thee, led me often astray. My cross was oft' covered with roses, Just hiding the sly, cruel thorn, My homestead built out of dust only, Has crumbled; to-day I am born. Just born in the light of thy kingdom, Hast house in thy domain to give? A homestead to fill with the loved ones, Where with Thee in peace we may live. I know that my spirit is earth-stained, I'd wash it in yon flowing stream, I've come, oh my Saviour, all broken, Are hopes to be only a dream? He turned with a look of compassion, His voice, as sweet waters and low, My child, I've a palace built for thee, Which time nor rude winds can o'erthrow. I've watched thee in all of thy wanderings, E'en when thy homestead of clay fell; I list for thy knock at our portals, Heard thee faintly ask, "Is all well?" When doubts have assailed, I would press thee, In sorrow, stood oft' by thy side; I've quelled maddened waves as they dashed thee, Soul, ring heaven's bells and abide. Thy footsteps shall fall in soft places, And by mirrored waters can'st roam; Thy kindred, thy Father, shall greet thee, To peace, beauty, love,—welcome home. |
 |
ather, before Thee I am kneeling In gratitude and love, Sad, weary years I sought, appealing For succor from above. My cries seemed wild as unavailing Before Thy chastening rod, My spirit in the strife oft failing To trust Thee, O my God! When floods of sorrow o'er me sweeping, Thy hand I could not see; Then Thou, when heart and strength were yielding, Bade me to cling to thee. Strength from Thy promise gave endurance To stem, to cross the flood; I thank Thee; rest in blest assurance Of Jesus' cleansing blood. |
End of the Project Gutenberg EBook of Poems, by Mary Alice Walton
*** END OF THIS PROJECT GUTENBERG EBOOK POEMS ***
***** This file should be named 14871-h.htm or 14871-h.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/1/4/8/7/14871/
Produced by David Garcia, Melissa Er-Raqabi and the PG Online
Distributed Proofreading Team at https://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.