The Project Gutenberg EBook of What's Bred In the Bone, by Grant Allen
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
Title: What's Bred In the Bone
Author: Grant Allen
Release Date: May 24, 2013 [EBook #6010]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK WHAT'S BRED IN THE BONE ***
Produced by Charles Aldarondo, Charles Franks and the Online Distributed Proofreading Team.
By GRANT ALLEN
It was late when Elma reached the station. Her pony had jibbed on the way downhill, and the train was just on the point of moving off as she hurried upon the platform. Old Matthews, the stout and chubby-cheeked station-master, seized her most unceremoniously by the left arm, and bundled her into a carriage. He had known her from a child, so he could venture upon such liberties.
"Second class, miss? Yes, miss. Here y'are. Look sharp, please. Any more goin' on? All right, Tom! Go ahead there!" And lifting his left hand, he whistled a shrill signal to the guard to start her.
As for Elma, somewhat hot in the face with the wild rush for her ticket, and grasping her uncounted change, pence and all, in her little gloved hand, she found herself thrust, hap-hazard, at the very last moment, into the last compartment of the last carriage—alone—with an artist.
Now, you and I, to be sure, most proverbially courteous and intelligent reader, might never have guessed at first sight, from the young man's outer aspect, the nature of his occupation. The gross and clumsy male intellect, which works in accordance with the stupid laws of inductive logic, has a queer habit of requiring something or other, in the way of definite evidence, before it commits itself offhand to the distinct conclusion. But Elma Clifford was a woman; and therefore she knew a more excellent way. HER habit was, rather to look things once fairly and squarely in the face, and then, with the unerring intuition of her sex, to make up her mind about them firmly, at once and for ever. That's one of the many glorious advantages of being born a woman. You don't need to learn in order to know. You know instinctively. And yet our girls want to go to Girton, and train themselves up to be senior wranglers!
Elma Clifford, however, had NOT been to Girton, so, as she stumbled into her place, she snatched one hurried look at Cyril Wiring's face, and knew at a glance he was a landscape painter.
Now, this was clever of her, even in a woman, for Cyril Waring, as he fondly imagined, was travelling that line that day disguised as a stock-broker. In other words, there was none of the brown velveteen affectation about his easy get-up. He was an artist, to be sure, but he hadn't assiduously and obtrusively dressed his character. Instead of cutting his beard to a Vandyke point, or enduing his body in a Titianesque coat, or wearing on his head a slouched Rembrandt hat, stuck carelessly just a trifle on one side in artistic disorder, he was habited, for all the world like anybody else, in the grey tweed suit of the common British tourist, surmounted by the light felt hat (or bowler), to match, of the modern English country gentleman. Even the soft silk necktie of a delicate aesthetic hue that adorned his open throat didn't proclaim him at once a painter by trade. It showed him merely as a man of taste, with a decided eye for harmonies of colour.
So when Elma pronounced her fellow-traveller immediately, in her own mind, a landscape artist, she was exercising the familiar feminine prerogative of jumping, as if by magic, to a correct conclusion. It's a provoking way they have, those inscrutable women, which no mere male human being can ever conceivably fathom.
She was just about to drop down, as propriety demands, into the corner seat diagonally opposite to—and therefore as far as possible away from—her handsome companion, when the stranger rose, and, with a very flushed face, said, in a hasty, though markedly deferential and apologetic tone—
"I beg your pardon, but—excuse me for mentioning it—I think you're going to sit down upon—ur—pray don't be frightened—a rather large snake of mine."
There was something so comically alarmed in the ring of his tone—as of a naughty schoolboy detected in a piece of mischief—that, propriety to the contrary notwithstanding, Elma couldn't for the life of her repress a smile. She looked down at the seat where the stranger pointed, and there, sure enough, coiled up in huge folds, with his glossy head in attitude to spring at her, a great banded snake lay alert and open-eyed.
"Dear me," Elma cried, drawing back a little in surprise, but not at all in horror, as she felt she ought to do. "A snake! How curious! I hope he's not dangerous."
"Not at all," the young man answered, still in the same half-guilty tone of voice as before. "He's of a poisonous kind, you know; but his fangs have been extracted. He won't do you any injury. He's perfectly harmless. Aren't you, Sardanapalus? Eh, eh, my beauty? But I oughtn't to have let him loose in the carriage, of course," he added, after a short pause. "It's calculated to alarm a nervous passenger. Only I thought I was alone, and nobody would come in; so I let him out for a bit of a run between the stations. It's so dull for him, poor fellow, being shut up in his box all the time when he's travelling."
Elma looked down at the beautiful glossy creature with genuine admiration. His skin was like enamel; his banded scales shone bright and silvery. She didn't know why, but somehow she felt she wasn't in the least afraid of him. "I suppose one ought to be repelled at once by a snake," she said, taking the opposite seat, and keeping her glance fixed firmly upon the reptile's eye; "but then, this is such a handsome one! I can't say why, but I don't feel afraid of him at all as I ought, to do. Every right-minded person detests snakes, don't they? And yet, how exquisitely flexible and beautiful he is! Oh, pray don't put him back in his box for me. He's basking in the sun here. I should be sorry to disturb him."
Cyril Waring looked at her in considerable surprise. He caught the creature in his hands as he spoke, and transferred it at once to a tin box, with a perforated lid, that lay beside him. "Go back, Sardanapalus," he said, in a very musical and pleasant voice, forcing the huge beast into the lair with gentle but masterful hands. "Go back, and go to sleep, sir. It's time for your nap. … Oh no, I couldn't think of letting him out any more in the carriage to the annoyance of others. I'm ashamed enough as it is of having unintentionally alarmed you. But you came in so unexpectedly, you see, I hadn't time to put my queer pet away; and, when the door opened, I was afraid he might slip out, or get under the seats, so all I could do was just to soothe him with my hand, and keep him quiet till the door was shut to again."
"Indeed, I wasn't at all afraid of him," Elma answered, slipping her change into her pocket, and looking prettier through her blush than even her usual self. "On the contrary, I really liked to see him. He's such a glorious snake! The lights and shades on his back are so glancing and so wonderful! He's a perfect model. Of course, you're painting him."
The stranger started. "I'm painting him—yes, that's true," he replied, with a look of sudden surprise; "but why 'of course,' please? How on earth could you tell I was an artist even?"
Elma glanced back in his face, and wondered to herself, too. Now she came to think of it, HOW did she know that handsome young man, with the charming features, and the expressive eyes, and the neatly-cut brown beard, and the attractive manner, was an artist at all, or anything like it? And how did she know the snake was his model? For the life of her, she couldn't have answered those questions herself.
"I suppose I just guessed it," she answered, after a short pause, blushing still more deeply at the sudden way she had thus been dragged into conversation with the good-looking stranger. Elma's skin was dark—a clear and creamy olive-brown complexion, such as one sometimes sees in southern Europe, though rarely in England; and the effect of the blush through it didn't pass unnoticed by Cyril Waring's artistic eye. He would have given something for the chance of transferring that delicious effect to canvas. The delicate transparency of the blush threw up those piercing dark eyes, and reflected lustre even on the glossy black hair that fringed her forehead. Not an English type of beauty at all, Elma Clifford's, he thought to himself as he eyed her closely: rather Spanish or Italian, or say even Hungarian.
"Well, you guessed right, at any rate," he went on, settling down in his seat once more, after boxing his snake, but this time face to face with her. "I'm working at a beautiful bit of fern and foliage—quite tropical in its way—in a wood hereabout; and I've introduced Sardanapalus, coiled up in the foreground, just to give life to the scene, don't you know, and an excuse for a title. I mean to call it 'The Rajah's Rest.' Behind, great ferns and a mossy bank; in front, Sardanapalus, after tiffin, rolled spirally round, and taking his siesta."
This meeting was a long-wished-for occasion. Elma had never before met a real live painter. Now, it was the cherished idea of her youth to see something some day of that wonderful non-existent fantastic world which we still hope for and dream about and call Bohemia. She longed to move in literary and artistic circles. She had fashioned to herself, like many other romantic girls, a rose-coloured picture of Bohemian existence; not knowing indeed that Bohemia is now, alas! an extinct province, since Belgravia and Kensington swallowed it bodily down, digested, and assimilated it. So this casual talk with the handsome young artist in the second-class carriage, on the Great Southern line, was to Elma as a charming and delightful glimpse of an enchanted region she could never enter. It was Paradise to the Peri. She turned the conversation at once, therefore, with resolute intent upon art and artists, determined to make the most while it lasted of this unique opportunity. And since the subject of self, with an attentive listener, is always an attractive one, even to modest young men like Cyril Waring—especially when it's a pretty girl who encourages you to dilate upon it—why, the consequence was, that before many minutes were over, the handsome young man was discoursing from his full heart to a sympathetic soul about his chosen art, its hopes and its ideals, accompanied, by a running fire of thumb-nail illustrations. He had even got so far in the course of their intimacy as to take out the portfolio, which lay hidden under the seat—out of deference to his disguise as a stock-broker, no doubt—and to display before Elma's delighted eyes, with many explanatory comments as to light and shade, or perspective and foreshortening, the studies for the picture he had just then engaged upon.
By-and-by, as his enthusiasm warmed under Elma's encouragement, the young artist produced Sardanapalus himself once more from his box, and with deftly persuasive fingers coiled him gracefully round on the opposite seat into the precise attitude he was expected to take up when he sat for his portrait in the mossy foreground.
Elma couldn't say why, but that creature fascinated her. The longer she looked at him the more intensely he interested her. Not that she was one bit afraid of him, as she might reasonably have expected to be, according to all womanly precedent. On the contrary, she felt an overwhelming desire to take him up in her own hands and stroke and fondle him. He was so lithe and beautiful; his scales so glistened! At last she stretched out one dainty gloved hand to pet the spotted neck.
"Take care," the painter cried, in a warning voice; "don't be frightened if he springs at you. He's vicious at times. But his fangs are drawn; he can't possibly hurt you."
The warning, however, was quite unnecessary. Sardanapalus, instead of springing, seemed to recognise a friend. He darted out his forked tongue in rapid vibration, and licked her neat grey glove respectfully. Then, lifting his flattened head with serpentine deliberation, he coiled his great folds slowly, slowly, with sinuous curves, round the girl's soft arm till he reached her neck in long, winding convolutions. There he held up his face, and trilled his swift, sibilant tongue once more with evident pleasure. He knew his place. He was perfectly at home at once with the pretty, olive-skinned lady. His master looked on in profound surprise.
"Why, you're a perfect snake-charmer," he cried at last, regarding her with open eyes of wonder. "I never saw Sardanapalus behave like that with a stranger before. He's generally by no means fond of new acquaintances. You must be used to snakes. Perhaps you've kept one? You're accustomed of old to their ways and manners?"
"No, indeed," Elma cried, laughing in spite of herself, a clear little laugh of feminine triumph; for she had made a conquest, she saw, of Sardanapalus; "I never so much as touched one in all my life before. And I thought I should hate them. But this one seems quite tame and tractable. I'm not in the least afraid of him. He is so soft and smooth, and his movements are all so perfectly gentle."
"Ah, that's the way with snakes, always," Cyril Waring put in, with an admiring glance at the pretty, fearless brunette and her strange companion. "They know at once whether people like them or not, and they govern themselves accordingly. I suppose it's instinct. When they see you're afraid of them, they spring and hiss; but when they see you take to them by nature, they make themselves perfectly at home in a moment. They don't wait to be asked. They've no false modesty. Well, then, you see," he went on, drawing imaginary lines with his ticket on the sketch he was holding up, "I shall work in Sardanapalus just there, like that, coiled round in a spire. You catch the idea, don't you?"
As he spoke, Elma's eye, following his hand while it moved, chanced to fall suddenly on the name of the station printed on the ticket with which he was pointing. She gave a sharp little start.
"Warnworth!" she cried, flushing up, with some slight embarrassment in her voice; "why, that's ever so far back. We're long past Warnworth. We ran by it three or four stations behind; in fact, it's the next place to Chetwood, where I got in at."
Cyril Waring looked up with a half-guilty smile as embarrassed as her own.
"Oh yes," he said quietly. "I knew that quite well. I'm down here often. It's half-way between Chetwood and Warnworth I'm painting. But I thought—well, if you'll excuse me saying it, I thought I was so comfortable and so happy where I was, that I might just as well go on a station or two more, and then pay the difference, and take the next train back to Warnworth. You see," he added, after a pause, with a still more apologetic and penitent air, "I saw you were so interested in—well, in snakes, you know, and pictures."
Gentle as he was, and courteous, and perfectly frank with her, Elma, nevertheless, felt really half inclined to be angry at this queer avowal. That is to say, at least, she knew it was her bounden duty, as an English lady, to seem so; and she seemed so accordingly with most Britannic severity. She drew herself up in a very stiff style, and stared fixedly at him, while she began slowly and steadily to uncoil Sardanapalus from her imprisoned arm with profound dignity.
"I'm sorry I should have brought you so far out of your way," she said, in a studied cold voice—though that was quite untrue, for, as a matter of fact, she had enjoyed their talk together immensely. "And besides, you've been wasting your valuable time when you ought to have been painting. You'll hardly get any work done now at all this morning. I must ask you to get out at the very next station."
The young man bowed with a crestfallen air. "No time could possibly be wasted," he began, with native politeness, "that was spent—" Then he broke off quite suddenly. "I shall certainly get out wherever you wish," he went on, more slowly, in an altered voice; "and I sincerely regret if I've unwittingly done anything to annoy you in any way. The fact is, the talk carried me away. It was art that misled me. I didn't mean, I'm sure, to obtrude myself upon you."
And even as he spoke they whisked, unawares, into the darkness of a tunnel.
Elma was just engaged in debating with herself internally how a young lady of perfect manners and impeccable breeding, travelling without a chaperon, ought to behave under such trying circumstances, after having allowed herself to be drawn unawares into familiar conversation with a most attractive young artist, when all of a sudden a rapid jerk of the carriage succeeded in extricating her perforce, and against her will, from this awkward dilemma. Something sharp pulled up their train unexpectedly. She was aware of a loud noise and a crash in front, almost instantaneously followed by a thrilling jar—a low dull thud—a sound of broken glass—a quick blank stoppage. Next instant she found herself flung wildly forward into her neighbour's arms, while the artist, for his part, with outstretched hands, was vainly endeavouring to break the force of the fall for her.
All she knew for the first few minutes was merely that there had been an accident to the train, and they were standing still now in the darkness of the tunnel.
For some seconds she paused, and gasped hard for breath, and tried in vain to recall her scattered senses. Then slowly she sank back on the seat once more, vaguely conscious that something terrible had happened to the train, but that neither she nor her companion were seriously injured.
As she sank back in her place, Cyril Waring bent forward towards her with sympathetic kindliness.
"You're not hurt, I hope," he said, holding out one hand to help her rise. "Stand up for a minute, and see if you're anything worse than severely shaken. No? That's right, then! That's well, as far as it goes. But I'm afraid the nervous shock must have been very rough on you."
Elma stood tip, with tears gathering fast in her eyes. She'd have given the world to be able to cry now, for the jar had half stunned her and shaken her brain; but before the artist's face she was ashamed to give free play to her feelings. So she only answered, in a careless sort of tone—
"Oh, it's nothing much, I think. My head feels rather queer; but I've no bones broken. A collision, I suppose. Oughtn't we to get out at once and see what's happened to the other people?"
Cyril Waring moved hastily to the door, and, letting down the window, tried with a violent effort to turn the handle from the outside. But the door wouldn't open. As often happens in such accidents, the jar had jammed it. He tried the other side, and with some difficulty at last succeeded in forcing it open. Then he descended cautiously on to the six-foot-way, and held out his hand to help Elma from the carriage.
It was no collision, he saw at once, but a far more curious and unusual accident.
Looking ahead through the tunnel, all was black as night. A dense wall of earth seemed to block and fill in the whole space in front of them. Part of one broken and shattered carriage lay tossed about in wild confusion on the ground close by. Their own had escaped. All the rest was darkness.
In a moment, Cyril rightly divined what must have happened to the train. The roof of the tunnel had caved in on top of it. At least one carriage—the one immediately in front of them—had been crushed and shattered by the force of its fall. Their own was the last, and it had been saved as if by a miracle. It lay just outside the scene of the subsidence.
One thought rose instinctively at once in the young man's mind. They must first see if any one was injured in the other compartments, or among the débris of the broken carriage; and then they must make for the open mouth of the tunnel, through which the light of day still gleamed bright behind them.
He peered in hastily at the other three windows. Not a soul in any one of the remaining compartments! It was a very empty train, he had noticed himself, when he had got in at Tilgate; the one solitary occupant of the front compartment of their carriage, a fat old lady with a big black bag, had bundled out at Chetwood. They were alone in the tunnel—at this end of the train at least; their sole duty now was to make haste and save themselves.
He gazed overhead. The tunnel was bricked in with an arch on top. The way through in front was blocked, of course, by the fallen mass of water-logged sandstone. He glanced back towards the open mouth. A curious circumstance, half-way down to the opening, attracted at once his keen and practised eye.
Strange to say, the roof at one spot was not a true arc of a circle. It bulged slightly downwards, in a flattened arch, as if some superincumbent weight were pressing hard upon it. Great heavens, what was this? Another trouble in store! He looked again, still more earnestly, and started with horror.
In the twinkling of an eye, his reason told him, beyond the shadow of a doubt, what was happening at the bulge. A second fall was just about to take place close by them. Clearly there were TWO weak points m the roof of the tunnel. One had already given way in front; the other was on the very eve of giving way behind them. If it fell, they were imprisoned between two impassable walls of sand and earth. Without one instant's delay, he turned and seized his companion's hand hastily.
"Quick! quick!" he cried, in a voice of eager warning. "Run, run for your life to the mouth of the tunnel! Here, come! You've only just time! It's going, it's going!"
But Elma's feminine instinct worked quicker and truer than even Cyril Waring's manly reason. She didn't know why; she couldn't say how; but in that one indivisible moment of time she had taken in and grasped to the full all the varying terrors of the situation. Instead of running, however, she held back her companion with a nervous force she could never before have imagined herself capable of exerting.
"Stop here," she cried authoritatively, wrenching his arm in her haste. "If you go you'll be killed. There's no time to run past. It'll be down before you're there. See, see, it's falling."
Even before the words were well out of her mouth, another great crash shook the ground behind them. With a deafening roar, the tunnel gave way in a second place beyond. Dust and sand filled the air confusedly. For a minute or two all was noise and smoke and darkness. What exactly had happened neither of them could see. But now the mouth of the tunnel was blocked at either end alike, and no daylight was visible. So far as Cyril could judge, they two stood alone, in the dark and gloom, as in a narrow cell, shut in with their carriage between two solid walls of fallen earth and crumbling sandstone.
At this fresh misfortune, Elma sat down on the footboard with her face in her hands, and began to sob bitterly. The artist leaned over her and let her cry for a while in quiet despair. The poor girl's nerves, it was clear, were now wholly unstrung. She was brave, as women go, undoubtedly brave; but the shock and the terror of such a position as this were more than enough to terrify the bravest. At last Cyril ventured on a single remark.
"How lucky," he said, in an undertone, "I didn't get out at Warnworth after all. It would have been dreadful if you'd been left all alone in this position."
Elma glanced up at him with a sudden rush of gratitude. By the dim light of the oil lamp that still flickered feebly in the carriage overhead, she could see his face; and she knew by the look in those truthful eyes that he really meant it. He really meant he was glad he'd come on and exposed himself to this risk, which he might otherwise have avoided, because he would be sorry to think a helpless woman should be left alone by herself in the dark to face it. And, frightened as she was, she was glad of it too. To be alone would be awful. This was pre-eminently one of those many positions in life in which a woman prefers to have a man beside her.
And yet most men, she knew, would have thought to themselves at once, "What a fool I was to come on beyond my proper station, and let myself in for this beastly scrape, just because I'd go a few miles further with a pretty girl I never saw in my life before, and will probably never see in my life again, if I once get well out of this precious predicament."
But that they would ever get out of it at all seemed to both of them now in the highest degree improbable. Cyril, by reason, Elma, by instinct, argued out the whole situation at once, and correctly. There had been much rain lately. The sandstone was water-logged. It had caved in bodily, before them and behind them. A little isthmus of archway still held out in isolation just above their heads. At any moment that isthmus might give way too, and, falling on their carriage, might crush them beneath its weight. Their lives depended upon the continued resisting power of some fifteen yards or so of dislocated masonry.
Appalled at the thought, Cyril moved from his place for a minute, and went forward to examine the fallen block in front. Then he paced his way back with groping steps to the equally ruinous mass behind them. Elma's eyes, growing gradually accustomed to the darkness and the faint glimmer of the oil lamps, followed his action with vague and tearful interest.
"If the roof doesn't give way," he said calmly at last, when he returned once more to her, "and if we can only let them know we're alive in the tunnel, they may possibly dig us out before we choke. There's air enough here for eighteen hours for us."
He spoke very quietly and reassuringly, as if being shut up in a fallen tunnel between two masses of earth were a matter that needn't cause one the slightest uneasiness; but his words suggested to Elma's mind a fresh and hitherto unthought-of danger.
"Eighteen hours," she cried, horror-struck. "Do you mean to say we may have to stop here, all alone, for eighteen hours together? Oh, how very dreadful! How long! How frightening! And if they don't dig us out before eighteen hours are over, do you mean to say we shall die of choking?"
Cyril gazed down at her with a very regretful and sympathetic face.
"I didn't mean to frighten you," he said; "at least, not more than you're frightened already; but, of course, there's only a certain amount of oxygen in the space that's left us; and as we're using it up at every breath, it'll naturally hold out for a limited time only. It can't be much more than eighteen hours. Still, I don't doubt they'll begin digging us out at once; and if they dig through fast, they may yet be in time, even so, to save us."
Elma bent forward with her face in her hands again, and, rocking herself to and fro in an agony of despair, gave herself vip to a paroxysm of utter misery. This was too, too terrible. To think of eighteen hours in that gloom and suspense; and then to die at last, gasping hard for breath, in the poisonous air of that pestilential tunnel.
For nearly an hour she sat there, broken down and speechless; while Cyril Waring, taking a seat in silence by her side, tried at first with mute sympathy to comfort and console her. Then he turned to examine the roof, and the block at either end, to see if perchance any hope remained of opening by main force an exit anywhere. He even began by removing a little of the sand at the side of the line with a piece of shattered board from the broken carriage in front; but that was clearly no use. More sand tumbled in as fast as he removed it. He saw there was nothing left for it but patience or despair. And of the two, his own temperament dictated rather patience.
He returned at last, wearied out, to Elma's side. Elma, still sitting disconsolate on the footboard, rocking herself up and down, and moaning low and piteously, looked up as he came with a mute glance of inquiry. She was very pretty. That struck him even now. It made his heart bleed to think she should be so cowed and terrified.
"I'm sorry to bother you," he said, after a pause, half afraid to speak, "but there are four lamps all burning hard in these four compartments, and using up the air we may need by-and-by for our own breathing. If I were to climb to the top of the carriage—which I can easily do—I could put them all out, and economize our oxygen. It would leave us in the dark, but it'd give us one more chance of life. Don't you think I'd better get up and turn them off, or squash them?"
Elma clasped her hands in horror at the bare suggestion.
"Oh dear, no!" she cried hastily. "Please, PLEASE don't do that. It's bad enough to choke slowly, like this, in the gloom. But to die in the dark—that would be ten times more terrible. Why, it's a perfect Black Hole of Calcutta, even now. If you were to turn out the lights I could never stand it."
Cyril gave a respectful little nod of assent.
"Very well," he answered, as calm as ever. "That's just as you will. I only meant to suggest it to you. My one wish is to do the best I can for you. Perhaps"—and he hesitated—"perhaps I'd better let it go on for an hour or two more, and then, whenever the air begins to get very oppressive—I mean when one begins to feel it's really failing us—one person, you know, could live on so much longer than two… it would be a pity not to let you stand every chance. Perhaps I might—-"
Elma gazed at him aghast in the utmost horror. She knew what he meant at once. She didn't even need that he should finish his sentence.
"Never!" she said, firmly clenching her small hand hard. "It's so wrong of you to think of it, even. I could never permit it. It's your duty to keep yourself alive at all hazards as long as ever you can. You should remember your mother, your sisters, your family."
"Why, that's just it," Cyril answered, a little crestfallen, and feeling he had done quite a wicked thing in venturing to suggest that his companion should have every chance for her own life. "I've got no mother, you see, no sisters, no family. Nobody on earth would ever be one penny the worse if I were to die, except my twin brother; he's the only relation I ever had in my life; and even HE, I dare say, would very soon get over it. Whereas YOU"—he paused and glanced at her compassionately—"there are probably many to whom the loss would be a very serious one. If I could do anything to save you—-" He broke off suddenly, for Elma looked up at him once more with a little burst of despair.
"If you talk like that," she cried, with a familiarity that comes of association in a very great danger, "I don't know what I shall do; I don't know what I shall say to you. Why, I couldn't bear to be left alone here to die by myself. If only for MY sake, now we're boxed up here together, I think you ought to wait and do the best you can for yourself."
"Very well," Cyril answered once more, in a most obedient tone. "If you wish me to live to keep you company in the tunnel, I'll live while I may. You have only to say what you wish. I'm here to wait upon you."
In any other circumstances, such a phrase would have been a mere piece of conversational politeness. At that critical moment, Elma knew it for just what it was—a simple expression of his real feeling.
It was nine o'clock that self-same night, and two men sat together in a comfortable sitting-room under the gabled roofs of Staple Inn, Holborn. It was as cosy a nook as any to be found within the four-mile radius, and artistic withal in its furniture and decorations.
In the biggest arm-chair by the empty grate, a young man with a flute paused for a moment, irresolute. He was a handsome young man, expressive eyes, and a neatly-cut brown beard—for all the world like Cyril Waring's. Indeed, if Elma Clifford could that moment have been transported from her gloomy prison in the Lavington tunnel to that cosy room at Staple Inn, Holborn, she would have started with surprise to find the young man who sat in the arm-chair was to all outer appearance the self-same person as the painter she had just left at the scene of the accident. For the two Warings were truly "as like as two peas"; a photograph of one might almost have done duty for the photograph of the other.
The other occupant of the room, who leaned carelessly against the mantelshelf, was taller and older; though he, too, was handsome, but with the somewhat cynical and unprepossessing handsomeness of a man of the world. His forehead was high; his lips were thin; his nose inclined toward the Roman pattern; his black moustache was carefully curled and twisted at the extremities. Moreover, he was musical; for he held in one hand the bow of a violin, having just laid down the instrument itself on the sofa after a plaintive duet with Guy Waring.
"Seen this evening's paper, by the way, Guy?" he asked, after a pause, in a voice that was all honeyed charm and seductiveness. "I brought the St. James's Gazette for you, but forgot to give you it; I was so full of this new piece of mine. Been an accident this morning, I see, on the Great Southern line. Somewhere down Cyril's way, too; he's painting near Chetwood; wonder whether he could possibly, by any chance, have been in it?"
He drew the paper carelessly from his pocket as he spoke, and handed it with a graceful air of inborn courtesy to his younger companion. Everything that Montague Nevitt did, indeed, was naturally graceful and courteous.
Guy Waring took the printed sheet from his hands without attaching much importance to his words, and glanced over it lightly.
"At ten o'clock this morning," the telegram said, "a singular catastrophe occurred in a portion of the Lavington tunnel on the Great Southern Railway. As the 9.15 way-train from Tilgate Junction to Guildford was passing through, a segment of the roof of the tunnel collapsed, under pressure of the dislocated rock on top, and bore down with enormous weight upon the carriages beneath it. The engine, tender, and four front waggons escaped unhurt; but the two hindmost, it is feared, were crushed by the falling mass of earth. It is not yet known how many passengers, if any, may have been occupying the wrecked compartments; but every effort is now being made to dig out the débris."
Guy read the paragraph through unmoved, to the outer eye, though with a whitening face, and then took up the dog-eared "Bradshaw" that lay close by upon the little oak writing-table. His hand trembled. One glance at the map, however, set his mind at rest.
"I thought so," he said quietly. "Cyril wouldn't be there. It's beyond his beat. Lavington's the fourth station this way on the up-line from Chetwood. Cyril's stopping at Tilgate town, you know—I heard from him on Saturday—and the bit he's now working at's in Chetwood Forest. He couldn't get lodgings at Chetwood itself, so he's put up for the present at the White Lion, at Tilgate, and runs over by train every day to Warnworth. It's three stations away—four off Lavington. He'd have been daubing for an hour in the wood by that time."
"Well, I didn't attach any great importance to it myself," Nevitt went on, unconcerned. "I thought most likely Cyril wouldn't be there. But still I felt you'd like, at any rate, to know about it."
"Oh, of course," Guy answered, still scanning the map in "Bradshaw" close. "He couldn't have been there; but one likes to know. I think, indeed, to make sure, I'll telegraph to Tilgate. Naturally, when a man's got only one relation in the whole wide world—without being a sentimentalist—that one relation means a good deal in life to him. And Cyril and I are more to one another, of course, than most ordinary brothers." He bit his thumb. "Still, I can't imagine how he could possibly be there," he went on, glancing at "Bradshaw" once more. "You see, if he went to work, he'd have got out at Warnworth; and if he meant to come to town to consult his dentist, he'd have taken the 9.30 express straight through from Tilgate, which gets up to London twenty-five minutes earlier."
"Well, but why to consult his dentist in particular?" Nevitt asked with a smile. He had very white teeth, and he smiled accordingly perhaps a little oftener than was quite inevitable. "You Warings are so absolute. I never knew any such fellows in my life as you are. You decide things so beforehand. Why mightn't he have been coming up to town, for example, to see a friend, or get himself fresh colours?"
"Oh, I said 'to consult his dentist,'" Guy answered, in the most matter-of-fact voice on earth, suppressing a tremor, "because you know I've had toothache off and on myself, one day with another, for the whole last fortnight. And it's a tooth that never ached with either of us before-this one, you see"—he lifted his lip with his forefinger—"the second on the left after the one we've lost. If Cyril was coming up to town at all, I'm pretty sure it'd be his tooth he was coming up to see about. I went to Eskell about mine myself last Wednesday."
The elder man seated himself and leaned back in his chair, with his violin in his lap; then he surveyed his friend long and curiously.
"It must be awfully odd, Guy," he said at last, after a good hard stare, "to lead such a queer sort of duplicate life as Cyril and you do! Just fancy being the counterfoil to some other man's cheque! Just fancy being bound to do, and think, and speak, and wish as he does! Just fancy having to get a toothache, in the very same tooth and on the very same day! Just fancy having to consult the identical dentist that he consults simultaneously! It'd drive ME mad. Why, it's clean rideeklous!"
Guy Waring looked up hastily from the telegraph form he was already filling in, and answered, with some warmth—
"No, no; not quite so. It isn't like that. You mistake the situation. We're both cheques equally, and neither is a counterfoil. Cyril and I depend for our characters, as everybody else does, upon our father and mother and our remoter progenitors. Only being twins, and twins cast in very much the same sort of mould, we're naturally the product of the same two parents, at the same precise point in their joint life history; and therefore we're practically all but identical."
As he rose from his desk, with the telegram in his hand, the porter appeared at the door with letters. Guy seized them at once, with some little impatience. The first was from Cyril. He tore it open in haste, and skimmed it through rapidly. Montague Nevitt meanwhile sat languid in his chair, striking a pensive note now and again on his violin, with his eyes half closed and his lips parted. Guy drew a sigh of relief as he skimmed his note.
"Just what I expected," he said slowly. "Cyril couldn't have been there. He writes last night—the letter's marked 'Delayed in transmission'; no doubt by the accident—'I shall come up to town on Friday or Saturday morning to see the dentist. One of my teeth is troublesome; I suppose you've had the same; the second on the left from the one we've lost; been aching a fortnight. I want it stopped. But to-morrow I really CAN'T leave work. I've got well into the swing of such a lovely bit of fern, with Sardanapalus just gleaming like gold in the foreground.' So that settles matters somewhat. He can't have been there. Though, I think, even so, I'll just telegraph for safety's sake and make things certain."
Nevitt struck a chord twice with a sweep of his hand, listened to it dreamily for a minute with far-away eyes, and then remarked once more, without even looking up, "The same tooth lost, he says? You both had it drawn! And now another one aches in both of you alike! How very remarkable! How very, very curious!"
"Well, that WAS queer," Guy replied, relaxing into a smile, "queer even for us; I won't deny it; for it happened this way. I was over in Brussels at the time, as correspondent for the Sphere at the International Workmen's Congress, and Cyril was away by himself just then on his holiday in the Orkneys. We both got toothache in the self-same tooth on the self-same night; and we both lay awake for hours in misery. Early in the morning we each of us got up—five hundred miles away from one another, remember—and as soon as we were dressed I went into a dentist's in the Montagne de la Cour, and Cyril to a local doctor's at Larwick; and we each of us had it out, instanter. The dentists both declared they could save them if we wished; but we each preferred the loss of a tooth to another such night of abject misery."
Nevitt stroked his moustache with a reflective air. This was almost miraculous. "Well, I should think," he said at last, after close reflection, "where such sympathy as that exists between two brothers, if Cyril had really been hurt in this accident, you must surely in some way have been dimly conscious of it."
Guy Waring, standing there, telegram in hand, looked down at his companion with a somewhat contemptuous smile.
"Oh dear, no," he answered, with common-sense confidence; for he loved not mysteries. "You don't believe any nonsense of that sort, do you? There's nothing in the least mystical in the kind of sympathy that exists between Cyril and myself. It's all purely physical. We're very like one another. But that's all. There's none of the Corsican Brothers sort of hocus-pocus about us in any way. The whole thing is a simple caste of natural causation."
"Then you don't believe in brain-waves?" Nevitt suggested, with a gracefully appropriate undulation of his small white hand.
Guy laughed incredulously. "All rubbish, my dear fellow," he answered, "all utter rubbish. If any man knows, it's myself and Cyril. We're as near one another as any two men on earth could possibly be; but when we want to communicate our ideas, each to each, we have to speak or write, just like the rest of you. Every man is like a clock wound up to strike certain hours. Accidents may happen, events may intervene, the clock may get smashed, and all may be prevented. But, bar accidents, it'll strike all right, under ordinary circumstances, when the hour arrives for it. Well, Cyril and I, as I always say, are like two clocks wound up at the same time to strike together, and we strike with very unusual regularity. But that's the whole mystery. If I get smashed by accident, there's no reason on earth why Cyril shouldn't run on for years yet as usual; and if Cyril got smashed, there's no reason on earth why I should ever know anything about it except from the newspapers."
And, indeed, if brain-waves had been in question at all, they ought, without a doubt, to have informed Guy Waring that at the very moment when he was going out to send off his telegram, his brother Cyril was sitting disconsolate, with dark blue lips and swollen eyelids, on the footboard of the railway carriage in the Lavington tunnel. Cyril was worn out with digging by this time, for he had done his best once more to clear away the sand towards the front of the train in the vague hope that he might succeed in letting in a little more air to their narrow prison through the chinks and interstices of the fallen sandstone. Besides, a man in an emergency must do something, if only to justify his claim to manliness—especially when a lady is looking on at his efforts.
So Cyril Waring had toiled and moiled in that deadly atmosphere for some hours in vain, and now sat, wearied out and faint from foul vapours, by Elma's side on the damp, cold footboard. By this time the air had almost failed them. They gasped for breath, their heads swam vaguely. A terrible weight seemed to oppress their bosoms. Even the lamps in the carriages flickered low and burned blue. The atmosphere of the tunnel, loaded from the very beginning with sulphurous smoke, was now all but exhausted. Death stared them in the face without hope of respite—a ghastly, slow death by gradual stifling.
"You MUST take a little water," Elma murmured, pouring out the last few drops for him into the tin cup—for Cyril had brought a small bottleful that morning for his painting, as well as a packet of sandwiches for lunch. "You're dreadfully tired. I can see your lips are parched and dry with digging."
She was deathly pale herself, and her own eyes were livid, for by this time she had fairly given up all hope of rescue; and, besides, the air in the tunnel was so foul and stupefying, she could hardly speak; indeed, her tongue clung to her palate. But she poured out the last few drops into the cup for Cyril and held them up imploringly, with a gesture of supplication. These two were no strangers to one another now. They had begun to know each other well in those twelve long hours of deadly peril shared in common.
Cyril waved the cup aside with a firm air of dissent.
"No, no," he said, faintly, "you must drink it yourself. Your need is greater far than mine."
Elma tried to put it away in turn, but Cyril would not allow her. So she moistened her mouth with those scanty last drops, and turned towards him gratefully.
"There's no hope left now," she said, in a very resigned voice. "We must make up our minds to die where we stand. But I thank you, oh, I thank you so much, so earnestly."
Cyril, for his part, could hardly find breath to speak.
"Thank you," he gasped out, in one last despairing effort. "Things look very black; but while there's life there's hope. They may even still, perhaps, come up with us."
As he spoke, a sound broke unexpectedly on the silence of their prison. A dull thud seemed to make itself faintly heard from beyond the thick wall of sand that cut them off from the daylight. Cyril stared with surprise. It was a noise like a pick-axe. Stooping hastily down, he laid his ear against the rail beside the shattered carriage.
"They're digging!" he cried earnestly, finding words in his joy.
"They're digging to reach us! I can hear them! I can hear them!"
Elma glanced up at him with a certain tinge of half-incredulous surprise.
"Yes, they're digging, of course," she said quickly. "I knew they'd dig for us, naturally, as soon as they missed us. But how far off are they yet? That's the real question. Will they reach us in time? Are they near or distant?"
Cyril knelt down on the ground as before, in an agony of suspense, and struck the rail three times distinctly with his walking-stick. Then he put his ear to it and listened, and waited. In less than half a minute three answering knocks rang, dim but unmistakable, along the buried rail. He could even feel the vibration on the iron with his face.
"They hear us! They hear us!" he cried once more, in a tremor of excitement. "I don't think they're far off. They're coming rapidly towards us."
At the words Elma rose from her seat, still paler than ever, but strangely resolute, and took the stick from his hand with a gesture of despair. She was almost stifled. But she raised it with method. Knocking the rail twice, she bent down her head and listened in turn. Once more two answering knocks rang sharp along the connecting line of metal. Elma shook her head ominously.
"No, no, they're a very long way off still," she murmured, in a faltering tone. "I can hear it quite well. They can never reach us!"
She seated herself on a fragment of the broken carriage, and buried her face in her hands once more in silence. Her heart was full. Her head was very heavy. She gasped and struggled. Then a sudden intuition seized her, after her kind. If the rail could carry the sound of a tap, surely it might carry the human voice as well. Inspired with the idea, she rose again and leant forward.
A second time she knocked two quick little taps, ringing sharp on the rail, as if to bespeak attention; then, putting her mouth close to the metals, she shouted aloud along them with all the voice that was left her—
"Hallo, there, do you hear? Come soon, come fast. We're alive, but choking!"
Quick as lightning an answer rang back as if by magic, along the conducting line of the rail—a strange unexpected answer.
"Break the pipe of the wires," it said, and then subsided instantly.
Cyril, who was leaning down at her side at the moment with his ear to the rail, couldn't make out one word of it. But Elma's sharp senses, now quickened by the crisis, were acute as an Oriental's and keen as a beagle's.
"Break the pipe of the wires," they say, she exclaimed, starting back and pondering. "What on earth can they mean by that? What on earth can they be driving at? 'Break the pipe of the wires.' I don't understand them."
Hardly had she spoken, when another sharp tap resounded still more clearly along the rail at her feet. She bent down her head once more, and laid her eager ear beside it in terrible suspense. A rough man's voice—a navvy's, no doubt, or a fireman's—came speeding along the metal; and it said in thick accents—
"Do you hear what I say? If you want to breathe freer, break the pipe of the wires, and you'll get fresh air from outside right through it."
Cyril this time had caught the words, and jumped up with a sudden air of profound conviction. It was very dark, and the lamps were going out, but he took his fusee-box from his pocket and struck a light hastily. Sure enough, on the left-hand side of the tunnel, half buried in rubbish, an earthenware pipe ran along by the edge near the wall of the archway. Cyril raised his foot and brought his heel down upon it sharply with all the strength and force he had still left in him. The pipe broke short, and Cyril saw within it a number of telegraph wires for the railway service. The tube communicated directly with the air outside. They were saved! They were saved! Air would come through the pipe! He saw it all now! He dimly understood it!
At the self-same moment, another sound of breaking was heard more distinctly at the opposite end, some thirty or forty feet off through the tunnel. Then a voice rang far clearer, as if issuing from the tube, in short, sharp sentences—
"We'll pump you in air. How many of you are there? Are you all alive? Is any one injured?"
Cyril leant down and shouted back in reply—
"We're two. Both alive. Not hurt. But sick and half dead with stifling. Send us air as soon as ever you can. And if possible pass us a bottle of water."
Some minutes elapsed—three long, slow minutes of it—intense anxiety. Elma, now broken down with terror and want of oxygen, fell half fainting forward towards the shattered tube. Cyril held her up in his supporting arms, and watched the pipe eagerly. It seemed an age; but, after a time, he became conscious of a gust of air blowing cold on his face. The keen freshness revived him.
He looked about him and drew a deep breath. Cool air was streaming in through the broken place. Quick as thought, he laid Elma's mouth as close as he could lay it to the reviving current. Her eyes were closed. After a painful interval, she opened them languidly. Cyril chafed her hands with his, but his chafing seemed to produce very little effect. She lay motionless now with her eyelids half shut, and the whites of her eyes alone showing through them. The close, foul air of that damp and confined spot had worked its worst, and had almost asphyxiated her. Cyril began to fear the slight relief had arrived five minutes too late. And it must still in all probability be some hours at least before they could be actually disentombed from that living vault or restored to the open air of heaven.
As he bent over her and held his breath in speechless suspense, the voice called out again more loudly than ever—
"Look out for the ball in the tube. We're sending you water!"
Cyril watched the pipe closely and struck another light. In a minute, a big glass marble came rattling through, with a string attached to it.
"Pull the string!" the voice cried; and Cyril pulled with a will. Now and again, the object attached to it struck against some projecting ledge or angle where the pipes overlapped. But at last, with a little humouring, it came through in safety. At the end was a large india-rubber bottle, full of fresh water, and a flask of brandy. The young man seized them both with delight and avidity, and bathed Elma's temples over and over again with the refreshing spirit. Then he poured a little into the cup, and filling it up with water, held it to her lips with all a woman's tenderness. Elma gulped the draught down unconsciously, and opened her eyes at once. For a moment she stared about her with a wild stare of surprise.
Then, of a sudden, she recollected where she was, and why, and seizing Cyril's hand, pressed it long and eagerly.
"If only we can hold out for three hours more," she cried, with fresh hope returning, "I'm sure they'll reach us; I'm sure they'll reach us!"
"There were only two of you, then, in the last carriage?" Guy asked with deep interest, the very next morning, as Cyril, none the worse for his long imprisonment, sat quietly in their joint chambers at Staple Inn, recounting the previous day's adventures.
"Yes. Only two of us. It was awfully fortunate. And the carriage that was smashed had nobody at all, except in the first compartment, which escaped being buried. So there were no lives lost, by a miracle, you may say. But several of the people in the front part of the train got terribly shaken."
"And you and the other man were shut up in the tunnel there for fifteen hours at a stretch?" Guy went on reflectively.
"At least fifteen hours," Cyril echoed, without attempting to correct the slight error of sex, for no man, he thought, is bound to criminate himself, even in a flirtation. "It was two in the morning before they dug us quite out. And my companion by that time was more dead than alive, I can tell you, with watching and terror."
"Was he, poor fellow?" Guy murmured, with a sympathetic face; for Cyril had always alluded casually to his fellow-traveller in such general terms that Guy was as yet unaware there was a lady in the case. "And is he all right again now, do you know? Have you heard anything more about him?"
But before Cyril could answer there came a knock at the door, and the next moment Mr. Montague Nevitt, without his violin, entered the room in some haste, all agog with excitement. His face was eager and his manner cordial. It was clear he was full of some important tidings.
"Why, Cyril, my dear fellow," he cried, grasping the painter's hand with much demonstration of friendly warmth, and wringing it hard two or three times over, "how delighted I am to see you restored to us alive and well once more. This is really too happy. What a marvellous escape! And what a romantic story! All the clubs are buzzing with it. A charming girl! You'll have to marry her, of course, that's the necessary climax. You and the young lady are the staple of news, I see, in very big print, in all the evening papers!"
Guy drew back at the words with a little start of surprise. "Young lady!" he cried aghast. "A charming girl, Nevitt! Then the person who was shut up with you for fifteen hours in the tunnel was a girl, Cyril!"
Cyril's handsome face flushed slightly before his brother's scrutinizing gaze; but he answered with a certain little ill-concealed embarrassment:
"Oh, I didn't say so, didn't I? Well, she WAS a girl then, of course; a certain Miss Clifford. She got in at Chetwood. Her people live somewhere down there near Tilgate. At least, so I gathered from what she told me."
Nevitt stared hard at the painter's eyes, which tried, without success, to look unconscious.
"A romance!" he said, slowly, scanning his man with deep interest. "A romance, I can see. Young, rich, and beautiful. My dear Cyril, I only wish I'd had half your luck. What a splendid chance, and what a magnificent introduction! Beauty in distress! A lady in trouble! You console her alone in a tunnel for fifteen hours by yourself at a stretch. Heavens, what a tete-a-tete! Did British propriety ever before allow a man such a glorious opportunity for chivalrous devotion to a lady of family, face, and fortune?"
"Was she pretty?" Guy asked, coming down at once to a more realistic platform.
Cyril hesitated a moment. "Well, yes," he answered, somewhat curtly, after a short pause. "She's distinctly good-looking." And he shut his mouth sharp. But he had said quite enough.
When a man says that of a girl, and nothing more, in an unconcerned voice, as if it didn't matter twopence to him, you may be perfectly sure in your own mind he's very deeply and seriously smitten.
"And young?" Guy continued.
"I should say about twenty."
"And rich beyond the utmost dreams of avarice?" Montague Nevitt put in, with a faintly cynical smile.
"Well, I don't know about that," Cyril answered truthfully. "I haven't the least idea who she is, even. She and I had other things to think about, you may be sure, boxed up there so long in that narrow space, and choking for want of air, than minute investigations into one another's pedigrees."
"WE'VE got no pedigree," Guy interposed, with a bitter smile. "So the less she investigates about that the better."
"But SHE has, I expect," Nevitt put in hastily; "and if I were you, Cyril, I'd hunt her up forthwith, while the iron's hot, and find out all there is to find out about her. Clifford-Clifford? I wonder whether by any chance she's one of the Devonshire Cliffords, now? For if so, she might really be worth a man's serious attention. They're very good business. They bank at our place; and they're by no means paupers." For Nevitt was a clerk in the well-known banking firm of Drummond, Coutts, and Barclay, Limited; and being a man who didn't mean, as he himself said, "to throw himself away on any girl for nothing," he kept a sharp look-out on the current account of every wealthy client with an only daughter.
Ten minutes later, as the talk ran on, some further light was unexpectedly thrown upon this interesting topic by the entrance of the porter with a letter for Cyril. The painter tore it open, and glanced over it, as Nevitt observed, with evident eagerness. It was short and curt, but in its own way courteous.
"'Mr. Reginald Clifford, C.M.G., desires to thank Mr. Cyril Waring for his kindness and consideration to Miss Clifford during her temporary incarceration—-'
"Incarceration's good, isn't it? How much does he charge a thousand for that sort, I wonder?—
"'during her temporary incarceration in the Lavington tunnel yesterday. Mrs. and Miss Clifford wish also to express at the same time their deep gratitude to Mr. Waring for his friendly efforts, and trust he has experienced no further ill effects from the unfortunate accident to which he was subjected.
"'Craighton, Tilgate, Thursday morning.'"
"She MIGHT have written herself," Cyril murmured half aloud. He was evidently disappointed at this very short measure of correspondence on the subject.
But Montague Nevitt took a more cheerful view. "Oh, Reginald Clifford, of Craighton!" he cried with a smile, his invariable smile. "I know all about HIM. He's a friend of Colonel Kelmscott's down at Tilgate Park. C.M.G., indeed! What a ridiculous old peacock. He was administrator of St. Kitts once upon a time, I believe, or was it Nevis or Antigua? I don't quite recollect, I'm afraid; but anyhow, some comical little speck of a sugary, niggery, West Indian Island; and he was made a Companion of St. Michael and St. George when his term was up, just to keep him quiet, don't you know, for he wanted a knighthood, and to shelve him from being appointed to a first-class post like Barbados or Trinidad. If it's Elma Clifford you were shut up with in the tunnel, Cyril, you might do worse, there's no doubt, and you might do better. She's an only daughter, and there's a little money at the back of the family, I expect; but I fancy the Companion of the Fighting Saints lives mainly on his pension, which, of course, is purely personal, and so dies with him."
Cyril folded up the note without noticing Nevitt's words and put it in his pocket, somewhat carefully and obtrusively. "Thank you," he said, in a very quiet tone, "I didn't ask you about Miss Clifford's fortune. When I want information on that point I'll apply for it plainly. But meanwhile I don't think any lady's name should be dragged into conversation and bandied about like that, by an absolute stranger."
"Oh, now you needn't be huffy," Nevitt answered, with a still sweeter smile, showing all those pearly teeth of his to the greatest advantage. "I didn't mean to put your back up, and I'll tell you what I'll do for you. I'll heap coals of fire on your head, you ungrateful man. I'll return good for evil. You shall have an invitation to Mrs. Holker's garden party on Saturday week at Chetwood Court, and there you'll be almost sure to meet the beautiful stranger."
But at that very moment, at Craighton, Tilgate, Mr. Reginald Clifford, C.M.G., a stiff little withered-up official Briton, half mummified by long exposure to tropical suns, was sitting in his drawing-room with Mrs. Clifford, his wife, and discussing—what subject of all others on earth but the personality of Cyril Waring?
"Well, it was an awkward situation for Elma, of course, I admit," he was chirping out cheerfully, with his back turned by pure force of habit to the empty grate, and his hands crossed behind him. "I don't deny it was an awkward situation. Still, there's no harm done, I hope and trust. Elma's happily not a fanciful or foolishly susceptible sort of girl. She sees it's a case for mere ordinary gratitude. And gratitude, in my opinion, towards a person in his position, is sufficiently expressed once for all by letter. There's no reason on earth she should ever again see or hear any more of him."
"But girls are so romantic," Mrs. Clifford put in doubtfully, with an anxious air. She herself was by no means romantic to look at, being, indeed, a person of a certain age, with a plump, matronly figure, and very staid of countenance; yet there was something in her eye, for all that, that recalled at times the vivid keenness of Elma's, and her cheek had once been as delicate and creamy a brown as her pretty daughter's. "Girls are so romantic," Mrs. Clifford repeated once more, in a dreamy way, "and she was evidently impressed by him."
"Well, I'm glad I made inquiries at once about these two young men, anyhow," the Companion of St. Michael and St. George responded with fervour, clasping his wizened little hands contentedly over his narrow waistcoat. "It's a precious odd story, and a doubtful story, and not at all the sort of story one likes one's girl to be any way mixed up with. For my part, I shall give them a very wide berth indeed in future; and there's no reason why Elma should ever knock up against them."
"Who told you they were nobodies?" Mrs. Clifford inquired, drawing a wistful sigh.
"Oh, Tom Clark was at school with them," the ex-administrator continued, with a very cunning air, "and he knows all about them—has heard the whole circumstances. Very odd, very odd; never met anything so queer in all my life; most mysterious and uncanny. They never had a father; they never had a mother; they never had anybody on earth they could call their own; they dropped from the clouds, as it were, one rainy day, without a friend in the world, plump down into the Charterhouse. There they were well supplied with money, and spent their holidays with a person at Brighton, who wasn't even supposed to be their lawful guardian. Looks fishy, doesn't it? Their names are Cyril and Guy Waring—and that's all they know of themselves. They were educated like gentlemen till they were twenty-one years old; and then they were turned loose upon the world, like a pair of young bears, with a couple of hundred pounds of capital apiece to shift for themselves with. Uncanny, very; I don't like the look of it. Not at all the sort of people an impressionable girl like our Elma should ever be allowed to see too much of."
"I don't think she was very much impressed by him," Mrs. Clifford said with confidence. "I've watched her to see, and I don't think she's in love with him. But by to-morrow, Reginald, I shall be able, I'm sure, to tell you for certain."
The Companion of the Militant Saints glanced rather uneasily across the hearth-rug at his wife. "It's a marvellous gift, to be sure, this intuition of yours, Louisa," he said, shaking his head sagely, and swaying himself gently to and fro on the stone kerb of the fender. "I frankly confess, my dear, I don't quite understand it. And Elma's got it too, every bit as bad as you have. Runs in the family, I suppose—runs somehow in the family. After living with you now for twenty-two years—yes, twenty-two last April—in every part of the world and every grade of the service, I'm compelled to admit that your intuition in these matters is really remarkable—simply remarkable."
Mrs. Clifford coloured through her olive-brown skin, exactly like Elma, and rose with a somewhat embarrassed and half-guilty air, avoiding her husband's eyes as if afraid to meet them.
Elma had gone to bed early, wearied out as she was with her long agony in the tunnel. Mrs. Clifford crept up to her daughter's room with a silent tread, like some noiseless Oriental, and, putting her ear to the keyhole, listened outside the door in profound suspense for several minutes.
Not a sound from within; not a gentle footfall on the carpeted floor. For a moment she hesitated; then she turned the handle slowly, and, peering before her, peeped into the room. Thank Heaven! no snake signs. Elma lay asleep, with one arm above her head, as peacefully as a child, after her terrible adventure. Her bosom heaved, but slowly and regularly. The mother drew a deep breath, and crept down the stairs with a palpitating heart to the drawing-room again.
"Reginald," she said, with perfect confidence, relapsing once more at a bound into the ordinary every-day British matron, "there's no harm done, I'm sure. She doesn't think of this young man at all. You may dismiss him from your mind at once and for ever. She's sleeping like a baby."
"Mrs. Hugh Holker, at home, Saturday, May 29th, 3 to 6.30. Chetwood
Court; tennis."
Cyril Waring read it out with a little thrill of triumph. To be sure, it was by no means certain that Elma would be there; but still, Chetwood Court was well within range of Tilgate town, and Montague Nevitt felt convinced, he said, the Holkers were friends of the Cliffords and the Kelmscotts.
"For my part," Guy remarked, balancing a fragment of fried sole on his fork as he spoke, "I'm not going all that way down to Chetwood merely to swell Mrs. Holker's triumph."
"I wouldn't if I were you," Cyril answered, with quiet incisiveness. He hadn't exactly fallen in love with Elma at first sight, but he was very much interested in her, and it struck him at once that what interested him was likely also to interest his twin brother. And this is just one of those rare cases in life where a man prefers that his interest in a subject should not be shared by any other person.
Before Saturday, the 29th, arrived, however, Guy had so far changed his mind in the matter, that he presented himself duly with Nevitt at Waterloo to catch the same train to Chetwood station that Cyril went down by.
"After all," he said to Nevitt, as they walked together from the club in Piccadilly, "I may as well see what the girl's like, anyhow. If she's got to be my sister-in-law—which seems not unlikely now—I'd better have a look at her beforehand, so to speak, on approbation."
The Holkers' grounds were large and well planted, with velvety lawns on the slope of a well-wooded hill overlooking the boundless blue weald of Surrey. Nevitt and the Warings were late to arrive, and found most of the guests already assembled before them.
After a time Guy found himself, to his intense chagrin, told off by his hostess to do the honours to an amiable old lady of high tonnage and great conversational powers, who rattled on uninterruptedly in one silvery stream about everybody on the ground, their histories and their pedigrees. She took the talking so completely off his hands, however, that, after a very few minutes, Guy, who was by nature of a lazy and contemplative disposition, had almost ceased to trouble himself about what she said, interposing "indeeds" and "reallys" with automatic politeness at measured intervals; when suddenly the old lady, coming upon a bench where a mother and daughter were seated in the shade, settled down by their sides in a fervour of welcome, and shook hands with them both effusively in a most demonstrative fashion.
The daughter was pretty—yes, distinctly pretty. She attracted Guy's attention at once by the piercing keenness of her lustrous dark eyes, and the delicate olive-brown of her transparent complexion. Her expression was merry, but with a strange and attractive undertone, he thought, of some mysterious charm. A more taking girl, indeed, now he came to look close, he hadn't seen for months. He congratulated himself on his garrulous old lady's choice of a bench to sit upon, if it helped him to an introduction to the beautiful stranger.
But before he could even be introduced, the pretty girl with the olive-brown complexion had held out her hand to him frankly, and exclaimed in a voice as sunny as her face—
"I don't need to be told your friend's name, I'm sure, Mrs. Godfrey. He's so awfully like him. I should have known him anywhere. Of course, you're Mr. Waring's brother, aren't you?"
Guy smiled, and bowed gracefully; he was always graceful.
"I refuse to be merely MR. WARING'S BROTHER," he answered, with some amusement, as he took the proffered hand in his own warmly. "If it comes to that, I'm Mr. Waring myself; and Cyril, whom you seem to know already, is only my brother."
"Ah, but MY Mr. Waring isn't here to-day, is he?" the olive-brown girl put in, looking around with quite an eager interest at the crowd in the distance. "Naturally, to me, he's THE Mr. Waring, of course, and you are only MY Mr. Waring's brother."
"Elma, my dear, what on earth will Mr. Waring think of you?" her mother put in, with the conventional shocked face of British propriety. "You know," she went on, turning round quickly to Guy, "we're all so grateful to your brother for his kindness to our girl in that dreadful accident the other day at Lavington, that we can't help thinking and talking of him all the time as our Mr. Waring. I'm sorry he isn't here himself this afternoon to receive our thanks. It would be such a pleasure to all of us to give them to him in person."
"Oh, he is about, somewhere," Guy answered carelessly, still keeping his eye fixed hard on the pretty girl. "I'll fetch him round by-and-by to pay his respects in due form. He'll be only too glad. And this, I suppose, must be Miss Clifford that I've heard so much about."
As he said those words, a little gleam of pleasure shot through Elma's eyes. Her painter hadn't forgotten her, then. He had talked much about her.
"Yes, I knew who you must be the very first moment I saw you," she answered, blushing; "you're so much like him in some ways, though not in all…. And he told me that day he had a twin brother."
"So much like him in some ways," Guy repeated, much amused. "Why, I wonder you don't take me for Cyril himself at once. You're the very first person I ever knew in my life, except a few old and very intimate friends, who could tell at all the difference between us."
Elma drew back, almost as if shocked and hurt at the bare suggestion.
"Oh, dear no," she cried quickly, scanning him over at once with those piercing keen eyes of hers; "you're like him, of course—I don't deny the likeness—as brothers may be like one another. Your features are the same, and the colour of your hair and eyes, and all that sort of thing; but still, I knew at a glance you weren't my Mr. Waring. I could never mistake you for him. The expression and the look are so utterly different."
"You must be a very subtle judge of faces," the young man answered, still smiling, "if you knew us apart at first sight; for I never before in my life met anybody who'd seen my brother once or twice, and who didn't take me for him, or him for me, the very first time he saw us apart. But then," he added, after a short pause, with a quick dart of his eyes, "you were with him in the tunnel for a whole long day; and in that time, of course, you saw a good deal of him."
Elma blushed again, and Guy noticed in passing that she blushed very prettily.
"And how's Sardanapalus?" she asked, in a somewhat hurried voice, making an inartistic attempt to change the subject.
"Oh, Sardanapalus is all right," Guy answered, laughing. "Cyril told me you had made friends with him, and weren't one bit afraid of him. Most people are so dreadfully frightened of the poor old creature."
"But he isn't old," Elma exclaimed, interrupting him with some warmth. "He's in the prime of life. He's so glossy and beautiful. I quite fell in love with him."
"And who is Sardanapalus?" Mrs. Clifford asked, with a vague maternal sense of discomfort and doubt. "A dog or a monkey?"
"Oh, Sardanapalus, mother—didn't I tell you about him?" Elma cried enthusiastically. "Why, he's just lovely and beautiful. He's such a glorious green and yellow-banded snake; and he coiled around my arm as if he'd always known me."
Mrs. Clifford drew back with a horror-stricken face, darting across at her daughter the same stealthy sort of look she had given her husband the night after Elma's adventure.
"A snake!" she repeated, aghast, "a snake! Oh, Elma! Why, you never told me that. And he coiled round your arm. How horrible!"
But Elma wasn't to be put down by exclamations of horror.
"Why, you're not afraid of snakes yourself, you know, mother," she went on, undismayed. "I remember papa saying that when you were at St. Kitts with him you never minded them a bit, but caught them in your hands like an Indian juggler, and treated them as playthings, so I wasn't afraid either. I suppose it's hereditary."
Mrs. Clifford gazed at her fixedly for a few seconds with a very pale face.
"I suppose it is," she said slowly and stiffly, with an evident effort. "Most things are, in fact, in this world we live in. But I didn't know YOU at least had inherited it, Elma."
Just at that moment they were relieved from the temporary embarrassment which the mention of Sardanapalus seemed to have caused the party, by the approach of a tall and very handsome man, who came forward with a smile towards where their group was standing. He was military in bearing, and had dark brown hair, with a white moustache; but he hardly looked more than fifty for all that, as Guy judged at once from his erect carriage and the singular youthfulness of both face and figure. That he was a born aristocrat one could see in every motion of his well-built limbs. His mien had that ineffable air of grace and breeding which sometimes marks the members of our old English families. Very much like Cyril, too, Guy thought to himself, in a flash of intuition; very much like Cyril, the way he raised his hat and then smiled urbanely on Mrs. Clifford and Elma. But it was Cyril grown old and prematurely white, and filled full with the grave haughtiness of an honoured aristocrat.
"Why, here's Colonel Kelmscott!" Mrs. Clifford exclaimed, with a sigh of relief, not a little set at ease by the timely diversion. "We're so glad you've come, Colonel. And Lady Emily too; she's over yonder, is she? Ah, well, I'll look out for her. We heard you were to be here. Oh, how kind of you; thank you. No, Elma's none the worse for her adventure, thank Heaven! just a little shaken, that's all, but not otherwise injured. And this gentleman's the brother of the kind friend who was so good to her in the tunnel. I'm not quite sure of the name. I think it's—-"
"Guy Waring," the young man interposed blandly. Hardly any one who looked at Colonel Kelmscott's eyes could even have perceived the profound surprise this announcement caused him. He bowed without moving a muscle of that military face. Guy himself never noticed the intense emotion the introduction aroused in the distinguished stranger. But Mrs. Clifford and Elma, each scanning him closely with those keen grey eyes of theirs, observed at once that, unmoved as he appeared, a thunderbolt falling at Colonel Kelmscott's feet could not more thoroughly or completely have stunned him. For a second or two he gazed in the young man's face uneasily, his colour came and went, his bosom heaved in silence; then he roped his moustache with his trembling fingers, and tried in vain to pump up some harmless remark appropriate to the occasion. But no remark came to him. Mrs. Clifford darted a furtive glance at Elma, and Elma darted back a furtive glance at Mrs. Clifford. Neither said a word, and each let her eyes drop to the ground at once as they met the other's. But each knew in her heart that something passing strange had astonished Colonel Kelmscott; and each knew, too, that the other had observed it.
Mother and daughter, indeed, needed no spoken words to tell these things plainly to one another. The deep intuition that descended to both was enough to put them in sympathy at once without the need of articulate language.
"Yes, Mr. Guy Waring," Mrs. Clifford repeated at last, breaking the awkward silence that supervened upon the group. "The brother of Mr. Cyril Waring, who was so kind the other day to my daughter in the tunnel."
The Colonel started imperceptibly to the naked eye again.
"Oh, indeed," he said, forcing himself with an effort to speak at last. "I've read about it, of course; it was in all the papers…. And—eh—is your brother here, too, this afternoon, Mr. Waring?"
To both Elma and her mother this meeting between Colonel Kelmscott and Guy Waring was full of mystery. For the Kelmscotts, of Tilgate Park, were the oldest county family in all that part of Surrey; and Colonel Kelmscott himself passed as the proudest man of that haughtiest house in Southern England. What, therefore, could have made him give so curious and almost imperceptible a start the moment Guy Waring's name was mentioned in conversation? Not a word that he said, to be sure, implied to Guy himself the depth of his surprise; but Elma, with her marvellous insight, could see at once, for all that, by the very haze in his eyes, that he was fascinated by Guy's personality, somewhat as she herself had been fascinated the other day in the train by Sardanapalus. Nay, more; he seemed to wish, with all his heart, to leave the young man's presence, and yet to be glued to the spot, in spite of himself, by some strange compulsion.
It was with a dreamy, far-away tone in his voice that the Colonel uttered those seemingly simple words, "And is your brother here, too, this afternoon, Mr. Waring?"
"Yes, he's somewhere about," Guy answered carelessly. "He'll turn up by-and-by, no doubt. He's pretty sure to find out, sooner or later, Miss Clifford's here, and then he'll come round this way to speak to her."
For some time they stood talking in a little group by the bench, Colonel Kelmscott meanwhile thawing by degrees and growing gradually interested in what Guy had to say, while Elma looked on with a devouring curiosity.
"Your brother's a painter, you say," the Colonel murmured once under that heavy white moustache of his; "yes, I think I remember. A rising painter. Had a capital landscape in the Grosvenor last year, I recollect, and another in the Academy this spring, if I don't mistake—skied—skied, unfairly; yet a very pretty thing, too; 'At the Home of the Curlews.'"
"He's painting a sweet one now," Elma put in quickly, "down here, close by, in Chetwood Forest. He told me about it; it must be simply lovely—all fern and mosses, with, oh! such a beautiful big snake in the foreground."
"I should like to see it," Colonel Kelmscott said slowly, not without a pang. "If it's painted in the forest—and by your brother, Mr. Waring—that would give it, to me, a certain personal value." He paused a moment; then he added, in a little explanatory undertone, "I'm lord of the manor, you know, at Chetwood; and I shoot the forest."
"Cyril would be delighted to let you see the piece when it's finished," Guy answered lightly. "If you're ever up in town our way—we've rooms in Staple Inn. I dare say you know it—that quaint, old-fashioned looking place, with big lattice windows, that overhangs Holborn."
Colonel Kelmscott started, and drew himself up still taller and stiffer than before.
"I may have some opportunity of seeing it some day in one of the galleries," he answered coldly, as if not to commit himself. "To tell you the truth, I seldom have time to lounge about in studios. It was merely the coincidence of the picture being painted in Chetwood Forest that made me fancy for a moment I might like to see it. But I'm no connoisseur. Mrs. Clifford, may I take you to get a cup of tea? Tea, I think, is laid out in the tent behind the shrubbery."
It was said in a tone to dismiss Guy politely; and Guy, taking the hint, accepted it as such, and fell back a pace or two to his garrulous old lady. But before Colonel Kelmscott could walk off Mrs. Clifford and her daughter to the marquee for refreshments, Elma gave a sudden start, and blushed faintly pink through that olive-brown skin of hers.
"Why, there's MY Mr. Waring!" she exclaimed, in a very pleased tone, holding out her hand, with a delicious smile; and as she said it, Cyril and Montague Nevitt strolled up from behind a great clump of lilacs beside them.
Two pairs of eyes watched those young folks closely as they shook hands once more—Guy's and Mrs. Clifford's. Guy observed that a little red spot rose on Cyril's cheek he had rarely seen there, and that his voice trembled slightly as he said, "How do you do?" to his pretty fellow-traveller of the famous adventure. Mrs. Clifford observed that the faint pink faded out of the olive-brown skin as Elma took Cyril Waring's hand in hers, and that her face grew pale for three minutes afterwards. And Colonel Kelmscott, looking on with a quietly observant eye, remarked to himself that Cyril Waring was a very creditable young man indeed, as handsome as Guy, and as like as two peas, but if anything perhaps even a trifle more pleasing.
For the rest of that afternoon, they six kept constantly together.
Elma noted that Colonel Kelmscott was evidently ill at ease; a thing most unusual with that proud, self-reliant aristocrat. He held himself, to be sure, as straight and erect as ever, and moved about the grounds with that same haughty air of perfect supremacy, as of one who was monarch of all he surveyed in the county of Surrey. But Elma could see, for all that, that he was absent-minded and self-contained; he answered all questions in a distant, unthinking way; some inner trouble was undoubtedly consuming him. His eyes were all for the two Warings. They glanced nervously right and left every minute in haste, but returned after each excursion straight to Guy and Cyril. The Colonel noted narrowly all they said and did; and Elma was sure he was very much pleased at least with her painter. How could he fail to be, indeed?—for Mr. Waring was charming. Elma wished she could have strolled off with him about the lawn alone, were it only ten paces in front of her mother. But somehow the fates that day were unpropitious. The party held together as by some magnetic bond, and Mrs. Clifford's eye never for one moment deserted her.
The Colonel glowered. The Colonel was moody. His speech was curt. He occupied himself mainly in listening to Guy and Cyril. A sort of mesmeric influence seemed to draw him towards the two young men.
He drew them out deliberately. Yet the start he had given as either young man came up towards his side was a start, not of mere neutral surprise, but of positive disinclination and regret at the meeting. Nay, even now he was angling hard, with all the skill of a strategist, to keep the Warings out of Lady Emily's way. But the more he talked to them, the more interested he seemed. It was clear he meant to make the most of this passing chance—and never again, if he could help it, Elma felt certain, to see them.
Once, and once only, Granville Kelmscott, his son, strolled casually up and joined the group by pure chance for a few short minutes. The heir of Tilgate Park was tall and handsome, though less so than his father; and Mrs. Clifford was not wholly indisposed to throw him and Elma together as much as possible. Younger by a full year than the two Warings, Granville Kelmscott was not wholly unlike them in face and manner. As a rule, his father was proud of him, with a passing great pride, as he was proud of every other Kelmscott possession. But to-day, Elma's keen eye observed that the Colonel's glance moved quickly in a rapid dart from Cyril and Guy to his son Granville, and back again from his son Granville to Guy and Cyril. What was odder still, the hasty comparison seemed to redound not altogether to Granville's credit. The Colonel paused, and stifled a sigh as he looked; then, in spite of Mrs. Clifford's profound attempts to retain the heir by her side, he sent the young man off at a moment's notice to hunt up Lady Emily. Now why on earth did he want to keep Granville and the Warings apart? Mrs. Clifford and Elina racked their brains in vain; they could make nothing of the mystery.
It was a long afternoon, and Elma enjoyed it, though she never got her tete-a-tete after all with Cyril Waring. Just a rapid look, a dart from the eyes, a faint pressure of her hand at parting—that was all the romance she was able to extract from it, so closely did Mrs. Clifford play her part as chaperon. But as the two young men and Montague Nevitt hurried off at last to catch their train back to town, the Colonel turned to Mrs. Clifford with a sigh of relief.
"Splendid young fellows, those," he exclaimed, looking after them. "I'm not sorry I met them. Ought to have gone into a cavalry regiment early in life; what fine leaders they'd have made, to be sure, in a dash for the guns or a charge against a battery! But they seem to have done well for themselves in their own way: carved out their own fortunes, each after his fashion. Very plucky young fellows. One of them's a painter, and one's a journalist; and both of them are making their mark in their own world. I really admire them."
And on the way to the station, that moment, Mr. Montague Nevitt, as he lit his cigarette, was saying to Cyril, with an approving smile, "Your Miss Clifford's pretty."
"Yes," Cyril answered drily, "she's not bad looking. She looked her best to-day. And she's capital company."
But Guy broke out unabashed into a sudden burst of speech.
"Not bad looking!" he cried contemptuously. "Is that all you have to say of her? And you a painter, too! Why, she's beautiful! She's charming! If Cyril was shut up in a tunnel with HER—-"
He broke off suddenly.
And for the rest of the way home he spoke but seldom. It was all too true. The two Warings were cast in the self-same mould. What attracted one, it was clear, no less surely and certainly attracted the other.
As they went to their separate rooms in Staple Inn that night, Guy paused for a moment, candle in hand, by his door, and looked straight at Cyril.
"You needn't fear ME," he said, in a very low tone. "She's yours. You found her. I wouldn't be mean enough for a minute to interfere with your find. But I'm not surprised at you. I would do the same myself, if I could have seen her first. I won't see her again. I couldn't stand it. She's too beautiful to see and not to fall in love with."
Mrs. Clifford returned from Chetwood Court that clay in by no means such high spirits as when she went there. In the first place, she hadn't succeeded in throwing Elma and Granville Kelmscott into one another's company at all, and in the second place Elma had talked much under her very nose, for half-an-hour at a stretch, with the unknown young painter fellow. When Elma was asked out anywhere else in the country for the next six weeks or so, Mrs. Clifford made up her mind strictly to inquire in private, before committing herself to an acceptance, whether that dangerous young man was likely or not to be included in the party.
For Mrs. Clifford admitted frankly to herself that Cyril was dangerous; as dangerous as they make them. He was just the right age; he was handsome, he was clever, his tawny brown beard had the faintest little touch of artistic redness, and was trimmed and dressed with provoking nicety. He was an artist too; and girls nowadays, you know, have such an unaccountable way of falling in love with men who can paint, or write verses, or play the violin, or do something foolish of that sort, instead of sticking fast to the solid attractions of the London Stock Exchange or of ancestral acres.
Mrs. Clifford confided her fears that very night to the sympathetic ear of the Companion of the Militant and Guardian Saints of the British Empire.
"Reginald," she said solemnly, "I told you the other day, when you asked about it, Elma wasn't in love. And at the time I was right, or very near it. But this afternoon I've had an opportunity of watching them both together, and I've half changed my mind. Elma thinks a great deal too much altogether, I'm afraid, about this young Mr. Waring."
"How do you know?" Mr. Clifford asked, staring her hard in the face, and nodding solemnly.
The British matron hesitated. "How do I know anything?" she answered at last, driven to bay by the question. "I never know how. I only know I know it. But whatever we do we must be careful not to let Elma and the young man get thrown together again. I should say myself it wouldn't be a bad plan if we were to send her away somewhere for the rest of the summer, but I can tell you better about all this to-morrow."
Elma, for her part, had come home from Chetwood Court more full than ever of Cyril Waring. He looked so handsome and so manly that afternoon at the Holkers'. Elma hoped she'd be asked out where he was going to be again.
She sat long in her own bedroom, thinking it over with herself, while the candle burnt down in its socket very low, and the house was still, and the rain pattered hard on the roof overhead, and her father and mother were discussing her by themselves downstairs in the drawing-room.
She sat long on her chair without caring to begin undressing. She sat and mused with her hands crossed on her lap. She sat and thought, and her thoughts were all about Cyril Waring.
For more than an hour she sat there dreamily, and told herself over, one by one, in long order, the afternoon's events from beginning to the end of them. She repeated every word Cyril had spoken in her ear. She remembered every glance, every look he had darted at her. She thought of that faint pressure of his hand as he said farewell. The tender blush came back to her brown cheek once more with maidenly shame as she told it all over. He was so handsome and so nice, and so very, very kind, and, perhaps, after this, she might never again meet him. Her bosom heaved. She was conscious of a new sense just aroused within her.
Presently her heart began to beat more violently. She didn't know why. It had never beaten in her life like that before—not even in the tunnel, nor yet when Cyril came up to-day and spoke first to her. Slowly, slowly, she rose from her seat. The fit was upon her. Could this be a dream? Some strange impulse made her glide forward and stand for a minute or two irresolute, in the middle of the room. Then she turned round, once, twice, thrice, half unconsciously. She turned round, wondering to herself all the while what this strange thing could mean; faster, faster, faster, her heart within her beating at each turn with more frantic haste and speed than ever. For some minutes she turned, glowing with red shame, yet unable to stop, and still more unable to say to herself why or wherefore.
At first that was all. She merely turned and panted. But as she whirled and whirled, new moods and figures seemed to force themselves upon her. She lifted her hands and swayed them about above her head gracefully. She was posturing she knew, but why she had no idea. It all came upon her as suddenly and as uncontrollably as a blush. She was whirling around the room, now slow, now fast, but always with her arms held out lissom, like a dancing-girl's. Sometimes her body bent this way, and sometimes that, her hands keeping time to her movements meanwhile in long graceful curves, but all as if compelled by some extrinsic necessity.
It was an instinct within her over which she had no control. Surely, surely, she must be possessed. A spirit that was not her seemed to be catching her round the waist, and twisting her about, and making her spin headlong over the floor through this wild fierce dance. It was terrible, terrible. Yet she could not prevent it. A force not her own seemed to sustain and impel her.
And all the time, as she whirled, she was conscious also of some strange dim need. A sense of discomfort oppressed her arms. She hadn't everything she required for this solitary orgy. Something more was lacking her. Something essential, vital. But what on earth it could be she knew not; she knew not.
By-and-by she paused, and, as she glanced right and left, the sense of discomfort grew clearer and more vivid. It was her hands that were wrong. Her hands were empty. She must have something to fill them. Something alive, lithe, curling, sinuous. These wavings and swayings, to this side and to that, seemed so meaningless and void—without some life to guide them. There was nothing for her to hold; nothing to tame and subdue; nothing to cling and writhe and give point to her movements. Oh! heavens, how horrible!
She drew herself up suddenly, and by dint of a fierce brief effort of will repressed for awhile the mad dance that overmastered her. The spirit within her, if spirit it were, kept quiet for a moment, awed and subdued by her proud determination. Then it began once more and led her resistlessly forward. She moved over to the chest of drawers still rhythmically and with set steps, but to the phantom strain of some unheard low music. The music was running vaguely through her head all the time—wild Aeolian music—it sounded like a rude tune on a harp or zither. And surely the cymbals clashed now and again overhead; and the timbrel rang clear; and the castanets tinkled, keeping time with the measure. She stood still and listened. No, no, not a sound save the rain on the roof. It was the music of her own heart, beating irregularly and fiercely to an intermittent lilt, like a Hungarian waltz or a Roumanian tarantella.
By this time, Elina was thoroughly frightened. Was she going mad? she asked herself, or had some evil spirit taken up his abode within her? What made her spin and twirl about like this—irresponsibly, unintentionally, irrepressibly, meaninglessly? Oh, what would her mother say, if only she knew all? And what on earth would Cyril Waring think of her?
Cyril Waring! Cyril Waring! It was all Cyril Waring. And yet, if he knew—oh, mercy, mercy!
Still, in spite of these doubts, misgivings, fears, she walked over towards the chest of drawers with a firm and rhythmical tread, to the bars of the internal music that rang loud through her brain, and began opening one drawer after another in an aimless fashion. She was looking for something—she didn't know what; and she never could rest now until she'd found it.
Drawer upon drawer she opened and shut wearily, but nothing that her eyes fell upon seemed to suit her mood. Dresses and jackets and underlinen were there; she glanced at them all with a deep sense of profound contempt; none of these gewgaws of civilized life could be of any use to supply the vague want her soul felt so dimly and yet so acutely. They were dead, dead, dead, so close and clinging! Go further! Go further! At last she opened the bottom drawer of all, and her eye fell askance upon a feather boa, curled up at the bottom—soft, smooth, and long; a winding, coiling, serpentine boa. In a second, she had fallen upon it bodily with greedy hands, and was twisting it round her waist, and holding it high and low, and fighting fiercely at times, and figuring with it like a posturant. Some dormant impulse of her race seemed to stir in her blood, with frantic leaps and bounds, at its first conscious awakening. She gave herself up to it wildly now. She was mad. She was mad. She was glad. She was happy.
Then she began to turn round again, slowly, slowly, slowly. As she turned, she raised the boa now high above her head; now held it low on one side, now stooped down and caressed it. At times, as she played with it, the lifeless thing seemed to glide from her grasp in curling folds and elude her; at others, she caught it round the neck like a snake, and twisted it about her arm, or let it twine and encircle her writhing body. Like a snake! like a snake! That idea ran like wildfire through her burning veins. It was a snake, indeed, she wanted; a real live snake; what would she not have given, if it were only Sardanapalus!
Sardanapalus, so glossy, so beautiful, so supple, that glorious green serpent, with his large smooth coils, and his silvery scales, and his darting red tongue, and his long lithe movements. Sardanapalus, Sardanapalus, Sardanapalus! The very name seemed to link itself with the music in her head. It coursed with her blood. It rang through her brain. And another as well. Cyril Waring, Cyril Waring, Cyril Waring, Cyril Waring! Oh! great heavens, what would Cyril Waring say now, if only he could see her in her mad mood that moment!
And yet it was not she, not she, not she, but some spirit, some weird, some unseen power within her. It was no more she than that boa there was a snake. A real live snake. Oh, for a real live snake! And then she could dance—tarantel, tarantella—as the spirit within her prompted her to dance it.
"Faster, faster," said the spirit; and she answered him back,
"Faster!"
Faster, faster, faster, faster she whirled round the room; the boa grew alive; it coiled about her; it strangled her. Her candle failed; the wick in the socket flickered and died; but Elma danced on, unheeding, in the darkness. Dance, dance, dance, dance; never mind for the light! Oh! what madness was this? What insanity had come over her? Would her feet never stop? Must she go on till she dropped? Must she go on for ever?
Ashamed and terrified with her maidenly sense, overawed and obscured by this hateful charm, yet unable to stay herself, unable to resist it, in a transport of fear and remorse, she danced on irresponsibly. Check herself she couldn't, let her do what she would. Her whole being seemed to go forth into that weird, wild dance. She trembled and shook. She stood aghast at her own shame. She had hard work to restrain herself from crying aloud in her horror.
At last, a lull, a stillness, a recess. Her limbs seemed to yield and give way beneath her. She half fainted with fatigue. She staggered and fell. Too weary to undress, she flung herself upon the bed, just as she was, clothes and all. Her overwrought nerves lost consciousness at once. In three minutes she was asleep, breathing fast but peacefully.
When Elma woke up next morning, it was broad daylight. She woke with a start, to find herself lying upon the bed where she had flung herself. For a minute or two she couldn't recollect or recall to herself how it had all come about. It was too remote from anything in her previous waking thought, too dream-like, too impossible. Then an unspeakable horror flashed over her unawares. Her face flushed hot. Shame and terror overcame her. She buried her head in her hands in an agony of awe. Her own self-respect was literally outraged. It wasn't exactly remorse; it wasn't exactly fear; it was a strange creeping feeling of ineffable disgust and incredulous astonishment.
There could be but one explanation of this impossible episode. She must have gone mad all at once! She must be a frantic lunatic!
A single thought usurped her whole soul. If she was going mad—if this was really mania—she could never, never, never—marry Cyril Waring.
For in a flash of intuition she knew that now. She knew she was in love. She knew he loved her.
In that wild moment of awakening all the rest mattered nothing. The solitary idea that ran now through her head, as the impulse to dance had run through it last night, was the idea that she could never marry Cyril Waring. And if Cyril Waring could have seen her just then! her cheeks burned yet a brighter scarlet at that thought than even before. One virginal blush suffused her face from chin to forehead. The maidenly sense of shame consumed and devoured her.
Was she mad? Was she mad? And was this a lucid interval?
Presently, as she lay still on her bed all dressed, and with her face in her hands, trembling for very shame, a little knock sounded tentatively at the door of her bedroom. It was a timid, small knock, very low and soft, and, as it were, inquiring. It seemed to say in an apologetic sort of undertone, "I don't know whether you're awake or not just yet; and if you're still asleep, pray don't let me for a moment disturb or arouse you."
"Who's there?" Elma mustered up courage to ask, in a hushed voice of terror, hiding her head under the bed-clothes.
"It's me, darling," Mrs. Clifford answered, very softly and sweetly. Elma had never heard her mother speak in so tender and gentle a tone before, though they loved one another well, and were far more sympathetic than most mothers and daughters. And besides, that knock was so unlike mamma's. Why so soft and low?
Had mamma discovered her? With a despairing sense of being caught she looked down at her tell-tale clothes and the unslept-in bed.
"Oh, what shall I ever do?" she thought to herself, confusedly. "I can't let mamma come in and catch me like this. She'll ask why on earth I didn't undress last night. And then what could I ever say? How could I ever explain to her?"
The awful sense of shame-facedness grew upon her still more deeply than ever. She jumped up and whispered through the door, in a very penitent voice, "Oh, mother, I can't let you in just yet. Do you mind waiting five minutes? Come again by-and-by. I—I—I'm so awfully tired and queer this morning somehow."
Mrs. Clifford's voice had an answering little ring of terror in it, as she replied at once, in the same soft tone—
"Very well, darling. That's all right. Stay as long as you like.
Don't trouble to get up if you'd rather have your breakfast in bed.
And don't hurry yourself at all. I'll come back by-and-by and see
what's the matter."
Elma didn't know why, but by the very tone of her mother's voice she felt dimly conscious something strange had happened. Mrs. Clifford spoke with unusual gentleness, yet with an unwonted tremor.
"Thank you, dear," Elma answered through the door, going back to the bedside and beginning to undress in a tumult of shame. "Come again by-and-by. In just five minutes." It would do her good, she knew, in spite of her shyness, to talk with her mother. Then she folded her clothes neatly, one by one, on a chair; hid the peccant boa away in its own lower drawer; buttoned her neat little embroidered nightdress tightly round her throat; arranged her front hair into a careless disorder; and tried to cool down her fiery red cheeks with copious bathing in cold water. When Mrs. Clifford came back five minutes later, everything looked to the outer eye of a mere casual observer exactly as if Elma had laid in bed all night, curled up between the sheets, in the most orthodox fashion.
But all these elaborate preparations didn't for one moment deceive the mother's watchful glance, or the keen intuition shared by all the women of the Clifford family. She looked tenderly at Elma—Elma with her face half buried in the pillows, and the tell-tale flush still crimsoning her cheek in a single round spot; then she turned for a second to the clothes, too neatly folded on the chair by the bedside, as she murmured low—
"You're not well this morning, my child. You'd better not get up. I'll bring you a cup of tea and some toast myself. You don't feel hungry, of course. Ah, no, I thought not. Just a slice of dry toast—yes, yes. I have been there. Some eau de Cologne on your forehead, dear? There, there, don't cry, Elma. You'll be better by-and-by. Stop in bed till lunch-time. I won't let Lucy come up with the tea, of course. You'd rather be alone. You were tired last night. Don't be afraid, my darling. It'll soon pass off. There's nothing on earth, nothing at all to be alarmed at."
She laid her hand nervously on Elma's arm. Half dead with shame as she was, Elma noticed it trembled. She noticed, too, that mamma seemed almost afraid to catch her eye. When their glance met for an instant the mother's eyelids fell, and her cheek, too, burned bright red, almost as red, Elma felt, as her own that nestled hot so deep in the pillow. Neither said a word to the other of what she thought or felt. But their mute sympathy itself made them more shame-faced than ever. In some dim, indefinite, instinctive fashion, Elma knew her mother was vaguely aware what she had done last night. Her gaze fell half unconsciously on the bottom drawer. With quick insight, Mrs. Clifford's eye followed her daughter's. Then it fell as before. Elma looked up at her terrified, and burst into a sudden flood of tears. Her mother stooped down and caught her wildly in her arms. "Cry, cry, my darling," ahe murmured, clasping her hard to her breast. "Cry, cry; it'll do you good; there's safety in crying. Nobody but I shall come near you to-day. Nobody else shall know! Don't be afraid of me! Have not I been there, too? It's nothing, nothing."
With a burst of despair, Elma laid her face in her mother's bosom. Some minutes later, Mrs. Clifford went down to meet her husband in the breakfast-room.
"Well?" the father asked, shortly, looking hard at his wife's face, which told its own tale at once, for it was white and pallid.
"Well!" Mrs. Clifford answered, with a pre-occupied air. "Elma's not herself this morning at all. Had a nervous turn after she went to her room last night. I know what it is. I suffered from them myself when I was about her age." Her eyes fell quickly and she shrank from her husband's searching glance. She was a plump-faced and well-favoured British matron now, but once, many years before, as a slim young girl, she had been in love with somebody—somebody whom by superior parental wisdom she was never allowed to marry, being put off instead with a well-connected match, young Mr. Clifford of the Colonial Office. That was all. No more romance than that. The common romance of every woman's heart. A forgotten love. Yet she tingled to remember it.
"And you think?" Mr. Clifford asked, laying down his newspaper and looking very grave.
"I don't think. I know," his wife answered hastily. "I was wrong the other day, and Elma's in love with that young man, Cyril Waring. I know more than that, Reginald; I know you may crush her; I know you may kill her; but if you don't want to do that, I know she must marry him. Whether we wish it, or whether we don't, there's nothing else to be done. As things stand now, it's inevitable, unavoidable. She'll never be happy with anybody else—she must have HIM—and I, for one, won't try to prevent her."
Mr. Reginald Clifford, C.M.G., sometime Administrator of the island of St. Kitts, gazed at his wife in blank astonishment. She spoke decidedly; he had never heard her speak with such firmness in his life before. It fairly took his breath away. He gazed at his wife blankly as he repeated to himself in very slow and solemn tones, each word distinct, "You, for one, won't try to prevent her!"
"No, I won't," Mrs. Clifford retorted defiantly, assured in her own mind she was acting right. "Elma's really in love with him; and I won't let Elma's life be wrecked—as some lives have been wrecked, and as some mothers would wreck it."
Mr. Clifford leaned back in his chair, one mass of astonishment, and let the Japanese paper-knife he was holding in his right hand drop clattering from his fingers. "If I hadn't heard you say it yourself, Louisa," he answered, with a gasp, "I could never have believed it. I could—never—have—believed it. I don't believe it even now. It's impossible, incredible."
"But it's true," Mrs. Clifford repeated. "Elma must marry the man she's in love with."
Meanwhile poor Elma lay alone in her bedroom upstairs, that awful sense of remorse and shame still making her cheeks tingle with unspeakable horror. Mrs. Clifford brought up her cup of tea herself. Elma took it with gratitude, but still never dared to look her mother in the face. Mrs. Clifford, too, kept her own eyes averted. It made Elma's self-abasement even profounder than before to feel that her mother instinctively knew everything.
The poor child lay there long, with a burning face and tingling ears, too ashamed to get up and dress herself and face the outer world, too ashamed to go down before her father's eyes, till long after lunchtime. Then there came a noise at the door once more; the rustling of a dress; a retreating footstep. Somebody pushed an envelope stealthily under the door. Elma picked it up and examined it curiously. It bore a penny stamp, and the local postmark. It must have come then by the two o'clock delivery, without a doubt; but the address, why, the address was written in some unknown hand, and in printing capitals. Elma tore it open with a beating heart, and read the one line of manuscript it contained, which was also written in the same print-like letters.
"Don't be afraid," the letter said, "It will do you no harm. Resist it when it comes. If you do, you will get the better of it."
Elma looked at the letter over and over again in a fever of dismay. She was certain it was her mother had written that note. But she read it with tears, only half-reassured—and then burnt it to ashes, and proceeded to dress herself.
When she went down to the drawing-room, Mrs. Clifford rose from her seat, and took her hand in her own, and kissed her on one cheek as if nothing out of the common had happened in any way. The talk between them was obtrusively commonplace. But all that day long, Elma noticed her mother was far tenderer to her than usual; and when she went up to bed Mrs. Clifford held her fingers for a moment with a gentle pressure, and kissed her twice upon her eyes, and stifled a sigh, and then broke from the room as if afraid to speak to her.
Elma Clifford wasn't the only person who passed a terrible night and suffered a painful awakening on the morning after the Holkers' garden-party. Colonel Kelmscott, too, had his bad half-hour or so before he finally fell asleep; and he woke up next day to a sense of shame and remorse far more definite, and, therefore, more poignant and more real than Elma's.
Hour after hour, indeed, he lay there on his bed, afraid to toss or turn lest he should wake Lady Emily, but with his limbs all fevered and his throat all parched, thinking over the strange chance that had thus brought him face to face, on the threshold of his honoured age, with the two lads he had wronged so long and so cruelly.
The shock of meeting them had been a sudden and a painful one. To be sure, the Colonel had always felt the time might come when his two eldest sons would cross his path in the intricate maze of London society. He had steeled himself, as he thought, to meet them there with dignity and with stoical reserve. He had made up his mind that if ever the names he had imposed upon them were to fall upon his startled ears, no human being that stood by and looked on should note for one second a single tremor of his lips, a faint shudder of surprise, an almost imperceptible flush or pallor on his impassive countenance. And when the shock came, indeed, he had borne it, as he meant to bear it, with military calmness. Not even Mrs. Clifford, he thought, could have discovered from any undertone of his voice or manner that the two lads he received with such well-bred unconcern were his own twin sons, the true heirs and inheritors of the Tilgate Park property.
And yet, the actual crisis had taken him quite by surprise, and shaken him far more than he could ever have conceived possible. For one thing, though he quite expected that some day he would run up unawares against Guy and Cyril, he did NOT expect it would be down in the country, and still less within a few miles' drive of Tilgate. In London, of course, all things are possible. Sooner or later, there, everybody hustles and clashes against everybody. For that reason, he had tried to suggest, by indirect means, when he launched them on the world, that the twins should tempt their fortune in India or the colonies. He would have liked to think they were well out of his way, and out of Granville's, too. But, against his advice, they had stayed on in England. So he expected to meet them some day, at the Academy private view, perhaps, or in Mrs. Bouverie Barton's literary saloon, but certainly NOT on the close sward of the Holkers' lawn, within a few short miles of his own home at Tilgate.
And now he had met them, his conscience, that had lain asleep so long, woke up of a sudden with a terrible start, and began to prick him fiercely.
If only they had been ugly, misshapen, vulgar; if only they had spoken with coarse, rough voices, or irritated him by their inferior social tone, or shown themselves unworthy to be the heirs of Tilgate—why then, the Colonel might possibly have forgiven himself! But to see his own two sons, the sons he had never set eyes on for twenty-five years or more, grown up into such handsome, well-set, noble-looking fellows—so clever, so bright, so able, so charming—to feel they were in every way as much gentlemen born as Granville himself, and to know he had done all three an irreparable wrong, oh, THAT was too much for him. For he had kept two of his sons out of their own all these years, only in order to make the position and prospects of the third, at last, certainly doubtful, and perhaps wretched.
There was much to excuse him to himself, no doubt, he cried to his own soul piteously in the night watches. Proud man as he was, he could not so wholly abase himself even to his inmost self as to admit he had sinned without deep provocation. He thought it all over in his heart, just there, exactly as it all happened, that simple and natural tale of a common wrong, that terrible secret of a lifetime that he was still to repent in sackcloth and ashes.
It was so long before—all those twenty-six years, or was it twenty-eight?—since his regiment had been quartered away down in Devonshire. He was a handsome subaltern then, with a frank open face—Harry Kelmscott, of the Greys—just such another man, he said to himself in his remorse, as his son Granville now—or rather, perhaps, as Guy and Cyril Waring. For he couldn't conceal from himself any longer the patent fact that Lucy Waring's sons were like his own old self, and sturdier, handsomer young fellows into the bargain than Lady Emily Kelmscott's boy Granville, whom he had made into the heir of the Tilgate manors. The moor, where the Greys were quartered that summer, was as dull as ditch-water. No society, no dances, no hunting, no sport; what wonder a man of his tastes, spoiling for want of a drawing-room to conquer, should have kept his hand in with pretty Lucy Waring?
But he married her—he married her. He did her no wrong in the end.
He hadn't that sin at least to lay to his conscience.
Ah, well, poor Lucy! he had really been fond of her; as fond as a Kelmscott of Tilgate could reasonably be expected ever to prove towards the daughter of a simple Dartmoor farmer. It began in flirtation, of course, as such things will begin; and it ended, as they will end, too, in love, at least on poor Lucy's side, for what can you expect from a Kelmscott of Tilgate? And, indeed, indeed, he said to himself earnestly, he meant her no harm, though he seemed at times to be cruel to her. As soon as he gathered how deeply she was entangled—how seriously she took it all—how much she was in love with him—he tried hard to break it off, he tried hard to put matters to her in their proper light; he tried to show her that an officer and a gentleman, a Kelmscott of Tilgate, could never really have dreamed of marrying the half-educated, half-peasant daughter of a Devonshire farmer. Though, to be sure, she was a lady in her way, too, poor Lucy; as much of a lady in manner and in heart as Emily herself, whose father was an earl, and whose mother was a marquis's eldest daughter.
So much a lady in her way, in deed, in thought, and all that—one of nature's gentlewomen—that when Lucy cried and broke her heart at his halting explanations, he was unmanned by her sobs, and did a thing no Kelmscott of Tilgate should ever have stooped to do—yes, promised to marry her. Of course, he didn't attempt in his own heart to justify that initial folly, as lie thought it, to himself. He didn't pretend to condone it. He only allowed he had acted like a fool. A Kelmscott of Tilgate should have drawn back long before, or else, having gone so far, should have told the girl plainly—at whatever cost, to her—he could go no further and have no more to say to her.
To be sure, that would have killed the poor thing outright. But a Kelmscott, you know, should respect his order, and shouldn't shrink for a moment from these trifling sacrifices!
However, his own heart was better, in those days, than his class philosophy. He couldn't trample on poor Lucy Waring. So he made a fool of himself in the end—and married Lucy. Ah, well! ah, well! every man makes a fool of himself once or twice in his life; and though the Colonel was ashamed now of having so far bemeaned his order as to marry the girl, why, if the truth must out, he would have been more ashamed still, in his heart of hearts, even then, if he hadn't married her. He was better than his creed. He could never have crushed her.
Married her, yes; but not publicly, of course. At least, he respected public decency. He married her under his own name, to be sure, but by special licence, and at a remote little village on the far side of the moor, where nobody knew either himself or Lucy. In those days, he hadn't yet come into possession of the Tilgate estates; and if his father had known of it—well, the Admiral was such a despotic old man that he'd have insisted on his son's selling out at once, and going off to Australia or heaven knows where, on a journey round the world, and breaking poor Lucy's heart by his absence. Partly for her sake, the Colonel said to himself now in the silent night, and partly for his own, he had concealed the marriage—for the time being—from the Admiral.
And then came that horrible embroilment—oh, how well he remembered it. Ah me, ah me, it seemed but yesterday—when his father insisted he was to marry Lady Emily Croke, Lord Aldeburgh's daughter; and he dared not marry her, of course, having a wife already, and he dared not tell his father, on the other hand, why he couldn't marry her. It was a hateful time. He shrank from recalling it. He was keeping Lucy, then his own wedded wife, as Mrs. Waring, in small rooms in Plymouth; and yet he was running up to town now and again, on leave, as the gay young bachelor, the heir of Tilgate Park—and meeting Emily Croke at every party he went to in London—and braving the Admiral's wrath by refusing to propose to her. What he would ever have done if Lucy had lived, he couldn't imagine. But, there! Lucy DIDN'T live; so he was saved that bother. Poor child, it brought tears to his eyes even now to think of her. He brushed them furtively away, lest he should waken Lady Emily.
And yet it was a shock to him, the night Lucy died. Just then, he could hardly realize how lucky was the accident. He sat there by her side, the day the twins were born, to see her safely through her trouble; for he had always done his duty, after a fashion, by Lucy. When a girl of that class marries a gentleman, don't you see, and consents, too, mind you, to marry him privately, she can't expect to share much of her husband's company. She can't expect he should stultify himself by acknowledging her publicly before his own class. And, indeed, he always meant to acknowledge her in the end—after his father's death, when there was no fear of the Admiral's cutting off his allowance.
But how curiously events often turn out of themselves. The twins were born on a Friday morning, and by the Saturday night, poor Lucy was lying dead, a pale, sweet corpse, in her own little room, near the Hoe, at Plymouth. It was a happy release for him though he really loved her. But still, when a man's fool enough to love a girl below his own station in life—the Colonel paused and broke off. It was twenty-seven years ago now, yet he really loved her. He couldn't find it in his heart even then to indorse to the full the common philosophy of his own order.
So there he was left with the two boys on his hands, but free, if he liked, to marry Lady Emily. No reason on earth, of course, why he shouldn't marry her now. So, naturally, he married her—after a fortnight's interval. The Admiral was all smiles and paternal blessings at this sudden change of front on his son's part. Why the dickens Harry hadn't wanted to marry the girl before, to be sure he couldn't conceive; hankering after some missy in the country, he supposed, that silly rot about what they call love, no doubt; but now that Harry had come to his senses at last, and taken the Earl's lass, why, the Admiral was indulgence and munificence itself; the young people should have an ample allowance, and my daughter-in-law, Lady Emily, should live on the best that Tilgate and Chetwood could possibly afford her.
What would you have? the Colonel asked piteously, in the dead of night, of his own conscience. How else could he have acted? He said nothing. That was all, mind you, he declared to himself more than once in his own soul. He told no lies. He made no complications. While the Admiral lived, he brought up Lucy's sons, quite privately, at Plymouth. And as soon as ever the Admiral died, he really and truly meant to acknowledge them.
But fathers never die—in entailed estates. The Admiral lived so long—quite, quite too long for Guy and Cyril. Granville was born, and grew to be a big boy, and was treated by everybody as the heir to Tilgate. And now the Colonel's difficulties gathered thicker around him. At last, in the fulness of time, the Admiral died, and slept with his fathers, whose Elizabethan ruff's were the honour and glory of the chancel at Tilgate; and then the day of reckoning was fairly upon him. How well he remembered that awful hour. He couldn't, he couldn't. He knew it was his duty to acknowledge his rightful sons and heirs, but he hadn't the courage. Things had all altered so much.
Meanwhile, Guy and Cyril had gone to Charterhouse as nobody's wards, and been brought up in the expectation of earning their own livelihood, so no wrong, he said casuistically, had been done to THEM, at any rate. And Granville had been brought up as the heir of Tilgate. Lady Emily naturally expected her son to succeed his father. He had gone too far to turn back at last. And yet—
And yet, in his own heart, disguise it as he might, he knew he was keeping his lawful sons out of their own in the end, and it was his duty to acknowledge them as the heirs of Tilgate.
Hour after hour the unhappy man lay still as death on his bed and reasoned in vain with his accusing conscience. To be sure, he said to himself, no man was bound by the law of England to name his heir. It is for the eldest son himself to come forward and make his claim. If Guy and Cyril could prove their title to the Tilgate estates when he himself was dead, that was their private business. He wasn't bound to do anything special to make the way easy for them beforehand.
But still, when he saw them, his heart arose and smote him. His very class prejudices fought hard on their behalf. These men were gentlemen, the eldest sons of a Kelmscott of Tilgate—true Kelmscotts to the core—handsome, courtly, erect of bearing. Guy was the very image of the Kelmscott of Tilgate Park who bled for King Charles at Marston Moor; Cyril had the exact mien of Sir Rupert Kelmscott, Knight of Chetwood, the ablest of their race, whose portrait, by Kneller, hung in the great hall between his father; the Admiral, and his uncle, Sir Frederick. They had all the qualities the Colonel himself associated with the Kelmscott name. They were strong, brave, vigorous, able to hold their own against all comers. To leave them out in the cold was not only wrong—it was also, he felt in his heart of hearts, a treason to his order.
At last, after long watching, he fell asleep. But he slept uneasily. When he woke, it was with a start. He found himself murmuring to himself in his troubled sleep, "Break the entail, and settle a sum on the two that will quiet them."
It was the only way left to prevent public scandal, and to save Lady Emily and his son Granville from a painful disclosure: while, at the same time, it would to some extent satisfy the claims of his conscience.
Compromise, compromise; there's nothing like compromise. Colonel Kelmscott had always had by temperament a truly British love of compromise.
To carry out his plan, indeed, it would be necessary to break the entail twice; once formally, and once again really. He must begin by getting Granville's consent to the proposed arrangement, so as to raise ready money with which to bribe the young men; and as soon as Granville's consent was obtained, he must put it plainly to Guy and Cyril, as an anonymous benefactor, that if they would consent to accept a fixed sum in lieu of all contingencies, then the secret of their birth would be revealed to them at last, and they would be asked to break the entail on the estates as eldest sons of a gentleman of property.
It was a hard bargain; a very hard bargain; but then these boys would jump at it, no doubt; expecting nothing as they did, they'd certainly jump at it. It's a great point, you see, to come in suddenly, when you expect nothing, to a nice lump sum of five or six thousand!
So much so, indeed, that the real difficulty, he thought, would rather lie in approaching Granville.
After breakfast that morning, however, he tapped his son on the shoulder as he was leaving the table, and said to him, in his distinctly business tone, "Granville, will you step with me into the library for ten minutes' talk? There's a small matter of the estate I desire to discuss with you."
Granville looked back at him with a curiously amused air.
"Why, yes," he said shortly. "It's a very odd coincidence. But do you know, I was going this morning myself to ask for a chance of ten minutes' talk with you."
He rose, and followed his father into the oak-panelled library. The Colonel sat down on one of the uncomfortable library chairs, especially designed, with their knobs and excrescences, to prevent the bare possibility of serious study. Granville took a seat opposite him, across the formal oak table. Colonel Kelmscott paused; and cleared his throat nervously. Then, with military promptitude, he darted straight into the very thick of the fray.
"Granville," he said abruptly, "I want to speak with you about a rather big affair. The fact of it is, I'm going to break the entail. I want to raise some money."
The son gave a little start of surprise and amusement. "Why, this is very odd," he exclaimed once more, in an astonished tone. "That's just the precise thing I wanted to talk about with you."
Colonel Kelmscott eyed him with an answering start.
"Not debts!" he said slowly. "My boy, my boy, this is bad. Not debts surely, Granville; I never suspected it."
"Oh, dear no," Granville answered frankly. "No debts, you may be sure. But I wanted to feel myself on a satisfactory basis—as to income and so forth: and I was prepared to pay for my freedom well. To tell you the truth outright, I want to marry."
Colonel Kelmscott eyed him close with a very puzzled look. "Not Elma Clifford, my boy," he said again quickly. "For of course, if it is her, Granville, I need hardly say—"
The young man cut him short with a hasty little laugh. "Elma Clifford," he repeated, with some scorn in his musical voice, "Oh, dear no, not HER. If it had been her you may be sure there'd be no reason of any sort for breaking the entail. But the fact is this: I dislike allowances one way or the other. I want to feel once for all I'm my own master. I want to marry—not this girl or that, but whom ever I will. I don't care to come to you with my hat in my hand, asking how much you'll be kind enough to allow me if I venture to take Miss So-and-so or Miss What-you-may-call-it. And as I know you want money yourself for this new wing you're thinking of, why, I'm prepared to break the entail at once, and sell whatever building land you think right and proper."
The father held his breath. What on earth could this mean? "And who is the girl, Granville?" he asked, with unconcealed interest.
"You won't care to hear," his son answered carelessly.
Colonel Kelmscott looked across at him with a very red face. "Not some girl who'll bring disgrace upon your mother, I hope?" he said, with a half-pang of remorse, remembering Lucy. "Not some young woman beneath your own station in life. For to that, you may be sure, I'll never consent under any circumstances."
Granville drew himself up proudly, with a haughty smile. He was a
Kelmscott, too, as arrogant as the best of them.
"No, that's not the difficulty," he answered, looking rather amused than annoyed or frightened. "My tastes are NOT low. I hope I know better than to disgrace my family. The lady I want to marry, and for whose sake I wish you to make some arrangement beforehand is—don't be surprised—well, Gwendoline Gildersleeve."
"Gwendoline Gildersleeve," his father echoed, astonished; for there was feud between the families, "That rascally, land-grabbing barrister's daughter! Why, how on earth do you come to know anything of her, Granville? Nobody in Surrey ever had the impertinence yet to ask me or mine to meet the Gildersleeves anywhere, since that disgraceful behaviour of his about the boundary fences. And I didn't suppose you'd ever even seen her."
"Nobody in Surrey ever did ask me to meet her," Granville answered somewhat curtly. "But you can't expect every one in London society to keep watch over the quarrels of every country parish in provincial England! It wouldn't be reasonable. I met Gwendoline, if you want to know, at the Bertrams', in Berkeley Square, and she and I got on so well together that we've—well, we've met from time to time in the Park, since our return from town, and we think by this time we may consider ourselves informally engaged to one another."
Colonel Kelmscott gazed at his son in a perfect access of indignant amazement. Gilbert Gildersleeve's daughter! That rascally Q.C.'s! At any other moment such a proposal would have driven him forthwith into open hostilities. If Granville chose to marry a girl like that, why, Granville might have lived on what his father would allow him.
Just now, however, with this keen fit of remorse quite fresh upon his soul about poor Lucy's sons, Colonel Kelmscott was almost disposed to accept the opening thus laid before him by Granville's proposal.
So he temporized for awhile, nursing his chin with his hand, and then, after much discussion, yielded at last a conditional consent—conditional upon their mutual agreement as to the terms on which the entail was to be finally broken.
"And what sort of arrangement do you propose I should make for your personal maintenance, and this Gildersleeve girl's household?" the Colonel asked at length, with a very red face, descending to details.
His son, without appearing to notice the implied slight to Gwendoline, named the terms that he thought would satisfy him.
"That's a very stiff sum," the master of Tilgate retorted; "but perhaps I could manage it; per—haps I could manage it. We must sell the Dowlands farm at once, that's certain, and I must take the twelve thousand or so the land will fetch for my own use, absolutely and without restriction."
"To build the new wing with?" the son put in, with a gesture of assent.
"To build the new wing with? Why, certainly not," his father answered angrily. "Am I to bargain with my son what use I'm to make of my own property? Mark my words, I won't submit to interference. To do precisely as I choose with, sir. To roll in if I like! To fling into the sea, if the fancy takes me!"
Granville Kelmscott stared hard at him. Twelve thousand pounds! What on earth could his father mean by this whim? he wondered. "Twelve thousand pounds is a very big sum to fling away from the estate without a question asked," he retorted, growing hot "It seems to me, you too closely resemble our ancestors who came over from Holland. In matters of business, you know, the fault of the Dutch is giving too little and asking too much."
His father glared at him. That's the worst of this huckstering and higgling with your own flesh and blood. You have to put up with such intolerable insults. But he controlled himself, and continued. The longer he talked, however, the hotter and angrier he became by degrees. And what made him the hottest and angriest of all was the knowledge meanwhile that he was doing it every bit for Granville's own sake; nay, more, that consideration for Granville alone had brought him originally into this peck of trouble.
At last he could contain himself with indignation no longer. His temper broke down. He flared up and out with it. "Take care what you do!" he cried. "Take care what you say, Granville! I'm not going to be bearded with impunity in my den. If you press me too hard, remember, I'll ruin all. I can cut you off with a shilling, sir, if I choose—cut you off with a shilling. Yes, and do justice to others I've wronged for your sake. Don't provoke me too far, I say, If you do, you'll repent it."
"Cut me off with a shilling, sir!" his son answered angrily, rising and staring hard at him. "Why, what do you mean by that? You know you can't do it, My interest in the estate's as good as your own. I'm the eldest son—"
He broke off suddenly; for at those fatal words, Colonel Kelmscott's face, fiery red till then, grew instantly blanched and white with terror. "Oh, what have I done?" the unhappy man cried, seeing his son's eyes read some glimpse of the truth too clearly in his look. "Oh, what have I said? Forget it, Granny, forget it! I didn't mean to go so far as I did in my anger. I was a fool—a fool! I gave way too much. For Heaven's sake, my boy, forget it, forget it!"
The young man looked across at him with a dazed and puzzled look, yet very full of meaning. "I shall never forget it," he said slowly. "I shall learn what it means. I don't know how things stand; but I see you meant it. Do as you like about the entail. It's no business of mine. Take your pound of flesh, your twelve thousand down, and pay your hush-money! I don't know whom you bribe, and I have nothing to say to it. I never dragged the honour of the Kelmscotts in the dust. I won't drag it now. I wash my hands clean from it. I ask no questions. I demand no explanations. I only say this. Until I know what you mean—know whether I'm lawful heir to Tilgate Park or not, I won't marry the girl I meant to marry. I have too much regard for her, and for the honour of our house, to take her on what may prove to be false expectations. Break the entail, I say! Raise your twelve thousand. Pay off your bloodhounds. But never expect me to touch a penny of your money, henceforth and for ever, till I know whether it was yours and mine at all to deal with."
Colonel Kelmscott bent down his proud head meekly. "As you will, Granville," he answered, quite broken with remorse, and silenced by shame. "My boy, my boy, I only wanted to save you!"
When he had time to think, Colonel Kelmscott determined in his own mind that he would still do his best to save Granville, whether Granville himself wished it or otherwise. So he proceeded to take all the necessary steps for breaking the entail and raising the money he needed for Guy and Cyril.
In all this, Granville neither acquiesced nor dissented. He signed mechanically whatever documents his father presented to him, and he stood by his bargain with a certain sullen, undeviating, hard-featured loyalty; but he never forgot those few angry words in which his father had half let out his long-guarded life secret.
Thinking the matter over continually with himself, however, he came in the end to the natural conclusion that one explanation alone would fit all the facts. He was not his father's eldest son at all. Colonel Kelmscott must have been married to some one else before his marriage with Lady Emily. That some one else's son was the real heir of Tilgate. And it was to him that his father, in his passionate penitence, proposed, after many years, to do one-sided justice. Now Granville Kelmscott, though a haughty and somewhat head-strong fellow, after the fashion of his race, was a young man of principle and of honour. The moment this hideous doubt occurred to his mind, he couldn't rest in his bed till he had cleared it all up and settled it for ever, one way or the other. If Tilgate wasn't his, by law and right, he wanted none of it. If his father was trying to buy off the real heir to the estate with a pitiful pittance, in order to preserve the ill-gotten remainder for Lady Emily's son, why, Granville for his part would be no active party to such a miserable compromise. If some other man was the Colonel's lawful heir, let that other man take the property and enjoy it; but he, Granville Kelmscott, would go forth upon the world, an honest adventurer, to seek his fortune with his own right hand wherever he might find it.
Still, he could take no active step, on the other hand, to hunt up the truth about the Colonel's real or supposed first marriage. For here an awful dilemma blocked the way before him. If the Colonel had married before, and if by that former marriage he had a son or sons—how could Granville be sure the supposed first wife was dead before the second was married? And supposing, for a moment, she was not dead—supposing his father had been even more criminal and more unjust than he at first imagined—how could he take the initiative himself in showing that his own mother, Lady Emily Kelmscott, was no wife at all in the sight of the law? that some other woman was his father's lawful consort? The bare possibility of such an issue was too horrible for any son on earth to face undismayed. So, tortured and distracted by his divided duty, Granville Kelmscott shrank alike from action or inaction.
In the midst of such doubts and difficulties, however, one duty shone out clear as day before him. Till the mystery was cleared up, till the problem was solved, he must see no more of Gwendoline Gildersleeve. He had engaged himself to her as the heir of Tilgate. She had accepted him under that guise, and looked forward to an early and happy marriage. Now, all was changed. He was, or might be, a beggar and an outcast. To be sure, he knew Gwendoline loved him for himself; but how could he marry her if he didn't even know he had anything of his own in the world to marry upon? The park and fallow deer had been a part of himself; without them, he felt he was hardly even a Kelmscott. It was his plain duty, now, for Gwendoline's sake, to release her from her promise to a man who might perhaps be penniless, and who couldn't even feel sure he was the lawful son of his own father. And yet—for Lady Emily's sake—he mustn't hint, even to Gwendoline, the real reason which moved him to offer her this release. He must throw himself upon her mercy, without cause assigned, and ask her for the time being to have faith in him and to believe him.
So, a day or two after the interview with his father in the library, the self-disinherited heir of Tilgate took the path through the glade that led into the dell beyond the boundary fence—that dell which had once been accounted a component part of Tilgate Park, but which Gilbert Gildersleeve had proved, in his cold-blooded documentary legal way, to belong in reality to the grounds of Woodlands. It was in the dell that Granville sometimes ran up against Gwendoline. He sat down on the broken ledge of ironstone that overhung the little brook. It was eleven o'clock gone. By eleven o'clock, three mornings in the week, chance—pure chance—the patron god of lovers, brought Gwendoline into the dell to meet him.
Presently, a light footfall rang soft upon the path, and next moment a tall and beautiful girl, with a wealth of auburn hair, and a bright colour in her cheeks, tripped lightly down the slope, as if strolling through the wood in maiden meditation, fancy free, unexpecting any one.
"What, you here, Mr. Kelmscott?" she exclaimed, as she saw him, her pink cheek deepening as she spoke to a still profounder crimson.
"Yes, I'm here, Gwendoline," Granville Kelmscott answered, with a smile of recognition at her maidenly pretence of an undesigned coincidence. "And I'm here, to say the truth, because I quite expected this morning to meet you."
He took her hand gravely. Gwendoline let her eyes fall modestly on the ground, as if some warmer greeting were more often bestowed between them. The young man blushed with a certain manly shame. "No, not to-day, dear," he said, with an effort, as she held her cheek aside, half courting and half deprecating the expected kiss. "Oh, Gwendoline, I don't know how to begin. I don't know how to say it. But I've got very sad news for you—news that I can't bear to break—that I can't venture to explain—that I don't even properly understand myself. I must throw myself upon your faith. I must just ask you to trust me."
Gwendoline let him seat her, unresisting, upon the ledge by his side, and her cheek grew suddenly ashy pale, as she answered with a gasp, forgetting the "Mr. Kelmscott" at this sudden leap into the stern realities of life, "Why, Granville, what do you mean? You know I can trust you. You know, whatever it may be, I believe you implicitly."
The young man took her hand in his with a tender pressure. It was a terrible message to have to deliver. He bungled and blundered on, with many twists and turns, through some inarticulate attempt at an indefinite explanation. It wasn't that he didn't love her—oh, devotedly, eternally, she must know that well; she never could doubt it. It wasn't that any shadow had arisen between him and her, it wasn't anything he could speak about, or anything she must say to any soul on earth—oh, for his mother's sake, he hoped and trusted she would religiously keep his secret inviolate! But something had happened to him within the last few days—something unspeakable, indefinite, uncertain, vague, yet very full of the most dreadful possibilities; something that might make him unable to support a wife; something that at least must delay or postpone for an unknown time the long-hoped-for prospect of his claiming her and marrying her. Some day, perhaps—he broke off suddenly, and looked with a wistful look into her deep grey eyes. His resolution failed him. "One kiss," he said, "Gwendoline!" His voice was choking. The beautiful girl, turning towards him with a wild sob, fell, yielding herself on his breast, and cried hot tears of joy at that evident sign that, in spite of all he said, he still really loved her.
They sat there long, hand in hand, and eye on eye, talking it all over, as lovers will, with infinite delays, yet getting no nearer towards a solution either way. Gwendoline, for her part, didn't care, of course—what true woman does?—whether Granville was the heir of Tilgate or not; she would marry him all the more, she said, if he were a penniless nobody. All she wanted was to love him and be near him. Let him marry her now, marry her to-day, and then go where he would in the world to seek his livelihood. But Granville, poor fellow, alarmed at the bare suggestion—for his mother's sake—that Tilgate might really not be his, checked her at once in her outburst with a grave, silent look; he was still, he said calmly, the inheritor of Tilgate. It wasn't that. At least, not as she took it. He didn't know precisely what it was himself. She must have faith in him and trust him. She must wait and see. In the end, he hoped, he would come back and marry her.
And Gwendoline made answer, with many tears, that she knew it was so, and that she loved him and trusted him. So, after sitting there long, hand locked in hand, and heart intent on heart, the two young people rose at last to go, protesting and vowing their mutual love on either side, as happy and as miserable in their divided lives as two young people in all England that moment. Over and over again they kissed and said good-bye; then they stood with one another's fingers clasped hard in their own, unwilling to part, and unable to loose them. After that, they kissed again, and declared once more they were broken-hearted, and could never leave one another. But still, Granville added, half aside, he must make up his mind not to see Gwendoline again—honour demanded that sacrifice—till he could come at last a rich man to claim her. Meanwhile, she was free; and he—he was ever hers, devotedly, whole-souledly. But they were no longer engaged. He was hers in heart only. Let her try to forget him. He could never forget her.
And Gwendoline, sobbing and tearful, but believing him implicitly, retreated with slow steps, looking back at each turn of the zigzag path, and sending the ghosts of dead kisses from her finger-tips to greet him.
Below in the dell Granville stood still, and watched her depart in breathless silence. Then, in an agony of despair, he flung himself down on the ground and burst into tears, and sobbed like a child over his broken daydream.
Gwendoline, coming back to make sure, saw him lying and sobbing so; and, woman-like, felt compelled to step down just one minute to comfort him. Granville in turn refused her proffered comfort—it was better so—he mustn't listen to her any more; he must steel himself to say No; he must remember it was dishonourable of him to drag a delicately nurtured girl into a penniless marriage. Then they kissed once more and made it all up again; and they sobbed and wept as before, and broke it off for ever; and they said good-bye for the very last time; and they decided they must never meet till Granville came back; and they hoped they would sometimes catch just a glimpse of one another in the outer world, and whatever the other one said or did, they would each in their hearts be always true to their first great love; and they were more miserable still, and they were happier than they had ever been in their lives before; and they parted at last, with a desperate effort, each perfectly sure of the other's love, and each vowing in soul they would never, never see one another again, but each, for all that, perfectly certain that some day or other they would be husband and wife, though Tilgate and the wretched little fallow deer should sink, unwept, to the bottom of the ocean.
The manager at Messrs. Drummond, Coutts and Barclay's, Limited, received Colonel Kelmscott with distinguished consideration. A courteous, conciliatory sort of man, that manager, with his close-shaven face and his spotless shirt-front.
"Five minutes, my dear sir?" he exclaimed, with warmth, motioning his visitor blandly into the leather-covered chair. "Half an hour, if you wish it. We always have leisure to receive our clients. Any service we can render them, we're only too happy."
"But this is a very peculiar bit of business," Colonel Kelmscott answered, humming and hawing with obvious hesitation. "It isn't quite in the regular way of banking, I believe. Perhaps, indeed, I ought rather to have put it into the hands of my solicitor. But, even if you can't manage the thing yourself, you may be able to put me in the way of finding out how best I can get it managed elsewhere."
The manager bowed. His smile was a smile of genuine satisfaction.
Colonel Kelmscott of Tilgate was in a most gracious humour.
The manager, with deference, held himself wholly at his client's
disposition.
So the Colonel proceeded to unfold his business. There were two young men, now knocking about town, of the names of Guy and Cyril Waring—the one a journalist, the other a painter—and they had rooms in Staple Inn, Holborn, which would doubtless form a sufficient clue by which to identify them. Colonel Kelmscott desired unobtrusively to know where these young men banked—if indeed they were in a position to keep an account; and when that was found out, he wished Messrs. Drummond, Coutts and Barclay, Limited, to place a sum of money at their bankers to their credit, without mentioning the name of the person so placing it, as well as to transmit to them a sealed envelope, containing instructions as to the use to be made of the money in question.
The manager nodded a cautious acquiescence. To place the money to the credit of the two young men, indeed, would be quite in their way. But to send the sealed envelope, without being aware of its contents, or the nature of the business on which it was despatched, would be much less regular. Perhaps the Colonel might find some other means of managing without their aid that portion of the business arrangement.
The Colonel, for his part, fell in readily enough with this modest point of view. It amply sufficed for him if the money were paid to the young men's credit, and a receipt, forwarded to him in due course, under cover of a number, to the care of the bankers.
"Very well," the manager answered, rubbing his hands contentedly. "Our confidential clerk will settle all that for you. A most sagacious person, our confidential clerk. No eyes, no ears, no tongue for anything but our clients' interests."
The Colonel smiled, and sat a little longer, giving further details as the precise amount he wished sent, and the particular way he wished to send it—the whole sum to be, in fact, twelve thousand pounds, amount of the purchase money of the Dowlands farms, whereof only six thousand had as yet been paid down; and that six thousand he wished to place forthwith to the credit of Cyril Waring, the painter. The remaining six thousand, to be settled, as agreed, in five weeks' time, he would then make over under the self-same conditions to the other brother, Guy Waring, the journalist. It had gone a trifle too cheap, that land at Dowlands, the Colonel opined; but still, in days like these he was very glad, indeed, to find a purchaser for the place at anything like its value.
"I think a Miss Ewes was the fortunate bidder, wasn't she?" the manager asked, just to make a certain decent show of interest in his client's estate.
"Yes, Miss Elma Ewes of Kenilworth," the Colonel answered, letting loose for a moment his tongue, that unruly member. "She's the composer, you know—writes songs and dances; remotely connected with Reginald Clifford, the man who was Governor of some West Indian Dutch-oven—St. Kitts, I think, or Antigua—he lives down our way, and he's a neighbour of mine at Tilgate. Or rather she's connected with Mrs. Clifford, the Governor's wife, who was one of the younger branch, a Miss Ewes of Worthing, daughter of the Ewes who was Dean of Dorchester. Elma's been a family name for years with all the lot of Eweses, good, bad, or indifferent. Came down to them, don't you know, from that Roumanian ancestress."
"Indeed," the manager answered, now beginning to be really interested—for the Cliffords were clients too, and it behoves a banker to know everything about everybody's business. "So Mrs. Clifford had an ancestress who was a Roumanian, had she? Well, I've noticed at times her complexion looked very southern and gipsy-like—distinctly un-English."
"Oh, they call it Roumanian," Colonel Kelmscott went on in a confidential tone, roping his white moustache, and growing more and more conversational; "they call it Roumanian, because it sounds more respectable; but I believe, if you go right down to the very bottom of the thing, it was much more like some kind of Oriental gipsy. Sir Michael Ewes, the founder of the house, in George the Second's time, was ambassador for awhile at Constantinople. He began life, indeed, I believe, as a Turkey merchant. Well, at Pera one day, so the story goes—you'll find it all in Horace Walpole's diary—he picked up with this dark-skinned gipsy-woman, who was a wonderful creature in her way, a sort of mesmeric sorceress, who belonged to some tribe of far eastern serpent charmers. It seems that women of this particular tribe were regularly trained by the men to be capering priestesses—or fortune-tellers, if you like—who performed some extraordinary sacred antics of a mystical kind, much after the fashion of the howling dervishes. However that may be, Sir Michael, at any rate, pacing the streets of Pera, saw the woman that she was passing fair, and fell in love with her outright at some dervish entertainment. But being a very well-behaved old man, combining a liking for Orientals with a British taste for the highest respectability, he had the girl baptized and made into a proper Christian first; and then he married her off-hand and brought her home with him as my Lady Ewes to England. She was presented at Court, to George the Second; and Lady Mary Wortley Montagu stood her sponsor on the occasion."
"But how did it all turn out?" the manager asked, with an air of intelligent historical interest.
"Turn out? Well, it turned out in a thumping big family of thirteen children," the Colonel answered; "most of whom, happily for the father, died young, But the five who survived, and who married at last into very good connections, all had one peculiarity, which they transmitted to all their female descendants. Very odd these hereditary traits, to be sure. Very singular! Very singular!"
"Ah, to be sure," the manager answered, turning over a pile of letters. "And what was the hereditary trait handed down, as you say, in the family of the Roumanian lady?"
"Why, in the first place," the Colonel continued, leaning back in his chair, and making himself perfectly comfortable, "all the girls of the Ewes connection, to the third and fourth generation, have olive-brown complexions, creamy and soft, but clear as crystal. Then again, they've all got most extraordinary intuition—a perfectly marvellous gift of reading faces. By George, sir," the Colonel exclaimed, growing hot and red at the memory of that afternoon on the Holkers' lawn, "I don't like to see those women's eyes fixed upon my cheek when there's anything going on I don't want them to know. A man's transparent like glass before them. They see into his very soul. They look right through him."
"If the lady who founded the family habits was a fortune-teller," the manager interposed, with a scientific air, "that's not so remarkable; for fortune-tellers must always be quick-witted people, keen to perceive the changes of countenance in the dupes who employ them, and prompt at humouring all the fads and fancies of their customers, mustn't they?"
"Quite so," the Colonel echoed. "You've hit it on the nail. And this particular lady—Esmeralda they call her, so that Elma, which is short for Esmeralda, understand, has come to be the regular Christian name among all her women descendants—this particular lady belonged to what you might call a caste or priestly family, as it were, of hereditary fortune-tellers, every one of whose ancestors had been specially selected for generations for the work, till a kind of transmissible mesmeric habit got developed among them. And they do say," the Colonel went on, lowering his voice a little more to a confidential whisper, "that all the girls descended from Madame Esmeralda—Lady Ewes of Charlwood, as she was in England—retain to this day another still odder and uncannier mark of their peculiar origin; but, of course, it's a story that would be hard to substantiate, though I've heard it discussed more than once among the friends of the family."
"Dear me! What's that?" the manager asked, in a tone of marked curiosity.
"Why, they do say," the Colonel went on, now fairly launched upon a piece of after-dinner gossip, "that the eastern snake-dance of Madame Esmeralda's people is hereditary even still among the women of the family, and that, sooner or later, it breaks out unexpectedly in every one of them. When the fit comes on, they shut themselves up in their own rooms, I've been told, and twirl round and round for hours like dancing dervishes, with anything they can get in their hands to represent a serpent, till they fall exhausted with the hysterical effort. Even if a woman of Esmeralda's blood escapes it at all other times, it's sure to break out when she first sees a real live snake, or falls in love for the first time. Then the dormant instincts of the race come over her with a rush, at the very dawn of womanhood, all quickened and aroused, as it were, in the general awakening."
"That's very curious!" the manager said, leaning back in his chair in turn, and twirling his thumbs, "very curious indeed; and yet, in its way, very probable, very probable. For habits like those must set themselves deep in the very core of the system, don't you think, Colonel? If this woman, now, was descended from a whole line of ancestresses, who had all been trained for their work into a sort of ecstatic fervour, the ecstasy and all that went with it must have got so deeply ingrained—"
"I beg your pardon," the Colonel interrupted, consulting his watch and seizing his hat hastily—for as a Kelmscott, he refused point-blank to be lectured—"I've an appointment at my club at half-past three, and I must not wait any longer. Well, you'll get these young men's address for me, then, at the very earliest possible opportunity?"
The manager pocketed the snub, and bowed his farewell. "Oh, certainly," he answered, trying to look as pleased and gracious as his features would permit. "Our confidential clerk will hunt them up immediately. We're delighted to be of use to you. Good morning. Good morning."
And as soon as the Colonel's back was turned, the manager rang twice on his sharp little bell for the confidential clerk to receive his orders.
Mr. Montague Nevitt immediately presented himself in answer to the summons.
"Mr. Nevitt," the manager said, with a dry, small cough, "here's a bit of business of the most domestic kind—strict seal of secrecy, not a word on any account. Colonel Kelmscott of Tilgate wants to know where two young men, named Guy and Cyril Waring, keep their banking account, if any; and, as soon as he knows, he wishes to pay in a substantial sum, quite privately, to their credit."
Mr. Montague Nevitt bowed a bow of assent; without the faintest sign of passing recognition. "Guy and Cyril Waring," he repeated to himself, looking close at the scrap of paper his chief had handed him; "Guy and Cyril Waring, Staple Inn, Holborn. I can find out to-day, sir, if you attach any special and pressing importance to promptitude in the matter."
For Mr. Montague Nevitt was a cautious, cool, and calculating person. He knew, better than most of us that knowledge is power. So when the manager mentioned to him casually in the way of business the names of Guy and Cyril Waring, Mr. Montague Nevitt didn't respond at once, "Oh, dear yes; one of them's my most intimate personal friend, and the other's his brother," as a man of less discretion might have been tempted to do. For, in the first place, by finding out, or seeming to find out, the facts about the Warings that very afternoon, he could increase his character with his employers for zeal and ability. And, in the second place, if he had let out too soon that he knew the Warings personally, he might most likely on that very account have been no further employed in carrying into execution this delicate little piece of family business.
So Nevitt held his peace discreetly, like a wise man that he was, and answered merely, in a most submissive voice, "I'll do my best to ascertain where they bank, at once," as if he had never before in his life heard the name of Waring.
For the self-same reason, Mr. Montague Nevitt didn't hint that evening to Guy that he had become possessed during the course of the day of a secret of the first importance to Guy's fortune and future. Of course, a man so astute as Montague Nevitt jumped at once at the correct conclusion, that Colonel Kelmscott must be the two Warings' father. But he wasn't going to be fool enough to chuck his chance away by sharing that information with any second person. A secret is far too valuable a lever in life to be carelessly flung aside by a man of ambition. And Montague Nevitt saw this secret in particular was doubly valuable to him. He could use it, wedge-wise, with both the Warings in all his future dealings, by promising to reveal to one or other of them a matter of importance and probable money-value, and he could use it also as a perpetual threat to hold over Colonel Kelmscott, if ever it should be needful to extort blackmail from the possessor of Tilgate, or to thwart his schemes by some active interference.
So when Nevitt strolled round about nine o'clock that night to Staple Inn, violin-case in hand, and cigarette in mouth, he gave not a sign of the curious information he had that day acquired, to the person most interested in learning the truth as to the precise genealogy of the Waring family.
There was no great underlying community of interests between the clever young journalist and his banking companion. A common love for music was the main bond of union between the two men. Yet Montague Nevitt exercised over Guy a strange and fatal fascination which Cyril always found positively unaccountable. And on this particular evening, as Nevitt stood swaying himself to and fro upon the hearth-rug before the empty grate, with his eyes half closed, drawing low, weird music with his enchanted bow from those submissive strings, Guy leaned back on the sofa and listened, entranced, with a hopeless feeling of utter inability ever to approach the wizard-like and supreme execution of that masterly hand and those superhuman fingers. How he twisted and turned them as though his bones were india-rubber. His palms were all joints, and his eyes all ecstasy. He seemed able to do what he liked with his violin. He played on his instrument, indeed, as he played on Guy—with the consummate art of a skilful executant.
"That's marvellous, Nevitt," Guy broke out at last; "never heard even Sarasate himself do anything quite so wild and weird as that. What's the piece called? It seems to have something almost impish or sprite-like in its wailing music. It's Hungarian, of course, or Polish or Greek; I detect at once the Oriental tinge in it."
"Wrong for once, my dear boy," Nevitt answered, smiling, "it's English, pure English, and by a lady what's more—one of the Eweses of Kenilworth. She's a distant relation of Cyril's Miss Clifford, I believe. An Elma, too; name runs in the family. But she composes wonderfully. Everything she writes is in that mystic key. It sounds like a reminiscence of some dim and lamp-lit eastern temple. The sort of thing a nautch-girl might be supposed to compose, to sing to the clash and clang of cymbals, while she was performing the snake-dance before some Juggernaut idol!"
"Exactly," Guy answered, shutting his eyes dreamily. "That's just the very picture it brings up before my mind's eye—as you render it, Nevitt. I seem to see vague visions of some vast and dimly-lighted rock-hewn cavern, with long vistas of pillars cut from the solid stone, while dark-limbed priestesses, clad in white muslin robes, swing censers in the foreground to solemn music. Upon my word, the power of sound is something simply wonderful. There's almost nothing, I believe, good music wouldn't drive me to—or rather lead me to; for it sways one and guides even more than it impels one."
"And yet," Nevitt mused, in slow tones to himself, taking up his violin again, and drawing his bow over the chords, with half-closed eyes, in a seemingly listless, aimless manner, "I don't believe music's your real first love, Guy. You took it up only to be different from Cyril. The artistic impulse in both of you is the same at bottom. If you'd let it have it's own way, you'd have taken, not to this, I'm sure, but to painting. But Cyril painted, so, to make yourself different, you went in for music. That's you all over! You always have such a hankering after being what you are not!"
"Well, hang it all, a man wants to have SOME individuality," Guy answered apologetically. "He doesn't like to be a mere copy or repetition of his brother."
Nevitt reflected quietly to himself that Cyril never wanted to be different from Guy, his was by far the stronger nature of the two: he was content to be himself without regard to his brother. But Nevitt didn't say so. Indeed, why should he? He merely went on playing a few disconnected bars of a very lively, hopeful utopian sort of a tune—a tune all youth and health, and go and gaiety—as he interjected from time to time some brief financial remarks on the numerous good strokes he'd pulled off of late in his transactions in the City.
"Can't do them in my own name, you know," he observed lightly, at last laying down his bow, and replacing the dainty white rose in his left top buttonhole. "Not official for a bank EMPLOYE to operate on the Stock Exchange. The chiefs object to it. So I do my little ventures in Tom's name instead, my brother-in-law, Tom Whitley's. Those Cedulas went up another eighth yesterday. Well hit again: I'm always lucky. And that was a good thing I put you on last week, too, wasn't it? Did you sell out to-day? They're up at 96, and you bought in at 80."
"No, I didn't sell to-day," Guy answered, with a yawn. "I'm holding on still for a further rise. I thought I'd sell out when they reached the even hundred."
"My dear fellow, you're wrong," Nevitt put in eagerly. "You ought to have sold to-day. It's the top of the market. They'll begin to decline soon, and when once they begin they'll come down with a crash, as P.L.'s did on Saturday. You take my advice and sell out first thing to-morrow morning. You'll clear sixteen pounds on each of your shares. That's enough for any man. You bought ten shares, I think, didn't you? Well, there you are, you see; a hundred and sixty off-hand for you on your bargain."
Guy paused and reflected a doubtful moment. "Yes, I'll sell out to-morrow, Nevitt," he said, after a struggle, "or what comes to the same thing, you can sell out for me. But, do you know, my dear fellow, I sometimes fancy I'm a fool for my pains, going in for all this silly speculation. Better stick to my guinea a column in the Morning Mail. The risks are so great, and the gains so small. I don't believe outsiders ought to back their luck at all like this on the Stock Exchange."
Montague Nevitt acquiesced with cheerful promptitude. "I agree with you down to the ground," he said, lighting a cigarette, and puffing away at it vigorously. "Outsiders ought not to back their luck on the Stock Exchange. That, I take it, is a self-evident proposition. But the point is, here, that you're not an outsider; and you don't back your luck, which alters the case, you'll admit, somewhat. You embark on speculations on my advice only, and I'm in a position to judge, as well as any other expert in the City of London, what things are genuine and what things are not worth a wise man's attention."
He stretched himself on the sofa with a lazy, luxurious air, and continued to puff away in silence at his cigarette for another ten minutes. Then he drew unostentatiously from his pocket a folded sheet of foolscap paper, printed after the fashion of the common company prospectus. For a second or two he read it over to himself in silence, till Guy's curiosity was sufficiently roused by his mute proceeding.
"What have you got there?" the journalist asked at last, eyeing it inquiringly, as the fly eyes the cobweb.
"Oh, nothing," Nevitt answered, folding the paper up neatly and returning it to his pocket. "You've sworn off now, so it does not concern you. Just the prospectus of a little fresh thing coming out next week—a very exceptional chance—but you don't want to go in for it. I mean to apply for three hundred shares myself, I'm so certain of its success; and I had thought of advising you to take a hundred and fifty on your own account as well, with that hundred and fifty you cleared over the Cordova Cattle bonds. They're ten-pound shares, at a merely nominal price—ten bob on application and ten on allotment—you could take a hundred and fifty as easy as look at it. No further calls will ever be made. It's really a most remarkable investment."
"Let me see the prospectus," Guy murmured, faltering, the fever of speculation once more getting the better of him.
Nevitt pretended to hang back like a man with fine scruples. "It's the Rio Negro Diamond and Sapphire Mine, Limited," he said, with a deprecatory air. "But you'd better not go in for it. I expect to make a pot out of the thing myself. It's a unique occasion. Still, no doubt you're right, and I don't like the responsibility of advising any other fellow. Though you can see for yourself what the promoters say. Very first-class names. And Klink thinks most highly of it."
He handed Guy the paper, and took up his violin as if by pure accident, while Guy scanned it closely.
The journalist bent over the prospectus with eager eyes, and Nevitt poured forth strange music as he read, music like the murmur of the stream of Pactolus. It was an inspiring strain; the violin seemed to possess the true Midas touch; gold flowed like water in liquid rills from its catgut. Guy finished, and rose, and dipped a pen in the ink-pot. "All right," he said low, half hesitating still. "I'll give you an order to sell out at once, and I'll fill up this application for three hundred shares—why not three hundred? I may as well go as many as you do. If it's really such a good thing as you say, why shouldn't I profit by it? Send this to Klink to-morrow early; strike while the iron's hot, and get the thing finished."
Nevitt looked at the paper with an attentive eye. "How curious it is," he said, regarding the signature narrowly, "that you and Cyril, who are so much alike in everything else, should write so differently. I should have expected your hands to be almost identical."
"Oh, don't you know why that is?" Guy answered, with an innocent smile. "I do it on purpose. Cyril writes sloping forward, the ordinary way, so I slope backward just to prevent confusion. And I form all my letters as unlike his as I can, though if I follow my own bent they turn out the same; his way is more natural to me, in fact, than the way I write myself. But I must do something to keep our letters apart. That's why we always bank at a different banker's. If I liked I could write exactly like Cyril. See, here's his own signature to his letter this morning, and here's my imitation of it, written off-hand, in my own natural manner. No forger on earth could ever need anything more absolutely identical."
Montague Nevitt took it up, and examined it with interest. "Well, this is wonderful," he said, comparing the two, stroke for stroke, with the practised eye of an expert. "The signatures are as if written by the self-same hand. Any cashier in England would accept your cheque at sight for Cyril's."
He didn't add aloud that such similarity was very convenient. But, none the less, in his own mind he thought so.
Down at Tilgate, meanwhile, Elma Clifford had met more than once with Cyril Waring at friends' houses around, for ever since the accident, Society had made up its mind that Elma ought to marry her companion in the tunnel; and, when Society once makes up its mind on a question of this sort, why, it does its level best in the long run to insure the fulfilment of its own prediction.
Wherever Elma had met her painter, however, during those few short weeks, she had seen him only before the quizzing eyes of all the world; and though she admitted to herself that she liked him very much, she was nevertheless so thoroughly frightened by her own performance after the Holkers' party that she almost avoided him, in spite of officious friends—partly, it is true, from a pure feeling of maidenly shame, but partly also from a deeper-seated and profoundly moral belief that with this fierce mad taint upon her as she naturally thought, it would be nothing short of wrong in her even to marry. She couldn't meet Cyril now without thinking at once of that irresistible impulse which had seized her by the throat, as it were, and bent her to its wild will in her own room after their interview at the Holkers'; and the thought did far more than bring a deep blush into her rich brown cheek—it made her feel most acutely she must never dream of burdening him with that terrible uncertainty and all it might enclose in it of sinister import.
For Elma felt sure she was mad that night. And, if so, oh, how could she poison Cyril Waring's life with so unspeakable an inheritance for himself and his children?
She didn't know, what any psychologist might at once have told her, that no one with the fatal taint of madness in her blood could ever even have thought of that righteous self-denial. Such scruples have no place in the selfish insane temperament; they belong only to the highest and purest types of moral nature.
One morning, however, a few weeks later, Elma had strolled off by herself into Chetwood Forest, without any intention of going anywhere in particular, save for a solitary walk, when suddenly, a turn round the corner of a devious path brought her face to face all at once with a piece of white canvas, stretched opposite her on an easel; at the other side of which, to her profound dismay, an artist in a grey tweed suit was busily working.
The artist, as it happened, didn't see her at once, for the canvas stretched between them, shutting her out from his eyes, and Elma's light footstep on the mossy ground hadn't aroused his attention. So the girl's first impulse was to retrace her way unobtrusively without exchanging a word, and retire round the corner again, before Cyril could recognise her. But somehow, when she came to try, she couldn't. Her feet refused point blank to obey her will. And this time, in her own heart, she knew very well why. For there in the background, coiled up against the dense wall of rock and fern, Sardanapalus lay knotted in sleepy folds, with his great ringed back shining blue in the sunlight that struggled in round patches through the shimmering foliage. More consciously now than even in the train, the beautiful deadly creature seemed to fascinate Elma and bind her to the spot. For a moment she hesitated, unable to resist the strange, inexplicable attraction that ran in her blood. That brief interval settled it. Even as she paused, Cyril glanced round at the snake to note the passing effect of a gleam of light that fell slantwise through the leaves to dapple his spotty back—and caught sight of Elma. The poor girl gave a start. It was too late now to retreat. She stood there rooted.
Cyril moved forward to meet her with a frankly outstretched hand. "Good morning, Miss Clifford," he said, in his cheery manly voice. "So you've dropped down by accident upon my lair here, have you? Well, I'm glad you've happened to pass by to-day, for this, do you know, is my very last morning. I'm putting the finishing touches upon my picture now before I take it back to town. I go away to-morrow, perhaps to North Wales, perhaps to Scotland."
Elma trembled a little at those words, in spite of resolution; for though she could never, never, never marry him, it was nice, of course, to feel he was near at hand, and to have the chance of seeing him, and avoiding him as far as possible, on other people's lawns at garden parties. She trembled and turned pale. She could never MARRY him, to be sure; but then she could never marry any one else either; and that being so, she liked to SEE him now and again, on neutral ground, as it were, and to know he was somewhere that she could meet him occasionally. Wales and Scotland are so distant from Surrey. Elma showed in her face at once that she thought them both unpleasantly remote from Craighton, Tilgate.
With timid and shrinking steps, she came in front of the picture, and gazed at it in detail long and attentively. Never before did she know how fond she was of art.
"It's beautiful," she said, after a pause; "I like it immensely. That moss is so soft, and the ferns are so delicate. And how lovely that patch of rich golden light is on Sardanapalus's shoulder."
The painter stepped back a pace or two and examined his own handicraft, with his head on one side, in a very critical attitude. "I don't know that I'm quite satisfied after all with the colour-scheme," he said, glancing askance at Elma. "I fancy it's, perhaps, just a trifle too green. It looks all right, of course, out here in the open; but the question is, when it's hung in the Academy, surrounded by warm reds, and purples, and blues, won't it look by comparison much too cabbagey and too grassy?"
Elma drew a deep breath.
"Oh, Mr. Waring," she cried, in a deprecating tone, holding her breath for awe.
It pained her that anybody—even Cyril himself—should speak so lightly about so beautiful a picture.
"Then you like it?" Cyril asked, turning round to her full face and fronting her as she stood there, all beautiful blushes through her creamy white skin.
"Like it? I love it," Elma answered enthusiastically. "Apart from its being yours, I think it simply beautiful."
"And you like ME, too, then?" the painter asked, once more, making a sudden dash at the question that was nearest to both their hearts, after all, that moment. He was going away to-morrow, and this was a last opportunity. Who could tell how soon somebody might come up through the woods and interrupt their interview? He must make the best use of his time. He must make haste to ask her.
Elma let her eyes drop, and her heart beat hard. She laid her hand upon the easel to steady herself as she answered slowly, "You know I like you, Mr. Waring; I like you very, very much indeed. You were so kind to me in the tunnel. And I felt your kindness. You could see that day I was—very, very grateful to you."
"When I asked you if you liked my picture, Elma," the young man said reproachfully, taking her other hand in his, and looking straight into her eyes, "you said, 'Like it? I love it.' But when I ask you if you like me—ask you if you will take me—you only say you're very, very grateful."
Elma let him take her hand, all trembling, in his. She let him call her by her name. She let him lean forward and gaze at her, lover-like. Her heart throbbed high. She couldn't refuse him. She knew she loved him. But to marry him—oh no. That was quite another thing. There duty interposed. It would be cruel, unworthy, disgraceful, wicked.
She drew herself back a little with maidenly dignity, as she answered low, "Mr. Waring, we two saw into one another's hearts so deep in the tunnel that day we spent together, that it would be foolish for us now to make false barriers between us. I'll tell you the plain truth." She trembled like an aspen-leaf. "I love you, I think; but I can never marry you."
She said it so simply, yet with such an earnestness of despair, that Cyril knew with a pang she really meant it.
"Why not?" he cried eagerly, raising her hand to his lips, and kissing it with fervour. "If you tell me you love me, Elma, all the rest must come. Say that, and you say all. So long as I've gained your heart, I don't care for anything."
Elma drew her hand away with stately reserve. "I mean it, Mr. Waring," she said slowly, sitting down on the bank, and gasping a little for air, just as she had done in the tunnel. "I really mean it. I LIKED you in the train that day; I was GRATEFUL to you in the accident; I knew I LOVED you the afternoon we met at the Holkers'. There, I've told you that plainly—more plainly than I thought I ever could tell it to any man on earth—because we knew one another so well when we thought we were dying side by side, and because—because I can see you really love me…. Well, it can never be. I can never marry you."
She gazed at him wistfully. Cyril sat down by her side, and talked it all over with her from a hundred points of view. He pressed his suit hard, till Elma felt, if words could win, her painter would have won her. But she couldn't yield, she said for HIS sake a thousand times more than for her own, she must never marry. As the man grew more earnest the girl in turn grew more frank and confiding. She could never marry HIM, to be sure, she said fervently, but then she could never, never, never marry any one else. If she married at all she would marry Cyril. He took her hand again. Without one shadow of resistance she let him take it and hold it. Yes, yes, he might love her, if he liked, no harm at all in that; and SHE, she would always, always love him. All her life through, she cried, letting her passionate southern nature get the better of her at last, she would love him every hour of every day in the year, and love him only. But she could never marry him. Why, she must never say. It was no use his trying to read her secret. He must never find it out; never, never, never. But she, for her part, could never forget it.
So Cyril, eagerly pressing his suit with every art he knew, was forced in the end to content himself with that scanty measure. She would love him, she would write to him, even; but she would never marry him.
At last the time came when they must really part, or she would be late for lunch, and mamma would know all; mamma would read everything. He looked her wistfully in the face. Elma held out her lips, obedient to that mute demand, with remorseful blush of maidenly shame on her cheek. "Only once," she murmured. "Just to seal our compact. For the first and last time. You go away to-morrow."
"That was BEFORE you said you loved me," Cyril cried with delight, emboldened by success. "Mayn't I stay on now, just one little week longer?"
At the proposal, Elma drew back her face in haste before he had time to kiss it, and answered, in a very serious voice—
"Oh no, don't ask me. After this, I daren't stand the strain of seeing you again—at least not just now—not so very, very soon. Please, please, don't ask me. Go to-morrow, as you said. If you don't, I can't let you," she blushed, and held out her blushing face once more. "Only if you promise me to go to-morrow, mind," she said, with a half-coquettish, half-tearful smile at him.
Cyril hesitated for a second. He was inclined to temporize. "Those are very hard terms," he said. Then impulse proved too much for him. He bent forward, and pressed his lips just once on that olive-brown cheek. "But I may come back again very soon," he murmured, pushing home his advantage.
Elma seized his hand in hers, wrung it hard and tremulously, and then turned and ran like a frightened fawn, without pausing to look back, down the path homeward. Yet she whispered one broken sentence through her tears, for all that, before she went.
"I shall love you always; but spare me, spare me."
And Cyril was left behind by himself in the wood, completely mystified.
Elma hurried home full of intense misgivings. She dreaded having to meet her mother's eye. How on earth could she hide from that searching glance the whole truth as to what had happened in the wood that morning? When she reached home, however, she learned to her relief, from the maid who opened the door to her, that their neighbour, Mr. Gilbert Gildersleeve, the distinguished Q.C., had dropped in for lunch, and this chance diversion supplied Elma with a little fresh courage to face the inevitable. She went straight up to her own room the moment she entered the house, without seeing her mother, and there she waited, bathing her face copiously till some minutes after the lunch bell had rung. For she felt sure she would blush crimson when she met her mother; but as she blushed habitually when strangers came in, the cause of it might thus, perhaps, she vainly flattered herself, escape even those lynx-like eyes of Mrs. Clifford's.
The great Q.C., a big, overbearing man, with a pair of huge burly hands that somehow seemed to form his chief feature, was a little bit blustering in his talk, as usual; the more so because he had just learned incidentally that something had gone wrong between his daughter Gwendoline and Granville Kelmscott. For though that little episode of private wooing had run its course nominally without the knowledge or consent of either family, Mr. Gilbert Gildersleeve, at least, had none the less been aware for many weeks past of the frequent meetings between Gwendoline and Granville in the dell just beyond the disputed boundary line. And as Mr. Gildersleeve disliked Colonel Kelmscott of Tilgate Park, for a pig-headed esquire, almost as cordially as Colonel Kelmscott disliked Mr. Gildersleeve in return for a rascally lawyer, it had given the great Q.C. no little secret satisfaction in his own soul to learn that his daughter Gwendoline was likely to marry the Colonel's son and heir, directly against the wishes and consent of his father.
Only that very morning, however, poor Mrs. Gildersleeve, that tired, crushed wife, had imparted to her lord and master, in fear and trembling, the unpleasant intelligence that, so far as she could make out, there was something wrong between Granville and Gwendoline. And this something wrong she ventured to suggest was no mere lover's tiff of the ordinary kiss-and-make-it-up description, but a really serious difficulty in the way of their marriage. So Mr. Gildersleeve, thus suddenly deprived of his expected triumph, took it out another way by more than even his wonted boisterousness of manner in talking about the fortunes of the Kelmscott family.
"I fancy, myself, you know, Mrs. Clifford," he was saying, very loud, as Elma entered, "there's a screw loose just now in the Kelmscott affairs—something rotten somewhere in the state of Denmark. That young fellow, Granville, who's by no means such a bad lot as his father all round—too good for the family, in fact; too good for the family—Granville's been accustomed of late to come over into my grounds, beyond the boundary wall, and being anxious above all things to cultivate friendly relations with all my neighbours in the county, I've allowed him to come—I've allowed him, and I may even say to a certain extent I've encouraged him. There at times he's met by accident my daughter Gwendoline. Oh, dear no"—with uplifted hand, and deprecating lips—"I assure you, nothing of THAT sort, my dear Mrs. Clifford. Gwendoline's far too young, and I couldn't dream of allowing her to marry into Colonel Kelmscott's family. But, however, be that as it may, he's been in the habit of coming there, till very recently, when all of a sudden, only a week or ten days back, to my immense surprise he ceased at once, and ever since has dropped into the defensive, exactly as he used to do. And I interpret it to mean—"
Elma heard no more of that pompous speech. Her knees shook under her. For she was aware only of Mrs. Clifford's eyes, fixed mildly and calmly upon her face, not in anger, as she feared, or reproach, but rather in infinite pity. For a second their glances met in mute intercourse of soul, then each dropped their eyelashes as suddenly as before. Through the rest of that lunch Elma sat as in a maze, hearing and seeing nothing. What she ate, or drank, or talked about, she knew not. Mr. Gildersleeve's pungent and embellished anecdotes of the Kelmscott family and their unneighbourly pride went in at one ear and out at the other. All she was conscious of was her mother's sympathetic yet unerring eye; she felt sure that at one glance that wonderful thought-reader had divined everything, and seen through and through their interview that morning.
After lunch, the two men strolled upon the lawn to enjoy their cigars, and Elma and her mother were left alone in the drawing-room.
For some minutes neither could make up her mind to break the ice and speak. They sat shame-faced beside one another on the sofa, like a pair of shy and frightened maidens. At last Mrs. Clifford braced herself up to interrupt the awkward silence. "You've been in Chetwood Forest, Elma," she murmured low, looking down and averting her eyes carefully from her trembling daughter.
"Yes, mother," Elma answered, all aglow with conscious blushes.
"In Chetwood Forest."
"And you met him, dear?" The mother spoke tenderly and sympathetically.
Elma's heart stood still. "Yes, mother, I met him."
"And he had the snake there?"
Elma started in surprise. Why dwell upon that seemingly unimportant detail? "Oh yes," she answered, still redder and hotter than ever. "He had it there. He was painting it."
Mrs. Clifford paused a minute. Then she went on, with pain. "And he asked you, Elma?"
Elma bowed her head. "Yes, he asked me—and I refused him," she answered, with a terrible wrench.
"Oh, darling; I know it," Mrs. Clifford cried, seizing both cold hands in hers. "And I know why, too. But, Elma, believe me, you needn't have done it. My daughter, my daughter, you might just as well have taken him."
"No, never," Elma cried, rising from her seat and moving towards the door in an agony of shame. "I couldn't. I daren't. It would be wrong. It would be cruel. But, mother, don't speak to me of it. Don't mention it again. Even before you it makes me more wretched and ashamed than I can say to allude to it."
She rushed from the room, with cheeks burning like fire. Come what might, she never could talk to any living soul again about that awful episode.
But Mrs. Clifford sat on, on the sofa where Elma left her, and cried to herself silently, silently, silently. What a mother should do in these hateful circumstances she could hardly even guess. She only knew she could never speak it out, and even if she did, Elma would never have the courage or the heart to listen to her.
That same evening, when Elma went up to bed, a strange longing came across her to sit up late, and think over to herself again all the painful details of the morning's interview. She seated herself by her bedside in her evening dress, and began to think it all out again, exactly as it happened. As she did so, the picture of Sardanapalus, on his bed of fern, came up clear in her mind, just as he lay coiled round in Cyril Waring's landscape. Beautiful Sardanapalus, so sleek and smooth and glossy, if only she had him here now—she paused and hesitated. In a moment, the wild impulse rushed upon her once more. It clutched her by the throat; it held her fast as in a vice. She must get up and dance; she must obey the mandate; she must whirl till she fell in that mystical ecstasy.
She rose, and seemed for a moment as though she must yield to the temptation. The boa—the boa was in the lower drawer. Reluctantly, remorsefully, she opened the drawer and took it out in her hands. Fluff and feathers, fluff and feathers—nothing more than that! But oh, how soft, how smooth, how yielding, how serpentine! With a violent effort she steadied herself, and looked round for her scissors. They lay on the dressing-table. She took them up with a fixed and determined air. "If thy right hand offend thee, cut it off," she thought to herself. Then she began ruthlessly hacking the boa into short little lengths of a few inches each, which she gathered up in her hands as soon as she had finished, and replaced with care in the drawer where she had originally found them.
After that her mind felt somewhat more at ease and a trifle less turbulent. She loved Cyril Waring—oh yes, she loved him with all her heart; it was hard to give him up; hard not to yield to that pressing impulse in such a moment of doubt and despondency. The boa had said to her, as it were, "Come, dance, go mad, and forget your trouble!" But she had resisted the temptation. And now—
Why, now, she would undress, and creep into bed, like any other good English girl under similar circumstances, and cry herself asleep with thoughts of Cyril.
And so she did in truth. She let her emotion take its natural outlet. She lay awake for an hour or two, till her eyes were red and sore and swollen. Then at last she dropped off, for very weariness, and slept soundly an unbroken sleep till morning.
At eight o'clock, Mrs. Clifford knocked her tentative little knock at the door. "Come in, mother," Elma cried, starting up in her surprise; and her mother, much wondering, turned the handle and entered.
When she reached the bed, she gave a little cry of amazement. "Why, Elma," she exclaimed, staring her hard and long in the face; "my darling, what's this? Your eyes are red! How strange! You've been crying!"
"Yes, mother," Elma answered, turning her face to the wall, but a thousand times less ashamed than she had been the day before when her mother spoke to her. "I couldn't help it, dearest." She took that soft white hand in hers and pressed it hard in silence. "It's no wonder, you know," she said at last, after a long deep pause. "He's going away from Chetwood to-day—and it was so very, very hard to say good-bye to him for ever."
"Oh yes, I know, darling," Mrs. Clifford answered, eyeing her harder than ever now with a half-incredulous look. "I know all that. But—you've had a good night in spite of everything, Elma."
Elma guessed what she meant. They two could converse together quite plainly without words. "Well, yes, a better night," she answered, hesitating, and shutting her eyes under the bed-clothes for very shame. "A little disturbed—don't you know—just at first; but I had a good cry very soon, and then that mended everything."
Her mother still looked at her, half doubting and half delighted. "A good cry's the right thing," she said slowly, in a very low voice. "The exact right thing, perfectly proper and normal. A good cry never did any girl on this earth one atom of harm. It's the best safety-valve. You're lucky, Elma, my child, in being able to get one."
"Yes, dear," Elma answered, with her head still buried. "Very lucky indeed. So I think, too, mother."
Mrs. Clifford's eye fell aimlessly upon certain tiny bits of feathery fluff that flecked the floor here and there like floating fragments of thistledown. In a second, her keen instinct divined what they meant. Without one word she rose silently and noiselessly, and opened the lower drawer, where the boa usually reposed among the furs and feathers. One glimpse of those mangled morsels showed her the truth at a glance. She shut the drawer again noiselessly and silently as she had opened it. But Elma, lying still with her eyes closed tight, yet knew perfectly well how her mother had been occupied.
Mrs. Clifford came back, and, stooping over her daughter's bed, kissed her forehead tenderly. "Elma, darling," she said, while a hot tear or two fell silently upon the girl's burning cheek, "you're very, very brave. I'm so pleased with you, so proud of you! I couldn't have done it myself. You're stronger-minded than I am. My child, he kissed you for good-bye yesterday. You needn't say yes, you needn't say no. I read it in your face. No need for you to tell me of it. Well, darling, it wasn't good-bye after all, I'm certain of that. Believe me, my child, he'll come back some day, and you'll know you can marry him."
"Never!" Elma cried, hiding her face still more passionately and wildly than before beneath great folds of the bed-clothes. "Don't speak to me of him any more, mother! Never! Never! Never!"
Cyril Waring, thus dismissed, and as in honour bound, hurried up to London with a mind preoccupied by many pressing doubts and misgivings. He thought much of Elma, but he thought much, too, of sundry strange events that had happened of late to his own private fortunes. For one thing he had sold, and sold mysteriously, at a very good price, the picture of Sardanapalus in the glade at Chetwood. A well-known London dealer had written down to him at Tilgate making an excellent offer for the unfinished work, as soon as it should be ready, on behalf of a customer whose name he didn't happen to mention. And who could that customer be, Cyril thought to himself, but Colonel Kelmscott? But that wasn't all. The dealer who had offered him a round sum down for "The Rajah's Rest" had also at the same time commissioned him to go over to the Belgian Ardennes to paint a picture or two, at a specified price, of certain selected scenes upon the Meuse and its tributaries. The price offered for the work was a very respectable one, and yet—he had some internal misgivings, somehow, about this mysterious commission. Could it be to get rid of him? He had an uncomfortable suspicion in the back chambers of his mind, that whoever had commissioned the pictures might be more anxious to send him well away from Tilgate than to possess a series of picturesque sketches on the Meuse and its tributaries.
And who could have an interest in keeping him far from Tilgate? That was the question. Was there anybody whom his presence there could in any way incommode? Could it be Elma's father who wanted to send him so quickly away from England?
And what was the meaning of Elma's profound resolution, so strangely and strongly expressed, never, never to marry him?
A painful idea flitted across the young man's puzzled brain. Had the Cliffords alone discovered the secret of his birth? and was that secret of such a disgraceful sort that Elma's father shrank from owning him as a prospective son-in-law, while even Elma herself could not bring herself to accept him as her future husband? If so, what could that ghastly secret be? Were he and Guy the inheritors of some deadly crime? Had their origin been concealed from them, more in mercy than in cruelty, only lest some hideous taint of murder or of madness might mar their future and make their whole lives miserable?
When he reached Staple Inn, he found Guy and Montague Nevitt already in their joint rooms, and arrears of three days' correspondence awaiting him.
A close observer—like Elma Clifford—might perhaps have noted in Montague Nevitt's eye certain well-restrained symptoms of suppressed curiosity. But Cyril Waring, in his straightforward, simple English manliness, was not sharp enough to perceive that Nevitt watched him close while he broke the envelopes and glanced over his letters; or that Nevitt's keen anxiety grew at once far deeper and more carefully concealed as Cyril turned to one big missive with an official-looking seal and a distinctly important legal aspect. On the contrary, to the outer eye or ear all that could be observed in Montague Nevitt's manner was the nervous way he went on tightening his violin strings with a tremulous hand and whistling low to himself a few soft and tender bars of some melancholy scrap from Miss Ewes's refectory.
As Cyril read through that letter, however, his breath came and went in short little gasps, and his cheek flushed hotly with a sudden and overpowering flood of emotion.
"What's the matter?" Guy asked, looking over his shoulder curiously. And Cyril, almost faint with the innumerable ideas and suspicions that the tidings conjured up in his brain at once, said with an evident effort, "Read it, Guy; read it."
Guy took the letter and read, Montague Nevitt gazing at it by his side meanwhile with profound interest.
As soon as they had glanced through its carefully-worded sentences, each drew a long breath and stared hard at the other. Then Cyril added in a whirl, "And here's a letter from my own bankers saying they've duly received the six thousand pounds and put it to my credit."
Guy's face was pale, but he faltered out none the less with ashy lips, staring hard at the words all the time, "It isn't only the money, of course, one thinks about, Cyril; but the clue it seems to promise us to our father and mother."
"Exactly," Cyril answered, with a responsive nod. "The money I won't take. I don't know what it means. But the clue I'll follow up till I've run to earth the whole truth about who we are and where we come from."
Montague Nevitt glanced quickly from one to the other with an incredulous air. "Not take the money," he exclaimed, in cynical surprise. "Why, of course you'll take it. Twelve thousand pounds isn't to be sneezed at in these days, I can tell you. And as for the clue, why, there isn't any clue. Not a jot or a tittle, a ghost or a shadow of it. The unnatural parent, whoever he may be—for I take it for granted the unnatural parent's the person at the bottom of the offer—takes jolly good care not to let you know who on earth he is. He wraps himself up in a double cloak of mystery. Drummonds pay in the money to your account at your own bank, you see, and while they're authorized to receive your acknowledgment of the sum remitted, they are clearly NOT authorized to receive to the sender's credit any return cheque for the amount or cash in repayment. The unnatural parent evidently intends to remain, for the present at least, strictly anonymous.
"Couldn't you find out for us at Drummond, Coutts and Barclay's who the sender is?" Guy asked, with some hesitation, still turning over in his hand the mysterious letter.
Nevitt shook his head with prompt decision. "No, certainly not," he answered, assuming an air of the severest probity. "It would be absolutely impossible. The secrets in a bank are secrets of honour. We are the depositaries of tales that might ruin thousands, and we never say a word about one of them to anybody."
As for Cyril, he felt himself almost too astonished for words. It was long before he could even discuss the matter quietly. The whole episode seemed so strange, so mysterious, so uncanny. And no wonder he hesitated. For the unknown writer of the letter with the legal seal had proposed a most curious and unsatisfactory arrangement. Six thousand pounds down on the nail to Cyril, six thousand more in a few weeks to Guy. But not for nothing. As in all law business, "valuable consideration" loomed large in the background. They were both to repair, on a given day, at a given hour, to a given office, in a given street, where they were to sign without inquiry, and even without perusal, whatever documents might then and there be presented to them. This course, the writer pointed out, with perspicuous plainness, was all in the end to their own greater advantage.
For unless they signed, they would get nothing more, and it would be useless for them at attempt the unravelling of the mystery. But if they consented to sign, then, the writer declared, the anonymous benefactor at whose instigation he wrote would leave them by his will a further substantial sum, not one penny of which would ever otherwise come to them.
And Montague Nevitt, as a man of business, looking the facts in the face, without sentiment or nonsense, advised them to sign, and make the best of a good bargain.
For Montague Nevitt saw at once in his own mind that this course would prove the most useful in the end for his own interests, both as regards the Warings and Colonel Kelmscott.
The two persons most concerned, however, viewed the matter in a very different light. To them, this letter, with its obscure half-hints, opened up a chance of solving at last the mystery of their position which had so long oppressed them. They might now perhaps find out who they really were, if only they could follow up this pregnant clue; and the clue itself suggested so many things.
"Whatever else it shows," Guy said emphatically, "it shows we must be the lawful sons of some person of property, or else why should he want us to sign away our rights like this, all blindfold? And whatever the rights themselves may be, they must be very considerable, or else why should he bribe us so heavily to sign ourselves out of them? Depend upon it, Nevitt, it's an entailed estate, and the man who dictated that letter is in possession of the property, which ought to belong to Cyril and me. For my part, I'm opposed to all bargaining in the dark. I'll sign nothing, and I'll give away nothing, without knowing what it is. And that's what I advise Cyril to write back and tell him."
Cyril, however, was revolving in his own mind meanwhile a still more painful question. Could it be any blood-relationship between himself and Elma, unknown to him, but just made known to her, that gave rise to her firm and obviously recent determination never to marry him? A week or two since, he was sure, Elma knew of no cause or just impediment why they should not be joined together in holy matrimony. Could she have learned it meanwhile, before she met him in the wood? and could the fact of her so learning it have thus pricked the slumbering conscience of their unknown kinsman or their supposed supplanter?
They sat there long and late, discussing the question from all possible standpoints—save the one thus silently started in his own mind by Cyril. But, in the end, Cyril's resolution remained unshaken. He would leave the six thousand pounds in the bank, untouched; but he would write back at once to the unknown sender, declining plainly, once for all, to have anything to do with it or with the proposed transactions. If anything was his by right, he would take it as of right, but he would be no party to such hole-and-corner renunciations of unknown contingencies as the writer suggested. If the writer was willing to state at once all the facts of the case, in clear and succinct language, and to come to terms thus openly with himself and his brother, why then, Cyril averred, he was ready to promise they would deal with his claims in a spirit of the utmost generosity and consideration. But if this was an attempt to do them out of their rights by a fraudulent bribe, he for one would have nothing to say to it. He would therefore hold the six thousand pounds paid in to his account entirely at his anonymous correspondent's disposition.
"And as there isn't any use in my wasting the summer, Guy," he said, in conclusion, "I won't let this red-herring, trailed across my path, prevent me from going over at once, as I originally intended, to Dinant and Spa, and fulfilling the commission for those pictures of Dale and Norton's; You and Nevitt can see meanwhile what it's possible for us to do in the matter of hunting up this family mystery. You can telegraph if you want me, and I'll come back at once. But more than ever now I feel the need of redeeming the time and working as hard as I can go at my profession."
"Well, yes," Guy answered, as if both their thoughts ran naturally in the self-same channel. "I agree with you there. She's been accustomed to luxury. No man has a right to marry any girl if he can't provide for her in the comfort and style she's always been used to. And from that point of view, when one looks it in the face, Cyril, six thousand pounds would come in handy."
Mr. Montague Nevitt rubbed his hands with delight in the sacred privacy of his own apartment. Mr. Nevitt, indeed, had laid his plans deep. He had everybody's secrets all round in his hands, and he meant to make everybody pay dear in the end for his information.
Mr. Nevitt was free. His holidays were on at Drummond, Coutts and Barclay's, Limited. He loved the sea, the sun, and the summer. He was off that day on a projected series of short country runs, in which it was his intention strictly to combine business and pleasure. Dartmoor, for example, as everybody knows, is a most delightful and bracing tourist district; but what more amusing to a man of taste than to go a round of the Moor with its heather-clad tors, and at the same time hunt up the parish registers of the neighbourhood for the purpose of discovering, if possible, the supposed marriage record of Colonel Kelmscott of Tilgate with the Warings' mother? For that there WAS a marriage Montague Nevitt felt certain in his own wise mind, and having early arrived at that correct conclusion, why, he had quietly offered forthwith, in Plymouth papers, a considerable reward to parish clerks and others who would supply him with any information as to the births, marriages, or deaths of any person or persons of the name of Waring for some eighteen months or so before or after the reputed date when Guy and Cyril began their earthly pilgrimage.
For deaths, Nevitt said to himself, with a sinister smile, were every bit as important to him as births or marriages. He knew the date of Colonel Kelmscott's wedding with Lady Emily Croke, and if at that date wife number one was not yet dead, when the Colonel took to himself wife number two, who now did the honours of Tilgate Park for him, why, there you had as clear and convincing a case of bigamy as any man could wish to find out against another, and to utilize some day for his own good purposes.
As he thought these thoughts, Montague Nevitt gave the last delicate twirl, the final touch of art, to the wire-like ends of his waxed moustache, in front of his mirror, and, after surveying the result in the glass with considerable satisfaction, proceeded to set out, on very good terms with himself, for his summer holiday.
Devonshire, however, wasn't his first destination. Montague Nevitt, besides being a man of business and a man of taste, was also in due season a man of feeling. A heart beat beneath that white rosebud in his left top button-hole. All his thoughts were not thoughts of greed and of gain. He was bound to Tilgate to-day, and to see a lady.
It isn't so easy in England to see a lady alone. But fortune favours the brave. Luck always attended Mr. Montague Nevitt's most unimportant schemes. Hardly had he got into the field path across the meadows between Tilgate station and the grounds of Woodlands than, at the seat by the bend, what should he see but a lady sitting down in an airy white summer dress, her head leaning on her hand, most pensive and melancholy. Montague Nevitt's heart gave a sudden bound. In luck once more. It was Gwendoline Gildersleeve.
"Good morning!" he said briskly, coming up before Gwendoline had time to perceive him—and fly. "This is really most fortunate. I've run down from town today on purpose to see you, but hardly hoped I should have the good fortune to get a tete-a-tete with you—at least so easily. I'm so glad I'm in time. Now, don't look so cross. You must at any rate admit, you know, my persistence is flattering."
"I don't feel flattered by it, Mr. Nevitt," Gwendoline answered coldly, holding out her gloved hand to him with marked disinclination. "I thought last time I had said good-bye to you for good and for ever."
Nevitt took her hand, and held it in his own a trifle longer than was strictly necessary. "Now don't talk like that, Gwendoline," he said coaxingly. "Don't crush me quite flat. Remember at least that you ONCE were kind to me. It isn't my fault, surely, if I still recollect it."
Gwendoline withdrew her hand from his with yet more evident coolness.
"Circumstances alter cases," she said severely. "That was before
I really knew you."
"That was before you knew Granville Kelmscott, you mean," Nevitt responded with an unpleasantly knowing air. "Oh yes, you needn't wince; I've heard all about that. It's my business to hear and find out everything. But circumstances alter cases, as you justly say, Gwendoline. And I've discovered some circumstances about Granville Kelmscott that may alter the case as regards your opinion of that rich young man, whose estate weighed down a poor fellow like me in what you've graciously pleased to call your affections."
Gwendoline rose, and looked down at the man contemptuously. "Mr. Nevitt," she said, in a chilling voice, "you've no right to call me Gwendoline any longer now. You've no right to speak to me of Mr. Granville Kelmscott. I refused your advances, not for any one else's sake, or any one else's estate, but simply and solely because I came to know you better than I knew you at first; and the more I knew of you the less I liked you. I am NOT engaged to Mr. Granville Kelmscott. I don't mean to see him again. I don't mean to marry him."
Nevitt took his cue at once, like a clever hand that he was, and followed it up remorselessly. "Well, I'm glad to hear that anyhow," he answered, assuming a careless air of utter unconcern, "for your sake as well as for his, Miss Gildersleeve; for Granville Kelmscott, as I happen to know in the course of business, is a ruined man—a ruined man this moment. He isn't, and never was, the heir of Tilgate. And I'm sure it was very honourable of him, the minute he found he was a penniless beggar, to release you from such an unequal engagement."
He had played his card well. He had delivered his shot neatly. Gwendoline, though anxious to withdraw from his hateful presence, couldn't help but stay and learn more about this terrible hint of his. A light broke in upon her even as the fellow spoke. Was it this, then, that had made Granville talk so strangely to her that morning by the dell in the Woodlands? Was it this which, as he told her, rendered their marriage impossible? Why, if THAT were all—Gwendoline drew a deep breath and clasped her hands together in a sudden access of mingled hope and despair. "Oh, what do you mean, Mr. Nevitt," she cried eagerly. "What can Granville have done? Don't keep me in suspense! Do tell me what you mean by it."
Montague Nevitt, still seated, looked up at her with a smile of quiet satisfaction. He played with her for a moment as a cat plays with a mouse. She was such a beautiful creature, so tall and fair and graceful, and she was so awfully afraid, and he was so awfully fond of her, that he loved to torture her thus and hold her dangling in his power. "No, Gwendoline," he said slowly, drawing his words out by driblets, so as to prolong her suspense, "I oughtn't to have mentioned it at all. It's a professional secret. I retract what I said. Forget that I said it. Excuse me on the ground of my natural reluctance to see a woman I still love so deeply and so purely—whatever she may happen to think of ME—throw herself away on a man without a name or a penny. However, as Kelmscott seems to have done the honourable thing of his own accord, and given you up the minute he knew he couldn't keep you in the way you've been accustomed to—why, there's no need, of course, of any warning from me. I'll say no more on the subject."
His studied air of mystery piqued and drew on his victim. Gwendoline knew in her own heart she ought to go at once; her own dignity demanded it, and she should consult her dignity. But still, she couldn't help longing to know what Nevitt's half-hints and innuendoes might mean. After all, she was a woman! "Oh, do tell me," she cried, clasping her hands in suspense once more; "what have you heard about Mr. Kelmscott? I'm not engaged to him; I don't want to know for that, but—" she broke down, blushing crimson, and Montague Nevitt, gazing fixedly at her delicate peach-like cheek, remarked to himself how extremely well that blush became her.
"No, but remember," he said in a very grave voice, in his favourite impersonation of the man of honour, "whatever I tell you—if I give way at all and tell you anything—you must hear in confidence, and must repeat to nobody. If you do repeat it, you'll get me into very serious trouble. And not only so, but as nobody knows it except myself, you'll as good as proclaim to all the world that you heard it from ME. If I tell you what I know, will you promise me this—not to breathe a syllable of what I say to anybody?"
Gwendoline, glancing down, and thoroughly ashamed of herself, yet answered in a very low and trembling voice, "I'll promise, Mr. Nevitt."
"Then the facts are these," the man of feeling went on, with an undercurrent of malicious triumph in his musical voice. "Kelmscott is NOT his father's eldest son; he's NOT, and never was, the heir of Tilgate. More than that, nobody knows these facts but myself. And I know the true heirs, and I can prove their title. Well, now, Miss Gildersleeve—if it's to be Miss Gildersleeve still—this is the circumstance that alters the case as regards Granville Kelmscott. I have it in my hands to ruin Kelmscott. And what I've taken the trouble to come down and say to you to-day is simply this for your own advantage; beware, at least, how you throw yourself away upon a penniless man, with neither name nor fortune! When you've quite got over that dream, you'll be glad to return to the man you threw overboard for the rich squire's son. No circumstances have ever altered him. He loved you from the first, and he will always love you."
Gwendoline looked him back in the face again, as pale as death. "Mr. Nevitt," she said scornfully, unmoved by his tale, "I do not love you, and I will never love you. You have no right to say such things to me as this. I'm glad you've told me, for I now know what Mr. Kelmscott meant. And if he was as poor as a church mouse, I'd marry him to-morrow—I said just now I didn't mean to marry him. I retract that word. Circumstances alter cases, and what you've just told me alters this one. I withdraw what I said. I'll marry Granville Kelmscott to-morrow if he asks me."
She looked down at him so proudly, so defiantly, so haughtily, that Montague Nevitt, sitting there with his cynical smile on his thin red lips, flinched and wavered before her. He saw in a moment the game was up. He had played the wrong card; he had mistaken his woman and tried false tactics. It was too late now to retreat. An empty revenge was all that remained to him. "Very well," he said sullenly, looking her back in the face with a nasty scowl—for indeed he loved that girl and was loath to lose her—"remember your promise, and say nothing to anybody. You'll find it best so for your own reputation in the end. But mark my words; be sure I won't spare Granville Kelmscott now. I'll play my own game. I'll ruin him ruthlessly. He's in my power, I tell you, and I'll crush him under my heel. Well, that's settled at last. I'm off to Devonshire to-morrow—on the hunt of the records—to the skirts of Dartmoor, to a place in the wilds by the name of Mambury." He raised his hat, and, curling his lip maliciously, walked away, without even so much as shaking hands with her. He knew it was all up. That game was lost. And, being a man of feeling, he regretted it bitterly.
Gwendoline, for her part, hurried home, all aglow with remorse and excitement. When she reached the house, she went straight up in haste to her own bedroom. In spite of her promise, all woman that she was, she couldn't resist sitting down at once and inditing a hurried note to Granville Kelmscott.
"Dearest Granville," it said, in a very shaky hand, not unblurred by tears, "I know all now, and I wonder you thought it could ever matter. I know you're not the eldest son, and that somebody else is the heir of Tilgate. And I care for all that a great deal less than nothing. I love you ten thousand times too dearly to mind one pin whether you're rich or poor. And, rich or poor, whenever you like, I'll marry you.
"Yours ever devotedly and unalterably,
She sealed it up in haste and ran out with it, all tremors, to the post by herself. Her hands were hot. She was in a high fever. But Mr. Montague Nevitt, that man of feeling, thus balked of his game, walked off his disappointment as well as he could by a long smart tramp across the springy downs, lunching at a wayside inn on bread and cheese and beer, and descending as the evening shades drew in on the Guildford station. Thence he ran up to town by the first fast train, and sauntered sulkily across Waterloo Bridge to his rooms on the Embankment. As he went a poster caught his eye on the bridge. It riveted his attention by one fatal phrase. "Financial News. Collapse of the Rio Negro Diamond and Sapphire Mines!"
He stared at the placard with a dim sense of disaster. What on earth could this mean? It fairly took his breath away. The mines were the best things out this season. He held three hundred shares on his own account. If this rumour were true, he had let himself in for a loss of a clear three thousand!
But being a person of restricted sympathies, he didn't reflect till several minutes had passed that he must at the same time have let Guy Waring in for three thousand also.
At Charing Cross Station Montague Nevitt bought a Financial News and proceeded forthwith to his own rooms to read of the sudden collapse of his pet speculation. It was only too true. The Rio Negro Diamond and Sapphire Mines had gone entirely in one of the periodical South American crashes which involved them in the liabilities of several other companies. A call would be made at once to the full extent of the nominal capital. And he would have to find three thousand pounds down to meet the demand on his credit immediately.
Nevitt hadn't three thousand pounds in the world to pay. The little he possessed beyond his salary was locked up, here and there, in speculative undertakings, where he couldn't touch it except at long notice. It was a crushing blow. He had need of steadying. Some men would have flown in such a plight to brandy. Montague Nevitt flew, instead, to the consolations of music.
For some minutes, indeed, he paced his room up and down in solemn silence. Then his eye fell by accident on the violin case in the corner. Ah, that would do! That beloved violin would inspire him with ideas; was it suicide or fraud? or some honest way out: be it this plan or that the violin would help him. Screwing up the strings for a minute with those deft, long, double-jointed fingers of his, he took the bow in his right hand, and, still pacing the room with great strides, like a wild beast in its cage, began to discourse low passionate music to himself from one of those serpentine pieces of Miss Ewes's of Leamington.
As he played and played, his whole soul in his fingers, a plan began to frame itself, vaguely, dimly at first, then more and more definitely by slow degrees—shape, form, and features—as it grew and developed. A beautiful chord, that last! Oh, how subtle, how beautiful! It seemed to curl and glide on like a serpent through the grass, leaving strange trails behind as of a flowing signature; a flowing signature with bold twirls and flourishes—twirls and flourishes—twirls and flourishes—twirls, twirls, twirls and flourishes; the signature to a cheque; to a cheque for money; three thousand pounds at Drummond, Coutts and Barclay's.
It ran through his head, keeping time with the bars. Four thousand pounds; five thousand; six thousand.
The longer he played the clearer and sharper the plan stood out. He saw his way now as clear as daylight. And his way too, to make a deal more in the end by it.
"Pay self or bearer six thousand pounds! Six thousand pounds; signed, Cyril Waring!"
For hours he paced up and down there, playing long and low. Oh, music, how he loved it; it seemed to set everything straight all at once in his head. With bow in hand and violin at rest, he surpassed himself that evening in ingenuity of fingering. He trembled to think of his own cleverness and skill. What a miracle of device! What a triumph of cunning! Not an element was overlooked. It was safe as houses. He could go to bed now, and drop off like a child; having arranged before he went to make Guy Waring his cat's paw, and turn this sad stroke of ill-luck in the end to his own ultimate greater and wider advantage.
And he was quite right too. He did sleep as he expected. Next morning he woke in a very good humour, and proceeded at once to Guy Waring's rooms the moment after breakfast.
He found Guy, as he expected, in a tumult of excitement, having only just that moment received by post the final call for the Rio Negro capital.
When other men are excited the wise man takes care to be perfectly calm. Montague Nevitt was calm under this crushing blow. He pointed out blandly that everything would yet go well. All was not lost. They had other irons in the fire. And even the Rio Negros themselves were not an absolute failure. The diamonds, the diamonds themselves, he insisted, were still there, and the sapphires also. They studded the soil, they were to be had for the picking. Every bit of their money would come back to them in the end. It was a question of meeting an immediate emergency only.
"But I haven't three thousand pounds in the world to meet it with," Guy exclaimed in despair. "I shall be ruined, of course. I don't mind about that; but I never shall be able to make good my liabilities!"
Nevitt lighted a cigarette with a philosophical smile. The hotter
Guy waxed, the faster did he cool down.
"Neither have I, my dear boy," he said, in his most careless voice, puffing out rings of smoke in the interval between his clauses; "but I don't, therefore, go mad. I don't tear my hair over it; though, to be sure, I'm a deal worse off than you. My position's at stake. If Drummonds were to hear of it—sack—sack instanter. As to making yourself responsible for what you don't possess, that's simply speculation. Everybody on the Stock Exchange always does it. If they didn't there'd be no such thing as enterprise at all. You can't make a fortune by risking a ha'penny."
"But what am I to do?" Guy cried wildly. "However am I to raise three thousand pounds? I should be ashamed to let Cyril know I'd defaulted like this. If I can't find the money I shall go mad or kill myself."
Montague Nevitt played him gently, as an experienced angler plays a plunging trout, before proceeding to land him. At last, after offering Guy much sympathetic advice, and suggesting several intentionally feeble schemes, only to quash them instantly, he observed with a certain apologetic air of unobtrusive friendliness, "Well, if the worst comes to the worst, you've one thing to fall back upon: There's that six-thousand, of course, coming in by-and-by from the unknown benefactor."
Guy flung himself down in his easy-chair, with a look of utter despondency upon his handsome face. "But I promised Cyril," he exclaimed, with a groan, "I'd never touch that. If I were to spend it I don't know how I could ever face Cyril."
"I was told yesterday," Nevitt answered, with a bitter little smile, "and by a lady, too, many times over, that circumstances alter cases, till I began to believe it. When you promised Cyril you weren't face to face with a financial crisis. If you were to use the money temporarily—mind, I say only temporarily; for to my certain knowledge Rio Negros will pull through all right in the end—if you were to use it temporarily in such an emergency as this, no blame of any sort could possibly attach to you. The unknown benefactor won't mind whether your money's at your banker's, or employed for the time being in paying your debts. Your creditors will. If I were you, therefore, I'd use it up in paying them."
"You would?" Guy inquired, glancing across at him, with a faint gleam of hope in his eye.
Nevitt fixed him at once with his strange cold stare, He had caught his man now. He could play upon him as readily as he could play his violin.
"Why, certainly I would," he answered, with confidence, striking the new chord full. "Cyril himself would do the same in your place, I'll bet you. And the proof that he would is simply this—you yourself will do it. Depend upon it, if you can do anything, under given circumstances, Cyril would do it too, in the same set of conditions. And if ever Cyril feels inclined to criticise what you've done, you can answer him back, 'I know your heart as you know mine. In my place, I know you'd have acted as I did.'"
"Cyril and I are not absolutely identical," Guy answered slowly, his eyes still fixed on Montague Nevitt's. "Sometimes I feel he does things I wouldn't do."
"He has more initiative than you," Nevitt answered, as if carelessly, though with deep design in his heart. "He acts where you debate. You're often afraid to take a serious step. Cyril never hesitates. You draw back and falter; Cyril goes straight ahead. But all the more reason, accordingly, that Cyril should admit the lightness of whatever you do, for if you do anything—anything in the nature of a definite step, I mean—why, far more readily, then, would Cyril, in like case, have done it."
"You think he has more initiative?" Guy asked, with a somewhat nettled air. He hated to be thought less individual than Cyril.
"Of course he has, my dear boy," Nevitt answered, smiling. "He'd use the money at once, without a second's hesitation."
"But I haven't got the money to use," Guy continued, after a short pause.
"Cyril has, though," Nevitt responded, with a significant nod.
Guy perused his boots, and made no immediate answer. Nevitt wanted none just then; he waited some seconds, humming all the while an appropriate tune. Then he caught Guy's eye again, and fixed him a second time.
"It's a pity we don't know Cyril's address in Belgium," he said, in a musing tone. "We might telegraph across for leave to use his money meanwhile. Remember, I'm just as deeply compromised as you, or even more so. It's a pity we should both be ruined, with six thousand pounds standing at this very moment to Cyril's account at the London and West Country. But it can't be helped. There's no time to lose. The money must be paid in sharp by this evening."
"By this evening!" Guy exclaimed, starting up excitedly.
Nevitt nodded assent. "Yes, by this evening, of course," he answered unperturbed, "or we become ipso facto defaulters and bankrupts."
That was a lie to be sure; but it served his purpose. Guy was a child at business, and believed whatever nonsense Nevitt chose to foist upon him.
The journalist rose and paced the room twice or thrice with a frantic air of unspeakable misery.
"I shall lose my place at our bank, no doubt," Nevitt went on, in a resigned tone. "But that doesn't much matter. Though a temporary loan—I could pay every penny in six weeks if I'd time—a temporary loan would set things all straight again."
"I wish to heaven Cyril was here," Guy exclaimed, in piteous tones.
"He is, practically, when you're here," Nevitt answered, with a knowing smile. "You can act as his deputy."
"How do you mean?" Guy asked, turning round upon him open-mouthed.
Nevitt paused, and smiled sweetly.
"This is his cheque-book, I think," he replied, in the oblique retort, picking it up and looking at it. He tore out a cheque, as if pensively and by accident.
"That's a precious odd thing," he went on, "that you showed me the other day, don't you know, about your signature and Cyril's being so absolutely identical."
Guy gazed at him in horror. "Oh, don't talk about that!" he cried, running his hand through his hair. "If I were even to entertain such an idea for a moment, my self-respect would be gone for ever."
"Exactly so," Nevitt put in, with a satirical smile. "I said so just now. You've no initiative. Cyril wouldn't be afraid. Knowing the interests at stake, he'd take a firm stand and act off-hand on his own discretion."
"Do you think so?" Guy faltered, in a hesitating voice.
Nevitt held him with his eye.
"Do I think so?" he echoed, "do I think so? I know it. Look here, Guy, you and Cyril are practically one. If Cyril were here we'd ask him at once to lend us the money. If we knew where Cyril was we'd telegraph across and get his leave like a bird. But as he isn't here, and as we don't know where he is, we must show some initiative; we must act for once on our own responsibility, exactly as Cyril would. It's only for six weeks. At the end of that time the unknown benefactor stumps up your share. You needn't even tell Cyril, if you don't like, of this little transaction. See! here's his cheque. You fill it in and sign it. Nobody can tell the signature isn't Cyril's. You take the money and release us both. In six weeks' time you get your own share of the unnatural parent's bribe. You pay it in to his credit, and not a living soul on earth but ourselves need ever be one penny the wiser."
Guy tried to look away, but he couldn't. He couldn't. Nevitt held him fixed with his penetrating gaze. Guy moved uneasily. He felt as if he had a stiff neck, so hard was it to turn. Nevitt took a pen, and dipped it quick in the ink.
"Just as an experiment," he said firmly, yet in a coaxing voice, "sit down and sign. Let me see what it looks like. There. Write it just here. Write 'Cyril Waring.'"
Guy sat down as in a maze, and took the pen from his hand like an obedient schoolboy. For a second the pen trembled in his vacillating fingers; then he wrote on the cheque, in a free and flowing hand, where the signature ought to be, his brother's name. He wrote it without stopping.
"Capital! Capital!" Nevitt cried in delight, looking over his shoulder. "It's a splendid facsimile! Now date and amount if you please. Six thousand pounds. It's your own natural hand after all. Ah, capital, capital!"
As he spoke, Guy framed the fatal words like one dreaming or entranced, on the slip of paper before him. "Pay Self or Bearer Six Thousand Pounds (L6,000), Cyril Waring."
Nevitt looked at it critically. "That'll do all right," he said, with his eye still fixed in between whiles on Guy's bloodless face. "Now the only one thing you have still left to do is, to take it to the bank and get it cashed instanter."
Guy rose mechanically, and followed him to the door. Nevitt still held the forged cheque in his hand. Guy thought of it so to himself in plain terms, as the forgery. Yet somehow, he knew not why, he followed that sinister figure through the passage and down the stairs like one irresistibly and magnetically drawn forward. Why, he couldn't let any one go forth upon the streets of London—with the cheque he himself had forged in his hands—unwatched and unshadowed.
Nevitt called a cab; and jumped in, and beckoned him. Guy, still as in a dream, jumped after him hastily.
"To the London and West Country Bank, in Lombard Street," Nevitt called through the flap.
The cab drove off; and Guy Waring leaned back, all trembling and irresolute, with his head on the cushions.
At last, after a short drive, during which Guy's head seemed to be swimming most dreamily, they reached the bank—that crowded bank in Lombard Street. Nevitt thrust the cheque bodily into his companion's hand.
"Take it in, now, and cash it," he said with an authoritative air.
"Do you hear what I say? Take it in—and cash it."
Guy, as if impelled by some superior power, walked inside the door, and presented it timidly.
The cashier glanced at the sum inscribed on the cheque with no little surprise.
"It's a rather large amount, Mr. Waring," he said, scanning his face closely. "How will you take it?"
Guy trembled violently from head to foot as he answered, in a voice half choked with terror, "Bank of England hundreds, if you please. It is a large sum, as you say; but I'm placing it elsewhere."
The cashier retired for a few minutes; then he returned once more, bringing a big roll of notes, and a second clerk by his side—just to prevent mistake—stared hard at the customer. "All square," the second clerk said, in a half-whispered aside. "It's him right enough."
And the cashier proceeded to count out the notes with oft-wetted fingers.
Guy took them up mechanically, like a drunken man, counted them over one by one in a strange, dazed way; and staggered out at last to the cab to Nevitt.
Nevitt leaned forward and took the bundle from his hands. Guy stood on the pavement and looked vacantly in at him! "That's right," Nevitt said, clasping the bundle tight. "Rio Negro Diamond and Sapphire Mines, cabby, 127, Knatchbull Street, Cheapside."
The cabman whipped up his horse and disappeared round the corner, leaving Guy Waring alone—like a fool—on the pavement.
For a minute or two the dazed and dazzled journalist stood there awaking by degrees as from some trance or stupefaction. At first he could only stand still and gaze vacantly down the street after the disappearing cab; but as his brain cleared slowly, and the mist that hung over his mind dispelled itself bit by bit, he was able to walk a few steps at a time towards the nearest shops, where he looked in at the windows intently with a hollow stare, and tried to collect his scattered wits for a great effort at understanding this strange transaction.
All at once, as he looked, the full folly of his deed burst in its true light upon his muddled brain. He had handed Nevitt six thousand pounds in Bank of England notes; to waste, or lose, or speculate, or run away with.
Six—thousand—pounds of Cyril's money! Not that for one moment he suspected Nevitt. Guy Waring was too innocent to suspect anybody. But as he woke up more fully now to the nature of his own act, a horrible sense of guilt and pollution crept slowly over him. He put his hand ito his forehead. Cold sweat stood in clammy small drops upon his brow. Bit by bit, the hateful truth dawned clearly upon him. Nevitt had lured him by strange means, he knew not how, into hateful crime—into a disgraceful conspiracy. Word by word, the self-accusing sentence framed itself upon his lips.
He spoke it out, aloud: "Why—this—is forgery!"
Dazzled and stunned by the intensity of that awful awaking from some weird possession or suggestion of evil by a stronger mind, Guy Waring began to walk on in a feverish fashion, fast, fast, oh, so fast, not knowing where he went, but conscious only that he must keep moving, lest an accusing conscience should gnaw his very heart out.
Whither, he hadn't as yet the faintest idea. His whole being for the moment was centred and summed up in that unspeakable remorse. He had done a great wrong. He had made himself a felon. And now, in the first recoil of his revolted nature, he must go after the man who held the evidences of his guilt, and by force or persuasion demand them at once from him. Those notes were Cyril's. He must get them. He must get them.
Possessed by this one idea, with devouring force, but still in a very nebulous and hazy form, Guy began walking towards the Strand and the Embankment, at the hot top of his speed, to get the notes back—at Montague Nevitt's chambers. He had walked with fiery zeal in that wrong direction for nearly a mile, his heart burning within him all the way, and his brain in a whirl, before it began to strike him, in a flash of common sense, that Montague Nevitt wouldn't be there at all. He had driven off to the office. Guy clapped his hand to his forehead once more, in an agony of remorse. Great heavens, what folly! He had heard him tell the cabman the address himself—"127, Knatchbull Street, Cheapside."
Even now he hadn't sense enough to hail a cab and go after him. His faculties were still numbed and entranced by that horrible spell of Montague Nevitt's eye. He had but one thought—to walk on, walk hastily. He tramped along the streets in the direction of Cheapside, straining every muscle to arrive at the office before Nevitt had parted with Cyril's six thousand—but he never even thought of saving the precious moments by driving the distance between instead of walking it. Montague Nevitt's personality still weighed down half his brain, and rendered his mind almost childish or imbecile.
Hurrying on so through the crowded streets, now walking, now running, now pausing, now panting, knocking up here against a little knot of wayfarers, and delayed again there by an untimely block at some crowded crossing, he turned the corner at last with a beating heart into the narrow pavement of an alley marked up as Knatchbull Street. Number 127 was visible from afar.
A mob of excited people marked its site by loitering about the door.
Two policemen held off the angrier spirits among the shareholders.
But, nothing daunted by the press, Guy forced his way in and looked
around the room trembling, for Montague Nevitt. Too late! Too late!
Nevitt wasn't there. The unhappy dupe turned to the clerk in charge.
"Has Mr. Montague Nevitt been here?" he asked, in a voice all tremulous with emotion.
"Mr. Montague Nevitt?" the clerk responded. "Just gone ten minutes ago. Came to settle Mr. Whitley's call—his brother-in-law's. Went off in a cab. Can I do anything for you?"
"He's paid in six thousand pounds?" Guy gasped out interrogatively.
The clerk gazed at him hard with a suspicious glance. "Are you a shareholder?" he asked, with one eye on the policeman. "What do you want to know for?"
"Yes, I'm a shareholder, unfortunately," Guy answered, still in a maze. "I hold three hundred original shares. My name's Guy Waring. You've got me on your books. Mr. Nevitt has paid three thousand in Mr. Whitley's name, and three thousand for me. That was our arrangement."
The clerk glanced hard at him again. "Waring!" he repeated, turning over the leaves of his big book for further verification. "Waring! Waring! Waring! Ah, here it is; Waring, Guy; journalist; 22, Staple Inn; 300 shares. Three hundred pounds paid. Then we call up to three thousand. No, Mr. Nevitt didn't settle for you, sir. He paid Mr. Whitley's call in full. That was all. Nothing else. You're still our debtor."
"He didn't pay up!" Guy exclaimed, clapping his hands to his head, all the black guile and treachery of the man coining home to him at once, at one fell blow. "He didn't pay up for me! Oh, this is too, too terrible!"
He paused for a moment. Floods of feeling rushed over him. He knew now that he had committed that forgery for nothing. Cyril's money was gone. And Montague Nevitt had stolen the three thousand Guy intrusted to him at the bank for the second payment. Yet Guy knew he had no legal remedy save by acknowledging the forgery! This was almost more than human nature could stand. If Montague Nevitt had been by his side that moment Guy would have leapt at his throat, and it would have gone hard with him if he had left the villain living.
He clapped his hands to his ears in the horror and agony of that hideous disclosure.
"The thief!" he cried aloud, in a choking voice. "Did he pay what he paid from a big roll of notes, and did he take the rest of the notes in the roll away with him?"
"Yes, just so," the clerk answered calmly. "He didn't mention your name. But perhaps he's coming back by-and-by to settle for you."
Guy knew better. He saw through the man's whole black nature at once.
"I've been robbed," he said slowly. "I've been robbed and deserted. I must follow the man and compel him to disgorge. When I've got the cash back I'll return and pay you. … No, I won't, though. I forgot. I'll take it home to the bank for Cyril."
The clerk gazed at him with a smile of pitying contempt. Mad, mad; quite mad! The loss of his fortune had, no doubt, unhinged this shareholder's reason. But Guy, never heeding him, rushed out into the street and hailed a passing cab.
"Temple Flats," he cried aloud, and drove to Nevitt's chambers.
Too late, once more! The housekeeper told him Mr. Nevitt was out.
He'd just started off, portmanteau and all, as hard as a hansom
could drive, to Waterloo Station.
"Waterloo, then!" Guy shouted, in wild despair, to the cabman. "We must follow this man post haste. Alive or dead, I won't rest till I catch him!"
It was an unhappy phrase. In the events that came after, it was remembered against him.
While Montague Nevitt was thus congenially engaged in pulling off his treble coup of settling his own share in the Rio Negro deficit, pocketing three thousand pounds, pro tem, for incidental expenses, and getting Guy Waring thoroughly into his power by his knowledge of a forgery, two other events were taking place elsewhere, which were destined to prove of no small importance to the future of the twins and their immediate surroundings. Things generally were converging towards a crisis in their affairs. Colonel Kelmscott's wrong-doing was bearing first-fruit abundantly.
For as soon as Granville Kelmscott received that strangely-worded note from Gwendoline Gildersleeve, he proceeded, as was natural, straight down, in his doubt, to his father's library. There, bursting into the room, with Gwendoline's letter still crushed in his hand in the side pocket of his coat, and a face like thunder, he stood in the attitude of avenging fate before his father's chair, and gazed down upon him angrily.
"What does THIS mean?" he asked, in a low but fuming voice, brandishing the note before his eyes as he spoke. "Is every one in the county to be told it but I? Is everybody else to hear my business before you tell me a word of it? A letter comes to me this morning—no matter from whom—and here's what it says: 'I know you're not the eldest son, and that somebody else is the heir of Tilgate.' Surely, if anybody was to know, I should have known it first. Surely, if I'm to be turned adrift on the world, after being brought up to think myself a man of means so long, I should, at least, be turned adrift with my eyes open."
Colonel Kelmscott gazed at him open-mouthed with horror.
"Did Gwendoline Gildersleeve write that to you?" he cried, overpowered at once by remorse and awe. "Did Gwendoline Gildersleeve write that to you? Well, if Gwendoline Gildersleeve knows it, it's all up with the scheme! That rascally lawyer, her father, has found out everything. These two young men must have put their case in the fellow's hands. He must be hunting up the facts. He must be preparing to contest it. My boy, my boy, we're ruined! we're ruined!"
"These two young men," Granville repeated, with a puzzled air of surprise. "WHAT two young men? I don't know them. I never heard of them." Then suddenly one of those flashes of intuition burst in upon him that burst in upon us all at moments of critical importance to our lives. "Father, father," he cried, loaning forward in his anguish and clutching the oak chair, "you don't mean to tell me those fellows, the Warings, that we met at Chetwood Court, are your lawful sons—and that THAT was why you bought the landscape with the snake in it?"
Kelmscott, of Tilgate, bent his proud head down to the table unchecked. "My son, my son," he cried, in his despair, "you have said it yourself. Your own mouth has suggested it. What use my trying to keep it from you any longer? These lads—are Kelmscotts."
"And—my mother?" Granville Kelmscott burst out, in a very tremulous voice. The question was almost more than a man dare ask. But he asked it in the first bitterness of a terrible awakening.
"Your mother," Colonel Kelmscott answered, lifting his head once more, with a terrible effort, and looking his son point-blank in the face—"your mother is just what I have always called her—my lawful wife—Lady Emily Kelmscott. The mother of these lads, to whom I was also once duly married, died before my marriage with my present wife—thank God I can say so. I may have acted foolishly, cruelly, criminally; but at least I never acted quite so basely and so ill as you impute to me, Granville."
"Thank Heaven for that," his son answered fervently, with one hand on his breast, drawing a deep sigh as he spoke. "You're my father, sir, and it isn't for me to reproach you; but if you had only done THAT—oh, my mother! my mother! I don't know, sir, I'm sure, how I could ever have forgiven you; I don't know how I could ever have kept my hands off you."
Colonel Kelmscott straightened himself up, and looked hard at his son. A terrible pathos gleamed in his proud brown eyes. His white moustache had more dignity than ever.
"Granville," he said slowly, like a broken man, "I don't ask you to forgive me; you can never forgive me; I don't ask you to sympathise with me; a father knows better than to accept sympathy from a son; but I do ask you to bear with me while I try to explain myself."
He braced himself up, and with many long pauses, and many inarticulate attempts to set forth the facts in the least unfavourable aspect, told his story all through, in minute detail, to that hardest of all critics, his own dispossessed and disinherited boy.
"If you're hard upon me, Granville," he cried at last as he finished, looking wistfully for pity into his son's face, "you should remember, at least, it was for your sake I did it, my boy; it was for your sake I did it—yours, yours, and your mother's."
Granville let him relate his whole story in full to the bitter end, though it was with difficulty at times that that proud and grey-haired man nerved himself up to tell it. Then, as soon as all was told, he looked in his father's face once more, and said slowly, with the pitilessness of sons in general towards the faults and failings of their erring parents—
"It's not my place to blame you, I know. You did it, I suppose, as you say so, for me and my mother. But it IS my place to tell you plainly, father, that I, for one, will have nothing at all to do with the fruits of your deception. I was no party to the fraud; I will be no party either to its results or its clearing up. I, too, have to think, as you say, of my mother. For her sake, I won't urge you to break her heart at once by disinheriting her son, now and here, too openly. You can make what arrangements you like with these blood-sucking Warings. You can do as you will in providing them with hush-money. Let them take their black-mail! You've handed them over half the sum you got for Dowlands already, I suppose. You can buy them off for awhile by handing them over the remainder. Twelve thousand will do. Leeches as they are, that will surely content them, at least for the present."
Colonel Kelmscott raised one hand and tried hard to interrupt him; but Granville would not be interrupted.
"No, no," he went on sternly, shaking his head and frowning. "I'll have my say for once, and then for ever keep silence. This is the first and last time as long as we both live I will speak with you on the subject. So we may as well understand one another, once and for ever. For my mother's sake, as I said, there need be just at present no open disclosure. You have years to live yet; and as long as you live, these Waring people have no claim upon the estate in any way. You've given them as much as they've any right to expect. Let them wait for the rest till, in the course of nature, they come into possession. As for me, I will go to carve out for myself a place in the world elsewhere by my own exertions. Perhaps, before my mother need know her son was left a beggar by the father who brought him up like the heir to a large estate, I may have been able to carve out that place for myself so well that she need never really feel the difference. I'm a Kelmscott, and can fight the world on my own account. But, in any case, I must go. Tilgate's no longer a fit home for me. I leave it to those who have a better right to it."
He rose as if to depart, with the air of a man who sets forth upon the world to seek his fortune. Colonel Kelmscott rose too, and faced him, all broken.
"Granville," he said, in a voice scarcely audible through the stifled sobs he was too proud to give vent to, "you're not going like this. You're not going without at least shaking hands with your father! You're not going without saying good-bye to your mother!"
Granville turned, with hot tears standing dim in his eyes—like his father, he was too proud to let them trickle down his cheek—and taking the Colonel's weather-beaten hand in his, wrung it silently for some minutes with profound emotion.
Then he looked at the white moustache, the grizzled hair, the bright brown eyes suffused with answering dimness, and said, almost remorsefully, "Father, good-bye. You meant me well, no doubt. You thought you were befriending me. But I wish to Heaven in my soul you had meant me worse. It would have been easier for me to bear in the end. If you'd brought me up as a nobody—as a younger son's accustomed—" He paused and drew back, for he could see his words were too cruel for that proud man's heart. Then he broke off suddenly.
"But I CAN'T say good-bye to my mother," he went on, with a piteous look. "If I tried to say good-bye to her, I must tell her all. I'd break down in the attempt. I'll write to her from the Cape. It'll be easier so. She won't feel it so much then."
"From the Cape!" Colonel Kelmscott exclaimed, drawing back in horror.
"Oh, Granville, don't tell me you're going away from us to Africa!"
"Where else?" his son asked, looking him back in the face steadily. "Africa it is! That's the only opening left nowadays for a man of spirit. There, I may be able to hew out a place for myself at last, worthy of Lady Emily Kelmscott's son. I won't come back till I come back able to hold my own in the world with the best of them. These Warings shan't crow over the younger son. Good-bye, once more, father." He wrung his hand hard. "Think kindly of me when I'm gone; and don't forget altogether I once loved Tilgate."
He opened the door and went up to his own room again. His mind was resolved. He wouldn't even say good-bye to Gwendoline Gildersleeve. He'd pack a few belongings in a portmanteau in haste, and go forth upon the world to seek his fortune in the South African diamond fields.
But Colonel Kelmscott sat still in the library, bowed down in his chair, with his head between his hands, in abject misery. A strange feeling seemed to throb through his weary brain; he had a sensation as though his skull were opening and shutting. Great veins on his forehead beat black and swollen. The pressure was almost more than the vessels would stand. He held his temples between his two palms as if to keep them from bursting. All ahead looked dark as night; the ground was cut from under him. The punishment of his sin was too heavy for him to bear. How could he ever tell Emily now that Granville was gone? A horrible numbness oppressed his brain. Oh, mercy! mercy! his head was flooded.
At the Gildersleeves', too, the house that day was alive with excitement.
Gwendoline had thrown herself into a fever of alarm as soon as she had posted her letter to Granville Kelmscott. She went up to her own room, flung herself wildly on the bed, and sobbed herself into a half-hysterical, half-delirious state, long before dinner-time. She hardly knew herself at first how really ill she was. Her hands were hot and her forehead burning. But she disregarded such mere physical and medical details as those, by the side of a heart too full for utterance. She thought only of Granville, and of that horrid man who had threatened with such evident spite and rancour to ruin him.
She lay there some hours alone, in a high fever, before her mother came up to her room to fetch her. Mrs. Gildersleeve was a subdued and soft-voiced woman, utterly crushed, so people said, by the stronger individuality of that blustering, domineering, headstrong man, her husband. And to say the truth, the eminent Q.C. had taken all the will out of her in twenty-three years of obedient slavery. She was pretty still, to be sure, in a certain faded, jaded, unassuming way; but her patient face wore a constant expression of suppressed terror, as if she expected every moment to be the victim of some terrible and unexplained exposure. And that feature at least in her idiosyncrasy could hardly be put down to Gilbert Gildersleeve's account; for hectoring and strong-minded as the successful Q.C. was known to be, nobody could for a moment accuse him in any definite way of deliberate unkindness to his wife or daughter. On the contrary, he was tender and indulgent to them to the last degree, as he understood those virtues. It was only by constant assertion of his own individuality, and constant repression or disregard of theirs, that he had broken his wife's spirit and was breaking his daughter's. He treated them as considerately as one treats a pet dog, doing everything for them that care and money could effect, except to admit for a moment their claim to independent opinions and actions of their own, or to allow the possibility of their thinking and feeling on any subject on earth one nail's breadth otherwise than as he himself did.
At sight of Gwendoline, Mrs. Gildersleeve came over to the bed with a scared and startled air, felt her daughter's face tenderly with her hands for a moment, and then cried in alarm, "Why, Gwennie, what's this? Your cheeks are burning! Who on earth has been here? Has that horrid man come down again from London to worry you?"
Gwendoline looked up and tried to prevaricate. But conscience was too strong for her; the truth would out for all that. "Yes, mother," she cried, after a pause, "and he said, oh, he said—I could never tell you what dreadful things he said. But he's so wicked, so cruel! You never knew such a man! He thinks I want to marry Granville Kelmscott, and so he told me—" She broke off, of a sudden, unable to proceed, and buried her face in her hands, sobbing long and bitterly.
"Well, what did he tell you, dear?" Mrs. Gildersleeve asked, with that frightened air, as of a startled wild thing, growing deeper than ever upon her countenance as she uttered the question.
"He told me—oh, he told me—I can't tell you what he told me; but he threatened to ruin us—he threatened it so dreadfully. It was a hateful threat. He seemed to have found out something that he knew would be our ruin. He frightened me to death. I never heard any one say such things as he did."
Mrs. Gildersleeve drew back in profound agitation. "Found out something that would be our ruin!" she cried, with white face all aghast. "Oh, Gwennie, what do you mean? Didn't he tell you what it was? Didn't he try to explain to you? He's a wicked, wicked man—so cruel, so unscrupulous! He gets one's secrets into his hands, by underhand means, and then uses them to make one do whatever he chooses. I see how it is. He wants to force us into letting him marry you—into making you marry him! Oh, Gwennie, this is hard. Didn't he tell you at all what it was he knew? Didn't he give you a hint what sort of secret he was driving at?"
Gwendoline looked up once more, and murmured low through her sobs, "No, he didn't say what it was. He's too cunning for that. But I think—I think it was something about Granville. Mother, I never told you, but you know I love him! I think it was something about HIM, though I can't quite make sure. Some secret about somebody not being properly married, or something of that sort. I didn't quite understand. You see, he was so discreetly vague and reticent."
Mrs. Gildersleeve drew back her face all aghast with horror. "Some secret—about somebody—not being properly married!" she repeated slowly, with wild terror in her eyes.
"Yes, mother," Gwendoline gasped out, with an effort once more. "It was about somebody not being really the proper heir; he made me promise I wouldn't tell; but I don't know how to keep it. He was immensely full of it; it was an awful secret; and he said he would ruin us—ruin us ruthlessly. He said we were in his power, and he'd crush us under his heel. And, oh, when he said it, you should have seen his face. It was horrible, horrible. I've seen nothing else since. It dogs me—it haunts me."
Mrs. Gildersleeve sat down by the bedside wringing her hands in silence. "It's too late to-night," she said at last, after a long deep pause, and in a voice like a woman condemned to death, "too late to do anything; but to-morrow your father must go up to town and try to see him. At all costs we must buy him off. He knows everything—that's clear. He'll ruin us. He'll ruin us!"
"It's no use papa going up to town, though," Gwendoline answered half dreamily. "That dreadful man said he was going away for his holiday to the country at once. He'll be gone to-morrow."
"Gone? Gone where?" Mrs. Gildersleeve cried, in the same awestruck voice.
"To Devonshire," Gwendoline replied, shutting her eyes hard and still seeing him.
Mrs. Gildersleeve echoed the phrase in a startled cry. "To
Devonshire, Gwendoline! To Devonshire! Did he say to Devonshire?"
"Yes," Gwendoline went on slowly, trying to recall his very words. "To the skirts of Dartmoor, I think he said; to a place in the wilds by the name of Mambury."
"Mambury!"
The terror and horror that frail and faded woman threw into the one word fairly startled Gwendoline. She opened her eyes and stared aghast at her mother. And well she might, for the effect was electrical. Mrs. Gildersleeve was sitting there, transfixed with awe and some unspeakable alarm; her figure was rigid; her face was dead white; her mouth was drawn down with a convulsive twitch; she clasped her bloodless hands on her knees in mute agony. For a moment she sat there like a statue of flesh. Then, as sense and feeling came back to her by slow degrees, she could but rock her body up and down in her chair with a short swaying motion, and mutter over and over again to herself in that same appalled and terrified voice, "Mambury—Mambury—Mambury—Mambury."
"That was the name, I'm sure," Gwendoline went on, almost equally alarmed. "On a hunt after records, he said; on a hunt after records. Whatever it was he wanted to prove, I suppose he knew that was the place to prove it."
Mrs. Gildersleeve rose, or to speak with more truth, staggered slowly to her feet, and, steadying herself with an effort, made blindly for the door, groping her way as she went, like some faint and wounded creature. She said not a word to Gwendoline. She had no tongue left for speech or comment. She merely stepped on, pale and white, pale and white, like one who walks in her sleep, and clutched the door-handle hard to keep her from falling. Gwendoline, now thoroughly alarmed, followed her close on her way to the top of the stairs. There Mrs. Gildersleeve paused, turned round to her daughter with a mute look of anguish and held up one hand, palm outward, appealingly, as if on purpose to forbid her from following farther. At the gesture, Gwendoline fell back, and looked after her mother with straining eyes. Mrs. Gildersleeve staggered on, erect, yet to all appearance almost incapable of motion, and stumbled down the stairs, and across the hall, and into the drawing-room opposite. The rest Gwendoline neither saw, nor heard, nor guessed at. She crept back into her own room, and, flinging herself on her bed alone as she stood, cried still more piteously and miserably than ever.
Down in the drawing-room, however, Mrs. Gildersleeve found the famous Q.C. absorbed in the perusal of that day's paper. She came across towards him, pale as a ghost, and with ashen lips. "Gilbert," she said slowly, blurting it all out in her horror, without one word of warning, "that dreadful man Nevitt has seen Gwennie again, and he's told her he knows all, and he means to ruin us, and he's heard of the marriage, and he's gone down to Mambury to hunt up the records!"
The eminent Q.C. let the paper drop from his huge red hands in the intensity of his surprise, while his jaw fell in unison at so startling and almost incredible a piece of intelligence. "Nevitt knows all!" he exclaimed, half incredulous. "He means to ruin us! And he told this to Gwendoline! Gone down to Mambury! Oh no, Minnie, impossible! You must have made some mistake. What did she say exactly? Did she mention Mambury?"
"She said it exactly as I've said it now to you," Mrs. Gildersleeve persisted with a stony stare. "He's gone down to Devonshire, she said; to the borders of Dartmoor, on a hunt after the records; to a place in the wilds by the name of Mambury. Those were her very words. I could stake my life on each syllable. I give them to you precisely as she gave them to me."
Mr. Gildersleeve gazed across at her with the countenance which had made so many a nervous witness quake at the Old Bailey. "Are you QUITE sure of that, Minnie?" he asked, in his best cross-examining tone. "Quite sure she said Mambury, all of her own accord? Quite sure you didn't suggest it to her, or supply the name, or give her a hint of its whereabouts, or put her a leading question?"
"Is it likely I'd suggest it to her?" the meekest of women answered, aroused to retort for once, and with her face like a sheet. "Is it likely I'd tell her? Is it likely I'd give my own girl the clue? She said it all of herself, I tell you, without one word of prompting. She said it just as I repeated it—to a place in the wilds by the name of Mambury."
Gilbert Gildersleeve whistled inaudibly to himself. 'Twas his way when he felt himself utterly nonplussed. This was very strange news. He didn't really understand it. But he rose and confronted his wife anxiously. That overbearing big man was evidently stirred by this untoward event to the very depths of his nature.
"Then Gwennie knows all!" he cried, the blood rushing purple into his ruddy flushed cheeks. "The wretch! The brute! He must have told her everything!"
"Oh, Gilbert," his wife answered, sinking into a chair in her horror, "even HE couldn't do that—not to my own very daughter! And he didn't do it, I'm sure. He didn't dare—coward as he is, he couldn't be quite so cowardly. She doesn't guess what it means. She thinks it's something, I believe, about Granville Kelmscott. She's in love with young Kelmscott, as I told you long ago, and everything to her mind takes some colour from that fancy. I don't think it ever occurred to her, from what she says, this has anything at all to do with you or me, Gilbert."
The Q.C. reflected. He saw at once he was in a tight corner. That boisterous man, with the burly big hands, looked quite subdued and crestfallen now. He could hardly have snubbed the most unassuming junior. This was a terrible thing, indeed, for a man so unscrupulous and clever as Montague Nevitt to have wormed out of the registers. How he could ever have wormed it out Gilbert Gildersleeve hadn't the faintest idea, Why, who on earth could have shown him the entry of that fatal marriage—Minnie's first marriage—the marriage with that wretch who died in Portland prison—the marriage that was celebrated at St. Mary's, at Mambury? He couldn't for a moment conceive, for nobody but themselves, he fondly imagined, had ever identified Mrs. Gilbert Gildersleeve, the wife of the eminent Q.C., with that unhappy Mrs. Read, the convict's widow. The convict's widow. Ah, there was the rub. For she was really a widow in name alone when Gilbert Gildersleeve married her.
And Montague Nevitt, that human ferret, with his keen sharp eyes, and his sleek polite ways, had found it all out in spite of them—had hunted up the date of Read's death and their marriage, and had bragged how he was going down to Mambury to prove it!
All the Warings and Reads always got married at Widdicombe or Mambury. There were lots of them on the books there, that was one comfort, anyhow. He'd have a good search to find his needle in such a pottle of hay. But to think the fellow should have, had the double-dyed cruelty to break the shameful secret first of all to Gwendoline! That was his vile way of trying to force a poor girl into an unwilling consent. Gilbert Gildersleeve lifted his burly big hands in front of his capacious waistcoat, and pressed them together angrily. If only he had that rascal's throat well between them at that moment! He'd crush the fellow's windpipe till he choked him on the spot, though he answered for it before the judges of assize to-morrow!
"There's only one thing possible for it, Minnie," he said at last, drawing a long deep breath. "I must go down to Mambury to-morrow to be beforehand with him. And I must either buy him off; or else, if that won't do—"
"Or else what, Gilbert?"
She trembled like an aspen leaf.
"Or else get at the books in the vestry myself," the Q.C. muttered low between his clenched teeth, "before the fellow has time to see them and prove it."
Guy Waring reached Waterloo ten minutes too late. Nevitt had gone on by the West of England express. The porter at the labelling place "minded the gentleman well." He was a sharp-looking gentleman, with a queer look about the eyes, and a dark moustache curled round at the corners.
"Yes, yes," Guy cried eagerly, "that's him right enough. The eyes mark the man. And where was he going to?"
"He had his things labelled," the porter said, "for Plymouth."
"And when does the next train start?" Guy inquired, all on fire.
The porter, consulting the time-table in the muddle-headed way peculiar to railway porters, and stroking his chin with his hand to assist cerebration, announced, after a severe internal struggle, that the 3.45 down, slow, was the earliest train available.
There was nothing for it then, Guy perceived, but to run home to his rooms, possessing his soul in patience, pack up a few things in his Gladstone bag, and return at his leisure to catch the down train thus unfavourably introduced to his critical notice.
If Guy had dared, to be sure, he might have gone straight to a police-station, and got an inspector to telegraph along the line to stop the thief with his booty at Basingstoke or Salisbury. But Guy didn't dare. For to interfere with Nevitt now by legal means would be to risk the discovery of his own share in the forgery. And from that risk the startled and awakened young man shrank for a thousand reasons; though the chief among them all was certainly one that never would have occurred to any one but himself as even probable.
He didn't wish Elma Clifford to know that the man she loved, and the man who loved her, had become that day a forger's brother.
To be sure, he had only seen Elma once—that afternoon at the Holkers' garden-party. But, as Cyril himself knew, he had fallen in love with her at first sight—far more immediately, indeed, than even Cyril himself had done. Blood, as usual, was thicker than water. The points that appealed to one brother appealed also to the other, but with this characteristic difference, that Guy, who was the more emotional and less strong-willed of the two, yielded himself up at the very first glance to the beautiful stranger, while Cyril required some further acquaintance before quite giving way and losing his heart outright to her. And from that first meeting forward, Guy had carried Elma Clifford's image engraved upon his memory—as he would carry it, he believed, to his dying day. Not, to be sure, that he ever thought for a moment of endeavouring to win her away from his brother. She was Cyril's discovery, and to Cyril, therefore, he yielded her up, as of prior right, though with a pang of reluctance. But now that he stood face to face at last with his own accomplished crime, the first thought that rose in his mind spontaneous was for Elma's happiness. He must never let Elma Clifford know that the man she loved, and would doubtless marry, was now by HIS act—a forger's brother.
Three forty-five arrived at last, and Guy set off, all trembling, on his fatal quest. As he sped along, indignant at heart with Nevitt's black treachery, on the line to Plymouth, he had plenty of time to revolve these things abundantly in his own soul. And when, after a long and dusty drive, he reached Plymouth, late at night, he could learn nothing for the moment about Montague Nevitt's movements. So he was forced to go quietly for the evening to the Duke of Devonshire Hotel, and there wait as best he might to see how events would next develop themselves.
A day passed away—two days—but nothing turned up. Guy wasted much time in Plymouth making various inquiries before he learnt at last that a man with a queer look about the eyes, and a moustache with waxed ends, had gone down a night or so earlier by the other line to a station at the foot of Dartmoor, by the name of Mambury.
No sooner, however, had he learnt this promising news, than he set off at once, hot at heart as ever, to pursue the robber. That wretch shouldn't get away scot free with his booty; Guy would follow him and denounce him to the other end of the universe! When he reached Mambury, he went direct to the village inn and asked, with trembling lips, if Mr. Montague Nevitt was at present staying there. The landlord shook his head with a stubborn, rustic negative. "No, we arn't a-got no gentleman o' thik there name in the house," he said; "fact is, zur, to tell 'ee the truth, we arn't a-had nobody stoppin' in the Arms at all lately, 'cep' it might be a gentleman come down from London, an' it was day afore yesterday as he did come, an' he do call 'unself McGregor."
Quick as lightning, Guy suspected Nevitt might be passing under a false name. What more likely, indeed, seeing he had made off with Guy's three thousand pounds?
"And what sort of a man is this McGregor?" he asked hastily, putting his suspicion into shape. "What age? What height? What kind of a person to look at?"
"Wull, he's a vine upstandin' zart of a gentleman," the landlord answered glibly in his own dialect; "as proper a gentleman as you'd wish to zee in a day's march; med be about your height, zur, or a trifle more, has his moustaches curled round zame as if it med be a bellick's harns; an' a strange zart o' a look about his eyes, too, as if ur could zee right drew an' drew 'ee."
"That's him!" Guy exclaimed, with a start, in profound excitement. "That's the fellow, sure enough. I know him. I know him. And where is he now, landlord? Is he in the house? Can I see him?"
"Well, no, 'ee can't zee him, zur," the landlord answered, eyeing the stranger askance; "he be out, jest at present. He do go vur a walk, mostly, down yonner in the bottom alongside the brook. Mebbe if you was to vollow by river-bank you med come up wi' him by-an'-by … and mebbe, agin, you medn't."
"I'll follow him," Guy exclaimed, growing more excited than ever,
now this quarry was almost well within sight; "I'll follow him till
I find him, the confounded rascal. I'll follow him to his grave.
He shan't get away from me."
The landlord looked at him with a dubious frown. That one could smile and smile and be a villain didn't enter into his simple rustic philosophy.
"He's a pleasant-spoken gentleman is Maister McGregor," the honest Devonian said, with a tinge of disapprobation in his thick voice. "What vur do 'ee want to vind 'un? That's what I wants to know. He don't look like one as did ever hurt a vlea. Such a soft zart of a voice. An' he do play on the viddle that beautiful—that beautiful, why, 'tis the zame if he war a angel from heaven. Viddler Moore, he wur up here wi' his music last night; an' Maister McGregor, he took the instrument vrom un, an' 'Let ME have a try, my vrend,' says he, all modest and unassoomin'; and vi' that, he wounded it up, an' he begun to play. Lard, how he did play. Never heard nothing like it in all my barn days. It is the zame, vor all the world, as you do hear they viddler chaps that plays by themselves in the Albert Hall up to London. Depend upon it, zur, there ain't no harm in HIM. A vullow as can play on the viddle like thik there, why, he couldn't do no hurt, not to child nor chicken."
Guy turned away from the door, fretting and fuming inwardly. He knew better than that. Nevitt's consummate mastery of his chosen instrument was but of a piece, after all, with the way he could play on all the world, as on a familiar gamut. It was the very skill of the man that made him so dangerous and so devilish. Guy felt that under the spell of Nevitt's eye he himself was but as clay in the hands of the potter.
But Nevitt should never so trick him and twist him again. To that his mind was now fully made up. He would never let that cold eye hold him fixed as of yore by its steely glance. Once for all, Nevitt had proved his power too well. Guy would take good care he never subjected himself in future to that uncanny influence. One forgery was enough. Henceforth he was adamant.
And yet? And yet he was going to seek out Nevitt; going to stand face to face with that smiling villain again; going to tax him with his crime; going to ask him what he meant by this double-dyed treachery.
The landlord had told him where Nevitt was most likely to be found. He followed that direction. At a gate that turned by the river-bank, twenty minutes from the inn, a small boy was seated. He was a Devonshire boy of the poorest moorland type, short, squat, and thick set. As Guy reached the gate, the boy rose and opened it, pulling his forelock twice or thrice, expectant of a ha'penny. "Has anybody gone down here?" Guy asked, in an excited voice.
And the boy answered promptly, "Yes, thik there gentleman, what's stoppin' at the Talbot Arms. And another gentleman, too; o'ny t'other one come after and went t'other way round. A big zart o' a gentleman wi' 'ands vit vor two. He axed me the zame question, had anybody gone by. This is dree of 'ee as has come zince I've been a zitting here."
Guy paid no attention to the second-named gentleman, with the hands fit for two, or to his inquiries after who might have gone before him. He fastened at once on the really important and serious information that the person who was stopping at the Talbot Arms had shortly before turned down the side footpath.
"All right, my boy," he said, tossing the lad sixpence, the first coin he came across in his waistcoat pocket. The boy opened his eyes wide, and pocketed it with a grin. So unexpected a largess sufficed to impress the handsome stranger firmly on his memory. He didn't forget him when a few days later he was called on to give evidence—at a coroner's inquest.
But Guy, unsuspicious of the harm he had done himself, walked on, all on fire, down the woodland path. It was a shady path, and it led through a deep dell arched with hazels on every side, while a little brawling brook ran along hard by, more heard than seen, in the bottom of the dingle. Thick bramble obscured the petty rapids from view and half trailed their lush shoots here and there across the pathway. It was just such a mossy spot as Cyril would have loved to paint; and Guy, himself half an artist by nature, would in any other mood have paused to gaze delighted on its tangled greenery.
As it was, however, he was in no mood to loiter long over ferns and mosses. He walked down that narrow way, where luxuriant branches of fresh green blackberry bushes encroached upon the track, still seething in soul, and full of the bitter wrong inflicted upon him by the man he had till lately considered his dearest friend. At each bend of the footpath, as it threaded its way through the tortuous dell, following close the elbows of the bickering little stream, he expected to come full in sight of Nevitt. But, gaze as he would, no Nevitt appeared. He must have gone on, Guy thought, and come out at the other end, into the upland road, of which the porters at Mambury Station had told him.
At last he arrived at a delicious green nook, where the shade of the trees overhead was exceptionally dense, and where the ferns by the side were somewhat torn and trodden. Casting his eye on the ground to the left, a metal clasp, gleaming silvery among the bracken, happened to attract his cursory attention. Something about that clasp looked strangely familiar. He paused and stared hard at it. Surely, surely he had seen those metal knobs before. A flash of recognition ran electric through his brain. Why, yes; it was the fastener of Montague Nevitt's pocket-book—the pocket-book in which he carried his most private documents; the pocket-book that must have held Cyril's stolen six thousand. Guy stooped down to pick it up with a whirling sense of surprise. Great heavens! what was this? Not only the clasp, but the pocket-book itself—the pocket-book filled full and crammed to bursting with papers. Ah, mercy, what papers? Yes, incredible—the money! Hundred-pound notes! Not a doubt upon earth of it. The whole of the stolen and re-stolen three thousand.
For a minute or two Guy stood there, unable to believe his own swimming eyes. What on earth could have happened? Was it chance or design? Had Nevitt deliberately thrown away his ill-gotten gains? Were detectives on the track? Was he anxious to conceal his part in the theft? Had remorse got the better of him? Or was he frightened at last, thinking Guy was on his way to recover and restore Cyril's stolen property?
But no, the pocket-book was neither hidden in the ferns nor yet studiously thrown away. From the place where it lay, Guy felt confident at once it had fallen unperceived from Nevitt's pocket, and been trodden by his heel unawares into the yielding leaf-mould.
Had he pulled it out accidentally with his handkerchief? Very likely, Guy thought. But then, how strange and improbable that a man so methodical and calculating as Nevitt should carry such valuable belongings as those in the self-same pocket. It was certainly most singular. However, Guy congratulated himself, after a moment's pause, that so much at least of the stolen property was duly recovered. He could pay back one-half of the purloined sum now to Cyril's credit. So he went on his way through the rest of the wood in a somewhat calmer and easier frame of mind. To be sure, he had still to hunt down that villain Nevitt, and to tax him to his face with his double-dyed treachery. But it was something, nevertheless, to have recovered a part, at any rate, of the stolen money. And Nevitt himself need never know by what fortunate accident he had happened to recover it.
He emerged on the upland road, and struck back towards Mambury. All the way round, he never saw his man. Weary with walking, he returned in the end to the Talbot Arms. Had Mr. McGregor come back? No, not yet; but he was sure to be home for dinner. Then Guy would wait, and dine at the inn as well. He might have to stop all night, but he must see McGregor.
As the day wore on, however, it became gradually clear to him that Montague Nevitt didn't mean to return at all. Hour after hour passed by, but nothing was heard of him. The landlord, good man, began to express his doubts and fears most freely. He hoped no harm hadn't come to the gentleman in the parlour; he had a powerful zight o' money on un for a man to carry about; the landlord had zeen it when he took out his book from his pocket to pay the porter. Volks didn't ought to go about with two or dree hundred pound or more in the lonely lanes on the edge of the moorland.
But Guy, for his part, put a different interpretation on the affair at once. In some way or other Montague Nevitt, he thought, must have found out he was being tracked, and, fearing for his safety, must have dropped the pocket-book and made off, without note or notice given, on his own sound legs, for some other part of the country.
So Guy made up his mind to return next morning by the very first train direct to Plymouth, and there inquire once more whether anything further had been seen of the noticeable stranger.
On the very same day that Guy Waring visited Mambury, where his mother was married, Montague Nevitt had hunted up the entry of Colonel Kelmscott's wedding in the church register.
Nevitt's behaviour, to say the truth, wasn't quite so black as Guy Waring painted it. He had gone off with the extra three thousand in his pocket, to be sure; but he didn't intend to appropriate it outright to his own uses. He merely meant to give Guy a thoroughly good fright, as it wasn't really necessary the call should be met for another fortnight; and then, as soon as he'd found out the truth about Colonel Kelmscott and his unacknowledged sons, he proposed to use his knowledge of the forgery as a lever with Guy, so as to force him to come to advantageous terms with his supposed father. Nevitt's idea was that Guy and Cyril should drive a hard bargain on their own account with the Colonel, and that he himself should then receive a handsome commission on the transaction from both the brothers, under penalty of disclosing the true facts about the cheque by whose aid Guy had met their joint liability to the Rio Negro Diamond Mines.
It was with no small joy, therefore, that Nevitt saw at last in the parish register of St. Mary's at Mambury, the interesting announcement, "June 27th, Henry Lucius Kelmscott, of the parish of Plymouth, bachelor, private in the Regiment of Scots Greys, to Lucy Waring, spinster, of this parish."
He saw at a glance, of course, why Kelmscott of Tilgate had chosen to describe himself in this case as a private soldier. But he also saw that the entry was an official document, and that here he had one firm hold the more on Colonel Kelmscott, who must falsely have sworn to that incorrect description. The great point of all, however, was the signature to the book; and though nearly thirty years had elapsed since those words were written, it was clear to Nevitt, when he compared the autograph in the register with one of Colonel Kelmscott's recent business letters, brought with him for the purpose, that both had been penned by one and the same person.
He chuckled to himself with delight to think how great a benefactor he had proved himself unawares to Guy and Cyril. At that very moment, no doubt, his misguided young friend whom he had compelled to assist him with the sinews of war for this important campaign was reviling and objurating him in revengeful terms as the blackest and most infamous of double-dyed traitors. Ah, well! ah, well! the good are inured to gross ingratitude. Guy little knew, as he, Montague Nevitt, stood there triumphant in the vestry, blandly rewarding the expectant clerk for his pains with a whole Bank of England five-pound note—the largest sum that functionary had ever in his life received all at once in a single payment—Guy little knew that Nevitt was really the chief friend and founder of the family fortunes, and was prepared to compel the "unknown benefactor" (for a moderate commission) to recognise his unacknowledged firstborn sons before all the world as the heirs to Tilgate. But yesterday, they were nameless waifs and strays, of uncertain origin, ashamed of their birth, and ignorant even whether they had been duly begotten in lawful wedlock; to-day, they were the legal inheritors of an honoured name and a great estate, the first and foremost among the landed gentry of a wealthy and beautiful English county.
He smiled to think what a good turn he had done unawares to those ungrateful youths—and how little credit, as yet, they were prepared to give him for it. In such a mood he returned to the inn to lunch. His spirits were high. This was a good day's work, and he could afford, indeed, to make merry with his host over it. He ordered in a bottle of wine—such wine as the little country cellar could produce, and invited that honest man, the landlord, to step in and share it with him. He had tasted worse sherry on London dinner-tables, and he told his host so. An affable man with inferiors, Mr. Montague Nevitt! Then he strolled out by himself down the path by the brook. It was a pleasant walk, with the water making music in little trickles by its side, and Montague Nevitt, as a man of taste, found it suited exactly with his temper for the moment. He noted an undercurrent of rejoicing and triumphant cheeriness in the tone of the stream as it plashed among the pebbles on its precipitous bed that suggested to his mind some bars of a symphony which he determined to compose as soon as he got home again to his beloved fiddle.
So he walked along by himself, elate, and with a springy step, on thoughts of ambition intent, till he came at last to a cool and shadowy place, where as yet the ferns were NOT broken down and trampled underfoot, though Guy Waring found them so some twenty minutes later.
At that spot he looked up, and saw advancing along the path in the opposite direction the burly figure of a man, in a light tourist suit, whom he hadn't yet observed since he came to Mambury. The very first point he noticed about the man, long before he recognised him, was a pair of overgrown, obtrusive hands held somewhat awkwardly in front of him—just like Gilbert Gildersleeve's. The likeness, indeed, was so ridiculously close that Montague Nevitt smiled quietly to himself to observe it. If he'd been in the Tilgate district now, he'd have declared, without the slightest hesitation, that the man on the path WAS Gilbert Gildersleeve.
One second later, he pulled himself up with a jerk in alarmed surprise. "Great heavens" he cried to himself, a weird sense of awe creeping over him piece-meal, "either this is a dream or else it IS, it must be Gilbert Gildersleeve."
And so, indeed, it was. Gilbert Gildersleeve himself, in his proper person. But the eminent Q.C., better versed in the wiles of time and place than Guy Waring in his innocence, had not come obtrusively to Mambury village or asked point-blank at the Talbot Arms by his own right name for the man he was in search of. Such simplicity of procedure would never even have occurred to that practised hand at the Old Bailey. Mr. Gilbert Gildersleeve appeared on that woodland path in the general guise of the common pedestrian tourist with his head-quarters at Ivybridge, walking about on the congenial outskirts of the Moor in search of the picturesque, and coming and going by mere accident through Mambury. He had hovered around the neighbourhood for two days, off and on, in search of his man; and now, by careful watching, like an amateur detective, he had run his prey to earth by a dexterous flank-movement and secured an interview with him where he couldn't shirk or avoid it.
To Montague Nevitt, however, the meeting seemed at first sight but the purest accident. He had no reason to suppose, indeed, that Gilbert Gildersleeve had any special interest in his visit to Mambury, further than might be implied in its possible connection with Granville Kelmscott's affairs; and he didn't believe Gwendoline, in her fear of her father, that blustering man, would ever have communicated to him the personal facts of their interview at Tilgate. So he advanced to meet his old acquaintance, the barrister, with frankly outstretched hand.
"Mr. Gildersleeve!" he exclaimed in some surprise. "No, it can't be you. Well, this IS indeed an unexpected pleasure."
Gilbert Gildersleeve gazed down upon him from the towering elevation of his six feet four. Montague Nevitt was tall enough, as men go in England, but with his slim, tailor-made form, and his waxed moustaches, he looked by the side of that big-built giant, like a Bond Street exquisite before some prize-fighting Goliath. The barrister didn't hold out his huge hand in return. On the contrary, he concealed it, as far as was possible, behind his burly back, and, looking down from the full height of his contempt upon the sinister smirking creature who advanced to greet him with that false smile on his face, he asked severely,
"What are YOU doing here? That's what I have to ask. What foxy ferreting have you come down to Mambury for?"
"Foxy ferreting," Montague Nevitt repeated, drawing back as if stung, and profoundly astonished. "Why, what do you mean by that, Mr. Gildersleeve? I don't understand you." The home-thrust was too true—after the great cross-examiner's well-known bullying manner—not to pierce him to the quick. "Who dares to say I go anywhere ferreting?"
"I do," Gilbert Gildersleeve answered, with assured confidence. "I say it, and I know it. You pitiful sneak, don't deny it to ME. You were in the vestry this morning looking up the registers. Even YOU, with your false eyes, sir, daren't look me in the face and tell me you weren't. I saw you there myself. And I know you found in the books what you wanted; for you paid the clerk an extravagant fee. … What's that? you rat, don't try to interrupt me. Don't try to bully me. It never succeeds. Montague Nevitt, I tell you, I WON'T be bullied." And the great Q.C. put his foot down on the path with an elephantine solidity that made the prospect of bullying him seem tolerably unlikely. "I know the facts, and I'll stand no prevarication. Now, tell me, what vile use did you mean to make of your discovery this morning?"
Montague Nevitt drew back, fairly nonplussed for the moment by such a vigorous and unexpected attack on his flank. Resourceful as he was, even his cunning mind came wholly unprepared to this sudden cross-questioning. He felt his own physical inferiority to the big Q.C. more keenly just then than he could ever have conceived it possible for a man of his type to feel it. After all, mind doesn't always triumph over matter. Montague Nevitt was aware that that mountain of a man, with his six feet four of muscular humanity, fairly cowed and overawed him at such very close quarters.
"I don't see what business it is of yours, Mr. Gildersleeve," he murmured, in a somewhat apologetic voice. "I may surely be allowed to hunt up questions of pedigree, of service in the end to myself and my friends, without YOUR interference."
Gilbert Gildersleeve glared at him, and flared up all at once with righteous indignation.
"Of service in the end to yourself and your friends!" he cried, with unfeigned scorn, putting his own interpretation, as was natural, on the words. "Why, you cur! you reptile! you unblushing sneak! Do you mean to say openly you avow your intention of threatening and blackmailing me? here—alone—to my face! You extortionate wretch! I wouldn't have believed even YOU in your heart would descend to such meanness."
Montague Nevitt, flurried and taken aback as he was, yet reflected vaguely with some wonder, as he listened and looked, what this sudden passion of disinterested zeal could betoken. Why such burning solicitude for Colonel Kelmscott's estate on the part of a man who was his avowed enemy? Even if Gwendoline meant to marry the young fellow Granville, with her father's consent, how could Nevitt himself levy blackmail upon Gilbert Gildersleeve by his knowledge of the two Warings' claim to the property? A complication surely. Was there not some unexpected intricacy here which the cunning schemer himself didn't yet understand, but which might redound, if unravelled, to his greater advantage?
"Blackmail YOU, Mr. Gildersleeve," he cried, with a righteously indignant air. "That's an ugly word. I blackmail nobody; and least of all the father of a lady whom I still regard, in spite of all she can say or do to make my life a blank, with affection and respect as profound as ever. How can my inquiries into the two Warings' affairs—"
Gilbert Gildersleeve crushed him with a sudden outburst of indignant wrath.
"You cad!" he cried, growing red in the face with horror and disgust. "You dare to speak so to me, and to urge such motives! But you've mistaken your man. I won't be bullied. If what you want is to use this vile knowledge you've so vilely ferreted out, as a lever to compel me to marry my daughter to you against her will—I can only tell you, you sneak, you're on the wrong tack. I will never consent to it. You may do your worst, but you will never bend me. I'm not a man to be bent or bullied—I won't be put down. I'll withstand you and defy you. You may ruin me, if you like, but you'll never break me. I stand here firm. Expose me, and I'll fight you to the bitter end: I'll fight you, and I'll conquer you."
He spoke with a fiery earnestness that Nevitt was only just beginning to understand. There was something in this. Here was a clue indeed to follow up and investigate. Surely, a menace to Granville Kelmscott's prospects could never have moved that heavy, phlegmatic, pachydermatous man to such an outburst of anger and suppressed fear.
"Expose YOU?" Nevitt repeated, in a dazed and startled voice. "Expose
YOU, my dear sir! I assure you, in truth, I don't understand you."
The barrister gazed down upon him with immeasurable scorn. "You liar!" he broke forth, almost choking at the words. "How dare you so pretend and prevaricate to my face? I KNOW it's not true. My own daughter told me. She told me what you said to her—every word of your vile threats. You had the incredible meanness to terrify a poor helpless and innocent girl by threatening to expose her mother's disgrace publicly. Only YOU could have done it; but you did it, you abject thing, you did it. She told me with her own lips you threatened to come down to Mambury, to hunt up the records. And she told me the truth; for I've seen you doing it."
A light broke slowly upon Montague Nevitt's mind. He drew a deep breath. This was good luck incredible. What Gilbert Gildersleeve meant he hadn't as yet, to be sure, the faintest conception. But it was clear they two were at cross-questions with one another. The secret Gilbert Gildersleeve thought he had come down to Mambury to discover was not the secret he had actually found out in the register that morning. It was nothing about the Kelmscotts or Guy and Cyril Waring; it was something about the great Q..C. and his wife themselves—presumably some unknown and disgraceful fact in Mrs. Gilbert Gildersleeve's early history.
And here was the cleverest lawyer at the English criminal bar just giving himself away—giving himself away unawares and telling him the secret, bit by bit, unconsciously.
This chance was too valuable for Mr. Montague Nevitt to lose. At all risks he must worm it out. He paused and temporized. His cue was now not to let Gilbert Gildersleeve see he didn't know his secret. He must draw on the Q.C. by obscure half hints till he was inextricably entangled in a complete confession.
"I had no intention of terrifying Miss Gildersleeve, I'm sure," he said, in his blandest voice, with his best company smile, now recovering his equanimity exactly in proportion as the barrister grew angrier. "I merely desired to satisfy myself as to the salient facts, and to learn their true bearing upon the family history. If I spoke to her at all as to any knowledge I might possess with regard to any other lady's early antecedents—"
Gilbert Gildersleeve's brow was black as night. His great hands trembled and twitched convulsively. Was ever blackguard so cynically candid in his avowal of the basest crimes as this fine-spoken specimen of the culture of Pall Mall in his open confession of that disgusting insult to a young girl's innocence? Gilbert Gildersleeve, who was at heart an honest man, loathed and despised and scorned and detested him.
"Do you dare to hint to me, then," he cried, every muscle of his body quivering with just horror, "that you told my own daughter you thought you had reason to suspect her own mother's early antecedents?"
Montague Nevitt looked up at him with a quietly sarcastic smile. "All's fair in love and war, you know," he said, not caring to commit himself.
That smile sealed his fate. With an irrepressible impulse, Gilbert Gildersleeve sprang upon him. He didn't mean to hurt the man: he sprang upon him merely as the sole outlet for his own incensed and outraged feelings. Those great hands seized him for a second by the dainty white throat, and flung him back in anger. Montague Nevitt fell heavily on a thick mass of bracken. There was a gurgle, a gasp; then his head lolled senseless. He was very much hurt. That at least was certain. The barrister stood over him for a minute, still purple in the face. Montague Nevitt was white—very white and death-like. All at once it occurred to the big strong man that his hands—those great hands—were very fierce and powerful. He had clutched Nevitt by the throat, half unconsciously, with all his might, just to give him a purchase as he flung the man from him. He looked at him again. Great heavens—what was this? It burst over him at once. He awoke to it with a wild start. The fellow was dead! And this was clearly manslaughter!
Justifiable homicide, if the jury knew all. But no jury now could ever know all. And he had killed him unawares! A great horror came over him. The man was dead—the man was dead; and he, Gilbert Gildersleeve, had unconsciously choked him.
He had no time to think. He had no time to calculate. His wrath was still hot, though rapidly cooling down before this awful discovery. Hide it! Hide it! Hide it! That was all he could think. He lifted the body in his arms, as easily as most men would lift a baby. Then he laid it down among the brambles close beside the stream. Something heavy fell out of the pocket as he carried it. The barrister took no heed. Little matter for that. He laid it down in fear and trembling. As soon as it was hidden, he fled for his life. By trackless ways, he walked over the Moor, and returned to Ivybridge unseen very late in the evening. Ten minutes after he left the spot, Guy Waring passed by and picked up the pocket-book.
Naturally, under these circumstances, it was all in vain that Guy Waring pursued his investigations into Montague Nevitt's whereabouts. Neither at Plymouth nor anywhere else along the skirts of Dartmoor could he learn that anything more had been seen or heard of the man who called himself "Mr. McGregor." And yet Guy felt sure Nevitt wouldn't go far from Mambury, as things stood just then; for as soon as he missed the pocket-book containing the three thousand pounds, he would surely take some steps to recover it.
Two days later, however, Gilbert Gildersleeve sat in the hotel at Plymouth, where he had moved from Ivybridge after—well, as he phrased it to himself, after that unfortunate accident. The blustering Q.C. was like another man now. For the first time in his life he knew what it meant to be nervous and timid. Every sound made him suppress an involuntary start; for as yet he had heard no whisper of the body being discovered. He couldn't leave the neighbourhood, however, till the murder was out. Dangerous as he felt it to remain on the spot, some strange spell seemed to bind him against his will to Dartmoor. He must stop and hear what local gossip had to say when the body came to light. And above all, for the present, he hadn't the courage to go home; he dared not face his own wife and daughter.
So he stayed on and lounged, and pretended to interest himself with walks over the hills and up the Tamar valley.
As he sat there in the billiard-room, that day, a young fellow entered whom he remembered to have seen once or twice in London, at evening parties, with Montague Nevitt. He turned pale at the sight—Gilbert Gildersleeve turned pale, that great red man. At first he didn't even remember the young fellow's name; but it came back to him in time that he was one Guy Waring. It was a hard ordeal to meet him, but Gilbert Gildersleeve felt he must brazen it out. To slink away from the young man would be to rouse suspicion. So they sat and talked for a minute or two together, on indifferent subjects, neither, to say truth, being very well pleased to see the other under such peculiar circumstances. Then Guy, who had the least reason for concealment of the two, sauntered out for a stroll, with his heart still full of that villain Nevitt, whose name, of course, he had never mentioned to Gilbert Gildersleeve. And Gilbert Gildersleeve, for his part, had had equal cause for a corresponding reticence as to their common acquaintance.
Just as Guy left the room, the landlord dropped in and began to talk with his guest about the latest new sensation.
"Heard the news, sir, this morning?" he asked, with an important air. "Inspector's just told me. A case very much in your line of business. Dead body's been discovered at Mambury, choked, and then thrown among the brake by the river. Name of McGregor—a visitor from London. And they do say the police have a clue to the murderer. Person who did it—"
Gilbert Gildersleeve's heart gave a great bound within him, and then stood stock-still; but by an iron effort of will he suppressed all outer sign of his profound emotion. He seemed to the observant eye merely interested and curious, as the landlord finished his sentence carelessly—"Person who did it's supposed to be a young man who was at Mambury this week, of the name of Waring."
Gilbert Gildersleeve's heart gave another bound, still more violent than before. But again he repressed with difficulty all external symptoms of his profound agitation. This was very strange news. Then somebody else was suspected instead of himself. In one way that was bad; for Gilbert Gildersleeve had a conscience and a sense of justice. But, in another way, why, it would save time for the moment, and divert attention from his own personality. Better anything now than immediate suspicion. In a week or two more every trace would be lost of his presence at Mambury.
"Waring," he said thoughtfully, turning over the name to himself, as if he attached it to no particular individual. "Waring—Waring—Waring."
He paused and looked hard. Ha! so far good! It was clear the landlord didn't know Waring was the name of the young man who had just left the billiard-room. This was lucky, indeed, for if he HAD known it now, and had taxed Guy then and there, before his own very face, with being the murderer of this unknown person at Mambury, Gilbert Gildersleeve felt no course would have been open for him save to tell the whole truth on the spot unreservedly. Try as he would, he COULDN'T see another man arrested before his very eyes for the crime he himself had really, though almost unwittingly, committed.
"Waring," he repeated slowly, like one who endeavoured to collect his scattered thoughts; "what sort of person was he, do you know? And how did the police come to get a clue to him?"
The landlord, nothing loth, went off into a long and circumstantial story of the discovery of the body, with minute details of how the innkeeper at Mambury had traced the supposed murderer—who gave no name—by an envelope which he'd left in his bedroom that evening. The county was up in arms about the affair to-day. All Dartmoor was being searched, and it was supposed the fellow was in hiding somewhere in the neighbourhood of Tavistock or Oakhampton. They'd catch him by to-night. The landlord wouldn't be surprised, indeed, now he came to think on it, if his truest himself—here a very long pause—were retained by-and-by for the prosecution.
Gilbert Gildersleeve drew a deep breath, unperceived. That was all, was it? The pause had unnerved him. He talked some minutes, as unconcernedly as he could, though trembling inwardly all the while, about the murder and the murderer. The landlord listened with profound respect to the words of legal wisdom as they dropped from his lips; for he knew Mr. Gildersleeve by common repute as one of the ablest and acutest of criminal lawyers in all England. Then, after a short interval, the big burly man, moving his guilty fingers nervously over the seal on his watch-chain, and assuming as much as possible his ordinary air of blustering self-assertion, asked, in an off-hand fashion, "By the way, let me see, I've, some business to arrange; what's the number of my friend Mr. Billington's bedroom?"
The landlord looked up with a little start of surprise. "Mr.
Billington?" he said, hesitating. "We've got no Mr. Billington."
Gilbert Gildersleeve smiled a sickly smile. It was neck or nothing now. He must go right through with it. "Oh yes," he answered, with prompt conviction, playing a dangerous card well—for how could he know what name this young man Waring might possibly be passing under? "The gentleman who was talking to me when you came in just now. His name's Billington—though, perhaps," he added, after a pause, with a reflective air, "he may have given you another one. Young men will be young men. They've often some reason, when travelling, for concealing their names. Though Billington's not the sort of fellow, to be sure, who's likely to be knocking about anywhere incognito."
The landlord laughed. "Oh, we've plenty of that sort," he replied good-humouredly. "Both ladies and gentlemen. It all makes trade. But your friend ain't one of 'em. To tell you the truth, he didn't give any name at all when he came to the hotel; and we didn't ask any. Billington, is it? Ah, Billington, Billington. I knew a Billington myself once, a trainer at Newmarket. Well, he's a very pleasant young man, nice-spoken, and that; but I don't fancy he's quite right in his head, somehow."
With instinctive cleverness, Gilbert Gildersleeve snatched at the opening at once. "Ah no, poor fellow," he said, shaking his head sympathetically. "You've found that out already, have you? Well, he's subject to delusions a bit; mere harmless delusions; but he's not at all dangerous. Excitable, very, when anything odd turns up; he'll be calling himself Waring and giving himself in charge for this murder, I dare say, when he comes to hear of it. But as good-hearted a fellow as ever lived, though; only, a trifle obstinate. If you've any difficulty with him at any time, just send for me. I've known him from a boy. He'll do anything I tell him."
It was a critical game, but Gilbert Gildersleeve saw something definite must be done, and he trusted to bluster, and a well-known name, to carry him through with it. And, indeed, he had said enough. From that moment forth, the landlord's suspicions were never even so much as aroused by the innocent young man with the preoccupied manner, who knew Mr. Gildersleeve. The great Q.C.'s word was guarantee enough—for any one but himself. And the great Q.C. himself knew it. Why, a chance word from his lips was enough to protect Guy Waring from suspicion. Who would ever believe, then, anything so preposterously improbable as that the great Q.C. himself was the murderer?
Not the police, you may be sure; nor the Plymouth landlord.
He went out into the town, with his mind now filled full of a curious scheme. A plan of campaign loomed up visibly before him. Waring was suspected. Therefore Waring must somehow have given cause for suspicion. Well, Waring was a friend of Montague Nevitt's, and had evidently been at Mambury, either with him or without him, immediately before the—h'm—the unfortunate accident. But as soon as Waring came to learn of the discovery of the body, which he would be sure to do from the paper that evening at latest, he would see at once the full strength of whatever suspicions might tell against him. Now, Gilbert Gildersleeve's experience of criminal cases had abundantly shown him that a suspected person, even when innocent, always has one fixed desire in his head—to gain time, anyhow. So Waring would naturally wish to gain time, at whatever cost. There were evidently circumstances connecting Waring with the crime; there were none at all, known to the outer world, connecting the eminent lawyer. Therefore, the eminent lawyer argued to himself, as coolly almost as if it had been somebody else's case, not his own, he was conducting—therefore, if an immediate means of escape is provided for Waring, Waring will almost undoubtedly fall blindfold into it.
Not that he meant to let Guy pay the penalty in the end for his own rash crime. He was no hardened villain. He had still a conscience. If the worst came to the worst, he said to himself, he would tell all, openly, rather than let an innocent man suffer. But, like every one else, in accordance with his own inference from his observation of others, he, too, wanted to gain time, anyhow; and if he could but gain time by kindly helping Guy to escape for the present, why, he would gladly do so. An innocent man may be suspected for the moment, Gilbert Gildersleeve thought to himself, with a lawyer's blind confidence; but under our English law he need never at least fear that the suspicion will be permanent. For lawyers repeat their own incredible commonplaces about the absolute perfection of English law so often that at last, by a sort of retributive nemesis, they really almost come to believe them.
Filled with these ideas, then, which rose naturally up in his mind without his taking the trouble, as it were, definitely to prove them, Gilbert Gildersleeve hurried on through the crowded streets of Plymouth town, till he reached the office of the London and South African Steamship Company. There he entered with an air of decided business, and asked to take a passage to Cape Town at once by the steamer "Cetewayo", due to call at Plymouth, outward bound, that evening. He had looked up particulars of sailing in the papers at the hotel, and asked now, as if for himself, for a large and roomy berth, with all his usual self-possession and boldness of manner. The clerk gazed at him carelessly; that big and burly man with the great awkward hands raised no picture in his brain of the supposed murderer of McGregor in the wood at Mambury as that murderer had been described to him by the police that morning, from a verbal portrait after the landlord of the Talbot Arms. This colossal, red-faced, loud-spoken person, who required a large and roomy berth, was certainly "not" the rather slim young man, a little above the medium height, with a dark moustache and a gentle musical voice, whom the inn-keeper had seen in an excited mood on the hunt for McGregor along the slopes of Dartmoor.
"What name?" the clerk asked briskly, after Gilbert Gildersleeve had selected his state-room from the plan, with some show of interest as to its being well amidships and not too near the noise of the engines.
"Billington," the barrister answered, without a glimmer of hesitation. "Arthur Standish Billington, if you want the full name. Thirty-two will suit me very well, I think, and I'll pay for it now. Go aboard when she's sighted, I suppose; nine o'clock or thereabouts."
The clerk made out the ticket in the name he was told. "Yes, nine o'clock," he said curtly. "All luggage to be on board the tender by eight, sharp. You've left taking your passage very late, Mr. Billington. Lucky we've a room that'll suit you, I'm sure, It isn't often we have berths left amidships like this on the day of sailing."
Gilbert Gildersleeve pretended to look unconcerned once more. "No, I suppose not," he answered, in a careless voice. "People generally know their own minds rather longer beforehand. But I'd a telegram from the Cape this morning that calls me over immediately."
He folded up his ticket, and put it in his pocket. Then he pulled out a roll of notes and paid the amount in full. The clerk gave him change promptly. Nobody could ever have suspected so solid a man as the great Q.C. of any more serious crime or misdemeanour than shirking the second service on Sunday evening. There was a ponderous respectability about his portly build that defied detection. The agents of all the steamboat companies had been warned that morning that the slim young man of the name of Waring might try to escape at the last moment. But who could ever suspect this colossal pile, in the British churchwarden style of human architecture, of aiding and abetting the escape of the young man Waring from the pervasive myrmidons of English justice? The very idea was absurd. Gilbert Gildersleeve's waistcoat was above suspicion.
And when Guy Waring returned to his room at the Duke of Devonshire Hotel half an hour later, in complete ignorance as yet of the bare fact of the murder, he found on his table an envelope addressed, in an unknown hand, "Guy Waring, Esq.," while below in the corner, twice underlined, were the importunate words, "IMMEDIATE! IMPORTANT!"
Guy tore it open in wonder. What on earth could this mean? He trembled as he read. Could Cyril have learnt all? Or had Nevitt, that double-dyed traitor, now trebled his treachery by informing against the man whom he had driven into a crime? Guy couldn't imagine what it all could be driving at, for there, before his eyes, in a round schoolboy hand, very carefully formed, without the faintest trace of anything like character, were the words of this strange and startling message, whose origin and intent were alike a mystery to him.
"Guy Waring, a warrant is out for your apprehension. Fly at once, or things may be worse for you. It is something always to gain time for the moment. You will avoid suspicion, public scandal, trial. Enclosed find a ticket for Cape Town by the Cetewayo to-night. She sails at nine. Luggage to be on board the tender by eight sharp. If you go, all can yet be satisfactorily cleared up. If you stay, the danger is great, and may be very serious. Ticket is taken (and paid for) in the name of Arthur Standish Billington. Settle your account at the hotel in that name and go.
"Yours, in frantic haste,
Guy gazed at the strange missive long and dubiously. "A warrant
is out." He scarcely knew what to do. Oh, for time, time, time!
Had Cyril sent this? Or was it some final device of that fiend,
Nevitt?
There wasn't much time left, however, for Guy to make up his mind in. He must decide at once. Should he accept this mysterious warning or not? Pure fate decided it. As he hesitated he heard a boy crying in the street. It was the special-edition-fiend calling his evening paper. The words the boy said Guy didn't altogether catch; but the last sentence of all fell on his ear distinctly. He started in horror. It was an awful sound: "Warrant issued to-day for the apprehension of Waring."
Then the letter, whoever wrote it, was not all a lie. The forgery was out. Cyril or the bankers had learnt the whole truth. He was to be arrested to-day as a common felon. All the world knew his shame. He hid his face in his hands. Come what might, he must accept the mysterious warning now. He would take the ticket, and go off to South Africa.
In a moment a whole policy had arisen like a cloud and framed itself in his mind. He was a forger, he knew, and by this time Cyril too most probably knew it. But he had the three thousand pounds safe and sound in his pocket, and those at least he could send back to Cyril. With them he could send a cheque on his own banker for three thousand more; not that there were funds there at present to meet the demand; but if the unknown benefactor should pay in the six thousand he promised within the next few weeks, then Cyril could repay himself from that hypothetical fortune. On the other hand, Guy didn't disguise from himself the strong probability that the unknown benefactor might now refuse to pay in the six thousand. In that case, Guy said to himself with a groan, he would take to the diamond fields, and never rest day or night in his self-imposed task till he had made enough to repay Cyril in full the missing three thousand, and to make up the other three thousand he still owed the creditors of the Rio Negro Company. After which, he would return and give himself up like a man, to stand his trial voluntarily for the crime he had committed.
It was a young man's scheme, very fond and youthful; but with the full confidence of his age he proceeded at once to put it in practice. Indeed, now he came to think upon it, he fancied to himself he saw something like a solution of the mystery in the presence of the great Q.C. at Plymouth that morning. Cyril had found out all, and had determined to save him. The bankers had found out all, and had determined to prosecute. They had consulted Gildersleeve. Gildersleeve had come down on a holiday trip, and run up against him at Plymouth by pure accident. Indeed, Guy remembered now that the great Q.C. looked not a little surprised and excited at meeting him. Clearly Gildersleeve had communicated with the police at once; hence the issue of the warrant. At the same time the writer of the letter, whoever he might be—and Guy now believed he was sent down by Cyril, or in Cyril's interest—the writer had found out the facts betimes, and had taken a passage for him in the name of Billington. Uncertain as he felt about the minor details, Guy was sure this interpretation must be right in the main. For Elma's sake—for the honour of the family—Cyril wished him for the present to disappear. Cyril's wish was sacred. He would go to South Africa.
The great point was now to avoid meeting Gildersleeve before the ship sailed. So he would pay his bill quietly, put his things in his portmanteau, stop in his room till dusk, and then drive off in a close cab to the landing-stage.
But, first of all, he must send the three thousand direct to Cyril.
He sat down in a fit of profound penitence, and penned a heart-broken letter of confession to his brother.
It was vague, of course; such letters are always vague; no man, even in confessing, likes to allude in plain terms to the exact nature of the crime he has committed; and besides, Guy took it for granted that Cyril knew all about the main features of the case already. He didn't ask his brother to forgive him, he said; he didn't try to explain, for explanation would be impossible. How he came to do it, he had no idea himself. A sudden suggestion—a strange unaccountable impulse—a minute or two of indecision—and almost before he knew it, under the spell of that strange eye, the thing was done, irretrievably done for ever. The best he could offer now was to express his profound and undying regret at the wrong he had committed, and by which he had never profited himself a single farthing. Nevitt had deceived him with incredible meanness; he could never have believed any man would act as Nevitt had acted. Nevitt had stolen three thousand pounds of the sum, and applied them to paying off his own debt to the Rio Negro creditors: The remaining three thousand, sent herewith, Guy had recovered, almost by a miracle, from that false creature's grasp, and he returned them now, in proof of the fact, in Montague Nevitt's own pocket-book, which Cyril would no doubt immediately recognise. For himself, he meant to leave England at once, at least for the present. Where he was going he wouldn't as yet let Cyril know. He hoped in a new country to recover his honour and rehabilitate his name. Meanwhile, it was mainly for Cyril's sake that he fled—and for one other person's too—to avoid a scandal. He hoped Cyril would be happy with the woman of his choice; for it was to insure their joint happiness that he was accepting the offer of escape so unexpectedly tendered him.
He sealed up the letter—that incriminating letter, that might mean so much more than he ever put into it—and took it out to the post, with the three thousand pounds and Montague Nevitt's pocket-book in a separate packet. Proud Kelmscott as he was by birth and nature, he slunk through the streets like a guilty man, fancying all eyes were fixed suspiciously upon him. Then he returned to the hotel in a burning heat, went into the smoking room on purpose like an honest man, and rang the bell for the servant boldly.
"Bring my bill, please," he said to the waiter who answered it. "I go at seven o'clock."
"Yes, sir," the waiter replied, with official promptitude. "Directly, sir. What number?"
"I forget the number," Guy answered, with a beating heart; "but the name's Billington."
"Yes, sir," the waiter responded once more, in the self-same unvaried tone, and went off to the office.
Guy waited in profound suspense, half expecting the waiter to come back for the number again; but to his immense surprise and mystification, the fellow didn't. Instead of that, he returned some minutes later, all respectful attention, bringing the bill on a salver, duly headed and lettered, "Mr. Billington, number 40." In unspeakable trepidation, Guy paid it and walked away. Never before in all his life had he been surrounded so close on every side by a thick hedge of impenetrable and inexplicable mystery.
Then a new terror seized him. Was he running his head into a noose, blindfold? Who was the Billington he was thus made to personate, and who must really be staying at the very same time in the Duke of Devonshire? Was this just another of Nevitt's wily tricks? Had he induced his victim to accept without question the name and character of some still more open criminal?
There was no time now, however, to drawback or to hesitate. The die was cast; he must stand by its arbitrament. He had decided to go, and on that hasty decision had acted in a way that was practically irrevocable. He put his things together with trembling hands, called a cab by the porter, and drove off alone in a turmoil of doubt, to the landing-stage in the harbour.
Policemen not a few were standing about on the pier and in the streets as he drove past openly. But in spite of the fact that a warrant had been issued for his apprehension, none of them took the slightest apparent notice of him. He wondered much at this. But there was really no just cause for wonder. For at least an hour earlier the police had ceased to look out any longer for Nevitt's murderer. And the reason they had done so was simply this: a telegram had come down from Scotland Yard in the most positive terms, "Waring arrested this afternoon at Dover. The murdered man McGregor is now certainly known to be Montague Nevitt, a bank clerk in London. Endeavour to trace Waring's line of retreat from Mambury to Dover by inquiry of the railway officials. We are sure of our man. Photographs will be forwarded you by post immediately."
And, as a matter of fact, at the very moment when Guy was driving down to the tender, in order to escape from an imaginary charge of forgery, his brother Cyril, to his own immense astonishment, was being conveyed from Dover Pier to Tavistock, under close police escort, on a warrant charging him with the wilful murder of Montague Nevitt, two days before, at Mambury, in Devon.
If Guy had only known that, he would never have fled. But he didn't know it. How could he, indeed, in his turmoil and hurry? He didn't even know Montague Nevitt was dead. He had been too busy that day to look at the papers. And the few facts he knew from the boys crying in the street he naturally misinterpreted, by the light of his own fears and personal dangers. He thought he was "wanted" for the yet undiscovered forgery, not for the murder, of which he was wholly ignorant.
Nevertheless, we can never in this world entirely escape our own personality. As Guy went on board, believing himself to have left his identity on shore, he heard somebody, in a voice that he fancied he knew, ask a newsboy on the tender for an evening paper. Guy was the only passenger who embarked at Plymouth; and this person unseen was the newsboy's one customer.
Guy couldn't discover who he was at the moment, for the call for a paper came from the upper deck; he only heard the voice, and wasn't certain at first that he recognised even that any more than in a vague and indeterminate reminiscence. No doubt the sense of guilt made him preternaturally suspicious. But he began to fear that somebody might possibly recognise him. And he had bought the paper with news about the warrant. That was bad; but 'twas too late to draw back again now. The tender lay alongside a while, discharging her mails, and then cast loose to go. The Cetewayo's screw began to move through the water. With a dim sense of horror, Guy knew they were off. He was well under way for far distant South Africa.
But he did NOT know or reflect that while he ploughed his path on over that trackless sea, day after day, without news from England, there would be ample time for Cyril to be tried, and found guilty, and perhaps hanged as well, for the crime that neither of them had really committed.
The great ship steamed out, cutting the waves with her prow, and left the harbour lights far, far behind her. Guy stood on deck and watched them disappearing with very mingled feelings. Everything had been so hurried, he hardly knew himself as yet how his flight affected all the active and passive characters in this painful drama. He only knew he was irrevocably committed to the voyage now. There would be no chance of turning till they reached Cape Town, or at, the very least Madeira.
He stood on deck and looked back. Somebody else in an ulster stood not far off, near a light by the saloon, conversing with an officer. Guy recognised at once the voice of the man who had asked in the harbour for an evening paper. At that moment a steward came up as he stood there, on the look-out for the new passenger they'd just taken in. "You're in thirty-two, sir, I think," he said, "and your name—"
"Is Billington," Guy answered, with a faint tremor of shame at the continued falsehood.
The man who had bought the paper turned round sharply and stared at him. Their eyes met in one quick flash of unexpected recognition. Guy started in horror. This was an awful meeting. He had seen the man but once before in his life, yet he knew him at a glance. It was Granville Kelmscott.
For a minute or two they stood and stared at one another blankly, those unacknowledged half-brothers, of whom one now knew, while the other still ignored, the real relationship that existed between them. Then Granville Kelmscott turned away without one word of greeting. Guy trembled in his shame. He knew he was discovered. But before his very eyes, Granville took the paper he had been reading by that uncertain light, and, raising it high in his hand, flung it over into the sea with spasmodic energy. It was the special edition containing the account of the man McGregor's death and Guy Waring's supposed connection with the murder. Granville Kelmscott, indeed, couldn't bring himself to denounce his own half-brother. He stared at him coldly for a second with a horrified face.
Then he said, in a very low and distant voice, "I know your identity, Mr. Billington," with a profoundly sarcastic accent on the assumed name, "and I will not betray it. I know your secret, too; and I will keep that inviolate. Only, during the rest of this voyage, do me the honour, I beg of you, not to recognise me or speak to me in any way at any time."
Guy slunk away in silence to his own cabin. Never before in his life had he known such shame. He felt that his punishment was indeed too heavy for him.
At Tilgate and Chetwood next morning, two distinguished households were thrown into confusion by the news in the papers. To Colonel Kelmscott and to Elma Clifford alike that news came with crushing force and horror. A murder, said the Times, had been committed in Devonshire, in a romantic dell, on the skirts of Dartmoor. No element of dramatic interest was wanting to the case; persons, place, and time were all equally remarkable. The victim of the outrage was Mr. Montague Nevitt, confidential clerk to Messrs. Drummond, Coutts, and Barclay, the well-known bankers, and himself a familiar figure in musical society in London. The murderer was presumably a young journalist, Mr. Guy Waring, not unknown himself in musical circles, and brother of that rising landscape painter, Mr. Cyril Waring, whose pictures of wild life in forest scenery had lately attracted considerable attention at the Academy and the Grosvenor. Mr. Guy Waring had been arrested the day before on the pier at Dover, where he had just arrived by the Ostend packet. It was supposed by the police that he had hastily crossed the Channel from Plymouth to Cherbourg, soon after the murder, to escape detection, and, after journeying by cross-country routes through France and Belgium, had returned via Ostend to the shores of England. It was a triumphant vindication of our much maligned detective system that within a few hours after the discovery of the body on Dartmoor, the supposed criminal should have been recognised, arrested, and detained among a thousand others, in a busy port, at the very opposite extremity of southern England.
Colonel Kelmscott that day was strangely touched, even before he took up his morning paper. A letter from Granville, posted at Plymouth, had just reached him by the early mail, to tell him that the only son he had ever really loved or cared for on earth had sailed the day before, a disinherited outcast, to seek his fortune in the wild wastes of Africa. How he could break the news to Lady Emily he couldn't imagine. The Colonel, twisting his white moustache, with a quivering hand on his tremulous lip, hardly dared to realize what their future would seem like. And then—he turned to the paper, and saw to his horror this awful tale of a cold-blooded and cowardly murder, committed on a friend by one who, however little he might choose to acknowledge it, was after all his own eldest son, a Kelmscott of Tilgate, as much as Granville himself, in lawful wedlock duly begotten.
The proud but broken man gazed at the deadly announcement in blank amaze and agony. His Nemesis had come. Guy Waring was his own son—and Guy Waring was a murderer.
He tried to argue with himself at first that this tragic result in some strange way justified him, after the event, for his own long neglect of his parental responsibilities. The young man was no true Kelmscott at heart, he was sure, or such an act as that would have revolted and appalled him. He was no true son in reality; his order disowned him. Base blood flowed in his veins, and made crimes like these conceivable.
"I was right after all," the Colonel thought, "not to acknowledge these half low-born lads as the heirs of Tilgate. Bad blood will out in the end—and THIS is the result of it."
And then, with sudden revulsion he thought once more—God help him! How could he say such things in his heart even now of HER, his pure, trustful Lucy? She was better than him in her soul, he knew—ten thousand times better. If bad blood came in anywhere, it came in from himself, not from that simple-hearted, innocent little country-bred angel.
And perhaps if he'd treated these lads as he ought, and brought them up to their own, and made them Kelmscotts indeed, instead of nameless adventurers, they might never have fallen into such abysses of turpitude. But he had let them grow up in ignorance of their own origin, with the vague stain of a possible illegitimacy hanging over their heads; and what wonder if they forgot in the end how noblesse oblige, and sank at last into foul depths of vice and criminality?
As he read on, his head swam with the cumulative evidence of that deliberately planned and cruelly executed yet brutal murder. The details of the crime gave him a sickening sense of loathing and incredulity. Impossible that his own son could have schemed and carried out so vile an attack upon a helpless person, who had once been his nearest and dearest companion. And yet, the account in the paper gave him no alternative but to believe it. Nevitt and Guy Waring had been inseparable friends. They had dined together, supped together, played duets in their own rooms, gone out to the same parties, belonged to the same club, in all things been closer than even the two twin brothers. Some quarrel seemed to have arisen about a matter of speculations in which both had suffered. They separated at once—separated in anger. Nevitt went down to Devonshire by himself for his holiday. Then Waring followed him, without any pretence at concealment; inquired for him at the village inn with expressions of deadly hate; tracked him to a lonely place in the adjacent wood; choked him, apparently with some form of garotte or twisted rope—for the injuries seemed greater than even the most powerful man could possibly inflict with the hands alone; and hid the body of his murdered friend at last in a mossy dell by the bank of the streamlet. Nor was that all; for with callous effrontery he had returned to the inn, still inquiring after his victim; and had gone off next morning early with a lie on his lips, pretending even then to nurse his undying wrath and to be bent on following up with coarse threats of revenge his stark and silent enemy.
So far the Times. But to Colonel Kelmscott, reading in between the lines as he went, there was more in it than even that. He saw, though dimly, some hint of a motive. For it was at Mambury that all these things had taken place; and it was at Mambury that the secret of Guy Waring's descent lay buried, as he thought, in the parish registers. What it all meant, Colonel Kelmscott couldn't indeed wholly understand; but many things he knew which the writer of the account in the Times knew not. He knew that Nevitt was a clerk in the bank where he himself kept his account, and to which he had given orders to pay in the six thousand to Cyril's credit, at Cyril's bankers. He knew, therefore, that Nevitt might thus have been led to suspect the real truth of the case as to the two so-called Warings. He knew that Cyril had just received the six thousand. Trying to put these facts together and understand their meaning he utterly failed; but this much at least was clear to him, he thought—the reason for the murder was something connected with a search for the entry of his own clandestine marriage.
He looked down at the paper again. Great heavens, what was this? "It is rumoured that a further inducement to the crime may perhaps be sought in the fact that the deceased gentleman had a large sum of money in his possession in Bank of England notes at the time of his death. These notes he carried in a pocket-book about his person, where they were seen by the landlord of the Talbot Arms at Mambury, the night before the supposed murder. When the body was discovered by the side of the brook, two days later, the notes were gone. The pockets were carefully searched by order of the police, but no trace of the missing money could be discovered. It is now conjectured that Mr. Guy Waring, who is known to have lost heavily in the Rio Negro Diamond Mines, may have committed the crime from purely pecuniary motives, in order to release himself from his considerable and very pressing financial embarrassments."
The paper dropped from Colonel Kelmscott's hands. His eyes ceased to see. His arm fell rigid. This last horrible suggestion proved too much for him to bear. He shrank from it like poison. That a son of his own, unacknowledged or not, should be a criminal—a murderer—was terrible enough; but that he should even be suspected of having committed murder for such base and vulgar motives as mere thirst of gain was more than the blood of the Kelmscotts could put up with. The unhappy father had said to himself in his agony at first that if Guy really killed that prying bank clerk at all, it was no doubt in defence of his mother's honour. THAT was a reason a Kelmscott could understand. That, if not an excuse, was at least a palliation. But to be told he had killed him for a roll of bank-notes—oh, horrible, incredible; his reason drew back at it. That was a depth to which the Kelmscott idiosyncrasy could never descend. The Colonel in his horror refused to believe it.
He put his hands up feebly to his throbbing brow. This was a ghastly idea—a ghastly accusation. The man called Waring had dragged the honour of the Kelmscotts through the mud of the street. There was but one comfort left. He never bore that unsullied name. Nobody would know he was a Kelmscott of Tilgate.
The Colonel rose from his seat, and staggered across the floor. Half-way to the door, he reeled and stopped short. The veins of his forehead were black and swollen. He had the same strange feeling in his head as he experienced on the day when Granville left—only a hundred times worse. The two halves of his brain were opening and shutting. His temples seemed too full; he fancied there was something wrong with his forehead somewhere. He reeled once more, like a drunken man. Then he clutched at a chair and sat down. His brain was flooded.
He collapsed all at once, mumbling to himself some inarticulate gibberish. Half an hour later, the servants came in and found him. He was seated in his chair, still doddering feebly. The house was roused. A doctor was summoned, and the Colonel put to bed. Lady Emily watched him with devoted care. But it was all in vain. The doctor shook his head the moment he examined him. "A paralytic stroke," he said gravely; "and a very serious one. He seems to have had a slighter attack some time since, and to have wholly neglected it. A great blood-vessel in the brain must have given way with a rush. I can hold out no hope. He won't live till morning."
And indeed, as it turned out, about ten that night the Colonel's loud and stentorious breathing began to fail slowly. The intervals grew longer and longer between each recurrent gasp, and life died away at last in imperceptible struggles.
By two in the morning, Kelmscott of Tilgate lay dead on his bed; and his two unacknowledged and unrecognised sons were the masters of his property.
But one of them was at that moment being tossed about wildly on the waves of Biscay; and the other was locked up on a charge of murder in the county jail at Tavistock, in Devonshire.
Meanwhile, at the other house at Chetwood, where these tidings were being read with almost equal interest, Elma Clifford laid down the paper on the table with a very pale face, and looked at her mother. Mrs. Clifford, all solicitous watchfulness for the effect on Elma, looked in return with searching eyes at her daughter. Then Elma opened her lips like one who talks in her sleep, and spoke out twice in two short disconnected sentences. The first time she said simply, "He didn't do it, I know," and the second time, with all the intensity of her emotional nature, "Mother, mother, whatever turns up, I MUST go there."
"HE will be there," Mrs. Clifford interposed, after a painful pause.
And Elma answered dreamily, with her great eyes far away, "Yes, of course, I know he will. And I must be there too, to see how far, if at all, I can help them."
"Yes, darling," her mother replied, stroking her daughter's hair with a caressing hand. She knew that when Elma spoke in a tone like that, no power on earth could possibly restrain her.
To Cyril Waring himself, the arrest at Dover came as an immense surprise; rather a surprise, indeed, than a shock just at first, for he could only treat it as a mistaken identity. The man the police wanted was Guy, not himself; and that Guy should have done it was clearly incredible.
As he landed from the Ostend packet, recalled to England unexpectedly by the announcement that the Rio Negro Diamond Mines had gone with a crash—and no doubt involved Guy in the common ruin—Cyril was astonished to find himself greeted on the Admiralty Pier by a policeman, who tapped him on the shoulder with the casual remark, "I think your name's Waring."
Cyril answered at once, "Yes, my name's Waring."
It didn't occur to him at the moment that the man meant to arrest him.
"Then you're wanted," the minion of authority answered, seizing his arm rather gruffly. "We've got a warrant out to-day against you, my friend. You'd better come along with me quietly to the station."
"A warrant!" Cyril repeated, amazed, shaking off the man's hand.
"There must be some mistake somewhere."
The policeman smiled. "Oh yes," he answered briskly, with some humour in his tone. "There's always a mistake, of course, in all these arrests. You never get a hold of the right man just at first. It's sure to be a case of his twin brother. But there ain't no mistake this time, don't you fear. I knowed you at once, when I see you, by your photograph. Though we were looking out for you, to be sure, going the other way. But it's you all right. There ain't a doubt about that. Warrant in the name of Guy Waring, gentleman; wanted for the wilful murder of a man unknown, said to be one McGregor, alias Montague Nevitt, on the 27th instant, at Mambury, in Devonshire."
Cyril gave a sudden start at the conjunction of names, which naturally increased his captor's suspicions. "But there IS a mistake, though," he said angrily, "even on your own showing. You've got the wrong man. It's not I that am wanted. My name's Cyril Waring, and Guy is my brother's. Though Guy can't have murdered Mr. Nevitt, either, if it comes to that; they were most intimate friends. However, that's neither here nor there. I'm Cyril, not Guy; I'm not your prisoner."
"Oh yes, you are, though," the officer answered, holding his arm very tight, and calling mutely for assistance by a glance at the other policemen. "I've got your photograph in my pocket right enough. Here's the man we've orders to arrest at once. I suppose you won't deny, now, that's your living image."
Cyril glanced at the photograph with another start of surprise. Sure enough, it WAS Guy; his last new cabinet portrait. The police must be acting under some gross misapprehension.
"That man's my brother," he said confidently, brushing the photograph aside. "I can't understand it at all. This is extremely odd. It's impossible my brother can even be suspected of committing murder."
The policeman smiled cynically. "Well, it ain't impossible your brother's brother can be suspected, anyhow," he said, with a quiet air of superior knowledge. "The good old double trick's been tried on once too often. If I was you, I wouldn't say too much. Whatever you say may be used as evidence at the trial against you. You just come along quietly to the station with me—take his other arm, Jim, that's right: no violence please, prisoner—and we'll pretty soon find out whether you're the man we've got orders to arrest, or his twin brother." And he winked at his ally. He was proud of having effected the catch of the season.
"But I AM his twin brother," Cyril said, half struggling still to release himself. "You can't take me up on that warrant, I tell you. It's not my name. I'm not the man you've orders to look for."
"Oh, that's all right," the constable answered as before, with an incredulous smile. "Don't you go trying to obstruct the police in the exercise of their duty. If I can't take you up on the warrant as it stands, well, anyhow, I can arrest you on suspicion all the same, for looking so precious like the photograph of the man as is wanted. Twin brothers ain't got any call, don't you know, to sit, turn about, for one another's photographs. It hinders the administration of justice; that's where it is. And remember, whatever you choose to say may be used as evidence at the trial against you."
Thus adjured, Cyril yielded at last to force majeure and walked arm in arm between the two policemen, followed by a large and admiring crowd, to the nearest station.
But the matter was far less easily arranged than at first imagined. An innocent man who knows his own innocence, taken up in mistake for a brother whom he believes to be equally incapable of the crime with which he is charged, naturally expects to find no difficulty at all in proving his identity and escaping from custody on a false charge of murder. But the result of a hasty examination at the station soon effectually removed this little delusion. His own admission that the photograph was a portrait of Guy, and his resemblance to it in every leading particular, made the authorities decide on the first blush of the thing this was really the man Scotland Yard was in search of. He was trying to escape them on the ridiculous pretext that he was in point of fact his own twin brother. The inspector declined to let him go for the night. He wasn't going to repeat the mistake that was made in the Lefroy case, he said very decidedly. He would send the suspected person under escort to Tavistock.
So to Tavistock Cyril went, uncertain as yet what all this could mean, and ignorant of the crime with which he was charged, if indeed any crime had been really committed. All the way down, an endless string of questions suggested themselves one by one to his excited mind. Was Nevitt really dead? And if so, who had killed him? Was it suicide to escape from the monetary embarrassments brought about by the failure of the Rio Negro Diamond Mines, or was it accident or mischance? Or was it in fact a murder? And in any case—strangest of all—where was Guy? Why didn't Guy come forward and court inquiry? For as yet, of course, Cyril hadn't received his brother's letter, with the incriminating pocket-book and the three thousand pounds; nor indeed, for several days after, as things turned out, was there even a possibility of his ever receiving it.
Next morning, however, when Cyril was examined before the Tavistock magistrates, he began to realize the whole strength of the case against him. The proceedings were purely formal, as the lawyers said; yet they were quite enough to make Cyril's cheek turn pale with horror. One witness after another came forward and swore to him. The station-master at Mambury gave evidence that he had made inquiries on the platform after Nevitt by name; the inn-keeper deposed as to his excited behaviour when he called at the Talbot Arms, and his recognition of McGregor as the person he was in search of; the boy of whom Guy had inquired at the gate unhesitatingly set down the conversation to Cyril. None of them had the faintest doubt in his own mind—each swore—that the prisoner before the magistrates was the self-same person who went over to Mambury on that fatal day, and who followed Montague Nevitt down the path by the river.
As Cyril listened, one terrible fact dawned clearer and clearer upon his brain. Every fragment of evidence they piled up against himself made the case against Guy look blacker and blacker.
The magistrates accepted the proofs thus tendered, and Cyril, as yet unassisted by professional advice, was remanded accordingly till next morning.
Just as he was about to leave the Sessions House in a tumult of horror, fear, and suspense, somebody close by tapped him on the shoulder gravely, after a few whispered words with the chairman and the magistrates. Cyril turned round, and saw a burly man with very large hands, whom he remembered to have had pointed out to him in London, and, strange to say, by Montague Nevitt himself—as the eminent Q.C., Mr. Gilbert Gildersleeve.
The great advocate was pale, but very sincere and earnest. Cyril noticed his manner was completely changed. It was clear some overmastering idea possessed his soul.
"Mr. Waring," he said, looking him full in the face, "I see you're unrepresented. This is a case in which I take a very deep interest. My conduct's unprofessional, I know—point-blank against all our recognised etiquette—but perhaps you'll excuse it. Will you allow me to undertake your defence in this matter?"
Cyril turned round to him with truly heartfelt thanks. It was a great relief to him, alone and in doubt, and much wondering about Guy, to hear a friendly word from whatever quarter.
And Cyril knew he was safe in Gilbert Gildersleeve's hands: the greatest criminal lawyer of the day in England might surely be trusted to set right such a mere little error of mistaken identity. Though for Guy—whenever Guy gave himself up to the police—Cyril felt the position was far more dangerous. He couldn't believe, indeed, that Guy was guilty; yet the circumstances, he could no longer conceal from himself, looked terribly black against him.
"You're too good," he cried, taking the lawyer's hand in his with very fervent gratitude. "How can I thank you enough? I'm deeply obliged to you."
"Not at all," Gilbert Gildersleeve answered, with very blanched lips. He was ashamed of his duplicity. "You've nothing to thank me for. This case is a simple one, and I'd like to see you out of it. I've met your brother; and the moment I saw you I knew you weren't he, though you're very like him. I should know you two apart wherever I saw you."
"That's curious," Cyril cried, "for very few people know us from one another, except the most intimate friends."
The Q.C. looked at him with a very penetrating glance. "I had occasion to see your brother not long since," he answered slowly, "and his features and expression fastened themselves indelibly on my mind's eye. I should know you from him at a glance. This case, as you say, is one of mistaken identity. That's just why I'm so anxious to help you well through it."
And indeed, Gilbert Gildersleeve, profoundly agitated as he was, saw in the accident a marvellous chance for himself to secure a diversion of police attention from the real murderer. The fact was, he had passed twenty-four hours of supreme misery. As soon as he learned from common report that "the murderer was caught, and was being brought to Tavistock," he took it for granted at first that Guy hadn't gone to Africa at all, but had left by rail for the East, and been arrested elsewhere. That belief filled him full of excruciating terrors. For Gilbert Gildersleeve, accidental manslaughterer as he was, was not by any means a depraved or wholly heartless person. Big, blustering, and gruff, he was yet in essence an honest, kind-hearted, unemotional Englishman. His one desire now was to save his wife and daughter from further misery; and if he could only save them, he was ready to sacrifice for the moment, to a certain extent, Guy Waring's reputation. But if Guy Waring himself had stood before him in the dock, he must have stepped forward to confess. The strain would have been too great for him. He couldn't have allowed an innocent man to be hanged in his place. Come what might, in that case he must let his wife and daughter go, and save the innocent by acknowledging himself guilty. So, when he looked at the prisoner, it gave him a shock of joy to see that fortune had once more befriended him. Thank Heaven, thank Heaven, it wasn't the man they wanted at all. This was the other brother of the two—Cyril, the painter, not Guy, the journalist.
In a moment the acute and experienced criminal hand recognised that this chance told unconsciously in his own favour. Like every other suspected person, he wanted time, and time would be taken up in proving an alibi for Cyril, as well as showing by concurrent proof that he was not his brother. Meanwhile, suspicion would fix itself still more firmly upon Guy, whose flight would give colour to the charges brought against him by the authorities.
So the great Q.C. determined to take up Cyril Waring's case as a labour of love, and didn't doubt he would succeed in finally proving it.
Next morning, Cyril Waring appeared once more in the Sessions House for the preliminary investigation on the charge of murder. As he entered, a momentary hush pervaded the room; then, suddenly, from a seat beneath, a woman's voice burst forth, quite low, yet loud enough to be heard by all the magistrates on the bench.
"Why, mother," it said, in a very tremulous tone, "it isn't Guy himself at all; don't you see it's Cyril?"
The words were so involuntarily spoken, and in such hushed awe and amaze, that even the magistrates themselves, hard Devonshire squires, didn't turn their heads to rebuke the speaker. As for Cyril, he had no need to look towards a blushing face in the body of the court to know that the voice was Elma Clifford's.
She sat there looking lovelier than he had ever before seen her. Cyril's glance caught hers. They didn't need to speak. He saw at once in her eye that Elma at least knew instinctively he was innocent.
Next moment Gilbert Gildersleeve stood up to state his defence, and gazed at her steadily. As he rose in his place, Elma's eye met his. Gilbert Gildersleeve's fell. He didn't know why, but in that second of time the great blustering man felt certain in his heart that Elma Clifford suspected him.
Elma Clifford, for her part, knew still more than that. With the swift intuition she inherited from her long line of Oriental ancestry, she said to herself at once, in categorical terms, "It was that man that did it. I know it was he. And he sees I know it. And he knows I'm right. And he's afraid of me accordingly." But an intuition, however valuable to its possessor, is not yet admitted as evidence in English courts. Elma also knew it was no use in the world for her to get up in her place and say so openly.
The great Q.C. put his case in a nutshell. "Our client," he contended, "was NOT the man against whom the warrant in this case had been duly issued; he was NOT the man named Guy Waring; he was NOT the man whom the witnesses deposed to having seen at Mambury; he was NOT the man who had loitered with evil intent around the skirts of Dartmoor; in short," the great Q.C. observed, with demonstrative eye-glass, "it was a very clear case of mistaken identity. It would take them time, no doubt, to prove the conclusive alibi they intended to establish; for the gentleman now charged before them, he would hope to show hereafter, was Mr. Cyril Waring, the distinguished painter, twin brother to Mr. Guy Waring, the journalist, against whom warrant was issued; and he was away in Belgium during the whole precise time when Mr. Guy Waring—as to whose guilt or innocence he would make no definite assertion—was prowling round Dartmoor on the trail of McGregor, alias Montague Nevitt. Therefore, they would consent to an indefinite remand till evidence to that effect was duly forthcoming. Meanwhile—" and here Gilbert Gildersleeve's eyes fell upon Elma once more with a quiet forensic smile—he would call one witness, on the spur of the moment, whom he hadn't thought till that very morning of calling, but whom the magistrates would allow to be a very important one—a lady from Chetwood—Miss Elma Clifford.
Elma, taken aback, stood up in the box and gave her evidence timidly. It amounted to no more than the simple fact that the person before the magistrates was Cyril, not Guy; that the two brothers were extremely like; but that she had reason to know them easily apart, having been associated in a most painful accident in a tunnel with the brother, the present Mr. Cyril Waring. What she said gave only a presumption of mistaken identity, but didn't at all invalidate the positive identification of all the people who had seen the supposed murderer. However, from Gilbert Gildersleeve's point of view, this delay was doubly valuable. In the first place, it gave him time to prove his alibi for Cyril and bring witnesses from Belgium; and, in the second place, it succeeded in still further fastening public suspicion on Guy, and narrowing the question for the police to the simple issue whether or not they had really caught the brother who was seen at Mambury on the day of the murder.
The law's delays were as marvellous as is their wont. It was a full fortnight before the barrister was able to prove his point by bringing over witnesses at considerable expense from Belgium and elsewhere, and by the aid of a few intimate friends in London, who could speak with certainty as to the difference between the two brothers. At the end of a fortnight, however, he did sufficiently prove it by tracing Cyril in detail from England to the Ardennes and back again to Dover, as well as by showing exactly how Guy had been employed in London and elsewhere on every day or night of the intervening period. The magistrates at last released Cyril, convinced by his arguments; and on the very same day, the coroner's inquest on Montague Nevitt's body, after adjourning time upon time to await the clearing up of this initial difficulty, returned a verdict of wilful murder against Guy Waring.
That evening, in town, the most completely mystified person of all was a certain cashier of the London and West County Bank, in Lombard Street, who read in his St. James's this complete proof that Cyril had been in Belgium through all those days when he himself distinctly remembered cashing over the counter for him a cheque for no less a sum than six thousand pounds to "self or bearer." Had the brothers, then, been deliberately and nefariously engaged in a deep-laid scheme—the cashier asked himself, much puzzled—to confuse one another's identity with great care beforehand, with a distinct view to the projected murder? For as yet, of course, nobody on earth except Guy Waring himself on the waters of Biscay knew or suspected anything at all about the forgery.
Elma Clifford and her mother, meanwhile, had stopped on at Tavistock till Cyril was released from his close confinement. Elma never meant to marry him, of course—to that prime determination she still remained firm as a rock under all conditions—but in such straits as those, why, naturally she couldn't bear to be far away from him. So she remained at Tavistock quietly till the inquiry was over.
On the evening of his release Elma met him at the hotel. Her mother had gone out on purpose to leave them alone. Elma took Cyril's hand in hers with a profound trembling. She felt the moment for reserve had long gone past.
"Cyril," she said, boldly calling him by his Christian name, because she could call him only as she always thought of him, "I knew from the first you didn't do it. And just because I know you didn't, I know Guy didn't either, though everything looks now so very black against him. I can trust YOU, and I can trust HIM. All through, I've never had a doubt one moment of either of you."
Cyril held her hand in his, and raised it tenderly to his lips. Elma looked at him, half surprised. Only her hand, how strange of him. Cyril read the unspoken thought, as she would have read it herself, and answered quickly, "Never, Elma, now, till Guy has cleared himself of this deadly accusation. I couldn't bear to ask you to accept a man who every one else would call a murderer's brother."
Elma gazed at him steadfastly. Tears stood in her eyes. Her voice trembled; but she was very firm.
"We must clear you and him of this dreadful charge," she said slowly. "I know we must do that, Cyril. Guy didn't kill him. Guy's wholly incapable of it. But where is Guy now? That's what I don't understand. We must clear that all up. Though, even when it's cleared up, I can only LOVE you. As I told you that day at Chetwood—and I mean it still—whatever comes to us two, I can never, never marry you."
"Not even if I clear this all up?" Cyril asked, with a wistful look.
"Not even if you clear this all up," Elma answered seriously. "The difficulty's on MY side, don't you see, not on yours at all. So far as you're concerned, Cyril, clear this up or leave it just where it is, I'd marry you to-morrow. I'd marry you at once, and proud to do it, if only to show the world openly I trust you both. I half faltered just once as you stood there in court, whether I wouldn't say yes to you, for nothing else but that—to let everybody see how implicitly I trusted you."
"But I couldn't allow it," Cyril answered, all aglow. "As things stand now, Elma, our positions are reversed. While this cloud still hangs so black over Guy, I couldn't find it in my conscience to ask you to marry me."
He gazed at her steadily. They were both too profoundly stirred for tears or emotions. A quiet despair gleamed in the eyes of each. Cyril could never marry her till he had cleared up this mystery. Elma could never marry him, even if it were all cleared up, with that terrible taint of madness, as she thought it, hanging threateningly for ever over her and her family.
She paused for a minute or two, with her hand locked in his. Then she said once more, very low, "No, Guy didn't do it. But why did he run away? That baffles me quite. That's the one point of it all that makes it so strange and so terribly mysterious."
"Elma," Cyril answered, with a cold thrill, "I believe in Guy; I think I know myself, and I think I know him, well enough to say that such a thing as murder is impossible for either of us. He's weak at times, I admit, and his will was powerless before the magnetic force of Montague Nevitt's. But when I try to face that inscrutable mystery of why, if he's innocent, he has run away from this charge, I confess my faith begins to falter and tremble. He must have seen it in the papers. He must have seen I was accused. What can he mean by leaving me to bear it in his stead without ever coming forward to help me fairly out of it?"
Elma looked up at him with another of her sudden flashes of superb intuition. "He CAN'T have seen it in the papers," she said. "That gives us some clue. If he'd seen it, he MUST have come forward to help you. But, Cyril, MY faith never falters at all. And I tell you why. Not only do I know Guy didn't do it, but I know who did it. The man who murdered Montague Nevitt is—why shouldn't I tell you?—Mr. Gilbert Gildersleeve!"
Cyril started back astonished. "Oh, Elma, why do you think so?" he cried in amazement. "What possible reason can you have for saying so?"
"None," Elma answered, with a calmly resigned air. "I only know it; I know it from his eyes. I looked in them once and read it like a book. But of course that's nothing. What we must do now is to try and find out the facts. I looked in his eyes and I saw it at a glance. And I saw he saw it. He knows I've discovered him."
Cyril half drew away from her with a faint sense of alarm. "Elma," he said slowly, "I believe in Guy; but really and truly I can't quite believe THAT. You make your intuition tell you far too much. In your natural anxiety to screen my brother, you've fixed the guilt, without proof, upon another innocent man. I'm sure Mr. Gildersleeve's as incapable as Guy of any such action."
"And I'm sure of it, too," Elma answered, with the instinctive certainty of feminine conviction. "But still I know, for all that, he did it. Perhaps it was all done in a moment of haste. But at least he did it. And nothing on earth that anybody could say will ever make me believe he didn't."
When Mrs. Clifford came back to the hotel an hour later, she scanned her daughter's face with a keen glance of inquiry.
"Well, he says he won't ask you again," she murmured, laying Elma's head on her shoulder, "till this case is cleared up, and Guy is proved innocent."
"Yes," Elma answered, nestling close and looking red as a rose. "He knows very well Guy didn't do it, but he wants all the rest of the world to acknowledge it also."
"And YOU know who did it?" Mrs. Clifford said, with a tentative air.
"Yes, mother. Do you?"
"Of course I do, darling. But it'll never be proved against HIM, you may be sure. I saw it at a glance. It's Mr. Gilbert Gildersleeve."
As Cyril drove home from Waterloo next day to his lonely rooms in Staple Inn, Holborn, he turned aside with his cab for a few minutes to make a passing call at the bank in Lombard Street. He was short of ready money, and wanted to cash a cheque for fifty pounds for expenses incurred in his defence at Tavistock.
The cashier stared at him hard; then, without consulting anybody, he said, in a somewhat embarrassed tone, "I don't know whether you're aware of it, Mr. Waring, but this overdraws your current account. We haven't fifty pounds on our books to your credit."
He was well posted on the subject, in fact, for only that morning he had hunted up Cyril's balance in the ledger at his side for the gratification of his own pure personal curiosity.
Cyril stared at him in astonishment. In this age of surprises, one more surprise was thus suddenly sprung upon him. His first impulse was to exclaim in a very amazed voice, "Why, I've six thousand odd pounds to my credit, surely;" but he checked himself in time with a violent effort. How could he tell what strange things might have happened in his absence? If the money was gone, and Nevitt was murdered, and Guy in hiding, who could say what fresh complications might not still be in store for him? So he merely answered, with a strenuous endeavour to suppress his agitation, "Will you kindly let me have my balance-sheet, if you please? I—ur—I thought I'd more money than that still left with you."
The cashier brought out a big book and a bundle of cheques, which he handed to Cyril with a face of profound interest. To him, too, this little drama was pregnant with mystery and personal implications. Cyril turned the vouchers over one by one, with close attention, recognising the signature and occasion of each, till he arrived at last at a big cheque which staggered him sadly for a moment. He took it up in his hands and examined it in the light. "Pay Self or Bearer, Six Thousand Pounds (L6,000), Cyril Waring."
Oh, horrible, horrible! This, then, was the secret of Guy's sudden disappearance.
He didn't cry aloud. He didn't say a word. He looked at the thing hard, and knew in a moment exactly what had happened. Guy had forged that cheque; it was Guy's natural hand, written forward like Cyril's own, instead of backward, as usual. And no one but himself could possibly have told it from his own true signature. But Cyril knew it at once for Guy's by one infallible sign—a tiny sign that might escape the veriest expert—some faint hesitation about the tail of the capital C, which was shorter in Guy's hand than Cyril ever made it, and which Guy had therefore deliberately lengthened, by an effort or an afterthought, to complete the imitation.
"You cashed that cheque yourself, sir, over the counter, you remember," the cashier said quietly, "on the date it was drawn on."
Cyril never altered a muscle of his rigid face.
"Ah, quite so," he answered, in a very dry voice, not daring to contradict the man. He knew just what had happened. Guy must have come to get the money himself, and the cashier must have mistaken him for the proper owner of the purloined six thousand. They were so very much alike. Nobody ever distinguished them.
"And that was one of the days, I think, when you proved the alibi in Belgium before the Devonshire magistrates at Tavistock yesterday," the clerk went on, with a searching glance. Cyril started this time. He saw in a second the new danger thus sprung upon him. If the cashier chose to press the matter home to the hilt, he must necessarily arrive at one or other of two results. Either the alibi would break down altogether, or it would be perfectly clear that Guy had committed a forgery.
"So it seems," he answered, looking his keen interlocutor straight in the eyes. "So it seems, I should say, by the date on the face of it."
But the cashier did NOT care to press the matter home any further; and for a very good reason. It was none of his business to suggest the idea of a forgery, after a cheque had been presented and duly cashed, if the customer to whose account it was debited in course chose voluntarily to accept the responsibility of honouring it. The objection should come first from the customer's side. If HE didn't care to press it, then neither did the cashier. Why should he, indeed? Why saddle his firm with six thousand pounds loss? He would only get himself into trouble for having failed to observe the discrepancy in the signatures, and the difference between the brothers. That, after all, is what a cashier is for. If he doesn't fulfil those first duties of his post, why what on earth can be the good of him to anybody in any way?
The two men looked at one another across the counter with a strong inscrutable stare of mutual suspicion. Then Cyril slowly tore up the cheque he had tendered for fifty pounds, filled in another for his real balance of twenty-two, handed it across to the clerk without another word, received the cash in white trembling hands, and went out to his cab again in a turmoil of excitement.
All the way back to his rooms in Staple Inn one seething idea alone possessed his soul. His faith in Guy was beginning to break down. And with it, his faith in himself almost went. The man was his own brother—his very counterpart, he knew; could he really believe him capable of committing a murder? Cyril looked within, and said a thousand times NO; he looked at that forged cheque, and his heart misgave him.
At Staple Inn, the housekeeper who took care of their joint rooms came out to greet him with no small store of tears and lamentations. "Oh, Mr. Cyril," she cried, seizing both his hands in hers with a tremulous welcome, "I'm glad to see you back, and to know you're innocent. I always said you never could have done it; no, no, not you, nor yet Mr. Guy neither. The police has been here time and again to search the rooms, but, the Lord be praised, they never found anything. And I've got a letter for you, too, from Mr. Guy himself; but there—I locked it up till you come in my own cupboard at home, for fear of the detectives; and now you're back and safe in London again, I'll run home this minute round the corner and get it."
Cyril sat down in the familiar easy-chair, holding his face in his hands, and gazed about him blankly. Such a home-coming as this was inexpressibly terrible to him.
In a few minutes more the housekeeper came back, bringing in her hand Guy's letter from Plymouth.
Cyril sat for a minute and looked at the envelope in deadly silence. Then he motioned the housekeeper out of the room with one quivering hand. Before that good woman's face, he couldn't open it and read it.
As soon as she was gone, he tore it apart, trembling. As he read and read the suspicion within him deepened quickly into a doubt, the doubt into a conviction, the conviction into a certainty. He clapped his hands to his head. Oh, God, what was this? Guy acknowledged his own guilt! He confessed he had done it!
Cyril's last hope was gone. Guy himself admitted it!
"How I came to do it," the letter said, "I've no idea myself. A sudden suggestion—a strange, unaccountable impulse—a prompting, as it were, pressed upon me from without, and almost before I knew, the crime was committed."
Cyril bent his head low upon his knees with shame. He never could hold up that head henceforth. No further doubt or hesitation remained. He knew the whole truth. Guy was indeed a murderer.
He steeled himself for the worst, and read the letter through with a superhuman effort. It almost choked him to read. The very consecutiveness and coherency of the sentences seemed all but incredible under such awful circumstances. A murderer, red-handed, to speak of his crime so calmly as that! And then, too, this undying anger expressed and felt, even after death, against his victim Nevitt! Cyril couldn't understand how any man—least of all his own brother—could write such words about the murdered man whose body was then lying all silent and cold, under the open sky, among the bracken at Mambury.
And once more, this awful clue of the dead man's pocket-book! Those accursed notes! That hateful sum of money! How could Guy venture to speak of it all in such terms as those—the one palpable fact that indubitably linked him with that cold-blooded murder. "The three thousand sent herewith I recovered, almost by a miracle, from that false creature's grasp, under extraordinary circumstances, and I return them now, in proof of the fact, in Montague Nevitt's own pocket-book, which I'm sure you'll recognise as soon as you look at it."
Cyril saw it all now beyond the shadow of a doubt. He reconstructed the whole sad tale. He was sure he understood it. But to understand it was hardly even yet to believe it. Guy had lost heavily in the Rio Negro Mines, as the prosecution declared; in an evil hour he'd been cajoled into forging Cyril's name for six thousand. Montague Nevitt had in some way misappropriated the stolen sum. Guy had pursued him in a sudden white-heat of fury, had come up with him unawares, had killed him in his rage, and now calmly returned as much as he could recover of that fateful and twice-stolen money to Cyril. It was all too horrible, but all too true. In a wild ferment of remorse for his brother's sin, the unhappy painter sat down at once and penned a letter of abject self-humiliation to Elma Clifford.
"ELMA,-I said to you last night that I could never marry you till I had clearly proved my brother Guy's innocence. Well, I said what I can never conceivably do. Since returning to town I received a letter from Guy himself. What it contained I must never tell you, for Guy's own sake. But what I MUST tell you is this—I can never again see you. Guy and I are so nearly one, in every nerve and fibre of our being, that whatever he may have done is to me almost as if I myself had done it. You will know how terrible a thing it is for me to write these words, but for YOUR sake I can't refrain from writing them. Think no more of me. I am not worthy of you. I will think of you as long as I live.
"Your ever devoted and heart-broken
He folded the letter, and sent it off to the temporary address at the West-End where Elma had told him that she and her mother would spend the night in London. Very late that evening a ring came at the bell. Cyril ran to the door. It was a boy with a telegram. He opened it, and read it with breathless excitement.
"Whatever Guy may have said, you are quite mistaken. There's a mystery somewhere. Keep his letter and show it to me. I may, perhaps, be able to unravel the tangle. I'm more than ever convinced that what I said to you last night was perfectly true. We will save him yet. Unalterably,
But the telegram brought little peace to Cyril. Of what value were Elma's vague intuitions now, by the side of Guy's own positive confession? With his very own hand Guy admitted that he had done it. Cyril went to bed that night, the unhappiest, loneliest man in London. What Guy was, he was. He felt himself almost like the actual murderer.
The voyage to the Cape was long and tedious. On the whole way out, Guy made but few friends, and talked very little to his fellow passengers. That unhappy recognition by Granville Kelmscott the evening he went on board the Cetewayo poisoned the fugitive's mind for the entire passage. He felt himself, in fact, a moral outcast; he slunk away from his kind; he hardly dared to meet Kelmscott's eyes for shame, whenever he passed him. But for one thing at least he was truly grateful. Though Kelmscott had evidently discovered from the papers the nature of Guy's crime, and knew his real name well, it was clear he had said nothing of any sort on the subject to the other passengers. Only one man on board was aware of his guilt, Guy believed, and that one man he shunned accordingly as far as was possible within the narrow limits of the saloon and the quarter-deck.
Granville Kelmscott, of course, took a very different view of Guy Waring's position. He had read in the paper he bought at Plymouth that Guy was the murderer of Montague Nevitt. Regarding him, therefore, as a criminal of the deepest dye now flying from justice, he wasn't at all surprised at Guy's shrinking and shunning him; what astonished him rather was the man's occasional and incredible fits of effrontery. How that fellow could ever laugh and talk at all among the ladies on deck—with the hangman at his back—simply appalled and horrified the proud soul of a Kelmscott. Granville had hard work to keep from expressing his horror openly at times. But still, with an effort, he kept his peace. With the picture of his father and Lady Emily now strong before his mind, he couldn't find it in his heart to bring his own half-brother, however guilty and criminal the man might be, to the foot of the gallows.
So they voyaged on together without once interchanging a single word, all the way from Plymouth to the Cape Colony. And the day they landed at Port Elizabeth, it was an infinite relief indeed to Guy to think he could now get well away for ever from that fellow Kelmscott. Not being by any means over-burdened with ready cash, however, Guy determined to waste no time in the coastwise towns, but to make his way at once boldly up country towards Kimberley. The railway ran then only as far as Grahamstown; the rest of his journey to the South African Golconda was accomplished by road, in a two-wheeled cart, drawn by four small horses, which rattled along with a will, up hill and down dale, over the precarious highways of that semi-civilized upland.
To Guy, just fresh from England and the monotonous sea, there was a certain exhilaration in this first hasty glimpse of the infinite luxuriance of sub-tropical nature. At times he almost forgot Montague Nevitt and the forgery in the boundless sense of freedom and novelty given him by those vast wastes of rolling tableland, thickly covered with grass or low thorny acacias, and stretching illimitably away in low range after range to the blue mountains in the distance. It was strange indeed to him on the wide plains through which they scurried in wild haste to see the springbok rush away from the doubtful track at the first whirr of their wheels, or the bolder bustard stand and gaze among the long grass, with his wary eye turned sideways to look at them. Guy felt for the moment he had left Europe and its reminiscences now fairly behind him; in this free new world, he was free once more himself; his shame was cast aside; he could revel like the antelopes in the immensity of a land where nobody knew him and he knew nobody.
What added most of all, however, to this quaint new sense of vastness and freedom was the occasional appearance of naked blacks, roaming at large through the burnt-up fields of which till lately they had been undisputed possessors. Day after day Guy drove on along the uncertain roads, past queer outlying towns of white wooden houses—Cradock, and Middelburg, and Colesberg, and others—till they crossed at last the boundary of Orange River into the Free State, and halted for a while in the main street of Philippolis.
It was a dreary place; Guy began now to see the other side of South Africa. Though he had left England in autumn, it was spring-time at the Cape, and the winter drought had parched up all the grass, leaving the bare red dust in the roads or streets as dry and desolate as the sand of the desert. The town itself consisted of some sixty melancholy and distressful houses, bare, square, and flat-roofed, standing unenclosed along a dismal high-road, and with that congenitally shabby look, in spite of their newness, which seems to belong by nature to all southern buildings. Some stagnant pools alone remained to attest the presence after rain of a roaring brook, the pits in whose dried-up channel they now occupied; over their tops hung the faded foliage of a few dust-laden trees, struggling hard for life with the energy of despair against depressing circumstances. It was a picture that gave Guy a sudden attack of pessimism; if THIS was the El Dorado towards which he was going, he earnestly wished himself back again once more, forgery or no forgery, among the breezy green fields of dear old England.
On to Fauresmith he travelled with less comfort than before in a rickety buggy of most primitive construction, designed to meet the needs of rough mountain roads, and as innocent of springs as Guy himself of the murder of Montague Nevitt. It was a wretched drive. The drought had now broken; the wet season had begun; rain fell heavily. A piercing cold wind blew down from the nearer mountains; and Guy began to feel still more acutely than ever that South Africa was by no means an earthly paradise. As he drove on and on this feeling deepened upon him. Huge blocks of stone obstructed the rough road, intersected as it was by deep cart-wheel ruts, down which the rain-water now flowed in impromptu torrents. The Dutch driver, too, anxious to show the mettle of his coarse-limbed steeds, persisted in dashing over the hummocky ground at a break-neck pace, while Guy balanced himself with difficulty on the narrow seat, hanging on to his portmanteau for dear life among the jerks and jolts, till his ringers were numbed with cold and exposure.
They held out against it all, before the pelting rain, till man and beast were well-nigh exhausted. At last, about three-quarters of the way to Fauresmith, on the bleak bare hill-tops, sleety snow began to fall in big flakes, and the barking of a dog to be heard in the distance. The Boer driver pricked up his ears at the sound.
"That must a house be," he remarked in his Dutch pigeon-English to Guy; and Guy felt in his soul that the most miserable and filthy of Kaffir huts would just then be a welcome sight to his weary eyes. He would have given a sovereign, indeed, from the scanty store he possessed, for a night's lodging in a convenient dog-kennel. He was agreeably surprised, therefore, to find it was a comfortable farmhouse, where the lights in the casement beamed forth a cheery welcome on the wet and draggled wayfarers from real glass windows. The farmer within received them hospitably. Business was brisk to-day. Another traveller, he said, had just gone on towards Fauresmith.
"A young man like yourself, fresh from England," the farmer observed, scanning Guy closely. "He's off for the diamond diggings. I think to Dutoitspan."
Guy rested the right there, thinking nothing of the stranger, and went on next day more quietly to Fauresmith. Thence to the diamond fields, the country became at each step more sombre and more monotonous than ever. In the afternoon they rested at Jacobsdal, another dusty, dreary, comfortless place, consisting of about five and twenty bankrupt houses scattered in bare clumps over a scorched-up desert. Then on again next day, over a drearier and ever drearier expanse of landscape. It was ghastly. It was horrible. At last, on the top of a dismal hill range, looking down on a deep dale, the driver halted. In the vast flat below, a dull dense fog seemed to envelop the world with inscrutable mists. The driver pointed to it with his demonstrative whip.
"Down yonder," he said encouragingly, as he put the skid on his wheel, "down yonder's the diamond fields—that's Dutoitspan before you."
"What makes it so grey?" Guy asked, looking in front of him with a sinking heart. This first view of his future home was by no means encouraging.
"Oh, the sand make it be like that," the driver answered unconcernedly. "Diamond fields all make up of fine red sand; and diggers pile it about around their own claims. Then the wind comes and blow, and make sandstorm always around Dutoitspan."
Guy groaned inwardly. This was certainly NOT the El Dorado of his fancy. They descended the hill, at the same break-neck pace as before, and entered the miserable mushroom town of diamond-grubbers. Amidst the huts in the diggings great heaps of red earth lay piled up everywhere. Dust and sand rose high on the hot breeze into the stifling air. As they reached the encampment—for Dutoitspan then was little more than a camp—the blinding mists of solid red particles drove so thick in their eyes that Guy could hardly see a few yards before him. Their clothes and faces were literally encrusted in thick coats of dust. The fine red mist seemed to pervade everything. It filled their eyes, their nostrils, their ears, their mouths. They breathed solid dust. The air was laden deep with it.
And THIS was the diamond fields! This was the Golconda where Guy was to find six thousand pounds ready made to recover his losses and to repay Cyril. Oh, horrible, horrible. His heart sank low at it.
And still they went on, and on, and on, and on, through the mist of dust to the place for out-spanning. Guy only shared the common fate of all new-comers to "the fields" in feeling much distressed and really ill. The very horses in the cart snorted and sneezed and showed their high displeasure by trying every now and then to jib and turn back again. Here and there, on either side, to right and left, where the gloom permitted it, Guy made out dimly a few round or oblong tents, with occasional rude huts of corrugated iron. A few uncertain figures lounged vaguely in the background. On closer inspection they proved to be much-grimed and half-naked natives, resting their weary limbs on piles of dry dust after their toil in the diggings.
It was an unearthly scene. Guy's heart sank lower and lower still at every step the horses took into that howling wilderness.
At last the driver drew up with a jolt in front of a long low hut of corrugated iron, somewhat larger than the rest, but no less dull and dreary. "The hotel," he said briefly; and Guy jumped out to secure himself a night's lodging or so at this place of entertainment, till he could negotiate for a hut and a decent claim, and commence his digging.
At the bar of the primitive saloon where he found himself landed, a man in a grey tweed suit was already seated. He was drinking something fizzy from a tall soda-water glass. With a sudden start of horror Guy recognised him at once. Oh, great heavens, what was this? It was Granville Kelmscott!
Then Granville, too, was bound for the diamond fields like himself. What an incredible coincidence! How strange! How inexplicable! That rich man's son, the pampered heir to Tilgate! what could HE be doing here, in this out-of-the-way spot, this last resort of poor broken-down men, this miserable haunt of wretched gambling money-grubbers?
Here curiosity, surely, must have drawn him to the spot. He couldn't have come to DIG! Guy gazed in amazement at that grey tweed suit. He must be staying for a day or two in search of adventure. No more than just that! He couldn't mean to STOP here.
As he gazed and stood open-mouthed in the shadow of the door, Granville Kelmscott, who hadn't seen him enter, laid down his glass, wiped his lips with gusto, and continued his conversation with the complacent barman.
"Yes, I want a hut here," he said, "and to buy a good claim. I've been looking over the kopje down by Watson's spare land, and I think I've seen a lot that's likely to suit me."
Guy could hardly restrain his astonishment and surprise. He had come, then, to dig! Oh, incredible! impossible!
But at any rate this settled his own immediate movements. Guy's mind was made up at once. If Granville Kelmscott was going to dig at Dutoitspan—why, clearly Dutoitspan was no place for HIM. He could never stand the continual presence of the one man in South Africa who knew his deadly secret. Come what might he must leave the neighbourhood without a moment's delay. He must strike out at once for the far interior. As he paused, Granville Kelmscott turned round and saw him. Their eyes met with a start. Each was equally astonished. Then Granville rose slowly from his seat, and murmured in a low voice, as he regarded him fixedly—
"You here again, Mr. Billington! This is once too often. I hardly expected THIS. There's no room here for both of us."
And he strode from the saloon, with a very black brow, leaving Guy for the moment alone with the barman.
A fortnight later, one sultry afternoon, Granville Kelmscott found himself, after various strange adventures and escapes by the way, in a Koranna hut, far in the untravelled heart of the savage Barolong country.
The tenement where he sat, or more precisely squatted, was by no means either a commodious or sweet-scented one. Yet it was the biggest of a group on the river-bank, some five feet high from floor to roof, so that a Kelmscott couldn't possibly stand erect at full length in it; and it was roughly round in shape, like an overgrown beehive, the framework consisting of branches of trees, arranged in a rude circle, over whose arching ribs native rush mats had been thrown or sewn with irregular order. The door was a hole, through which the proud descendant of the squires of Tilgate had to creep on all fours; a hollow pit dug out in the centre served as the only fireplace; smoke and stagnant air formed the staples of the atmosphere. A more squalid hovel Granville Kelmscott had never even conceived as possible. It was as dirty and as loathsome as the most vivid imagination could picture the hut of the lowest savages.
Yet here that delicately nurtured English gentleman was to be cooped up for an indefinite time, as it seemed, by order of the black despot who ruled over the Barolong with a rod of iron.
What had led Granville Kelmscott into this extraordinary scrape it would not be hard to say. The Kelmscott nature, in all its embodiments, worked on very simple but very fixed lines. The moment Granville saw his half-brother Guy at Dutoitspan, his mind was made up at once as to his immediate procedure. He wouldn't stop one day—one hour longer than necessary where he could see that fellow who committed the murder. Come what might, he would make his escape at once into the far interior.
As before in England, so now in Africa, both brothers were moved by the self-same impulses. And each carried them out with characteristic promptitude.
Where could Granville go, however? Well, it was rumoured at Dutoitspan that "pebbles" had been found far away to the north in the Barolong country. "Pebbles," of course, is good South African for diamonds; and at this welcome news all Kimberley and Griqualand pricked up their ears with congenial delight; for business was growing flat on the old-established diamond fields. The palmy era of great finds and lucky hits was now long past; the day of systematic and prosaic industry had set in instead for the over-stocked diggings. It was no longer possible for the luckiest fresh hand to pick up pebbles lying loose on the surface; the mode of working had become highly skilled and scientific.
Machines and scaffolds, and washing-cradles and lifting apparatus were now required to make the business a success; the simple old gambling element was rapidly going out, and the capitalist was rapidly coming up in its stead as master of the situation. So Granville Kelmscott, being an enterprising young man, though destitute of cash, and utterly ignorant of South African life, determined to push on with all his might and main into the Barolong country, and to rush for the front among the first in the field in these rumoured new diggings on the extreme north frontier of civilization.
He started alone, as a Kelmscott might do, and made his way adventurously, without any knowledge of the Koranna language or manners, through many wild villages of King Khatsua's dominions. Night after night he camped out in the open; and day after day he tramped on by himself, buying food as he went from the natives for English silver, in search of precious stones, over that dreary tableland. At last, on the fourteenth day, in a deep alluvial hollow near a squalid group of small Barolong huts, he saw a tiny round stone, much rubbed and water-worn, which he picked up and examined with no little curiosity. The two days he had spent at Dutoitspan had not been wasted. He had learnt to recognise the look of the native gem. Once glance told him at once what his pebble was. He recognised it at sight as one of those small but much-valued diamonds of the finest water, which diggers know by the technical name of "glass-stones."
The hollow where he stood was in fact an ancient alluvial pit or volcanic mud-crater. Scoriac rubble filled it in to a very great depth; and in the interstices of this rubble were embedded here and there rude blocks of greenstone, containing almond-shaped chalcedonies and agate and milk-quartz, with now and then a tiny water-worn spec which an experienced eye would have detected at once as the finest "riverstones."
Here indeed was a prize! The solitary Englishman recognised in a second that he was the first pioneer of a new and richer Kimberley.
But as Granville Kelmscott stood still, looking hard at his find through the little pocket-lens he had brought with him from England, with a justifiable tremor of delight at the pleasant thought that here, perhaps, he had lighted on the key to something which might restore him once more to his proper place at Tilgate, he was suddenly roused from his delightful reverie by a harsh negro voice, shrill and clear, close behind him, saying, in very tolerable African-English—
"Hillo, you white man! what dat you got there? You come here to
Barolong land, so go look for diamond?"
Granville turned sharply round, and saw standing by his side a naked and stalwart black man, smiling blandly at his discovery with broad negro amusement.
"It's a pebble," the Englishman said, pocketing it as carelessly as he could, and trying to look unconcerned, for his new acquaintance held a long native spear in his stout left hand, and looked by no means the sort of person to be lightly trifled with.
"Oh, dat a pebble, mistah white man!" the Barolong said sarcastically, holding out his black right hand with a very imperious air. "Den you please hand him over dat pebble you find. Me got me orders. King Khatsua no want any diamond digging in Barolong land."
Granville tried to parley with the categorical native; but his attempts at palaver were eminently unsuccessful. The naked black man was master of the situation.
"You hand over dat stone, me friend," he said, assuming a menacing attitude, and holding out his hand once more with no very gentle air, "or me run you trew de body wit me assegai—just so! King Khatsua, him no want any diamond diggings in Barolong land."
And, indeed, Granville Kelmscott couldn't help admitting to himself, when he came to think of it, that King Khatsua was acting wisely in his generation. For the introduction of diggers into his dominions would surely have meant, as everywhere else, the speedy proclamation of a British protectorate, and the final annihilation of King Khatsua himself and his dusky fellow-countrymen.
There is nothing, to say the truth, the South African native dreads so much as being "eaten up," as he calls it, by those aggressive English. King Khatsua knew his one chance in life consisted in keeping the diggers firmly out of his dominions; and he was prepared to deny the very existence of diamonds throughout the whole of Barolong land, until the English, by sheer force, should come in flocks and unearth them.
In obedience to his chief's command, therefore, the naked henchman still held out his hand menacingly.
"Dis land King Khatsua's," he repeated once more, in an angry voice. "All diamonds found on it belong to King Khatsua. Just you hand dat over. No steal; no tief-ee."
The instincts of the land-owning class were too strong in Granville Kelmscott not to make him admit at once to himself the justice of this claim. The owner of the soil had a right to the diamonds. He handed over the stone with a pang of regret. The savage grinned to himself, and scanned it attentively. Then extending his spear, as one might do to a cow or a sheep, he drove Granville before him.
"You come along a' me," he said shortly, in a most determined voice.
"You come along a' me. King Khatsua's orders."
Granville went before him without one word of remonstrance, much wondering what was likely to happen next, till he found himself suddenly driven into that noisome hut, where he was forced to enter ignominiously on all fours, like an eight months' old baby.
By the light of the fire that burned dimly in the midst of his captor's house he could see, as his eyes grew gradually accustomed to the murky gloom, a strange and savage scene, such as he had never before in his life dreamt of. In the pit of the hut some embers glowed feebly, from whose midst a fleecy object was sputtering and hissing. A second glance assured him that the savoury morsel was the head of an antelope in process of roasting. Two greasy black women, naked to the waist, were superintending this primitive cookery; all round, a group of unclad little imps, as black as their mothers, lounged idly about, with their eyes firmly fixed on the chance of dinner. As Granville entered, the husband and father, poking in his head, shouted a few words after him. Another native outside kept watch and ward with a spear at the door meanwhile, to prevent his escape against King Khatsua's orders.
For two long hours the Englishman waited there, fretting and fuming, in that stifling atmosphere. Meanwhile, the antelope's head was fully cooked, and the women and children falling on it like wild beasts, tore off the scorched fleece and snatched the charred flesh from the bones with their fingers greedily. It was a hideous sight; it sickened him to see it.
By—and—by Granville heard a loud voice outside. He listened in surprise. It sounded as though Barolong had another prisoner. There was a pause and a scuffle. Then, all of a sudden, somebody else came bundling unceremoniously through the hole that served for a door, in the same undignified fashion as he himself had done. Granville's eyes, now accustomed to the gloom, recognised the stranger at once with a thrill of astonishment. He could hardly trust his senses at the sight. It was—no, it couldn't be—yes, it was—Guy Waring.
Guy Waring, sure enough; as before, they were companions. The Kelmscott character had worked itself out exactly alike in each of them. They had come independently by the self-same road to the rumoured diamond fields of the Barolong country.
It was some minutes, however, before Guy, for his part, recognised his fellow-prisoner in the dark and gloomy hut. Then each stared at the other in mute surprise. They found no words to speak their mutual astonishment. This was more wonderful, to be sure, than even either of their former encounters.
For another long hour the two unfriendly English-men huddled away from one another in opposite corners of that native hut, without speaking a word of any sort in their present straits. At the end of that time, a voice spoke at the door some guttural sentences in the Barolong language. The natives inside responded alike in their own savage clicks. Next the voice spoke in English; it was Granville's captor, he now knew well.
"White men, you come out; King Khatsua himself, him go to 'peak to you."
They crawled out, one at a time, in sorry guise, through the narrow hole. It was a pitiful exhibition. Were it not for the danger and uncertainty of the event, they could almost themselves have fairly laughed at it. King Khatsua stood before them, a tall, full-blooded black, in European costume, with a round felt hat and a crimson tie, surrounded by his naked wives and attendants. In his outstretched hand he held before their faces two incriminating diamonds. He spoke to them with much dignity at considerable length in the Barolong tongue, to a running accompaniment of laudatory exclamations—"Oh, my King! Oh, wise words!"—from the mouths of his courtiers. Neither Granville nor Guy understood, of course, a single syllable of the stately address; but that didn't in the least disturb the composure of the dusky monarch. He went right through to the end with his solemn warning, scolding them both roundly, as they guessed, in his native tongue, like a master reproving a pair of naughty schoolboys.
As he finished, their captor stood forth with great importance to act as interpreter. He had been to the Kimberly diamond mines himself as a labourer, and was therefore accounted by his own people a perfect model of English scholarship.
"King Khatsua say this," he observed curtly. "You very bad men; you come to Barolong land. King Khatsua say, Barolong land for Barolong. No allow white man dig here for diamonds. If white man come, him eat up Barolong. Keep white man out; keep land for King Khatsua."
"Does King Khatsua want us to leave his country, then?" Granville Kelmscott asked, with a distinct tremor in his voice, for the great chief and his followers looked decidedly hostile.
The interpreter threw back his head and laughed a loud long laugh.
"King Khatsua not a fool!" he answered at last, after a rhetorical pause. "King Khatsua no want to give up his land to white man. If you two white man go back to Kimberley, you tell plenty other people, 'Diamonds in Barolong land.' You say, 'Come along o' me to Barolong land with gun; we show you where to dig 'um!' No, no, King Khatsua not a fool. King Khatsua say this. You two white man no go back to Kimberley. You spies. You stop here plenty time along o' King Khatsua. Never go back, till King Khatsua give leave. So no let any other white man come along into Barolong land."
Granville looked at Guy, and Guy looked at Granville. In this last extremity, before those domineering blacks, they almost forgot everything, save that they were both English. What were they to do now? The situation was becoming truly terrible.
The interpreter went on once more, however, with genuine savage enjoyment of the consternation he was causing them.
"King Khatsua say this," he continued, in a very amused tone. "You stop here plenty days, very good, in Barolong land. King Khatsua give you hut; King Khatsua give you claim; Barolong man bring spear and guard you. No do you any harm for fear of Governor. Governor keep plenty guns in Cape Town. You two white man live in hut together, dig diamonds together; get plenty pebbles. Keep one diamond you find for yourself; give one diamond after that to King Khatsua. Barolong man bring you plenty food, plenty drink, but no let you go back. You try to go, then Barolong man spear you."
The playful dig with which the savage thrust forward his assegai at that final remark showed Granville Kelmscott in a moment this was no idle threat. It was clear for the present they must accept the inevitable. They must remain in Barolong land; and he must share hut and work with that doubly hateful creature—the man who had deprived him of his patrimony at Tilgate, and whom he firmly believed to be the murderer of Montague Nevitt. This was what had come then of his journey to Africa! Truly, adversity makes us acquainted with strange bedfellows!
Eighteen months passed away in England, and nothing more was heard of the two fugitives to Africa. Lady Emily's cup was very full indeed. On the self-same day she learned of her husband's death and her son's mysterious and unaccountable disappearance. From that moment forth, he was to her as if dead. After Granville left, no letter or news of him, direct or indirect, ever reached Tilgate. It was all most inexplicable. He had disappeared into space, and no man knew of him.
Cyril, too, had now almost given up hoping for news of Guy. Slowly the conviction forced itself deeper and still deeper upon his mind, in spite of Elma, that Guy was really Montague Nevitt's murderer. Else how account for Guy's sudden disappearance, and for the fact that he never even wrote home his whereabouts? Nay, Guy's letter itself left no doubt upon his mind. Cyril went through life now oppressed continually with the terrible burden of being a murderer's brother.
And indeed everybody else—except Elma Clifford—implicitly shared that opinion with him. Cyril was sure the unknown benefactor shared it too, for Guy's six thousand pounds were never paid in to his credit—as indeed how could they, since Colonel Kelmscott, who had promised to pay them, died before receiving the balance of the purchase money for the Dowlands estate? Cyril slank through the world, then, weighed down by his shame, for Guy and he were each other's doubles, and he always had a deep underlying conviction that, as Guy was in any particular, so also in the very fibre of his nature he himself was.
Everybody else, except Elma Clifford; but in spite of all, Elma still held out firm, in her intuitive way, in favour of Guy's innocence. She knew it, she said; and there the matter dropped. And she knew quite equally, in her own firm mind, that Gilbert Gildersleeve was the real murderer.
Gilbert Gildersleeve, meanwhile, had gone up a step or two higher in the social scale. He had been promoted to the bench on the first vacancy, as all the world had long expected; but, strange to say, he took it far more modestly than all the world had ever anticipated. Indeed, before he was made a judge, everybody said he'd be intolerable in the ermine. He was blustering and bullying enough, in all conscience, as a mere Queen's Counsel; but when he came to preside in a court of his own, his insolence would surpass even the wonted insolence of our autocratic British justices. In this, however, everybody was mistaken.
A curious change had of late come over Gilbert Gildersleeve. The big, bullying lawyer was growing nervous and diffident, where of old he had been coarse and self-assertive and blustering. He was beginning at times almost to doubt his own absolute omniscience and absolute wisdom. He was prepared half to admit that under certain circumstances a prisoner might possibly be in the right, and that all crimes alike did not necessarily deserve the hardest sentence the law of the land allowed him to allot them. Habitual criminals even began, after a while, to express a fervent hope, as assizes approached, they might be tried by old Gildersleeve: "Gilly," they said, "gave a cove a chance": he wasn't "one of these 'ere reg'lar 'anging judges, like Sir 'Enery Atkins."
During those eighteen months, too, Cyril tried, as far as he could, from a stern sense of duty, to see as little as possible of Elma Clifford. He loved Elma still—that goes without saying—more devotedly than ever; and Elma's profound belief that Cyril's brother couldn't possibly have committed so grave a crime touched his heart to the core by its womanly confidence. There's nothing a man likes so much as being trusted. But he had declared in the first flush of his horror and despair that he would never again ask Elma to marry him till the cloud that hung over Guy's character had been lifted and dissipated; and now that, month after month, no news came from Guy and all hope seemed to fade, lie felt it would be wrong of him even to see her or speak with her.
On that question however, Elma herself had a voice as well. Man proposes; woman decides. And though Elma for her part had quite equally made up her mind never to marry Cyril, with that nameless terror of expected madness hanging ever over her head, she felt, on the other hand, her very loyalty to Cyril and to Cyril's brother imperatively demanded that she should still see him often, and display marked friendship towards him as openly as possible. She wanted the world to see plainly for itself that so far as this matter of Guy's reputation was concerned, if Cyril, for his part, wanted to marry her, she, on her side, would be quite ready to marry Cyril.
So she insisted on meeting him whenever she could, and on writing to him openly from time to time very affectionate notes—those familiar notes we all know so well and prize so dearly—full of hopeless love and unabated confidence. Yes, good Mr. Stockbroker who do me the honour to read my simple tale, smile cynically if you will! You pretend to care nothing for these little sentimentalities; but you know very well in your own heart, you've a bundle of them at home, very brown and yellow, locked up in your escritoire; and you'd let New Zealand Fours sink to the bottom of the Indian Ocean, and Egyptian Unified go down to zero, before ever you'd part with a single faded page of them.
What can a man do, then, even under such painful circumstances, when a girl whom he loves with all his heart lets him clearly see she loves him in return quite as truly? Cyril would have been more than human if he hadn't answered those notes in an equally ardent and equally desponding strain. The burden of both their tales was always this—even if YOU would, I couldn't, because I love you too much to impose my own disgrace upon you.
But what Elma's mysterious trouble could be, Cyril was still unable even to hazard a guess. He only knew she had some reason of her own which seemed to her a sufficient bar to matrimony, and made her firmly determine never, in any case, to marry any one.
About twelve months after Guy's sudden disappearance, however, a new element entered into Elma's life. At first sight, it seemed to have but little to do with the secret of her soul. It was merely that the new purchaser of the Dowlands estate had built herself a pretty little Queen Anne house on the ground, and come to live in it.
Nevertheless, from the very first day they met, Elma took most kindly to this new Miss Ewes, the strange and eccentric musical composer. The mistress of Dowlands was a distant cousin of Mrs. Clifford's own; so the family naturally had to call upon her at once; and Elma somehow seemed always to get on from the outset in a remarkable way with her mother's relations. At first, to be sure, Elma could see Mrs. Clifford was rather afraid to leave her alone with the odd new-comer, whose habits and manners were as curious and weird as the sudden twists and turns of her own wayward music. But, after a time, a change came over Mrs. Clifford in this respect; and instead of trying to keep Elma and Miss Ewes apart, it was evident to Elma—who never missed any of the small by-play of life—that her mother rather desired to throw them closely together. Thus it came to pass that one morning, about a month after Miss Ewes's arrival in her new home, Elma had run in with a message from her mother, and found the distinguished composer, as was often the case at that time of day, sitting dreamily at her piano, trying over on the gamut strange, fanciful chords of her own peculiar witch-like character. The music waxed and waned in a familiar lilt.
"That's beautiful," Elma cried enthusiastically, as the composer looked up at her with an inquiring glance. "I never heard anything in my life before that went so straight through one, with its penetrating melody. Such a lovely gliding sound, you know! So soft and serpentine!" And even as she said it, a deep flush rose red in the centre of her cheek. She was sorry for the words before they were out of her mouth. They recalled all at once, in some mysterious way, that horrid, persistent nightmare of the hateful snake-dance. In a second, Miss Ewes caught the bright gleam in her eye, and the deep flush on her cheek that so hastily followed it. A meaning smile came over the elder woman's face all at once, not unpleasantly. She was a handsome woman for her age, but very dark and gipsy-like, after the fashion of the Eweses, with keen Italian eyes and a large smooth expanse of powerful forehead. Lightly she ran her hand over the keys with a masterly touch, and fixed her glance as she did so on Elma. There was a moment's pause. Miss Ewes eyed her closely. She was playing a tune that seemed oddly familiar to Elma's brain somehow—to her brain, not to her ears, for Elma felt certain, even while she recognised it most, she had never before heard it. It was a tune that waxed and waned and curled up and down sinuously, and twisted in and out and—ah yes, now she knew it—raised its sleek head, and darted out its forked tongue, and vibrated with swift tremors, and tightened and slackened, and coiled resistlessly at last in great folds all around her. Elma listened, with eager eyes half starting from her head, with clenched nails dug deep into the tremulous palms, as her heart throbbed fast and her nerves quivered fiercely. Oh, it was wrong of Miss Ewes to tempt her like this! It was wrong, so wrong of her! For Elma knew what it was at once—the song she had heard running vaguely through her head the night of the dance—the night she fell in love with Cyril Waring.
With a throbbing heart, Elma sat down on the sofa, and tried with all her might and main not to listen, She clasped her hands still tighter. She refused to be wrought up. She wouldn't give way to it. If she had followed her own impulse, to be sure, she would have risen on the spot and danced that mad dance once more with all the wild abandonment of an almeh or a Zingari. But she resisted with all her might. And she resisted successfully.
Miss Ewes, never faltering, kept her keen eye fixed hard on her with a searching glance, as she ran over the keys in ever fresh combinations.
Faster, wilder, and stranger the music rose; but Elma sat still, her breast heaving hard, and her breath panting, yet otherwise as still and motionless as a statue. She knew Miss Ewes could tell exactly how she felt. She knew she was trying her; she knew she was tempting her to get up and dance; and yet, she was not one bit afraid of this strange weird woman, as she'd been afraid that sad morning at home of her own mother.
The composer went on fiercely for some minutes more, leaning close over the keyboard, and throwing her very soul, as Elma could plainly see, into the tips of her fingers. Then, suddenly she rose, and came over, well pleased, to the sofa where Elma sat. With a motherly gesture, she took Elma's hand; she smoothed her dark hair; she bent down with a tender look, in those strange grey eyes, and printed a kiss unexpectedly on the poor girl's forehead.
"Elma," she said, leaning over her, "do you know what that was? That was the Naga Snake Dance. It gave you an almost irresistible longing to rise, and hold the snake in your own hands, and coil his great folds around you. I could see how you felt. But you were strong enough to resist. That was very well done. You resisted even the force of my music, didn't you?"
Elma, trembling all over, but bursting with joy that she could speak of it at last without restraint to somebody, answered, in a very low and tremulous voice, "Yes, Miss Ewes, I resisted it."
Miss Ewes leant back in her place, and gazed at her long, with a very affectionate and motherly air. "Then I'm sure I don't know," she said at last, breaking out in a voice full of confidence, "why on earth you shouldn't marry this young man you're in love with!"
Elma's heart beat still harder and higher than ever.
"What young man?" she murmured low—just to test the enchantress.
And Miss Ewes made answer, without one moment's hesitation, "Why, of course, Cyril Waring!"
For a minute or two then, there was a dead silence. After that, Miss Ewes looked up and spoke again. "Have you felt it often?" she asked, without one word of explanation.
"Twice before," Elma answered, not pretending to misunderstand. "Once I gave way. That was the very first time, you see, and I didn't know yet exactly what it meant. The second time I knew, and then I resisted it."
Somehow, before Miss Ewes, she hardly ever felt shy. She was so conscious Miss Ewes knew all about it without her telling her.
The elder woman looked at her with unfeigned admiration.
"That was brave of you," she said quietly. "I couldn't have done it myself! I should have HAD to give way to it. Then in YOU it's dying out. That's as clear as daylight. It won't go any farther. I knew it wouldn't, of course, when I saw you resisted even the Naga dance. And for you, that's excellent…. For myself I encourage it. It's that that makes my music what it is. It's that that inspires me. I composed that Naga dance I just played over to you, Elma. But not all out of my own head. I couldn't have invented it. It comes down in our blood, my dear, to you and me alike. We both inherit it from a common ancestress."
"Tell me all about it," Elma cried, nestling close to her new friend with a wild burst of relief. "I don't know why, but I'm not at all ashamed of it all before you, Miss Ewes—at least, not in the way I am before mother."
"You needn't be ashamed of it," Miss Ewes answered kindly. "You've nothing to be ashamed of. It'll never trouble YOU in your life again. It always dies out at last; they say in the sixth or seventh generation, and when it's dying out, it goes as it went with you, on the night you first fell in love with Cyril. If, after that, you resist, it never comes back again. Year after year, the impulse grows feebler and feebler. And if you can withstand the Naga dance, you can withstand anything. Come here and take my hand, dear. I'll tell you all about it."
Late at night Elma sat, tearful but happy, in her own room at home, writing a few short lines to Cyril Waring. This was all she said—
"There's no reason on my side now, dearest Cyril. It's all a mistake. I'll marry you whenever and wherever you will. There need be no reason on your side either. I love you, and can trust you. Yours ever,
When Cyril Waring received that note next morning he kissed it reverently, and put it away in his desk among a bundle of others. But he said to himself sternly in his own soul for all that, "Never, while Guy still rests under that cloud! And how it's ever to be lifted from him is to me inconceivable."
In Africa, meanwhile, during those eighteen months, King Khatsua had kept his royal word. He had held his two European prisoners under close watch and ward in the Koranna hut he had assigned them for their residence.
Like most other negro princes, indeed, Khatsua was a shrewd man of business in his own way; and while he meant to prevent the English strangers from escaping seaward with news of the new El Dorado they had discovered in Barolong land, he hadn't the least idea of turning away on that account the incidental advantages to be gained for himself by permitting them to hunt freely in his dominions for diamonds. So long as they acquiesced in the rough-and-ready royalty of 50 per cent, he had proposed to them when he first decided to detain them in his own territory—one stone for the king, and one for the explorers—they were free to pursue their quest after gems to their hearts' content in the valleys of Barolong land. And as the two Englishmen, for their part, had nothing else to do in Africa, and as they still went on hoping against hope for some chance of escape or rescue, they dug for diamonds with a will, and secured a number of first-class stones that would have made their fortunes indeed—if only they could have got them to the sea or to England.
Of course they lived perforce in the Koranna hut assigned them by the king, in pretty much the same way as the Korannas themselves did. King Khatsua's men supplied them abundantly with grain, and fruits, and game; and even at times procured them ready-made clothes, by exchange with Kimberley. In other respects, they were not ill-treated; they were merely detained "during his majesty's pleasure." But as his majesty had no intention of killing the goose that laid the golden eggs, or of letting them go, if he could help it, to spread the news of their find among their greedy fellow-countrymen, it seemed to them both as if they might go on being detained like this in Barolong land for an indefinite period.
Still, things went indifferently with them. As they lived and worked together in their native hut by Khatsua's village, a change began slowly but irresistibly to come over Granville Kelmscott's feelings towards his unacknowledged half-brother. At first, it was with the deepest sense of distaste and loathing that the dispossessed heir found himself compelled to associate with Guy Waring in such close companionship. But, bit by bit, as they two saw more and more of one another, this feeling of distaste began to wear off piecemeal. Granville Kelmscott was more than half ashamed to admit it even to himself, but in process of time he really almost caught himself beginning to like—well, to like the man he believed to be a murderer. It was shocking and horrible, no doubt; but what else was he to do? Guy formed now his only European society. By the side of those savage Barolongs, whose chief thought nothing of perpetrating the most nameless horrors before their very eyes, for the gratification of mere freaks of passion or jealousy, a European murderer of the gentlemanly class seemed almost by comparison a mild and gentle personage. Granville hardly liked to allow it in his own mind, but it was nevertheless the case; he was getting positively fond of this man, Guy Waring.
Besides, blood is generally thicker than water. Living in such close daily communion with Guy, and talking with him unrestrainedly at last upon all possible points—save that one unapproachable one, which both seemed to instinctively avoid alluding to in any way—Granville began to feel that, murderer or no murderer, Guy was in all essentials very near indeed to him. Nay, more, he found himself at times actually arguing the point with his own conscience that, after all, Guy was a very good sort of fellow; and if ever he had murdered Montague Nevitt at all—which looked very probable—he must have murdered him under considerably extenuating circumstances.
There was only one thing about Guy that Granville didn't like when he got to know him. This homicidal half-brother of his was gentle as a woman; tender, kindhearted, truthful, affectionate; a gentleman to the core, and a jolly good fellow into the bargain; but—there's always a but—he was a terrible money-grubber! Even there in the lost heart of Africa, at such a distance from home, with so little chance of ever making any use of his hoarded wealth, the fellow used to hunt up those wretched small stones, and wear them night and day in a belt round his waist, as if he really loved them for their own mere sakes—dirty high-priced little baubles! Granville, for his part, couldn't bear to see such ingrained love of pelf. It was miserable; it was mercenary.
To be sure, he himself hunted diamonds every day of his life, just as hard as Guy did; there was nothing else to do in this detestable place, and a man MUST find something to turn his idle hands to. Also he carried them, like Guy, bound up in a girdle round his own waist; it was a pity they should be lost, if ever he should chance to get away safe in the end to England. But then, don't you see, the cases were so different. Guy hoarded up his diamonds for mere wretched gain; whereas Granville valued his (he said to himself often) not for the mere worth in money of those shimmering little trinkets, but for his mother's sake, and Gwendoline's, and the credit of the family. He wanted Lady Emily to see her son filling the place in the world she had always looked forward with hope to his filling; and, by Heaven's help, he thought, he could still fill it. He couldn't marry Gwendoline on a beggar's pittance; and, by Heaven's help, he hoped still to be able to marry her.
Guy, on the other hand, found himself almost equally surprised in turn at the rapid way he grew really to be fond of Granville Kelmscott. Though Kelmscott knew, as he thought, the terrible secret of his half-unconscious crime—for he could feel now how completely he had acted under Montague Nevitt's compelling influence—Guy was aware before long of such a profound and deep-seated sympathy existing between them, that he became exceedingly attached in time to his friendly fellow-prisoner. In spite of the one barrier they could never break down, he spoke freely by degrees to Granville of everything else in his whole life; and Granville in return spoke to him just as freely. A good fellow, Granville, when you got to know him. There was only a single trait in his character Guy couldn't endure; and that was his ingrained love of money-grubbing. For the way the man pounced down upon those dirty little stones, when he saw them in the mud, and hoarded them up in his belt, and seemed prepared to defend them with his very life-blood, Guy couldn't conceal from himself-the fact that he fairly despised him. Such vulgar, common-place, unredeemed love of pelf! Such mere bourgeois avarice! Of what use could those wretched pebbles be to him here in the dusty plains of far inland Africa?
Guy himself kept close count of his finds, to be sure; but then, the cases, don't you see, were so different! HE wanted his diamonds to discharge the great debt of his life to Cyril, and to appear an honest man, rehabilitated once more, before the brother he had so deeply wronged and humiliated. Whereas Granville Kelmscott, a rich man's son, and the heir to a great estate beyond the dreams of avarice—that HE should have come risking his life in these savage wilds for mere increase of superfluous wealth, why, it was simply despicable.
So eighteen months wore away, in mutual friendship, tempered to a certain degree by mutual contempt, and little chance of escape came to the captives in Barolong land.
At last, as the second winter came round once more, for two or three weeks the Englishmen in their huts began to perceive that much bustle and confusion was going on all around in King Khatsua's dominions. Preparations for a war on a considerable scale were clearly taking place. Men mustered daily on the dusty plain with firearms and assegais. Much pombè was drunk; many palavers took place; a constant drumming of gongs and tom-toms disturbed their ears by day and by night. The Englishmen concluded some big marauding expedition was in contemplation. And they were quite right. King Khatsua was about to concentrate his forces for an attack on a neighbouring black monarch, as powerful and perhaps as cruel as himself, Montisive of the Bush Veldt.
Slowly the preparations went on all around. Then the great day came at last, and King Khatsua set forth on his mighty campaign, to the sound of big drums and the blare of native trumpets.
When the warriors had marched out of the villages on their way northward to the war, Guy saw the two prisoners' chance of escape had arrived in earnest. They were guarded as usual, of course; but not so strictly as before; and during the night, in particular, Guy noticed with pleasure, little watch was now kept upon them. The savage, indeed, can't hold two ideas in his head at once. If he's making war on his neighbour on one side, he has no room left to think of guarding his prisoners on the other.
"To-night," Guy said, one evening, as they sat together in their hut, over their native supper of mealie cakes and springbok venison, "we must make a bold stroke. We must creep out of the kraal as well as we can, and go for the sea westward, through Namaqua land to Angra Pequena."
"Westward?" Granville answered, very dubiously. "But why westward, Waring? Surely our shortest way to the coast is down to Kimberley and so on to the Cape. It'll take us weeks and weeks to reach the sea, won't it, by way of Namaqua land?"
"No matter for that," Guy replied, with confidence. He knew the map pretty well, and had thought it all over. "As soon as the Barolong miss us in the morning, they'll naturally think we've gone south, as you say, towards our own people. So they'll pursue us in that direction and try to take us; and if they were to catch us after we'd once run away, you may be sure they'd kill us as soon as look at us. But it would never occur to them, don't you see, we were going away west. They won't follow us that way. So west we'll go, and strike out for the sea, as I say, at Angra Pequena."
They sat up through the night discussing plans low to themselves in the dark, till nearly two in the morning. Then, when all was silent around, and the Barolong slept, they stole quietly out, and began their long march across the country to westward. Each man had his diamonds tied tightly round his waist, and his revolver at his belt. They were prepared to face every unknown danger.
Crawling past the native huts with very cautious steps, they made for the open, and emerged from the village on to the heights that bounded the valley of the Lugura. They had proceeded in this direction for more than an hour, walking as hard as their legs would carry them, when the sound of a man running fast, but barefoot, fell on their ears from behind in a regular pit-a-pat. Guy looked back in dismay, and saw a naked Barolong just silhouetted against the pale sky on the top of a long low ridge they had lately crossed over. At the very same instant Granville raised his revolver and pointed it at the man, who evidently had not yet perceived them. With a sudden gesture of horror, Guy knocked down his hand and prevented his taking aim.
"Don't shoot," he cried, in a voice of surprised dismay and disapproval. "We mustn't take his life. How do we know he's an enemy at all? He mayn't be pursuing us."
"Best shoot on spec, anyway," Granville answered, somewhat discomposed. "All's fair in war. The fellow's after us no doubt. And, at any rate, if he sees us he may go and report our whereabouts to the village."
"What? shoot an unarmed man who shows no signs of hostility! Why, it would be sheer murder," Guy cried, with some horror. "We mustn't make our retreat on THOSE principles, Kelmscott; it'd be quite indefensible. I decline to fire except when we're attacked. I won't be any party, myself, to needless bloodshed."
Granville Kelmscott gazed at him, there in the grey dawn, in unspeakable surprise. Not shoot at a negro! In such straits, too, as theirs! And this rebuke had come to him—from the mouth of the murderer!
Turn it over as he might, Granville couldn't understand it.
The Barolong ran along on the crest of the ridge, still at the top of his speed, without seeming to notice them in the gloom of the valley. Presently, he disappeared over the edge to southward. Guy was right, after all. He wasn't in pursuit of them. More likely he was only a runaway slave, taking advantage, like themselves, of King Khatsua's absence.
Three weeks later, two torn and tattered, half-starved Europeans sat under a burning South African sun by the dry bed of a shrunken summer torrent. It was in the depths of Namaqua land, among the stony Karoo; and the fugitives were straggling, helplessly and hopelessly, seaward, thirsty and weary, through a half-hostile country, making their marches as best they could at dead of night and resting by day where the natives would permit them.
Their commissariat had indeed been a lean and hungry one. Though they carried many thousand pounds' worth of diamonds about their persons, they had nothing negotiable with which to buy food or shelter from the uncivilized Namaquas. Ivory, cloth, and beads were the currency of the country. No native thereabouts would look for a moment at their little round nobs of water-worn pebbles. The fame of the diamond fields hadn't penetrated as yet so far west in the land as to have reached to the huts of the savage Namaquas.
And now their staying power was almost worn out Granville Kelmscott lay down on the sandy soil with a wild gesture of despair. All around were bare rocks and the dry sweltering veldts, covered only with round stones and red sand and low bushy vegetation.
"Waring," he said feebly, in a very faint voice, "I wish you'd leave me and go on by yourself. I'm no good any more. I'm only a drag upon you. This fever's too bad for me to stand much longer. I can never pull through to the coast alive. I've no energy left, were it even to try. I'd like to lie down here and die where I sit. Do go and leave me."
"Never!" Guy answered resolutely. "I'll never desert you, Kelmscott, while I've a drop of blood left. If I carry you on my back to the coast, I'll get you there at last, or else we'll both die on the veldt together."
Granville held his friend's hand in his own fevered fingers as he might have held a woman's.
"Oh, Waring," he cried once more, in a voice half choked with profound emotion, "I don't know how to thank you enough for all you've done for me. You've behaved to me like a brother—like a brother indeed. It makes me ashamed to think, when I see how unselfish, and good, and kind you've been—ashamed to think I once distrusted you. You've been an angel to me all through. Without you, I don't know how I could ever have lived on through this journey at all. And I can't bear to feel now I may spoil your retreat—can't bear to know I'm a drag and burden to you."
"My dear fellow," Guy said, holding the thin and fevered hand very tenderly in his, "don't talk to me like that. I feel to you every bit as you feel to me in this matter. I was afraid of you at first, because I knew you misunderstood me. But the more I've seen of you, the better we've each of us learned to sympathize with the other. We've long been friends. I love you now, as you say, like a brother."
Granville hesitated for a moment. Should he out with it or not? Then at last the whole long-suppressed truth came out with a burst. He seized his companion's two hands at once in a convulsive grasp.
"That's not surprising either," he said, "after all—for Guy, do you know, we ARE really brothers!"
Guy gazed at him in astonishment. For a moment he thought his friend's reason was giving way. Then slowly and gradually he took it all in.
"ARE really brothers!" he repeated, in a dazed sort of way. "Do you mean it, Kelmscott? Then my father and Cyril's—"
"Was mine too, Waring. Yes; I couldn't bear to die without telling you that. And I tell it now to you. You two are the heirs of the Tilgate estates. And the unknown person who paid six thousand pounds to Cyril, just before you left England, was your father and mine—Colonel Henry Kelmscott."
Guy bent over him for a few seconds in speechless surprise. Words failed him at first. "How do you know all this, Kelmscott?" he said at last faintly.
Granville told him in as few words as possible—for indeed he was desperately weak and ill—by what accident he had discovered his father's secret. But he told him only what he knew himself. For, of course, he was ignorant as yet of the Colonel's seizure and sudden death on the very day after they had sailed from England.
Guy listened to it all in profound silence. It was a strange, and for him a momentous tale. Then he said at last, as Granville finished, "And you never told me this all these long months, Kelmscott."
"I always meant to tell you, Guy," his half-brother answered, in a sudden fit of penitence. "I always meant in the end you and your brother Cyril should come into your own at Tilgate as you ought. I was only waiting—"
"Till you'd realized enough to make good some part of your personal loss," Guy suggested, not unkindly.
"Oh no," Granville answered, flushing up at the suggestion. "I wasn't waiting for that. Don't think me so mercenary. I was waiting for YOU, in your turn to extend to ME your own personal confidence. You know, Guy," he went on, dropping into a still more hushed and solemn undertone, "I saw an evening paper the night we left Plymouth—"
"Oh, I know, I know," Guy cried, interrupting him, with a very pale face. "Don't speak to me of that. I can't bear to think of it. Kelmscott, I was mad when I did that deed. I wasn't myself. I acted under somebody else's compulsion and influence. The man had a sort of hypnotic power over my will, I believe. I couldn't help doing whatever he ordered me. It was he who suggested it. It was he that did it. And it's he who was really and truly guilty."
"And who was that man?" Granville Kelmscott asked with some little curiosity.
"There's no reason I shouldn't tell you," Guy answered, "now we've once broken the ice; and I'm glad in my heart, I must say, that we've broken it. For a year and a half, day and night, that barrier has been raised between us always, and I've longed to get rid of it. But I was afraid to speak of it to you, and you to me! Well, the man, if you must know, was Montague Nevitt!"
Granville Kelmscott looked up at him in credulous surprise. But he was too ill and weak to ask the meaning of this riddle. Montague Nevitt! What on earth could Waring mean by that? How on earth could Montague Nevitt have influenced and directed him in assaulting and murdering Montague Nevitt?
For a long time there was silence. Each brother was thinking his own thoughts to himself about this double disclosure. At last, Granville lifted his head and spoke again.
"And you'll go home to England now," he said, "under an assumed name, I suppose; and arrange with your brother Cyril for him to claim the Kelmscott estates, and allow you something out of them in retirement somewhere."
"Oh no," Guy answered manfully. "I'm going home to England now, if I go at all, under my own proper name that I've always borne, to repay Cyril in full every penny I owe him, to make what reparation I can for the wrong I've done, and to give myself up to the police for trial."
Granville gazed at him, more surprised and more admiring than ever.
"You're a brave man, Waring," he said slowly. "I don't understand it at all. But I know you're right. And I almost believe you. I almost believe it was not your fault. I should like to get through to England after all, if it was only to see you safe out of your troubles."
Guy looked at him fixedly.
"My dear fellow," he said, in a compassionate tone, "you mustn't talk any more. You've talked a great deal too much already. I see a hut, I fancy, over yonder, beside that dark patch of brush. Now, you must do exactly as I bid you. Don't struggle or kick. Lie as still as you can. I'll carry you there on my back, and then we'll see if we can get you anyhow a drop of pure water."
That was almost the last thing Granville Kelmscott knew. Some strange shadowy dreams, to be sure, disturbed the lethargy into which he fell soon after; but they were intermittent and indefinite. He was vaguely aware of being lifted with gentle care into somebody's arms, and of the somebody staggering along with him, not without considerable difficulty, over the rough stony ground of that South African plateau. He remembered also, as in a trance, some sound of angry voices—a loud expostulation—a hasty palaver—a long slow pause—a gradual sense of reconciliation and friendliness—during all which, as far as he could recover the circumstances afterwards, he must have been extended on the earth, with his back propped against a great ledge of jutting rock, and his head hanging listless on his sinking breast. Thenceforward all was blank, or just dimly perceived at long intervals between delirium and unconsciousness. He was ill for many days, where or how he knew not.
In some half dreamy way, he was aware too, now and again, of strange voices by his side, strange faces tending him. But they were black faces, all, and the voices spoke in deep guttural tones, unlike even the clicks and harsh Bantu jerks with which he had grown so familiar in eighteen months among the Barolong. This that he heard now, or seemed to hear in his delirium, like distant sounds of water, was a wholly different and very much harsher tongue—the tongue of the Namaquas, in fact, though Granville was far too ill and too drowsy just then to think of reasoning about it or classifying it in any way. All he knew for the moment was that sometimes, when he turned round feebly on his bed of straw, and asked for drink or help in a faltering voice, no white man appeared to answer his summons. Black, faces all—black, black, and unfamiliar. Very intermittently he was conscious of a faint sense of loneliness. He knew not why. But he thought he could guess. Guy Waring had deserted him!
At last, one morning, after more days had passed than Granville could possibly count, all of a sudden, in a wild whirl, he came to himself again at once, with that instant revulsion of complete awakening which often occurs at the end of long fits of delirium in malarious fever. A light burst in upon him with a flash. In a moment, his brain seemed to clear all at once, and everything to grow plain as day before him. He raised himself on one wasted elbow and gazed around him with profound awe. He saw it all now; he remembered everything, everything.
He was alone, among savages in the far heart of Africa.
He lay on his back, on a heap of fresh straw, in a close and filthy mud-built hut. Under his aching neck a wooden pillow or prop of native make supported his head. Two women and a man bent over him and smiled. Their faces, though black, were far from unkindly. They were pleased to see him stare about with such meaning in his eyes. They were friendly, no doubt. They seemed really to take an interest in their patient's recovery.
But where was Guy Waring? Dead? Dead? Or run away? Had his half-brother, in this utmost need, then, so basely deserted him?
For some minutes, Granville gazed around him, half dazed, and in a turmoil of surprise, yet with a vivid passion of acute inquiry. Now he was once well awake, he must know all immediately. But how? Who to ask? This was terrible, terrible. He had no means of intercommunication with the people in the hut. He knew none of their language, nor they of his. He was utterly alone, among unmitigated savages.
Meanwhile, the man and the women talked loud among themselves in their own harsh speech, evidently well pleased and satisfied at their guest's improvement. With a violent effort, Granville began to communicate with them in the language of signs which every savage knows as he knows his native tongue, and in which the two Englishmen had already made some progress during their stay in Barolong land.
Pointing first to himself, with one hand on his breast, he held up two fingers before the observant Namaqua, to indicate that at first there had been a couple of them on the road, both white men. The latter point he still further elaborated by showing the white skin on his own bare wrist, and once more holding up the two fingers demonstratively. The Namaqua nodded. He had seized the point well. He held up two fingers in return himself; then looked at his own black wrist and shook his head in dissent—they were not black men; after which he touched Granville's fair forearm with his hand; yes, yes, just so; he took it in; two white men.
What had become of the other one? Granville asked in the same fashion, by looking around him on all sides in dumb show, inquiringly. One finger only was held up now, pointing about the hut; one hand was laid upon his own breast to show that a single white man alone remained. He glanced about him uneasily. What had happened to his companion?
The Namaqua pointed with his finger to the door of the hut, as much as to say the other man was gone. He seized every sign at once with true savage quickness.
Then Granville tried once more. Was his companion dead? Had he been killed in a fight? Was that the reason of his absence? He lunged forward with his hand holding an imaginary assegai. He pressed on upon the foe; he drove it through a body. Then he fell, as if dead, on the floor, with a groan and a shriek. After which, picking himself up as well as he was able, and crawling back to his straw, he proceeded in mute pantomime to bury himself decently.
The Namaqua shook his head again with a laugh of dissent. Oh no; not like that. It had happened quite otherwise. The missing white man was well and vigorous, a slap on his own chest sufficiently indicated that news. He placed his two first fingers in the ground, astride like legs, and made them walk along fast, one in front of the other. The white man had gone away. He had gone on foot. Granville nodded acquiescence. The savage took water in a calabash and laid it on the floor. Then he walked once more with his fingers, as if on a long and weary march, to the water's brink. Granville nodded comprehension again. He understood the signs. The white man had gone away, alone, on foot—and seaward.
At that instant, with a sudden cry of terror, the invalid's hands went down to his waist, where he wore the girdle that contained those precious diamonds—the diamonds that were to be the ransom of some fraction of Tilgate. An awful sense of desertion broke over him all at once. He called aloud in his horror. It was too much to believe. The girdle was gone, and the diamonds with it!
Hypocrite! Hypocrite! Thief! Murderer! Robber! He had trusted that vile creature, that plausible wretch, in spite of all the horrible charges he knew against him. And THIS was the sequel of their talk that day! THIS was how Guy Waring had requited his confidence.
He had stolen the fruits of eighteen months' labour.
Granville turned to the Namaqua, wild with his terrible loss, and pointed angrily to his loins, where the diamonds were not. The savage nodded; looked wise and shook his head; pretended to gird himself round the waist with a cloth; then went over to Granville, who lay still in the straw, undid an imaginary belt, with deliberate care, tied it round his own body above the other one, with every appearance of prudence and forethought, counted the small stones in it one by one, in his hand, to the exact number, with grotesque fidelity, and finally set his fingers to walk a second time at a rapid pace, in the direction of the calabash which represented the ocean.
Granville fell back on his wooden pillow with a horrible groan of awakened distrust. The man had gone off, that was clear, and had stolen his diamonds That is what comes of intrusting your life and property to a discovered murderer. How could he ever have been such a fool? He would never forgive himself.
The desertion itself was bad enough in all conscience; but it was as nothing at all in Granville's mind to the wickedness of the robbery.
He might have known it, of course. How that fellow toiled and moiled and gloated over his wretched diamonds! How little he seemed to think of the stain of blood on his hands, and how much of the mere chance of making filthy lucre! Pah! Pah! it was pitiable. The man's whole mind was distorted by a hideous fungoid growth—the love of gain, which is the root of all evil. For a few miserable stones, he would plunder his own brother, lying helpless and ill in that African hut, and make off with the booty himself, saving his own skin, seaward.
If it hadn't been for the unrequited kindness of these mere savage Namaquas, Granville cried to himself in his bitterness, he might have died of want in the open desert. And now he would go down to the coast, after all, a ruined man, penniless and friendless. It was a hard thought indeed for a Kelmscott to think he should have been abandoned and robbed by his own half-brother, and should owe his life now to a heathen African. The tender mercies of a naked barbarian in a mud-built hut were better than the false friendship of his father's son, the true heir of Tilgate.
It was miserable! pitiable! The shock of that discovery threw Granville back once more into a profound fever. For several hours he relapsed into delirium. And the worst of it was, the negroes wouldn't let him die quietly in his own plain way. In the midst of it all, he was dimly aware of a dose thrust down his throat. It was the Namaqua administering him a pill—some nauseous native decoction, no doubt—which tasted as if it were made of stiff white paper.
For a day or two more, Granville remained seriously ill in the dirty hut. At the end of that time, weak and wasted as he was, he insisted upon getting up and setting out alone on his long march seaward.
It was a wild resolve. He was utterly unfit for it. The hospitable Namaqua, whose wives had nursed him well through that almost hopeless illness, did his best to persuade the rash Englishman from so mad a course, by gestures and entreaties, in his own mute language. But Granville was obstinate. He would NOT sit down quietly and be robbed like this of the fruit of his labours. He would not be despoiled. He would not be trampled upon. He would make for the coast, if he staggered in like a skeleton, and would confront the robber with his own vile crime, be it at Angra Pequena, or Cape Town, or London, or Tilgate.
In short, he would do much as Guy himself had done when he discovered Montague Nevitt's theft of the six thousand. He would follow the villain till he ran him to earth, and would tax him at last to his face with the open proofs of his consummate treachery. What's bred in the bone will out in the blood. The Kelmscott strain worked alike its own way in each of them.
The Namaqua, to be sure, tried in vain to explain to Granville by elaborate signs that the other white man had given orders to the contrary. The other white man had strictly enjoined upon him not to let the invalid escape from his hut on any pretext whatever. The other white man had promised him a reward, a very large reward—money, guns, ammunition—if he kept him safely and didn't allow him to escape. Granville Kelmscott smiled to himself a bitter, cynical, smile. Poor confiding savage! He didn't know Guy as well as he, his brother, did.
And yet, in the midst of it all, in spite of the revulsion, Granville was conscious now and then of some little ingratitude somewhere to his half-brother's memory. After all, Guy had shown him time and again no small kindness. Some excuse should be made for a man who saves his own life first in very dire extremities. But none, no, none for one who has the incredible and inhuman meanness to rob his own brother of his hard-earned gams, in a strange wild land, when he thinks him dying.
For it was the robbery, not the desertion, Granville could never forgive. The man who was capable of doing that basest of acts was capable also of murder or any crime in the decalogue.
So the fevered white man rose at last one morning on his shrunken limbs, and staggered, as best he might, from his protector's hut in a wild impulse of resolution, on his mad journey seaward. When the Namaqua saw nothing on earth would induce him to remain, he shouldered his arms and went out beside him, fully equipped for fight with matchlock and assegai. Not that the savage made any undue pretence to a purely personal devotion to the belated white man. On the contrary, he signified to Granville with many ingenious signs that he was afraid of losing the great reward he had been promised, if once he let the invalid get out of his sight unattended.
Granville smiled once more that bitter smile of new-born cynicism. Well, let the fellow follow him if he liked! He would reward him himself if ever they reached the coast in safety. And in any case, it was better to go attended by a native. An interpreter who can communicate in their own tongue with the people through whose territory you are going to pass is always, useful in a savage country.
How Granville got over that terrible journey seaward he could never tell. He crawled on and on, supported by the faithful Namaqua with unfailing good-humour, over that endless veldt, for three long days of wretched footsore marching. And for three long nights he slept, or lay awake, under the clear desert stars, on the open ground of barren Namaqua land. It was a terrible time. Worn and weary with the fever, Granville was wholly unfit for any kind of travelling. Nothing but the iron constitution of the Kelmscotts could ever have stood so severe an ordeal. But the son of six generations of soldiers, who had commanded in the fever-stricken flats of Walcheren, or followed Wellesley through the jungles of tropical India, or forced their way with Napier into the depths of Abyssinia, was not to be daunted even by the nameless horrors of that South African desert. Granville still endured, for three days and nights, and was ready to march, or crawl on, once more, upon the fourth morning.
Here, however, his Namaqua, guide, with every appearance of terror, made strong warnings of danger. The country beyond, he signified by strange gestures, lay in the hands of a hostile tribe, hereditarily at war with his fellow-clansmen. He didn't even know whether the other white man, with the diamonds round his waist, had got safely through, or whether the hostile tribe beyond the frontier had assegaied him and "eaten him up," as the picturesque native phrase goes. It was difficult enough for even a strong warrior to force his way through that district with a good company of followers; impossible for a single weak invalid like Granville, attended only by one poor, ill-armed Namaqua.
So the savage seemed to say in his ingenious pantomime. If they went on, they'd be killed and eaten up resistlessly. If they stopped they might pull through. They must wait and camp there. For what they were to wait, Granville hadn't the faintest conception. But the Namaqua insisted upon it, and Granville was helpless as a child in his hands. The man was alarmed, apparently, for his promised reward. If Granville insisted, he showed in very frank dumb show, why—a thrust with the assegai explained the rest most persuasively. Granville still had his revolver, to be sure, and a few rounds of ball cartridge. But he was too weak to show fight; the savage overmastered him.
They were seated on a stony ridge or sharp hog's back, overlooking the valley of a dry summer stream. The watershed on which they sat separated, with its chine of rugged rocks, the territory of the two rival tribes. But the Namaqua was evidently very little afraid that the enemy might transgress the boundaries of his fellow-tribesmen. He dared not himself go beyond the jagged crest of the ridge; but he seemed to think it pretty certain the people of the other tribe wouldn't, for their part, in turn come across to molest him. He sat down there doggedly, as if expecting something or other to turn up in the course of time; and more than once he made signs to Granville which the Englishman interpreted to mean that after so many days and nights from some previous event unspecified, somebody would arrive on the track from the coast at the point of junction between the hostile races.
Granville was gazing at the Namaqua in the vain attempt to interpret these signs more fully to himself, when, all of a sudden, an unexpected noise in the valley below attracted his attention. He pricked up his ears, Impossible! Incredible! It couldn't be—yes, it was—the sharp hiss of firearms!
At the very same moment the Namaqua leapt to his feet in sudden alarm, and, shading his eyes with his dusky hand, gazed intently in front of him. For a minute or so he stood still, with brows knit and neck craning. Then he called out something in an excited tone two or three times over in his own tongue to Granville. The Englishman stared in the same direction, but could make out nothing definite just at first, in the full glare of the sunlight. But the Namaqua, with a cry of joy, held up his two fingers as before, to symbolize the two white men, and pointed with one of them to his guest, while with the other he indicated some object in the valley, nodding many times over. Granville seized his meaning at once. Could it be true, what he said in this strange mute language? Could relief be at hand? Could the firing beneath show that Guy was returning?
As he looked and strained his eyes, peering down upon the red plain, under the shadow of his open palm, the objects by the water-course grew gradually clearer. Granville could make out now that a party of natives, armed with spears and matchlocks, was attacking some little encampment on the bank of the dry torrent. The small force in the encampment was returning the fire with great vigour and spirit, though apparently over-powered by the superior numbers of their swarming assailants. Even as Granville looked, their case grew more desperate. A whole horde of black men seemed to be making an onset on some small white object, most jealously guarded, round which the defenders of the camp rallied with infinite energy. At the head of the little band of strangers, a European in a pith helmet was directing the fire, and fighting hard himself for the precious white object. The rest were blacks, he thought, in half-civilized costume. Granville's heart gave a bound as the leader sprang forth upon one approaching savage. His action, as he leapt, stamped the man at once. There was Kelmscott in the leap. Granville knew in a second it was indeed Guy Waring.
The Namaqua recognised him too, and pointed enthusiastically forward. Granville saw what he meant. To the front! To the front! If there was fighting to be done, let them help their friends. Let them go forward and claim the great reward offered.
Next moment, with a painful thrill of shame and remorse, the Englishman saw what was the nature of the object they were so jealously guarding. His heart stood still within him. It was a sort of sedan chair, or invalid litter, borne on poles by four native porters. Talk about coals of fire! Granville Kelmscott hardly knew how to forgive himself for his unworthy distrust. Then Guy must have reached the coast in safety, after leaving him in charge of the Namaqua and fighting his way through, and now he was on his way back to the interior again, with a sufficient escort and a palanquin to fetch him.
Even as he looked, the assailants closed in more fiercely than ever on the faltering little band. One of them thrust out with an assegai at Guy. In an agony of horror, Granville cried aloud where he stood. Surely, surely, they must be crushed to earth. No arms of precision could ever avail them against such a swarm of assailants, poured forth over their camp as if from some human ant-hill.
"Let us run!" the sick man cried to the Namaqua, pointing to the fight below; and the Namaqua, comprehending the gesture, if not the words, set forward to run with him down the slope into the valley.
At about a hundred yards off from the crowd, Granville, crouched behind a clump of thorny acacia, and, signalling to the Namaqua to hide at the same time, drew his revolver and fired point-blank at the hindmost natives.
The effect was electrical. In a moment the savages turned and gazed around them astonished. One of their number was hit and wounded in the leg. Granville had aimed so purposely, to maim and terrify them. The natives faltered and fell back. As they did so, Granville emerged from the shelter of the acacia bush, and fired a second shot from another point at them. At the same instant the Namaqua raised a loud native battle-cry, and brandished his assegai. The effect was electrical. The hostile tribe broke up in wild panic at once. They cried in their own tongue that the Namaquas were down upon them, under English guidance: and, quick as lightning, they dispersed as if by magic, to hide themselves about in the thick bush jungle.
Two seconds later, Guy was wringing Granville's hand in a fervour of gratitude. Each man had saved the other's life. In the rapid interchange of question and answer that followed, one point alone puzzled them both for a minute or two.
"But why on earth didn't you leave a line to explain what you'd done?" Granville cried, now thoroughly ashamed of his unbelief, "If only I'd known, you were coming back to the village it would have saved me so much distress, so much sleepless misery."
"Why, so I did," Guy answered, still thoroughly out of breath, and stained with blood and powder. "I tore a leaf from my note-book and gave it to the Namaqua, explaining to him by signs that he was to let you have it at once, the moment you were conscious. Here, you, sir," he went on, turning round to their faithful black ally, and holding up the note-book before his eyes to refresh his memory, "why didn't you give it to the gentleman as I told you?"
The Namaqua, catching hastily at the meaning from the mere tone of the question, as well as from Guy's instinctive and graphic imitation of the act of writing, pulled out from his waistband the last relics of a very brown and tattered fragment of paper, on which were still legible in pencil the half-obliterated words: "My dear Granville,—I find there is no chance of conveying you to the coast through the territory of the next tribe in your present condition, unless—-"
The rest was torn off. Guy looked at it dubiously. But the Namaqua, anxious to show he had followed out all instructions to the very letter, tore off the next scrap before their eyes, rolled it up between his palms into a nice greasy pill, and proceeded to offer it for Granville's acceptance. The misapprehension was too absurd. Guy went off into a hearty peal of laughter at once. The Namaqua had taken the mysterious signs for "a very great medicine," and had administered the magical paper accordingly, as he understood himself to be instructed, at fixed intervals to his unfortunate patient. That was the medicine Granville remembered having forced down his throat at the moment when he first learned, as he thought, his half-brother's treachery.
At the Holkers' at Chetwood, one evening some days later, Cyril Waring met Elma Clifford once more, the first time for months, and had twenty minutes' talk in the tea-room alone with her. Contrary to his rule, he had gone to the Holkers' party that night, for a man can't remain a recluse all his life, no matter how hard he tries, merely because his brother's suspected of having committed a murder. In course of time, the attitude palls upon him. For the first year after Guy's sudden and mysterious disappearance, indeed, Cyril refused all invitations point-blank, except from the most intimate friends; the shame and disgrace of that terrible episode weighed him down so heavily that he couldn't bear to go out in the world among unsympathetic strangers.
But the deepest sorrow wears away by degrees, and at the end of twelve months Cyril found he could mix a little more unreservedly at last among his fellow-men. The hang-dog air sat ill upon his frank, free nature. This invitation to the Holkers', too, had one special attraction: he knew it was a house where he was almost certain of meeting Elma. And since Elma insisted now on writing to him constantly—she was a self-willed young woman was Elma, and would have her way—he really saw no reason on earth himself why he shouldn't meet her. To meet is one thing, don't you know—to marry, another. At least so fifty generations of young people have deluded themselves under similar circumstances into believing.
Elma was in the room before him, prettier than ever, people said, in the pale red ball-dress which exactly suited her gipsy-like eyes and creamy complexion. As she entered she saw Sir Gilbert Gildersleeve with his wife and Gwendoline standing in the corner by the big piano. Gwendoline looked pale and preoccupied, as she had always looked since Granville Kelmscott disappeared, leaving behind him no more definite address for love-letters than simply Africa; and Lady Gildersleeve was, as usual, quite subdued and broken. But the judge himself, consoled by his new honours, seemed, as time wore on, to have recovered a trifle of his old blustering manner. A knighthood had reassured him. He was talking to Mr. Holker in a loud voice as Elma approached him from behind.
"Yes, a very curious coincidence," he was just saying, in his noisy fashion, with one big burly hand held demonstratively before him. "A very curious and unexplained coincidence. They both vanished into space about the self-same time. And nothing more has ever since been heard of them. Quite an Arabian Nights' affair in its way—the Enchanted Carpet sort of business, don't you know—wafted through the air unawares, like Sinbad the Sailor, or the One-eyed Calender, from London to Bagdad, or Timbuctoo or St. Petersburg. The OTHER young man one understands about, of course; HE had sufficient reasons of his own, no doubt, for leaving a country which had grown too warm for him. But that Granville Kelmscott, a gentleman of means, the heir to such a fine estate as Tilgate, should disappear into infinity leaving no trace behind, like a lost comet—and at the very moment, too, when he was just about to come into the family property—why, I call it… I call it… I call it—"
His jaw dropped suddenly. He grew deadly pale. Words failed his stammering tongue. Do what he would, he couldn't finish his sentence. And yet, nothing very serious had occurred to him in any way. It was merely that, as he uttered these words, he caught Elma Clifford's eye, and saw lurking in it a certain gleam of deadly contempt before which the big blustering man himself had quailed more than once in many a Surrey drawing-room.
For Sir Gilbert Gildersleeve knew, as well as if she had told him the truth in so many words, that Elma Clifford suspected him of being Montague Nevitt's murderer.
Elma came forward, just to break the awkward pause, and shook hands with the party by the piano coldly. Sir Gilbert tried to avoid her; but, with the inherited instinct of her race, Elma cut off his retreat. She boxed him in the corner between the piano and the wall.
"I heard what you were saying just now, Sir Gilbert," she murmured low, but with marked emphasis, after a few polite commonplaces of conversation had first passed between them; "and I want to ask you one question only about the matter. ARE you so sure as you seem of what you said this minute? Are you so sure that Mr. Guy Waring HAD sufficient reasons of his own for wishing to leave the country?"
Before that unflinching eye, the great lawyer trembled, as many a witness had trembled of old under his own cross-examination. But he tried to pass it off just at first with a little society banter. He bowed, and smiled, and pretended to look arch—look arch, indeed, with that ashen, white face of his!—as he answered, with forced humour—
"My dear young lady, Mr. Guy Waring, as I understand, is Mr. Cyril Waring's brother, and as by the law of England the king can do no wrong, so I suppose—"
Elma cut him short in the middle of his sentence with an imperious gesture. He had never cut short an obnoxious and intruding barrister himself with more crushing dignity.
"Mr. Cyril Waring has nothing at all to do with the point, one way or the other," the girl said severely. "Attend to my question. What I ask is this: Why do you, a judge who may one day be called upon to try the case, venture to say, on such partial evidence, that Mr. Guy Waring had sufficient reasons of his own for leaving the country?"
Called upon to try Guy Waring's case! The judge paused abashed. He was very much afraid of her. This girl had such a strange look about the eyes, she made him tremble. People said the Ewes women were the descendants of a witch. And there was something truly witch-like in the way Elma Clifford looked straight down into his eyes. She seemed to see into his very soul. He knew she suspected him.
He shuffled and temporized. "Well, everybody says so, you know," he answered, shrugging his shoulders carelessly. "And what everybody says MUST be true. … Besides, if HE, didn't do it, who did, I wonder?"
Elma pounced upon her opportunity with a woman's quickness. "Somebody else who was at Mambury that day, no doubt," she replied, with a meaning look. "It MUST have been somebody out of the few who were at Mambury."
That home-thrust told. The judge's colour was livid to look upon. What could this girl mean? How on earth could she know? How had she even found out he was at Mambury at all? A terrible doubt oppressed his soul. Had Gwendoline confided his movements to Elma? He had warned his daughter time and again not to mention the fact, "for fear of misapprehension," he said, with shuffling eyes askance. It was better nobody should know he had been anywhere near Dartmoor on the day of the accident.
However, there was one consolation; the law! the law! She could have no legal proof, and intuition goes for nothing in a court of justice. All the suspicion went against Guy Waring, and Guy Waring—well, Guy Waring had fled the kingdom in the very nick of time, and was skulking now, Heaven alone knew where or why, in the remotest depths of some far African diggings.
And even as he thought it, the servant opened the door, and, in the regulation footman's voice, announced "Mr. Waring."
The judge started afresh. For one moment his senses deceived him sadly. His mind was naturally full of Guy, just now; and as the servant spoke, he saw a handsome young man in evening dress coming up the long drawing-room with the very air and walk of the man he had met that eventful afternoon at the "Duke of Devonshire" at Plymouth. Of course, it was only Cyril; and a minute later the judge saw his mistake, and remembered, with a bitter smile, how conscience makes cowards of us all, as he had often remarked about shaky witnesses in his admirable perorations. But Elma hadn't failed to notice either the start or its reason.
"It's only Mr. Cyril," she said pointedly; "not Mr. Guy, Sir Gilbert.
The name came very pat, though. I don't wonder it startled you."
She was crimson herself. The judge moved away with a stealthy uncomfortable air. He didn't half care for this uncanny young woman. A girl who can read people's thoughts like that, a girl who can play with you like a cat with a mouse, oughtn't to be allowed at large in society. She should be shut up in a cage at home like a dangerous animal, and prevented from spying out the inmost history of families.
A little later, Elma had twenty minutes' talk with Cyril alone. It was in the tea-room behind, where the light refreshments were laid out before supper. She spoke low and seriously.
"Cyril," she said, in a tone of absolute confidence—they were not engaged, of course, but still, it had got to plain "Cyril" and "Elma" by this time—"I'm surer of it than ever, no matter what you say. Guy's perfectly innocent. I know it as certainly as I know my own name. I can't be mistaken. And the man who really did it is, as I told you, Sir Gilbert Gildersleeve."
"My dear child," Cyril answered—you call the girl you are in love with "my dear child," when you mean to differ from her, with an air of masculine superiority—"how on earth can that be, when, as I told you, I have Guy's confession in writing, under his own very hand, that he really did it?"
"I don't care a pin for that," Elma cried, with a true woman's contempt for anything so unimportant as mere positive evidence. "Perhaps Sir Gilbert made him do it somehow—compelled him, or coerced him, or willed him, or something—I don't understand these new notions—or perhaps he got him into a scrape and then hadn't the courage or the manliness to get him out of it. But at any rate, I can answer for one thing, I were to go to the stake for it—Sir Gilbert Gildersleeve is the man who's really guilty."
As she spoke, a great shadow darkened the door of the room for a moment ominously. Sir Gilbert looked in with a lady on his arm—the inevitable dowager who refreshes herself continuously at frequent intervals through six hours of entertainment. When he saw those two tête-à-tête, he drew back, somewhat disconcerted.
"Don't let's go in there, Lady Knowles," he whispered to the dowager by his side. "A pair of young people discussing their hearts. We were once young ourselves. It's a pity to disturb them."
And he passed on across the hall towards the great refreshment-room opposite.
"Well, I don't know," Cyril said bitterly, as the judge disappeared through the opposite door. "I wish I could agree with you. But I can't, I can't. The burden of it's heavier than my shoulders can bear. Guy's weak, I know, and might be led half unawares into certain sorts of crime; yet I only knew one man ever likely to lead him—and that was poor Nevitt himself, not Sir Gilbert Gildersleeve, whom he hardly even knew to speak to."
As he paused and reflected, a servant with a salver came up and looked into Cyril's face inquiringly.
"Beg your pardon, sir," he said, hesitating, "but I think you're
Mr. Waring."
"That's my name," Cyril answered, with a faint blush on his cheek.
"Do you want to speak to me?"
"Yes, sir; there's half-a-crown to pay for porterage, if you please.
A telegram for you, sir."
Cyril pulled out the half-a-crown, and tore open the telegram.
Its contents were indeed enough to startle him. It was dated "Cape
Town," and was as brief as is the wont of cable messages at nine
shillings a word—
"Coming home immediately to repay everything and stand my trial.
Kelmscott accompanies me. All well.—GUY WARING."
Cyril looked at it with a gasp, and handed it on to Elma. Elma took it in her dainty gloved fingers, and read it through with keen eyes of absorbing interest. Cyril sighed a profound sigh. Elma glanced back at him all triumph. "I told you so," she said, in a very jubilant voice. "He wouldn't do that if he didn't KNOW he was innocent."
At the very same second, a blustering voice was heard above the murmur in the hall without.
"What, half-a-crown for porterage!" it exclaimed in indignant tones. "Why, that's a clear imposition. The people at my house ought never to have sent it on. It's addressed to Woodlands. Unimportant, unimportant! Here, Gwendoline, take your message—some milliner's or dressmaker's appointment for to-morrow, I suppose. Half-a-crown for porterage! They'd no right to bring it."
Gwendoline took the telegram with trembling hands, tore it open all quivers, and broke into a cry of astonishment. Then she fell all at once into her father's arms. Elma understood it all. It was a similar message from Granville Kelmscott to tell the lady of his heart he was coming home to marry her.
Sir Gilbert, somewhat flustered, called for water in haste, and revived the fainting girl by bathing her temples. At last he took up the cause of the mischief himself. As he read it his own face turned white as death. Elma noticed that, too. And no wonder it did—for these were the words of that unexpected message—
"Coming home to claim you by the next mail. Guy Waring accompanies me.—GRANVILLE KELMSCOTT."
Next day but one, the Companion of St. Michael and St. George came in to Craighton with evil tidings. He had heard in the village that Sir Gilbert Gildersleeve was ill—very seriously ill. The judge had come home from the Holkers' the other evening much upset by the arrival of Gwendoline's telegram.
"Though why on earth should that upset him," Mr. Clifford continued, screwing up his small face with a very wise air, "is more than I can conceive; for I'm sure the Gildersleeves angled hard enough in their time to catch young Kelmscott, by hook or by crook, for their gawky daughter; and now that young Kelmscott telegraphs over to say he's coming home post haste to marry her, Miss Gwendoline faints away, if you please, as she reads the news, and the judge himself goes upstairs as soon as he gets home, and takes to his bed incontinently. But there, the ways of the world are really inscrutable! What reconciles me to life, every day I grow older, is that it's so amusing—so intensely amusing! You never know what's going to turn up next; and what you least expect is what most often happens."
Elma, however, received his news with a very grave face.
"Is he really ill, do you think, papa?" she asked, somewhat anxiously; "or is he only—well—only frightened?"
Mr. Clifford stared at her with a blank leathery face of self-satisfied incomprehension.
"Frightened!" he repeated solemnly; "Sir Gilbert Gildersleeve frightened! And of Granville Kelmscott, too! That's true wit, Elma; the juxtaposition of the incongruous. Why, what on earth has the man got to be frightened of, I should like to know? … No, no; he's really ill; very seriously ill. Humphreys says the case is a most peculiar one, and he's telegraphed up to town for a specialist to come down this afternoon and consult with him."
And indeed, Sir Gilbert was really very ill. This unexpected shock had wholly unmanned him. To say the truth, the judge had begun to look upon Guy Waring as practically lost, and upon the matter of Montague Nevitt's death as closed for ever. Waring, no doubt, had gone to Africa—under a false name—and proceeded to the diamond fields direct, where he had probably been killed in a lucky quarrel with some brother digger, or stuck through with an assegai by some enterprising Zulu; and nobody had even taken the trouble to mention it.
It's so easy for a man to get lost in the crowd in the Dark Continent! Why, there was Granville Kelmscott, even—a young fellow of means, and the heir of Tilgate, about whom Gwendoline was always moaning and groaning, poor girl, and wouldn't be comforted—there was Granville Kelmscott gone out to Africa, and, hi, presto, disappeared into space without a vapour or a trace, like a conjurer's shilling. It was all very queer; but, then, queer things are the way in Africa.
To be sure, Sir Gilbert had his qualms of conscience, too, over having thus sent off Guy Waring, as he believed, to his grave in Cape Colony. He was not at heart a bad man, though he was pushing, and selfish, and self-seeking, and to a certain extent even—of late—unscrupulous. He had his bad half-hours every now and again with his own moral consciousness. But he had learnt to stifle his doubts and to keep down his terrors. After all, he had told Guy no more than the truth; and if Guy in his panic-terror chose to run away and get killed in South Africa, that was no fault of HIS—he'd only tried to warn the fellow of an impending danger. All's well that ends well; and, to-day, Guy Waring was lost or dead, while he himself was a judge, and a knight to boot, with all trace of his crime destroyed for ever.
So he said to himself, rejoicing, the very day Granville Kelmscott's telegram arrived. But now that he stood face to face again with that pressing terror, his thoughts on the matter were very different. Strange to say, his first idea was this: what a disgraceful shame of that fellow Waring to come to life again thus suddenly on purpose to annoy him! He was really angry, nay, more, indignant. Such shuffling was inexcusable. If Waring meant to give himself up and stand his trial like a man, why the dickens didn't he do it immediately after the—well, the accident? What did he mean by going off for eighteen months undiscovered, and leaving one to build up fresh plans in life, like this—and then coming home on a sudden just on purpose to upset them? It was simply disgraceful. Sir Gilbert felt injured; this man Waring was wronging him. Eighteen months before he was keenly aware that he was unjustly casting a vile and hideous suspicion on an innocent person. But in the intervening period his moral sense had got largely blunted. Familiarity with the hateful plot had warped his ideas about it. Their places were reversed. Sir Gilbert was really aggrieved now that Guy Waring should turn up again, and should venture to vindicate his deeply-wronged character.
The man was as good as dead. Well, and he ought to have stopped so; or else he ought never to have died at all. He ought to have kept himself continually in evidence. But to go away for eighteen months, unknown and unheard of, till one's sense of security had had time to re-establish itself, and then to turn up again like this without one minute's warning—oh, it was infamous, scandalous. The fellow must be devoid of all consideration for others. Sir Gilbert wiped his clammy brow with those ample hands. What on earth was he to do for his wife, and for Gwendoline?
And Gwendoline was so happy, too, over Granville Kelmscott's return! How could he endure that Granville Kelmscott's return should be the signal for discovering her father's sin and shame to her! If only he could have married her off before it all came out! Or if only he could die before the man was tried!—Tried! Sir Gilbert's eyes started from his head with horror. What was that Elma Clifford suggested the other night? Why—if the man was arrested, he would be arrested at Plymouth, the moment he landed, and would be tried for murder at the Western Assizes. And it was he himself, Sir Gilbert Gildersleeve, who was that term to take the Western Circuit.
He would be called upon to sit on the bench himself, and try Guy
Waring for the murder he had himself committed!
No wonder that thought sent him ill to bed at once. He lay and tossed all night long in speechless agony and terror. It was an appalling night. Next morning he was found delirious with fever.
When the news reached Elma, she saw its full and fatal significance. Cyril had stopped on for three days at the Holkers', and he came over in the course of the morning to take a walk across the fields with her. Elma was profoundly excited, Cyril could hardly see why.
"This is a terrible thing," she said, "about Sir Gilbert's illness. What I'm afraid of now is that he may die before your brother returns. The shock must have been awful for him; mamma noticed it every bit as much as I did; and so did Miss Ewes. They both said at once, 'This blow will kill him!' And they both knew why, Cyril, as well as I did. It's the Ewes' intuition. We've all of us got it, and we all of us say, at once and unanimously—it was Sir Gilbert Gildersleeve."
"But suppose he DID die," Cyril asked, still sceptical, as he always was when Elma got upon her instinctive consciousness; "what difference would that make? If Guy's innocent, as I suppose in some way he must be, from the tone of his telegram, he'll be acquitted whether Sir Gilbert's alive or not. And if he's guilty—"
He broke off suddenly with an awful pause; the other alternative was too terrible to contemplate.
"But he's NOT guilty," Elma answered with confidence. "I know it more surely now than ever. And the difficulty's this. Nobody knows the real truth, I feel certain, except Sir Gilbert Gildersleeve. And if Sir Gilbert dies unconfessed, the truth dies with him. And then—" She paused a moment. "I'm half afraid," she went on with a doubtful sigh, "your brother's been too precipitate in coming home to face it."
"But, Elma," Cyril cried, "I can't bear to say it—yet one must face the facts—how on earth can he be innocent, when I tell you again and again he wrote to me himself saying he really did it?"
"You never showed me that letter," Elma answered, with a faint undercurrent of reproach in her tone.
"How could I?" Cyril replied. "Even to YOU, Elma, there are some things a man can hardly bear to speak about."
"I have more faith than you, Cyril," Elma answered. "I've never given up believing in Guy all the time. I believe in him still—because I know he's your brother."
There was a short pause, during which neither spoke. They walked along together, looking at each other's faces with half downcast eyes, but with the not unpleasant sense of mute companionship and sympathy in a great sorrow. At last Elma spoke again.
"There was one thing in Guy's telegram," she said, "I didn't quite understand. 'Coming home immediately to repay everything.' What did he mean by that? What has that got to do with Mr. Nevitt's disappearance?"
"Oh, that was quite another matter," Cyril answered, blushing deep with shame, for he couldn't bear to let Elma know Guy was a forger as well as a murderer. "That was something purely personal between us two. He—he owed me money."
Elma's keen eyes read him through at a glance.
"But he said it all in one sentence," she objected, "as if the two went naturally together. Coming home immediately to repay everything and stand my trial. Cyril, Cyril, you've held something back. I believe there's some fearful mistake here somewhere."
"You think so?" Cyril answered, feeling more and more uncomfortable.
"I'm sure of it," Elma replied, with a thrill, reading his thoughts still deeper. "Oh, Cyril"—she seized his arm with a convulsive grip—"for Heaven's sake, go and get it; let me see that letter!"
"I have it here," Cyril answered, pulling it out with some shame from Montague Nevitt's pocket-book, which he wouldn't destroy, and dared not leave about for prying eyes to light upon. "I've carried it day and night, ever since, about with me."
Elma seized it from his hands, and sat down upon a stile, and read it through with profound attention.
At the end she handed it back and tears stood in her eyes. "Cyril," she said, half laughing hysterically and half crying as she spoke, "you've been doing that poor fellow a deep injustice. Oh, don't you see—don't you see it? That isn't the letter of a man who has committed a murder. It's the letter of a man who has unwittingly and unwillingly done you some personal wrong, and is eager to repair it. My darling, my darling, you've misread it altogether. It isn't about Montague Nevitt's death at all; it's about nothing an earth but some private money matter. More than that, when it was written, Guy didn't yet know Mr. Nevitt was dead. He didn't know he was suspected. He didn't know anything. I wonder you don't see! I wish to Heaven you'd shown me that letter months ago! Sir Gilbert fastened suspicion on the wrong man; and this letter has made you accept it too easily. Guy went to Africa—that's as plain as words can put it—to make money of his own to repay what he owed you. And it's this, the purely personal and unimportant charge, he's coming home to give himself up upon."
A light seemed to burst on Cyril's mind as she spoke. For the very first time, he felt a gleam of hope. Elma was right, after all, he believed. Guy was wholly innocent of the greater crime; and his heart-broken letter had only meant to deal with the question of the forgery.
But Cyril had heard of the murder first, and had had that most in his mind when the letter reached him; so he interpreted it at once as referring to the capital charge, and never dreamt for a moment of its real narrower meaning.
That evening, when the messenger came back from "kind inquiries" at Woodlands, Elma asked, with hushed awe, how Sir Gilbert was going on.
"Very poorly, miss," the servant answered. "The doctor says he's sunk dreadful low; and the butler thinks he has something on his mind he can't get out in his wanderings. He's in a terrible bad way. They wouldn't be astonished if he don't live to morning."
So Elma went to bed that night trembling most for the result of
Sir Gilbert's illness.
All the way home on that long journey from Cape Town, as the two half-brothers lounged on deck together in their canvas chairs, Granville Kelmscott was wholly at a loss to understand what seemed to him Guy Waring's unaccountable and almost incredible levity. The man's conduct didn't in the least resemble that of a person who is returning to give himself up on a charge of wilful murder. On the contrary, Guy showed no signs of remorse or mental agony in any way; he seemed rather elated, instead, at the pleasing thought that he was going home, with his diamonds all turned at the Cape into solid coin, to make his peace once more with his brother Cyril.
To be sure, at times he did casually allude to some expected unpleasantness when he arrived in England; yet he treated it, Granville noticed, as though hanging were at worst but a temporary inconvenience. Granville wondered whether, after all, he could have some complete and crushing answer to that appalling charge; on any other supposition, his spirits and his talk were really little short of what one might expect from a madman.
And indeed, now and again, Granville did really begin to suspect that something had gone wrong somewhere with Guy Waring's intellect. The more he thought over it, the more likely did this seem, for Guy talked on with the greatest composure about his plans for the future "when this difficulty was cleared up," as though a trial for murder were a most ordinary occurrence—an accident that might happen to any gentleman any day. And, if so, was it possible that Guy had gone wrong in his head BEFORE the affray with Montague Nevitt? That seemed likely enough; for when Granville remembered Guy's invariable gentleness and kindness to himself, his devotion in sickness and in the trials of the desert, his obvious aversion to do harm to any one, and, above all, his heartfelt objection to shedding human blood, Granville was constrained to believe his newly found half-brother, if ever he committed the murder at all, must have committed it while in a state of unsound mind, deserving rather of pity than of moral reprehension. He comforted himself, indeed, with this consoling idea—he could never believe a Kelmscott of Tilgate, when clothed and in his right mind, could be guilty of such a detestable and motiveless crime as the wilful murder of Montague Nevitt.
Strangely enough, moreover, the subject that seemed most to occupy Guy Waring's mind, on the voyage home, was not his forthcoming trial on a capital charge, but the future distribution of the Tilgate property. Was he essentially a money-grubber, Granville wondered to himself, as he had thought him at first in the diamond fields in Barolong land? Was he incapable of thinking about anything but filthy lucre? No; that was clearly not the true solution of the problem, for, whenever Guy spoke to him about the subject, it was generally to say one and the self-same thing—
"In this matter, I feel I can speak for Cyril as I speak for myself. Neither of us would wish to deprive you now of what you've always been brought up to consider as your own. Neither of us would wish to dispossess Lady Emily. The most we would desire is this—to have our position openly acknowledged and settled before the world. We should like it to be known we were the lawful sons of a brave man and an honest woman. And if you wish voluntarily to share with us some part of our father's estate, we'll be willing to enter into a reasonable arrangement by which yon yourself can retain Tilgate Park and the mass of the property that immediately appertains to it. I'm sure Cyril would no more wish to be grasping in this matter than I am; and after all that you and I have gone through together, Granville, I don't think yon need doubt the sincerity of my feelings towards you."
He spoke so sensibly, he spoke so manfully, he spoke so kindly always, with a bright gleam in those tender eyes, that Granville hardly knew what to make of his evident confidence. Surely a man couldn't be mad who could speak like that; and yet, whenever he alluded in any way to his return to England, it was always as though he ignored the gravity and heinousness of the charge brought against him. It was as though murder was an accident, for which one was hardly responsible. Granville couldn't make him out at all; the fellow was an enigma to him. There was so much that was good in him; and yet, there must be so much that was bad as well. He was such a delicate, considerate, self-effacing gentleman—and yet, if one could believe what he himself more than once as good as admitted, he was a criminal, a felon, an open murderer.
Still, even so, Granville couldn't turn his back upon the brother who had seen him so bravely across the terrors of Namaqua land. He thought of how he had misjudged him once before, and how much he had repented it. Whether Guy was a murderer or not, Granville felt, the man he had saved, at least, could never forsake him.
The night before their arrival at Plymouth, Guy was in unusually high spirits. His mirth was contagious. Everybody on board was delighted at the prospect of reaching land, but Guy was more delighted and more sanguine than anybody. He was sure in his own mind this difficulty must have blown over long before now; Cyril must have explained; Nevitt must have confessed; everything must have been set right, and his own good name satisfactorily rehabilitated. For more than eighteen months he had heard nothing from England. To-morrow he would see Cyril, and account for everything. He had money to set all right—his hard-earned money, got at the risk of his own life in the dreary deserts of Barolong land. All would yet be well, and Cyril would marry, and Elma Clifford would be the mistress of nearly half the Tilgate property.
"It was all so different, Granville," he said to his friend confidentially, as they paced the deck after supper, cigar in mouth, "when you first went out, and we didn't know one another. Then, I distrusted you, and you distrusted me. We didn't understand one another's characters. But now we can settle it all as a family affair. Men who have camped out together under the open sky on the African veldt, who have run the gauntlet of Korannas and Barolong and Namaqua, who have stood by one another in sickness and in fight, needn't be afraid of disagreeing about their money matters in England. Cyril will meet us to-morrow and talk it all over, and I'm not the least troubled about the result, either for you or for him. The same blood runs in all our veins alike. Whatever you propose, he'll be ready to agree to. He's the very best fellow that ever lived, and when he hears what I have to say about you, he'll welcome you as a brother, and be as fond of you as I am."
Next morning early they reached Plymouth Harbour. As they entered the mouth of the breakwater, the tender came alongside to convey them ashore. Guy looked over the bulwarks and saw Cyril waiting for him. In a fervour of delight at the sight of the green fields and the soft hills of old England—the beautiful Hoe, and the solid stone houses, and the familiar face turned up to welcome him—Guy waved his handkerchief round and round his head in triumph; to which demonstration Cyril, as he fancied, responded but coldly. A chill fell upon his heart. This was bad, but still, after all, he could hardly expect Cyril to know intuitively under what sinister influence he had signed that fatal cheque. And yet he was disappointed. His heart had jumped so hard at sight of Cyril, he could hardly believe Cyril wasn't glad to see him.
As he stepped into the tender from the gangway, just ready to rush up and shake Cyril's hand fervently, a resolute-looking man by the side of the steps laid a very firm grip on his shoulder with an air of authority.
"Guy Waring?" he said interrogatively.
And Guy, turning pale, answered without flinching—
"Yes, my name's Guy Waring."
"Then you're my prisoner," the man said, in a very firm voice. "I'm an inspector of constabulary."
"On what charge?" Guy exclaimed, half taken aback at this promptitude.
"I have a warrant against you, sir," the inspector answered, "as you are no doubt aware, for the wilful murder of Montague Nevitt, on the 17th of August, year before last, at Mambury, in Devonshire."
The word's fell upon Guy's ears with all the suddenness and crushing force of an unexpected thunderbolt.
"Wilful murder," he cried, taken aback by the charge. "Wilful murder of Montague Nevitt at Mambury! Oh no, you can't mean that! Montague Nevitt dead! Montague Nevitt murdered! And at Mambury, too! There MUST be some mistake somewhere."
"No, there's no mistake at all, this time," the inspector said quietly, slipping a pair of handcuffs unobtrusively into his pocket as he spoke. "If you come along with me without any unnecessary noise, we won't trouble to iron you. But you'd better say as little as possible about the charge just now, for whatever you say may be used in evidence at the trial against you."
Guy turned to Cyril with an appealing look. "Cyril," he, cried, "what does all this mean? Is Nevitt dead? It's the very first word I've ever heard about it."
Cyril's heart gave a bound of wild relief at those words. The moment
Guy said it his brother knew he spoke the simple truth.
"Why, Guy," he answered, with a fierce burst of joy, "then you're not a murderer after all? You're innocent! You're innocent! And for eighteen months all England has thought you guilty; and I've lived under the burden of being universally considered a murderer's brother!"
Guy looked him back in the face with those truthful grey eyes of his.
"Cyril," he said solemnly, "I'm as innocent of this charge as you or Granville Kelmscott here. I never even heard one whisper of it before. I don't know what it means. I don't know who they want. Till this moment I thought Montague Nevitt was still alive in England."
And as he said it, Granville Kelmscott, too, saw he was speaking the truth. Impossible as he found it in his own mind to reconcile those strange words with all that Guy had said to him in the wilds of Namaqua land, he couldn't look him in the face without seeing at a glance how profound and unexpected was this sudden surprise to him. He was right in saying, "I'm as innocent of this charge as you or Granville Kelmscott."
But the inspector only smiled a cynical smile, and answered calmly—
"That's for the jury to decide. We shall hear more of this then. You'll be tried at the assizes. Meanwhile, the less said, the sooner mended."
For many days, meanwhile, Sir Gilbert had hovered between life and death, and Elma had watched his illness daily with profound and absorbing interest. For in her deep, intuitive way she felt certain to herself that their one chance now lay in Sir Gilbert's own sense of remorse and repentance. She didn't yet know, to be sure—what Sir Gilbert himself knew—that if he recovered he would, in all probability, have to sit in trial on another man for the crime he had himself committed. But she did feel this,—that Sir Gilbert would surely never stand by and let an innocent man die for his own transgression.
IF he recovered, that was to say. But perhaps he would not recover. Perhaps his life would flicker out by degrees in the midst of his delirium, and he would go to his grave unconfessed and unforgiven! Perhaps even, for his wife's and daughter's sake, he would shrink from revealing what Elma felt to be the truth, and would rest content to die, leaving Guy Waring to clear himself at the trial, as best he might, from this hateful accusation.
It would be unjust. It would be criminal. Yet Sir Gilbert might do it.
Elma had a bad time, therefore, during all those long days, even before Guy returned to England. She knew his life hung by a slender thread, which Sir Gilbert Gildersleeve might cut short at any moment. But her anxiety was as nothing compared to Sir Gilbert's own. That unhappy man, a moral coward at heart, in spite of all his blustering, lay writhing in his own room now, very ill, and longing to be worse, longing to die, as the easiest way out of this impossible difficulty. For his wife's sake, for Gwendoline's sake, it was better he should die; and if only he could, he would have left Guy Waring to his fate contentedly. His anger against Guy burnt so bright now at last that he would have sacrificed him willingly, provided he was not there himself to see and know it. What did the man mean by living on to vex him? Over and over again the unhappy judge wished himself dead, and prayed to be taken. But that powerful frame, though severely broken by the shock, seemed hardly able to yield up its life merely because its owner was anxious to part with it.
After a fortnight's severe illness, hovering all the time between hope and fear, the doctor came one day, and looked at him hard.
"How is he?" Lady Gildersleeve asked, seeing him hold his breath and consider.
To her great surprise the doctor answered, "Better; against all hope, better." And indeed Sir Gilbert was once more convalescent. A week or two abroad, it was said, would restore him completely.
Then Elma had another terrible source of doubt. Would the doctors order Sir Gilbert abroad so long that he would be out of England when the trial took place? If so, he might miss many pricks of remorse. She must take some active steps to arouse his conscience.
Sir Gilbert, himself, now recovering fast, fought hard, as well he might, for such leave of absence. He was quite unfit, he said, to return to his judicial work so soon. Though he had said nothing about it in public before (this was the tenor of his talk) he was a man of profound but restrained feelings, and he had felt, he would admit, the absence of Gwendoline's lover—especially when combined with the tragic death of Colonel Kelmscott, the father, and the memory of the unpleasantness that had once subsisted, through the Colonel's blind obstinacy, between the two houses. This sudden news of the young man's return had given him a nervous shock of which few would have believed him capable. "You wouldn't think to look at me," Sir Gilbert said plaintively, smoothing down his bedclothes with those elephantine hands of his, "I was the sort of man to be knocked down in this way;" and the great specialist from London, gazing at him with a smile, admitted to himself that he certainly would not have thought it.
"Oh, nonsense, my dear sir," the specialist answered, however, to all his appeals. "This is the merest passing turn, I assure you. I couldn't conscientiously say you'd be unfit for duty by the time the assizes come round again. It's clear to me, on the contrary, with a physique like yours, you'll pull yourself together in something less than no time with a week or so at Spa. Before you're due in England to take up harness again you'll be walking miles at a stretch over those heathery hills there. Convalescence, with a man like you, is a rapid process. In a fortnight from to-day, I'll venture to guarantee, you'll be in a fit condition to swim the Channel on your back, or to take one of your famous fifty-mile tramps across the bogs of Dartmoor. I'll give you a tonic that'll set your nerves all right at once. You'll come back from Spa as fresh as a daisy."
To Spa, accordingly, Sir Gilbert went; and from Spa came trembling letters now and again between Gwendoline and Elma. Gwendoline was very anxious papa should get well soon, she said, for she wanted to be home before the Cape steamer arrived. "You know why, Elma." But Sir Gilbert didn't return before Guy's arrival in England, for all that. The papers continued to give bulletins of his health, and to speculate on the probability of his returning in time to do the Western Circuit. Elma remained in a fever of doubt and anxiety. To her, much depended now on the question of Sir Gilbert's presence or absence. For if he was indeed to try the case, she felt certain to herself, it must work upon his remorse and compel confession.
Meanwhile, preparations went on in England for Guy's approaching trial. The magistrates committed; the grand jury, of course, found a true bill; all England rang with the strange news that the man Guy Waring, the murderer of Mr. Montague Nevitt some eighteen months before, had returned at last of his own free will, and had given himself up to take his trial. Gildersleeve was to be the judge, they said; or if he were too ill, Atkins. Atkins was as sure as a gun to hang him, people thought—that was Atkins's way—and, besides, the evidence against the man, though in a sense circumstantial, was so absolutely overwhelming that acquittal seemed impossible.
Five to two was freely offered on Change that they'd hang him.
The case was down for first hearing at the assizes. The night before the trial Elma Clifford, who had hurried to Devonshire with her mother to see and hear all—she couldn't help it, she said; she felt she MUST be present—Elma Clifford looked at the evening paper with a sickening sense of suspense and anxiety. A paragraph caught her eye: "We understand that, after all, Mr. Justice Gildersleeve still finds himself too unwell to return to England for the Western Assizes, and his place will, therefore, most probably be taken by Mr. Justice Atkins. The calendar is a heavy one, and includes the interesting case of Mr. Guy Waring, charged with the wilful murder of Montague Nevitt, at Mambury, in Devonshire."
Elma laid down the paper with a swimming head. Too ill to return. She wasn't at all surprised at it. It was almost more than human nature could stand, for a man to sit as judge over another to investigate the details of the crime he had himself committed. But the suggestion of his absence ruined her peace of mind. She couldn't sleep that night. She felt sure now there was no hope left. Guy would almost certainly be convicted of murder.
Next morning she took her seat in court, with her mother and Cyril, as soon as the assize hall was opened to the public. But her cheek was very pale, and her eyes were weary. Places had been assigned them by the courtesy of the authorities, as persons interested in the case; and Elma looked eagerly towards the door in the corner, by which, as the usher told her, the judge was to enter. There was a long interval, and the usual unseemly turmoil of laughing and talking went on among the spectators in the well below. Some of them had opera-glasses and stared about them freely. Others quizzed the counsel, the officers, and the witnesses. Then a hush came over them, and the door opened. Cyril was merely aware of the usual formalities and of a judicial wig making its way, with slow dignity, to the vacant bench. But Elma leaned forward in a tumult of feeling. Her face all at once turned scarlet with excitement.
"What's the matter, darling?" her mother asked, in a sympathetic tone, noticing that something had profoundly stirred her.
And Elma answered with bated breath, in almost inarticulate tones, "Don't you see? Don't you see, mother? Just look at the judge! It's himself! It's Sir Gilbert!"
And so indeed it was. Against all hope, he had come over. At the very last moment a telegram had been handed to the convalescent at Spa:
"Fallen from my horse. A nasty tumble. Sustained severe internal injuries. Impossible to go the Western Circuit, Relieve me if you can. Wire reply,—ATKINS."
Sir Gilbert, as he received it, had just come in from a long ride across the wild moors that stretch away from Spa towards Han, and looked the picture of health, robust and fresh and ruddy. He glowed with bodily vigour; no suspense could kill him. Refusal under such circumstances was clearly impossible. He saw he must go, or resign his post at once. So, with an agitated heart, he wired acquiescence, took the next train to—Brussels and Calais, and caught the Dover boat just in time for acceptance. And now he was there to try Guy Waring for the murder of the man he himself had killed in The Tangle at Mambury.
When Sir Gilbert Gildersleeve left Spa, he left with a ruddy glow of recovered health on his bronzed red cheek; for in spite of anxiety and repentance and doubt, the man's iron frame would somehow still assert itself. When he took his seat on the bench in court that morning, he looked so haggard and ill with fatigue and remorse that even Elma Clifford herself pitied him. A hushed whisper ran round among the spectators below that the judge wasn't fit to try the case before him. And indeed he wasn't. For it was his own trial, not Guy Waring's, he was really presiding over.
He sat down in his place, a ghastly picture of pallid despair. The red colour had faded altogether from his wan, white cheeks. His eyes were dreamy and bloodshot with long vigil. His big hands trembled like a woman's as he opened his note-book. His mouth twitched nervously. So utter a collapse, in such a man as he was, seemed nothing short of pitiable to every spectator.
Counsel for the Crown stared him steadily in the face. Counsel for the Crown—Forbes-Ewing, Q.C.—was an old forensic enemy, who had fought many a hard battle against Gildersleeve, with scant interchange of courtesy, when both were members of the junior Bar together; but now Sir Gilbert's look moved even HIM to pity. "I think, my lord," the Q.C. suggested with a sympathetic simper, "your lordship's too ill to open the court to-day. Perhaps the proceedings had better be adjourned for the present."
"No, no," the judge answered, almost testily, shaking his sleeve with impatience. "I'll have no putting off for trifles in the court where I sit. There's a capital case to come on this morning. When a man's neck's at stake—when a matter of life and death's at issue—I don't like to keep any one longer in suspense than I absolutely need. Delay would be cruel."
As he spoke he lifted his eyes—and caught Elma Clifford's. The judge let his own drop again in speechless agony. Elma's never flinched. Neither gave a sign; but Elma knew, as, well as Sir Gilbert knew himself, it was his own life and death the judge was thinking of, and not Guy Waring's.
"As you will, my lord," counsel for the Crown responded demurely. "It was your lordship's convenience we all had at heart, rather than the prisoner's."
"Eh! What's that?" the judge said sharply, with a suspicious frown. Then he recovered himself with a start. For a moment he had half fancied that fellow, Forbes-Ewing, meant SOMETHING by what he said—meant to poke innuendoes at him. But, after all, it was a mere polite form. How frightened we all are, to be sure, when we know we're on our trial!
The opening formalities were soon got over, and then, amid a deep hush of breathless lips, Guy Waring, of Staple Inn, Holborn, gentleman, was put upon his trial for the wilful murder of Montague Nevitt, eighteen months before, at Mambury in Devon.
Guy, standing in the dock, looked puzzled and distracted rather than alarmed or terrified. His cheek was pale, to be sure, and his eyes were weary; but as Elma glanced from him hastily to the judge on the bench she had no hesitation in settling in her own mind which of the two looked most at that moment like a detected murderer before the faces of his accusers. Guy was calm and self-contained. Sir Gilbert's mute agony was terrible to behold. Yet, strange to say, no one else in court save Elma seemed to note it as she did. People saw the judge was ill, but that was all. Perhaps his wig and robes helped to hide the effect of conscious guilt—nobody suspects a judge of murder; perhaps all eyes were more intent on the prisoner.
Be that as it might, counsel for the Crown opened with a statement of what they meant to prove, set forth in the familiar forensic fashion. They didn't pretend the evidence against the accused was absolutely conclusive or overwhelming in character. It was inferential only, but not circumstantial—inferential in such a cumulative and convincing way as could leave no moral doubt on any intelligent mind as to the guilt of the prisoner. They would show that a close intimacy had long existed between the prisoner Waring and the deceased gentleman, Mr. Montague Nevitt. Witnesses would be called who would prove to the court that just before the murder this intimacy, owing to circumstances which could not fully be cleared up, had passed suddenly into intense enmity and open hatred. The landlord of the inn at Mambury, and other persons to be called, would speak to the fact that prisoner had followed his victim in hot blood into Devonshire, and had tracked him to the retreat where he was passing his holiday alone and incognito—had tracked him with every expression of indignant anger, and had uttered plain threats of personal violence towards him.
Nor was that all. It would be shown that on the afternoon of Waring's visit to Mambury, Mr. Nevitt, who possessed an intense love of nature in her wildest and most romantic moods—it's always counsel's cue, for the prosecution, to set the victim's character in the most amiable light, and so win the sympathy of the jury as against the accused—Mr. Nevitt, that close student of natural beauty, had strolled by himself down a certain woodland path, known as The Tangle, which led through the loneliest and leafiest quarter of Mambury Chase, along the tumbling stream described as the Mam-water. Ten minutes after he had passed the gate, a material witness would show them, the prisoner Waring presented himself, and pointedly asked whether his victim had already gone down the path before him. He was told that that was so. Thereupon the prisoner opened the gate, and followed excitedly. What happened next no living eye but the prisoner's ever saw. Montague Nevitt was not destined to issue from that wood alive. Two days later his breathless body was found, all stiff and stark, hidden among the brown bracken at the bottom of the dell, where the murderer no doubt had thrust it away out of his sight on that fatal afternoon in fear and trembling.
Half-way through the opening speech Sir Gilbert's heart beat fast and hard. He had never heard Forbes-Ewing open a case so well. The man would be hanged! He felt sure of it! He could see it! For a while the judge almost gloated over that prospect of release. What was Guy's life to him now, by the side of his wife's and Gwendoline's happiness? But as counsel uttered the words, "What happened next no living eye but the prisoner's ever saw," he looked hard at Guy. Not a quiver of remorse or of guilty knowledge passed over the young man's face. But Elma Clifford, for her part, looked at the judge on the bench. Their eyes met once more. Again Sir Gilbert's fell. Oh, heavens! how terrible! Even for Gwendoline's sake he could never stand this appalling suspense. But perhaps after all the prosecution might fail. There was still a chance left that the jury might acquit him.
So, torn by conflicting emotions, he sat there still, stiff and motionless in his seat as an Egyptian statue.
Then counsel went on to deal in greater detail with the question of motive. There were two motives the prosecution proposed to allege: first, the known enmity of recent date between the two parties, believed to have reference to some business dispute; and, secondly—here counsel dropped his voice to a very low key—he was sorry to suggest it; but the evidence bore it out—mere vulgar love of gain—the commonplace thirst after filthy lucre. They would bring witnesses to show that when Mr. Montague Nevitt was last seen alive, he was in possession of a pocket-book containing a very large large sum in Bank of England notes of high value; from the moment of his death that pocket-book had disappeared, and nobody knew what had since become of it. It was not upon the body when the body was found. And all their efforts to trace the missing notes, whose numbers were not known, had been unhappily unsuccessful.
Guy listened to all this impeachment in a dazed, dreamy way. He hardly knew what it meant. It appalled and chilled him. The web of circumstances was too thick for him to break. He couldn't understand it himself. And what was far worse, he could give no active assistance to his own lawyers on the question of the notes—which might be very important evidence against him—without further prejudicing his case by confessing the forgery. At all hazards, he was determined to keep that quiet now. Cyril had never spoken to a soul of that episode, and to speak of it, as things stood, would have been certain death to him. I would be to supply the one missing link of motive which the prosecution needed to complete their chain of cumulative evidence.
It was some comfort to him to think, however, that the secret was safe in Cyril's keeping. Cyril had all the remaining notes, still unchanged, in his possession; and the prosecution, knowing nothing of the forgery, or its sequel, had no clue at all as to where they came from.
But as for Sir Gilbert, he listened still with ever-deepening horror. His mind swayed to and fro between hope and remorse. They were making the man guilty, and Gwendoline would be saved! They were making the man guilty, and a gross wrong would be perpetrated! Great drops of sweat stood colder than ever on his burning brow. He couldn't have believed Forbes-Ewing could have done it so well. He was weaving a close web round an innocent man with consummate forensic skill and cunning.
The case went on to its second stage. Witnesses were called, and Guy listened to them dreamily. All of them bore out counsel's opening statement. Every man in court felt the evidence was going very hard against the prisoner. They'd caught the right man, that was clear—so the spectators opined. They'd proved it to the hilt. This fellow would swing for it.
At last the landlord of the Talbot Arms at Mambury shuffled slowly into the witness-box. He was a heavy, dull man, and he gave evidence as to Nevitt's stay under an assumed name—which counsel explained suggestively by the deceased gentleman's profound love of retirement—and as to Guy's angry remarks and evident indignation. But the most sensational part of all his evidence was that which related to the pocket-book Montague Nevitt was carrying at the time of his death, containing notes, he should say, for several hundred-pounds, "or it murt be thousands—and yet, again, it mustn't," which had totally disappeared since the day of the murder. Diligent search had been made for the pocket-book everywhere by the landlord and the police, but it had vanished into space, "leaving not a wrack behind," as junior counsel for the prosecution poetically phrased it.
At the words Cyril mechanically dived his hand into his pocket, as he had done a hundred times a day before, during these last eighteen months, to assure himself that that most incriminating and unwelcome object was still safely ensconced in its usual resting-place. Yes, there it was sure enough, as snug as ever! He sighed, and pulled his hand out again nervously, with a little jerk. Something came with it, that fell on the floor with a jingle by his neighbour's feet. Cyril turned crimson, then deadly pale. He snatched at the object; but his neighbour picked it up and examined it cursorily. Its flap had burst open with the force of the fall, and on the inside the finder read with astonishment, in very plain letters, the very name of the murdered man, "Montague Nevitt."
Cyril held out his hand to recover it impatiently. But the finder was too much taken back at his strange discovery to part with it so readily. It was full of money-Bank of England notes; and through the transparent paper of the outermost among them the finder could dimly read the words, "One hundred."
He rose in his place, and held the pocket-book aloft in his hand with a triumphant gesture. Cyril tried in vain to clutch at it. The witness turned round sharply, disturbed by this incident. "What's that?" the judge exclaimed, puckering his brows in disapprobation, and looking angrily towards the disturber.
"If you please, my lord," the innkeeper answered, letting his jaw drop slowly in almost speechless amazement, "that's the thing I was a-talking of: that's Mr. Nevitt's pocket-book."
"Hand it up," the judge said shortly, gazing hard with all his eyes at the mute evidence so tendered.
The finder handed it up without note or comment.
Sir Gilbert turned the book over in blank surprise. He was dumfoundered himself. For a minute or two he examined it carefully, inside and out. Yes; there was no mistake. It was really what they called it. "Montague Nevitt" was written in plain letters on the leather flap; within lay half-a-dozen engraved visiting-cards, a Foreign Office passport in Nevitt's name, and thirty Bank of England notes for one hundred pounds apiece. This was, indeed, a mystery!
"Where did it come from?" the judge asked, drawing a painfully deep breath, and handing it across to the jury.
And the finder answered, "If you please, my lord, the gentleman next to me pulled it out of his pocket."
"Who is he?" the judge inquired, with a sinking heart, for he himself knew perfectly well who was the unhappy possessor.
And a thrill of horror ran round the crowded court as Forbes-Ewing answered, in a very distinct voice, "Mr. Cyril Waring, my lord, the brother of the prisoner."
Cyril felt all was up. Elma glanced at him trembling. This was horrible, inconceivable, inexplicable, fatal. The very stars in their courses seem to fight against Guy. Blind chance checkmated them. No hope was left now, save in Gilbert Gildersleeve's own sense of justice.
But Sir Gilbert Gildersleeve sat there, transfixed with horror. No answering gleam now shot through his dull, glazed eye. For he alone knew that whatever made the case against the prisoner look worse, made his own position each moment more awful and more intolerable.
Through the rest of the case, Cyril sat in his place like a stone figure. Counsel for the Crown generously abstained from putting him into the witness-box to give testimony against his brother. Or rather, they thought the facts themselves, as they had just come out in court, more telling for the jury than any formal evidence. The only other witness of importance was, therefore, the lad who had sat on the gate by the entrance to The Tangle. As he scrambled into the box Sir Gilbert's anxiety grew visibly deeper and more acute than ever. For the boy was the one person who had seen him at Mambury on the day of the murder; and on the boy depended his sole chance of being recognised. At Tavistock, eighteen months before, Sir Gilbert had left the cross-examination of this witness in the hands of a junior, and the boy hadn't noticed him, sitting down among the Bar with gown and wig on. But to-day, it was impossible the boy shouldn't see him; and if the boy should recognise him—why, then, Heaven help him.
The lad gave his evidence-in-chief with great care and deliberateness. He swore positively to Guy, and wasn't for a moment to be shaken in cross-examination. He admitted he had been mistaken at Tavistock, and confused the prisoner with Cyril—when he saw one of them apart—but now that he saw 'em both together before his eyes at once, why, he could take his solemn oath as sure as fate upon him. Guy's counsel failed utterly to elicit anything of importance, except—and here Sir Gilbert's face grew whiter than ever—except that another gentleman whom the lad didn't know had asked at the gate about the path, and gone round the other way as if to meet Mr. Nevitt.
"What sort of a gentleman?" the cross-examiner inquired, clutching at this last straw as a mere chance diversion.
"Well, a vurry big zart o' a gentleman," witness answered, unabashed. "A vine vigger o' a man. Jest such another as thik 'un with the wig ther."
As he spoke he stared hard at the judge, a good scrutinizing stare. Sir Gilbert quailed, and glanced instinctively, first at the boy, and then at Elma. Not a spark of intelligence shone in the lad's stolid eyes. But Elma's were fixed upon him with a serpentine glare of awful fascination. "Thou art the man," they seemed to say to him mutely. Sir Gilbert, in his awe, was afraid to look at them. They made him wild with terror, yet they somehow fixed him. Try as he would to keep his own from meeting them, they attracted him irresistibly.
A ripple, of faint laughter ran lightly through the court at the undisguised frankness of the boy's reply. The judge repressed it sternly.
"Oh, he was just such another one as his lordship, was he?" counsel repeated, pressing the lad hard. "Now, are you quite sure you remember all the people you saw that day? Are you quite sure the other man who asked about passers-by wasn't—for example—the judge himself who's sitting here?"
Sir Gilbert glanced up with a quick, suspicious air. It was only a shot at random—the common advocate's trick in trying to confuse a witness over questions of identity; but to Sir Gilbert, under the circumstances, it was inexpressibly distressing. "Well, it murt 'a been he," the lad answered, putting his head on one side, and surveying the judge closely with prolonged attention. "Thik un 'ad just such another pair o' 'ands as his lordship do 'ave. It murt 'a been his lordship 'urself as is zitting there."
"This goes quite beyond the bounds of decency," Sir Gilbert murmured faintly, with a vain endeavour to hold his hands on the desk in an unconcerned attitude. "Have the kindness, Mr. Walters, to spare the Bench. Attend to your examination. Observations of that sort are wholly uncalled for."
But the boy, once started, was not so easily repressed. "Why, it was his lordship," he went on, scanning the judge still harder. "I do mind his vurry voice. It was 'im, no doubt about it. I've zeed a zight o' people, since I zeed 'im that day, but I do mind his voice, and I do mind his 'ands, and I do mind his ve-ace the zame as if it wur yesterday. Now I come to look, blessed if it wasn't his lordship!"
Guy's counsel smiled a triumphant smile. He had carried his point. He had confused the witness. This showed how little reliance could be placed upon the boy's evidence as to personal identity! He'd identify anybody who happened to be suggested to him! But Sir Gilbert's face grew yet more deadly pale. For he saw at a glance this was no accident or mistake; the boy really remembered him! And Elma's steadfast eyes looked him through and through, with that irresistible appeal, still more earnestly than ever.
Sir Gilbert breathed again. He had been recognised to no purpose.
Even this positive identification fell flat upon everybody.
At last the examination and cross-examination were finished, and Guy's counsel began his hopeless task of unravelling this tangled mass of suggestion and coincidence. He had no witnesses to call; the very nature of the case precluded that. All he could do was to cavil over details, to point out possible alternatives, to lay stress upon the absence of direct evidence, and to ask that the jury should give the prisoner the benefit of the doubt, if any doubt at all existed in their minds as to his guilt or innocence. Counsel had meant when he first undertook the case to lay great stress also on the presumed absence of motive; but, after the fatal accident which resulted in the disclosure of Montague Nevitt's pocket-book, any argument on that score would have been worse than useless. Counsel elected rather to pass the episode by in discreet silence, and to risk everything on the uncertainty of the actual encounter.
At last he sat down, wiping his brow in despair, after what he felt himself to be a most feeble performance.
Then Sir Gilbert began, and in a very tremulous and failing voice summed briefly up the whole of the evidence.
Men who remember Gildersleeve's old blustering manner stood aghast at the timidity with which the famous lawyer delivered himself on this, the first capital charge ever brought before him. He reminded the jury, in very solemn and almost warning tones, that where a human life was at stake, mere presumptive evidence should always carry very little weight with it. And the evidence here was all purely presumptive. The prosecution had shown nothing more than a physical possibility that the prisoner at the bar might have committed the murder. There was evidence of animus, it was true; but that evidence was weak; there was partial identification; but that identification lay open to the serious objection that all the persons who now swore to Guy Waring's personality had sworn just as surely and confidently before to his brother Cyril's. On the whole, the judge summed up strongly in Guy's favour. He wiped his clammy brow and looked appealingly at the bar. As the jury would hope for justice themselves, let them remember to mete out nothing but strict justice to the accused person who now stood trembling in the dock before them.
All the court stood astonished. Could this be Gildersleeve? Atkins would never have summed up like that. Atkins would have gone in point-blank for hanging him. And everybody thought Gildersleeve would hang with the best. Nobody had suspected him till then of any womanly weakness about capital punishment. There was a solemn hush as the judge ended. Then everybody saw the unhappy man was seriously ill. Great streams of sweat trickled slowly down his brow. His eyes stared in front of him. His mouth twitched horribly. He looked like a person on the point of apoplexy. The prisoner at the bar gazed hard at him and pitied him.
"He's dying himself, and he wants to go out with a clear conscience at last," some one suggested in a low voice at the barristers' table. The explanation served. It was whispered round the court in a hushed undertone that the judge to-day was on his very last legs, and had summed up accordingly. Late in life, he had learned to show mercy, as he hoped for it.
There was a deadly pause. The jury retired to consider their verdict. Two men remained behind in court, waiting breathless for their return. Two lives hung at issue in the balance while the jury deliberated. Elma Clifford, glancing with a terrified eye from one to the other, could hardly help pitying the guiltiest most. His look of mute suffering was so inexpressibly pathetic.
The twelve good men and true were gone for a full half-hour. Why, nobody knew. The case was as plain as a pikestaff, gossipers said in court. If he had been caught red-handed, he'd have been hanged without remorse. It was only the eighteen months and the South African episode that could make the jury hesitate for one moment about hanging him.
At last, a sound, a thrill, a movement by the door. Every eye was strained forward. The jury trooped back again. They took their places in silence. Sir Gilbert scanned their faces with an agonized look. It was a moment of ghastly and painful suspense. He was waiting for their verdict—on himself, and Guy Waring.
Only two people in court doubted for one moment what the verdict would be. And those two were the pair who stood there on their trial. Sir Gilbert couldn't believe the jury would convict an innocent man of the crime he himself had half unwittingly committed. Guy Waring couldn't believe the jury would convict an innocent man of the crime he had never been guilty of. So those two doubted. To all the rest the verdict was a foregone conclusion.
Nevertheless, dead silence reigned everywhere in the court as the clerk of arraigns put the solemn question, "Gentlemen, do you find the prisoner at the bar guilty or not guilty?"
And the foreman, clearing his throat huskily, answered in a very tremulous tone, "We find him guilty of wilful murder."
There was a long, deep pause. Every one looked at the prisoner.
Guy Waring stood like one stunned by the immensity of the blow. It
was an awful moment. He knew he was innocent; but he knew now the
English law would hang him.
One pair of eyes in the court, however, was not fixed on Guy. Elma Clifford, at that final and supreme moment, gazed hard with all her soul at Sir Gilbert Gildersleeve. Her glance went through him. She sat like an embodied conscience before him. The judge rose slowly, his eyes riveted on hers. He was trembling with remorse, and deadlier pale than ever. An awful lividness stole over his face. His lips were contorted. His eyebrows quivered horribly. Still gazing straight at Elma, he essayed to speak. Twice he opened his parched lips. Then his voice failed him.
"I cannot accept that finding," he said at last, in a very solemn tone, battling hard for speech against some internal enemy. "I cannot accept it. Clerk, you will enter a verdict of not guilty."
A deep hum of surprise ran round the expectant court. Every mouth opened wide, and drew a long hushed breath. Senior counsel for the Crown jumped to his feet astonished. "But why, my lord?" he asked tartly, thus baulked of his success. "On what ground does your lordship decide to override the plain verdict of the jury?"
The pause that followed was inexpressibly terrible. Guy Waring waited for the answer in an agony of suspense. He knew what it meant now. With a rush it all occurred to him. He knew who was the murderer. But he hoped for nothing. Sir Gilbert faltered: Elma Clifford's eyes were upon him still, compelling him. "Because," he said at last, with a still more evident and physical effort, pumping the words out slowly, "I am here to administer justice, and justice I will administer…. This man is innocent. It was I myself who killed Montague Nevitt that day at Mambury."
At those awful words, uttered in a tone so solemn that no one could doubt either their truth or their sincerity, a cold thrill ran responsive through the packed crowd of auditors. The silence was profound. In its midst, a boy's voice burst forth all at once, directed, as it seemed, to the counsel for the Crown, "I said it was him," the voice cried, in a triumphant tone. "I knowed 'um! I knowed 'um! Thik there's the man that axed me the way down the dell the marnin' o' the murder."
The judge turned towards the boy with a ghastly smile of enforced recognition. "You say the truth, my lad," he answered, without any attempt at concealment. "It was I who asked you. It was I who killed him. I went round by the far gate after hearing he was there, and, cutting across the wood, I met Montague Nevitt in the path by The Tangle. I went there to meet him; I went there to confront him; but not of malice prepense to murder him. I wanted to question him about a family matter. Why I needed to question him no one henceforth shall ever know. That secret, thank Heaven, rests now in Montague Nevitt's grave. But when I did question him, he answered me back with so foul an aspersion upon a lady who was very near and dear to me"—the judge paused a moment; he was fighting hard for breath; something within was evidently choking him. Then he went on more excitedly—"an aspersion upon a lady whom I love more than life—an insult that no man could stand—an unspeakable foulness; and I sprang at him, the cur, in the white heat of my anger, not meaning or dreaming to hurt him seriously. I caught him by the throat." The judge held up his hands before the whole court appealingly. "Look at those hands, gentlemen," he cried, turning them about. "How could I ever know how hard and how strong they were? I only seemed to touch him. I just pushed him from my path. He fell at once at my feet—dead, dead unexpectedly. Remember how it all came about. The medical evidence showed his heart was weak, and he died in the scuffle. How was I to know all that? I only knew this—he fell dead before me."
With a face of speechless awe, he paused and wiped his brow. Not a soul in court moved or breathed above a whisper. It was evident the judge was in a paroxysm of contrition. His face was drawn up. His whole frame quivered visibly. Even Elma pitied him.
"And then I did a grievous wrong," the judge continued once more, his voice now very thick and growing rapidly thicker. "I did a grievous wrong, for which here to-day, before all this court, I humbly ask Guy Waring's pardon. I had killed Montague Nevitt, unintentionally, unwittingly, accidentally almost, in a moment of anger, never knowing I was killing him. And if he had been a stronger or a healthier man, what little I did to him would never have killed him. I didn't mean to murder him. For that my remorse is far less poignant. But what I did after was far worse than the murder. I behaved like a sneak—I behaved like a coward. I saw suspicion was aroused against the prisoner, Guy Waring. And what did I do then? Instead of coming forward like a man, as I ought, and saying 'I did it,' and standing my trial on the charge of manslaughter, I did my best to throw further suspicion on an innocent person. I made the case look blacker and worse for Guy Waring. I don't condone my own crime. I did it for my wife's sake and my daughter's, I admit—but I regret it now bitterly—and am I not atoning for it? With a great humiliation, am I not amply atoning for it? I wrote an unsigned letter warning Waring at once to fly the country, as a warrant was out against him. Waring foolishly took my advice, and fled forthwith. From that day to this"—he gazed round him appealingly—"oh, friends, I have never known one happy moment."
Guy gazed at him from the dock, where he still stood guarded by two strong policemen, and felt a fresh light break suddenly in upon him. Their positions now were almost reversed. It was he who was the accuser, and Sir Gilbert Gildersleeve, the judge in that court, who stood charged to-day on his own confession with causing the death of Montague Nevitt.
"Then it was YOU" Guy said slowly, breaking the pause at last, "who sent me that anonymous letter at Plymouth?"
"It was I," the judge answered, in an almost inaudible, gurgling tone. "It was I who so wronged you. Can you ever forgive me for it?"
Guy gazed at him fixedly. He himself had suffered much. Cyril and Elma had suffered still more. But the judge, he felt sure, had suffered most of all of them. In this moment of relief, this moment of vindication, this moment of triumph, he could afford to be generous. "Sir Gilbert Gildersleeve, I forgive you," he answered slowly.
The judge gazed around him with a vacant stare. "I feel cold," he said, shivering; "very cold, very faint, too. But I've made all right HERE," and he held out a document. "I wrote this paper in my room last night—in case of accident—confessing everything. I brought it down here, signed and witnessed, unread, intending to read it out if the verdict went against me—I mean, against Waring…. But I feel too weak now to read anything further…. I'm so cold, so cold. Take the paper, Forbes-Ewing. It's all in your line. You'll know what to do with it." He could hardly utter a word, breath failed him so fast. "This thing has killed me," he went on, mumbling. "I deserved it. I deserved it."
"How about the prisoner?" the authority from the gaol asked, as the judge collapsed rather than sat down on the bench again.
Those words roused Sir Gilbert to full consciousness once more. The judge rose again, solemnly, in all the majesty of his ermine. "The prisoner is discharged," he said, in a loud, clear voice. "I am here to do justice—justice against myself. I enter a verdict of not guilty." Then he turned to the polices "I am your prisoner," he went on, in a broken, rambling way. "I give myself in charge for the manslaughter of Montague Nevitt. Manslaughter, not murder. Though I don't even admit myself, indeed, it was anything more than justifiable homicide."
He sank back again once more, and murmured three times in his seat, as if to himself, "Justifiable homicide! Justifiable homicide! Just—ifiable homicide!"
Somebody rose in court as he sank, and moved quickly towards him.
The judge recognised him at once.
"Granville Kelmscott," he said; in a weary voice, "help me out of this. I am very, very ill. You're a friend. I'm dying. Give me your arm! Assist me!"
Granville helped him on his arm into the judge's room amid profound silence. All the court was deeply stirred. A few personal friends hurried after him eagerly. Among them were the Warings, and Mrs. Clifford, and Elma.
The judge staggered to a seat, and held Granville's hand long and silently in his. Then his eye caught Elma's. He turned to her gratefully. "Thank you, young lady," he said, in a very thick voice. "You were extremely good. I forget your name. But you helped me greatly."
There was such a pathetic ring in those significant words, "I forget your name," that every eye about stood dimmed with moisture. Remorse had clearly blotted out all else now from Sir Gilbert Gildersleeve's powerful brain save the solitary memory of his great wrong-doing.
"Something's upon his mind still," Elma cried, looking hard at him. "He's dying! he's dying! But he wants to say something else before he dies, I'm certain. … Mr. Kelmscott, it's to you. Oh, Cyril, stand back! Mother, leave them alone! I'm sure from his eye he wants to say something to Mr. Kelmscott."
They all fell back reverently. They stood in the presence of death and of a mighty sorrow. Sir Gilbert still held Granville's hand fast bound in his own. "It'll kill her," he muttered. "It'll kill her! I'm sure it'll kill her! She'll never get over the thought that her father was—was the cause of Montague Nevitt's death. And you'll never care to marry a girl of whom people will say, either justly or unjustly, 'She's a murderers daughter'…. And that will kill her, too. For, Kelmscott, she loved you!"
Granville held the dying man's hand still more gently than ever. "Sir Gilbert," he said, leaning over him with very tender eyes, "no event on earth could ever possibly alter Gwendoline's love for me, or my love for Gwendoline. I know you can't live. This shock has been too much for you. But if it will make you die any the happier now to know that Gwendoline and I will still be one, I give you my sacred promise at this solemn moment, that as soon as she likes I will marry Gwendoline." He paused for a second. "I don't understand all this story just yet," he went on. "But of one thing I'm certain. The sympathy of every soul in court to-day went with you as you spoke out the truth so manfully. The sympathy of all England will go with you to-morrow when they come to learn of it…. Sir Gilbert, till this morning I never admired you, much as I love Gwendoline. As you made that confession just now in court, I declare, I admired you. With all the greater confidence now will I marry your daughter."
They carried him to the judge's lodgings in the town, and laid him there peaceably for the doctors to tend him. For a fortnight the shadow of Gildersleeve still lingered on, growing feebler and feebler in intellect every day. But the end was certain. It was softening of the brain, and it proceeded rapidly. The horror of that unspeakable trial had wholly unnerved him. The great, strong man cried and sobbed like a baby. Lady Gildersleeve and Gwendoline were with him all through. He seldom spoke. When he did, it was generally to murmur those fixed words of exculpation, in a tremulous undertone, "It was my hands that did it—these great, clumsy hands of mine—not I—not I. I never, never meant it. It was an accident. An accident. Justifiable homicide…. What I really regret is for that poor fellow Waring."
And at the end of a fortnight he died, once smiling, with Gwendoline's hand locked tight in his own, and Granville Kelmscott kneeling in tears by his bedside.
The Kelmscott property was settled by arrangement. It never came into court. With the aid of the family lawyers the three half-brothers divided it amicably. Guy wouldn't hear of Granville's giving up his claim to the house and park at Tilgate. Granville was to the manner born, he said, and brought up to expect it; while Cyril and he, mere waifs and strays in the world, would be much better off, even so, with their third of the property each, than they ever before in their lives could have counted upon. As for Cyril, he was too happy in Guy's exculpation from the greater crime, and his frank explanation of the lesser—under Nevitt's influence—to care very much in his own heart what became of Tilgate.
The only one man who objected to this arrangement was Mr. Reginald Clifford, C.M.G., of Craighton. The Companion of the Militant Saints was strongly of opinion that Cyril Waring oughtn't to have given up his prior claim to the family mansion, even for valuable consideration elsewhere. Mr. Clifford drew himself up to the full height of his spare figure, and caught in the tight skin of his mummy-like face rather tighter than before, as he delivered himself of this profound opinion. "A man should consult his own dignity," he said stiffly, and with great precision; "if he's born to assume a position in the county, he should assume that position as a sacred duty. He should remember that his wife and children—"
"But he hasn't got any wife, papa," Elma ventured to interpose, with a bright little smile; "so THAT can't count either way."
"He hasn't a wife AT PRESENT, to be sure; that's perfectly true, my dear; no wife AT PRESENT; but he will probably now, in his existing circumstances, soon obtain one. A Man of Property should always marry. Mr. Waring will naturally desire to ally himself to some family of Good Position in the county; and the lady's relations would, of course, insist—"
"Well, it doesn't matter to us, papa," Elma answered maliciously; "for, as far as we're concerned, you know; you've often said that nothing on earth would ever induce you to give your consent."
The Gentleman of Good Position in the county gazed at his daughter aghast with horror. "My dear child," he said, with positive alarm, "your remarks are nothing short of Revolutionary. You must remember that since then circumstances have altered. At that time, Mr. Waring was a painter—"
"He's a painter still, I believe," Elma put in, parenthetically. "The acquisition of property or county rank doesn't seem to have had the very slightest effect one way or the other upon his drawing or his colouring."
Her father disdained to take notice of such flippant remarks. "At that time," he repeated solemnly, "Mr. Waring was a painter, a mere ordinary painter; we know him now to be the heir and representative of a great County Family. If he were to ask you to-day—"
"But he did ask me a long time ago, you know, papa," Elma put in demurely. "And at that time, you remember, you objected to the match; so of course, as in duty bound, I at once refused him."
"And what did your father say to that, Elma?" Cyril asked, with a smile, as she narrated the whole circumstances to him some hours later.
"Oh, he only said, 'But he'll ask you again now, you may be sure, my child.' And I replied very gravely, I didn't think you would. And do you know, Cyril, I really don't think you will, either."
"Why not, Elma?"
"Because, you foolish boy, it isn't the least bit in the world necessary. This has been, all through, a comedy of errors. Tragedy enough intermixed; but still a comedy of errors. There never was really any reason on earth why either of us shouldn't have married the other. And the only thing I now regret myself is that I didn't do as I first threatened, and marry you outright, just to show my confidence in you and Guy, at the time when everybody else had turned most against you."
"Well, suppose we make up for lost time now by saying Wednesday fortnight," Cyril suggested, after a short pause, during which both of them simultaneously had been otherwise occupied.
"Oh, Cyril, that's awfully quick! It could hardly be managed. There's the dresses, and all that! And the bridesmaids to arrange about! And the invitations to issue!… But still, sooner than put you off any longer now—well, yes, my dear boy—I dare say we could make it Wednesday fortnight."
End of the Project Gutenberg EBook of What's Bred In the Bone, by Grant Allen
*** END OF THIS PROJECT GUTENBERG EBOOK WHAT'S BRED IN THE BONE ***
***** This file should be named 6010-8.txt or 6010-8.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/6/0/1/6010/
Produced by Charles Aldarondo, Charles Franks and the Online Distributed Proofreading Team.
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away—you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.
To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license.
1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that
- You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
- You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below.
1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause.
Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org
The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate
Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
www.gutenberg.org
This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.